PREVIEW A TRIBUTE TO COLE PORTER LET’S FALL IN · PDF fileCOLE PORTER for S.S.A. voices...
26
Lazy swing (q = ca. 112) Lazy swing (q = ca. 112) Arranged by JAY ALTHOUSE This Arrangement © Copyright 2011 WB MUSIC CORP., ROBERT H. MONTGOMERY, JR., Trustee of the COLE PORTER MUSICAL & LITERARY PROPERTY TRUSTS, Publication and Allied Rights Assigned to CHAPPELL & CO., INC., and JOHN F. WHARTON, Trustee of the COLE PORTER MUSICAL & LITERARY PROPERTY TRUSTS, Publication and Allied Rights Assigned to CHAPPELL & CO., INC. All Rights Reserved. Printed in USA. Sole Selling Agent for This Arrangement: Alfred Music Publishing Co., Inc. To purchase a full-length performance recording of this piece, go to alfred.com/downloads Words and Music by COLE PORTER for S.S.A. voices and piano with optional SoundPax and SoundTrax CD* LET’S FALL IN LOVE: A TRIBUTE TO COLE PORTER SOPRANO I SOPRANO II ALTO PIANO Em7(b5) E¨m7 Dm7 D¨dim7 Cm7 Dm7 E¨M7 Em7(b5) F7sus mf 4 F7 B¨ Bdim7 Cm7 F13 * Also available for S.A.T.B. (35721) and S.A.B. (35722). SoundTrax CD available (35724). SoundPax available (35725) - includes score and set of parts for Alto Saxophone, Tenor Saxophone, 2 Trumpets, 2 Trombones, Guitar, Bass, and Drumset. 3 3 35723 2 Preview Onl y Legal Use Requires Purchase
Transcript of PREVIEW A TRIBUTE TO COLE PORTER LET’S FALL IN · PDF fileCOLE PORTER for S.S.A. voices...
Lazy swing (q = ca. 112)
Lazy swing (q = ca. 112)
Arranged byJAY ALTHOUSE
This Arrangement © Copyright 2011 WB MUSIC CORP., ROBERT H. MONTGOMERY, JR.,
Trustee of the COLE PORTER MUSICAL & LITERARY PROPERTY TRUSTS, Publication and Allied Rights
Assigned to CHAPPELL & CO., INC., and JOHN F. WHARTON, Trustee of the COLE PORTER MUSICAL
& LITERARY PROPERTY TRUSTS, Publication and Allied Rights Assigned to CHAPPELL & CO., INC.
All Rights Reserved. Printed in USA.
Sole Selling Agent for This Arrangement: Alfred Music Publishing Co., Inc.
To purchase a full-length performance recording of this piece, go to alfred.com/downloads
Words and Music byCOLE PORTER
for S.S.A. voices and pianowith optional SoundPax and SoundTrax CD*
LET’S FALL IN LOVE:A TRIBUTE TO COLE PORTER
SOPRANO ISOPRANO II
ALTO
PIANO
Em7(b5) E¨m7 Dm7 D¨dim7 Cm7 Dm7 E¨M7 Em7(b5) F7sus
mf
4
F7 B¨ Bdim7 Cm7 F13
* Also available for S.A.T.B. (35721) and S.A.B. (35722). SoundTrax CD available (35724). SoundPax available (35725) - includes score and set of parts for Alto Saxophone, Tenor Saxophone, 2 Trumpets, 2 Trombones, Guitar, Bass, and Drumset.
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Birds
mf“Let’s Do It (Let’s Fall in Love)”*
do it, bees do it,
Birds
mf
do it, bees do it,
B¨ Bdim7 Cm7 F7 B¨6 Bdim7 Cm7 F7
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e ven- ed u- cat- ed- fleas do it. Let’s do it,
e ven- ed u- cat- ed- fleas do it. Let’s do it,
B¨6 B¨7 E¨6 Cm7(b5) B¨6/F Gm7
14
let’s fall in love, in love.
let’s fall in love, in love. In Spain the
Cm7 F7 Dm7 G7 Cm7 F9 F9(#5)
* © 1928 (Renewed) WB MUSIC CORP. All Rights Reserved.35723
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Lith u- a- ni- ans- and
best up per- sets do it,
B¨6 Bdim7 Cm7 F7 B¨6 B¨7
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Letts do it. Let’s do it, let’s fall in love.
Let’s do it, let’s fall in love.
E¨6 Cm7(b5) B¨6/F Gm7 Cm7 F7 B¨
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E lec- tric- eels I might add, do it,
E lec- tric- eels I might add, do it,
E¨7 B¨ D7(#5) Gm E¨7
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27 though it shocks ’em I know.
yes, I3
know. Why ask if
yes, I
3
know. Why ask if
Dm7 Fm7
3
B¨7 E¨M7 E¨6
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shad do it, wait er- bring me shad
3
roe, shad roe!
shad do it, wait er- bring me shad
3
roe, shad roe!Ab9 A¨13 A¨7 DbM7 3 C7sus E¨/F F9
33 34
In
f
shal low- shoals, Eng lish- soles do it,
In
f
shal low- shoals, Eng lish- soles do it,
F9(#5) B¨6 Bdim7 Cm7 F7(#5)
f
3
3
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gold fish,- in the pri va- cy- of bowls, do it. Let’s do it,
gold fish,- in the pri va- cy- of bowls, do it. Let’s do it,B¨6 B¨7/D E¨7 Edim7 B¨/F Gm
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let’s
ff
fall in love.
rit.straight eighths
Night
ten.mp
and
ten.
let’s
ff
fall in love.
mp
Night
ten.
and
ten.
Cm7 E¨M7/F F13(b9)
straight eighths
B¨ A¨/B¨ B¨7(#5)ten.
B¨7ten.
ff rit. e decresc. mp
43 Unhurried (q = ca. 96)
Unhurried (q = ca. 96)
day
“Night and Day”*
you are the
3
one,
day you are the
3
one,
C¨M7 B¨7 E¨M7
* © 1932 (Renewed) WB MUSIC CORP. All Rights Reserved.35723
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on ly- you be neath- the moon and un der- the
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on ly- you be neath- the moon and un der- the
3
E¨6 E¨ C¨M7 B¨7
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sun. Wheth er- near to you or far, it’s no
sun. Wheth er- near to you or far, it’s no
E¨M7 E¨6 Am7(b5) A¨m7
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mat ter,- dar ling,- where you are I think of you
rit.
night and
mat ter,- dar ling,- where you are I think of you night and
Gm7 G¨dim Fm7 A¨/B¨ B¨7(#5)
rit.
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Light swing (q = ca. 120)
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57
day.
(opt. SOLO)
I’ve
mf
day.
E¨add2 E¨ Fm9 B¨9 E¨add2 E¨ E¨M7 Fm7 B¨
mf
61
got
“I’ve Got You Under My Skin”*
you un der- my
3
skin.(opt. SOLO) mf
I’ve
Fm7 B¨9 E¨M9 E¨6 E¨M9 E¨6
65 (opt. DUET)
So
mf
got you deep in the
3
heart of me. So
Fm7 B¨9 E¨M9 E¨6 F/E¨ E¨
* © 1936 CHAPPELL & CO., INC. Copyright Renewed and Assigned to ROBERT H. MONTGOMERY, JR., Trustee of the COLE PORTER MUSICAL & LITERARY PROPERTY TRUSTS. Publication and Allied Rights Assigned to CHAPPELL & CO., INC. All Rights Reserved.
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deep in my
3
heart, you’re real ly- a part of me. I’ve
deep in my
3
heart, you’re real ly- a part of me. I’ve
Fm7 B¨7 E¨M7 E¨6 F/E¨ E¨ E¨M7
73
got you un der- my
3
skin.
(end solo/duet)
I’ll
mf
got you un der- my
3
skin.
(end solo/duet)
I’ll
mf
Fm7 A¨/B¨ B¨73
E¨add2 E¨6 E¨M9 E¨6
77
sac ri- fice- an y- thing,- come what might, for the sake of hav ing- you near.
sac ri- fice- an y- thing,- come what might, for the sake of hav ing- you near.
Fm7/B¨ A¨dim7/B¨ Gm7/B¨
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In spite of a
3
warn ing- voice that comes in the night and re peats,-
In spite of a
3
warn ing- voice that comes in the night and re peats,-
E¨6/B¨ Fm7/B¨ A¨dim7/B¨ Gm7
83 85
and re peats- in my ear: “Don’t
f
you know, lit tle- fool,
and re peats- in my ear: “Don’t
f
you know, lit tle- fool,
G¨7 Fm7 A¨/B¨ G/B Cm7
f
86
you nev er- can win. Use your men
3
-
you nev er- can win. Use your men
3
-Fm7 B¨7 E¨M9 E¨6 E¨M7
3
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tal i- ty,- wake up to re al- i- ty.”-
tal i- ty,- wake up to re al- i- ty.”-Fm7 B¨7 E¨M7
92 93
But each time I do, just the thought of you makes me
But each time I do, just the thought of you makes meE¨7 A¨ A¨m6
95
stop be
mf
fore- I be gin,- ’cause I’ve got you
stop be
mf
fore- I be gin,- ’cause I’ve got you
E¨6/B¨ B¨m/D¨ C7 Fm9
mf
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un der- my skin, un der- my skin,
un der- my skin, un der- my skin,
B¨6‚9 E¨ F/E¨ E¨ F/E¨ E¨ F/E¨ E¨
102
un
rit.
der- my skin.
un der- my skin.The
F/E¨ E¨ B¨/C C7 B¨/C C7
rit. straight eighths
105 Tight swing (q = ca. 132)
Tight swing (q = ca. 132)
“It’s De-Lovely”*
night is young, the skies are clear, and if you want to go
F Faug F6
* © 1936 CHAPPELL & CO., INC. Copyright Renewed and Assigned to JOHN F. WHARTON, Trustee of the COLE PORTER MUSICAL & LITERARY PROPERTY TRUSTS. Publication and Allied Rights Assigned to CHAPPELL & CO., INC. All Rights Reserved.35723
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108
walk ing,- dear, it’s de light- ful,- it’s de li- cious,- it’s de -
FM7 F6 FM7 F#dim7
111 113
I
mf
un der- stand- the rea son- why you’re
love ly.-
Gm7 C7 Gm7 C7 D/F# Gm Gm#5
115
sen ti- men- tal,- ’cause so am I. It’s de light- ful,- it’s de -
Gm6 Gm Gm#7 Gm7
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118
li cious,- it’s de love- ly.- You can
You
mf
can
G#dim7 F6
121
tell at a glance what a swell night this
tell at a glance what a swell night this
Cm7 F9 F7 B¨M7 Cm7 C#dim7
124
is for ro mance.- You can hear dear Moth er- Na ture- mur mur- ing-
is for ro mance.- You can hear dear Moth er- Na ture- mur mur- ing-
Gm7/D Gm7 B¨m Gm7(b5)
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127 129
low. “Let your self- go!” So please be sweet, my
low. “Let your self- go!” So please be sweet, my
C7sus C7 C7(#5) C7 F
130
chick a- dee,- and when I kiss you, just say to me, “It's de -
chick a- dee,- and when I kiss you, just say to me, “It's de -
Faug F6 F Faug F6
133
light ful,- it’s de li- cious,- it’s de lec- ta- ble,- it’s de -
light ful,- it’s de li- cious,- it’s de lec- ta- ble,- it’s de -
F Am/E Cm6/E¨
35723
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136
lir i- ous,- it’s di lem- ma,- it’s de lim it,- it’s de -
lir i- ous,- it’s di lem- ma,- it’s de lim it,- it’s de -
D9 D¨M7(#5) Am/C
139 Latin-beguine feel (same tempo)
Latin-beguine feel (same tempo)
luxe, it’s
f
de love
straight eighths
- ly.-
luxe, it’s
f
de love- ly.-A¨/C C7sus Fadd2
fstraight eighths
142
E¨6‚9 Fadd2 G7sus G7
35723
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145
When
mf “Begin the Beguine”*
they be
3
gin- the be guine-
When
mf
they be
3
gin- the be guine-
C C6 CM7
mf
148
it brings back the
3
sound of mu sic- so
3
it brings back the
3
sound of mu sic- so
3
C6
151 153
ten der.- It brings back a
3
night
ten der.- Brings back a
3
Dm7 G9 Dm7
* © 1935 (Renewed) WB MUSIC CORP. All Rights Reserved. 35723
17
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154
of trop i- cal
3
- splen dor.- It
night of trop i- cal
3
- splen dor.-
G7sus G73
Dm7 G9
157
brings back a
3
mem o- ry
3
- ev er- green.-
Brings back a
3
mem ’ry,- a mem ’ry- ev er- -
Dm7 G9 CM7
160161
Oh yes,
f
let them be
3
gin- the be
3
guine,- make them
green. Oh yes,
f
let them be
3
gin- the be
3
guine,- make them
C6 F/G G7 C3 3
C6
f
35723
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163
play till the stars that were
3
there be -
play till the stars that were
3
there be -
CM7 3 C6 F/G G7 C 3
166
fore re turn- a bove- you, till you
fore re turn- a bove- you, till you
F/C C G7 C G7
169
whis per- to
3
me once more, “Dar ling,- I
3
love you!” And we
whis per- to
3
me once more, “Dar ling,- I
3
love you!”
F Dm7 3 Em7 A9
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173
sud den- ly
3
- know what heav en- we’re
3
in,
And we sud den- ly
3
- know what
Dm7 Fm6
176
when they be
3
gin-
heav en- we’re
3
in, when they be
3
gin-
Dm73
F/G 3 3
179Slower (q = ca. 92)
Slower (q = ca. 92)
the be guine.-
rit.
the be guine.-
C Am Fm7 A¨/B¨ B¨7
decresc. rit.
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182 Pensively (q = ca. 84), with freedom of movement
Pensively (q = ca. 84), with freedom of movement
Ev
“Ev’ry Time We Say Goodbye”*
mp
’ry- time we say good bye- I die a lit tle.-
Ev
mp
’ry- time we say good bye- I die a lit tle.-
E¨ Cm E¨ Cm E¨ Cm Fm7 A¨/B¨ B¨7
mp
186
Ev ’ry- time we say good bye- I won der-
Ev ’ry- time we say good bye- I won der-
E¨ B¨7/F G¨ B¨7/F D¨6/E¨ E¨7
189190
why a lit tle.- There’s
mf
no love song fin er,- but how
why a lit tle.- There’s
mf
no love song fin er,- but howA¨m E¨/B¨ A¨m6 E¨/G G¨dim7 Fm7 B¨7
* © 1944 CHAPPELL & CO., INC. Copyright Renewed and Assigned to JOHN F. WHARTON, Trustee of the COLE PORTER MUSICAL & LITERARY PROPERTY TRUSTS. Publication and Allied Rights Assigned to CHAPPELL & CO., INC. All Rights Reserved.
mf
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192
strange the change from ma
molto rit.
jor- to mi nor- ev
mp in tempo, slower
’ry- time
strange the change from ma jor- to mi nor- ev
mp
’ry- time
D¨/E¨ A¨M7/E¨ A¨ μ
molto rit. mp in tempo, slower
196
we say
ten.
good
ten.
bye.-
rit.
It was
we say
ten.
good
ten.
bye.- It was
ten. ten.
ten. ten. rit.
199 Light 2-beat (h = ca. 120)
Light 2-beat (h = ca. 120)
just
“Just One of Those Things”*
mf
one of those things, just one
just
mf
one of those things, just one
Dm A/C# F7/C
* © 1935 (Renewed) WB MUSIC CORP. All Rights Reserved.
mf
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204 207
of those cra zy- flings. One of those bells that
of those cra zy- flings.
Bm7(b5) B¨dim7 F/A Fm/A¨
209
now and then rings,
just
mf
one of those things.
Gm7 C7 F6 F#dim7 C7sus/G
214 215
It was just one of those nights,
It was just one of those nights,
C7 A7 Dm A/C#
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just one of those fab u- lous- flights, a
just one of those fab u- lous- flights, a
F7/C Bm7(b5) B¨dim7
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trip to the moon on gos sa- mer- wings,
trip to the moon on gos sa- mer- wings,
F/A A¨dim7 Gm7 C7
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just one of those things. If we’d
just one of those things. If we’d
F6 D/F# Fm7 A¨/B¨ B¨7
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thought a bit of the end of it when we start ed- paint
thought a bit of the end of it when we start ed- paint
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ing- the town, we’d have been a ware- that our
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G7sus/D G7 C6
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love af fair- was too hot not to cool down.
love af fair- was too hot not to cool down.
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So, good bye,- dear, and A men.-
So, good bye,- dear, and A men.-
C7 A7 Dm A/C#
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Here’s hop ing- we meet now and then. It was
Here’s hop ing- we meet now and then. It was
F7/C Bm7(b5) B¨m6
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great fun, but it was just, just
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great fun, but it was just, just
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one of those things,
one of those things,A¨/C C7 F G7/F
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one of those
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one of those
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