Press Technology - BPIF · production, green printing, web-to-print workflows and inevitably, a...
Transcript of Press Technology - BPIF · production, green printing, web-to-print workflows and inevitably, a...
1.0Press Technology
Press Technology Offset Overview / The Unity Print Production Handbook 2012
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Offset Overview
The conventional offset press market could
not have had it much tougher in the past
few years.
Research company PIRA International reported that
global printing revenues, worth up to $785bn in current
values, slumped by five percent in the year 2008 – 09
and recovered only marginally by one percent up to
2010. Last year and this are hardly going to be
much better.
Whilst the worst may have passed we still face
considerable headwinds. In the Far East, China’s Tiger
economy is showing signs of weakening,
and the Japanese economy is still suffering the
aftermaths of the tsunami and the rising value
of the Yen. Yoshiharu Komori, the chairman, president
and CEO of Japanese press manufacturer Komori
summed it up in a recent pre-drupa address when he
said: “The world has become noticeably cloudier.”
Closer to home, the Eurozone crisis still looms large,
depressing demand for marketing spend and
print products. At the same time as a slump in
demand, the Western economies are also facing a rapid
period of technological and trend changes as electronic
substitution switches markets away from print.
The internet has eroded printing volumes by up to a third
over the last 10 years. Printing runs are shrinking as
marketers cut costs or switch to alternative means of
electronic communication.
The collapse of German press manufacturing giant
Manroland, one of the ‘Big Five’ names in press
manufacturing, didn’t come as a total surprise. Many
manufacturers had been struggling to turn profits for
many years. Whilst Manroland’s sheetfed and web
divisions have been saved from administration and now
operate as separate companies, albeit with the same
intellectual property rights, the long term future is far
from certain.
Manroland sheetfed UK Managing Director Adam
Robotham says it has been a difficult period for the
company but it has all the factors in place to continue
trading. Now under the ownership of UK engineering
conglomerate Langley Group means the press
manufacturer has a sound future. By his own admission,
not many people have heard of the Langley Group and it
prefers to operate below the radar in terms of profile and
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publicity.“I can’t say it is business as usual in the normal
sense,” says Mr Robotham.
“Whenever a company has been through a financial
shock then you have to rebuild customers’ trust and the
company name. However unusual it is for a British
engineering company to come in and rescue a German
manufacturer, it has happened this time round and we
are on a firm footing to continue operating as we were
before.” Nearly all economic trends are cyclical, adhering
to the rules of ‘what goes down must come up again’,
but behavioural changes are much harder to reverse.
As Mr Komori wryly observes:
“The printing industry, exposed to severe waves of
environmental change such as the switch from paper to
electronic media, stands at a great turning point.”
The arrival of new technologies, such as Landa’s
Nanographic Printing, launched at the recent drupa
printing show in Germany, is keeping everyone on their
toes. Although the technology is still not commercially
available, and probably won’t be until at least mid-2013,
what it represents is the breakthrough everyone has been
waiting for, namely digital output at offset speeds and
qualities. The repercussions for both the digital and offset
sectors could be profound.
Every conventional litho press manufacturer is looking to
adapt to the digital era. Hybridisation has become the
keyword of every print room as conventional press
technology strives to match the versatility, short-run
capability and quick change-overs provided by digital
technology. Where once digital technology strove to
match the performance of conventional press speeds and
output, the reverse is now true. Many offset presses for
instance can now achieve full plate-changes in just over
three minutes and are 30 percent more productive than
models manufactured just a few years ago. It seems
every manufacturer is striving to automate and digitise
its conventional press lines like never before. Those that
don’t will suffer a swift and sudden fall from grace.
People need print
But not all is doom and gloom. People still need print and
always will. Whilst some sectors of print are in serious
decline, there are bright spots. So far, digital print has not
been able to match the demands of the mass produced
folding cartons market or direct mail printing. Only an
estimated 2 percent of all printing is produced digitally
and the transition to digital production is taking longer
than some analysts may have predicted.
Plate manufacturer Agfa says that after an initial dip in
plate sales in the early days of the recession things have
pretty much returned to normal in the Western
European economies. Although not a completely
accurate barometer of the industry due to technology
changes and trends, it is an encouraging sign that print
need not panic.
In Western European markets, shorter runs are holding up
sales. Plate manufacturers have made significant strides
in bakeless plate technology, making them more robust
and able to handle longer runs. But advances in
platesetting and press automation means it is as
economical to make a plate change on a press as it is to
install a baking oven to produce hardened plates that are
more suited to longer runs. Agfa Head of Product
Marketing, Pre-Press, Ralph Hilsdon says: “Digital printing
technology has been around for a long time yet still only
accounts for a small proportion of all print produced.
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Press Technology Offset Overview / The Unity Print Production Handbook 2012
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What people need to remember is that many printers
have a ten-year old B2 or B3 press running in the
corner of the factory that is just as good today as
when they bought it. The investment has been
written off, so it is a much simpler choice to keep on
running it then spending another £1.5m on a new
digital press line. It will be some time before that
situation changes.”
Smart printers are also reinventing themselves to
become ‘cross-media’ service providers. Whilst they
still provide ‘print on paper’, they are also adept at
providing marketing, database, web and email
services as value added provision. Most likely
they are running conventional press lines
alongside digital printers. They have become
true hybrid print providers, adept at running a
myriad of services and providing high-level
consultation services across a number of
different disciplines.
Adaptability and change
No other industry in history has gone through the number
of changes and adaptations that print over the past 20
years. Rather than showing signs of slowing, the pace is
actually accelerating as press speeds increase, change-
over times shrink and automation becomes the norm.
Almost every major manufacturer has invested heavily
in its ‘on-demand’ element on conventional
press manufacture.
It means the modern press is automated and controlled
like never before. At the front-end, workflows have to
cope with multiple job streams and output engines, while
colour matching is carefully calibrated and profiled. The
press itself features automatic plate changing and wash-
up features, perfecting units, and sophisticated
registration and checking systems. On the back-end, cut-
sheeters and stackers automatically process sheets for
finishing. A press minder walking back into the industry
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after a ten-year absence would be baffled and amazed
at the advancements in press-room technology.
While press manufacturers strive to keep up with the
technological change, print companies too are under
pressure to invest in the latest press kit. Failure to
do so could see them left behind in a fiercely
competitive market.
KBA UK Managing Director Christian Knapp says it is vital
for companies to consider all the options before investing
in new equipment. “Mature operations in a stable
marketplace may seek like-for-like investments with the
obvious marginal improvements that developing
technologies bring. But it has increasingly been the case
in recent years that markets are changing along with
economic circumstances.
“As a result businesses are being forced to reconsider
their strategy and in these instances it is necessary to
research the market in more depth and examine the
production options that are coming on stream.
This is where the relationship with an established world
class manufacturer can be of benefit since they have the
hindsight into market developments and bring its
developments to the table.”
To cope with the change and these commercial pressures,
more and more manufacturers are selling service as part of
their process – not just to keep the presses running but in
equipping printers with the tools to enable them to run
their presses profitably, search out new markets, sell to
customers and turn their investments into good money.
And good money can still be made in conventional offset
press lines. The skill is finding the niche areas, picking the
market, exploiting the potential and utilising the press
technology to its best. Printing has never been easy, and
constant changes make it harder than ever. But picking the
right press for the correct market, with a press partner who
can provide on-going long-term support, provides the
ingredients to make it a success.
Tony Brown
www.bizzymedia.co.uk
“ “
The Unity Print Production Handbook 2012 / Press Technology Offset Overview
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... it is vital for companies toconsider all the options beforeinvesting in new equipment.KBA UK Managing Director Christian Knapp
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Press Technology B1 Presses / The Unity Print Production Handbook 2012
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B1 presses
Modern B1 presses bear no
resemblance to the models of just a
few years ago. Automation, speed
enhancements and digitisation have transformed
their productivity and throughput to levels that
were unimaginable just a few years ago.
Manufacturers are striving to constantly update,
refine and improve performance in order to
provide a competitive advantage to their
customers. Printers on the other hand are
constantly balancing the pressure to reinvest in the
latest technology whilst facing reduced margins,
shrinking markets and competitive pressures that
stretch their business models to
the limits.
The major B1 press manufacturers have been stretching
their research and development budgets hard to
constantly introduce new features and technology
updates. A number of trends influence
their thinking including the drive towards lean
production, green printing, web-to-print workflows
and inevitably, a focus on short-run production even
on B1 press lines.
Perfecting presses perhaps offer the greatest
opportunity to enhance productivity for the modern
press room.
Once manufacturers resolved the issue of ink set-
off, the development of perfecting technology
presented a perfect solution whereby a small
drop in straight-through speed creates huge
advantages in productivity and ‘one pass’ printing.
Heidelberg has been the dominant player in long
perfecting presses since it first introduced the
concept to the market.
Claiming an 80 percent market share from many
years of development, it sees perfecting as the way
to push the barriers of sheetfed productivity to new
highs. Heidelberg’s B1 and B2 Product Manager
Matt Rockley says: “Right sizing is an issue which
all printers need to address, looking at whether
the format they are running is the best for
their business.
Greater press speed is important but in terms of
increasing net output it must be seen in tandem
with developments to reduce make-ready times.
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The Unity Print Production Handbook 2012 / Press Technology B1 Presses
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As the long run web offset market has declined, B1
long perfector presses with customised finishing
have secured the lion’s share of this market.”
The latest press launch, the Speedmaster SX102,
represents what it categorises as its peak-performance
press, reaching speeds up to 18,000sph in perfecting
mode. Aimed at the higher end of the print service
provider spectrum, it enables one-pass productivity that
boosts competitiveness and productivity.
Crucially it represents a 30 percent productivity gain
over the Heidelberg SM102 and is capable of
producing more than 45 million sheets per year.
There are advances in cylinder jacket technology, the
grippers, bearings, and the overall handling of the
paper through the press. Along with new side
frames and strong cylinder rigidity, the press is
equipped with Auto Pro plate loading and preset
feeders and delivery.
Productivity enhancements
As with all manufacturers, reducing make-ready
times has been one of the number-one priorities.
Most press lines can now achieve full plate change
and wash-ups in less than three-minutes as they
squeeze all they can from their press automation.
Japanese manufacturer Komori has developed a
concept called ‘Offset on Demand’ to handle short-runs
and tight delivery schedules by cutting print
preparation times, paper losses and print production
times. The key is a module that covers the offset
prepress and post press processes and includes the
latest digital printing technologies. Offset on Demand
targets the printing of extremely short runs with
short turnaround times primarily by reducing
makereadies, cutting paper waste and shortening
the printing process itself to the maximum
extent possible.
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Press Technology B1 Presses / The Unity Print Production Handbook 2012
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The system is being demonstrated at drupa on a
Lithrone G40P (40 inch perfecting press), one of its
most popular selling models. High-speed start-ups
obtain the correct colour balance within 20 sheets
using an integrated control system, but the H-UV
system passes printed work to the post-press
department for finishing as soon as printing
is complete.
An asynchronous automatic plate changing system
also changes plates within 75 seconds regardless of
the number of colours used. A Komori colour
management system matches the output of a
printed sheet to a digital proof to ensure constant
colour matching throughout the print run.
Manroland’s popular ROLAND700 series of B1
presses features DirectDrive enabling the press to
become a true multi-tasker, capable of changing
plates automatically and simultaneously for up to
12 printing units in only one minute, regardless of
the press configuration. As this process takes place
in conjunction with the three to four minutes
needed for the automatic washing of the
cleaning and impression cylinders, the company
claims the plate change takes effect in no time at
all, something it describes as eroTimePlateChange.
Manroland takes the concept one step further
with the ROLAND 700 HiPrint, incorporating a fully
automated plate changing system, with automatic
plate setting controls and pre-set press parameters
that provide quick change-overs for different
coatings, air settings, gripper bars, wash-ups and
inks changes.
The HiPrint HS (High-Speed) version can also run at
speeds of up to 18,000sph, making it ideal for
packaging and industrial scale publishing and
commercial printers.
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The Unity Print Production Handbook 2012 / Press Technology B1 Presses
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Integrated digital solutions
KBA has developed a new system that takes
hybridisation to a new level. Partnering with Atlantic
Zeiser, together they have developed an integrated
digital module to its Rapida 105 line called the DELTA
105i. As a high-speed digital printer, it integrates with
KBAs offset-sheetfed line to enable printers to realise
a wider range of special applications and open up new
business sectors. Realising that the combination of digital
and offset can significantly enhance productivity, the
Atlantic Zeiser system prints at up to 240 m/min and a
resolution of up to 600dpi, providing variable data
printing onto different materials without the extended set-
up times. The system provides solutions for the
individual coding and serialisation of products, the
traceability of pharmaceutical goods and forgery
protection for a range of products.
It is a perfect example of the marriage of digital
and offset to create a highly productive hybrid print
environment. The European debut of this hybrid
product will soon be available for the first time
following its considerable success in Asia.
Service and support
No manufacturer is an island. The days when press
providers can sell a customer a press and then leave
them to their own devices has long gone. Now,
printers are looking for an integrated level of support,
backup and maintenance to ensure their presses can
run 24/7 without interruption. In addition, they
will sell or provide services or support on top that
includes training, business development, and selling
strategies that will last the lifetime of the press. It is
all part of the mix that printers consider before
signing on the dotted line as commercial pressures
weigh down on them like never before.
B1 will always be the workhorse of any mainstream
commercial printing company, but choosing the right
format of press and the partner who can help develop
your business plan is the best bet for long
term success.
Tony Brown
www.bizzymedia.co.uk
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Press Technology B2/B3 Presses / The Unity Print Production Handbook 2012
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B2 / B3 presses
Of all the press sectors, B2 and B3 sized
printers find themselves most squeezed
from the pressures of dwindling print
volumes and the increasing competition from
digital presses, which are competing more
effectively for short-run jobs.
Digital print providers such as Canon, Xerox, Fujifilm,
Kodak, Ricoh, and HP have deliberately targeted their
product development at capturing market volumes
from small print jobbing shops with applications that
cater for the short-run, personalised print collaterals.
HP’s latest digital printer launch, the HP Indigo
10000, specifically targets the B2 sector
for instance. As does the Jet Press 720 from Fujifilm.
Canon’s recent report, Digital Directions: Redefinition
of the Digital Printer, forecast that litho and digital
print volumes will reach parity by 2020 with more
and more short-run work migrating to digital format.
But what it also stresses it that the most profitable
print shops are those that run hybrid print rooms, or a
combination of digital and litho presses, under the
same roof.
That has put additional pressures on manufacturers to
come up with integrated workflow systems, capable of
running both digital and offset side-by-side. But there
is no doubt that the small jobbing printer, relying on
the B2 and B3 format press for the mainstay of their
work, are under pressure like never before.
The litho press manufacturers are not sitting back.
There are a plethora of providers in this area; the
likes of Sakurai, Hamada, Ryobi and Presstek all
provide press lines to serve the B2 and B3 sectors.
Without needing the large manufacturing tools to
produce larger format presses, they can manufacture
small-footprint presses that can compete on price
and performance with the more established players
such as Heidelberg, Komori, Mitsubishi, Manroland
and KBA. Most have UK distributors for new build
presses and there is also a ready market for
reconditioned second-hand presses that can still
perform well but can be purchased at a
premium price.
If small offset manufacturers can’t match the
personalisation and versioning capabilities of digital
presses, they can still compete by redesigning their
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The Unity Print Production Handbook 2012 / Press Technology B2/B3 Presses
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press lines to be as fast, robust and as automated as
possible. They are embracing digitisation from a
different angle, with fresh approaches to working
with Web-to-print ordering and workflow controls or
providing hybrid print systems, with offset and inkjet
combined in the same press unit, to compete more
effectively with pure digital press lines.
Neil Handforth, sales and marketing director for
Apex Digital Graphics, says the B2 and B3 sector has
been hit by the double whammy of the recession
and the encroachment of digital presses into the
conventional offset market. As the exclusive Ryobi
distributor for the UK market, he says the B3 sector
has been particularly hard hit, especially on two-
colour presses, as short run jobbing print is
substituted for digital production.
The trend is now more towards five colour presses with
in-line coaters that can print on heavyweight stocks in a
variety of substrates, in areas that digital can’t touch
with the same levels of productivity. And of course it
helps if the presses come with all the bells and whistles
too. “We’ve seen a growing trend towards more and
more automation. All the press lines now come with
semi-automatic plate changing, automatic blanket
cleaning, impression cylinder cleaning and
ink-roller cleaning as standard features,”
says Handforth.
Ryobi’s most popular presses are the B3 size 520GX
Series and the B2 750 Series. Equipped with smart
makeready functions and automatic plate and
blanket cleaning, preset inking and test printing for
superfast changeovers, the presses also come with
size variants to suit user demands. The Ryobi 750G
series comes in two types for instance; the S type
with a maximum printing area of 765 x 545mm
and the XL type with a maximum print area of 765
x 580mm.
There may also be a glimmer of hope around the
corner. “This year has started very positively and we
have had the highest level of enquiries and
quotation requests for B2 and B3 format presses for
the past three years,” says Handforth. Light at the
end of a very long tunnel maybe?
Not that the established press manufacturers should
have it all their own way. There are new kids on the
block, from the Far East, offering goods that are
highly price competitive and ready to bite into an
already lean market. Chinese manufacturer Hans
Gronhi is introducing two new B2 presses in
Europe for the first time through UK distributor
Printers’ Superstore.
With claims it has already sold 50 of its B3 presses in
the UK market, Printers’ Superstore joint Managing
Director Graham Moorby says: “The formula will be
the same as for the B3 presses – all the technology
you expect from a modern machine with high
standards of engineering and output, but for
considerably lower investment and lifetime costs.”
The new GH79 range comes in 74cm, 75cm, 78cm and
79cm versions, just in case the customer can’t make up
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“ “The Trend is towards 5 colourpresses with enhancementsthat digital can’t touch.Neil Handforth, Apex Digital Graphics
their mind what size they want. At drupa it is also
showing two of its tried and tested 52cm (B3) presses,
the GH525, in five-colours. One will demonstrate its
inline UV inking, whilst the other is set up for inline
numbering and perforating, demonstrating its
capabilities for adding value to packaging products.
Steve Cavey, Heidelberg product manager for special
applications says buying an ‘off the shelf’
press is no longer the way to do business.
Today, each customer comes with a bespoke request for
presses that are highly specific to their end needs. “The
selling process has changed. It is not about shifting
boxes any more but giving customers’ highly technical
advice about what is and what is not possible and the
commercial benefits to each solution.“Configurations
are increasingly complex and the range of options
more comprehensive. The choices can include
printing aspects such as the number of units, to
perfect or run straight, with conventional or UV inks,
with or without alcohol, to network to prepress or
MIS and so on. But it also extends into added
value options such as whether to add coating,
numbering, perforating, die-cutting, cold glue
foiling or holography all of which can be
added online.”
The Heidelberg Speedmaster SM52 is the latest
offering for the small- and medium-sized commercial
print shop. It offers a high level of flexibility and
machine configurations can be customised to meet
the exact needs of the print shop. The spectrum
ranges from two to ten printing units, with or without
perfecting. Various coating systems, including UV
technology, Anicolor zoneless inking unit technology,
and inline die-cutting are just a few of the possible
configuration options.
It can be extended with a number of further options
including inking unit temperature control, or the
Color Assistant Pro software for ink-zone calibration
and optimisation of the colour pre-setting data.
Analogue offset press manufacturers are keen to play
up the advantages of litho ink quality compared to
digital output. KBA’s offering in this sector comes in the
form of the high-end Rapida 76, a technological
advancement to the 15,000sph Rapida 75E, that takes
many of the product enhancements directly from the
large- and medium- format presses into the
half-format class.
The Rapida 76 is capable of running at 18,000cph in
straight printing mode, and includes a number of
technology enhancements including fully automatic
plate changing, a sidelay-free infeed, direct drives
for the plate cylinders, fast and parallel washing, and
the online colour measurement and colour control
system ErgoTronic ColorControl on the new console,
and the inline colour measurement with the
QualiTronic ColorControl system.
Whilst Komori’s focus is heavily on new digital
solutions under the banner of ‘Komori onDemand’, it
has not overlooked smaller format presses entirely. It
is introducing the Ethrone 29P as a five-colour
convertible perfecting offset press with a relatively
modest straight printing speed of 13,000sph (11,000 in
“ “... all the technology you’d expect but for considerably less investment.Graham Moorby, Printers’ Superstore
Press Technology B2/B3 Presses / The Unity Print Production Handbook 2012
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The Unity Print Production Handbook 2012 / Press Technology B2/B3 Presses
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perfecting mode). Again, the focus is on semi-automatic
plate changing and print density control. It may not be a
show stopper, but is significant that a company that
traditionally has put more R&D funds into larger format
presses is still investing in the lower end of the market.
For those printing houses that are fully committed
Komori users, then it may make commercial sense to
add another Komori B2/B3 model to the mix.
It is clear that the B2 / B3 sector remains under
pressure. But crucially when the press manufacturers
are not giving up on it, it means there is a future.
Digital print may be creating a new level of
competition, but go into any jobbing printer up
and down the land, and the B2/B3
press is still banging out the goods in the corner
of the factory and keeping the money rolling
in. Which at the end of the day is what it is
all about.
Tony Brown
www.bizzymedia.co.uk
www.unity-publishing.co.uk
Press Technology Large & Super Large Format / The Unity Print Production Handbook 2012
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Large and super-largeformat presses
Whatever B1 presses or smaller variants
can do, then large and super-large
formats can handle just as well.
Whether it is automatic plate changes, perfecting
printing, wash-ups or colour controls, the press lines
can handle super large stocks at comparable speeds
to their smaller cousins.
The applications for large format presses are wide
and diverse. They have established a niche in
packaging, book and poster printing, for Point of Sale
products, brochures and calendars. With the increase
in the use of Web2Print processes to order print jobs
over the Internet, they are also finding an effective
use for printing ganged-up jobs in the most efficient
possible manner, providing the speed and versatility
that offset provides.
Large format presses have to handle sheets up to
3sq m in size, or the equivalent of moving more
than 28,000sq m of printed sheets every hour, in
exact tolerance, registration and density across the
page, even when in perfecting mode. Loading and
finishing systems need to be refined; when a single
sheet pile weighs up to 3 tonnes, then normal rules
of engineering no longer apply. Large and super-
large presses need a design specification all of
their own.
Thankfully, press manufacturers have been
dealing with these problems for more than 60
years. Market leaders such as KBA’s Rapida, the
Heidelberg’s XL 162 and XL 145, or the MAN Roland
900 and 900XXL provide the most advanced
computer controls, shaftless drives, double size
impression cylinders, automatic grippers and plate
change systems, making presses better and easier
to control and maintain.
As with all press lines, large and super-large format
presses come in a variety of configurations to suit
client demands, from straightforward four- or five-
colour versions to special-purpose presses with 12-
units and sophisticated inline coating systems. In all
cases, a high-level of automation is included to
match the medium and large format presses. But,
due to the laws of physics, a totally new approach
to engineering is required.
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The Unity Print Production Handbook 2012 / Press Technology Large & Super Large Format
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Shaftless technology is the key to operating each
printing unit, enabling them to disconnect completely
from the print process when not needed.
Dedicated drive motors control all major aspects of
the press, including pile heights, registration, transfer
feeds, cylinder adjustments and many others.
Gripper systems automatically adjust to suit every
conceivable substrate thickness, whilst an array of
video cameras and calibration equipment ensures
registration is maintained precisely throughout the
run. Although measurement and control systems cost
more, the estimated payback time is within two years
in the reduction in wastage and set-up times.
Books and packaging
Books are an ideal application for large-format
press lines, with the ability to print up to 64 pages
in a single pass in four-back-four perfecting mode.
The KBA Rapida 130 – 162a series presses
accommodate the folios perfectly with an extra
5cm print length built into the eight- and ten-colour
perfector lines. Sheet layouts are arranged with
fewer print-free corridors than in the past whilst the
press operator controls the positioning of the suction
rings and guide elements, and provide precise
powder metering.
If publishers work with a relatively small range of
papers, then optional reel-sheeters can save
substantial amounts of money for any printer.
Packaging is also an ideal product for large format
production and Heildeberg reports that 41 percent of
all its Very Large Format press sales are to
packaging printers. Coating units can apply gloss and
matt effects, all-over and spot finishes, single and
multiple coating applications with dispersion and / or
UV varnishes. Coating forme and anilox roller changes
are all automated and sophisticated coating supply
and cleaning systems ensure no down-time between
coating changes.
In addition, the double-size impression cylinders and
transfer drums enable an enormous amount of
packaging substrates to be handled, including fluted
and corrugated board. Inline sheet inspection systems
are also able to keep a close quality control check on
printed output, ejecting defective sheets on the fly.
New developments
KBA has revamped its large format Rapida 145
with a host of new features to speed up make-
ready and production on the press which they
showed at the recent drupa exhibition in Germany.
With a format of 105x145cm, the press can now
run at a straight-through rated speed of 17,000sph.
With a ‘revolutionary’ three-drum perfecting
mechanism, it can also perfect four-back-four
sheets at 15,000sph, making it one of the fastest
large format perfecting presses on the market.
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“ “KBA has revamped its largeformat Rapida 145 making itone of the fastest perfectingpresses on the market.
23
Automated features are packed into the press
including the in-feed pallet, which can change whilst
the press is running at maximum speed.
The DriveTronic SPC can complete simultaneous plate
changing, blanket wash and loading of new press
profiles in around three minutes. KBA claims make-
ready time savings of between 40 and 70 percent on
competing presses over 1,000 job changes. Heidelberg
is a relatively late entrant to the world of large format,
having started production only in 2009 with the
Speedmaster XL 162 and XL 145. With that however, it
brings with it the advantages of its mastery of
engineering with a completely new approach to the
design drawing board. Today it supplies the XL 162 and
XL 145 models in four-to eight-colours with coating
unit, dual coating, UV equipment, perfecting technology
and material logistics.
The press lines offer the perfect answer to global
market trends such as lean manufacturing as the
market calls for ever larger formats suitable for
processing ever-shorter runs. Heidelberg claims one of
its customers is printing 5 million sheets per month on
a six-colour Speedmaster XL 145 and another is
achieving make-ready times of 12 minutes per job on
40 jobs per day, equivalent to 13 jobs per shift. For
poster production, presses are running jobs as low as
200 sheets between plate changes.
Heidelberg’s economic assessment shows that, thanks
to the numerous automated components in the large
format perfecting press, the investment costs account
for around 40 percent of the machine’s hourly rate.
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y The new Sunday Vpak from Goss, which made a successful debut at the recent drupa exhibition
Press Technology Large & Super Large Format / The Unity Print Production Handbook 2012
The Unity Print Production Handbook 2012 / Press Technology Large & Super Large Format
24
This is about 10 percent higher than other
press configurations.
The manufacturing costs per print sheet are far lower
than other presses, for which the time and material
savings cannot be reduced to the same extent.
MAN Roland’s 900XXL press comes in four formats,
ranging from 1,120 x 1,620mm to 1,300 x 1,850mm.
Compared to the 3B format, the 7B format (1,200 x
1,620mm) provides an increase from 16 to 40 DIN A4
pages and goes further, with a large 60 millimetre
step. The 7B plus format offers 20 percent more
multiple-up images than the 7B format and three
times more than the 3B format. Format 8, the largest
press line available, can accommodate 64 DIN A4
pages on a sheet and is still capable of 12,000 sheets
per hour. Apart from offering the choice of scalability
and formats, all provide the automation and set-ups
that are now standard on their smaller offset cousins.
That includes a full automated plate change, and
QuickChange features enabling swift changeovers
from dispersion to UV coating, coating form
materials and ink-fountain cleaning. It seems
clear that the major manufacturers have some clear
water in the market and have achieved remarkable
engineering feats with the productivity and
automated enhancements in large format presses.
Offering a real advantage in terms of the sheet
sizes and stock weights they can handle, large
format presses offer a niche market for applications
that other areas of the print market just can’t touch,
but at speeds that put them in the production
Premier League .
Like everything else in print, nothing stands still for
too long and a technological alternative could
snatch away any competitive advantage large
format presses enjoy in an instant. But for the
moment, large format manufacturers and press
users can enjoy the sunshine while it lasts.
Tony Brown
www.bizzymedia.co.uk
www.unity-publishing.co.uk
Press Technology Packaging / The Unity Print Production Handbook 2012
25
Packaging
Packaging is one of the few areas
of print that is a genuine good
news story.
Research company Pira International says in 2010
packaging recovered all 2009 losses, and grew by
around 4 percent in 2011 to reach global sales
of $696bn.
The strongest growth came from emerging and
transitional economies, but the more mature
economies also played their part. The next few years
should be robust, with growth of 3 percent per year up
to 2016 to a market size exceeding $800bn. For a print
sector that has seen declines in most other traditional
markets, it seems a relatively safe haven for press
manufacturers and printers alike.So far, digital press
technology has not been able to generate the volumes
and print quality needed for the packaging sector.
Digital presses can carve a niche in mono work,
especially labels, but have yet to breakthrough to
challenge the established mainstream markets. For
more on the march of Digital into Packaging (see
Volume 2 of Print Production Handbook out in July).
With the emphasis on sheer speed and flat-line
printing, especially on heavier weight stocks, the
balance of power still resides with conventional offset
presses (both sheet-fed and web), flexo or gravure
lines. But as print lengths shorten and pack shelf-lives
decrease, more and more applications are coming
within reach of large format or very large format sheet-
fed presses. With straight-line speed and perfecting
speeds as fast as medium and small format presses,
they can produce highly efficient print volumes on a
wide range of substrates.
Agfa’s Head of Product Marketing for PrePress,
Ralph Hilsdon says run lengths in the packaging sector
have been reducing for a number of years under
market pressures for shorter pack-shelf lives and
retailers’ special offers. The increases in press
automation and platemaking have increased
manufacturer’s abilities to accommodate these
demands. “Even on long runs, it is sometimes more
efficient for them to make a number of plate changes
rather than produce specially hardened plates as
presses become more and more efficient, “ he says.
The demand for anti-counterfeiting measures, Braille
embossing and durable ink adhesion is also as
1.4Press Technology
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important as ever. Special finishes and embossing also
enhances the look and feel of finished products and coil
foil embossing presses are specially equipped to add
these textures. Food packaging has demands all of its
own to meet stringent safety measures on ink toxicity
levels and adhesion.
With the market segmented into a number of different
areas – labels, folding cartons or flexible packaging– it is
a diverse and fragmented sector that needs specific
presses to suit precise job specifications. The number of
press manufacturers spans an entire gamut of
machines and formats – names such as Mark Andy,
Edale, Cerutti, MPS, Nilpeter, Omet, Gidue sit alongside
the more commonly known press manufacturers such
as Xeikon, KBA, Komori, Heidelberg and Goss.
All the press manufacturers offer specialist solutions
to specific packaging needs and are investing heavily
in new developments, updates and enhancements to
existing technologies on a pace akin to an arms race –
each is striving to gain the upper hand in the
packaging press battlefield.
Digital press technologies
In a few specialist areas, digital presses have made
some impression on the packaging sector, but in fairly
specific niche markets. Pira International consultant
Sean Smyth has forecast a strong future for digital
packaging particularly in the carton market, with
worldwide growth trend rates of over 30 percent
between 2011 and 2016.
“Digital technology can significantly help brand owners
and retailers improve their supply chains and make
packs more appealing to specific groups of consumers,
who will buy more and at premium prices,” he says.
Digital press manufacturer Xeikon has responded to
these trends by developing its established Xeikon
3000 Series press. Based on LED array dry toner
electrophotography, the press is capable of printing
on paperboard up to 350gsm with a web width
ranging from 200mm to 516mm, producing sheets of
variable lengths to minimise paper wastage. Working
in conjunction with a jumbo unwinder ensures high
levels of autonomy as the cutter unit converts the
web into the appropriate sheets defined by the
imposition system.
Fujifilm is another entrant into folding cartons with its
B2 digital inkjet press, using core components
pioneered within the Jet Press 720. Now adapted to the
packaging market, Fujifilm has developed new UV
inkjet ink to meet the requirements of folding carton
applications, called VIVIDEA.
It aims to reproduce ultra-high quality images on
thicker paper stocks, whilst being suited to the different
post-press operations this market demands.
Both these presses remain confined to fairly specific
markets however and remain specialist players in a
much wider hemisphere.
The Unity Print Production Handbook 2012 / Press Technology Packaging
26
“ “
www.unity-publishing.co.uk
... shorter runs and theincrease in special offers hasdramatically changed thepackaging landscape.Ralph Hilsdon Agfa
Press Technology Packaging / The Unity Print Production Handbook 2012
27
Specialty finishes and enhanced
print solutions
Packaging throws up a number of challenges mostly
relating to the range of substrates and specialty
finishes on board and cartons, especially on non-
absorbent materials. Demand for plastics and films
such as PVC, PC, PS, ABS and PET are increasing for
the jobbing, packaging and label sectors.
The KBA-MePrint Varius 80 offers a solution to some
of the challenging stocks packaging producers have
to contend with. It uses waterless technology on a
variable-format web-offset in order to print on
flexible non-absorbent substrates. Without having
to manage the complex water / ink mix used on
most conventional offset presses, it can tackle
some of the more challenging substrates at what
the manufacturer claims to be significantly lower
plate prices than flexographic sleeve blankets. The
keyless and waterless Varius 80 is capable of reaching
full colour production quality after only 100 metres
running, providing a waste saving of around 80
percent compared to other comparable presses. With a
maximum web-width of 800mmm and a
production speed of 400m per minute, the Varius
80 handles substrate thicknesses from 30 to 800
microns and accommodates a variable printing
width between 21” and 34”. An automated plate
and blanket-change cylinder function can change
format lengths to suit the end product specification
within minutes.
Manroland also has a range of foiling solutions to
produce ‘stand-out’ solutions, especially for Point of
Purchase products. According to its recent survey* of
print buyers, more than half believed that enhanced
print products increased the value of print by 10 to 30
percent and 53 percent said they expected higher value
consumer products to be associated with foiled or
coated packaging.
Its InlineFoiler Prindor is compatible with its ROLAND
700 B1 and ROLAND 500 B2 presses and can be used
with conventional or UV inks. It delivers exact print and
foil registration to existing print products on a broad
range of substrates in a single pass.
Gapless, shaftless and sleeveless
As run lengths reduce, mainstream press manufacturers
are increasingly seeing the opportunities the packaging
market provides.
With so many different choices, Goss Marketing and
Communications Manager Greg Norris says it is important
to consider investments carefully. “The everyday cost of
producing products is far more significant than the
capital investment cost of the equipment.
Therefore it is important to accurately assess and
account for the cost savings, added productivity and
improved margins that could be achieved by investing
in new equipment.
www.unity-publishing.co.uk
“ “When investing it is important to consider futureand emerging customerrequirements.Greg Norris, Goss
The Unity Print Production Handbook 2012 / Press Technology Packaging
28
“It is important to consider future and emerging
customer requirements. The demands for higher quality
print, lower costs and faster turnaround times will
intensify across a wide range of packaging applications.
This will increase the appeal of web offset as an
alternative to sheet-fed offset, flexography and gravure
due to the advantages it can offer in all three areas.”
Goss is a relatively new entrant to the packaging sector,
having adapted its newspaper press expertise to tap
into a market that may provide more potential. drupa
2012 provides the opportunity to give ‘world first’
showings to its Sunday VPak 3000 and Sunday VPak
500 packaging presses.
As the name suggests, the press line is based on the
ground-breaking ‘Sunday press’ gapless press concept,
providing cassette-style web offset packaging presses
with quick-change blanket and plate cylinder sleeve
adaptors, making ‘infinitely’ variable repeat lengths
easier and more affordable.
With the VPak running at web widths from 41 inches
to 75 inches at 457m per second makes the Sunday
presses up to 200 percent more productive than
sheetfed presses, with press make-readies on a
comparable level. The VPak is also capable of tackling
a wide range of substrates, ranging from 0.5mm to
30mm in thickness, including a full range of films and
board stock. High-performance infeed, outfeed and
closed-loop tension controls assist operators in
accommodating a wide range of substrates.
There is no doubt a need for sheetfed options however
as run lengths decline. With more than 1,000 printing
units sold, one-in-three units of the Speedmaster CX
102 go to packaging applications. With specific
configuration options for the press perfectly tailored
to customer needs, the Speedmaster 102 has been
installed at leading packaging companies in the
luxury, cigarette and spirits markets. It meets the
needs of all packaging print lines in that it has
consistently high production speeds, of up to
16,500sph, combined with shorter make-ready times
than its predecessor models.
The wide range of configurations and equipment make it
possible to adapt the press to any specific requirements
to suit the relevant business model. From a straight-press
to a dual-coating configuration with ‘offset before
flexographic’ printing, it can be equipped with
numerous surface finishing options, such as UV
coatings and cold foil applications.
No mention of the packaging industry is complete
without mentioning narrow-web flexographic printing
presses, specifically geared to the labels and specialty
sector. A number of manufacturers compete in the
space, but it is well worth flying the flag for
British narrow-web press manufacturer Edale
in Hampshire.
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The Unity Print Production Handbook 2012 / Press Technology Packaging
30
Its gamma model is typical of some of the
innovative technology advances seen in this
field, with its use of servo motors and shaftless
technology providing a high-degree of automation for
swift changeovers, pre-registration, auto-registration
and print length control features. Job change times
and setup wastage are kept to a minimum, with
print-head colour changes performed in less than
90 seconds.
It proves that all manufacturers, in every sector of the
print market, are heeding the pull of shorter print
runs and faster make-readies in whichever sector
you operate.
The packaging market may be more robust than
other areas of the printing sector, but it doesn’t mean
press manufacturers and their customers are resting
on their laurels. The message is the same: only the
most robust and innovative will be in a position to
survive to take advantage that the markets
may provide.
Tony Brown
www.bizzymedia.co.uk
www.unity-publishing.co.uk
y The star in KBA’s large format range in terms of performance