Principles of Design
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Transcript of Principles of Design
REPETITION Similar use of
colors, plants or shapes within an area or entire landscape.
Repetition can be overdone
Avoid becoming monotonous and predictable
REPETITION Repetition involves
repeating or using an element more than once throughout a design.
It helps establish and add order and unity to a design.
Repetition provides a common feature throughout the design that pulls the design together.
VARIETY V. REPETITION
It may seem like variety and repetition are opposites that cannot co-exist Repetition = repeated use of design elements Variety = lack of repetition
Repetition and Variety must each exist in a balance Too much repetition and the design becomes
monotonous Too much variety and the design becomes
overwhelming. Proper Design incorporates a balance of
Repetition and Variety.
BALANCE “Visual
Weighting” This doesn’t
mean that design elements have to be mirror-imaged
Balance should consider the “fulcrum effect”
BALANCE
Balance is a design principle defined in terms of weight.
It is the equalization of visual weight from one side of a landscape to another.
In balance, the focal point is the fulcrum.
Two distinctly different types of balance exist in landscape design: symmetrical and asymmetrical.
SYMMETRICAL BALANCE
In symmetrical balance, one side of the landscape is visually identical to the other.
The same components are repeated on both sides of the composition.
If a line were drawn through the middle of the form or space, each side would be identical.
The visual and actual weight is equally distributed on each side.
ASYMMETRICAL BALANCE
Asymmetrical balance is an informal balance. One side is different but equivalent to the
other side – i.e. while they are not identical, they have similar visual weight and components
If one side of a landscape does not equally offset the other, an imbalance results. This is undesirable in landscaping The viewer should feel a sense of
stability
Balance – a focal point draws the eye and serves as a fulcrum to the rest of the landscape. Visual weight on the left of the FP should be equal to the weight on the right side.
EMPHASIS
Emphasis is the special attention or prominence given to something
In landscape design, it is the level to which your focal point stands out
EMPHASIS
Emphasis: Major landscape components are highlighted more than less important ones. Framing, plant numbers, or creating an unusual focal point are examples of creating emphasis in the landscape.
EMPHASIS
Notice the use of a) color, b) texture, c) line, d) balance, e) variety, and f) repetition to draw your eye to the center bush.
Scale – plantings are relative to the size of their surroundings (e.g. bushes are below the windows in all cases)
Scale – plantings are relative to the size of their surroundings (the house seems appropriately sized compared to the trees and bushes).
SEQUENCE
In addition to arrangement by size, sequence should be used to soften transitions from horizontal to vertical.
For example, proportionate plants should be used to help a house “merge” into its landscape.
Sequence – proper arrangement on the basis of size
CONCLUSION
RVBESS is necessary for any kind of landscape design and for all components of that design, living and nonliving. E.g. the colors in your plants should complement
the colors in your hardscaping and structures Your lines are a mixture of all the substances in
your landscape Be sure that each component is
interconnected – your entire landscape should not be a combination of unrelated components but should flow together as one harmonious design.