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155 West 7th Avenue, Vancouver, BC Canada V5Y 1L8

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155 West 7th Avenue, Vancouver, BC Canada V5Y 1L8

604 876 3303 denbighfas.com [email protected]

Providing expert handling of your fine art for over thirty years.

Installation Storage Shipping Transport Framing

BONNIE GASKIN STILL DREAM

VALENTINE’S DAY OPENING THU FEB 14 6:00–9:00

Complimentary wine & chocolate

MIKE SOLOMAN ON MY WAY

&YORKE GRAHAM LATITUDE

OPENING FRI MAR 08 6:00–9:00

02 / FEB–03 /MAR 08–30 / MAR

1525 W 6TH AVE VANCOUVER BC 604 428 0903 hello @ kimotogallery.com kimotogallery.com

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6 FEB - MAR 2019 H OPEN LATE ON FIRST THURSDAYS

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Vancouver(see above)

Bellingham

La Conner

Edmonton

Prince George

Williams Lake

Spokane

Seattle

Bellevue

Vernon

Kelowna

Penticton Nelson

Foothills

Banff Calgary

Black DiamondKamloops

Whistler

Salmon Arm

Everett

Qualicum BeachPort Alberni

VictoriaFriday Harbor

Port Angeles

Bainbridge Island

Tacoma

Grand Forks Castlegar

Laxgalts’ap

Prince Rupert

BRITISH COLUMBIA

HAIDAGWAII

Skidegate

Nanaimo

ALBERTA

St. Albert

Medicine Hat

Lethbridge

Pacific Ocean

WASHINGTON

OREGON

Portland

Salem

EugeneSisters

Cannon BeachAstoria

Black Creek

Osoyoos

Ellensburg

Manzanita

Oroville

CoquitlamPort MoodyWest Vancouver

North Vancouver

Maple Ridge

Fort Langley ChilliwackAbbotsfordWhite Rock

Surrey

BurnabyRichmond

Tsawwassen

New Westminster

Vancouver

ALBERTA8 Banff, Black Diamond, Calgary13 Edmonton16 Foothills, Lethbridge, Medicine Hat17 St. Albert

BRITISH COLUMBIA17 Abbotsford18 Black Creek, Burnaby, Castlegar, Chilliwack19 Coquitlam, Fort Langley, Grand Forks, Kamloops20 Kelowna, Laxgalts’ap, Maple Ridge, Nanaimo22 Nelson, New Westminster24 North Vancouver25 Osoyoos, Penticton28 Port Alberni 29 Port Coquitlam, Port Moody, Prince George30 Prince Rupert31 Qualicum Beach, Richmond, Salmon Arm,

Skidegate, Surrey33 Vancouver50 Vernon, Victoria53 West Vancouver55 Whistler, White Rock56 Williams Lake

WASHINGTON56 Bainbridge Island, Bellevue58 Bellingham, Ellensburg59 Everett, Friday Harbor, La Conner61 Oroville, Port Angeles, Seattle66 Spokane, Tacoma

OREGON68 Astoria, Cannon Beach70 Eugene, Manzanita, Portland74 Salem, Sisters

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The views, opinions and positions expressed are those of the authors and do not necessarily re�ect those of the publisher. Please note that all gallery particulars are set out as submitted by clients prior to the date of publication.

February - March 2019Vol.33 No.1

Printed on FSA approved and recycled paper

PREVIEWS & FEATURES 10 Alberta Vignettes

11 Antoni Tàpies - Glenbow MuseuM

13 Walled Off - Founders' Gallery

21 Bentley Meeker - Penticton art Gallery

23 Our Lives Through Our Eyes - Kelowna art

Gallery & oKanaGan HeritaGe MuseuM

26 British Columbia Vignettes

28 Colette Urban: Gambler - surrey art Gallery

30 Samson Young - centre a

32 Paul Wong - dr. sun yat-sen

classical cHinese Garden

43 Close-Up: Catriona Jeff ies -

catriona JeFFries Gallery

44 Hexsa'am - tHe belKin art Gallery

51 Todd Lambeth - deluGe conteMPorary art

54 How She Read - oPen sPace arts society

57 Washington Vignettes

60 Close-Up: Bellingham National

Juror Bruce Guenther

65 Close-Up: Phen Huang - Foster/wHite Gallery

67 New Benaroya Wing - tacoMa art MuseuM

69 Oregon Vignettes

71 Lucinda Parker - Hallie Ford MuseuM oF art

73 Sandow Birk - ronna & eric HoFFMan Gallery

75 Exhibition Catalogues of Interest

76 Art Services

78 Index

Cover: Lucinda Parker, Saraband, detail, 1993, acrylic on canvas, collection of Willamette University, Salem, OR, Maribeth Collins Art Acquisition Fund.

Photo: Dale Peterson Image courtesy of Hallie Ford Museum of Art

Banner Image: Glenbow Museum Launch Party, 2013 Photo: Andy Nichols



ALBERTABANFF

Whyte Museumof the Canadian Rockies 111 Bear St &403-762-2291 whyte.orgdaily 10am-5pm. Admission: adults $10; seniors $9; students & locals (Lake Louise to Morley) $5; children under 12 & members free. Feb 2- Apr 7 Laura Millard: Crossing. Laura Millard creates her symmet-rical images while circling aboard a snowmobile on a large frozen lake and simultaneously taking photo-graphs from a drone cruising above. Random animal markings and hand-drawn elements further embellish the images. Opening Reception: Feb 2, 7pm. Part of Exposure 2019, Al-berta’s Photography Festival. Philip Kanwischer: Inhospitably Ours. Philip Kanwischer’s photomontages consider nuances of conservation and preservation while examining the ethical flux of human interaction

with the wild. Opening Reception: Feb 2, 7pm. Part of Exposure 2019, Alberta’s Photography Festival.

BLACK DIAMOND

Bluerock Gallery 110 Centre Ave W &403-933-5047 bluerockgallery.cadaily 10am-6pm including holidays and by appt. A destination for handmade, one-of-a-kind fine art and craft. We represent close to 200 artists, most of whom live and work within 100 miles of the gallery.

CALGARY

Alberta Craft Gallery Suite 280 - 1721 29th Ave SW &587-391-0129 albertacraft.ab.cawed-fri 11am-5 pm; sat 10am-5pm. To Mar 30 home - Medalta’s Artist in Residence. An exhibition that celebrates the artists who have decided to make Medicine Hat their home and their cultural impact on the city. Opening Reception: Feb 2, 2-4pm. To Mar 9 SPOTLIGHT:

Leanne Keyes, Glass jewellery. New work of Alberta Craft Council members launching new designs or exploring new themes. Meet the Artist: Feb 14, 5-8pm.

Contemporary Calgary various locations &403-770-1350 contemporarycalgary.comPublic programs and exhibitions are held at a variety of central Calgary locations. See website for details. To Mar 16 Before Digital: Post-1970 Photography in Alberta at the Illingworth Kerr Gallery, 1407 14 Ave NW. Part of Exposure 2019, Alberta’s Photography Festival.

Esker Foundation 4th floor - 1011 9th Ave SE&403-930-2490eskerfoundation.comtue-sun 11am-6pm; thu-fri 11am-8pm. Free admission. To May 12 Neil Campbell: wheatfield. Campbell’s works - which range in execution from wall paintings, painted panels that gesture toward the sculptural, photography, and light installations – address the

14 S

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Memorial Dr NW

Blackfoot Tra

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42 Ave SE

4 St S

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10 St NW

29 Ave SW

33 Ave SW

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Trans-Canada Hwy

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Deerfo

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9 Ave SE

10 Ave SW

Edmonton Trail

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1A

2

The Collectors' Gallery of Art

Founders’ Gallery

Alberta Craft Gallery

TRUCK Contemporary Art

Bluerock GalleryLeighton Art Centre

Illingworth Kerr Gallery

Nickle Galleries

Esker Foundation

UNIVERSITY OF CALGARY

ALBERTA COLLEGE OF ART + DESIGN

Bow River

Bow River

CALGARY

4 Ave SW

Cen

tre S

t S

11 Ave SW

7 St

SW

6 St

SW

9 Ave SW8 Ave SW

2 St

SW

10 Ave SWGlenbow

Herringer Kiss

The New Gallery

Newzones

DOWNTOWN

1 St

SE

El

bow River

CALGARYSTAMPEDE



expanded somatic field and the physicality connected to the act of viewing. Jeremy Shaw: Quantifica-tion Trilogy. At the center of Shaw’s first solo show in Calgary are three para-fictional short films: Quickeners (2014), Liminals (2017), and I Can See Forever (2018), the latter of which is making its Canadian instal-lation premiere. PROJECT SPACE: Feb 4-Apr 28 Glenna Cardinal: mourning home.

Founders' Gallery 4520 Crowchild Trail SW&403-410-2340founders.ucalgary.camon-fri 9am-5pm; sat & sun 9:30am-4pm. Feb 1-May 20 Walled Off: The Politics of Containment. Perhaps the ultimate denial of freedom is captivity; this exhibition brings together photographic work that explores state suppression, control and containment, and summons the never-ending quest for individual liberty and human dignity. Curated by Dona Schwartz, University of Calgary and including work by Nina Berman, Edmund

Clark, Paula Luttringer and Peter van Agtmael. Opening Reception: Feb 1, 6pm. Part of Exposure 2019, Alberta’s Photography Festival.

Glenbow H130 9th Ave SE &403-268-4100 glenbow.orgtue-sat 9am-5pm; sun 12-5pm. Ad-mission: adults $16, seniors & stu-dents $11, youth (7-17) $10, family (2 adults & 4 youth) $40, children under 6 free, members free. Opening Feb 3 Christian Dior. A selection of breathtaking fashions ranging from daytime to evening wear for grand occasions. Meryl McMaster: Con-fluence. McMaster (Plains Cree and Euro-Canadian) explores her own sense of identity, and the complex history of the photographic repre-sentation of Indigenous peoples. Antoni Tàpies: Prints, 1948-1976. Works that have never before been publicly exhibited at Glenbow. On Location: Artists Explore a Sense of Place. A collection of Glenbow’s modernist and contemporary art provides the source material for an expansive exploration of different

kinds of places. Artist In Resi-dence: Albertine Crow Shoe. She is known primarily for her exquisite jewellery. Kent Monkman: The Rise and Fall of Civilization. Monkman’s alter-ego Miss Chief Eagle Testickle stands atop a nine-foot high replica of a rock-face buffalo jump as sculptural bison run through the gal-lery. Opening Feb 9 One New Work: Chris Cran. Curator Nancy Tousley’s ongoing exhibition series featuring new works by Calgary artists.

Herringer Kiss Gallery 101, 1615 - 10 Ave SW&403-228-4889 herringerkissgallery.comtue-sat 11 am-5 pm. Feb 9-Mar 2 David Burdeny: Svanire 2010-2018. Photographs that were made in some of France and Italy’s most iconic locations. Taken between the years 2010 - 2018, many of them are being made available for the first time. In these photographs, static elements slowly build within the frame during an extended daytime exposure, while dynamic elements trace a passage between buildings

NEIL CAMPBELLwheatfield

JEREMY SHAWQuantification TrilogyUntil 12 May

In the Project Space

GLENNA CARDINALmourning home4 February - 28 April

eskerfoundation.art@EskerFoundation

Neil Campbell, Saskatchewan, 2004. Courtesy of the artist, Galleria Franco Noero, Turin; and Office Baroque, Brussels.



Vignettes by Robin Laurence ALBERTA

JILL HO-YOU: INVERSIONThe New Gallery, Calgary. To Feb 9This print-based installation projects a future in which the planet Earth has become un-inhabitable through global warming and unsustainable development. Calgary-based artist Jill Ho-You uses interwoven fragments of cosmological, biological, mechanical and architectural imagery to create what the gallery calls “a speculative history of the Earth from creation to destruction.” The installation also includes a video projection and – unexpectedly – mould and bacteria cultured in Petri dishes.

#CALLRESPONSETRUCK Contemporary Art and Stride Gallery, Calgary. To Mar 15 Originating at grunt gallery in Vancouver, this touring exhibition is the result of an ambitious project of collaboration between Indigenous artists and curators across Turtle Island, from Vancouver to Halifax and from Iqualuit to New York. Organized by Tarah Hogue, Maria Hupfi eld and Tania Willard, #callresponse works across multiple disciplines and platforms to create dialogue, refl ect lived experience and express “re-surgence, resilience and refusal of existing power structures and colonial violence.”

NEIL CAMPBELL: WHEATFIELDEsker Foundation, Calgary. To May 12 Vancouver-based painter Neil Campbell challenges our perceptions of form, colour and pattern within the architectural spaces in which his art is exhibited. Drawing on the lessons of Op Art, Colour Field Painting, Minimalism and Conceptual Art, he creates “graphic interventions” – geometric paintings, vinyl print installations and forms milled in plate steel – that reverberate between fi gure and ground, heightening awareness of our physical surroundings and provoking consideration of the mind-body problem.

ANOTHER LANDSCAPE SHOWArt Gallery of Alberta, Edmonton. Feb 16 - Jul 1Newly appointed curators Amery Calvelli, Franchesca Hebert-Spence, LindseySharman and Jessie Ray Short bring their fresh eyes to landscape works in the AGA’s permanent collection. Posing a range of questions and using a myriad of approaches, they examine the cultural construction of landscape and traverse ideas of collective memory, narrative structure, sense of place, colonization and understanding of the natural world. “Who is connected to the land,” they ask, “and who is a visitor?”

ROBIN PECK: CRANIASouthern Alberta Art Gallery, Lethbridge. Mar 2 - Apr 28 Based in Fredericton, NB, artist, writer and educator Robin Peck has created a seriesof sculptures that may or may not resemble human heads and are composed of un-likely materials ranging from lead to burlap and from gravel to gold paint. The title of each work includes its materials, along with the time and date of its creation, re-vealing the conceptual impulse behind the series. At the same time, the curators tell us, the mark of the artist’s hand “reinforces the body as a primal way of knowing.”

JILL HO YOU, IN THE DUST I, 2015COURTESY OF THE ARTIST

LAAKKULUK WILLIAMSON BATHORY, TIMIGA NUNALU, SIKULU

˜MY BODY, THE LAND AND THE ICE°, 2016VIDEO: JAMIE GRIFFITHS

COURTESY OF THE ARTIST

NEIL CAMPBELL, FIELD, 2011COURTESY OF THE ARTIST

AND GALLERIA FRANCO NOERO, TURIN;OFFICE BAROQUE, ANTWERP

ATTILA RICHARD LUKACS, VARIETIES OF LOVE IV, LOVE IN LOSS, HERMIT’S LIFE

˜WITH A BEAST OF PREY°, 1992

ROBIN PECK,SCULPTURE ˜CRANIA 61°, 2016˜17

PHOTO: RACHEL TOPHAM

Antoni Tàpies: Prints, 1948-1976GLENBOW MUSEUM, Calgary AB - Feb 3 - July 14

by Michael Turner

Antoni Tàpies was born in Bar-celona in 1923 and raised in a household of Catalan national-ists. Although partial to the re-publican cause, he was equally attracted to the paintings of Braque, Duchamp, Kandinsky and Picasso, whose reproduc-tions he was exposed to in the groundbreaking Christmas 1934 issue of D’Aci i d’Allà. Like hisfather, Tàpies entered law school, but he abandoned his studies in 1943 to pursue art full time – a decision that led him

through a series of technical experiments in paint mixing, in addition to readings of Sartre andEastern philosophy.

Although active in painting, assemblage and sculpture, Tàpies, like the American AndyWarhol (1928-1987), was best known for his printmaking. However, whereas Warhol focused on more commercially acceptable applications of narrative and fi gurative content, Tàpies pre-ferred his surfaces coarse and layered, like his expressive abstract paintings. To achieve these e˛ ects, he employed a range of unconventional if not eccentric techniques, from collagraphic embossing and fl ocking to folding, cutting and tearing.

In 2010 the Glenbow acquired a substantial selection of Tàpies’ works for its permanent col-lection. These works range from the late 1940s to the mid-1970s, and provide evidence of an artist known as much for his expressive prints as for his technical innovations. A recurrent motif is Tàpies’ use of red and yellow – the colours of the Catalan fl ag. In his Mestres Catalunya(1974), the viewer does not so much register the di˛ erentiation of these colours as feel the work in its material totality, as if waved victoriously from the top of a hill.

glenbow.org

Glenbow Museum exterior, 2016

Phot

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CALGARY

and along pathways. Several are multiple exposures taken over the course of a day and later recom-posed into a single frame. Part ofExposure 2019, Alberta’s Photog-raphy Festival. Opening Reception: Feb 9, 2pm. Mar 7-Apr 20 Howard Lonn: Paintings. New work by Toronto painter Howard Lonn in his first ever solo exhibition with the Herringer Kiss Gallery. The forms deployed in Lonn’s recent paintings possess an architectonic sense of

scale and structure, however, free of the burden of giving us an architectural image.

Illingworth Kerr GalleryAlberta College of Art + Design1407 14th Ave NW &403-284-7633 ikg.acad.catue-fri 12pm-6pm; sat 12-4pm. To Mar 16 Before Digital: Post-1970 Photography in Alberta takes a selective look at the late analogic period through the eyes, camera shutters and darkrooms of twen-ty-seven photographers working

in the province. Featuring close to 80 works in (gelatin) silver print, C-print, Ektacolour, Cibachrome and other less common film products or processes, this large survey also highlights the growth of fine art photography from the documen-tary to the more conceptual or photo-based art. Considered as well is the contribution made by certain post-secondary institutions, public art galleries and collections in the province. Curated by Mary-Beth Laviolette. Part of Exposure 2019, Alberta’s Photography Festival.

Vignettes by Robin Laurence ALBERTA

JILL HO-YOU: INVERSIONThe New Gallery, Calgary. To Feb 9This print-based installation projects a future in which the planet Earth has become un-inhabitable through global warming and unsustainable development. Calgary-based artist Jill Ho-You uses interwoven fragments of cosmological, biological, mechanical and architectural imagery to create what the gallery calls “a speculative history of the Earth from creation to destruction.” The installation also includes a video projection and – unexpectedly – mould and bacteria cultured in Petri dishes.

#CALLRESPONSETRUCK Contemporary Art and Stride Gallery, Calgary. To Mar 15 Originating at grunt gallery in Vancouver, this touring exhibition is the result of an ambitious project of collaboration between Indigenous artists and curators across Turtle Island, from Vancouver to Halifax and from Iqualuit to New York. Organized by Tarah Hogue, Maria Hupfi eld and Tania Willard, #callresponse works across multiple disciplines and platforms to create dialogue, refl ect lived experience and express “re-surgence, resilience and refusal of existing power structures and colonial violence.”

NEIL CAMPBELL: WHEATFIELDEsker Foundation, Calgary. To May 12 Vancouver-based painter Neil Campbell challenges our perceptions of form, colour and pattern within the architectural spaces in which his art is exhibited. Drawing on the lessons of Op Art, Colour Field Painting, Minimalism and Conceptual Art, he creates “graphic interventions” – geometric paintings, vinyl print installations and forms milled in plate steel – that reverberate between fi gure and ground, heightening awareness of our physical surroundings and provoking consideration of the mind-body problem.

ANOTHER LANDSCAPE SHOWArt Gallery of Alberta, Edmonton. Feb 16 - Jul 1Newly appointed curators Amery Calvelli, Franchesca Hebert-Spence, LindseySharman and Jessie Ray Short bring their fresh eyes to landscape works in the AGA’s permanent collection. Posing a range of questions and using a myriad of approaches, they examine the cultural construction of landscape and traverse ideas of collective memory, narrative structure, sense of place, colonization and understanding of the natural world. “Who is connected to the land,” they ask, “and who is a visitor?”

ROBIN PECK: CRANIASouthern Alberta Art Gallery, Lethbridge. Mar 2 - Apr 28 Based in Fredericton, NB, artist, writer and educator Robin Peck has created a seriesof sculptures that may or may not resemble human heads and are composed of un-likely materials ranging from lead to burlap and from gravel to gold paint. The title of each work includes its materials, along with the time and date of its creation, re-vealing the conceptual impulse behind the series. At the same time, the curators tell us, the mark of the artist’s hand “reinforces the body as a primal way of knowing.”

JILL HO YOU, IN THE DUST I, 2015COURTESY OF THE ARTIST

LAAKKULUK WILLIAMSON BATHORY, TIMIGA NUNALU, SIKULU

˜MY BODY, THE LAND AND THE ICE°, 2016VIDEO: JAMIE GRIFFITHS

COURTESY OF THE ARTIST

NEIL CAMPBELL, FIELD, 2011COURTESY OF THE ARTIST

AND GALLERIA FRANCO NOERO, TURIN;OFFICE BAROQUE, ANTWERP

ATTILA RICHARD LUKACS, VARIETIES OF LOVE IV, LOVE IN LOSS, HERMIT’S LIFE

˜WITH A BEAST OF PREY°, 1992

ROBIN PECK,SCULPTURE ˜CRANIA 61°, 2016˜17

PHOTO: RACHEL TOPHAM

Antoni Tàpies: Prints, 1948-1976GLENBOW MUSEUM, Calgary AB - Feb 3 - July 14

by Michael Turner

Antoni Tàpies was born in Bar-celona in 1923 and raised in a household of Catalan national-ists. Although partial to the re-publican cause, he was equally attracted to the paintings of Braque, Duchamp, Kandinsky and Picasso, whose reproduc-tions he was exposed to in the groundbreaking Christmas 1934 issue of D’Aci i d’Allà. Like hisfather, Tàpies entered law school, but he abandoned his studies in 1943 to pursue art full time – a decision that led him

through a series of technical experiments in paint mixing, in addition to readings of Sartre andEastern philosophy.

Although active in painting, assemblage and sculpture, Tàpies, like the American AndyWarhol (1928-1987), was best known for his printmaking. However, whereas Warhol focused on more commercially acceptable applications of narrative and fi gurative content, Tàpies pre-ferred his surfaces coarse and layered, like his expressive abstract paintings. To achieve these e˛ ects, he employed a range of unconventional if not eccentric techniques, from collagraphic embossing and fl ocking to folding, cutting and tearing.

In 2010 the Glenbow acquired a substantial selection of Tàpies’ works for its permanent col-lection. These works range from the late 1940s to the mid-1970s, and provide evidence of an artist known as much for his expressive prints as for his technical innovations. A recurrent motif is Tàpies’ use of red and yellow – the colours of the Catalan fl ag. In his Mestres Catalunya(1974), the viewer does not so much register the di˛ erentiation of these colours as feel the work in its material totality, as if waved victoriously from the top of a hill.

glenbow.org

Glenbow Museum exterior, 2016

Phot

o: C

ourte

sy o

f Gle

nbow

Mus

eum



CALGARY

Newzones 730 11th Ave SW &403-266-1972 newzones.comtue-fri 10:30am-5pm; sat 11:30am-4:30pm. Free admission.Feb 2-Mar 2 Joshua Jensen-Nagle: Seasons. Highlighting select work from ongoing series EndlessSummer and Winter. Showcasing people as colourful specks clustered on long stretches of sand, rock and snow, like abstract elements. His im-mersive, cinematic, large-scale pho-tos invite viewers to lose themselves in the crowd and landscape. Group Exhibition: Perception. A presen-tation of Newzones process-driven and photo-based artists, curated to showcase the methods that are employed in their creative process. Featuring photographers D. Bos, A. Breutigam, F. De Francesca, J. Folsom, V. Mak, D. Maynard, Stuart, and Sarah Nind. Mar 9-Apr 27 Cathy Daley: Nostalgia. Daley’s drawings reflect an aesthetic driven by the contemporary figure. Susannah Montague: Untitled. In Montague’s ceramic sculptures, there is a narra-tive to be discovered.

Nickle GalleriesUniversity of Calgary410 University Court NW&403-220-7234 nickle.ucalgary.camon-fri 10am-5pm; thu 10am-8pm; sat 11am-4pm. To Apr 6 Mireille

Perron: Through The Anatomy of a Glass Menagerie: AltaGlass. Perron contributes to a reactivation of meanings and examinations for AltaGlass by presenting 113 selected objects from the collection alongside cyanotypes, following in the footsteps of Anna Atkins (1799-1871) who is often considered the first female photographer. To Apr 13 Breaking Tradition: Landscape (Im)possibilities. The photographic works in this exhibition chal-lenge traditional understandings, perceptions, and interpretations of landscape. Part of Exposure 2019, Alberta’s Photography Festival.To May 3 Revolutionaries and Ghosts: Memory, Witness and Justice in a Global Canadian Context. The works in this exhibition summon stories of political and per-sonal responses to and memoriesof many impactful and sustainedworld events from the 20th and21st centuries.

The Collectors Gallery of Art 1332 9th Ave SE &403-245-8300 collectorsgalleryofart.comtue-fri 10am-5:30pm; sat 10am-5pm. The Collectors Gallery carries important original works of art including paintings, works on paper, and sculpture by Canadian masters from pre-Confederation to the present day. The Collectors Gallery also represents over 30 prominent contemporary Canadian artists.

The New Gallery (TNG) 208 Centre St SE &403-233-2399 thenewgallery.orgtue-sat 12-6pm. To Feb 9 Jill Ho-You: Inversion engages with the anxiety, fear, and speculation about the future of the planet by imagining the world if the Anthropocene reaches its predicted negative climax of uninhabitable climate change, shrinking biodiversity, and unsustainable development. Imagining what remains after the projected extinction of humanity, the work explores the idea of systemic failure by examining the relationship between the biologic, environmen-tal, and man-made. Blurring the lines between the human body, the natural and the manufactured landscapes, the exhibition traces a speculative history of the Earth from creation to destruction, questioning and emphasizing the role of human industry through the conspicuous absence of people. Feb 22-Mar 23 Thomas Kneubühler: Landing Sites. Opening Reception:Feb 22, 8pm.

TRUCKContemporary Art in Calgary 2009 10th Ave SW&403-261-7702truck.catue-fri 11am-5pm; sat 12-5pmFree admission. To Mar 15 #call-response is a multifaceted project strategically centering Indigenous

F E B . 1 - 2 8

www.exposurephotofestival.com

Artist credit: Jennifer Kapala

Walled O˛ : The Politics of EngagementFOUNDERS’ GALLERY, Calgary AB - Feb 1 - May 20

by Michael Turner

In keeping with the Founders’ mandate of “exploring human confl ict worldwide through projects by local, internation-al, historic and contemporary artists that challenge viewers’ knowledge of and interaction with war,” University of Calgary art historian and guest curator Dona Schwartz has assembled Walled O˜ . Featuring the work of Peter van Agtmael, Edmund Clark, Paula Luttringer and the NOOR Za’atari Project (Nina Berman, working with Andrea

Bruce, Alixandra Fazzina and the late Stanley Greene), the exhibition recognizes “captivity,” in all its forms, as “the ultimate denial of freedom.”

For his 2016 series In the Shadow of Trump’s Wall, US photographer Peter van Agtmael visit-ed the Texas towns of Laredo and Brownsville to document the symbolic impact of the US gov-ernment’s 18-foot-high “partial walls” on local populations. In Guantánamo: If the Light Goes Out, Camp 1 (2010), the UK’s Edmund Clark provides a digital chromogenic print of an empty, if not oxymoronic, “exercise cage” taken at dusk. Argentinian Paula Luttringer’s contributions include El Lamento de los Muros (The Wailing of the Walls) (2000-2005), an inkjet print that presents the cage at its most ambiguous.

Events include lectures and a gallery tour with Schwartz and Clark.

Opening in conjunction with the Exposure Photography Festival

Curator’s tour Feb 3, 2pm

founders.ucalgary.ca

Peter van Agtmael, from In the Shadow of Trump’s Wall, USA.Brownsville, Texas. 2016



women as vital presences across platforms and includes a touring exhibition curated by Tarah Hogue, Maria Hupfield and Tania Willard with performances and public programming. This exhibition is co-presented in Calgary withTRUCK Contemporary Art and Stride Gallery, 1006 Macleod Trail SE, providing multiple points of engagement through exhibition, performance, collaboration and dialogue. This exhibition is organized and circulated by grunt gallery.Part of Exposure 2019, Alberta’s Photography Festival.

EDMONTON

Alberta BrandedLegislative Assembly Visitor Centre 9820 107 St &780-422-3982 assembly.ab.ca/visitorcentre/abBranded.htmlmon-wed & fri 10am-5pm; thu 10am-8pm; sat & sun noon-5pm. Ongoing Showcase 2019: Influence/Confluence. The process of making is not a singular act of influence or confluence. The creative process demands a confluence of one’s own history, bias, abilities, and even limitations with the influences of politics, economics, social con-

structs and the physical environ-ment. By embracing both influence and confluence, we form a new and original path.

Alberta Craft Gallery10186 106th St NW &780-488-6611albertacraft.ab.caMon - Sat 10am-5pmThu open until 6pm To Mar 2 Allison Tunis, Dawn Candy, Dr. Jennifer E. Salahub, Linda Chow - The Recipients. An exhibition of work featuring the recipients of the 2018 Alberta Craft Awards, highlighting their achieve-ments and contributions to Alberta’s

Walled O˛ : The Politics of EngagementFOUNDERS’ GALLERY, Calgary AB - Feb 1 - May 20

by Michael Turner

In keeping with the Founders’ mandate of “exploring human confl ict worldwide through projects by local, internation-al, historic and contemporary artists that challenge viewers’ knowledge of and interaction with war,” University of Calgary art historian and guest curator Dona Schwartz has assembled Walled O˜ . Featuring the work of Peter van Agtmael, Edmund Clark, Paula Luttringer and the NOOR Za’atari Project (Nina Berman, working with Andrea

Bruce, Alixandra Fazzina and the late Stanley Greene), the exhibition recognizes “captivity,” in all its forms, as “the ultimate denial of freedom.”

For his 2016 series In the Shadow of Trump’s Wall, US photographer Peter van Agtmael visit-ed the Texas towns of Laredo and Brownsville to document the symbolic impact of the US gov-ernment’s 18-foot-high “partial walls” on local populations. In Guantánamo: If the Light Goes Out, Camp 1 (2010), the UK’s Edmund Clark provides a digital chromogenic print of an empty, if not oxymoronic, “exercise cage” taken at dusk. Argentinian Paula Luttringer’s contributions include El Lamento de los Muros (The Wailing of the Walls) (2000-2005), an inkjet print that presents the cage at its most ambiguous.

Events include lectures and a gallery tour with Schwartz and Clark.

Opening in conjunction with the Exposure Photography Festival

Curator’s tour Feb 3, 2pm

founders.ucalgary.ca

Peter van Agtmael, from In the Shadow of Trump’s Wall, USA.Brownsville, Texas. 2016



EDMONTON

Fine Craft culture. Mar 9-Apr 20 LUMINA. A couplet exhibition of contemporary blown glass lighting designs by Carissa Baktay (Calgary, AB) and Cathinka Maehlum (Loften, Norway). Opening Reception: Mar 9, 2-4pm. To Apr 27 Portraits. A portrait can convey the likeness of a person in physicality, personality, or even mood. This exhibition features the work of 35 Fine Craft artists who share stories of family, culture, place, being, and belonging through their work.

Art Gallery of Alberta 2 Sir Winston Churchill Square &780-425-5379 youraga.catue-wed 11am-5pm; thu 11am-8pm; fri-sun 11am-5pm. Admission: adults $12.50; seniors (65+)/students $8.50; children 7-17 $8.50; family (up to 2 adults + 4 children) $26.50; members and children under 6 free Opening Feb 15 Marigold Santos: Surface Tether. Santos presents cultural

landscapes, emotional landscapes, and the natural world through drawing, painting, tattooing and photography. Another Landscape show features works from the AGA’s landscape-laden permanent collection. To Mar 24 StretchMark: A New Chapter Acquisition Project explores tension resulting from moments of rapid growth or change. Ongoing Boarder X brings together interdisciplinary contemporary art from artists of Indigenous nations across Canada who surf, skate, and snowboard. Vernon Ah Kee: cantchant Referencing the 2005 Cronulla race riots that took place near Sydney, Australia, cantchant provides a compelling statement on the racially motivated conflicts between white Australians and more recent, non-Western immigrants to the country.

Bearclaw Gallery 10403 124 St NW &780-482-1204 bearclawgallery.common-sat 10am-5:30pm. The Bear-claw Gallery has been representing

First Nations, Indigenous, Inuit and Métis art in Edmonton for over 40 years. This spring will feature clay pieces by Dianne Meili in March, acrylic on canvas paintings by Laird Goulet in April and new works on canvas, and in stone by Jason Carter in May.

Borealis GalleryLegislative Assembly Visitor Centre 9820 107 St &780-427-7362 assembly.ab.ca/visitorcentre/borealis.htmlmon-wed & fri 10am-5pm; thu 10am-8pm; sat & sun noon-5pm. Feb 7-Apr 22 Home Economics: 150 Years of Canadian Hooked Rugs. Homes Economics explores the unique stories and histories that have informed hooked rugs in Can-ada, the highly recognizable forms of folk art with roots in 19th-century North America. Featuring hooked rugs from the Museum’s rich archive of international material culture, the exhibition represents generations of artisanal entrepreneurship, women’s domestic and collective work,

102 Ave NW

Jasper Ave

River Vallery Rd NW

109 St NW

105 St NW

107 Ave

104 Ave NW

Emily Murphy Park Rd NW

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103 Ave NW

106 St NW

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my Hill

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t Rd

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113 St NW

DOWNTOWN

OLIVER SQUARE

ALBERTA LEGISLATURE

BUILDING

Victoria Park

North Saskatchewan River

Alberta Craft Gallery

Alberta BrandedBorealis Gallery

Art Gallery of St. Albert

Musée Héritage Museum

Art Gallery of Alberta

EDMONTON

103 Ave NW

123 St NW

Stony Plain Rd

124 St

124

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104 Ave NW

Bugera Matheson Gallery

Udell Xhibitions

Peter Robertson Gallery

Bearclaw Gallery

Scott Gallery

The Front Gallery



as well as rural development in Canada. This is a travelling exhibi-tion organized and circulated by the Textile Museum of Canada withthe support of the Museum Assis-tance Program of the Departmentof Canadian Heritage.Opening Reception: Feb 7, 6pm.

Bugera Matheson Gallery 10345 124th St NW&780-482-2854bugeramathesongallery.comtue-fri 11am-5pm; sat 10am-5pm. Feb 9-22 Kim Atlin: Unlikely Bedfellows. “This body of work

continues exploring my urban gardening experience in the heart of a large city. These pieces are about more than gardens. They are about the confluence of man and nature, and the tension in this union. The re-silience of nature works both as my muse and my nemesis.” Kim Atlin. Mar 9-23 Janice Mason Steeves and Maja Padrov: Fire and Ice. Painted abstract works by Janice Mason Steeves, inspired by Icelandic landscapes, sit in beautiful harmony with Maja Padrov’s ceramic vessels forged in heat.

Peter Robertson Gallery 12323 104th Ave NW &780-455-7479 probertsongallery.comtue-fri 11am-5pm;sat 10am-5pm.Feb 7-Mar 5 Gordon Harper:Tree Island. “Tree island is a place in the imagination, where two worlds meet. It is a place where we encounter the wilderness, on the fringes of the built world. It is a place where our conflicting inner selves meet: the person who is part of nature by birth, and the person who is forever separated from it.”

1 BEARCLAW GALLERY10403 124 St. NW 780.482.1204bearclawgallery.com

2 BUGERA MATHESON GALLERY10345 124 St. NW 780.482.2854bugeramathesongallery.com

4 THE FRONT GALLERY10402 124 St. NW 780.488.2952thefrontgallery.com

5 UDELL XHIBITIONS FINE ART GALLERY10332 124 St. NW 780.488.4445udellxhibitions.com

3 SCOTT GALLERY10411 124 St. NW 780.488.3619scottgallery.com

EDMONTON FEATURED GALLERIES

124 STREETGALLERYDISTRICT

Andrea Kastner, Portals, 2018,oil on board

Daphne Odjig, Together, 1979,serigraph

David Hockney, My Yorkshire - Rain on the StudioWindow, 2009, inkjet-printed computer drawing - 26/75

Les Thomas, Moose-Animal Painting #018-1620,2018, oil on board

Kim Atlin, Metamorphosis 2, 2018,oil on panel

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STONY PLAIN RD

OLIVER SQUARE

105 AVE NW

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EDMONTON

Gordon Harper. Opening Reception: Feb 7, 7 pm. Scott Cumberland: Serious Whimsy. “The paintings in Serious Whimsy attempt to investigate the often tenuous and complicated relationship between the decorative and abstract painting. Using the Rococo art movement as a point of reference, I combine deco-rative patterning with my continued interest in the ribbon motif.” Scott Cumberland. Opening Reception: Feb 7, 7 pm. Artist Talk: Feb 9, 3 pm.

Scott Gallery 10411 124th St NW&780-488-3619 scottgallery.comtue-sat 10am-5pm. Feb 1-28 5 Art-ists 1 Love 2019. February is Black History Month and Scott Gallery is proud to be one of three galleries in the Greater Edmonton area to host 5 Artist 1 Love 2019! Mar 9-29 Jim Stokes, New paintings. Jim Stokes paintings of the western plains and farmland of Alberta are direct and lyrical; subtle compositions that can be wholly understood within a single frame and repeatedly.

The Front Gallery 10402 124th St &780-488-2952 thefrontgallery.comtue-fri 11am-5pm; sat 10am-5pm. The Front Gallery is a forty year landmark located in the heart ofthe gallery district. Celebrating our first year anniversary at our new location - 10402 124th Street -

we invite you to check out Edmon-ton’s artistic diversity. Feb 7-Mar 20 New Paintings. Opening Reception: Feb 7, 7pm. Mar 28-Apr 15 Beyond Realism. Opening Reception:Mar 28, 7pm. Please check our web-site and/or follow us on instagram @thefrontgallery for exhibition news.

Udell XhibitionsFine Art Gallery 10332 124st NW &780-488-4445 udellxhibitions.comwed-sat 11am-5pm; sun-tueby appt. Check website forexhibition information.

FOOTHILLS

Leighton Art Centre 282027 144 St W &403-931-3633 leightoncentre.orgtue-sat 10am-4pm. To Feb 23 Push-ing Boundaries with Art, Nature & History: An Indefinite Arts Residency. An exhibition of works from 30 artists from Indefinite Arts Centre (IAC) in Calgary, who through funding from the Rozsa Foundation, traveled to the LAC during Sept 2018 to participate in a residency program in our historic studios. Mar 2-Apr 13 just turn your head a little. Explores the intelligence of the body. Artist Verna Vogel will be creating a site-specific string installation, paired with mixed media cold wax paintings by Frances Vettergreen. Both artists present works that are a reflection of their process-driven artistic practice. Mar

2-Apr 13 Monique Martin: Context is Everything. Using a simple weed found in a ditch on the prairies as the impetus, this exhibition is meant to encourage people to take another look before we judge the worth of something or someone.

LETHBRIDGE

Southern Alberta Art Gallery H601 3 Ave S &403-327-8770saag.catue-sat 10am-5pm; thu 10 am-7pm; sun 1-5pm. Admission: general $5; students/seniors $4; groups $3 per person; members & children under 12 free. To Feb 17 Jennifer Rose Sciarrino: Ruffled Follicles and a Tangled Tongue is a solo exhibition, featuring new sculptural installation and video works, with the artist thinking through language and gesture to a microscopic level. Rosa Aiello: The Coquette, The Prude is a solo exhibition based on two of the seventeen stories from Patricia Highsmith’s Little Tales of Misogyny. Opening Mar 2 Mary Kavanagh: Daughters of Uranium explores the legacy of the atomic age from the perspective of the sentient body and intergenerational trauma. While considering the ideological appara-tus that has surrounded nuclearism since its inception, this new work has emerged from a longstanding interest in the body as a site of memory, erasure, violence, and inscription. Robin Peck: Crania is an exhibition of twelve, mixed-media sculptures, selected from more than one hundred made since 2012 by Canadian artist, writer and educator Robin Peck, currently living in Fredericton, NB.

MEDICINE HAT

Esplanade Art Gallery 401 First St SE &403-502-8580 esplanade.camon-fri 10am-5pm; sat & holidays 12-5pm Feb 2- Mar 23 Jinyoung Kim: Jugong Apartment Series and Survival 101: In Case of Com-plete Disappearance. Emerging Quebec artist Jinyoung Kim melds fiction and documentary in photog-raphy, video and performance to explore identity and place, belonging and loss. Part of Exposure - Alberta’s

InFocus Photo Exhibit & Awards is an annual celebration of the best Canadian-made photography.

Exhibit & Programming: FebruaryCall for Photos Deadline: October ©

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Photography Festival. Opening Re-ception: February 8, 7pm. Changing Places: New Work by the Medicine Hat Photography Club and South-ern Exposure Photography Club. Members of both photography clubs in Medicine Hat respond to themes of identity and place, belonging and loss. Part of Exposure - Alberta’s Photography Festival. Opening Reception: February 8, 7pm.

ST. ALBERT

Art Gallery of St. Albert H#100, 6D Perron St(temporary location)&780-460-4310artgalleryofstalbert.catue-sat 10am-5pm; thu 10am-8pm. Feb 9-Mar 30 Reconciling Edmonton. The newly renovated, barrier-free Art Gallery of St. Albert opens its doors to the public on Saturday, February 9, 2019 with Reconciling Edmonton. This exhibition is a ground breaking collaboration from RISE- Recon-ciliation in Solidarity Edmonton, a resolute group of citizens committed to supporting reconciliation through words and action. ReconcilingEdmonton includes the work of: Poet Anna Marie Sewell; Historian and Writer Danielle Metcalfe-Chenail; Visual Artist Jennie Vegt and Cultural Connector Miranda Jimmy. The exhibition features a robust program of events to remind visitors that we are all treaty people. Open-ing Reception: Feb 9, 2:30-5pm.

Musée Héritage Museum 5 St Anne St&780-459-1528museeheritage.catue-sat 10am-5pm; sun 1-5pm.To Mar 24 Pandemic! As we mark the 100th anniversary of the world-wide Spanish Influenza pandemic in 1918-19, this exhibition will look back on the communities of Alberta and the impact this event had on them. St. Albert was faced with two early epidemics in the late 19th century. When smallpox came to the community in 1870, it wiped out 300 people, one-third of the population. Fifteen years later, diphtheria struck. Christine Harnois, Father Lacombe’s sister, lost all six of her children

to this disease in just one week. The Oblates and Grey Nuns at the Mission worked tirelessly, providing medicine and comfort during these tragedies. Pandemic! also focuses on more recent diseases such as Polio, HIV, Swine Flu and Ebola.This exhibition analyzes what humans have learned from past pandemics and what science is doing to stay one step ahead of a future pandemic.

BRITISH COLUMBIAABBOTSFORD

Kariton Art Gallery & Boutique 2387 Ware St&604-852-9358abbotsfordartscouncil.comtue-thu 11am-4pm. Feb 9-Mar 5 This is Us. The Central FraserValley Graphic Guild presentsThis is Us, a collection of paintings by various artists with a printmaking background working ina diversity of mediums.Opening Reception: Feb 9, 6pm.

S’eliyemetaxwtexw Art GalleryUniversity of the Fraser Valley33844 King Rd&604-504-7441 ext 4543sag-ufv.camon-fri 9am-5:30pm. Free admis-sion. Feb 1-17 Works from the VA Department Collection. Featuring artworks across multiple disciplines and mediums, drawn from the de-partment collection. Feb 26-Mar 15 Pinhole Photography & Alternative Processes. This exhibition explores the imagination, discipline and experimentation necessary to create imagery that borrows from both traditional practices of photography with current technologies of the digital medium.

The ReachGallery Museum Abbotsford32388 Veterans Way&604-864-8087thereach.catue, wed, fri 10am-5pm; thu 10am-9pm; sat & sun 12-5pm. Admission by donation. Ongoing Stephanie Patsula: (In)Site. A number of large-scale photos that document some of her performances in remote

Philip Kanwischer, Clutch, 2017 Whyte Museum, Banff

On Loan from Constantinos Costoulas



ABBOTSFORD

wilderness areas for very limited(or no) audiences. Cindy Baker: Crash Pads and Trucker Bombs. Includes two distinct but related bodies of work. Remote Garden-ing with DysfunctionED Tools: A Mohsen Khalili Retrospective. A poignant journey through the processes by which one human body, or large systems, can become dysfunctional. Remote Gardening with DysfunctionED Tools: A Mohsen Khalili Retrospective.This exhibition is a comprehensive survey of Khalili’s abundantcreative output. Showcasing several major series of paintings, sculpture, and prints, this exhibition is a poi-gnant journey through the processes by which one human body, or large systems, can become dysfunctional.

BLACK CREEK

Brian Scott Fine Arts Gallery8269 North Island Highway&778-428-6249bscottfinearts.catue-sun 10am-6pmExpressionist oil and acrylic paintings reflecting whimsical West Coast themes. Current subjects: contrasting distortions of harbour scenes and man-made forms(geometric) with organic forms (irregular) caused by tidal action.

BURNABY

Burnaby Art Gallery 6344 Deer Lake Ave&604-297-4422burnabyartgallery.catue-fri 10am-4:30pm; sat & sun 12-5pm. Admission by donation. Mar 15-Apr 21 Lynne Cohen: These Walls. A retrospective exhibition featuring works by Lynne Cohen, best known for her photographs of institutional interior spaces. Opening Reception: Mar 14, 7pm. OFFSITE Bob Prittie Library, 6100 Willingdon Ave. To Mar 24 Cloud Art: Paper Marbling by Candace Thayer-Coe. Thayer-Coe’s explores the ancient technique of paper marbling. McGill Library, 4595 Albert St. To Mar 25 How’s the Weather? Works from the Collection. This exhibition includes work by Richard Yates,J.C. Heywood, Joseph Therrienand Arnold Shives.

Deer Lake Art GalleryBurnaby Arts Council6584 Deer Lake Ave&604-298-7322burnabyartscouncil.orgtue-sat 12-4pm. Free admission.To Feb 9 Jay Senetchko: Rich Dark Soil. Senetchko is of Canadian (Albertan) and Ukrainian descent; and although he is most easily defined as a painter, he situates his practice in a broader material context and process, which includes photography, digital media, sculp-tures, performance and installations.

Feb 16-Mar 9 Deb Chaney, Jan Rankin, Wolfgang Vogt & Ronald Watt: Horizons. A unique exhibition showcasing a diverse selection of an artist’s perspective of a landscape. Horizons includes a rich and varied survey of the natural world. Exploring the relationship between painting, glass and the abstract. Opening Reception: Feb 16, 12pm.

CASTLEGAR

Kootenay Gallery of Art 120 Heritage Way&250-365-3337kootenaygallery.comtue-sat 10am-5pm. Admission by donation. To Feb Exhibition of Columbia Basin Artists. Mar 8- Apr 20 Fata Morgana, an exhibition/installation by Nelson based Artist Hildur Jonasson. Interested in the extent of the effect of climate change on glaciers and ice flows in her native Iceland, Jonasson’s exhibition will include large relief prints and etchings of the surfaces of the glacier to evoke the fragile and fleeting nature of not only this glacial landscape but also the earth as a whole. Helena Wadsley: Maple Maple Wadsley’s exhibition is made up of a series of panels of charcoal drawings representing the Norwe-gian maple trees that line the streets of her Vancouver neighbourhood. Trees became the pivotal subject to explore the contrast between being truly of a lace and perpetually feeling like a transplant.

CHILLIWACK

O’Connor Group Art GalleryChilliwack Cultural Centre9201 Corbould St&604-392-8000oconnorgroupartgallery.comwed-sat 12-5pm. Free admission. To Mar 2 Whole. Artist Sylvie Roussel-Janssens presents recent textile sculptures. The punctured translucent works are folding shapes inspired by origami and quilting tes-sellations. Immersive installations, wall mounted pieces and sculptures with integrated lighting are in the O’Connor gallery to be discovered. Mar 6-Apr 12 People and Places. The exhibition “People and Places”

Cindy Baker, Crash Pad (detail), 2018, custom wallpaper, dimensions variable

Crash Pad and Trucker Bombs | C indy BakerJ a n u a r y 2 4 - M ay 5 , 2 019



brings together the figurative work of Chilliwack photographer Graham Dowden and the landscape work of Vancouver painter Jeff Wilson. In this show, two separate traditions and media are combined in a setting which brings out values and per-spectives they have in common.

COQUITLAM

Art Galleryat Evergreen Cultural Centre 1205 Pinetree Way&604-927-6550 &604-927-6566evergreenculturalcentre.ca/exhibit/wed-sat 12-5pm; sun 12-4pm. Free admission. To Feb 17 Emerging Tal-ent 22. Since 1998, the Art Gallery at Evergreen has hosted Emerging Talent, a multi-disciplinary exhibition featuring work by senior art students from School District 43. The artists selected for this juried exhibition have dedicated themselves to pursuing their passion for the arts and exemplify the diversity of artistic talent right here in the Tri-Cities.Mar 2-Apr 21 Amalie Atkins: where the hour floats. Saska-

toon-based artist Amalie Atkins uses film and photography to transform a familiar prairie landscape into the set of a cinematic fable, where her all-female cast embarks on an epic, bittersweet journey across time. Opening Reception: Mar 2, 3pm. This exhibition is part of the 2019 Capture Photography Festival.

FORT LANGLEY

Barbara BoldtOriginal Art Studio 25340 84th Ave &604-888-5490 barbaraboldt.comPlease call ahead In-home studio gallery of Barbara Boldt, located 5 km outside of Fort Langley, featuring original local landscapes, forest and garden scenes in oils and soft pas-tels, and her signature EarthPatterns paintings of sandstone formations found on Galiano Island. Copies of biography Places of Her Heart: The Art and Life of Barbara Boldt, by Barbara Boldt with K. Jane Watt, are available at the studio and various bookstores. For directions to the studio, see map on website or call.

GRAND FORKS

Gallery 2 - Grand ForksArt Gallery 524 Central Ave &250-442-2211 gallery2grandforks.catue-fri 10am-4pm; sat 10am-3pm. Feb 2-Apr 6 Deborah Thompson: Pan-dulum: A call to Unreason examines the complex interrela-tionship between hope and fear in uncertain times. Stephanie Kellett: ReWilding: fire starter explores the transformation that occurs when a domesticated life form returns to its wild state. Permanent Collection. Grand Forks Modern presents works from the Grand Forks Art Gallery’s extensive permanent collection. Curated by Tim van Wijk.Opening Reception: Feb 1, 6 pm.Artist Talk: February 2, 1 pm.

KAMLOOPS

Kamloops Art Gallery H101-465 Victoria St&250-377-2400 kag.bc.camon-sat 10am-5pm; thu 10am-9pm; closed stat holidays.

Lynne Cohen, Laboratory (detail), 1999, dye coupler print, ed. 2/5, 110.5 x 128.3 cm, image courtesy of the estate of Lynne Cohen and Olga Korper Gallery

6344 Deer Lake Avenue, Burnaby | burnabyartgallery.ca | burnabyartgallery | @BurnabyArtGall | bbyartgallery

LYNNE COHEN THESE WALLSMarch 15-April 21, 2019Opening ReceptionThursday, March 14, 7pmA retrospective exhibition featuring works by Lynne Cohen, best known for her photographs of institutional interior spaces. This exhibition is part of the 2019 Capture Photography Festival Selected Exhibition Program.



KAMLOOPS

CENTRAL GALLERY To March 23 Adad Hannah: Glints and Reflec-tions. This exhibition includes Mir-roring the Museum, Reflectionsof Artworks and Lives Captured.In these works Hannah explores seriality, repetition, recovery,duplication, reflection, the copyand visual citation.THE CUBE Michael Dumontier and Neil Farber: I wasn’t paying attention and now it’s over. Winnipeg-based artists working in collaboration to produce paintings, drawings and text based work. Imagery and text are generated mostly through a call and response approach with the paintings and drawings serving as the catalyst for text. The result is often absurd narratives and dark humour.

KELOWNA

Geert Maas SculptureGardens and Gallery 250 Reynolds Rd&250-860-7012geertmaas.orgmon-sat 10am-5pm; sun by chance. Internationally acclaimed artist Geert Maas invites the public to visit his exceptional sculpture gardens and indoor gallery, with one of the largest collections of bronze sculpture in Canada; changing exhibitions, Maas creates distinctive, rounded, semi-abstract figures, architectural structures and installa-tions in a wide variety of materials, including bronze, stainless steel, aluminum, wood and stoneware. The great diversity of outdoor art is complemented in the gallery by an

overwhelming number of paintings, serigraphs, medals, reliefs and sculptures in various media.

Kelowna Art Gallery H1315 Water St&250-762-2226kelownaartgallery.comtue-sat 10am-5pm; thu 10am-9pm; sun 12-4pm. Admission: adults $5; seniors/students $4; family $10; group of 10+ $40; members free; thu free. To Apr 14 Our Lives Through Our Eyes: Nk’Mip Chil-dren’s Art brings together over 75 works of art created by children and youth during the era of WW II, who attended the Inkameep Day School, which was located on the Osoyoos Indian Band reserve. Opening Feb 2 The Poetics of Space. Featuring works from the early twentieth century to present day, this exhibi-tion considers how we experience, create and contain space. To Feb 18 Aleksandra Dulic and Miles Thorogood: Journey of a Pod.Mar 9-Jun 16 Jane Everett: Un-derstory. Immersive mixed-media which evoke the feeling of standing amongst the grand forests of the BC interior. Ongoing Tania Willard: Gut Instincts. Installation in the Rotary Courtyard space. OFFSITE: Kelowna International Airport (ylw) To Mar 13 Fern Helfand: Okanagan Log Pile. Large-scale photographic montage exploring issues surrounding the forestry industry in BC. Opening Mar 13 David Wilson Sookinakin: Water Travels a Cycle.

LAXGALTS’AP

Nisga’a Museum 810 Highway Dr&250-633-3050nisgaamuseum.catue-sat 10am-5pm. Admission (+GST): adults 19-59 $8; children 6-18 $5; preschool, senior & Nisga’a citizens free; families (2 adults with up to 4 children) $22. Ongoing Anhooya’ahl Ga’angigatgum -The Ancestors Collection features Nisga’a masks, bentwood boxes, charms, headdresses, regalia, rattles, and other treasures. Visit our website for more information.

MAPLE RIDGE

The ACT Art GalleryMaple Ridge Pitt MeadowsArts Council11944 Haney Pl&604-476-4240theactmapleridge.org/gallery/tue-sat 10am-4pm. Free admission. To Feb 23 Gary Wyatt and Jay Bundy Johnson: SOUNDSCAPE/LANDSCAPE. Mixed media drawings and sound machines. This experi-mental exhibition involves a playful exploration of visual and sonic land-scapes. The positioning of artist Gary Wyatt’s absorbing, highly detailed mixed media drawings alongside a series of mysterious sonic machines by Jay Bundy Johnson, offers vis-itors the opportunity to experience how sound can influence an ac-companying visual experience. Mar 2-Apr 6 THE SECONDARY SCHOOL ART SHOW. The ACT Art Gallery is delighted to be joining forces with art teachers from local secondary schools to celebrate young talent in the communities of Maple Ridgeand Pitt Meadows. Mixed media, juried exhibition.

NANAIMO

Nanaimo Art Gallery 150 Commercial St&250-754-1750nanaimoartgallery.comtue-sat 10am-5pm; sun 12-5pm. Admission by donation. Jan 25- Mar 31 athut / Words Bounce, Joi T. Arcand, Patrick Cruz, Susan HillerSometimes words are dropped, and sometimes they are thrown; sometimes they bounce away, and sometimes they bounce back. athut / Words Bounce is an exhibition of painting, installation, photography, and video works by three artists who engage languages as they shift, transform, and even disappear, while impacting people and the cultures they belong to.

Nanaimo Museum 100 Museum Way&250-753-1821nanaimomuseum.camon-sat 10am-5pm. Admission: adult $2; student/senior $1.75;Child (5-12) $0.75; Kids under 5

Bentley MeekerPENTICTON ART GALLERY, Penticton BC - March 23 - May 12

by Michael Turner

Artists have used light for as long as colour has required its frequencies. Change the frequency and you change the colour. Photo-based artists know this and will often speak of its science. Painters have long known this, and you see it played out from Lascaux to the Louvre. A con-temporary artist who uses light (to sculpt, no less) is L.A.’s Diana Thater, whose green-to-blue vertical stripe climbs and descends Vancouver’s Shaw Tower at dusk and at dawn each day.A more recent example is Bentley Meeker.

The proprietor of Bentley Meeker Lighting & Staging, Meeker was born in Virginia in 1967. Af-ter a childhood spent shuttling between the US, the Bahamas and Canada, he dropped out of school at 14 to join his father in New York City. There, he worked as a photographer’s assistant before formalizing his education through fi lm classes at Hunter College. In 1990 he formed a company that now mounts more than 1,000 productions per year, from his three-peated illu-mination of the Temple at Burning Man to a solo exhibition at the prestigious Whitney Museum of American Art.

In 2017 Meeker was invited by Penticton Art Gallery director/curator Paul Crawford to con-tribute to his audacious #grassland exhibition. Meeker responded with #weedworld (2017), a monochromatic projection of various-sized marijuana leaves onto four glass walls. More than mere spectacle, #weedworld brought to mind the black-light stoner culture of the baby boom generation, but also, in typical stoner fashion, a parody of the fl oral patterned wallpaper of British artist and activist William Morris (1834-1896). The #grassland audience screamed for more, and Crawford brought him back – this time with an album’s worth of material.

pentictonartgallery.com

Bentley Meeker, Spring 2012, 2012, lasers, crushed Poland Spring water bottles

Sheldon Louis, Pica-Digging Stick Vernon Public Art Gallery, Vernon



Bentley MeekerPENTICTON ART GALLERY, Penticton BC - March 23 - May 12

by Michael Turner

Artists have used light for as long as colour has required its frequencies. Change the frequency and you change the colour. Photo-based artists know this and will often speak of its science. Painters have long known this, and you see it played out from Lascaux to the Louvre. A con-temporary artist who uses light (to sculpt, no less) is L.A.’s Diana Thater, whose green-to-blue vertical stripe climbs and descends Vancouver’s Shaw Tower at dusk and at dawn each day.A more recent example is Bentley Meeker.

The proprietor of Bentley Meeker Lighting & Staging, Meeker was born in Virginia in 1967. Af-ter a childhood spent shuttling between the US, the Bahamas and Canada, he dropped out of school at 14 to join his father in New York City. There, he worked as a photographer’s assistant before formalizing his education through fi lm classes at Hunter College. In 1990 he formed a company that now mounts more than 1,000 productions per year, from his three-peated illu-mination of the Temple at Burning Man to a solo exhibition at the prestigious Whitney Museum of American Art.

In 2017 Meeker was invited by Penticton Art Gallery director/curator Paul Crawford to con-tribute to his audacious #grassland exhibition. Meeker responded with #weedworld (2017), a monochromatic projection of various-sized marijuana leaves onto four glass walls. More than mere spectacle, #weedworld brought to mind the black-light stoner culture of the baby boom generation, but also, in typical stoner fashion, a parody of the fl oral patterned wallpaper of British artist and activist William Morris (1834-1896). The #grassland audience screamed for more, and Crawford brought him back – this time with an album’s worth of material.

pentictonartgallery.com

Bentley Meeker, Spring 2012, 2012, lasers, crushed Poland Spring water bottles



NANAIMO

Free. Opening Feb 16 Nanaimo Mysteries. A safe-cracking ex-cop, the last public hanging in Nanaimo and a spy are just a few mysteries to unravel in Nanaimo’s history. Cold cases and unsolved murders that date back 150 years, rumours of hidden treasure and a psychic brought in to solve a missing persons case. Buildings and places that have vanished such as a house that sank into mine workings and a forgotten ski hill. Nanaimo Myster-ies explores aspects of local history that are usually left buried and busts the myths surrounding some of our most infamous stories.

NELSON

Oxygen Art Centre 3-320 Vernon St (Alley Entrance) &250-352-6322oxygenartcentre.orgwed-sat 1-5pm. Oxygen Art Centre is an artist-run centre that provides space and programming for artists and the public to engage in the creation, study, exhibition and performance of contemporary art in all disciplines. Located in Nelson BC, it is a cultural hub for artists in the Kootenay region and beyond.Feb/Mar we run our Adult Art Education Spring Semester, as well as Spring Break Camps for kids. See website for upcoming exhibitions, and to register for any of our diverse course offerings.

Touchstones Nelson Museum of Art and History H502 Vernon St&250-352-9813touchstonesnelson.cawed-sat 10am-5pm; tue & sun 11am-4pm; thu 10am-8pm. Admis-sion: adults $8; seniors/students $6; youth $4; children and members free; thu 5-8pm by donation.To Feb 24 402 Anderson: A History. Celebrating and commemorating the 402 Anderson Street building & legacy. Lost Thread. Featuring: Phil-ip Hare, Bettina Matzkuhn, Amanda McCavour, Sylvie Roussel-Janssens, Wendy Toogood, Anna Torma, Mathew Varey, Angelika Werth and Robin Wiltse (Artist in Residence). Mar 2-May 26 Douglas Bentham: The Tablets. Douglas Bentham has maintained an international reputation as a major practitioner of abstract, constructivist sculpture for over forty years. He is one of the country’s most prolific sculptors, writes art critic Terry Fenton, one of its finest, one of Canada’s first sculptors in every sense. Opening Reception: Mar 2, 2pm. Kilte Band 100 Year Celebration. Celebrating 100 years of the Kootenay KiltiePipe Band-the oldest pipe bandin the Interior of BC.Opening Reception: Paradein Downtown Nelson, Mar 2,parade commences at 2 pm,reception to follow at Touchstonesbetween 2 and 4pm.

NEW WESTMINSTER

Amelia Douglas GalleryDouglas College700 Royal Ave &604-527-5723 douglascollege.ca/about-douglas/groups-and-organizations/art-gallerymon-fri 10am-7:30pm; sat 11am-4pm To Feb 23 Enchanted Places: Paintings by Chun Ping (Claire) Huang. Her work evolves in various stages by a mix of abstraction and landscape representation. She blur edges and outlines, as if images were speeding by with the flicker of film, or glimpsed through crashes of abstraction. The architectural landscapes have been selectively integrated into the abstract back-ground by addition and subtraction, creation and destruction. Feb 28- Apr 20 Michelle Sound: Chapan Snares Rabbits.Opening Reception: Feb 28, 4:30pm.Artist talk: Mar 5, 6:30pm.

Gabor GasztonyiStudio & Gallery 730 12th St&778-397-1449gaborgasztonyigallery.comwed-sat 10am-5:30pm. A full service photographic studio and gallery showcasing award winning photographer Gabor Gasztonyi’s classic black and white photograph-ic prints and the oil paintings of Judith Copland, plus other artists. Gabor specializes in black and white studio portraits of children, families as well as photographs of artwork. The gallery is in New Westminster nestled in a small art deco storefront from the 1920s.

New Media Gallery HAnvil Centre777 Columbia St, 3rd Flr&604-875-1865newmediagallery.catue-sun 10am-5pm; thu 10am-8pm. To Feb 3 Lisa Jackson, Jonathan Schipper: Reclaim. Jackson’s ex-traordinary VR work Biidaaban: First Light made in conjunction with NFB. And Jonathan Schipper’s evocative Detritus; 3-D printing with 9 tons of salt. Mar 1-May 12 Pe Lang, Nelo Akamatsu, Tatiana Trouve, Zilvanas Kempinas: Magnetic. This exhibition explores how five

Our Lives Through Our Eyes: Nk’Mip Children’s ArtKELOWNA ART GALLERY & OKANAGAN HERITAGE MUSEUM, Kelowna BC - To April 14

by Michael Turner

Nk’Mip Children’s Art is the name given to a body of drawings and paintings made on paper, mat board and canvas hide in the late 1930s to early 1940s by students of theInkameep Day School, located onthe Osoyoos Indian Band reserve. But the story of these artworks be-gins well before that with the school’s builder, Chief George Baptiste.In the words of Anthony Walsh, who taught at the school between 1932 and 1942, Baptiste was “ahead of his time in that he wanted his chil-dren taught within their own back-ground, not sent away.”

The Inkameep Day School emphasized thoughtful and creative expression throughout its course work, with an emphasis on the performing and visual arts. Equally important was the role the school would play as a bridge-builder, linking Indigenous and non-Indigenous com-munities both near and far. Before leaving the school, Walsh was active in establishing the Okanagan Society for the Revival of Indian Arts and Crafts, a chapter of the BC Indian Arts and Welfare Society, whose members lobbied provincial and federal governments for a restructur-ing of health and education on reserves.

Looking at the 75 drawings and paintings on display, viewers will note a range of activities common to the Okanagan region, from horses and horseback riding to more formalized rituals, including rodeos and those associated with the Christian faith. In most instances the fi gures appear happy, if not joyous. A railway station farewell is not a cause for sadness but a celebra-tion. Same, too, for a visit to the graveyard, where eight ghosts – fi ve of whom are revealed to be skeletons – dance about the tombstones, smiling.

Free guided tours on Saturdays, 1pm

kelownaartgallery.com

Jane Stelkia, Three Horses, date unknown, gouache on paper. Collection of the Royal BC Museum, #15855



artists use the mythic qualities of magnets, magnetism and magnetic fields to create profound works that reference unseen powers and uncanny agency.

Plaskett Gallery Massey Theatre Complex735 Eighth Ave&604-517-5900masseytheatre.com/events/category/ plaskett-gallery/tue-sat 1-5pm; during all perfor-mances in the Massey Theatre; and

by appt. Feb 1-28 Artists: Today’s Tomorrow Vernissage. Students works from the New Westminster Secondary School Arts Department. Mar 1-29 Jenn Ashton:“ô'THen(t)ik”. North Vancouver author and artist Jenn Ashton comes from an artistic family. From the non-profit Boardroom and the chal-lenges of being a young parent, to producing music and enjoying schol-arly pursuits, Jenn Ashton is known for her originality, resourcefulnessand vision.

The Gallery at Queen’s Park Centennial LodgeCentennial Lodge, Queen’s Park &604-525-3244acnw.ca/gallerywed 1-8pm; thu-sun 1-5pm.Free admission.Feb 6-24 Elsa Chesnel: Lines of Thoughts. Chesnel’s charcoal work explores feelings through contrast, striving to trigger emotional re-sponse. Chesnel’s personal version of Rorschach’s inkblots are wholly open to the viewer’s interpretation.

Our Lives Through Our Eyes: Nk’Mip Children’s ArtKELOWNA ART GALLERY & OKANAGAN HERITAGE MUSEUM, Kelowna BC - To April 14

by Michael Turner

Nk’Mip Children’s Art is the name given to a body of drawings and paintings made on paper, mat board and canvas hide in the late 1930s to early 1940s by students of theInkameep Day School, located onthe Osoyoos Indian Band reserve. But the story of these artworks be-gins well before that with the school’s builder, Chief George Baptiste.In the words of Anthony Walsh, who taught at the school between 1932 and 1942, Baptiste was “ahead of his time in that he wanted his chil-dren taught within their own back-ground, not sent away.”

The Inkameep Day School emphasized thoughtful and creative expression throughout its course work, with an emphasis on the performing and visual arts. Equally important was the role the school would play as a bridge-builder, linking Indigenous and non-Indigenous com-munities both near and far. Before leaving the school, Walsh was active in establishing the Okanagan Society for the Revival of Indian Arts and Crafts, a chapter of the BC Indian Arts and Welfare Society, whose members lobbied provincial and federal governments for a restructur-ing of health and education on reserves.

Looking at the 75 drawings and paintings on display, viewers will note a range of activities common to the Okanagan region, from horses and horseback riding to more formalized rituals, including rodeos and those associated with the Christian faith. In most instances the fi gures appear happy, if not joyous. A railway station farewell is not a cause for sadness but a celebra-tion. Same, too, for a visit to the graveyard, where eight ghosts – fi ve of whom are revealed to be skeletons – dance about the tombstones, smiling.

Free guided tours on Saturdays, 1pm

kelownaartgallery.com

Jane Stelkia, Three Horses, date unknown, gouache on paper. Collection of the Royal BC Museum, #15855



NEW WESTMINSTER

Opening Reception: Feb 6, 6pm.Mar 6-31 Arthur Babiarz and OlgaTurok, Elements & Arraygraphy. Babiarz’s multi-layered graphicdesigns stimulate the imagination with colour, depth and complexity. Turok’s clay creations embody her passion for sharing the magical transformation of raw organic ma-terial into fine art pieces with their own meaning and purpose.Opening Reception: Mar 6, 6pm.

NORTH VANCOUVER

Caroun Art Gallery H1403 Bewicke Ave&778-372-0765caroun.nettue-sat 12-8pm. Feb 1-14 Winter Group Exhibition. Works by: Ahmad Aghazadeh, Ezzat Pakdoost, Fatemeh Javadi, Ghazal Rousta, Mahvash Joorabchi, Roya Rafiee, Salazar and Zohreh Hamraz.Mar 2-3, 10am-8pm North Shore Art Crawl. Works by: Ahmad Aghaz-adeh, Amy Peterson, Daniel Soheili, Fatemeh Javadi, Kaveh Rasouli, Leyla Mohammadi, Maryam Akbari, Maryam Hatami, Nafiseh Saadati, Parivash Hesabi, Roya Rafiee, Sami-ra Nooshmehr, Sara HasaniNalousi, Shiva Khadivian, Zohreh Hamraz and Zoya Tavakoli. Mar 9-30 Annual Art Sale. Virtual Exhibitions: Check the website for details Caroun.net.

CityScape CommunityArt SpaceNorth Vancouver Community Arts&604-988-684 nvartscouncil.caCITYSCAPE COMMUNITY ART SPACE: 335 Lonsdale Ave. mon-wed & fri 12-5pm; thu 12-8pm; sat 12-5pm. Opening Feb 15 Art Rental Show. A salon-style show featuring 200 new artworks from dramatic landscapes, bold abstracts, exquisitely detailed oils, to contemporary photography – all by local artists. Rent and buy right off the gallery walls. Opening March 22 Title to be confirmed. A group exhibition exploring perma-nence and impermanence through paintings, prints and living art, con-templating time and form in geology and our natural environment.DISTRICT FOYER GALLERY:355 W Queens Rd. mon-fri 8am-4:30pm. To April 8 Paintings by Tatjana Mirkov Popovicki. A body of work by Canadian landscape painter based in Port Moody, British Columbia, Tatjana emigrated from Serbia in 1994 and is inspired bythe Canadian landscape, witha particular focus on winterand alpine scenes.DISTRICT LIBRARY GALLERY:1277 Lynn Valley Rd. mon-fri 8:30am-5pm. To Apr 29 Tae-hoon Kim: Finding my Father at Yongpyong. As part of the Capture Photography Festival, North Van Arts presents a series of works by Vancouver-based artist TaehoonKim that capture a journey of personal and familial exploration through photography.

Gordon Smith Galleryof Canadian Art 2121 Lonsdale Ave&604-998-8563gordonsmithgallery.cawed-sat 12-5pm; closed holiday weekends. Admission by donation. At the Gordon Smith Gallery of Cana-dian Art curation is a pedagogical endeavour integral to arts education and the ignition of community engagement. Throughout each school year (Oct-Apr) we showcase the Artists for Kids (AfK) Collection for school groups, families and the general public. Each season we select works from the collection that share a common theme and speak to pertinent art historical, social, cultural, political or environmental issues in a way that is accessible to all audiences. Check website for current exhibition information.To Apr 13 Transformations. Select-ed works from the AFK Collection. In the selection of these artworks, questions around the transformation of body, time and language are addressed. The artwork displayed speaks to this central idea of change both individually and in concert with the other works around it.

Griffin Art Projects 1174 Welch St&604-985-0136griffinartprojects.casat 12-5pm, or by appt.To Apr 27 the poets have always preceded. Artists: Marian Penner Bancroft, bill bissett, Robin Blaser, Judy Chartrand, Jess, Judith Copithorne, Pierre Coupey, Christos Dikeakos, Stan Douglas, Beau Dick, Geoffrey Farmer, Fran Herndon, Carole Itter, Roy Kiyooka, Tiziana La Melia, Al Neil, Judy Radul, Rhoda Rosenfeld, Trudy Rubenfeld, Nancy Shaw with many more. This exhibition explores some of the common methods and musings of poets and artists in Vancouver since 1960. Importantly, it gestures to the deep influence of the San Francisco Renaissance Poets on local writers (largely through the invitation of Ellen and WarrenTallman who hosted them in their home and at UBC). It presents mo-ments from this entwined history of visual and textual poets through ex-Bob Araki, The Trailblazers, No 2

Ferry Building Gallery, West Vancouver



amples of publications and focused presentations of artist’s work.

North Shore Art Crawl various locationsnorthvanarts.ca/nsac/Mar 2-3 A free community arts event that celebrates the creative energy of our local artists and enables cultural vitality. The objective isto feature artists in approachable and accessible art venues that encourage the community to con-nect and celebrate expression and diversity. We engage, inspire, and transform the North Shore through inclusive alliances among artists and the community.

Seymour Art Gallery 4360 Gallant Ave &604-924-1378 seymourartgallery.comtue-sun 10am-5pm. Free admission. To Feb 23 Candy Bar, Electric Lights. The Scroll Stories of Sean Karemaker. In Candy Bar, Electric Lights, Vancouver-based artist Sean Karemaker shows original drawings from his most recent graphic novel, Feast of Fields. This deeply personal narrative unfolds over 14

six-foot black and white scrolls that encircle the gallery, and draws from his experience growing up in BC as well as his mother’s childhood in Denmark. With elements of magic realism, this moving work winds together memory, family history,and imagination.

The Polygon Gallery 101 Carrie Cates Court&604-986-1351 thepolygon.catue-sun 10am-5pm. Admission by donation, courtesy of BMO Financial Group. Opening Feb 8 a Handful of Dust offers a rare opportunity to view a remarkable diversity of pho-tographs from the last 100 years, focusing on the theme of dust, unified in a visual journey through the unlikeliest imagery. Curated by David Campany.Opening Reception: Feb 8, 8pm. Curator Lecture: Feb 9, 7pm.

OSOYOOS

Okanagan Art Gallery 8302 Main St &778-437-2238 okanaganartgallery.ca/index.htmltue-sat 11am-4pm Situated in the

heart of beautiful Osoyoos British Columbia, the Okanagan Art Gallery features over two dozen professional local fine artists. For more than half a decade the Okanagan Art Gallery has been a place where fine art lovers and artists connect. View art works that have a story to tell and interact directly with the artists. Our popular once a month First Friday receptions offer a chance to sample Okanagan wines and meet the artists. Step out of the everyday and discover what drives the artist to share a story and how they use their work to bring the story to you.

PENTICTON

Penticton Art Gallery 199 Marina Way &250-493-2928 pentictonartgallery.comtue-fri 10am-5pm sat & sun 11-4pm To Mar 17 Melissa Shaginoff: 2018 Toni Onley Artists Project Selected Artist. For the twelfth year the Penticton Art Gallery has once again partnered with Island Mountain Arts and the Toni Onley Artist Project in Wells, B.C., to introduce the workof an amazing emerging artist to

Manifest | TracePierre Coupey

March 2 - April 13, 2019

4360 Gallant Ave | North Vancouver | 604.924.1378 | seymourartgallery.com


26 NOV 2018 - JAN 2019

BRITISH COLUMBIA

MICHAEL DUMONTIER AND NEIL FARBERKamloops Art Gallery, Kamloops. To Mar 23Collaborating as a duo since 2008 (and before that, with the Royal Art Lodge collec-tive), Winnipeg artists Dumontier and Farber have created a wonderfully engaging series of painted, drawn and text-based works. Their KAG exhibition, titled I wasn’t paying attention and now it’s over, includes selections from their Library paintings (on book covers and spines) and Typing prints (in which text and imagery are generated on an old manual typewriter). Humour and absurdity abound.

SPACES FOR READINGSFU Gallery, Burnaby. To Apr 18 Drawn from SFU’s art collection, this exhibition spotlights mixed-media works by Ann Beam and her late husband, Carl Beam. Both artists challenge the cultural construc-tion of history, Ann Beam with an examination of gender roles and women’s labour, and Carl Beam through the exploration of “the space between Indigenous and other cultural views of our place within the universe.” A reading room features texts in re-sponse to the art selected by poet Mackenzie Ground, artist Sandra Semchuk and writer Richard Hill.

ASLAN GAISUMOV: IF NO ONE ASKS Contemporary Art Gallery, Vancouver. To Mar 24 Through his art, the young Chechnyan artist Aslan Gaisumov asks us to bear witness to the wars fought in his homeland during the 20th century. His solo show at the CAG, a North American fi rst, brings together two diverse yet powerful works. Memories ofWar is a page torn from a found book, its text almost entirely redacted with linesof black ink. People of No Consequence is a single-channel video in which an empty auditorium gradually fi lls with survivors of mass deportations from Chechnya during World War II.

ATHUT / WORDS BOUNCENanaimo Art Gallery, Nanaimo. To Mar 31In this three-person show, language functions as both subject and medium, “trans-forming, evolving, disappearing, and rebounding.” Through painting, photography, video and installation, Joi T. Arcand, Patrick Cruz and Susan Hiller employ written and spoken words, glyphs and syllabics, songs, conversations and gra ti. By these means they champion the resurgence of an Indigenous language, explore the origins of a mother tongue, and map the places where language and technology intersect.

JANE ADAMS: LIVING ON THE GRIDSouth Main Gallery, Vancouver. Feb 9 - 24Recent abstract paintings by Jane Adams draw their energy and inspiration from her move into the heart of Vancouver. Forms and patterns represent the loud and per-vasive sounds of her densely populated urban environment, and include symbolic references to “the night rattle of bottle collectors and their trolley carts, car horns and sirens.” These works also speak abstractly to visual aspects of the built and natural environments, from condo towers and construction cranes to the sun rising and set-ting over the harbour.

MICHAEL DUMONTIER AND NEIL FARBER,LIBRARY °DETAIL˛, 2018

CARL BEAM, UNTITLED˝SPERM WHALES˙, 1998SFU ART COLLECTION.

GIFT OF THE ROSEN GROUP, 1999

ASLAN GAISUMOV, PEOPLE OF NO CONSEQUENCE °FILM STILL˛, 2016.

COURTESY THE ARTIST, EMALIN, LONDON AND GALERIE ZINK, WALDKIRCHEN

PATRICK CRUZ,STEP MOTHER TONGUE, 2018

JANE ADAMS,MODERN THOUGHTS °DIPTYCH˛, 2018

by Robin Laurence Vignettes

FRENCH MODERNS: MONET TO MATISSE, 1850-1950Vancouver Art Gallery, Vancouver. Feb 16 - May 20On tour from the Brooklyn Museum of Art, French Moderns includes landscapes, still lifes, portraits and nudes by a raft of famed artists, including Pierre Bonnard, Paul Cézanne, Marc Chagall, Edgar Degas and, yes, Claude Monet and Pablo Picasso. Complementing this travelling show is A˜ nities: Canadian Artists and France, which focuses on the impact of French art and culture over the past 120 years on Canadian artists, from Emily Carr to Lucy Hogg and from J.W. Morrice to Rodney Graham.

DOUGLAS BENTHAM: THE TABLETSTouchstones Nelson Museum of Art and History, Nelson. Mar 2 - May 26 Saskatoon artist Douglas Bentham is nationally and internationally recognized for his abstract sculptures, executed across a range of scale and mediums. Whether large or small, in steel, bronze or wood, his art is, he says in his artist’s statement, “rooted in the Modernist tradition, which embraces growth and transformation.” Equally po-etically, he continues, “I enter into a kind of prayer with the material, with the goal of creating a rhythm that will carry me through many days in the studio.”

QUIET NATURE: THE WOODBLOCK PRINTS OF WALTER J. PHILLIPSArt Gallery of Greater Victoria, Victoria. Mar 9 - May 20 This exhibition spotlights the acclaimed colour woodcuts of Walter J. Phillips (1884-1963). Born and educated in England, Phillips immigrated to Canada in 1913, living and teaching in Winnipeg, Ban˛ and Calgary before retiring to Victoria. Trainedinitially (and greatly admired) as a watercolourist, he became enamoured of Japa-nese woodblock printmaking, studying most notably with Mokuchu Urushibara. His prints are distinguished by their delicate palette, subtle depths, and rhythmic lines and forms.

CANADIAN LANDSCAPEPendulum Gallery, Vancouver. Mar 11 - 29 This pop-up exhibition from Gallery Jones demonstrates four very di˛ erent approach-es to that most iconic of Canadian subjects, the landscape. Ross Penhall, Greg Hardy and Yehouda Chaki manifest highly individual painting styles in scenes that span the country, from Vancouver to Montreal. Equally distinctive are Danny Singer’s panoramiccolour photographs of small Prairie towns, fi lled with visual incident and sittingbeneath immense and sometimes turbulent skies.

DAVID A. HAUGHTON: ANGRY WHITE MEN 2Further Exploration of the Face of EvilVisual Space Gallery, Vancouver. Mar 14 - 27Based on news photographs from Europe, Canada and the United States, these paintings by self-taught artist David Haughton probe the alarming rise of whitesupremacism and neo-Nazism. Haughton’s work deplores the phenomenon yet asks us to question the economic and political conditions that may give rise to hate-fi lled tribalism.

DAVID A. HAUGHTON,FOUR ANGRY MEN ˛ SINGING RIOTERS

˜USA°, 2019

BERTHE MORISOT, MADAME BOURSIERAND HER DAUGHTER, C. 1873

BROOKLYN MUSEUM, MUSEUM COLLECTION FUND, 29.30. PHOTO: SARAH DESANTIS, BROOKLYN MUSEUM

DOUGLAS BENTHAM,THE TABLETS, °DETAIL˛, 2016PHOTO: DOUGLAS BENTHAM

WALTER J. PHILLIPS, LEAF OF GOLD, 1941GIFT OF THE ARTIST

YEHOUDA CHAKI, NORTHERN MOUNTAIN, 2017



BRITISH COLUMBIA

MICHAEL DUMONTIER AND NEIL FARBERKamloops Art Gallery, Kamloops. To Mar 23Collaborating as a duo since 2008 (and before that, with the Royal Art Lodge collec-tive), Winnipeg artists Dumontier and Farber have created a wonderfully engaging series of painted, drawn and text-based works. Their KAG exhibition, titled I wasn’t paying attention and now it’s over, includes selections from their Library paintings (on book covers and spines) and Typing prints (in which text and imagery are generated on an old manual typewriter). Humour and absurdity abound.

SPACES FOR READINGSFU Gallery, Burnaby. To Apr 18 Drawn from SFU’s art collection, this exhibition spotlights mixed-media works by Ann Beam and her late husband, Carl Beam. Both artists challenge the cultural construc-tion of history, Ann Beam with an examination of gender roles and women’s labour, and Carl Beam through the exploration of “the space between Indigenous and other cultural views of our place within the universe.” A reading room features texts in re-sponse to the art selected by poet Mackenzie Ground, artist Sandra Semchuk and writer Richard Hill.

ASLAN GAISUMOV: IF NO ONE ASKS Contemporary Art Gallery, Vancouver. To Mar 24 Through his art, the young Chechnyan artist Aslan Gaisumov asks us to bear witness to the wars fought in his homeland during the 20th century. His solo show at the CAG, a North American fi rst, brings together two diverse yet powerful works. Memories ofWar is a page torn from a found book, its text almost entirely redacted with linesof black ink. People of No Consequence is a single-channel video in which an empty auditorium gradually fi lls with survivors of mass deportations from Chechnya during World War II.

ATHUT / WORDS BOUNCENanaimo Art Gallery, Nanaimo. To Mar 31In this three-person show, language functions as both subject and medium, “trans-forming, evolving, disappearing, and rebounding.” Through painting, photography, video and installation, Joi T. Arcand, Patrick Cruz and Susan Hiller employ written and spoken words, glyphs and syllabics, songs, conversations and gra ti. By these means they champion the resurgence of an Indigenous language, explore the origins of a mother tongue, and map the places where language and technology intersect.

JANE ADAMS: LIVING ON THE GRIDSouth Main Gallery, Vancouver. Feb 9 - 24Recent abstract paintings by Jane Adams draw their energy and inspiration from her move into the heart of Vancouver. Forms and patterns represent the loud and per-vasive sounds of her densely populated urban environment, and include symbolic references to “the night rattle of bottle collectors and their trolley carts, car horns and sirens.” These works also speak abstractly to visual aspects of the built and natural environments, from condo towers and construction cranes to the sun rising and set-ting over the harbour.

MICHAEL DUMONTIER AND NEIL FARBER,LIBRARY °DETAIL˛, 2018

CARL BEAM, UNTITLED˝SPERM WHALES˙, 1998SFU ART COLLECTION.

GIFT OF THE ROSEN GROUP, 1999

ASLAN GAISUMOV, PEOPLE OF NO CONSEQUENCE °FILM STILL˛, 2016.

COURTESY THE ARTIST, EMALIN, LONDON AND GALERIE ZINK, WALDKIRCHEN

PATRICK CRUZ,STEP MOTHER TONGUE, 2018

JANE ADAMS,MODERN THOUGHTS °DIPTYCH˛, 2018

by Robin Laurence Vignettes

FRENCH MODERNS: MONET TO MATISSE, 1850-1950Vancouver Art Gallery, Vancouver. Feb 16 - May 20On tour from the Brooklyn Museum of Art, French Moderns includes landscapes, still lifes, portraits and nudes by a raft of famed artists, including Pierre Bonnard, Paul Cézanne, Marc Chagall, Edgar Degas and, yes, Claude Monet and Pablo Picasso. Complementing this travelling show is A˜ nities: Canadian Artists and France, which focuses on the impact of French art and culture over the past 120 years on Canadian artists, from Emily Carr to Lucy Hogg and from J.W. Morrice to Rodney Graham.

DOUGLAS BENTHAM: THE TABLETSTouchstones Nelson Museum of Art and History, Nelson. Mar 2 - May 26 Saskatoon artist Douglas Bentham is nationally and internationally recognized for his abstract sculptures, executed across a range of scale and mediums. Whether large or small, in steel, bronze or wood, his art is, he says in his artist’s statement, “rooted in the Modernist tradition, which embraces growth and transformation.” Equally po-etically, he continues, “I enter into a kind of prayer with the material, with the goal of creating a rhythm that will carry me through many days in the studio.”

QUIET NATURE: THE WOODBLOCK PRINTS OF WALTER J. PHILLIPSArt Gallery of Greater Victoria, Victoria. Mar 9 - May 20 This exhibition spotlights the acclaimed colour woodcuts of Walter J. Phillips (1884-1963). Born and educated in England, Phillips immigrated to Canada in 1913, living and teaching in Winnipeg, Ban˛ and Calgary before retiring to Victoria. Trainedinitially (and greatly admired) as a watercolourist, he became enamoured of Japa-nese woodblock printmaking, studying most notably with Mokuchu Urushibara. His prints are distinguished by their delicate palette, subtle depths, and rhythmic lines and forms.

CANADIAN LANDSCAPEPendulum Gallery, Vancouver. Mar 11 - 29 This pop-up exhibition from Gallery Jones demonstrates four very di˛ erent approach-es to that most iconic of Canadian subjects, the landscape. Ross Penhall, Greg Hardy and Yehouda Chaki manifest highly individual painting styles in scenes that span the country, from Vancouver to Montreal. Equally distinctive are Danny Singer’s panoramiccolour photographs of small Prairie towns, fi lled with visual incident and sittingbeneath immense and sometimes turbulent skies.

DAVID A. HAUGHTON: ANGRY WHITE MEN 2Further Exploration of the Face of EvilVisual Space Gallery, Vancouver. Mar 14 - 27Based on news photographs from Europe, Canada and the United States, these paintings by self-taught artist David Haughton probe the alarming rise of whitesupremacism and neo-Nazism. Haughton’s work deplores the phenomenon yet asks us to question the economic and political conditions that may give rise to hate-fi lled tribalism.

DAVID A. HAUGHTON,FOUR ANGRY MEN ˛ SINGING RIOTERS

˜USA°, 2019

BERTHE MORISOT, MADAME BOURSIERAND HER DAUGHTER, C. 1873

BROOKLYN MUSEUM, MUSEUM COLLECTION FUND, 29.30. PHOTO: SARAH DESANTIS, BROOKLYN MUSEUM

DOUGLAS BENTHAM,THE TABLETS, °DETAIL˛, 2016PHOTO: DOUGLAS BENTHAM

WALTER J. PHILLIPS, LEAF OF GOLD, 1941GIFT OF THE ARTIST

YEHOUDA CHAKI, NORTHERN MOUNTAIN, 2017



PENTICTON

our community. stəɬtaɬtət: Annu-al En’owkin Centre Exhibition …the land does not belong to us we belong to the land. 12,000+ years of Land Memory and Reflections on Climate Change, an En’owkin Art Exhibition. Dr. Jennifer Leason: Mayabeekamneeboon(Blueberry Patch). Building on our annual exhibition featuring the students of the Enowkin Centre

we are pleased to introduce the work and art from an upcoming publication from Theytus Books: Mayabbekamneeboon byDr. Jennifer Leason. Mar 23-May 12 Bentley Meeker: Immaculate Refraction. The first majorCanadian solo exhibition by the Internationally renowned lighting designer Bentley Meeker.Opening Reception: Mar 23, 7pm.

PORT ALBERNI

DRAW Gallery4529 Melrose St &250-724-2056&1-855-755-0566 drawgallery.comtue, thu, fri 12-5pm and by appoint-ment, too! Our Gallery Beyond Walls offers Contemporary Canadian Westcoast Art in an intimate setting celebrating the diversity and talent of local and regional artists.To Feb 15 Heart of Winter - Group Exhibit. Showcasing work from a

Colette Urban: GamblerSURREY ART GALLERY, Surrey BC - To March 24

by Michael Turner

The passing of Newfoundland- based artist and educator Colette Urban on June 16, 2013, at the age of 61, still resonates among artists, curators and gallery- goers. Fortunately for those who knew her – and perhaps espe-cially for those who never had a chance to – her work continues to circulate, inform, inspire and, apropos of her latest exhibition at the SAG, to puzzle.

At fi rst glance Gambler (1986) is a relatively simple-looking sculp-ture comprised of an industrial work table on top of which are

thousands of jigsaw puzzle pieces. Accompanying the sculpture is an audio recording of a bingo parlour, with a voice calling out letters and numbers followed by a range of responses: sometimes silence, sometimes laughter, sometimes the word “Bingo!” followed by its own response – a chorus of groans.

As this is an interactive work, the installation is only the beginning. Patrons are encouraged to stand over the table and note which pieces are joined together, either to add to them or to take them apart, or perhaps to reach into its unassembled mound and feel the weight, the tex-ture. Like bingo, jigsaw puzzles have a defi ned and uniform outcome. Unlike bingo and jigsaw puzzles, art does not.

Gambler resulted from Urban’s interest in the transformation of Vancouver’s False Creek lands from a site of heavy, resource-based industry to that fairground known as Expo 86, which, like the “Bingo!” shout, elicited its own response: the eventual remediation of those lands for its own defi ned and uniform outcome – high-end market housing. If Urban were alive today, I am sure she would know what to make of it.

surrey.ca/artgallery

Colette Urban, Gambler, 1986, painted steel, jigsaw puzzleswith audio. Collection of Surrey Art Gallery



variety of our gallery artists featuring work by local and Island Artists such as Doug Blackwell aka SockeyeKing, Jacques De Backer, Cecil Dawson, Lucas Chickite, John Hofman, Pamela Holl Hunt, Perry Johnston, Jillian Mayne, Ann McIvor, Todd Rob-inson, Sue Thomas, Perrin Sparks, Ariane Terez, Nancy Wilson, Gordon Wilson among others. Feb 28-Apr 19 Spring Into ART! Group Exhibit featuring work by local and Island Artists such as Jacques De Backer, Doug Blackwell, Cynthia Bonesky, Lucas Chickite, Cecil Dawson,Chris Doman, Pamela Holl Hunt, John Hofman, Ann McIvor, Todd Robinson, Ariane Terez, Sue Thomas and Nancy Wilson.

PORT COQUITLAM

Leigh SquareCommunity Arts Village 2253 Leigh Squareportcoquitlam.ca/recreation/leigh-square-community-arts-village/THE MICHAEL WRIGHT ART GALLERY, Gathering Place, #200 - 2253 Leigh Square Pl. tue-fri 1-5pm; sat 12-4pm. To Apr 29 Mat Holmstrom: Mount Delectable. A glimpse into the ever expanding world of theartist with a body of work that in-cludes works on canvas, paper and sculpture created in a rich colour palette and using metallic paints. OUTLET GALLERY, #110 - 2248 McAllister Ave, mon-fri 9:30am-6:30pm; sat 9:30am-5pm. To Apr 29 Clarissa Argueta: The Endless Braid. Argueta’s colourful acrylic portrait paintings are inspired by her ancestral heritage, the indigenous civilizations in the Ancient Americas and contemporary Latin America. Venus Soberanes: The Books of Life and Other Curiosities. Sober-anes’ series of whimsical art-object assemblages, books and shadow boxes inspired by themes of imper-manence, memory, consciousness and dreams are installed in the glass display cabinets of the gallery.

PORT MOODY

Port Moody Arts Centre H2425 St Johns St &604-931-2008 pomoarts.ca

mon, wed, fri 12-8pm; tue, thu 10am-8pm; sat-sun 10am-4pm; closed holidays. Free admission.Feb 13-Mar 21 Northwest Light and Colour. 22 members of Termi-nal City Glass have created glass-works inspired by the quality, and the varied perspectives of light in the Northwest. Opening Reception: Feb 13, 6-8pm. Steve Amsden: Among Mountains. With vibrant use of co-lour and dramatic lines, his paintings seek to convey the terrifying and magnificent forces that created, and continue to inhabit, BC’s many mountains. David Pacholko: The Laurentian Collection. Paintings that were inspired by a trip across Canada. Mar 28-Apr 25 Vancouver Metal Arts Association – [Play]ground: a Space for Exploration. An exhibition that considers how play becomes an integral part of the creative process. Pilar Mehlis: Transmigrification. Sculptures and paintings exploring ideas of both human and animal immigration and migrations through anthropomor-phic forms. Sandra Yuen MacKay:

Flowerspeak. MacKay moves from a dark place with vibrant florals, filled with light.

PRINCE GEORGE

Two Rivers Gallery 725 Canada Games Way&250-614-7800&1-888-221-1155www.tworiversgallery.camon-sat 10am-5pm; thu 10am-9pm; sun 12-5pm To Mar 31 Jenni-fer Bowes, Robert Chaplin, Adam David Brown, Angela Grauerholz and Guy Laramée: UNBOUND. Books have evolved in step with new resources and technologies.As digital access to knowledge grows in popularity, the relevance of printed media is sometimes chal-lenged. Unbound brings together photography, sculpture, prints and installation work by five contempo-rary Canadian artists as a means to expand perceptions of what a printed book can be, how it might look and its value in contemporary times. Gary Pearson: Excerpts

Colette Urban: GamblerSURREY ART GALLERY, Surrey BC - To March 24

by Michael Turner

The passing of Newfoundland- based artist and educator Colette Urban on June 16, 2013, at the age of 61, still resonates among artists, curators and gallery- goers. Fortunately for those who knew her – and perhaps espe-cially for those who never had a chance to – her work continues to circulate, inform, inspire and, apropos of her latest exhibition at the SAG, to puzzle.

At fi rst glance Gambler (1986) is a relatively simple-looking sculp-ture comprised of an industrial work table on top of which are

thousands of jigsaw puzzle pieces. Accompanying the sculpture is an audio recording of a bingo parlour, with a voice calling out letters and numbers followed by a range of responses: sometimes silence, sometimes laughter, sometimes the word “Bingo!” followed by its own response – a chorus of groans.

As this is an interactive work, the installation is only the beginning. Patrons are encouraged to stand over the table and note which pieces are joined together, either to add to them or to take them apart, or perhaps to reach into its unassembled mound and feel the weight, the tex-ture. Like bingo, jigsaw puzzles have a defi ned and uniform outcome. Unlike bingo and jigsaw puzzles, art does not.

Gambler resulted from Urban’s interest in the transformation of Vancouver’s False Creek lands from a site of heavy, resource-based industry to that fairground known as Expo 86, which, like the “Bingo!” shout, elicited its own response: the eventual remediation of those lands for its own defi ned and uniform outcome – high-end market housing. If Urban were alive today, I am sure she would know what to make of it.

surrey.ca/artgallery

Colette Urban, Gambler, 1986, painted steel, jigsaw puzzleswith audio. Collection of Surrey Art Gallery

This is one of the 200 exceptional projects funded through the Canada Council for the Arts’ New Chapter program. With this $35M investment, the Council supports the creation and sharing of the arts in communities across Canada.



PRINCE GEORGE

from a Retrospective. This series of psychologically charged paintings, produced between 2007-2018, are often anchored in the description of a fleeting moment. Within Pearson’s paintings, a seemingly ordinary activity, expression, or a scene, also suggests deeper undercurrents of meaning. In this way, Pearson con-

nects the moments he depictsto the larger world and familiarconditions of everyday life and human experience.

PRINCE RUPERT

Museum of Northern BC 100 First Ave W &250-624-3207 &778-772-3385museumofnorthernbc.com

Winter (Oct-May): tue-sat 9am-5pm. Admission: adults $6; teens 13-19 $3; children 6-12 $2; childrenunder 5 $1; members free. To Feb 8 Suzo Hickey: I like it up here, northern paintings that celebrates life in the Northwest. The subject matter is the rarely seen urban landscape of Prince Rupert. Hickey paints local houses built by their owners, not iconic buildings or

Samson Young: It’s a Heaven Over ThereCENTRE A: VANCOUVER INTERNATIONAL CENTRE FOR CONTEMPORARY ASIAN ART,Vancouver BC - Feb 23 - June 1

by Michael Turner

In celebration of its 20-year anni-versary and its recently renovated space at the Sun Wah Centre inVancouver’s Chinatown, Centre Ahas selected Hong Kong artistSamson Young’s It’s a Heaven Over There as its inaugural exhibition. Young’s multi-media installation (his fi rst solo show in Canada) be-gan as a research project focused on the life and times of Won Alex-ander Cumyow, the fi rst person of Chinese descent born in Canada. For Young, recognition of Won as both a historical subject and the in-spiration for an artwork installed in a former 1980s-era retail shopping mall constitutes a “double vision of retrotopanism.”

As with many post-war North American shopping malls, features

are installed to “remind” consumers of a safer, more settled past: most notably, a vision of the harmonious town square, as manifest in the ubiquitous fountain court, what Young refers to as “an entryway into the poetics of the diasporic imagination.” Won’s status as a fi rst-generation Chinese Canadian represents a literal manifestation of a safer, more settled – and indeed more hopeful – environment than that which his parents left behind for the country of his birth.

In addition to his work as a media artist, Young, who holds a PhD in composition fromPrinceton, is known for his musical and sound compositions as well as collaborations with orchestras worldwide. He has had solo exhibitions at the Kunsthalle Düsseldorf, Centre for Chinese Contemporary Art in Manchester, M+ Pavilion in Hong Kong and Hiroshima City Muse-um of Contemporary Art, among other venues. In 2017 he represented Hong Kong at the 57th Venice Biennale.

centrea.org

Samson Young, Da Da Company, 2019, animated video



landmarks. Feb 15-Mar 15 Mark Tworow: Variations on a Theme, an exhibit depicting the overwhelm-ing natural beauty of Northern BC through explorations in colour, form and light. Tworow’s paintings are colourful and expressive artworks that reflect the vast richness of this unique environment. Opening Mar 22 The Prints Rupert Camera Club Annual Exhibit will feature a variety of photographs by amateur and professional photographers. The exhibit will contain a number of pho-tographs highlighting the Northwest region of BC.

QUALICUM BEACH

The Old School HouseArts Centre 122 Fern Rd W &250-752-6133 theoldschoolhouse.orgmon-sat 10am-4:30pm. Admission by donation. To Feb 16 Large Work Painter Dennis Brown and Syrian Artist Dema Maksod. Feb 19-Mar 14 A trio of painters, Birgit Coath, Jacqueline Dunn and Valerie Giles. Brian Buckrell and Katarina Meglic. Mar 16-29 The Art from the Attic Sale…pre-owned artbuy and sell!

RICHMOND

Lipont Place 4211 No. 3 Rd &604-285-9975 lipontplace.common-fri 10am-5pm, weekends

by appt. Mar 2-28 Paintings by Catherine Adamson showcases Catherine’s free-flow style large-scale and medium-scale paintings.

Richmond Art Gallery 180-7700 Minoru Gate&604-247-8300richmondartgallery.orgmon-fri 10am-6pm; sat & sun 10am-5pm. Admission by donation. Feb 10-Apr 20 Adad Hannah: The Decameron Retold. In a newly commissioned work, Adad Hannah creates a series of video tableaux vivants based on the 14th century work, The Decameron, by Giovanni Boccaccio. Working with community members in front of and behind the camera and incorporating their sto-ries with Boccaccio’s medieval tales, Hannah expands his typical improvi-sational approach to production and community engagement. This is his first large-scale community project in the Lower Mainland.Curator: Nan Capogna.Opening Reception: Feb 9, 2pm.

SALMON ARM

Salmon Arm Arts Centre 70 Hudson Ave NE &250-832-1170 salmonarmartscentre.catue-sat 11am-4pm. Admission by donation. To Feb 23 In Dialogue with the Collection. Thirteen works from the Arts Council’s permanent collection were selected by contem-porary Shuswap artists, who have

responded in their own media to this shared history. Mar 1-Apr 6 Kids These Days. Open exhibition for artists aged 15 to 24, with over 100 works in diverse media.

SKIDEGATE

Haida Gwaii Museumat Kay Llnagaay 2 Second Beach Rd&250-559-4643haidagwaiimuseum.catue-sat 9:30am-5pm. Admission: adults $16; seniors $15; students $10; children 6-12 $5; children un-der 5 free. To Mar 30 A Tale of Two Shamans / Ga SGáagaa Sdáng / Ga SGaaga Sding. In celebration of the Haida language, Haida Manga, and the revised edition of the origi-nal book, the Haida Gwaii Museum is thrilled to present Yahgulanaas original book illustrations and in the three main dialects of the Haida language. Ongoing The Permanent Galleries feature a world-class collection of Haida art from thelate 1700s to today, including the works of Bill Reid, Robert Davidson, James Hart, Isabel Rorick, Evelyn Vanderhoop, Charles Edenshaw,and many other talented artists.

SURREY

Arbutus Gallery at Coast Capital Savings LibraryKwantlen Polytechnic UniversityD126-12666 72nd Ave

Catherine Adamson

OPENINGMARCH 2 2019 2PM

March 2-28 2019 Monday-Friday 10am-5pmweekends by appointment

Lipont Art CentreLipont Place4211 No. 3 RoadRichmond BC V6X2C3

lipontplace.com(604) 285-9975

Photo by Sharon Tenenbaum

Samson Young: It’s a Heaven Over ThereCENTRE A: VANCOUVER INTERNATIONAL CENTRE FOR CONTEMPORARY ASIAN ART,Vancouver BC - Feb 23 - June 1

by Michael Turner

In celebration of its 20-year anni-versary and its recently renovated space at the Sun Wah Centre inVancouver’s Chinatown, Centre Ahas selected Hong Kong artistSamson Young’s It’s a Heaven Over There as its inaugural exhibition. Young’s multi-media installation (his fi rst solo show in Canada) be-gan as a research project focused on the life and times of Won Alex-ander Cumyow, the fi rst person of Chinese descent born in Canada. For Young, recognition of Won as both a historical subject and the in-spiration for an artwork installed in a former 1980s-era retail shopping mall constitutes a “double vision of retrotopanism.”

As with many post-war North American shopping malls, features

are installed to “remind” consumers of a safer, more settled past: most notably, a vision of the harmonious town square, as manifest in the ubiquitous fountain court, what Young refers to as “an entryway into the poetics of the diasporic imagination.” Won’s status as a fi rst-generation Chinese Canadian represents a literal manifestation of a safer, more settled – and indeed more hopeful – environment than that which his parents left behind for the country of his birth.

In addition to his work as a media artist, Young, who holds a PhD in composition fromPrinceton, is known for his musical and sound compositions as well as collaborations with orchestras worldwide. He has had solo exhibitions at the Kunsthalle Düsseldorf, Centre for Chinese Contemporary Art in Manchester, M+ Pavilion in Hong Kong and Hiroshima City Muse-um of Contemporary Art, among other venues. In 2017 he represented Hong Kong at the 57th Venice Biennale.

centrea.org

Samson Young, Da Da Company, 2019, animated video



SURREY

&604-599-2219finagallery.camon-thu 7:30am-11pm;fri 7:30am-9pm; sat 10am-4pm;sun 12-7pm. The KwantlenPolytechnic University Fine ArtsDepartment exhibits student art-work, and presents shows byCanadian and international ontemporary artists on the KPU Surrey Campus.

Arnold Mikelson Mind& Matter Art Gallery 13743 16th Ave&604-536-6460mindandmatterart.comdaily 12-6pm Feb Pat Vickers, wa-tercolour. Jack Olive, pottery. Jan Davidson, acrylic. Judy Alexander, textile. Val Eibner, fused glass. Ani-ta Lindbloom, ceramic. Mar Arnold Mikelson, wood sculpture. Robert McMurray, oil painting. Julie Bourne, raku. Elizabeth Carefoot, acrylic painting. David Kilpatrick, soapstone carvings.

Surrey Art Gallery 13750 88 Ave &604-501-5566 surrey.ca/artgallerytue-thu 9am-9pm; fri 9am-5pm;sat 10am-5pm; sun 12-5pm (closed mon & holidays) To Feb 10 Cres-cent Beach Photography Club. Moving light and sensory experience combine in this evocative exhibit by local artists. To Mar 24 Nicoletta Baumeister: In the Realm of Perception, paintings combine hyperrealistic images of nature with studies in pure colour and geometric abstraction. Triangle Trade: Camille

Paul Wong: Suk-Fong, How Are You?DR. SUN YAT-SEN CLASSICAL CHINESE GARDEN, Vancouver BC - To Feb 24

by Michael Turner

April 22, 2018 marked the start of Occupying Chinatown, Vancouver artist Paul Wong’s year-long residen-cy at the Dr. Sun Yat-Sen Classical Chinese Garden in the city’s down-town eastside. Now in his 40th year as a creator of events, performances, videos, pictures, sculptures and cul-tural institutions, Wong has made himself a virtual intersection of activ-ities both solo and collaborative, af-fi rmative and critical, stoic and ludic. The result here, as with many of his projects, highlights the “intercon-nectedness between the personal and the political.”

At the heart of Wong’s residency are 700 letters sent to his Vancouver-based, Chinese-born mother, Suk-Fong Wong, from 1946 until her passing in 2016. “Some with one letter,” Wong told the CBC on the fi rst day of his residency (the same day then-mayor Gregor Robertson apologized on behalf of the city for historic discrimination against Chinese Canadians), “many with multiple letters from her father, her siblings, uncles and friends.” In one recently translated letter, Wong’s grandfather provides a poignant account of how he spent the money his wid-owed daughter sent to him when she was working to support Paul and his three siblings as a server at a Chinatown restaurant.

While each letter reads like a chapter in a memoir, it is their arrangement, under Wong’s direction, that has them acting closer to scenes in a fi lm script. Some provide the basis for performances, public screenings and collaborations; others serve as workshop materials. As display items, their stamps, careful handwriting and wrinkled envelopes become the uniforms of those who wrote them, foreshadowing the nature of their content, recalling the woman who received them, read them and saved them.

vancouverchinesegarden.com

Original letters and envelopes from 90 writers to Paul Wong'slate mother, Suk-Fong Wong



Turner, Jerome Havre, and Cau-leen Smith, short film reflects on being black in North America today and in the future. Colette Urban: The Gambler, interactive sculpture of puzzle pieces. Opening Feb 2 Steve DiPaola: Pareidolia. See a psychedelically inspired digital por-trait of Surrey Art Gallery’s physical space. OFFSITE: At UrbanScreen, projecting art after dark (exterior of Chuck Bailey Recreation Centre 13458-107A Ave, surrey.ca/urban-screen) To Apr 28 Nicolas Sassoon: Liquid Landscapes, animated art evokes the beauty of parks and rivers in Surrey.

VANCOUVER

Art Beatus (Vancouver)Consultancy Ltd. 108-808 Nelson St &604-688-2633 artbeatus.common-fri 10am-6pm. Art Beatus showcases international art with a special focus on contemporary Asian art. Currently open by appointment only as the gallery prepares for a move in Spring 2019. Please callfor more info.

Art Works Gallery 1536 Venables St &604-688-3301 artworksbc.common-fri 9:30am-5:30pm; sat 10am-5:30pm; sun by appointment. Art Works represents some of British Columbia’s most dynamic artists. Working with corporations, movie studios, and many of Vancouver’s leading interior designers and architectural firms, Art Works has developed a distinct and unique aesthetic vision, complementingand creating value withinresidential and commercial spaces.Visit our website for informationon upcoming exhibitions.

Arts Off Main Gallery 1704 Charles St &604-876-2785 artsoffmain.catue-fri 12-6pm; sat 10am-6pm; sun 11am-5pm. Arts off Main Gallery is an artist collective that has been active for 15 years. At its core are 9 artist-partners and a professional framer. We carry a wide variety of affordable art created by local Artists and Artisans; paintings,

photography, watercolours, textile arts, pottery, jewelry, stained glass, sculpture, woodwork and more. Our artist-partners are Lee Sanger, Elana Sigal, Tom Antil, Gary Nay, Tanya Boya, Danielle Louise, NormaJean McCallan, Eileen Mosca and Cindy-Wynne Kolding. All partners have their new work displayed in the gallery and welcome commissions. Currently we are also showcasing works by Suzanne Goodwin, Martine Silk, Fran Alexander, Jill Charuk and Roy Geronimo.

ArtStarts Gallery 808 Richards St &604-336-0626 artstarts.com/gallerytue-sat 10am-4:30pm. Free ad-mission. Ongoing Movement is for Every Body. The gallery transforms into a pop-up dance studio! Visit us to play around in our space with projected images, light, and music. Learn about different ways to move by following people dancing on the walls, make your own choreogra-phy, or be the DJ - it’s up to you! ArtStarts Explores, our free drop-in art activity for families and young people ages 12 and under from 11am-12pm, happens on the first three Saturdays of each month!

Bau-Xi Gallery 3045 Granville St &604-733-7011 bau-xi.comMon - Sat 10am-5:30pm; Sun 11am-5:30pm. Feb 9-23 Janna Watson: Suspended in Time. Bold and lyrical new abstract paintings by

Toronto based Janna Watson painter. Her work possesses an elegant and powerful energy, created with a carefully balanced pairing of loose painting and gestural mark-making. Mar 9-23 Gallery Artists with a focus on Drew Burnham. The main floor exhibition space with feature gallery artists with a focus on new landscape paintings by Vancouver based painter Drew Burnham. Burn-ham’s iconic hyper local paintings of tugboats, coastal forests, and rugged shorelines are inspired by the natural beauty of this region.

Beaty Biodiversity Museum 2212 Main Mall, UBC&604-827-4955beatymuseum.ubc.catue-sun 10am-5pm. Admission: adults $14; seniors 65+/students/youth 13-17 $12; children 5-12 $10; children under 5 free. Fall in love with the diversity of life as you explore over 500 exhibits and stare through the jaws of the largest creature ever to live on Earth -the blue whale.

Bill Reid Galleryof Northwest Coast Art 639 Hornby St &604-682-3455 billreidgallery.cawed-sun 11am-5pm; Admission (+GST): adults $13; seniors $10; student $8; youth (13-17) $6; children 12 and under and members free; family (2 adults + 2 children) $30. To Mar 17 Body Language: Reawakening Cultural Tattooing

3075 Slocan Street, Vancouver,BCitalianculturalcentre.caTel: (604) 430-3337

January 17–March 30, 2019Tuesday–Saturday 10:00AM–5:00PM

Princesses+MonstersPAINTING AND SCULPTURE

ANYUTA GUSAKOVA

Paul Wong: Suk-Fong, How Are You?DR. SUN YAT-SEN CLASSICAL CHINESE GARDEN, Vancouver BC - To Feb 24

by Michael Turner

April 22, 2018 marked the start of Occupying Chinatown, Vancouver artist Paul Wong’s year-long residen-cy at the Dr. Sun Yat-Sen Classical Chinese Garden in the city’s down-town eastside. Now in his 40th year as a creator of events, performances, videos, pictures, sculptures and cul-tural institutions, Wong has made himself a virtual intersection of activ-ities both solo and collaborative, af-fi rmative and critical, stoic and ludic. The result here, as with many of his projects, highlights the “intercon-nectedness between the personal and the political.”

At the heart of Wong’s residency are 700 letters sent to his Vancouver-based, Chinese-born mother, Suk-Fong Wong, from 1946 until her passing in 2016. “Some with one letter,” Wong told the CBC on the fi rst day of his residency (the same day then-mayor Gregor Robertson apologized on behalf of the city for historic discrimination against Chinese Canadians), “many with multiple letters from her father, her siblings, uncles and friends.” In one recently translated letter, Wong’s grandfather provides a poignant account of how he spent the money his wid-owed daughter sent to him when she was working to support Paul and his three siblings as a server at a Chinatown restaurant.

While each letter reads like a chapter in a memoir, it is their arrangement, under Wong’s direction, that has them acting closer to scenes in a fi lm script. Some provide the basis for performances, public screenings and collaborations; others serve as workshop materials. As display items, their stamps, careful handwriting and wrinkled envelopes become the uniforms of those who wrote them, foreshadowing the nature of their content, recalling the woman who received them, read them and saved them.

vancouverchinesegarden.com

Original letters and envelopes from 90 writers to Paul Wong'slate mother, Suk-Fong Wong



VANCOUVER

of the Northwest is the first exhibi-tion to fully explore the rich history and artistry of Indigenous tattooing, piercing and personal adornment on the Northwest Coast. Ongoing Bill Reid: Creative Journeys. Cel-ebrating the many creative journeys of acclaimed master goldsmith and sculptor Bill Reid (1920-1998), this exhibition provides a comprehensive introduction to his life and work. Thanks to our partnership with the Vancouver International Airport we are able to offer FREE admission from 2 to 5pm every first Friday of the month.

Brian Scott Fine Arts Gallery114-1118 Homer St&250-337-1941bscottfinearts.camon-sat 11-4pm. Old and New, antique copper etchings, Japanese woodblock prints and modern oils and acrylics by Brian Scott. We are very excited about purchasing the Joyce Williams Gallery in Yaletown. We have over 3500 pieces most over 100 years old several from the 15th Century. We are also exhibiting the paintings for my Book 6, 40 Paintings and Stories of Vancouver.

Catriona Jeffries 950 East Cordova St&604-736-1554catrionajeffries.comInterim office is open by appt.Feb 9-May 11 Unexplained Parade. Artists: Abbas Akhavan, Valérie Blass, Raymond Boisjoly, Rebecca Brewer, Trisha Brown, Chris Burden, Raven Chacon, Hanne Darboven, Geoffrey Farmer, Julia Feyrer, Ro-chelle Goldberg, Dan Graham, Brian Jungen, Janice Kerbel, Christine Sun Kim, Duane Linklater, Tanya Lukin

Linklater, Christina Mackie, Myfanwy MacLeod, Liz Magor, Elizabeth McIntosh, Damian Moppett, Stephen Murray, Kate Newby, Jerry Pethick, Eileen Quinlan, Judy Radul, Aurie Ramirez, Rob Renpenning, Marina Roy, Kevin Schmidt, Nick Sikkuark, Michael Snow, Ron Terada, Ian Wallace, Nicole Wermers, Ashes Withyman, and more.Opening Reception: Feb 9, 2pm.

Centre AVancouver International Centrefor Contemporary Asian Art268 Keefer St&604-683-8326centrea.orgtue-sat 12-5pm. Opening Feb 23 Samson Young: It’s a heaven over there. Centre A will celebrate our twentieth anniversary by re-launch-ing our new space with It’s a heav-en over there, a premiere solo exhibition in Canada by celebrated Hong Kong artist Samson Young. Situated in a cavernous gallery in the pink walled, neon-lit, 1980s era shopping mall in Vancouver’s ever gentrifying Chinatown It’s a heaven over there originates from Young’s archival research on Won Alexander Cumyow, the first person of Chinese descent born in Canada, and mobilizes Centre A’s new site, in the former retail mall Sun Wah Centre, to stage a double vision of contemporary global retrotopianism.

Chali-Rosso Art Gallery 549 Howe St&604-733-3594chalirosso.common-sat 10am-7pm; sun 12-5pm. Ongoing exhibition of works by historical masters Pablo Picasso, Joan Miró, Salvador Dalí, Marc Cha-gall, Henri Matisse, Pierre-Auguste Renoir, Vassily Kandinsky, Jean Coc-

teau, Max Ernst, Robert Motherwell, Andy Warhol, Roy Lichtenstein, and Damien Hirst.

Chinese Cultural Centre Museum 555 Columbia St &604-658-8880 cccvan.comtue-sun 10am-5pm. Admission by donation. Ongoing Generation to Generation - History of Chinese Canadians in British Columbia. Photos and artifacts of the first Chinese immigrants in British Co-lumbia from the 1800s. The Chinese Canadian Military Museum is also on location. Learn about Chinese contributions to both world wars and the personal stories of Chinese-Canadians in the Canadian Armed Forces in WW II.

Choboter Fine Art 23 Alexander St &604-688-0145 choboter.common-sat 12-6pm. Ongoing presen-tation of new mixed-media, three dimensional paintings and older figurative abstract paintings by local artist Don Choboter.

Circle Craft Gallery 1-1666 Johnston St, Granville Island &604-669-8021 circlecraft.netdaily 10am-7pm. Circle Craft is a unique BC Artist Cooperative dedicated to providing opportunities for craftspeople to connect with the community. Formed in 1972, Circle Craft utilizes a direct from the artist approach, and our Granville Island Shop & Gallery features the work of over 130 artists from BC.

Coastal PeoplesFine Arts Gallery 200-332 Water St &604-684-9222 coastalpeoples.comDaily 10am-6pm A superb collection of museum-quality Northwest Coast, Inuit and Plains art. Showcasing culturally expressive works in var-ious mediums from prominent and emerging First Nations artists from across Canada. Mar 16-Apr 26 Resilience: Through Laughter. Featuring artist Corrine Hunt, Kwakwaka’wakw / Tlingit. Resilience is one of the most important aspects in our lives, and Corrine Hunt’s experience with adversity takes

Neil Campbell, Daphne II, 2011 Esker Foundation, Calgary

Courtesy of the artist and Gallery Franco Noero, Turin Office Baroque, Brussels and Macaulay & Co Fine Art, Vancouver



us on a personal path through her latest exhibition Resilience: Through Laughter. Corrine’s palate of bright colours and signature use of organic shapes and reclaimed materials incorporated into her rustic, naturalistic designs featuring wood sculptures and silver and gold jewelry speaks to the reinvention of herself, her traditions, and her personal revitalization.

Contemporary Art Gallery 555 Nelson St &604-681-2700 contemporaryartgallery.catue-sun 12-6pm. Free admission. To Mar 24 Anne Low: Chair for a woman. The excessively detailed furnished interiors described in the novels of early 20th century writer Edith Wharton figured prominently for Low in the development of this exhibition. Aslan Gaisumov: If No One Asks marks the first solo pre-sentation of the artist work in North America. His artistic practice specu-lates on the entanglement of fictions and veracity, the inaccessible with the present and the acknowledged with the lost. OFFSITE: On selected TransLink B-Line buses Ongoing How far do you travel?. Works by Diyan Achjadi, Patrick Cruz, Rolande Souliere, Erdem Tasdelen, and Anna Torma. The nature of this project - public transit vehicles envelopedby visual imagery and traversingthe space of the city - offers alyrical opportunity to explore con-nections between images, meaning and movement.

Craft Council of BC Gallery 1386 Cartwright St &604-687-7270 craftcouncilbc.cadaily 10:30am-6pm To Mar 14 Being Seen, Being Heard, Having a Voice: An Exhibition of Five Emerging Artists. This exhibition features the work of five emerging female artists who have come together to express their unique world view and artistic voice. They demonstrate that a vessel is not just a container, and a jewel is not simply an adornment and that utility does not make an object bereft of a spirit. Please join us for this exciting and illuminating exhibition which offers powerful insights into soul and selfhood.

Douglas Reynolds Gallery 2335 Granville St &604-731-9292 douglasreynoldsgallery.common-sat 10am-6pm; sun 12-5pm Specializing in contemporary and historical Northwest Coast Native art, a wide selection of artwork isoffered by leading First Nations artists including Bill Reid, Robert Davidson, Don Yeomans and Phil Gray. Artwork includes carved wood masks, cedar bentwood boxes, totem poles, paddles, bronze and glass works, baskets, prints, and handcrafted gold and silver jewelry. The gallery also offers custom

commissioned projects for individual and corporate clients.

Dr. Sun Yat-SenClassical Chinese Garden 578 Carrall St &604-662-3207vancouverchinesegarden.comtue-sun 10am-4pm. adults $12, se-niors (65+) $10, ages 6-17 $9. Paul Wong: 身在唐人街/Occupying Chinatown. To Feb 24 淑芳你好嘛 (Suk-Fong Nay Ho Mah) / Suk-Fong, How Are You?. 700+ letters and familial artefacts of Suk-Fong Wong, Paul Wong’s late mother, have inspired this intimate exhibition of

iantangallery

WelcomingERIC KLEMM

Homage to Picabia II 2018 Acrylic on canvas 48” x 48”

2342 Granville Street, Vancouver 604 738 1077 iantangallery.com

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VANCOUVER

photography, objects, video, ephem-era, and letters at Dr. Sun Yat-Sen Classical Chinese Garden. To Mar 22 媽媽的藥櫃 / Mother’s Cupboard. To a child, a cupboard is filled with mysterious treasures, and for Paul Wong, his mother’s was no different. Inside, Chinese herbs and medicines replaced the original contents of mayonnaise and instant coffee jars, labelled in Chinese handwriting and carefully dated. Of specific intrigue were the jars of hak dew, a home-made compound used for healing cuts and bruises that has no written recipe. Research conducted during his residency has helped identify the various ingredients within such elixirs as hak dew, which are still found at Chinese herbal stores in Chinatown today.

Dundarave PrintWorkshop + Gallery 1640 Johnston St, Granville Island &604-689-1650dundaraveprintworkshop.comWed to Sun 11-5pm To Feb 24 For the Love of Printmaking: Two In-fluential Local Printmakers. Betty Jean Drummond and Marijke Nap were members of Dundarave Print Workshop for many years. Their enthusiasm for printmaking was infectious. Both experimented with their craft in response to the world around them. Betty Jean found joy in nature and the environment creating colourful, richly textured works in collagraphs and etchings. Marijke’s

work speaks to social inequalities by exploration through digital and etched collages. Please join us in honouring the memory and the work of these two influential and import-ant print artists. Feb 27-Mar 24 New work by Alexa Thornton & Maria Tratt. In their two-person exhibition, these artists explore elements that, combined, inform ideas of self and other. Mar 27- April 21 WATER;an all members show coordinated by Gloria Shaw.

Eagle Spirit Gallery 1803 Maritime Mews, Granville Island &604-801-5277&1-888-801-5277eaglespiritgallery.comtue-sat 11am-5pm or by appt. Specializing in Northwest Coast First Nations and Inuit art. Featuring mu-seum-quality hand-carved masks, panels, bentwood boxes, totem poles, argillite carvings, button blankets, glass sculptures, and Inuit stoneworks.

Elissa Cristall Gallery 2239 Granville St&604-730-961 cristallgallery.comtue-fri 11am-6pm; sat 11-5pm.Feb 2-28 Winter Exhibition, with gallery and guest artists. Please check the Gallery website for our March exhibition.

Federation Gallery 1241 Cartwright St, Granville Island &604-681-8534 artists.catue-sun 10am-5pm. Feb 19-Mar 3

Canvas Unbound Exhibition. Not all pieces of artwork can be improved with a frame. Unframed contemporary works emanate a bold, experimental, cutting-edge studio practice. Your artwork can dare to be enough without a frame. It can defy convention to radiate with Avant-Garde energy. Mar 5-16 Abstracted will exhibit the full range of abstracted works. It includes artwork that takes inspiration from the light abstractions contained in Impressionism all the way to the large-scale abstractions of Expres-sionists. The Federation will exhibit both, and everything in betweenfor a colossal collection of allthings “Abstracted”.

Gallery Gachet 9 W Hastings St&604-687-2468gachet.orgtue-sat 12-6pm. To Mar 16 Riisa Gundesen: Intrusive Thoughts is a solo exhibition featuring self-por-traits. This exhibition explores feminine representation, the abject, and mental health. This exhibition was selected from Gallery Gachet’s annual submission jury.

Gallery Jones 1-258 E 1st Ave&604-714-2216galleryjones.comtue-fri 11am-6pm; sat 12-5pm and by appt. To Feb 23 Richard Storms: un · re:mark · a · ble. “These works of traditional subjects are executed in the spirit of modern era portraiture and still life genres. The subject matter… flowers, shoes, dogs are a pretext for represen-tation. These simple objects, offer subjects that are neutral enough to see the representation for what it is, making paintings that can be seen for what they are encourages seeing for what it is.” Richard Storms Feb 28-Mar 30 Robert Christie, Jona-than Forrest, and Robert Youds; Restless Geometry. “It’s a strange idea to contemplate. How can geometry lead to freedom? How can straight lines head to the unknown? How can a rectangle speak poetry? Geometry is an area, a demarcation, a framework, where thoughts can wander, colour can bloom, and acci-Nicoletta Baumeister, InternalExternal, 2008

Surrey Art Gallery, Surrey


dents can be embraced. And through a material playtime in the studio it becomes something tangible and affecting.” Jonathan Forrest.Opening Reception: March 2, 2pm.

Goldmoss goldmoss.comSATELLITE: Callister Brewing1338 Franklin St. &604-374-5208 mon-thu 2-9pm; fri 2-10pm; sat 1-10pm; sun 1-8pm. To Feb 15RURAL ROUTES, A Group Show. All New Works by Bon Roberts, Caroline Weaver, Ben Tour and Lee Roberts. GASTOWN STUDIO:606 - 55 Water St. &604-331-9936 mon-thu 11am-4pm or by app. Sculpture, Painting and Photography by artist couple Lee & Bon Roberts.

grunt gallery 116-350 E 2nd Ave&604-875-9516 grunt.catue-sat 12-5 pm. To Mar 2 Strident aesthetic. Towards a new liberation. This new series of work by Mexican Canadian artist Carlos Colín merges symbols of Latin American conceptualist art, and Lat-

in American colonialist history, past and present, and its diaspora. Work-ing with archives, books, footage, and audio material related to Latin American history, the artist creates a work based on photographs, text and/or audio with parallels between, arts, politics, religion, and society. Mar 14-Apr 27 Kali Spitzer: An Exploration of Resilience, is about identity, culture, strength, vulnerability, and love- these images are about resilience and resis-tance. Spitzer is photographing her community of mostly Indigenous and mixed heritage people, while challenging preconceived notions of race, gender, and sexuality to touch on how we can become more em-pathic, empowered people despite the hardships that we have endured. Opening Reception: March 13, 7pm.

Heffel Fine Art Auction House 2247 Granville St &604-732-6505 &1-800-528-9608 heffel.common-fri 9am-5pm; sat 10am-5pm Feb 7-28 Online Auction. Works by David Blackwood / First Nations & Inuit Art. Feb 28 Spring 2019 Live

Auction Consignment Deadline. Mar 7-28 Online Auction. Prairie Modern / Marcel Barbeau: A Selec-tion of Automatist Works on Paper / Post War & Contemporary Art / Quebec Abstraction.

hfa contemporary 320-1000 Parker St&604-876-7606 &604-349-7606 hodnettfineart.comby appt. A contemporary fine art gallery located in the industrial arts district of east Vancouver showing work by a selection of local and international contemporary artists.

Ian Tan Gallery 2342 Granville St&604-738-1077iantangallery.common-sat 10am-6pm; sun 12pm-5pm. Established in 1999, Ian Tan Gallery in British Columbia is a con-temporary art gallery that represents important emerging and established artists in contemporary Canadian Art. Feb 2-28 What grows beneath, Krista Johnson. Mar 2-31 Contem-plated Realities, Steve Baylis.


PHIL GRAYPorcupine Hunter

L A T T I M E R G A L L E R Y



2342 Granville Street, Vancouver604 738 1077 iantangallery.com

Opening Reception:Saturday, Mar 2ndfrom 2 to 4 pm

iantangallery

STEVE BAYLIS

March 2 - 31, 2019

What grows beneath

Opening Reception:Saturday, Feb 2nd

from 2 to 4 pm

KRISTA JOHNSON

February 2 - 28, 2019

Contemplated Realities


2342 Granville Street, Vancouver604 738 1077 iantangallery.com

Opening Reception:Saturday, Mar 2ndfrom 2 to 4 pm

iantangallery

STEVE BAYLIS

March 2 - 31, 2019

What grows beneath

Opening Reception:Saturday, Feb 2nd

from 2 to 4 pm

KRISTA JOHNSON

February 2 - 28, 2019

Contemplated Realities

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S O U T H G R A N V I L L E G A L L E R Y A S S O C I AT I O N

WWW.SGGA.CA

GALLERY ROW1 UNO LANGMANN LIMITED 2117 Granville St 604.736.8825 langmann.com

2 KIMOTO GALLERY 1525 W 6th Ave 604.428.0903 kimotogallery.com

3 ELISSA CRISTALL GALLERY 2239 Granville St 604.730.9611 cristallgallery.com

4 PETLEY JONES GALLERY 2245 Granville St 604.732.5353 petleyjones.com

5 HEFFEL FINE ART AUCTION HOUSE 2247 Granville St 604.732.6505 heffel.com

6 IAN TAN GALLERY 2342 Granville St 604.738.1077 iantangallery.com

7 DOUGLAS REYNOLDS GALLERY 2335 Granville St 604.731.9292 douglasreynoldsgallery.com

8 MARION SCOTT GALLERY 2423 Granville St 604.685.1934 marionscottgallery.com

9 KURBATOFF GALLERY 2435 Granville St 604.736.5444 kurbatoffgallery.com

10 THE ART EMPORIUM 2928 Granville St 604.738.3510 theartemporium.ca

11 BAU-XI GALLERY 3045 Granville St 604.733.7011 bau-xi.com



VANCOUVER

Il Museo, Il CentroItalian Cultural Centre3075 Slocan St&604-430-3337italianculturalcentre.catue-sat 10am-5pm. To Mar 30 Princesses & Monsters: Painting and Sculpture by Anyuta Gu-sakova. In fairytale the princess looms large as a figure with the soul of an adventurer. Her external circumstances, however, dictate that she dwells in a state of captivity. Freedom for her can only be attained through masculine intervention, culminating in a marriage that seals her salvation. This exhibition looks at the princess as both a figure of history and fantasy. Inspired by the Italian traditions of court portraiture, legends, fairytales, and even sur-realism, the artist Anyuta Gusakova explores the compelling figure of the princess, which continues to endure in the land of everafter defying the influences of feminism. Curator Angela Clarke.

Inuit Gallery of Vancouver 206 Cambie St&604-688-7323&1-888-615-8399inuit.common-sat 10am-6pm; sun 12-5pm Since 1979, the Inuit Gallery of Vancouver Ltd has offered a muse-um-quality collection of masterwork: Inuit, Northwest Coast First Nations and contemporary Canadian art, in the heart of Gastown. Continuing a tradition of presenting important exhibitions of Canadian Indigenous art, featuring new works by senior artists and exploring the work of the talented next generation of artists. To Feb 15 Small Treasures 2019. Wonderful small Inuit sculpture by

Inuit artists from across the arctic. Feb 15-Mar 8 Inuit Drawings. Mar 22-Apr 12 Jennifer Walden: New Paintings. Vibrant new paintings by Jennifer Walden.

Kimoto Gallery 1525 W 6th Ave &604-428-0903 kimotogallery.comtue-thu 10am-6pm; fri 12-5pm; sat 10am-6pm. Feb 5-Mar 2 Bonnie Gaskin: STILL DREAM. Valentine’s Day Opening: Feb 14 6pm. Mar 8-30 Yorke Graham: LATITUDE and Michael Soloman: ON MY WAY. Opening Reception: Mar 8, 6pm.

Lattimer Gallery &604-732-4556lattimergallery.comVANCOUVER: 1590 W 2nd Ave. 10am-5:30pm; sun 11am-5pm; hol-idays 12pm-5pm. YVR: International Terminal. Level 3 Departures. daily 6am-10pm. MOV: 1100 Chestnut St. sun-wed 10am-5pm; thu-sat 10am-8pm. Original works of art by First Nations artists, including gold and sterling silver jewellery, masks, panels, bentwood boxes, totem poles, argillite, sculptures, paintings, and limited edition prints.

Libby Leshgold Gallery Emily Carr University of Art + Design520 East 1st Ave &604-844-3809 libby.ecuad.cadaily 12-5pm. Free admission. To April 21 Designing Death. An exhibition of contemporary funerary architecture and objects.

Lookout GalleryRegent College, UBC5800 University Blvd&604-224-3245 lookoutgallery.camon-fri 8:30am-5pm; sat 12-4pm. Free admission. To Feb 15 Eve Leader: THROUGH A GLASS DARKLY. Focusing on the human condition and the mystery of life, Eve Leader’s oil paintings seek to make the intangible tangible. We only have intimations of, but will never know, the nature of reality. Feb 27-Mar 22 Bryanna Russell: MAKING WOMB. Through resin layers and applied form, organic, fluid paint movement and stark lines, this multi media exhibit explores womens capacity to create space for flourishing.

Marion Scott Gallery/Kardosh Projects 2423 Granville St &604-685-1934 marionscottgallery.comtue-sat 10am-6pm. Feb 9-Mar 9 Stories Of My Life: Print Editions by Elisapee Ishulutaq. Focusing on works produced within the last decade, Stories of My Life: Print Editions by Elisapee Ishulutaq will comprise 16 etchings, all of which were produced in collaboration with Montreal’s Studio PM. The exhibition will include four new images pro-duced within the last year of the art-ist’s life and now being shown here for the first time. Also included are Ishulutaq’s series of monumentally scaled prints from 2016. Picturing the life and memories that she knew from her childhood growing up on southern Baffin Island, the works in the exhibition constitute the late Pangnirtung artist’s boldly expres-sive tribute to the traditions of Inuit culture and their ongoing relevance in today’s world.

Morris and Helen Belkin Art Gallery University of British Columbia1825 Main Mall&604-822-2759belkin.ubc.catue-fri 10am-5pm; sat-sun 12-5pm; closed holidays. Free admission. To Apr 7 Hexsa’am: To Be Here Always. Includes work by artists Marianne Nicolson and Althea Thauberger with Siku Allooloo, Scott Benesiinaabandan, Darryl Dawson, Jaymyn La Vallee, Diane Roberts, Sara Siestreem, Juliana Speier, Nabidu Taylor, Kamala Todd, William Wasden Jr., Tania Willard and Lindsey Willie. Working together at Kingcome Inlet in Summer 2018, this group of artists used film, video, social media, weaving, animation, drawing, language and song to address the urgent threats to the land and water. A manifestation of the relationships formed between the participants over this past year, this exhibition is based on sharing knowledges and respectful collab-oration. Simultaneously research, material, media, testimony and ceremony, Hexsa’am: To Be Here Always challenges the western concept that the power of art and

Close-Up: Catriona Je˛ ries Transforms HistoricMetalwork Shop into New Gallery SpaceCATRIONA JEFFRIES GALLERY, 950 East Cordova St, Vancouver BC

by Michael Turner

Catriona Je˛ ries turned heads in 2005 when she relocated her gallery from Granville Street’s“Gallery Row” to a more spacious former auto-motive warehouse on the city’s grittier east side. But success followed. Now she is at it again, mov-ing to an even larger space near the Downtown Eastside’s industrial waterfront.

With over 30 years of exhibitions, international art fairs and gallery publications under her belt, Je˛ ries, who represents artists such as Brian Jungen, Janice Kerbel and Geo˛ rey Farmer, is among the leading contemporary art dealers in the country. Preview caught up with her as she prepared for the February 9 grand opening of the new gallery, designed by Patkau Architects.

Preview: Can you tell us about your opening ex-hibition?

Je˜ ries: It’s called Unexplained Parade (follow the river), from a 1994 to 1997 Jerry Pethick wall

work. I asked the gallery artists to provide a name of another artist whose work is signifi cant to their own practice. For the fi rst three months we will rotate works by gallery artists and those they chose.

Preview: You’re obviously excited about the new space, but you seem equally excited about your new neighbourhood.

Je˜ ries: I moved to an industrial neighbourhood in 2005 because I wanted to feel closer to the working practices of my artists, their need of a gallery as both an on-site production space and an exhibition space. Same with the recent move to the old Pilkington metalwork shop, a com-pany that began with the grandfather, Clark, who worked as a blacksmith near the Bayshore Hotel. Clark remembers when the land under us was marshland.

Preview: What are some of the things you can do with this new space that you couldn’t do in the former space(s)?

Je˜ ries: The new exhibition space is larger. The storage space – much larger. The big di˛ er-ence is the exterior space, where we removed the asphalt and planted three honey locusts.I am hoping this space, too, can serve as an exhibition space.

catrionaje ries.com

Jerry Pethick, Unexplained Parade, 1994-97, vinyl cloth, laser stickers, paper cut-out, black marker, wood stretcher

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Suk-Fong Triptych - Blue Dr. Sun Yat-Sen Classical Chinese Garden,

Vancouver



culture are limited to the symbolic or metaphoric, and that the practices of First Peoples are simply part of a past heritage.

Museum of Anthropologyat UBC 6393 NW Marine Dr&604-822-5087 moa.ubc.catue-sun 10am-5pm; thu 10am-9pm.

Admission: adults $18; students & seniors (65+) $16; family $47; children 6 and under free; UBC staff, students & faculty free with ID; thu 5-9pm: $10. To Mar 31 Marking

Close-Up: Catriona Je˛ ries Transforms HistoricMetalwork Shop into New Gallery SpaceCATRIONA JEFFRIES GALLERY, 950 East Cordova St, Vancouver BC

by Michael Turner

Catriona Je˛ ries turned heads in 2005 when she relocated her gallery from Granville Street’s“Gallery Row” to a more spacious former auto-motive warehouse on the city’s grittier east side. But success followed. Now she is at it again, mov-ing to an even larger space near the Downtown Eastside’s industrial waterfront.

With over 30 years of exhibitions, international art fairs and gallery publications under her belt, Je˛ ries, who represents artists such as Brian Jungen, Janice Kerbel and Geo˛ rey Farmer, is among the leading contemporary art dealers in the country. Preview caught up with her as she prepared for the February 9 grand opening of the new gallery, designed by Patkau Architects.

Preview: Can you tell us about your opening ex-hibition?

Je˜ ries: It’s called Unexplained Parade (follow the river), from a 1994 to 1997 Jerry Pethick wall

work. I asked the gallery artists to provide a name of another artist whose work is signifi cant to their own practice. For the fi rst three months we will rotate works by gallery artists and those they chose.

Preview: You’re obviously excited about the new space, but you seem equally excited about your new neighbourhood.

Je˜ ries: I moved to an industrial neighbourhood in 2005 because I wanted to feel closer to the working practices of my artists, their need of a gallery as both an on-site production space and an exhibition space. Same with the recent move to the old Pilkington metalwork shop, a com-pany that began with the grandfather, Clark, who worked as a blacksmith near the Bayshore Hotel. Clark remembers when the land under us was marshland.

Preview: What are some of the things you can do with this new space that you couldn’t do in the former space(s)?

Je˜ ries: The new exhibition space is larger. The storage space – much larger. The big di˛ er-ence is the exterior space, where we removed the asphalt and planted three honey locusts.I am hoping this space, too, can serve as an exhibition space.

catrionaje ries.com

Jerry Pethick, Unexplained Parade, 1994-97, vinyl cloth, laser stickers, paper cut-out, black marker, wood stretcher

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Hexsa’am: To Be Here AlwaysMORRIS AND HELEN BELKIN ART GALLERY, Vancouver BC - To April 7

by Michael Turner

In the summer of 2018, artists of various media (fi lm, video, social media, weaving, anima-tion, drawing, language and song) gathered at BC’s Kingcome Inlet to “address the urgent threats to the land and water.” The resulting exhibition, curated by Belkin interim directorLorna Brown, presents a body of work focused less on the subject of those threats, or the threats themselves, than on the shared and collaborative gestures of those gathered (as man-ifest in common research strategies, material a nities, media tendencies, personal testimony and ceremonial protocols).

Key to the exhibition is a reformu-lation of the very notions of art and culture. In the Eurowestern tradition, these concepts have long been re-stricted to a progressive modern idea of the symbolic and the metaphoric, with the art and culture of Indigenous peoples “representing” not an evolv-ing, dynamic way of life, but a remnant of an archaic past.

In an e˛ ort to transcend what for some is a binarial end-game, Dzawada’enuxw artist, scholarand exhibition participant Marianne Nicolson has this to say: “We must not seek to erase the infl uence of globalizing Western culture, but master its forces selectively, as part of a wider Canadian and global community, for the health of the land and the cultures it supports. The embodied practice of ceremonial knowledge relates to artistic experience – not in the aesthet-ic sense, but in the performative: through gestures that consolidate and enhance knowledge for positive change.”

Rounding out this insightful and important exhibition are works by Siku Allooloo, ScottBenesiinaabandan, Darryll Dawson Jr., Jaymyn La Vallee, Diane Roberts, Sara Siestreem,Juliana Speier, Nabidu Taylor, Althea Thauberger, Kamala Todd, William Wasden Jr., TaniaWillard and Lindsey Willie.

belkin.ubc.ca

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From Hexsa’am: To Be Here Always, 2018




VANCOUVER

the Infinite: Contemporary Women Artists from Aboriginal Austra-lia. Aboriginal women have been redrawing the boundaries of the contemporary Aboriginal art scene in Australia since the late 1980s, re-defining a movement that continues today. Ongoing In a Different Light: Reflecting on Northwest Coast presents more than 110 historical Indigenous artworks and marks the return of many important works to British Columbia. These objects are amazing artistic achievements. Yet they also transcend the idea of art or artifact. Shake Up: Preserving What We Value, explores the convergence of earthquake science and technology with the rich Indig-enous knowledge and oral history of the living cultures represented in MOA’s Northwest Coast collection. Beyond scientific discoveries, it also puts into the foreground traditional knowledge of earthquakes and natural disasters that has been passed down through generations throughout many cultures.

Museum of Vancouver HVanier Park1100 Chestnut St &604-736-4431 museumofvancouver.casun-wed 10am-5pm; thu 10am-8pm; fri 10am-9pm; sat 10am-9pm. Admission: adults $20.50, seniors & students $17.25, youth 12-18 $13.75, child 5-11 $9.75, family $43, children 4 and under free. Last thu of the month by donation. Ongoing Haida Now: A Visual Feast of Innovation and Tradition. An unparalleled collection of Haida art boasting more than 450 works. Local Haida artists share their insights and knowledge about the art pieces, providing visitors with the opportunity to experience a powerful way to engage with the worldview and sensibility of the Haida people while gaining greater appreciation for the role museums can play in the reconciliation movement. Wild Things: The Power of Nature in Our Lives. Delves into the life stories of local animals and plants–how they connect with each other and how people connect with nature in the city. ćəsna?əm, the city

before the city, ground breakingexhibition digging, deep into local First Nations history.

Parker Projects 440 - 1000 Parker St&604-254-8743 parkerprojects.cawed-sat 12-6pm or by appt. To Mar 9 Vert-Nancy Boyd, Roz Marshall, Lisa Ochowycz. These three artists explore the idea of Vert or Green in very unique and diverse ways: as representative of a yearning; as a celebration of growth and renewal, or curiosity about what might grow beneath the surface of this cold earth. Mar 14-Apr 27 Disappear-ances. This exhibition will present disappearance as seen through the lens of four photo-based artists. One explores the potential disappearance of a culture in East Africa; another reminds us to deeply observe those people within the marginalized communities living among us in our privileged Global North; a third explores the notion of what we see and how our perceptions influence what we notice; and the fourth unpacks the impact of humans on

Hexsa’am: To Be Here AlwaysMORRIS AND HELEN BELKIN ART GALLERY, Vancouver BC - To April 7

by Michael Turner

In the summer of 2018, artists of various media (fi lm, video, social media, weaving, anima-tion, drawing, language and song) gathered at BC’s Kingcome Inlet to “address the urgent threats to the land and water.” The resulting exhibition, curated by Belkin interim directorLorna Brown, presents a body of work focused less on the subject of those threats, or the threats themselves, than on the shared and collaborative gestures of those gathered (as man-ifest in common research strategies, material a nities, media tendencies, personal testimony and ceremonial protocols).

Key to the exhibition is a reformu-lation of the very notions of art and culture. In the Eurowestern tradition, these concepts have long been re-stricted to a progressive modern idea of the symbolic and the metaphoric, with the art and culture of Indigenous peoples “representing” not an evolv-ing, dynamic way of life, but a remnant of an archaic past.

In an e˛ ort to transcend what for some is a binarial end-game, Dzawada’enuxw artist, scholarand exhibition participant Marianne Nicolson has this to say: “We must not seek to erase the infl uence of globalizing Western culture, but master its forces selectively, as part of a wider Canadian and global community, for the health of the land and the cultures it supports. The embodied practice of ceremonial knowledge relates to artistic experience – not in the aesthet-ic sense, but in the performative: through gestures that consolidate and enhance knowledge for positive change.”

Rounding out this insightful and important exhibition are works by Siku Allooloo, ScottBenesiinaabandan, Darryll Dawson Jr., Jaymyn La Vallee, Diane Roberts, Sara Siestreem,Juliana Speier, Nabidu Taylor, Althea Thauberger, Kamala Todd, William Wasden Jr., TaniaWillard and Lindsey Willie.

belkin.ubc.ca

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SSNAPExhibition

The Salt SpringNational Art Prize

The 2019/2020

Call for Artist Submissions$40,000 in prize moneyDeadline: May 31 2019

Juried exhibition on Salt Spring IslandSeptember 21 - October 21 2019Winners announced at:Gala Awards Night October 19 2019

Open to two and three-dimensional workOpen to all Canadian citizens and permanent residents

Jurors are: David Balzer of Canadian Art magazineSandra Meigs, artist and Professor Emeritus at UVICIan Wallace, visual artist, educator,cheyanne turions, SFU curator

Details and entry form on websitewww.saltspringartprize.ca



VANCOUVER

our natural environment. Running in conjunction with Capture Festival. Photographers: David Ellingsen, Brenda Spielmann, Yasmeen Strang and TBA.

Pendulum Gallery HHSBC Building885 W Georgia St &604-250-9682 pendulumgallery.bc.camon-wed 9am-5pm; thu-fri 9am-9pm; sat 9am-5pm. Feb 4-Mar 1 Monica Glitz & Philip Jessup: Endangered. Two contemporary Canadian photographers who have focused their work on exploring the sublime in endangered spaces that-for now-have been saved by government conservation efforts. Glitz has photographed UNESCO World Heritage sites over the past twenty years. Her images look back in time and capture the awe of ancient splendor. Jessup has photographed significant natural landscapes endangered by sea level rise that governments are seeking to conserve. His images express the beauty we are in danger of losing though the impact of increasing severe climate change. Mar 11-Mar 29 Gallery Jones: Canadian Landscape. A Pop-up exhibition from the Vancouver-based gallery, bringing their program to new audiences in the downtown core. A four-artist exhibition that suggests the varied and complex forms of the Canadian Landscape, and the various approaches Canadian artists

have taken to capture this important and powerful subject.

Petley Jones Gallery 2245 Granvillle St &604-732-5353 petleyjones.comtue-sat 10am-6pm. Art Dealers in Contemporary and Historical Art. In addition to sales, purchases, art rentals and consignment we offer services in conservation framing, restoration, appraisals. Historical and contemporary works are continuously acquired – come see what’s new or visit our website for exhibition information. Feb 14-28 Shunga-Forbidden Art. Opening Reception: Feb 14, 6-9pm.

Poly Culture Art Center #100-905 W Pender St&604-564-5766 polyculture.us/tue-sat 10am-5pm. Free admission. Poly Culture Art Center is the only platform for Poly Culture Group to exhibit, display and operate Chinese artworks in North America. To Apr 15 Blue Green Landscape: Paintings by Zheng Baizhong. The exhibition features more than 50 pieces of blue-green landscape paintings by Zheng Baizhong. These works in-clude scrolls and fans, are of various shapes and colors, demonstrating profound artistry and depicting the splendid rivers and mountains. Zheng Baizhong lived in the U.S. for more than 10 years, becoming a representative artist of traditional Chinese painting living abroad.

SFU Galleries AUDAIN GALLERY: SFU Goldcorp Centre for the Arts, 149 W Hastings St, Vancouver. &778-782-9102sfu.ca/galleries/audain-gallerytue, wed, sat 12-5pm; thu-fri 12-8pm. To Mar 9 Naufus Ramírez-Figueroa: Corazón del espantapá-jaros (Heart of the Scarecrow). Working with performance, sculpture and drawing, Ramírez-Figueroa’s practice evokes symbols, sounds and gestures that have been lost to history, to politics and to memory.TECK GALLERY: SFU Harbour Centre, 515 W Hastings St, Vancouver. &778-782-4266sfu.ca/galleries/teck-galleryCheck website for hours. Ongoing Krista Belle Stewart: Eye Eye.

SFU GALLERY: AQ 3004-8888University Dr, Burnaby.&778-782-4266sfu.ca/galleries/sfu-gallerytue-thr 12-5pm. To Apr 18 Ann Beam and Carl Beam: Spaces for Reading. Two artists that question the construction of history and knowledge through systems of classification and representation with post-colonial, feminist and ecological lenses.

Sidney and Gertrude Zack GalleryJewish Community Centre 950 W 41st Ave &604-638-7277 jccgv.com/art-and-culture/gallery/Please see website for hours. Closed fri 6pm-sat 6pm. Free admission. To Mar 3 Sidi Schaffer: In Partnership with Nature. Nature is my biggest inspiration and beautiful gardens. The works are in acrylic, water colors, encaustic (acrylic / bee wax) prints, mixed media and photogra-phy. Poetry Evening: Feb 21, 7pm. Mar 7-Apr 7 Melenie Fleischer, Michael Shumiatcher, Eric Wilson and a group of Dene Artists: Crossed Paths. A collaboration between a group of Jewish artists from Vancouver and the artists and musicians from the Liidlii Kue First Nation from Fort Simpson, North-west Territories. Painters Melenie Fleischer and Michael Shumiatcher found inspiration in the Celebrations of the Dene people. A group of Dene artists have reciprocated creating art that celebrates their traditional life: birch bark baskets, moose hair tufting and beaded moccasins. Opening Reception: Mar 7, 7pm. Poetry Evening: Mar 21, 7pm.

Skwachàys Lodge Aboriginal Hotel and Gallery 29/31 W Pender St &604-558-3589gallery.urbanaboriginal.org/daily 10am-6pm. Free admission. Original works of art by Indigenous artists including carvings, paintings, limited edition prints and jewelry. Members of the Authentic Indige-nous Arts initiative which provides a effective way to identify and protect Indigenous art. The gallery is located on the Lobby Level of Skwachàys Lodge with the proceeds funding housing for artists.Seiji Kuwabara, Released, 2018

Visual Space Gallery, Vancouver



South Main Gallery 279 E 6th Ave &604-565-5622 southmaingallery.comwed-sun 11am-6pm. Free admis-sion. Feb 9-Feb 24 Jane Adams: Living on the Grid. “This group of paintings is an ongoing series of abstract acrylics that emerged sud-denly after a move into the heart of the city. Living on the Grid, the hood represents the sounds of inner-city density, the night rattle of bottle collectors and their trolley carts, car horns, sirens, traffic patterns, abstract distant beeps, and general noise. The nighttime breaking of the

international flights descending over the harbour and the general rumble that interferes with the daily thought processes. The urban nightmare at times! The patterns depict the city, tall buildings, construction cranes, the surrounding sea, the bridges, the call of the crows and gulls, sunrise and sunset over the harbour and the cacophony of all the that occurs in the living city.” Jane Adams. In partnership with VGH, South Main Gallery is proud to host Living on the Grid, a fundraised exhibit by artist Jane Adams.Opening Reception: Feb 9, 3pm

Spirit Wrestler Gallery 101-1669 W 3rd Ave&604-669-8813&1-888-669-8813spiritwrestler.comtue-sat 10am-5pm; sun 12-5pm; mon: closed or by appt. A leading contemporary fine art galleryrepresenting Inuit, Northwest Coast and Maori artists. The gallery focus-es on exhibitions that showcasecontemporary directions inaboriginal art, including cross-cultural communication, the use of new materials (such as glass and metal), and modern interpretations

DAVID HAUGHTON ANGRY WHITE MEN II:FURTHER EXPLORATIONS OF THE FACE OF EVIL

VISUAL SPACE GALLERY3352 Dunbar Street (between 17th + 18th)Vancouver, BCMarch 14 – 27, 2019noon to 5:00 daily

VIEW PAINTINGS AT WWW.HAUGHTON-ART.CA

Haughton_Preview 2/3H_FM2019.qxd 11:35 AM Page 1



VANCOUVER

of shamanism, environmentalconcerns, and other issuespertaining to the changing world.

SUM GalleryPride In Art Society 425 - 268 Keefer St&778-228-1219queerartsfestival.comtue-sat 12-6pm. Admission bydonation. Feb 14, 7pm Bleeding Hearts and Artists: Annual Fund-raiser for Queer Arts Festival and SUM Gallery. Participating artists: Paul Wong, Leslie Uyeda, Rachel Kiyo Iwaasa and more. A night of art and love, at the annual fundraiser for Queer Arts Festival and SUM Gallery, MCed by the inimitable David C. Jones! Ticket price includes live performances, refreshments, door prizes, your first beverage, and a charitable donation receipt. 100% of funds raised will go towards supporting Queer Arts Festival and SUM Gallery, Canada’s only gallery mandated for queer art. Check website for more information.

The Art Emporium 2928 Granville St&604-738-3510theartemporium.camon-sat 10am-6pm or by appt. Exceptional inventory of paintings by Canadian, American, and French masters of the 20th century, aswell as all members of the Group of Seven and several of their con-temporaries. Featuring J.P. Riopelle, Lawren Harris, Tom Thomson,and Emily Carr.

The Gallery at The Cultch 1895 Venables St &604-251-1766 thecultch.com/venues/gallerymon-sat 12-4pm. To Mar 2 Works by Lee Gerlach and TBA.Mar 12-30 Works by Kathleen Ainscough and Mary Lottridge.Opening Reception: Mar 13, 6pm.

Toni Onley Estate &604-263-8980 tonionley.comRepresenting the Estate: in Victoria, Winchester Galleries; in Calgary, Wallace Galleries.

Ukama Gallery 1802 Maritime Mews, Granville Island &778-379-0666 ukama.cadaily 11am-5pm. Free admission. Specializing in original stone sculp-ture, Ukama Gallery on Granville Island represents over 200 highly skilled emerging and world-re-nowned artists from Zimbabwe. The combination of expressive canvases and imaginative mixed media from outstanding Canadian artists, adds color and texture to the very tactile impression of the sculpture. Side by side, these distinctly different art forms have something to say about the essence of the human artistic instinct. Open 7 days a week, Ukama Gallery welcomes both art collectors and art lovers to enjoy a unique experience. Follow us on Social Media for event/exhibition information: @ukamagallery

Unitarian Church of Vancouver 949 W 49th Ave &604-261-7204 vancouverunitarians.casun 10am-1:30pm or phone for hours. To Feb 24 Unitarian Church of Vancouver Artists Group Art Show, mixed media. Mar 1-Apr 28 Catherine M. Stewart: Venus Takes Flight. In this suite of colour-ful inkjet prints Catherine M. Stewart highlights the parallels in animal and human mating behaviour by inte-grating scans of bird plumage with those of sensuous fabrics to create hybrid abstract compositions.

Uno Langmann Limited 2117 Granville St &604-736-8825 &1-800-730-8825 langmann.comtue-sat 10am-5pm; or by appoint-ment. Feb 1-28 Poetic Identity. Art-ists across the vast Canadian nation

created a national identity based on the overwhelming influence of their natural surroundings. Canadian art-ists passionately reflected beautiful landscapes from each diverse region of the country, thus creating a dis-tinct and poetic identity to present to the rest of the world. This exhibition includes works by Thomas Harold Beament, John Hammond, F.M. Bell-Smith, Eric Riordon, Belmore Browne and Thomas Mower Martin. Mar 1-31 A Quiet Moment. Genre paint-ing distinguishes itself from religious or historical paintings by focusing on depictions of everyday life. This exhibition reveals figures engaged in moments of serene contemplation, surrounded by objects and pictorial details that further enrich the story. Included are works by Emil Rau, Benjamin Vautier, Bernard de Hoog and Viggo Pedersen. Ongoing A rotating selection of museum-quality paintings, objets d’art, and antiques from Europe and North America.

Vancouver Art Gallery 750 Hornby St &604-662-4719 (24-hr info line) vanartgallery.bc.cadaily 10am-5pm; tue 10am-9pm. Admission: adults $24; seniors (65+) $20; students (with valid ID) $18; children 6 to 12 $6.50; children 5 and under and members free. Reference Library: mon-thu 11am-5pm or by appt. To Mar 17 A Curator’s View: Ian Thom Selects, selected works from the permanent collection. The Metamorphosis highlights transformation in a variety of forms: physical, spiritual and cultural with works from the VAG’s collection. Opening Feb 16 French Moderns: Monet to Matisse, 1850-1950 looks at France as a centre of modernism with works from Brooklyn Museum collection. Affinities: Canadian Artists and France looks at the significance that French art and culture has held for Canadian artists over the past 120 years. Opening Mar 2 Mowry Baden. Internationally acclaimed Victoria-based artist Mowry Baden’s work from the late 1960s to the present. Displacement. Contempo-rary works from the VAG’s collection that evoke displacement as a tool to elicit viewer reactions ranging from empathy and understanding, to the

Janna Watson,What Goes on Between Rib and Hip Bone, 2018

Bau-Xi Gallery, Vancouver



unexpected and disruptive. OFFSITE 1100 West Georgia St: To Mar 31 Polit-Sheer-Form Office (PSFO) presents Fitness for All(Vancouver). A series of customized and interactive fitness machines inspired by exercise equipment commonly found in public spaces throughout China.

Vancouver MaritimeMuseum H1905 Ogden Ave &604-257-8300 vanmaritime.comdaily 10am-5pm; thu 10am-8pm. Admission (+GST): $11 adults, $8.50 students, seniors, youth, $30 family, 5 and under free. Ongoing Making Waves: The Story and Legacy of Greenpeace. Greenpeace is one of the most recognizable environmen-tal activism groups of our time. With humble beginnings in Vancouver, Greenpeace has always had a strong connection to the sea. What began with a small group of Canadians and Americans protesting a nuclear bomb has become a global phenom-enon. Over its five-decade history, the organization has protested many

different causes: whaling,pollution, mining, genetic testing, and nuclear testing.

VISUALSPACE Gallery 3352 Dunbar St&604-559-0576visualspace.camon-sat 12-5pm; after Mar 14 open sun. To Feb 5 Brian O’Connor: Celebration of a Life Lived. Large scale oil paintings of tree trunks on canvas. Feb 8-27 TSUNAGARI: Connection. Artists: Shinsuke Minegishi (printmaker) and Seiji Kuwabara (sculptor). The exhibition will feature work from both artists that reflects how their works are influenced by their two different and unique cultures: Canadian and Japanese. Opening Reception: Feb 9, 3-6 pm. Mar 14-27 Angry White Men 2 - further exploration of the Face of Evil. Artist David A. Haughton seeks not to glorify but to warn; his portraits of neo-Nazis, Trump supporters and a wide world of disenfranchised, resentful and angry people are rich with texture and trigger strong emotions.

Z Gallery Arts 102-1688 W 1st Ave&604-742-2001zgalleryarts.comfri-sat 11am-5pm and by appt.Feb 1-Mar 23 XIE LEI: XIE LEI.This is the first time I have writtensomething for my own exhibition. It’s not a statement, but some fragments of thoughts and notes merging as stream of conscious-ness. I discovered quite recentlya popular 1970s British sketchHow Not to Be Seen from Monty Python’s Flying Circus in whichthe narrator introduces people who are hiding in the landscape. The narrator explains the importance of not being seen and then he delights in blowing them up. The landscapes were no more peaceful than before, neither were the on-screen images themselves, and that which was even more invisible (I might say humanity, but wouldn’t like to use this word here) was destroyed by this obsessive and ironic perversion. Artist Reception: Feb 21, 6pm.

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Whistler, B.C. | February 16 – May 6, 2019

Presenting Sponsor:

Government Partner:



VERNON

Vernon Public Art Gallery 3228 31st Ave &250-545-3173 vernonpublicartgallery.common-fri 10am-5pm; sat 11am-4pm To Mar 6 Heidi Thompson: The Light Within You. Thompson’s exhi-bition includes a body of non-objec-tive paintings related to the Colour Field Painting Movement. Meghan Krauss: Observer Observed. Consists of large-scale panoramic photomontages where multiple images of tourists are compressed into a single image, referencing how people interact with each other and the world around them through technology. Kama? Creative Aboriginal Arts Collective: De-colonizing our Table: Indigenous Food Sovereignty. The Collective address the issues of colonization, appropriation of their lands, forced assimilation and the need for reconciliation. Mar 14-May 14 Keith Harder: Ill Winds. Executed in high realistic renderings, Ill Winds focus-es on the nostalgia of the history of aviation, and loss of life.

VICTORIA

Alcheringa Gallery 621 Fort St&250-383-822alcheringa-gallery.common-sat 10am-6pm; sun & holidays 1-5pm Specialists in Aboriginal art from the Canadian Northwest Coast, Australia, and Papua New Guinea. Alcheringa Gallery is delighted to announce the change of ownership from Founder and Director Elaine Monds, to Mark & Mary Loria. Feb 2- Mar 2 Vancouver Island Vanguard: Printmaking from 1980-2000. An historic print exhibition that focuses on Vancouver Island-based artists, whose innovative work has made a resounding impact on the contemporary art canon of the Northwest Coast, but who have been recently overlooked. Artists such as TEMOSEN Charles Elliott, Delmar Johnnie Seletze and Mark Henderson will be a major focus alongside Beau Dick, Art Thomp-son and Susan (Sparrow) Point to name a few. A spotlight on over 30 works from the influencers of the

burgeoning renaissance of Coast Salish contemporary art.Opening Reception: Feb 2, 4pm.

arc.hive gallery 2516 Bridge S&250-480-8197arc-hive.weebly.comsat & sun 12-5 pm. Feb 8-24 Roy Green: Gleaner. Gleaner is a large scale painting installation comprised of new works on paper. Popculture and art-historical references collide with abstract tropes and text to create an immersive viewing experience. Opening Reception:Feb 8, 7-9pm. Mar 8-24 Dee Gibson: Holding Spaces. A visual explora-tion of temporary refuges and acts of shelter in a variety of media. Opening Reception: Mar 8, 7-9pm.

Art Gallery of Greater Victoria 1040 Moss St&250-384-4171 aggv.catue-sat 10am-5pm; thu 10am-9pm; sun 12-5pm. Admission: adult $13; senior (65+), student (with ID) $11; youth (6-17) $2.50; child (5 and under) and members free. Ongoing Unformable Things: Emily Carr and Some Canadian Modernists. Featuring the work of Emily Carr alongside some of her notable Canadian peers, including Lawren Harris, A.Y. Jackson, Pegi Nicol MacLeod, David Milne, and Florence Helena Mcgillivray. Opening Feb 2 Throw, Slip, Spin: Studio Ceramics from the AGGV Collection. While the AGGV’s interest in pottery dates back to the institution’s early years, recent exhibitions have inspired recent donations by local and na-tional artists. Opening Feb 16 Fiona Tan: Ascent. A montage film and accompanying photo installation are a study of the significance of Mount Fuji in Japanese visual culture. Opening Mar 9 Quiet Nature: The Woodblock Prints of Walter J. Phillips. The exhibition considers the influence of Urushibara and other Japanese printmakers on Phil-lips work and his important role in popularizing the Japanese woodcut tradition in Canada. Landscapes of Edo: Ukiyo-e Prints from the AGGV Collection showcases key works from the AGGV’s extensive collection of Japanese prints.

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Todd Lambeth: Night MovesDELUGE CONTEMPORARY ART, Victoria BC - To Mar 2

by Christine Clark

Night Moves comprises acrylic paintings, the largest at 70 by 52½ inches, which when viewed together present amorphous jungles of shape and colour. Peering past the perfectly fl at surface of the canvas, it’s possible to see bat-tle scenes and palm fronds, slippery shadowsand curious faces – scenes of heated and sen-sual human struggle. Todd Lambeth writes that the “paintings are initially designed as collages on a laptop and are translated in the studio di-rectly from the glowing screen of a tablet.”

Lambeth says he is “infl uenced by Cubism,hard-edged Modernist painting, comic books and candy wrappers.” The titles of his paint-ings add depth to this special blend of art history and childhood. For instance, TimeMachine references H.G. Wells’ groundbreak-ing sci-fi novella. Phantasmagoria alludes to a type of horror theatre achieved through magic lanterns, and Fire (Johnny Storm) to the name of a Marvel Comics character. Lambeth writes

that “more often than not the names of paintings hit me very quickly upon completing the initial designs. Strangely, when the title of a piece comes to my mind it is a good bet thatthe piece is a go; if no name hits me, it’s probably not the right design.”

Lambeth holds an MFA from the University of Victoria and has received both Canada Council and BC Arts Council grants. He most memorably exhibited Oh! You Pretty Things, exquisite interior paintings of cats, at Deluge Contemporary in 2013. He states that his work is an ex-pression of his “desire to create optimistic paintings that distract the viewer from the di cult times in which we live.”

Artist talk Feb 16, 3pm

deluge.ws

Todd Lambeth, Fire (Johnny Storm), 2018,acrylic on canvas



Deluge Contemporary Art 636 Yates St &250-385-3327 deluge.ws wed-sat 12-5pm.To Mar 2 Todd Lambeth: Night Moves. A series of paintings that investigates the abstract relation-ship between space and colour. Influenced by Cubism, hard-edged Modernist painting, comic books and candy wrappers, the colours in these paintings reference the world of advertising and design. These visually stimulating works express the artist’s interest in perceptions of

pictorial space and are a direct re-sponse to the proliferation of digital imagery and imaging technology.Artist Talk: Feb 16, 3pm.

Flux Media Gallery 821 Fort St &250-381-4428medianetvictoria.orgtue-sat noon-5pm. MediaNet will be presenting two screenings of exper-imental video art in our FLUX Media Gallery (821 Fort St.) on Feb 13 and Mar 21. Please see our website for details.

Gage Gallery Arts Collective 2031 Oak Bay Ave &250-592-2760 gagegallery.catue-sat 11am-5pm. To Feb 16Anita Boyd: Vision Opportunity, abstract paintings. OpeningReception: Feb 3,1pm. Feb 19-Mar 9 Encore, group show with the artists of the Gage Gallery Arts Collective.Opening Reception: Feb 24, 1pm. Mar 12-30 James Dodd:Windows and doors of France, watercolours and ink.

Todd Lambeth: Night MovesDELUGE CONTEMPORARY ART, Victoria BC - To Mar 2

by Christine Clark

Night Moves comprises acrylic paintings, the largest at 70 by 52½ inches, which when viewed together present amorphous jungles of shape and colour. Peering past the perfectly fl at surface of the canvas, it’s possible to see bat-tle scenes and palm fronds, slippery shadowsand curious faces – scenes of heated and sen-sual human struggle. Todd Lambeth writes that the “paintings are initially designed as collages on a laptop and are translated in the studio di-rectly from the glowing screen of a tablet.”

Lambeth says he is “infl uenced by Cubism,hard-edged Modernist painting, comic books and candy wrappers.” The titles of his paint-ings add depth to this special blend of art history and childhood. For instance, TimeMachine references H.G. Wells’ groundbreak-ing sci-fi novella. Phantasmagoria alludes to a type of horror theatre achieved through magic lanterns, and Fire (Johnny Storm) to the name of a Marvel Comics character. Lambeth writes

that “more often than not the names of paintings hit me very quickly upon completing the initial designs. Strangely, when the title of a piece comes to my mind it is a good bet thatthe piece is a go; if no name hits me, it’s probably not the right design.”

Lambeth holds an MFA from the University of Victoria and has received both Canada Council and BC Arts Council grants. He most memorably exhibited Oh! You Pretty Things, exquisite interior paintings of cats, at Deluge Contemporary in 2013. He states that his work is an ex-pression of his “desire to create optimistic paintings that distract the viewer from the di cult times in which we live.”

Artist talk Feb 16, 3pm

deluge.ws

Todd Lambeth, Fire (Johnny Storm), 2018,acrylic on canvas



VICTORIA

Gallery in the Oak Bay Village 2223A Oak Bay Ave&250-598-9890theoakbaygallery.common-fri 10am-5pm; sat 10am-3pm. Featuring original artwork by leading local artists Kathryn Amisson, Sid Barron, Andres Bohaker, Jeffery Boron, Janice Bridgman, Robert Genn, Caren Heine, Harry Heine, Jennifer Heine, Mark Heine, Keith Hiscock, Evguenia Ioganov, Shawn A. Jackson, Brian R. Johnson, David Ladmore, Ernest Marza, Joane Mo-ran, Allan Myndzak, Paul Paquette, Nicholas Pearce, Natasha Perk, Kim Pollard, Deirdre Roberts, Sandu Singh, and Linny D. Vine.

Madrona Gallery 606 View St &250-380-4660 madronagallery.comtue-sat 10am-5:30pm sun & mon 11am-5pm. Feb 16-Mar 2 Pulp & Process IV. This group exhibition brings together artists from around the country working in drawing,

watercolour, pastel, photography, and collage to highlight the diversity of this medium. Included in this exhibition will be works by David Antonides, Shuvinai Ashoona, Ta-mara Bond, Barry Hodgson, Joseph Plaskett, Luke Ramsey, Nicotye Samualie, Takao Tanabe, Ningeokulu Teevee, Diana Thorneycroft, Morga-na Wallace and many more.Mar 9-23 Meghan Hildebrand: Pocket Estates further explores the influence of place, mystery and nature in her work. In many works, Hildebrand shifts perspectives from the cellular to topographic. Within these shifts, Hildebrand incorporates symbols of place to lead the viewer through suggestive narratives. Ghosts connect to rainbows, logs, rivers and outer space seamlessly.

Open Space Arts Society 510 Fort St &250-383-8833 openspace.catue-sat 12-5pm Free/by dona-tion To Feb 26 Chantal Gibson: How She Read: Confronting the Romance of Empire. Gibson is a

Vancouver-based artist and educator whose work plunges into the fraught territory of school texts and history books with a sewing needle and re-works historical Canadian texts with black thread in order to revise our ideas of history, nationhood, and how we read. Through altered book sculptures that ensnare the texts with braids and thread, redacted texts, and reprints of old children’s readers, Gibson’s work asks us to consider the voices, stories, and bodies that have been erased or ex-cluded from historical narratives and proposes material ways in which we can resist those historical erasures. Ongoing Jesse Campbell: Blanket-ing. The second annual installation in the stairwell to the gallery. Jesse is a Métis/Cree mural artist based in Victoria who has been involved in Open Space for many years.

UVic Legacy Art Galleries 630 Yates St&250-721-6562legacy.uvic.ca/index.htmlwed-sat 10am-4pm. To Apr 6

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17arc.hive GalleryXchanges Gallery and Studios

DelugeOpen Space Madrona Gallery

Legacy Downtown Gage Gallery Arts

Gallery in the Oak Bay Village

Legacy Maltwood University of Victoria

Flux Media Gallery

Art Gallery of Greater Victoria

Alcheringa

BEACON HILLPARK

FERRY TOPORT ANGELES

OAK BAY

DOWNTOWN

VICTORIA



Translations: The Art & Life of Elizabeth Yeend Duer—Gyokusho 玉蕉. Translations showcases the movement of ideas, aesthetics, pol-itics, and people between England, Japan, and Canada, by looking at the life and work of Anglo-Japa-nese artist Elizabeth Yeend Duer (1889-1951). Born a British citizen in Nagasaki to an Englishman and a Japanese woman, Duer studied Ni-honga, a traditional Japanese-style painting, with the renowned painter and teacher Atomi Gyokushi 跡見玉枝. Duer took on the artistic identity of Gyokusho 玉蕉. Immi-grating to Victoria in 1940, Duer is among the few people of Japanese heritage who were not interned during WWII. Instead, she Japanized her new environment by producing Nihonga-style paintings of local indigenous wildflowers while her own identity was being anglicized. A project of the Williams Legacy Chair in Modern and Contemporary Art of the Pacific Northwest.Curator Talk: Feb 2, 2pm.

Xchanges Gallery and Studios 6E-2333 Government St&250-382-0442xchangesgallery.orgsat & sun 12-4pm. Free admission. Feb 2-17 Alysha Farling: Tangled. A site-specific sculpture made from wire and fabric, weaves itself around the gallery like horizontal roots, tangling around its self. Using the miniature worlds she’s know for,

the artist uses tiny glowing dwell-ings nestled deep into the sculptural tangle to explore the tension the word tangled holds for her. Opening Reception: Feb 1, 7-9pm. Artist Talk: Feb 3, 12pm. Mar 2-17 Pete Kohut: Depth of Field. These paintings explore the structure of looking.The work questions what it means to look at images in today’s chaotic, consumer-driven visual environ-ment. Marks are used as building blocks; repeating them to create a weave, net, or field of positive and negative information. This repetitive process creates an image that denies hierarchy (narrative) or inspiration (the grand gesture). It emphasizes labour (process) and touch (the artist’s hand).Opening Reception: Mar 1, 7-9pm.

WEST VANCOUVER

Buckland Southerst Gallery 2460 Marine Dr&604-922-1915bucklandsoutherst.comtue-sat 10am-5pm. Represent-ing the work of Rick Cepella, Marie Josenhans, Shirley Williams, Dominique Walker, Darcy Mann, Pip Adams, Sue Daniel, and Bi Cheng. Also featuring interiors by Andrea Padovani, street scenes by Brian Eby, world scenes by Henry Huai Xu, abstracts by Sharon Habib and Pa-tricia Moore, and still lifes by Hazel Breitkretz and Deborah Worsfold.

Ferry Building GalleryWest Vancouver Cultural Services1414 Argyle Ave &604-925-7290 ferrybuildinggallery.comtue-sun 11am-5pm. Free admission. To Feb 17 Bob Araki, Claire Babcock, Margaret Thoma: The Trailblazers. Mixed media group exhibition featuring the work of three long-time North Shore resident artists. Opening Reception: Jan 29, 6-8 pm. Meet the Artists: Feb 2,2-3 pm. Feb 19-Mar 10 George Dart, Diane Isherwood, Sophia Longo, Ron Love: Let’s Play. Mixed media group exhibition featuring four artists who were selected through our annual adjudication process where the jury identified grouping them based on their com-mon evocation of the theme “play”. Opening Reception: Feb 19, 6-8 pm. Meet the Artists: Feb 23, 2-3 pm. Mar 12-31 Lesley MacGregor, Sandrine Pelissier, Broderick Wong: Tonality. Mixed media group exhibition showcasing 3 local artists selected through our annual adjudication process. Each artist will display a selection from their individual explorations using the primary colours of black and white. Opening Reception: Feb 19, 6-8 pm. Meet the Artists: Feb 23, 2-3 pm.

Silk Purse Arts Centre 1570 Argyle Ave &604-925-7292 westvanartscouncil.catue-sun 12-4pm. tue-sun 12-5pm starting Mar. 2. Free admission.

MEGHAN

MARCH 9 - 23

HILDEBRAND

POCKETESTATES

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17arc.hive GalleryXchanges Gallery and Studios

DelugeOpen Space Madrona Gallery

Legacy Downtown Gage Gallery Arts

Gallery in the Oak Bay Village

Legacy Maltwood University of Victoria

Flux Media Gallery

Art Gallery of Greater Victoria

Alcheringa

BEACON HILLPARK

FERRY TOPORT ANGELES

OAK BAY

DOWNTOWN

VICTORIA



WEST VANCOUVER

To Feb 10 Annette Nieukerk & Lorna Schwenk: Females, Florals and Felines. Mixed media artists Nieukerk & Schwenk explore wom-en’s relationships with their bodies,

environments, identities & pets. Feb 12-Mar 3 SPECTRUM. Annual celebration of community art as 25 artists at varying stages in their careers working in a wide spectrum of mediums, styles & subject matter. Mar 5-25 Neda Derakhshan &

Dena Rouhbakhsh: Perceptions of Nature. These painters capture the essence & impression of nature through abstract works in acrylic & watercolour. Mar 26-Apr 14 Cheery Blossoms: A Textile Translation. Annual exhibit of textile art inspired

How She Read: Confronting the Romance of EmpireOPEN SPACE, Victoria BC - To Feb 26

by Christine Clark

Chantal Gibson is a writer, visual artist and educator who teaches visual and written communica-tion courses in Simon Fraser University’s multidisciplinary School of Interactive Arts & Technology, where she re-ceived a 2016 SFU Excellence inTeaching Award. Most recent-ly, Gibson exhibited her pieceSouvenir as part of a groupshow titled Here We Are Here: Black Canadian Contemporary Art, at both the Royal OntarioMuseum and the Montreal Mu-seum of Fine Arts. Souvenir is a

collection of 2000-plus souvenir spoons, all of which have been rendered indistinguishable under a coating of black paint.

How She Read: Confronting the Romance of Empire is a collection of altered Canadian his-tory books and textbooks, a series in process since 2011. These sculptures seek to rewrite the truth of recorded history and the learned narrative of Canada’s history as a country. Gibson writes of the series: “Black thread is used as a rhetorical device, as a metaphor for written text and a marker of Otherness – of new voices. The braided, twisted, knotted material challenges what has and has not been said – erasing, redacting, editing the written content.”

During a residence period at Open Space, Gibson will launch her fi rst book of poetry,How She Read. Described by publisher Caitlin Press as “genre-bending,” these poems prom-ise a critical exploration of the experiences of Black women amid the misogyny, stereotypes and racism of Canadian history and culture. Gibson will present readings at both Open Spaceand at the University of Victoria’s McPherson Library, where she will exhibit a satellite instal-lation called TOME (to February 26), a reimagined book of memory and landscape made from cotton and co˛ ee.

Artist-in-residence at Open Space Feb 14 - 21

Artist talk and panel discussion Feb 16, 2pm

Book launch and reading Feb 19, 7:30pm

Reading at McPherson Library, University of Victoria, Room A003, Feb 14, 3pm

openspace.ca

Chantal Gibson, Braided Book, 2011, mixed media

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by the cherry blossom, in associ-ation with the Vancouver Guild of Fibre Arts & fibreEssence.

West Vancouver Art Museum 680 17th St &604-925-7295westvancouverartmuseum.catue-sat 11am-5pm. Admission by donation. To Mar 9 Ron Stonier:A Concept of Time. Throughouthis career, Ron Stonier (1933-2001) was primarily concerned with abstraction and established a practice dedicated to an unceasing investigation of painting. Stonier developed and moved through sep-arate and, at times, discrete themes to create a unique visual language that combined colour and technique, abstract expressionism with elements of pop, and hard-edged painting. Curator’s Talk: Mar 2, 2 pm. Mar 20-May 11 Jim Breukelman: Altered States. In this exhibition, Breukelman revisits the diner series once again, where it will be installed with a second, more recent series of photographs of a taxidermy shop, a mesocosm and altered landscapes. Each of these images showcase spaces altered by humans.Opening Reception: Mar 19, 7pm.

WHISTLER

Adele Campbell Gallery 109-4090 Whistler Way&604-938-0887 &1-888-938-0887adelecampbell.comdaily 11am-5pm. Feb 9 Laura Harris. Laura’s emotive, abstract landscapes are beautifully imperfect. We invite you once more to contemplate her striking collection featuring powerful new work for her annual solo show. Artist Reception: Feb 9, 5pm.Feb 16 Angela Morgan Angela’s de-lightful paintings express the poses of life; the jubilation of dance, the contemplation of parenthood. Her latest collection of snowy scenes and more, always promise to delight at her Annual Winter Exhibition. Artist Reception: Feb 16, 5pm. Mar 23 Jennifer Sparacino. Sparacino’s inaugural Solo Show at the Adele Campbell Gallery. Encapsulating mystery and inherent beauty in her subjects, with bright and boldly ap-plied paint, reinterpreting her vision

with a personal and unique beauty. Artist Reception: Mar 23, 5pm.

Audain Art Museum 4350 Blackcomb Way&604-962-0413audainartmuseum.comdaily 10am-5pm; fri 10am-9pm. Admission: adults & seniors $18, youth 18 and under and members free. Feb 16-May 6 Joseph Tisiga (Kaska Dena Nation): Tales of an Empty Cabin: Somebody Nobody Was… A combination of photo-graphs, watercolours, AstroTurf collages and a site-specific instal-lation. The first major solo museum exhibition and largest survey of Joseph Tisiga’s work ever presented. It features paintings, photographs, assemblages and an installation that span the central arc of this young artist’s career from 2009 to the present. Among the new works by Tisiga currently in production is a series of large scale Astro turf panels that offer material allusions to the land, while referencing Indig-enous peoples relationship to their respective territories. Also on view, a selection of the artist’s oils on canvas and watercolours on paper from private and public collections in Ottawa, Toronto and Montreal, including recent acquisitions by the National Gallery of Canada.

Mountain Galleries at the Fairmont Chateau Whistler 4599 Chateau Blvd &604-935-1862 mountaingalleries.com

open daily Celebrating Over 27 years in Canadian Fine art, Mountain Gal-leries has grown to become Western Canada’s largest commercial art gallery with locations in Whistler, Jasper and Banff. The exhibitions range from abstract expressionism to magic realism, contemporary clay, glass, bronze and stone sculptures. Worldwide Shipping. Monthly Artist in Residence program and revolving Wild and Sacred Places exhibition, featuring new artworks by topCanadian Artists. Located in theFairmont Chateau Whistler, across from Portobello Restaurant. Feb 14-18 Shannon Ford, a Valentine’s Day exhibition that you will fall in love with. Mar Brent Lynch: Signs, new work. “Fundamentally, I look for signs as a painter. The world demands us not to simply see with our eyes.” Brent Lynch.

WHITE ROCK

White Rock Gallery 1247 Johnston Rd &604-538-4452 &1-877-974-4278whiterockgallery.comtue-sat 10am-5:30pm, closed long weekends. Ongoing Rotating exhi-bitions of gallery artists, including Nicholas Bott, Phil Buytendorp, Rod Charlesworth, Marina Dieul, Robert Genn, Laura Harris, David Langevin, Min Ma, Renato Muccillo, Michael O’Toole, Mike Svob, Christopher Walker, Ray Ward, Alan Wylie,and Donna Zhang.

How She Read: Confronting the Romance of EmpireOPEN SPACE, Victoria BC - To Feb 26

by Christine Clark

Chantal Gibson is a writer, visual artist and educator who teaches visual and written communica-tion courses in Simon Fraser University’s multidisciplinary School of Interactive Arts & Technology, where she re-ceived a 2016 SFU Excellence inTeaching Award. Most recent-ly, Gibson exhibited her pieceSouvenir as part of a groupshow titled Here We Are Here: Black Canadian Contemporary Art, at both the Royal OntarioMuseum and the Montreal Mu-seum of Fine Arts. Souvenir is a

collection of 2000-plus souvenir spoons, all of which have been rendered indistinguishable under a coating of black paint.

How She Read: Confronting the Romance of Empire is a collection of altered Canadian his-tory books and textbooks, a series in process since 2011. These sculptures seek to rewrite the truth of recorded history and the learned narrative of Canada’s history as a country. Gibson writes of the series: “Black thread is used as a rhetorical device, as a metaphor for written text and a marker of Otherness – of new voices. The braided, twisted, knotted material challenges what has and has not been said – erasing, redacting, editing the written content.”

During a residence period at Open Space, Gibson will launch her fi rst book of poetry,How She Read. Described by publisher Caitlin Press as “genre-bending,” these poems prom-ise a critical exploration of the experiences of Black women amid the misogyny, stereotypes and racism of Canadian history and culture. Gibson will present readings at both Open Spaceand at the University of Victoria’s McPherson Library, where she will exhibit a satellite instal-lation called TOME (to February 26), a reimagined book of memory and landscape made from cotton and co˛ ee.

Artist-in-residence at Open Space Feb 14 - 21

Artist talk and panel discussion Feb 16, 2pm

Book launch and reading Feb 19, 7:30pm

Reading at McPherson Library, University of Victoria, Room A003, Feb 14, 3pm

openspace.ca

Chantal Gibson, Braided Book, 2011, mixed media

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WILLIAMS LAKE

Station House Gallery H#1 North Mackenzie Ave&250-392-6113stationhousegallery.common-sat 10am-5pm.Free admission.Feb 8-28 Janice Sich: Making Faces. Kelowna oil painter explores human emotions via close up por-traits of people making faces. Kevin Easthope: Lessons in Indige-nous-Settler Relations. Local artist examines historical events between indigenous peoples and settlers in Canada post 1876. Mar 5-27 Daniel Pfister: Wishing Stone. The subjects of these paintings reflect the artists interest in nature and the elegance of simplicity in things that cross his path. Michelle Gazeley: Out of the Blooms. Beautiful florals that contain subtle collaged and stencilled messages relating to the theme of feminine power.

WASHINGTONBAINBRIDGE ISLAND

Bainbridge IslandMuseum of Art 550 Winslow Way E&206-451-4013&1-855-613-1342biartmuseum.orgdaily 10am-6pm. Free admission.To Feb 3 Alfredo Arreguín: Life Patterns. This major exhibition follows another retrospective in 2002, at Bellevue Arts Museum. Since then, Arreguín has continued to be prolific, working in various series of paintings. These include jungle paintings, works with religious symbolism, portraits (Frida Kahlo-among the most popular), landscapes, salmon paintings, and seascapes. BIMA@5: Selections from the Permanent Art Collection celebrates its 5th anniversary showcasing some of the diverse artworks donated to the collection. Kait Rhoads: Bloom. Glass artist and sculptor Kait Rhoads creates a

unique murine-glass beaded sculp-ture-Bloom-designed for the Beacon Gallery. This installation features a red coral base, anchored on the first floor, with a large kelp bloom as-cending up the second floor window. Heikki Seppa: Master Metalsmith. BIMA is proud to once again present this legacy collection by the late master metalsmith, Heikki Seppa. Over thirty diverse works in concep-tual and functional sculpture, and jewelry art are included.

BELLEVUE

Bellevue Arts Museum 510 Bellevue Way NE&425-519-0770 bellevuearts.orgwed-sun 11am-5pm; free first fri 11am-8pm. Admission: adults $15; students/seniors/military (ID required) $12; teens (with Teen Tix) $5; children under 6 and members free. To Mar 24 Polaroids: Person-al, Private, Painterly-Photographs from the Collection of Robert E. Jackson. The first museum exhibi-tion of Robert E. Jackson’s collection in the Northwest and one of the first

FINNBOGI PÉTURSSON

INFRA-SUPRA

JANUARY 16 – MARCH 16WesternGal lery.wwu.edu

M-F 10a – 4p SAT 12p – 4p

WASHINGTON by Matthew Kangas Vignettes

FINNBOGI PÉTURSSON: INFRA-SUPRA 2019Western Gallery, Western Washington University, Bellingham. To Mar 16 Icelandic artist Finnbogi Pétursson lives in Vancouver, BC. His Northwest US debut at the Western Gallery involves another of his sound and water installations, which one writer has described as “part physics and part poetics.” Representing Iceland at the 2001 Venice Biennale, Pétursson fi ve years later won the Carnegie Art Award in Pittsburgh. Infra-Supra 2019 fi lls the gallery with pulsing geometric light patterns projected onto walls, making what the artist calls “drawings.” Low-frequency sounds complement the immersive kinetic light environment.

JAMES MARTIN: RIDING THE MOON TRAINFoster/White Gallery, Seattle. Feb 7 - 23 Deceptively like folk art, the art of James Martin is deeply informed by literature, geography, art history and natural history. Having studied writing at the University of Washington, Martin developed his comic painting style in isolation at his Main Street cabin in Edmonds, Washington. Since his 1955 debut at the Seattle Art Museum,Martin has been an eccentric satellite of the Northwest School of artists, sharing their allusions to nature and animals, but replacing their spiritual pretensions with refer-ences to Shakespeare, Proust and others.

CHELSEA WONG: MAXIMALIST IN MOTIONZinc Contemporary, Seattle. Feb 7 - 28Having studied communication design in New York, San Francisco-based artistChelsea Wong fl its between fi ne art and high-quality commercial illustration in the vein of Maira Kalman of The New Yorker. On the one hand, she has designed record album covers and birthday cards. At Zinc, she is chronicling street life in the Mission District (akin to Jacob Lawrence’s views of Harlem). Wong won a travel grant to Osaka,Japan, and in 2010 was a Hamaguchi Emerging Artist in Berkeley.

DENIAL: SHELF MEDICATIONTreason Gallery, Seattle. Feb 7 - Mar 16 Daniel J. Bombardier is a Canadian mural artist from Windsor, Ontario, who adopted the gra ti tag DENIAL in 1999. He is celebrated for art exhibitions and mural interven-tions in New York, Toronto, Chicago, Vancouver and elsewhere. Shelf Medication fo-cuses on sculptures of large capsules with brand names including Visa, Burger King, Wendy’s and Chanel to satirize how everything becomes ubiquitous through massadvertising. DENIAL uses well-known brands, recalling the early work of Damien Hirst.

JANIE OLSEN: ANIMAL KINGDOMSchack Art Center, Everett. Mar 7 - Apr 13Trained as a commercial illustrator, Schack Art Center Artist of the Year Janie Olsen lives in Monroe, Washington. Infl uenced by the literary and art-historical style known as Magic Realism, her animal portraits of endangered species and others follow from the highly detailed 1970s fad of wildlife art (see Robert Bateman and Tony Angell). As-sembling realistic details about various animals, Olsen inserts aspects of fairy tales to stimulate viewers’ fantasies of subjective narrative arising from nature’s inhabitants.

FINNBOGI PÉTURSSON,INFRA˝SUPRA, 2019

JAMES MARTIN, BLUE SHUTTER, 2011

CHELSEA WONG,CHIFA IN ECUADOR, 2018

DENIAL, GUCCI, 2018

JANIE OLSEN,BRIAR AND BRAMBLE, 2018



WASHINGTON by Matthew Kangas Vignettes

FINNBOGI PÉTURSSON: INFRA-SUPRA 2019Western Gallery, Western Washington University, Bellingham. To Mar 16 Icelandic artist Finnbogi Pétursson lives in Vancouver, BC. His Northwest US debut at the Western Gallery involves another of his sound and water installations, which one writer has described as “part physics and part poetics.” Representing Iceland at the 2001 Venice Biennale, Pétursson fi ve years later won the Carnegie Art Award in Pittsburgh. Infra-Supra 2019 fi lls the gallery with pulsing geometric light patterns projected onto walls, making what the artist calls “drawings.” Low-frequency sounds complement the immersive kinetic light environment.

JAMES MARTIN: RIDING THE MOON TRAINFoster/White Gallery, Seattle. Feb 7 - 23 Deceptively like folk art, the art of James Martin is deeply informed by literature, geography, art history and natural history. Having studied writing at the University of Washington, Martin developed his comic painting style in isolation at his Main Street cabin in Edmonds, Washington. Since his 1955 debut at the Seattle Art Museum,Martin has been an eccentric satellite of the Northwest School of artists, sharing their allusions to nature and animals, but replacing their spiritual pretensions with refer-ences to Shakespeare, Proust and others.

CHELSEA WONG: MAXIMALIST IN MOTIONZinc Contemporary, Seattle. Feb 7 - 28Having studied communication design in New York, San Francisco-based artistChelsea Wong fl its between fi ne art and high-quality commercial illustration in the vein of Maira Kalman of The New Yorker. On the one hand, she has designed record album covers and birthday cards. At Zinc, she is chronicling street life in the Mission District (akin to Jacob Lawrence’s views of Harlem). Wong won a travel grant to Osaka,Japan, and in 2010 was a Hamaguchi Emerging Artist in Berkeley.

DENIAL: SHELF MEDICATIONTreason Gallery, Seattle. Feb 7 - Mar 16 Daniel J. Bombardier is a Canadian mural artist from Windsor, Ontario, who adopted the gra ti tag DENIAL in 1999. He is celebrated for art exhibitions and mural interven-tions in New York, Toronto, Chicago, Vancouver and elsewhere. Shelf Medication fo-cuses on sculptures of large capsules with brand names including Visa, Burger King, Wendy’s and Chanel to satirize how everything becomes ubiquitous through massadvertising. DENIAL uses well-known brands, recalling the early work of Damien Hirst.

JANIE OLSEN: ANIMAL KINGDOMSchack Art Center, Everett. Mar 7 - Apr 13Trained as a commercial illustrator, Schack Art Center Artist of the Year Janie Olsen lives in Monroe, Washington. Infl uenced by the literary and art-historical style known as Magic Realism, her animal portraits of endangered species and others follow from the highly detailed 1970s fad of wildlife art (see Robert Bateman and Tony Angell). As-sembling realistic details about various animals, Olsen inserts aspects of fairy tales to stimulate viewers’ fantasies of subjective narrative arising from nature’s inhabitants.

FINNBOGI PÉTURSSON,INFRA˝SUPRA, 2019

JAMES MARTIN, BLUE SHUTTER, 2011

CHELSEA WONG,CHIFA IN ECUADOR, 2018

DENIAL, GUCCI, 2018

JANIE OLSEN,BRIAR AND BRAMBLE, 2018



BELLEVUE

to feature the vernacular Polaroid. Dylan Neuwirth: OMNIA. Five interconnected bodies of work, in-cluding work in video, performance, sculpture, and neon. To Apr 14 BAM Biennial 2018: BAM! Glasstastic. The fifth edition of the BAM Biennial presents new and never-before-seen works from 49 Pacific Northwest glass artists. To Apr 14 Clyde Petersen: Merch & Destroy. Seattle artist Clyde Petersen’s love letter to the touring rock band takes the for-mative experiences of tour life and remixes them in Petersen’s sunny, deadpan, and subversive style.

BELLINGHAM

Allied Arts of Whatcom County 1418 Cornwall Ave &360-676-8548 alliedarts.orgmon-fri 10am-5pm; sat 12-5pm. Feb 1-23 Allied Arts Annual Mem-ber’s Show. Allied Arts of Whatcom County hosts its 2019 Members Show in February. It features work from nearly 100 Allied Arts mem-bers, including professional artists, students, and new or emerging artists. Works presented range from traditional paintings to photography to contemporary sculptures and ev-erything in between. Mar 1-30 2019 Whatcom READS! Art Challenge. Whatcom READS and Allied Arts of Whatcom County present the 2019 Whatcom READS Art Challenge.

We challenged artists to create works inspired by the novel The Big Burn by Timothy Egan. Works on display are by various local artists as well as featured artists Dedrian Clark, Lori Hill, John Hoyte, and Ron Pattern.The exhibit was open to art-ists of all genres, mediums, and skill levels. After reading the book, artists created a piece in a medium of their choice inspired by the story.

Western Gallery& Sculpture Collection HWestern Washington University516 High St, FI 116&360-650-3963westerngallery.wwu.edumon-fri 10-4pm; sat 12-4pmTo Mar 16 Finnbogi Pétursson: Infra-Supra. In his sound-modulat-ed water installation, Pétursson uses low-frequency sound to generate waves on the surface of a large pool of water. With use of lights, the pulsing waves are projected onto a wall, creating an image of the sound in the form of animated dance of shadows. Pétursson refers to his poetic visualization of the audible as a “drawing,” emphasizing the otherwise undetectable patternof lines that his installationrenders observable.

Whatcom Museum &360-778-8930whatcommuseum.orgAdmission: adults $10; youth, students, military, seniors $8;

children (ages 2-5) $5; kids under 2 free. LIGHTCATCHER BUILDING, 121 Prospect St wed-sun 12-5pm Feb 2-May 19 Bellingham National 2019 Juried Art Exhibition and Awards. Juried by Bruce Guenther, Adjunct Curator for Special Exhibi-tions at the Oregon Jewish Museum and Center for Holocaust Education. Selected artworks span a broad range of media, from watercolor to oil painting, photography to collage and fiber art; and styles of working from hyperrealism to abstraction. The works selected by Guenther reflect the artists myriad respons-es to both natural or man-made landscape forms. OLD CITY HALL, 250 Flora St wed-sun 12-5pm. To Mar 31 The Elephant in the Room: The Allure of Ivory and Its Tragic Legacy. Exploring the story of ivory from pre-history to modern times, featuring a selection of ivory from the collection, research in elephant communications, the devastating effects of ivory hunting, and how organizations are trying to save these incredible animals.

ELLENSBURG

Clymer Museum and Gallery 416 N Pearl St &509-962-6416 clymermuseum.orgWinter Hours: mon-fri 11am-5pm; sat 11am-3pm To Feb 9 Out of the Closet. Collections, Treasures, and the unveiling of a new Clymer original! Feb 15-Mar 30 The Picture

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Opera; Edward Sheriff Curtis Mag-ic Lantern Images. A collection of his hand colored glass slides images that have been enlarged on canvas.

EVERETT

Schack Art Center 2921 Hoyt Ave&425-259-5050schack.orgmon-fri 10am-6pm; sat 10am-5pm; sun 12-5pm. Free admission.To Feb 23 Salmon School Am-bassadors. Exhibit featuring the individual talents of regional glass artists and environment advocates who have volunteered countless hours to the art installation School: The Joseph Rossano Salmon Project. Mar 7-Apr 13 Janie Olsen: Animal Kingdom featuring acrylic paintings by 2019 Schack Artist of the Year Janie Olsen, known for her Magic Realism style. Opening Reception: Mar 7, 5-8pm. Pets on Parade.This exhibit is a playful tribute to pets through the eyes of the artists who love them.

FRIDAY HARBOR

WaterWorks Gallery 315 Argyle Ave&360-378-3060waterworksgallery.comOpen Jan 18 &19; Feb 1 & 2, 22 & 23; Mar 8 & 9, 22 & 23.10am-5pm. Starting its 34th year, WaterWorks Gallery located in Friday Harbor, San Juan Island is a contemporary light filled gallery space that continues to evolve as a gallery dedicated to showing artists from the Islands, Washington, Oregon and British Columbia. The represented artists, painters, sculptors and jewelers reflect the area's beauty, both conventional and unusual. That is the flavor of the Northwest, making WaterWorks Gallery the unique place it is.

LA CONNER

Museum of Northwest Art 121 First St&360-466-4446monamuseum.orgsun-mon 12-5pm; tue-sat 10am-5pm. Free admission. To Mar 24

Luminaries 2016. Shines a renewed light on our Luminaries Award win-ners from 2016. The exhibition will bring together artists from across the artistic spectrum. Ceramics by George Rodriguez, recipient of the Patti Warashina Award for Emerging Artists. Sculpture and mixed media pieces by SuttonBeresCuller, recipients of the Tony Angell Award for Sculpture. Mixed media pieces by Saya Moriyasu, recipient of the Alfredo Arreguin Award for Mid-Ca-reer Artists, and paintings by Denzil Hurley, recipient of the Fay and Robert Jones Award for Painting.

The Spell of the West: From the Permanent Collection. Explores the differences between the roman-ticized version of life in the West portrayed in a Western Symphony by George Balanchine, Northwest-ern artists romanticized life in the West, and the true lives of historical pioneers and homesteaders. The key themes included are: the rise of the romanticized Western American and America, women’s roles, and the relationship between a man and his horse and man and nature. The exhibit features interactive elements that are excellent for all ages.

ANIMAL KINGDOMFEATURING JANIE OLSEN, 2019 ARTIST OF THE YEAR

Also on exhibit: PETS ON PARADEA PLAYFUL TRIBUTE TO PETS BY 40 REGIONAL ARTISTS

2921 HOYT AVE. IN DOWNTOWN EVERETT, WA425-259-5050, SCHACK.ORG

OPEN M-F 10-6, SA 10-5, SU 12-5 — FREE ADMISSION

“LUCK WALK WITH ME” BY JANIE OLSEN MADE POSSIBLE IN PART BY THE CITY OF EVERETT HOTEL/MOTEL TAX FUND

MARCH 7 – APRIL 13, 2019



Close-Up: Bellingham National Juror Bruce Guenther Sees Nature in PerilWater’s Edge: Landscapes for Today, WHATCOM MUSEUM, Bellingham WA - Feb 2 - May 19

by Matthew Kangas

Former chief curator at the Portland Art Museum and the Museum of Contempo-rary Art, Chicago, Bruce Guenther pored over 870 entries submitted by 500 artists from all over the US as juror for the third biennial Bellingham National 2019 Juried Art Exhibition and Awards. With US$4,000 in prizes available, Guenther selected 74 artworks by 59 artists from 21 states, in-cluding Hawaii, New York and Texas. In a telephone interview from his home in Port-land, where he is currently adjunct curator at the Oregon Jewish Museum and Center for Holocaust Education, Guenther com-mented upon commonalities and contrasts among the chosen.

“I was disappointed that there wasn’t more risk across the board in the entries, but what was nice were some fresh takes on how younger people are experiencing nature. They haven’t been predisposed to see it as a surrogate but as their fi rsthand take on its perils. They share a sense of toxic or infected nature. With Bellingham site-related at the edge of the continent, it locates where we fi nd ourselves as a spe-cies who came from the water,” he said, hence the exhibition title Water’s Edge.

“Artists are struggling with the plight of nature,” he continued, “like Bremner Benedict, who deals with the springs and sources of water … and artists from the Southeast are more aware of the power of water … or the disappearance of wild-life species in Tennessee [Lorraine Turi].There are also images of places where

humanity is present and the built environment is on the periphery of where a species waslast seen [Sharon Birzer].”

Guenther concluded, of the works selected, “There are fever dreams that range from the abstract [Cable Gri th, Naomi Shigeta] to specifi c images. They all suggest that landscape is a very compelling introduction to our lives.”

whatcommuseum.org

Bruce Guenther

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Cable Griˇ th, From Within and Without, 2017,fabric dye and oil on canvas



OROVILLE

Art on the Line Gallery 1412 Main St 49northartists.comFeb: fri-sat 10am-4pm; Mar: tue-sun 10am-4pm. Feb 1-23 Isn’t It Lover-ly? Showcase presenting valentines of jewelry, glass, fiber arts, sailors shells and more by local artisans. Mar 5-31 Ten by Ten by Twenty Artists an invitational display of artworks in any medium-style that fits the prescribed dimensions, from many North Okanogan County artists.

PORT ANGELES

Port Angeles Fine Arts Center 1203 E Lauridsen Blvd&360-457-3532 pafac.orgGallery: thu-sun 11am-4pm. Webster’s Woods Art Park: daily from sunrise to sunset. To Feb 17 Material as Metaphor. This exhibi-tion features four immigrant artists whose work combines traditional media and process with unexpected approaches and juxtapositions. Highlighting artistic boldness tem-pered with subtlety and self-aware-ness, Material as Metaphor promises to delight the eye and intrigue the soul. Artists: Carolina Cueva, Miriam Omura, Kristen Soller, and Kira Tippenhauer.

SEATTLE

BONFIRE Gallery H603 South Main St &206-790-1073 thisisbonfire.comwed-sat noon-5pm Mar 7-30 sweet, rotten, sweet, a video-installation by Peggy Piacenza. sweet, rotten, sweet is a visceral communal ritual examining what it means to see, be seen, and bear witness to the passage of time. In this video installation, Piacenza has crafted a visual and sonic landscape that utilizes dance and performance to illuminate the human struggle to find meaning within an absurd world. The video-installation stands on its own and is free to the public. Opening Reception: Mar 7, 6-8pm. For performance times and tickets visit peggypiacenza.com. Tickets are required for performances, limited to 25 people per show, and offered on a sliding-scale starting at $10.

9th AnnualJuried ExhibitionFebruary 7 – March 2, 2019

Kenzi and Hootie, Anoka County Fair, Minnesota, 2016from the series The Unchosen Ones © R. J. Kern

Our juror, Carrie Dedon, Assistant Curatorof Modern and Contemporary Art at theSeattle Art Museum (SAM), has carefullychosen an outstanding collection of work fromover 1800 entries worldwide.

Noon to 5:00, Thursday, Friday, Saturday

110 Third Avenue S, Seattle WA, 98104www.gallery110.com

Haughton_Preview_2/3H_Feb/Mar 2019

Close-Up: Bellingham National Juror Bruce Guenther Sees Nature in PerilWater’s Edge: Landscapes for Today, WHATCOM MUSEUM, Bellingham WA - Feb 2 - May 19

by Matthew Kangas

Former chief curator at the Portland Art Museum and the Museum of Contempo-rary Art, Chicago, Bruce Guenther pored over 870 entries submitted by 500 artists from all over the US as juror for the third biennial Bellingham National 2019 Juried Art Exhibition and Awards. With US$4,000 in prizes available, Guenther selected 74 artworks by 59 artists from 21 states, in-cluding Hawaii, New York and Texas. In a telephone interview from his home in Port-land, where he is currently adjunct curator at the Oregon Jewish Museum and Center for Holocaust Education, Guenther com-mented upon commonalities and contrasts among the chosen.

“I was disappointed that there wasn’t more risk across the board in the entries, but what was nice were some fresh takes on how younger people are experiencing nature. They haven’t been predisposed to see it as a surrogate but as their fi rsthand take on its perils. They share a sense of toxic or infected nature. With Bellingham site-related at the edge of the continent, it locates where we fi nd ourselves as a spe-cies who came from the water,” he said, hence the exhibition title Water’s Edge.

“Artists are struggling with the plight of nature,” he continued, “like Bremner Benedict, who deals with the springs and sources of water … and artists from the Southeast are more aware of the power of water … or the disappearance of wild-life species in Tennessee [Lorraine Turi].There are also images of places where

humanity is present and the built environment is on the periphery of where a species waslast seen [Sharon Birzer].”

Guenther concluded, of the works selected, “There are fever dreams that range from the abstract [Cable Gri th, Naomi Shigeta] to specifi c images. They all suggest that landscape is a very compelling introduction to our lives.”

whatcommuseum.org

Bruce Guenther

Phot

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zra

Mar

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Cable Griˇ th, From Within and Without, 2017,fabric dye and oil on canvas



SEATTLE

Daybreak StarIndian Cultural Center 5011 Bernie Whitebear Way&206 285 4425 unitedindians.orgmon-fri 9am-5pm; weekends by appt. Sacred Circle Gallery holds Daybreak Stars curated exhibits of Native American art, featuring contemporary and traditional Native American Art by a wide range of internationally recognized, and local artists. Stay connected with Sacred Circle on Facebook and Instagram@sacredcirclegallery.

Foster/White Gallery H220 3rd Ave S, #100&206-622-2833fosterwhite.comtue-sat 10am-6pm. Feb 7-23 JAMES MARTIN: RIDING THE MOON TRAIN. To anyone familiar with James Martin, these pieces illu-minate his evolution as an artist. To newcomers, they provide a strange and wondrous introduction to a man whose work and story is integral to the artistic tradition of the Pacific Northwest. Mar 7-23 CAMERON ANNE MASON: FIELDS. Cameron Anne Mason introduces a new body of work rooted in the changing landscape of the Pacific Northwest. Utilizing textiles to create a conver-sation between the natural and the cultivated, Mason’s works are highly textured, lending an intrinsic warmth to her sculptures. By incorporating grasses and grains into her printing

practice, Mason references familiar patterns within the larger context of her abstractions.Opening Reception: Mar 7, 6-8pm.

Frye Art Museum H704 Terry Ave &206-622-9250 fryemuseum.orgtue-sun 11am-5pm; thu 11am-7pm. Free admission. To Apr 28 Tscha-balala Self. In collage-paintings, sculptures, and video installations, Tschabalala Self creates exuberant, multilayered “avatars” that engage with the intersectionality of race, gender, and sexuality, and the iconographic significance of the black body in contemporary culture. Ramin Haerizadeh, Rokni Haeriza-deh, Hesam Rahmanian: The Rain Doesn’t Know Friends From Foes. The collective’s first solo exhibition on the West Coast surveys the artists painterly interventions in internet news imagery, which foreground the irrationality and violence underlying our hypermediated reality. Cherdon-na Shinatra: DITCH creates a wildly colorful, multi-textured environment activated by daily performances that aim to spread joy to counteract the dismal state of the world and the continual fragmentation of femme and queer identities.

G. Gibson Gallery H104 W Roy St&206-587-4033ggibsongallery.comwed-fri 11am-5:30pm, sat 11:30am-4pm; tue by appt. To Mar 3

In Tandem-Works by Fay + Robert C. Jones. G. Gibson Gallery and James Harris Gallery are pleased to announce dual exhibitions with Seattle based artist couple Robert C. Jones and Fay Jones. In Tandem explores over five decades of cre-ative personal iconography linked by a vocabulary of color and a strong visual arrangement of composition. Mar 8-Apr 13 Saya Moriyasu + Amanda Knowles. New ceramics and works on paper by Saya Mori-yasu + New print-based works by Amanda Knowles.

Gallery 110 H110 3rd Ave S &206-624-9336 gallery110.comthu-sat 12-5pm. Feb 7-Mar 2 9th Annual Juried Exhibition: States of Becoming. Gallery 110 presents its Ninth Annual International Juried Exhibition, States of Becoming.Gallery 110 is honored to have Carrie Dedon, Assistant Curator of Modern and Contemporary Art at the Seattle Art Museum, serve as our guest juror. Opening Reception:Feb 9, 5-7pm. Mar 7-30 Phil Eiden-berg-Noppe: Transcend-Dance: PNW Cultural Photography. This exhibit presents both “documentary” and “impressionist” photographs of dance by many of the cultures that call the Pacific Northwest home. Rajaa Gharbi: Tell me more. International artist and poet Rajaa Gharbi, nominated for her native Tunisia’s 2018 national poetry book translation award, draws on that country’s 2011 uprising and a fictitious conversation with the father of Analytical Art at her recent art residency in Russia to visually investigate one of our most unsus-pected treasures.

Harris Harvey Gallery H1915 First Ave &206-443-3315 harrisharveygallery.comtue-sat 11am-6pm, mon by appt. To Mar 2 John Lysak & Kent Love-lace: Natural Dialogue . Exploring the natural world through the media of printmaking and painting, North-west artists John Lysak and Kent Lovelace (1953-2017) maintained a symbiotic relationship throughout their careers as both colleaguesand friends. The exhibition will also

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Seattle Art MuseumFrye Art Museum

G. Gibson

Henry Art Gallery

Foss Waterway Seaport,Museum of Glass,

Tacoma Art Museum

Schack Art Center

Bellevue Arts Museum

Bainbridge IslandMuseum of Art

Daybreak Star Indian Cultural Center

Olympic Sculpture Park

CENTURY LINKFIELD

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SEA-TAC AIRPORT

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SEATTLE

Yesler Way

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PIONEER SQUARE

Prographica/KDR

Foster/White

BONFIRE GalleryLinda Hodges Gallery

Shift GalleryGallery 110

ZINCcontemporary

Treason Gallery

Cast Glass Sculptor KEVIN B. FLYNN

4204 Russell Road, “N”, MukilteoWA 98275 kevinbflynn.com

OPEN STUDIO An exclusive eventFebruary 24th, 12noon-9pm

Featuring a new series of floral sculptures inspired by Kevin’s recent visit to Butchart Gardens, a collection of Suprematist and Constructivist sculpture created in Centennial homage to the Russian avant- garde, as well as selected early works.



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Seattle Art MuseumFrye Art Museum

G. Gibson

Henry Art Gallery

Foss Waterway Seaport,Museum of Glass,

Tacoma Art Museum

Schack Art Center

Bellevue Arts Museum

Bainbridge IslandMuseum of Art

Daybreak Star Indian Cultural Center

Olympic Sculpture Park

CENTURY LINKFIELD

PIKE PLACE MARKET

SEA-TAC AIRPORT

Elliott Bay

Lake Union

SEATTLE

Yesler Way

S Washington St

S Main St

S Jackson St

Occidental

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1st Ave S

King St

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KING STREET STATION

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PIONEER SQUARE

Prographica/KDR

Foster/White

BONFIRE GalleryLinda Hodges Gallery

Shift GalleryGallery 110

ZINCcontemporary

Treason Gallery



SEATTLE

feature sculpture by Ann Morris. Opening Reception: Feb 7, 6pm. Mar 7-30 Richard Morhous: The Color of Light . Ever-inventive and experimental, Richard Morhous will be exhibiting a new collection of paintings dominated by active line work informed by the process of drawing. A testament to the power of color and his ability to render dynamic light, the artist’s newest works are explorations of urban spaces and geometric forms which balance on the cusp of abstraction and minimalism.Opening Reception: Mar 7, 6pm.

Henry Art Gallery HUniversity of Washington15th Ave NE and NE 41st St&206-543-2280 henryart.orgwed, fri, sat & sun 11am-4pm; thu 11am-9pm. Admission: general $10; seniors (62+) $6; Members, UW faculty/staff, students, and children free. To Feb 10 Martha Friedman: Castoffs. Friedman presents a new group of figurative sculptures that engage a process of making and unmaking the body, challenging im-posed logics that attempt to contain or define it neatly. Ongoing Between Bodies. This group exhibition in-cludes sculpture, augmented reality, video, and sound-based works that delve into intimate exchanges and entwined relations between human and more-than-human bodies within

contexts of ongoing ecological change. Edgar Arceneaux: Library of Black Lies. The unpacking and reconstruction of history is a central concern in Edgar Arceneaux’s instal-lations, sculptures, and drawings. His work insists on questioning the singularity of truth typically pro-posed in accepted histories, calling out hypocrisy through anachronistic juxtapositions of imagery and text.

Linda Hodges Gallery H316 1st Ave S &206-624-3034 lindahodgesgallery.comtue-sat 10:30am-5pm and by appt. The gallery principally represents prominent West Coast and nation-ally established artists, with an emphasis on painting, sculpture, and photography. Linda Hodges has over 30 years of experience advising corporate and private clients in the acquisition of fine art. Feb 7 Eliza-beth Gahan, acrylic paintings. Mar 7 Patti Bowman, encaustic paintings.

Prographica / KDR H313 Occidental Ave S&206-999-0849prographicagallery.comtue-sat 11am-5:30pm. To Feb 6 Ev-elyn Woods: Perambulations and Caroline Kapp: Big Story. Feb 14-Mar 30 Shay Bredimus and Sarah Abramson: Dark Room. Koplin Del Rio Gallery is pleased to announce a collaborative exhibition of work by two LA artists, opening February 14 in Seattle; Dark Room by Shay Bredimus and Sarah Abramson.

Having shown regularly with Koplin Del Rio at its former location in Los Angeles since 2009, this marks the first solo exhibition in Seattle for Shay Bredimus and it is the first time that the gallery is showing the work of Sarah Abramson. Opening Reception: Mar 7 6pm. Artist Talkw/ Shay Bredimus: Mar 9, 2pm.

Seattle Art Museum H1300 First Ave &206-654-3100 seattleartmuseum.orgwed 10am-5pm; thu 10am-9pm; fri-sun 10am-5pm. Suggested admission: adults $24.95; seniors (62 and over) and military (with ID) $22.95; students (with ID) and teens (13-19) $14.95; children 12 & under free; SAM members free. Olympic Sculpture Park (2901 Western Ave) hours: open daily, opens 30 minutes prior to sunrise, closes 30 minutes after sunset. Free Admission. Opening Feb 28 Jeffrey Gibson: Like a Hammer. Over 65 works by the acclaimed contemporary artist, including abstract geometric paintings, beaded punching bags, sculptures, wall hangings, and video. Claire Partington: Taking Tea. Installation by the contemporary British ceramic artist that imagines the hidden stories of SAM's beloved Porcelain Room. Big Picture: Art After 1945. Significant works from SAM's collection of postwar American and European art. In This Imperfect Present Moment paint-ing, photography and sculpture from artists such as Amy Sherald, David Goldblatt, and Lawrence Lemoana. Body Language. A sculpture by the late Akio Takamori alongside works from SAM's European collection that consider the importance of gesture. Lessons From the Institute of Empathy. Featuring a work by Saya Woolfalk and pieces from SAM's African art collection. OLYMPIC SCULPTURE PARKOngoing Spencer Finch:The Western Mystery

Shift Gallery H312 S Washington St&607-379-9523 shiftgallery.orgfri & sat 12-5pm or by appt.Feb 7-Mar 2 Karey Kessler:between place and thought.Kessler’s map-paintings explore

Close-Up: Phen Huang, Director of Seattle’sFoster/White Gallery, Reveals Passion for Art

by Matthew Kangas

After founder Donald I. Foster sold one of Seat-tle’s oldest galleries, Foster/White, to Canada’sBau-Xi Gallery, the acquiring Huang family ap-pointed their daughter, Phen, to take care of matters in Seattle in 2002. After working at the Vancouver and Toronto galleries of Bau-Xifor two decades, Huang said, “I was look-ing for a change … and now I care deeplyfor the artists and for the people I work with – they’re my family.”

Asked about the current state of Pioneer Square, Seattle’s premier gallery precinct, she noted, “We in Seattle need to take this quieter time of year to come together in a di˛ erent way.

First Thursday [the monthly show changeover] is forty years old now! There might be other ways we could become stronger together … We’ve got some real gifts here, but working to-gether is harder. What about First Thursday as a jumping-o˛ point for something else – but I don’t know what that might be!”

As to her favorite kinds of art, Huang laughed and said, “I can’t help it. I like a sense of humor, like [gallery artists] James Martin and Alden Mason.” About prospective artists for the gallery, she added, “I consult with the people I work with. If they have the same enthusiasm, then we will show them next …We have realistic roots, but also conceptual or abstract and fi gura-tive art.”

“I’m seeking new talent constant-ly. I respect the gallery stable, but I am also most keen on technically profi cient art that’s not trying to be political … You can have a career and some are more able to han-dle self-promotion … They’ve got to get on with making art, not just talking about it. And then, challeng-ing themselves to grow by looking and pushing what they know. Then they can have the opportunityto have a revelation.”

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Alden Mason, Spirit Bird Landscape, 1996, acrylic on canvas

Chase Langford, Mara Camp, 2015, oil on canvas

A video installation,plus live performanceby choreographerPEGGY PIACENZA

BONFIRE GALLERY MARCH 7 - MARCH 31, 2019603 S. MAIN STREET, SEATTLE OPENING MARCH 7, 6-8PM

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Close-Up: Phen Huang, Director of Seattle’sFoster/White Gallery, Reveals Passion for Art

by Matthew Kangas

After founder Donald I. Foster sold one of Seat-tle’s oldest galleries, Foster/White, to Canada’sBau-Xi Gallery, the acquiring Huang family ap-pointed their daughter, Phen, to take care of matters in Seattle in 2002. After working at the Vancouver and Toronto galleries of Bau-Xifor two decades, Huang said, “I was look-ing for a change … and now I care deeplyfor the artists and for the people I work with – they’re my family.”

Asked about the current state of Pioneer Square, Seattle’s premier gallery precinct, she noted, “We in Seattle need to take this quieter time of year to come together in a di˛ erent way.

First Thursday [the monthly show changeover] is forty years old now! There might be other ways we could become stronger together … We’ve got some real gifts here, but working to-gether is harder. What about First Thursday as a jumping-o˛ point for something else – but I don’t know what that might be!”

As to her favorite kinds of art, Huang laughed and said, “I can’t help it. I like a sense of humor, like [gallery artists] James Martin and Alden Mason.” About prospective artists for the gallery, she added, “I consult with the people I work with. If they have the same enthusiasm, then we will show them next …We have realistic roots, but also conceptual or abstract and fi gura-tive art.”

“I’m seeking new talent constant-ly. I respect the gallery stable, but I am also most keen on technically profi cient art that’s not trying to be political … You can have a career and some are more able to han-dle self-promotion … They’ve got to get on with making art, not just talking about it. And then, challeng-ing themselves to grow by looking and pushing what they know. Then they can have the opportunityto have a revelation.”

fosterwhite.com

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Alden Mason, Spirit Bird Landscape, 1996, acrylic on canvas

Chase Langford, Mara Camp, 2015, oil on canvas



SEATTLE

internal/external experiences of “place”. Opening Reception: Feb. 7, 5pm. Artist Talk: February 9, 2pm.Lynda Hardwood Swenson: Land of Nowhere. Reflections on climate change, feminism and memory. Opening Reception: Feb 7, 5pm. Artist Talk: Feb 9, 1pm. Mar 7-30 Peggy Murphy: Uprising. Observa-tions on an unruly garden. Opening Reception: Mar 7, 5pm. Anna Daw-son: Captured and Re-captured. Anna Dawson debuts her work focusing on recycling photographs for a new perspective on portraits. Opening Reception: Mar 7, 5pm. Artist Talk: Mar 9, 1pm.

Treason Gallery 319 3rd Ave S &206-257-5513treasongallery.comthu-sat 12-6pm; tue & wed by appt. only. Feb 7-Mar 16 DENIAL: Shelf Medication. DENIAL is a Canadian artist whose work critiques consum-erism and the human condition.

ZINC contemporary 119 Prefontaine Place South&206-617-5775zinccontemporary.com/thu-sat 10-4pm and by appt. ZINC contemporary represents a vibrant range of artists from the PNW and beyond. Feb 7-Mar 2 Constructure new works by Barbara Robertson including abstract paintings and collage as well as video works. Opening Reception: Feb 7, 5pm.Mar 7-30 Maximalist In Motion new works by Chelsea Ryoko Wong, a vibrant and playful series of gouache and watercolor works on paper. Opening Reception:Mar 7, 5pm. Follow us on Instagram @ZINCcontemporary or on the web at ZINCcontemporary.com for news on other upcoming events surround-ing our exhibitions.

SPOKANE

Northwest Museumof Arts & Culture 2316 W First Ave &509-456-3931 northwestmuseum.orgtue-sun 10am-5pm; wed 10am-

8pm. Admission: adults $10; seniors (60+) $7.50; students (with ID) $5; kids 5 and under and MAC members free. Campbell House Tours are included in admission. OpeningFeb 16 The Inuit Art of Povungni-tuk. Distinctive prints and sculptures expressing an Inuit point of view. Characterized by crisp images of native animals and human figures set against stark backgrounds, many of the artworks reveal the rituals that have allowed the Inuit people to survive. Cory Trépanier: Into the Arctic. Paintings and films from the furthest reaches of the Canadian North. Over a decade in the making, this exhibition presents the most ambitious body of artwork ever created from the Canadian Arctic, a wilderness so remote and un-touched, that many of its landscapes have never been documented before. Opening Feb 23 Luminous: Dale Chihuly and the Studio Glass Movement. In partnership with the Museum of Glass in Tacoma, the MAC presents an exhibition featuring works by eighteen internationally renowned studio glass artists includ-ing Dale Chihuly, Preston Singletary, and Lino Tagliapietra.

TACOMA

Foss Waterway Seaport 705 Dock St &253-272-2750 fosswaterwayseaport.orgwed-sat 10am to 4pm; sun 12 to 4pm. Admission: adults $10; seniors/students/children $8; family pass $25. Third thu free. Ongoing The Puyallup People: First on the Waterways. Celebrates the First Peoples of the South Sound and their intimate connection to the Puyallup River and the Salish Sea. The Seaport museum is located with their traditional territory and the exhibit has been developed in partnership with local members of the Puyallup Tribe. Includes canoe building and fishing techniques, resource utilization, diet, recreation, world view, and contact with other tribes and later explorers.

Museum of Glass 1801 Dock St &253-284-4750museumofglass.orgwed-sat 10am-5pm; sun 12-5pm;

Tacoma Art Museum's New Benaroya Wing Takes FlightTACOMA ART MUSEUM, Tacoma WA - Inaugural exhibition

by Rosemary Ponnekanti

Glass trees. Glass water. The new Benaroya Wing at Tacoma Art Museum, which opened January 19, not only tells the story of studio glass art in the Pacifi c Northwest, it subtly re-imagines the medium, o˛ ering a serene space that fl oats both inside and out. Hovering over Hood Street like a heron, the new wing isn’t big – just 7,000 square feet, less than halfthe size of the Haub Wing at the other end of the building. Yet with fl oating divider walls, cleverly hidden spaces and daylight fl owing from a long exterior glass wall, this wing feels light and airy.

Then there’s the glass itself: a gleaming lime Libenský/Brychtová triangle with an eerie “eye,” exquisite miniatures from Cappy Thompson, the subtle red Chihuly that kick-started Jack and Becky Benaroya’s collection. This fi rst exhibi-tion, Metaphor into Form: Art in the Era of the Pilchuck Glass School, pairs unexpected items from both the Benaroya gift – a huge windfall

for Tacoma – and the TAM collection. Jen Elek’s burst of glass cylinders shouts to a cabinet of fi ligree Dante Marioni goblets; a jagged Oliver Doriss vessel contrasts with a cascading glass waterfall by Nancy Mee.

Also on show is The Documenta Project, a series of delightfully tender photographs of North-west glass artists by Mary Van Cline, and Arboria, a roomful of four “trees” newly commis-sioned from Debora Moore, each bursting into lush blooms or fruit. In the lobby is the 30-foot work Current by Martin Blank; on the exterior wall, three bronzed Wings by Ginny Ru˛ ner seem to waft upwards.

tacomaartmuseum.org

Stanislav Libenský, Jaroslava Brychtová,Green Eye of the Pyramid III, 1993-94,cast, cut and polished glass

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You’ll never miss an opening or event with our new online calendar!

preview-art.com/events

. . .the trusted guide for over 30 years.

Photo courtesy of Schack Art Center



3rd thu 10am-8pm. Admission: members and children under 6 are free; adults $17; seniors (62+), military and students (13+) $14; groups of 20+ $12; groups of 50+ $10; children 6-12 $5. HOT SHOP To Feb 2 Dante Marioni and John Kiley; Feb 6, 8,10 (9am-2pm) Lino Tagliapietra; Feb 20-24 Sonja Blomdahl; Feb 27-Mar 3 Preston Singletary; Mar 13-17 Shayna Leib; Mar 20-22, 27-29 Ann Wåhlström. Opening Mar 30 Trans-lations: An Exploration of Glass by Northwest Native Carvers and Weavers. In partnership with The Evergreen State College Longhouse.

Inspired by carvings and weavings held in the archival collections of the Washington State Historical Society and under the leadership of glass experts Dan and Raya Friday, artists who are family members of Mary Ellen Hillaire (Lummi), Gerald (Bruce) Miller (Skokomish) and Hazel Pete (Chehalis) produced innovative new work based on historical baskets, bentwood boxes, and sculptural figures. To Mar 17 Foraging the Hive: Sara Young and Tyler Budge. Approximately 8,000 test tubes are suspended in a swarm-likeconfiguration. Ongoing Preston Singletary: Raven and the Box of

Daylight and Spotlight on Chihuly: Works from Museum of Glass Permanent Collection.

Tacoma Art Museum H1701 Pacific Ave &253-272-4258 tacomaartmuseum.orgtue-sun 10am-5pm; thu 10am-8pm. Admission: adults $15; students/seniors (65+) $13; family (2 adults + up to 4 children under 18); members/military/children under 5 free; sat youth under 18 free; thu 5-8pm free. The Rebecca and Jack Benaroya Wing Now Open. The Re-becca and Jack Benaroya Collection casts a spotlight on the unique

Tacoma Art Museum's New Benaroya Wing Takes FlightTACOMA ART MUSEUM, Tacoma WA - Inaugural exhibition

by Rosemary Ponnekanti

Glass trees. Glass water. The new Benaroya Wing at Tacoma Art Museum, which opened January 19, not only tells the story of studio glass art in the Pacifi c Northwest, it subtly re-imagines the medium, o˛ ering a serene space that fl oats both inside and out. Hovering over Hood Street like a heron, the new wing isn’t big – just 7,000 square feet, less than halfthe size of the Haub Wing at the other end of the building. Yet with fl oating divider walls, cleverly hidden spaces and daylight fl owing from a long exterior glass wall, this wing feels light and airy.

Then there’s the glass itself: a gleaming lime Libenský/Brychtová triangle with an eerie “eye,” exquisite miniatures from Cappy Thompson, the subtle red Chihuly that kick-started Jack and Becky Benaroya’s collection. This fi rst exhibi-tion, Metaphor into Form: Art in the Era of the Pilchuck Glass School, pairs unexpected items from both the Benaroya gift – a huge windfall

for Tacoma – and the TAM collection. Jen Elek’s burst of glass cylinders shouts to a cabinet of fi ligree Dante Marioni goblets; a jagged Oliver Doriss vessel contrasts with a cascading glass waterfall by Nancy Mee.

Also on show is The Documenta Project, a series of delightfully tender photographs of North-west glass artists by Mary Van Cline, and Arboria, a roomful of four “trees” newly commis-sioned from Debora Moore, each bursting into lush blooms or fruit. In the lobby is the 30-foot work Current by Martin Blank; on the exterior wall, three bronzed Wings by Ginny Ru˛ ner seem to waft upwards.

tacomaartmuseum.org

Stanislav Libenský, Jaroslava Brychtová,Green Eye of the Pyramid III, 1993-94,cast, cut and polished glass

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TACOMA

half-century story of the Pilchuck Glass School, its influence and innovation central to developments in the recent history of Northwest art. The Benaroya’s promised gift adds to the museum’s holdings from influential glass collections, including Anne Gould Hauberg,Paul Marioni, and Dale Chihuly.To Feb 17 Sun, Shadows, Stone: The Photography of Terry Toed-temeier. Photographer and curator Terry Toedtemeier (1947–2008) earned critical acclaim for his haunt-ing photographs of the Columbia Gorge, Oregon coastline, and arid terrain of southeastern Oregon; part of the Northwest Perspective Series.Ongoing Key to the Collection Come see treasured favorites from our legacy collections of European paintings, Japanese woodblock prints, and American modern art as well as more recent arrivals that further expand that story.

OREGONASTORIA

Imogen Gallery 240 11th St &503-468-0620 imogengallery.common-sat 11am-5pm; sun 11am-4pm; wed by appt. Feb 9-Mar 5

George Wilson: Tides. In cele-bration of the annual FisherPoet’s Gathering, we present the ethereal watercolors of George Wilson. Wilson, an artist who hales from a generational fishing family in Scotland, now calls Portland home where he continues his lifestyle and love of water through his watercolor paintings. Opening Reception:Feb 22, 4pm. Mar 9-Apr 9 Miki’ala Souza: Voyages & Migrations.We are excited to welcome backAstoria artist Miki’ala Souza for a solo exhibition. Souza, an accom-plished printmaker and member of the North Coast Printmakers Collective, brings a new series of monotypes and chine colle prints that explore journey and the movement of people from one culture to another. A native Hawaiian herself, she brings a complex series of prints depicting waterways and/or currents that might be utilized to traverse from homeland to a new land. Through the layering process, intrinsic to printmaking she brings deep imagery of rich and saturated color to depict land, water and sky.

CANNON BEACH

Northwest By Northwest Gallery 232 N Spruce, across from the City Park & info center &503-436-0741 &1-800-494-0741nwbynwgallery.comdaily 11am-6pm and by appt. PBS

NewsHour feature artist, fine art photographer, Christopher Burkett. NW By NW GALLERY has the very last of Blue Glacial Ice, a hand crafted image by this artist. Master glass artist from the Pilchuck Glass School, Ethan Stern: Sculpture/Vessels designed to hold light. Ruth Brockmann cast glass masks with presentation stands. New collection of bronzes by Georgia Gerber, editions of 15 - new Rabbits & Otter. Public sculptures of Ivan McLean - look for his iconic Red Sphere and 7ft stainless steel Reinvention in our Landmark Sculpture Garden. Hazel Schlesinger, a published award winning Plein Air painter and a native of Cannon Beach; paintings include Deep Blue & Lost in the Mo-ment. Her works are shown around the world in movies and TV series and international commercials. Sign up now for her June workshop at [email protected]. NW By NW GALLERY is #1 on the Google Travel Guide. If you only have one day in Cannon Beach…

White Bird Gallery 251 N Hemlock St &503-436-2681 whitebirdgallery.comthu-mon 11am-5pm; tue & wed by appt. Feb 1-Mar 7 Winter Salon: representing a cross-section of works by gallery artists including paintings, glass sculpture, con-temporary ceramics, mixed media works on paper, printmaking, and art jewelry. Mar 7-10 Savor Cannon

OREGON by Joseph Gallivan Vignettes

DAVID SELLECK: CATCH YOU ON THE FLIP SIDEBlackfi sh Gallery, Portland. Feb 5 - Mar 2David Selleck’s posthumous retrospective sums him up as a true Oregon transplant and the backbone of the Blackfi sh cooperative, where he was a member from 1982. His Miró-esque use of line and space, and his a˛ ection for certain animals – dogs, fi sh and monkeys – add a deceptive whimsy to his raw, unfl inching eye for politics and human foibles. Viewing paintings such as No Wake Zone we can refl ect on his legacy, and whether he left a wake or not.

JOHN DAVID FORSGREN: ANTITHESIS OF LANGUAGEElizabeth Leach Gallery, Portland. Feb 7 - Mar 30 This is John David Forsgren’s fi rst solo show at Liz Leach. He works in India ink on canvas to create structured compositions that look like leaves, veins or an aerial land-scape. Forsgren is an architectural designer who has returned to making fi ne art, in particular gestural abstractions that can mesmerize the viewer.

SHERRIE WOLF: FOUNDRusso Lee Gallery, Portland. March 7 - 30 Sherrie Wolf is known for her sumptuous still lifes of living and man-made objects in the Flemish and Dutch tradition. For this series she swerves violently and beautifully, catching the bling of chrome, steel and silver on cutlery and jewelry at London fl ea markets. The works are acrylic paint on Yupo paper. She was inspired by a retreat during which she painted winter scenes in black and white. We get to enjoy the payo˛ when she immerses herself in just one aspect of material reality.

BASEL ABBAS & RUANNE ABOU-RAHME: NEW WORKSDisjecta Contemporary Art, Portland. Mar 2 - Apr 7 Basel Abbas and Ruanne Abou-Rahme use sound, image, text, installation and per-formance to investigate the body and the subject. They are at ease with postmodern themes such as virtuality and “perpetual crisis in an endless present.” They work with ideas of nonlinearity in the form of amnesia and déjà vu, usually sampling image, music and text to make something new. Get ready for masks, projection rooms, wires on the fl oor and Arabic script.

JAKE SCHARBACH: HAND TO HAND Froelick Gallery, Portland. Mar 5 - Apr 13 Washington state native Jake Scharbach’s vibrant allegories force ancient and mod-ern into a confrontation that feels both comic and serious. He says he likes to “focus on the materialization of symbols and signs, through an exercise of comparison, to analyze contemporary cultural values.” The series Black Boxes depicts fl ight data re-corders from crashed airliners combined with classical portrait busts. His American hyper-realism feels timeless, the surfaces as seductive as the falsehoods they seek to expose. He may purport to “question the medium itself,” but the viewer will, fi rst and foremost, drool.

DAVID SELLECK, NO WAKE ZONE, 2008

JOHN DAVID FORSGREN, 10.2.18, 2018

SHERRIE WOLF, PORTABELLO, 2018

BASEL ABBAS & RUANNE ABOU˜RAHME,AND YET MY MASK IS POWERFUL

PART I, 2016.

JAKE SCHARBACH, SABINES, 2018

705 Dock Street. Tacoma, WA 98402 253.272.2750fosswaterwayseaport.org

Celebrating Tacoma & South Puget Soundmaritime heritage - past, present and future

FOSS WATERWAY

SEAPORTMaritime Museum



OREGON by Joseph Gallivan Vignettes

DAVID SELLECK: CATCH YOU ON THE FLIP SIDEBlackfi sh Gallery, Portland. Feb 5 - Mar 2David Selleck’s posthumous retrospective sums him up as a true Oregon transplant and the backbone of the Blackfi sh cooperative, where he was a member from 1982. His Miró-esque use of line and space, and his a˛ ection for certain animals – dogs, fi sh and monkeys – add a deceptive whimsy to his raw, unfl inching eye for politics and human foibles. Viewing paintings such as No Wake Zone we can refl ect on his legacy, and whether he left a wake or not.

JOHN DAVID FORSGREN: ANTITHESIS OF LANGUAGEElizabeth Leach Gallery, Portland. Feb 7 - Mar 30 This is John David Forsgren’s fi rst solo show at Liz Leach. He works in India ink on canvas to create structured compositions that look like leaves, veins or an aerial land-scape. Forsgren is an architectural designer who has returned to making fi ne art, in particular gestural abstractions that can mesmerize the viewer.

SHERRIE WOLF: FOUNDRusso Lee Gallery, Portland. March 7 - 30 Sherrie Wolf is known for her sumptuous still lifes of living and man-made objects in the Flemish and Dutch tradition. For this series she swerves violently and beautifully, catching the bling of chrome, steel and silver on cutlery and jewelry at London fl ea markets. The works are acrylic paint on Yupo paper. She was inspired by a retreat during which she painted winter scenes in black and white. We get to enjoy the payo˛ when she immerses herself in just one aspect of material reality.

BASEL ABBAS & RUANNE ABOU-RAHME: NEW WORKSDisjecta Contemporary Art, Portland. Mar 2 - Apr 7 Basel Abbas and Ruanne Abou-Rahme use sound, image, text, installation and per-formance to investigate the body and the subject. They are at ease with postmodern themes such as virtuality and “perpetual crisis in an endless present.” They work with ideas of nonlinearity in the form of amnesia and déjà vu, usually sampling image, music and text to make something new. Get ready for masks, projection rooms, wires on the fl oor and Arabic script.

JAKE SCHARBACH: HAND TO HAND Froelick Gallery, Portland. Mar 5 - Apr 13 Washington state native Jake Scharbach’s vibrant allegories force ancient and mod-ern into a confrontation that feels both comic and serious. He says he likes to “focus on the materialization of symbols and signs, through an exercise of comparison, to analyze contemporary cultural values.” The series Black Boxes depicts fl ight data re-corders from crashed airliners combined with classical portrait busts. His American hyper-realism feels timeless, the surfaces as seductive as the falsehoods they seek to expose. He may purport to “question the medium itself,” but the viewer will, fi rst and foremost, drool.

DAVID SELLECK, NO WAKE ZONE, 2008

JOHN DAVID FORSGREN, 10.2.18, 2018

SHERRIE WOLF, PORTABELLO, 2018

BASEL ABBAS & RUANNE ABOU˜RAHME,AND YET MY MASK IS POWERFUL

PART I, 2016.

JAKE SCHARBACH, SABINES, 2018



CANNON BEACH

Beach Weekend. Featured artist: Helga Winter (paper & mixed media book reconstructions). Helga uses recycled book pages, acrylics, oil paints and encaustic finishes on her sculptural paintings. Opening Mar 17Spring Group Show. Featuring: Robert Schlegel (acrylic paintings & mixed media works) and Robin and John Gumaelius (ceramic & mixed media kinetic sculpture). Schlegel’s work is representational of nature and reflects the northwest landscape. As a native Oregonian, the coastal estuaries, valleys, and farmland of the northwest contin-ually inspire him. The Gumaelius incorporate steel, ceramic and wood to create animated human and anamorphic, bird-like sculptures. Robin creates, through sgraffito and complex decorative glazes, the colorful surface imagery. John adds the exquisite metal armatures that give the artwork life and transforms them into kinetic sculptures.

EUGENE

Jordan SchnitzerMuseum of Art 1430 Johnson Lane&541-346-3027jsma.uoregon.eduwed 11am-5pm; thu-sun 11am-5pm. Admission: adults $5; seniors (62+) $3; members, youth (18 and

under), students, and UO faculty and staff free. To Feb 17 Reframing the Fragments: The Best We Could Do. The JSMA presents its third annual Common Seeing, Reframing the Fragments: The Best We Could Do. Works made since 2000 by such artists from the Vietnamese diaspora as Binh Danh, Dinh Q. Le, and Ann Le embody the complex sensations related to remember-ing and forgetting, tradition and innovation, and trying to make sense of fragments of memory and history. To Mar 24 Fernand Léger’s Cirque and the livre d’artiste. Known as livres d’artiste, these finely printed, large-format books pair hand-written text with original artwork from some of the 20th century’s most prominent artists. Ongoing Vibrance and Serenity: Art of Japanese No Traditional Theatre. One of Japan’s oldest and most revered theatrical forms. Graceful Fortitude: The Spirit of Korean Women. Art created by, for, and/or about Korean women and features paintings, prints, photographs, sculpture, ceramics, textiles, lacquer, furniture, and personal adornments dating from the twelfth through the twenty-first centuries.

MANZANITA

Polaris Gallery 457 Laneda Avenue&503-703-4828 polarisgallery.com

fri-mon 11-4; tue-thu by appt. Polaris Gallery in Manzanita, Oregon showcases the paintings of artist/owner J. Scott Wilson.

PORTLAND

Blackfish Gallery 420 NW 9th Ave &503-224-2634 blackfish.comtue-sat 11am-5pm. Feb 5-Mar 5 Catch You on the Flip Side-A retrospective of the work of David Selleck. David Selleck’s work was exhibited widely across the Pacific Northwest and internationally, and his paintings remain in the permanent collection of the Hallie Ford Museum in Salem, Oregon. Selleck preferred his work to speak for itself and it did so powerfully. His commanding, often large-scale paintings, drawings and sculptures drew in the viewer and invited their unqualified engagement and participation. Mar 5-30 Paul Missal: The Learning Years, Learning How to See. Paul Missal says, “Over the years I have developed a great sense of satisfaction and enjoyment by creating forms with thoughtful meanderings of line and paint over paper and canvas. This exhibit is a gentle touchstone of the lessons I have learned and the paths I have traveled.” Judith Wyss: Art In-spiring Art. Her show is comprised of mixed media in contemporary settings and people.

DisjectaContemporary Art Center 8371 N Interstate Ave&503-286-9449 disjecta.orgfri-sun 12-5pm or by appt.Mar 2-Apr 7 Basel Abbas & Ruanne Abou-Rahme: New Works. Sound, image, text, installation and performance are used to investigate the body and the subject.

Elizabeth Leach Gallery H417 NW 9th Ave &503-224-0521 elizabethleach.comtue-sat 10:30am-5:30pm and by appt. Feb 7-Mar 30 John David Forsgren: Antithesis of Language. The exhibition title references Forgsren’s interest in subverting structure in favor of intuitive visual expression. The show marks the

Lucinda Parker: Force FieldsHALLIE FORD MUSEUM OF ART, Salem OR - To Mar 31

by Allyn Cantor

Lucinda Parker has been a central fi gure in the Portland art world for several decades. This major retro-spective includes pieces spanning nearly 60 years, from Parker’s time as a student to just a few years ago. Her most well-known art is characterized by textural layering and a physical paint-ing process that yields muscular shapes and gestural motions.

Parker’s iconic paintings adorn the walls of many public spaces

throughout the Northwest; her artwork is rooted in natural shapes and gives attention toward spatial dynamics within abstract and invented compositions. These attributes can be seen in works as early as a 1960 piece depicting a Vermont waterfall, a landscape distilled into bold activated forms. Parker was raised in New England and moved to Portland in the 1960s to attend a joint degree program at Reed College and the Museum Art School (now Pacifi c North-west College of Art). After graduate studies in New York, she and her husband returned to Portland, where Parker has lived ever since.

Coming of age in the era of Abstract Expressionism, Parker has always exhibited a strong modernist style. This show includes some of her early work from the 1970s, when the artist poured Rhoplex onto fl at horizontal painting surfaces to get acrylic paint to have a more oil- like e˛ ect. Exhibition curator Roger Hull says, “Parker is thought of as both a grand matriarch of regional modernism as well as a key presence on the current art scene in Oregon. She is both historically signifi cant and currently relevant.”

Cubistic reimaginings of Mount Hood and the surrounding cloudscapes have been a primary subject for Parker in recent years, and many notable large-scale commissions can be seen in prominent buildings on the West Coast.

willamette.edu/arts/hfma

Lucinda Parker, 2015

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Brent Lynch, Illuminated Stack Mountain Galleries at The Fairmont Chateau Whistler, Whistler



gallery’s first solo presentation of the artist’s large-scale abstractions. Julia Mangold: New Works on Pa-per. Mangold’s sculptures possess an immense physical presence and the new works on paper convey the voluminous depth and sensuous geometry of her three-dimensional artworks. The bold new series demonstrates Mangold’s multifacet-ed practice where geometry, volume and proportion find accord. Opening Receptions: Feb 7, 6pm. VIDEOWINDOW: Fernanda D’Agostino: the map is not the territory.

D’Agostino’s Borderline series features five installations and perfor-mances that investigatethe intersection of mass migration, generational trauma and climate crisis and how these intertwine both for individuals and across social systems. Shown in conjunction with Portland Light Festival.

Froelick Gallery H714 NW Davis St&503-222-1142froelickgallery.comtue-sat 10:30am-5:30pm

and by appt. Mar 5-Apr 13 Jake Scharbach: Hand to Hand. The paintings included in this exhibition belong to three different series but share this theme.

Gallery 114 H1100 NW Glisan St &503-243-3356 gallery114pdx.comthu-sun 12-6pm Feb 7-Mar 2 The Portland Grid Project. Photographers divide the city into square-mile grids, documenting and interpreting what they see, from the extraordinary to the commonplace.

Lucinda Parker: Force FieldsHALLIE FORD MUSEUM OF ART, Salem OR - To Mar 31

by Allyn Cantor

Lucinda Parker has been a central fi gure in the Portland art world for several decades. This major retro-spective includes pieces spanning nearly 60 years, from Parker’s time as a student to just a few years ago. Her most well-known art is characterized by textural layering and a physical paint-ing process that yields muscular shapes and gestural motions.

Parker’s iconic paintings adorn the walls of many public spaces

throughout the Northwest; her artwork is rooted in natural shapes and gives attention toward spatial dynamics within abstract and invented compositions. These attributes can be seen in works as early as a 1960 piece depicting a Vermont waterfall, a landscape distilled into bold activated forms. Parker was raised in New England and moved to Portland in the 1960s to attend a joint degree program at Reed College and the Museum Art School (now Pacifi c North-west College of Art). After graduate studies in New York, she and her husband returned to Portland, where Parker has lived ever since.

Coming of age in the era of Abstract Expressionism, Parker has always exhibited a strong modernist style. This show includes some of her early work from the 1970s, when the artist poured Rhoplex onto fl at horizontal painting surfaces to get acrylic paint to have a more oil- like e˛ ect. Exhibition curator Roger Hull says, “Parker is thought of as both a grand matriarch of regional modernism as well as a key presence on the current art scene in Oregon. She is both historically signifi cant and currently relevant.”

Cubistic reimaginings of Mount Hood and the surrounding cloudscapes have been a primary subject for Parker in recent years, and many notable large-scale commissions can be seen in prominent buildings on the West Coast.

willamette.edu/arts/hfma

Lucinda Parker, 2015

Phot

o: K

.B. D

ixon



PORTLAND

The 12 photographers in this show represent the 3rd phase of a project that began in 1995 and will continue until all 108 grids are photographed. Info: portlandgridproject.comOpening Reception: Feb 7, 6pm.Mar 7-29 David Slader and Owen Carey: InkBodySkinPaint+Fire. Figurative Paintings, Photographs, Digital Prints. In painted figures and photographic character studies of tattooed bodies, Slader and Carey weave together complementary im-ages of the human form, suggesting their subjects hopes, fears, longings, regrets, and passions.Opening Reception: Mar 7, 6pm.

Oregon Jewish Museum and Center for Holocaust Education 724 NW Davis St&503-226-3600ojmche.orgtue-thu 11am-5pm; fri 11am-4pm; sat & sun noon-5pm. To Feb 24 The Last Journey of the Jews of Lodz, OJMCHE and Memory Unearthed: The Lodz Ghetto Photographs of Henryk Ross, PAM. Together the two exhibitions will offer an extraor-dinarily rare glimpse of life inside the Lodz Ghetto through the lens of Polish Jewish photojournalist Henryk Ross (1910-1991). Power of Pro-test: The Movement to Free Soviet Jews. American Jews launched one of the most successful human rights

campaigns in the 20th century to demand freedom for Soviet Jews. Mar 7-May 26 Mel Bochner: Enough Said. Mel Bochner (b.1940) consistently probes the conventions of painting and language. Bochner’s text-based works will be on view. From the Collections of Jordan D. Schnitzer and His Family Foundation.

Portland Art Museum H1219 SW Park Ave&503-226-2811portlandartmuseum.orgtue, wed, sat, sun 10am-5pm; thu & fri 10am-8pm. Admission: members free; adults $19.99: seniors (62+) and students (18+ with ID) $16.99; children (17 and under) free.Feb 9-May 5 The map is not the

Sandow Birk: Dante’s Divine Comedy and Selected Works from American Qur’anRONNA & ERIC HOFFMAN GALLERY, LEWIS & CLARK COLLEGE, Portland OR - To Mar 17

by Allyn Cantor

Sandow Birk is a well-known Los Angeles artist whose provocative work deals with contemporary life, emphasizing social and po-litical issues. His poignant and often satirical artworks have fea-tured themes such as inner-city violence, war, gra ti and prisons.

This exhibition includes works from Birk’s reinterpretation of Dante’s Divine Comedy, in which the artist transformed a centu-ries-old classic into a witty alle-gory with political relevance for

today’s audiences. Birk collaborated with writer Marcus Sanders to relocate the 14th-century Italian poem in urban America. The fi ve-year project resulted in three limited-edition books that translated the text of the entire Divine Comedy into contemporary American English slang.

In the series, Birk adapts Gustave Doré’s famous 19th-century illustrations into images of 21st-century America, setting Inferno in Los Angeles, Purgatorio in San Francisco and Paradisoin New York. In the imaginary narrative, Dante is depicted as a jeans-and-hoodie-wearing char-acter wandering city streets and architectural settings littered with fi xtures of urban life and pop culture, like fast-food stands, tra c lights and billboards.

Also included in this show is a selection of works from Birk’s ambitious and controversial nine-year project to create an illuminated manuscript of the entire Qur’an in English. After extensive research and travels, the artist hand-transcribed a copyright-free Quranic text ac-cording to historic Islamic traditions. Birk’s calligraphy uses a street-style lettering based on gra ti found around his Los Angeles neighborhood. The text is illustrated with relevant scenes from contemporary American life as a backdrop. The project strives to bridge cultures through inspired open dialogue and frank conversation.

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Sandow Birk, American Qur'an, Sura 111-112, 2014,gouache and ink on paper

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Elizabeth LeachBlackfish

Oregon Jewish Museum

Portland Art Museum

Russo Lee

TO ASTORIA PORTLAND INTERNATIONAL AIRPORT

TO SALEM & SISTERS

Froelick

Disjecta

Gallery 114

Broadway Gallery Portland State

UniversityTOM MCCALLWATERFRONT

PARK

WillametteRiver

PEARL DISTRICT

DOWNTOWN

Ronna & EricHoffman Gallery

PORTLAND



territory is part of a triennial series featuring regional artists exploring place and boundaries. This inaugural exhibition focuses along the eastern edge of the Pacific Ocean stretching from Oregon through Washington and Vancouver, B.C., up to Alaska. The artists in this exhibition seek to reconceive and reimagine the Northwest. To Mar 31 Hagiwara Hideo, Ida Shoichi, and Takahashi Rikio: Three Masters of Abstrac-tion. Presents nearly fifty prints by

three Japanese artists who rose to international prominence in the decades following World War II. All of them embraced abstraction, that most quintessential of Western mod-ernisms, as a means for expressing fundamentally Japanese themes.To Apr 28 Modern American Realism: Highlights from the Smithsonian’s Sara Roby Founda-tion Collection, captures both the optimism and the apprehension of the years following World War II.

Portland State UniversitySchool of Art + DesignBroadway Gallery1620 SW Park Ave, Lincoln Hall.pdx.edu/art-design/exhibitionsmon-thu 7:30am-8pm; fri 7:30am-5pm. To Mar 15 Outspoken:Modern Quilts: Throughout the history of quilting, women have used needle and thread to express their opinions on political and social issues. Portland-area quilters bring this tradition into the current

Sandow Birk: Dante’s Divine Comedy and Selected Works from American Qur’anRONNA & ERIC HOFFMAN GALLERY, LEWIS & CLARK COLLEGE, Portland OR - To Mar 17

by Allyn Cantor

Sandow Birk is a well-known Los Angeles artist whose provocative work deals with contemporary life, emphasizing social and po-litical issues. His poignant and often satirical artworks have fea-tured themes such as inner-city violence, war, gra ti and prisons.

This exhibition includes works from Birk’s reinterpretation of Dante’s Divine Comedy, in which the artist transformed a centu-ries-old classic into a witty alle-gory with political relevance for

today’s audiences. Birk collaborated with writer Marcus Sanders to relocate the 14th-century Italian poem in urban America. The fi ve-year project resulted in three limited-edition books that translated the text of the entire Divine Comedy into contemporary American English slang.

In the series, Birk adapts Gustave Doré’s famous 19th-century illustrations into images of 21st-century America, setting Inferno in Los Angeles, Purgatorio in San Francisco and Paradisoin New York. In the imaginary narrative, Dante is depicted as a jeans-and-hoodie-wearing char-acter wandering city streets and architectural settings littered with fi xtures of urban life and pop culture, like fast-food stands, tra c lights and billboards.

Also included in this show is a selection of works from Birk’s ambitious and controversial nine-year project to create an illuminated manuscript of the entire Qur’an in English. After extensive research and travels, the artist hand-transcribed a copyright-free Quranic text ac-cording to historic Islamic traditions. Birk’s calligraphy uses a street-style lettering based on gra ti found around his Los Angeles neighborhood. The text is illustrated with relevant scenes from contemporary American life as a backdrop. The project strives to bridge cultures through inspired open dialogue and frank conversation.

lclark.edu/ho man_gallery

Cour

tesy

of t

he a

rtist

and

Kop

lin D

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io G

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ry, S

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Sandow Birk, American Qur'an, Sura 111-112, 2014,gouache and ink on paper



PORTLAND

moment in “Outspoken: Modern Quilts.” These 13 quilts, createdby members of the Portland Modern Quilt Guild, feature words and phrases reflecting on the social movements, political tumult, popular culture and soul searching of the past two years.

Ronna & Eric Hoffman Gallery Lewis & Clark College0615 SW Palatine Hill Rd, MSC 95 &503-768-7687lclark.edu/hoffman_gallerytue-sun 11am-4pm To Mar 17 Sandow Birk: Dante’s Divine Comedy and Selected Works from American Qur’an. Birk transformed a centuries-old classic into an imaginary narrative with political relevance for today’s audiences.

Russo Lee Gallery H805 NW 21st Ave&503-226-2754russoleegallery.comtue-fri 11am-5:30pm sat 11am-5pm. Feb 7-Mar 2 Lucinda Parker: Snow and Ice: Coin of the Realm, and Amory Abbott: Anthelion. In The Office: Manu Torres. Mar 7-30Mel Katz: Wall Sculpture and Sherrie Wolf.

SALEM

Hallie Ford Museum of Art Willamette University700 State St &503-370-6855 willamette.edu/arts/hfma/tue-sat 10am-5pm; sun 1-5pm. Admission: adults $6; seniors (+55) $4; students (18+ with ID); children (0-17) and members free.To Mar 31 Lucinda Parker: Force Fields chronicles the artist’s career over a sixty year period, from her early acrylic and Rhoplex paintings of the 1970s to her cubist mountain paintings of the past decade. Feb 9-Apr 28 Kypriaka Chronika: Tales of Ancient Cypriote Ceramics in West Coast Collections chronicles the history of Cypriote ceramics and the stories of how they turned up in West Coast collections. Ian J. Cohn: The Faces of Phlamoudhi documents daily life in a remote village on the north coast before the Turkish invasion in 1974 led the village being abandoned by its Greek Cypriote population and its villagers being scattered near and far.

SISTERS

Raven Makes Gallery 182 E Hood Ave&541-719-1182ravenmakesgallery.com

Spring hours posted on website. Offering Native American & First Nations artwork and jewelry.First market works from Southwest tribes, Northwest Coast Peoples, and the Far North. Emerging artists to renowned masters. April to July we offer monthly, in-person artist shows. Explore complex and dy-namic contemporary works built on traditional foundations. Information available regarding tours of Home-lands by tribally owned companies.

Sisters Arts Association various locations&541-719-8581sistersartsassociation.orgFeb 22, 4-7pm and Mar 22, 4-7pm 4th Friday Art Stroll. There are 20 fine art galleries in less than one mile to welcome you to the arts in Sisters. We are nestled in a cradle of scenic ten-thousand-foot tall mountains in the Oregon Cascades. Our galleries, and the locally and nationally recognized artists they represent, offer a wide range of art from paintings, etchings, photog-raphy, sculpture, jewelry, ceramics, metal and wood works, creations in crystal and glass, performance and theater arts, fiber arts and much more. Every month features new work in all our galleries.

NOV 2018 ° JAN 2019Exhibition Catalogues of Interest

DANA CLAXTON: FRINGING THE CUBE accompanies the Vancouver Art Gallery exhi-bition (to February 3). Show and book survey the multidisciplinary artist’s 30-year career and reveal her recurring themes and strategies. While addressing the enduring legacy of colonialism, Claxton also folds older Hunkpapa Lakota forms, beliefs and history into her imagery, creating works that are as beautiful and a rmative as they are critical. With contributions by curator Grant Arnold and six other scholars and poets.

Hardcover, 160 pp., C$40. Available at the Vancouver Art Gallery Store, 604-662-4706.

NEP SIDHU: SHADOWS IN THE MAJOR SEVENTH is the catalogue to the 2016 Surrey Art Gallery exhibition. The Toronto-based artist works both individually and collaboratively to produce works – from tapestries to installations to sportswear – that combine fi bre arts with painting, sculpture, music and fi lm, and that cross cul-tures and spiritual expressions. With essays by curator Jordan Strom and Negarra A. Kudumu, and a conversation between the artist and Manjot Bains.

Softcover, 70 pp., C$35. Available at the Surrey Art Gallery, 604-501-5566.

MARKING THE INFINITE: CONTEMPORARY WOMEN ARTISTS FROM ABORIG°INAL AUSTRALIA is the major publication accompanying the touring exhibition now at the Museum of Anthropology at UBC (to March 31). It features works drawn from the collection of Debra and Dennis Scholl: paintings, weavings and sculptures by nine women from northeast and central Australia. Curator Henry F.Skerritt focuses on “artists who draw from the local and the specifi c, and extrap-olate to the universal.” Hardcover, 184 pp., US$49.95.Go to https://prestelpublishing.randomhouse.de/book/Marking-the-Infi nite.

LUCINDA PARKER: FORCE FIELDS is the fi rst complete study of the art and life of the nationally recognized Portland, Oregon painter. The monograph chronicles the artist’s career, from her sophisticated thesis paintings created at the Muse-um Art School in the 1960s to her cubist mountain paintings of the past decade. Written by Roger Hull for the current Hallie Ford Museum exhibition, the book provides a revealing assessment for both those previously unaware of Parker’s work and those who know it well.

Hardcover, 176 pp., US$34.95. Available at the Hallie Ford Museum of Art, 503-370-6855.

MICHAEL BROPHY: TERRY’S MAP highlights a series of ink drawings depicting the remote Owyhee River region in southeastern Oregon. Using on a hand-drawn map given to Brophy by renowned photographer Terry Toedtemeier (1947-2008), the Portland artist visited sites including Leslie Gulch and Jordan Craters. The handsome artist’s book features nearly 50 full-page black-and-white illustrations that capture the high-desert region, and text by Brophy provides a thoughtful con-text to the map and his travels.

Softcover, 64 pp., US$20. Available at Russo Lee Gallery, 503-226-2754.

Prices may be subject to additional charges for postage, handling and taxes.

FEB ° MAR 2019

Richard Morhous, Latte, 2018 Harris Harvey Gallery, Seattle



NOV 2018 ° JAN 2019Exhibition Catalogues of Interest

DANA CLAXTON: FRINGING THE CUBE accompanies the Vancouver Art Gallery exhi-bition (to February 3). Show and book survey the multidisciplinary artist’s 30-year career and reveal her recurring themes and strategies. While addressing the enduring legacy of colonialism, Claxton also folds older Hunkpapa Lakota forms, beliefs and history into her imagery, creating works that are as beautiful and a rmative as they are critical. With contributions by curator Grant Arnold and six other scholars and poets.

Hardcover, 160 pp., C$40. Available at the Vancouver Art Gallery Store, 604-662-4706.

NEP SIDHU: SHADOWS IN THE MAJOR SEVENTH is the catalogue to the 2016 Surrey Art Gallery exhibition. The Toronto-based artist works both individually and collaboratively to produce works – from tapestries to installations to sportswear – that combine fi bre arts with painting, sculpture, music and fi lm, and that cross cul-tures and spiritual expressions. With essays by curator Jordan Strom and Negarra A. Kudumu, and a conversation between the artist and Manjot Bains.

Softcover, 70 pp., C$35. Available at the Surrey Art Gallery, 604-501-5566.

MARKING THE INFINITE: CONTEMPORARY WOMEN ARTISTS FROM ABORIG°INAL AUSTRALIA is the major publication accompanying the touring exhibition now at the Museum of Anthropology at UBC (to March 31). It features works drawn from the collection of Debra and Dennis Scholl: paintings, weavings and sculptures by nine women from northeast and central Australia. Curator Henry F.Skerritt focuses on “artists who draw from the local and the specifi c, and extrap-olate to the universal.” Hardcover, 184 pp., US$49.95.Go to https://prestelpublishing.randomhouse.de/book/Marking-the-Infi nite.

LUCINDA PARKER: FORCE FIELDS is the fi rst complete study of the art and life of the nationally recognized Portland, Oregon painter. The monograph chronicles the artist’s career, from her sophisticated thesis paintings created at the Muse-um Art School in the 1960s to her cubist mountain paintings of the past decade. Written by Roger Hull for the current Hallie Ford Museum exhibition, the book provides a revealing assessment for both those previously unaware of Parker’s work and those who know it well.

Hardcover, 176 pp., US$34.95. Available at the Hallie Ford Museum of Art, 503-370-6855.

MICHAEL BROPHY: TERRY’S MAP highlights a series of ink drawings depicting the remote Owyhee River region in southeastern Oregon. Using on a hand-drawn map given to Brophy by renowned photographer Terry Toedtemeier (1947-2008), the Portland artist visited sites including Leslie Gulch and Jordan Craters. The handsome artist’s book features nearly 50 full-page black-and-white illustrations that capture the high-desert region, and text by Brophy provides a thoughtful con-text to the map and his travels.

Softcover, 64 pp., US$20. Available at Russo Lee Gallery, 503-226-2754.

Prices may be subject to additional charges for postage, handling and taxes.

FEB ° MAR 2019


76 FEB - MAR 2019 H OPEN LATE ON FIRST THURSDAYS2 PREVIEW ■ SEP-OCT 2017 ★ OPEN LATE ON FIRST THURSDAYS

ART SERVICES

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Image this photo inc.The imaging source for artists.• Consultation, estimates welcome

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about our onsite services.Let us help bring out the bestin your art.201-1610 Clark DrVancouver, BC V5L 4Y2604-875-0620 Ted [email protected]

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Artistic StatementFine Art Appraisals & GalleryEdmonton (Sherwood Park), AB Fine art & personal property valuations• Insurance • Estate• Donation • Probate• Divorce Original art for sale onour online gallery

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artisticstatementfi neartappraisalsandgallery.com Catherine M. Stewart, Pleasure of the gods, 2015

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Mido Gallery Highest quality custom picture framing using National Gallery conservation standards:• All work done on premises• 40 years of experience in the

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Petley Jones GalleryConservation framing: In-house experienced framer, 100% acid-free museum-quality materials, huge selection of mouldings and glass– we have the perfect frame for your fi ne art!

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Appraisals: We offer professional appraisal services, including free verbal estimates.

[email protected]

ART SERVICES

Ron Stonier, Untitled, 1964. Collection of Sheila Cano. Photo: Blaine CampbellWest Vancouver Art Museum, West Vancouver


preview-art.com PREVIEW 772 PREVIEW ■ SEP-OCT 2017 ★ OPEN LATE ON FIRST THURSDAYS

ART SERVICES

Appraisal Services – Fine Art Whenever there’s a question about the value of your personal property, there’s also a risk involved. Make sure your values are based on prescribed methods of evaluation.

• Insurance • Donation• Divorce • Estate• Probate • Resale

Kathleen Laverty B.Ed. ISAInternational Society of Appraisers [email protected]

lavertyappraisals.com

Fidelis Art Prints and Fine Art PrintmakingPurveyors of gallery quality reproductions using archival inks on paper and canvas• Digital image capturing• Film scanning• Experts in Photoshop and

colour calibration• Specializing in photo-based art• Up to 64” by any length• Canvas reproductions and stretching• Art marketing and consulting

106-1000 Parker St, Vancouver BC604-872-0088sales@fi delisartprints.com

fi delisartprints.com

Framagraphic Picture FramingSince 1976 Framagraphic has been Vancouver’s framer of choice for quality, custom art framing. Using fully archival materials and tech-niques, we design and frame your art to make it look its best. We also do corporate and gallery work.

8-1128 West BroadwayVancouver, BC – 2 doors westof our original shop604-738-0017Hours: mon-fri 9:30am-6pmsat 10am-5pm

framagraphic.com

Image this photo inc.The imaging source for artists.• Consultation, estimates welcome

with advice freely given. • Excellence in lighting.• True colour digital capture as

well as 8x10 transparencies.• True to original slide scanning.• Weather-protected loading bay.• Artwork too big to move – ask

about our onsite services.Let us help bring out the bestin your art.201-1610 Clark DrVancouver, BC V5L 4Y2604-875-0620 Ted [email protected]

imagethisphoto.ca

Conserv-Arte Conservation ServicesCondition Assessments, Maintenance Care, Stabilzation and Repair

• Paintings & Murals• Mixed Media & Unique Projects• Public Art & Sculpture• Heritage & Architectural Projects• Collection Surveys & Project

Management

Cheryle [email protected]

conserv-arte.ca

Denbigh Fine Art ServicesSpecializing in fi ne art services:• Local and long distance transport• Custom case construction• Worldwide shipping and documentation• Climate Controlled Storage• Insurance• Home and corporate installations• Custom framing• Art Collection Management

155 West 7th Ave, Vancouver, [email protected]

denbighfas.com

Artistic StatementFine Art Appraisals & GalleryEdmonton (Sherwood Park), AB Fine art & personal property valuations• Insurance • Estate• Donation • Probate• Divorce Original art for sale onour online gallery

Joan Hill BFA [email protected]

artisticstatementfi neartappraisalsandgallery.com Catherine M. Stewart, Pleasure of the gods, 2015

Unitarian Church of Vancouver, Vancouver


Mido Gallery Highest quality custom picture framing using National Gallery conservation standards:• All work done on premises• 40 years of experience in the

framing industry• Archival matting and mounting• Ultraviolet fi ltering glazing• Large selection of wood and

aluminum frames• Conservation, restoration and

installation service available2931 W 4th Ave Vancouver BC V6K 1R3604-736-1321Hours: tue-sat 10am-5pm

[email protected]

Northwest Artists’ CanvasManufacturer & Wholesaler of Professional Pre-stretched Artist Canvases• Cotton • Framing• Linen • Easels • Synthetic • Stretcher Bars • Archival Reproductions• International Packaging and Shipping Services

109-5910 No. 6 RdRichmond, BC Canada V6V 1Z1604-270-4644Fax: [email protected]

northwestartistscanvas.ca

Thiessen Art ServicesCustom fi ne art solutions for:

• Art Installation• Transport• Custom Crating• Storage• Exhibition/Collection Logistics Experienced, Effi cient,Professional & Reliable

[email protected]

thiessenartservices.com

Opus Art SuppliesResources for the CreativeIndividual • Fine Art Materials • Custom Surfaces Service• Digital Printing & Mounting

Service• Readymade & DIY Custom

FramesGranville Island: 604-736-7028Downtown Vancouver: 604-678-5889North Vancouver: 604-904-0447Coquitlam: 604-545-0410Langley: 604-533-0601Victoria: 250-386-8133Kelowna: 250-763-3616Mail Order: 1-800-663-6953opusartsupplies.com

VevexCrates for demanding cargos

Vevex produces custom export-certifi ed crates for worldwideshipment of fi ne art. Customers include museums, commercialgalleries and individual artists. Phone or email for a freeconsultation and detailed price quotation.

1-866-998-3839604-254-1002 (Vancouver)[email protected]

vevex.com

Petley Jones GalleryConservation framing: In-house experienced framer, 100% acid-free museum-quality materials, huge selection of mouldings and glass– we have the perfect frame for your fi ne art!

Restoration: We restore anything from oils and works on paper to antique frames.

Appraisals: We offer professional appraisal services, including free verbal estimates.

[email protected]

ART SERVICES

Ron Stonier, Untitled, 1964. Collection of Sheila Cano. Photo: Blaine CampbellWest Vancouver Art Museum, West Vancouver


78 PREVIEW n FEB - MAR 2019 H OPEN LATE ON FIRST THURSDAYS

Alphabetical listing of galleries and museums in this issue

Adele Campbell Gallery 55

Alberta Branded 13

Alberta Craft Gallery - Calgary 8

Alberta Craft Gallery - Edmonton 13

Alcheringa Gallery 50

Allied Arts of Whatcom County 58

Amelia Douglas Gallery 22

Arbutus Gallery at Coast Capital Savings Library 31

arc.hive gallery 50

Arnold Mikelson Mind & Matter Art Gallery 32

Art Beatus (Vancouver) Consultancy Ltd. 33

Art Gallery at Evergreen Cultural Centre 19

Art Gallery of Alberta 14

Art Gallery of Greater Victoria 50

Art Gallery of St. Albert 17

Art on the Line Gallery 61

Arts Off Main Gallery 33

ArtStarts Gallery 33

Art Works Gallery 33

Audain Art Museum 55

Bainbridge Island Museum of Art 56

Barbara Boldt Original Art Studio 19

Bau-Xi Gallery 33

Bearclaw Gallery 14

Beaty Biodiversity Museum 33

Bellevue Arts Museum 56

Bill Reid Gallery of Northwest Coast Art 33

Blackfish Gallery 70

Bluerock Gallery 8

BONFIRE Gallery 61

Borealis Gallery 14

Brian Scott Fine Arts Gallery - Black Creek 18

Brian Scott Fine Arts Gallery - Vancouver 34

Buckland Southerst Gallery 53

Bugera Matheson Gallery 15

Burnaby Art Gallery 18

Caroun Art Gallery 24

Catriona Jeffries 34

Centre A 34

Chali-Rosso Art Gallery 34

Chinese Cultural Centre Museum 34

Choboter Fine Art 34

Circle Craft Gallery 34

CityScape Community Art Space 24

Clymer Museum and Gallery 58

Coastal Peoples Fine Arts Gallery 34

Contemporary Art Gallery 35

Contemporary Calgary 8

Craft Council of BC Gallery 35

Daybreak Star Indian Cultural Centre 62

Deer Lake Art Gallery 18

Deluge Contemporary Art 51

Disjecta 70

Douglas Reynolds Gallery 35

Dr. Sun Yat-Sen Classical Chinese Garden 35

DRAW Gallery 28

Dundarave Print Workshop + Gallery 38

Eagle Spirit Gallery 38

Elissa Cristall Gallery 38

Elizabeth Leach Gallery 70

Esker Foundation 8

Esplanade Art Gallery 16

Federation Gallery 38

Ferry Building Gallery 53

Flux Media Gallery 51

Foss Waterway Seaport 66

Foster/White Gallery 62

Founders’ Gallery 9

Froelick Gallery 71

Frye Art Museum 62

Gabor Gasztonyi Studio & Gallery 22

Gage Gallery Arts Collective 51

Gallery 2 - Grand Forks Art Gallery 19

Gallery 110 62

Gallery 114 71

Gallery Gachet 38

Gallery in the Oak Bay Village 52

Gallery Jones 38

Geert Maas Sculpture Gardens and Gallery 20

G. Gibson Gallery 62

Glenbow 9

Goldmoss 39

Gordon Smith Gallery of Canadian Art 24

Griffin Art Projects 24

grunt gallery 39

Haida Gwaii Museum at Kay Llnagaay 31

Hallie Ford Museum of Art 74

Harris Harvey Gallery 62

Heffel Fine Art Auction House 39

Henry Art Gallery 64

Herringer Kiss Gallery 9

hfa contemporary 39

Ian Tan Gallery 39

Illingworth Kerr Gallery 11

Il Museo, Il Centro 42

Imogen Gallery 68

Inuit Gallery of Vancouver 42

Jordan Schnitzer Museum of Art 70

Kamloops Art Gallery 19

Kariton Gallery & Boutique 17

Kelowna Art Gallery 20

Kimoto Gallery 42

Alpha_Index_FM2019.indd 78 2019-01-22 12:05 PM


Alphabetical listing of galleries and museums in this issue

Kootenay Gallery of Art 18

Lattimer Gallery 42

Leigh Square Community Arts Village 29

Leighton Art Centre 16

Libby Leshgold Gallery 42

Linda Hodges Gallery 64

Lipont Place 31

Lookout Gallery 42

Madrona Gallery 52

Marion Scott Gallery/ Kardosh Projects 42

Morris and Helen Belkin Art Gallery 42

Mountain Galleries at the Fairmont Chateau Whistler 55

Musée Héritage Museum 17

Museum of Anthropology at UBC 43

Museum of Glass 66

Museum of Northern BC 30

Museum of Northwest Art 59

Museum of Vancouver 45

Nanaimo Art Gallery 20

Nanaimo Museum 20

New Media Gallery 22

Newzones 12

Nickle Galleries 12

Nisga’a Museum 20

North Shore Art Crawl 25

Northwest By Northwest Gallery 68

Northwest Museum of Arts & Culture 66

O’Connor Group Art Gallery 18

Okanagan Art Gallery 25

Open Space Arts Society 52

Oregon Jewish Museum and Center for Holocaust Education 72

Oxygen Art Centre 22

Parker Projects 45

Pendulum Gallery 46

Penticton Art Gallery 25

Peter Robertson Gallery 15

Petley Jones Gallery 46

Plaskett Gallery 23

Polaris Gallery 70

Poly Culture Art Center 46

Port Angeles Fine Arts Center 61

Portland Art Museum 72

Portland State University 73

Port Moody Arts Centre 29

Prographica/KDR 64

Raven Makes Gallery 74

Richmond Art Gallery 31

Ronna & Eric Hoffman Gallery 74

Russo Lee Gallery 74

Salmon Arm Arts Centre 31

Schack Art Center 59

Scott Gallery 16

Seattle Art Museum 64

S’eliyemetaxwtexw Art Gallery 17

Seymour Art Gallery 25

SFU Galleries 46

Shift Gallery 64

Sidney and Gertrude Zack Gallery 46

Silk Purse Arts Centre 53

Sisters Arts Association 74

Skwachàys Lodge Aboriginal Hotel and Gallery 46

Southern Alberta Art Gallery 16

South Main Gallery 47

Spirit Wrestler Gallery 47

Station House Gallery 56

SUM gallery 48

Surrey Art Gallery 32

Tacoma Art Museum 67

The ACT Art Gallery 20

The Art Emporium 48

The Collectors’ Gallery of Art 12

The Front Gallery 16

The Gallery at Queen’s Park 23

The Gallery at The Cultch 48

The New Gallery (TNG) 12

The Old School House 31

The Polygon Gallery 25

The Reach 17

Toni Onley Estate 48

Touchstones Nelson Museum of Art and History 22

Treason Gallery 66

TRUCK Contemporary Art in Calgary 12

Two Rivers Gallery 29

Udell Xhibitions Fine Art Gallery 16

Ukama Gallery 48

Unitarian Church of Vancouver 48

Uno Langmann Limited 48

UVic Legacy Art Galleries 52

Vancouver Art Gallery 48

Vancouver Maritime Museum 49

Vernon Public Art Gallery 50

VISUALSPACE Gallery 49

WaterWorks Gallery 59

Western Gallery & Sculpture Collection 58

West Vancouver Art Museum 55

Whatcom Museum 58

White Bird Gallery 68

White Rock Gallery 55

Whyte Museum of the Canadian Rockies 8

Xchanges Gallery and Studios 53

Z Gallery Arts 49

ZINC contemporary 66

Alpha_Index_FM2019.indd 79 2019-01-22 12:05 PM


B A U - X I G A L L E R Y

F E B 9 - 2 3, 2 0 1 9

J A N N A W A T S O N

Secrets Dropping Out like Ocean Clouds, mixed media on panel, 54 x 54 inches

3045 GRANVILLE STREET VANCOUVER BC V6H 3J9 TEL: 604 733 7011

EXHIBITION ONLINE AT WWW.BAU-XI.COM


preview-art.com155 West 7th Avenue, Vancouver, BC Canada V5Y 1L8 604 876 3303 denbighfas.com...

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