Power Memory Formula Workbook

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    Power Memory Formula Workbook

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    CONTENTSD1 Why are we doing this again? ........................................................................................................

    D2 Remembering Imagination ............................................................................................................ Imagination is a basic life skill: strengthen your memory with exaggeration andpersonification. (Picture link, five outward senses) 6

    D3 Linking It Up ................................................................................................................................ D4 Walking Down Memory Lane .......................................................................................................

    Our memory of space is what gets us home: store things in it with the method ofplace. (the Dal rule, commute) 10

    D5 Body Chimes ................................................................................................................................. The method of place works on our body: link words and sounds in order withrhymes. (Five inward senses, order/category, introduction to phonics) 12

    D6 Stacking The Cabinets .................................................................................................................. Keep your memory safe with redundancy: visit them by looking up addresses andneighbours. (Code, Store, Recall; cross-bracing) 14

    D7 Your Time To Sign............................................................................................................................ Signs put one meaning in another thing: learn how to form and remember themthrough math instead of words. (Cross-bracing senses, caricatures) 15

    D8 On The Seventh Day ..................................................................................................................... It is easy to make new ideas. Review code-store-recall, ordering/matching, crossedsenses, and the Dal rule. Real life examples. 17

    D9 Home Sweet Home ....................................................................................................................... Build structural spaces in your mind and put things in your house. (Organising) 18

    D10 Seek A Newer World .................................................................................................................. Read a poem out loud and draw pictures to store in your house. (Rhyme, rhythm,and the memory triangle of word, sight, and sound. Poem,Ulysses.) 19

    D11 The People's Car .......................................................................................................................... Present your ideas with simple pictures and talking points in the house. (Coding andrecalling speeches by ear. Sales presentation,Volkswagen.) 21

    D12 Speech, Speech ............................................................................................................................ Understand what makes a speech tick with Lincoln. Summarize his lines and keepthem in your house. (a simplifiedGettysburg Address) 24

    D13 Sales Stitch.................................................................................................................................. Use your body rhyme to remember a list of assignments or a how-to guide as astory. (Building narrative) 27

    D14 Relatively Speaking ..................................................................................................................... Break down big words by linking sounds to sights. (Comparing sounds across

    languages.) 28 D15 Lippy Numbers ...........................................................................................................................

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    D1 WHY ARE WE DOING THIS AGAIN?

    The 21 st century Art of Memory is a 2500 -years-late update for therulebook of remembering things.

    1. We learn to link1SOUNDS and 2PICTURESto say words.2. We link words together to 3READ and 4WRITE .3. We use writing to find our5WAY around the world.

    FIGURE 1 THE FORGETTING CURVE

    WE EXERCISE OUR MEMORY OF NATURAL THINGS:

    1. memory of6SIGHT , both real and imagined,2. memory of7SOUND, in actual and made-up words, and3. memory of8SPACE , in houses and commutes.

    WE MOVE OVER TO OUR MEMORY OF MAN-MADE THINGS:

    1. memory of words and lists (i.e.9ORDERED words),2. memory of10TIME and events, and

    1 SOUNDS2 PICTURES3 READ4 WRITE5 WAY6 SIGHT7 SOUND8 SPACE9 ORDERED10 TIME

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    3. memory of11NUMBER and the sounds they make.

    WE SET UP THREE SIMPLE RULES:

    1. Every picture has a12POWERFUL, 13UNUSUAL 14 ACTION .2. Every event has a15SPACE , an 16 ACTION , and a17PICTURE .3. Every story has18EVENTS , and in stories,19ORDER is king.

    WE LEARN THREE MEMORY SKILLS:

    1. 20RHYMING, as in songs and poems, to remember words.2. 21DRAWING exaggerated pictures, or caricatures, to remember peoples faces. 3. 22CROSS 23-BRACING your five senses, to remember signs.

    THE RESULT IS THAT WE WILL REMEMBER, BY THE END OF THE MONTH,

    1. Any24WORD or 25PICTURE list,2. Any26SPEECH or 27NUMBER, and3. Anyones 28FACE and 29NAME .

    11 NUMBER12 POWERFUL13 UNUSUAL14 ACTION15 SPACE16 ACTION17 PICTURE18 EVENTS19 ORDER20 RHYMING21 DRAWING22 CROSS-BRACING23 -BRACING24 WORD25 PICTURE26 SPEECH27 NUMBER28 FACE29 NAME

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    D2 REMEMBERING IMAGINATION

    IMAGINATION IS A BASIC LIFE SKILL: STRENGTHEN YOUR MEMORY WEXAGGERATION AND PERSONIFICATION. (PICTURE LINK, FIVE OUTWA

    SENSES)

    FIGURE 2 THE PERSISTENCE OF MEMORY, BY SALVADOR DALI

    1. Bugle 2. Control

    3. Draw 4. Dredger 5. Frame

    6. Jeans 7. Link

    8. Potato 9. Sharon 10. Soy

    11. Advantage 12. Currency

    13. Family 14. Jam 15. Lace

    16. Quilt 17. Rubber

    18. Scallion 19. Ship 20. Tempo

    ENCODE AND EXAGGERATE

    Encode the number within the picture. Pick the defining characteristics of the idea. Use exaggeration, personification, or both to highlight the idea.

    FOR THE SECOND COLUMN:

    Six 30 JEANS for worker ants. Snow White cooking seven 31 LINKS . Eight 32 POTATOES a week with one to spare. Nine 33 SHARON for Ariel Sharon who is almost ninety.

    30 JEANS31 LINKS32 POTATOES

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    Ten ( 34 SOY ) bean chili.

    33 SHARON34 SOY

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    D3 Linking It Up

    MEMORY OF SIGHT AND THE FIRST LINK OF PICTURES

    FIGURE 3I DONT DO HUGS. I AM HUGS. SALVADOR DALI

    'Richard Of York Gave Battle In Vain' 3.14159265 'How I like a drink, alcoholic of course, after the heavy lectures involving

    quantum mechanics.'

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    THE CATHEDRAL ROUTE

    1. Cathedral

    2. 35 CLASS 3. Lentil

    4. 36PASSBOOK 5. Stepdaughter

    6. 37 AARDVARK 7. Description

    8. 38DIPLOMA 9. Car/Drive

    10 . 39FAHRENHEIT 11. Olive

    12 . 40PIN 13. Theory

    14 . 41TIN 15. Transport

    35 CLASS36 PASSBOOK37 AARDVARK38 DIPLOMA39 FAHRENHEIT40 PIN41 TIN

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    D4 WALKING DOWN MEMORY LANE

    OUR MEMORY OF SPACE IS WHAT GETS US HOME: STORE THINGS IN WITH THE METHOD OF PLACE. (THE DAL RULE, COMMUTE)

    FIGURE 4 THE TRUCKER'S BRAIN, BY SALVADOR DALI

    THE COMMUTE

    1. On a42PLANE : touchdown onto the tarmac.2. Walking through a jet43BRIDGE .3. Going through44CUSTOMS .

    4.

    Entering the45

    ARRIVALS hall.5. Taking the 46UNDERGROUND train to city centre.6. Hitting the 47PUB next to the city centre train terminus.7. 48TRAIN ride.

    42 PLANE43 BRIDGE44 CUSTOMS45 ARRIVALS46 UNDERGROUND47 PUB48 TRAIN

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    8. Reaching the49SUBURBAN station.9. Walking along the50FOOTPATH through the park.10. Arriving51

    HOME .

    LIST OF TEN

    1. Birth

    2. 52BRACE 3. Cherries

    4. 53COLD 5. Comfort

    6. 54CONDITION 7. Ground

    8. 55 MARACA 9. Passenger

    10 . 56VIOLIN

    49 SUBURBAN50 FOOTPATH51 HOME52 BRACE53 COLD54 CONDITION55 MARACA56 VIOLIN

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    D5 BODY CHIMES

    THE METHOD OF PLACE WORKS ON OUR BODY: LINK WORDS AND SOUIN ORDER WITH RHYMES. (FIVE INWARD SENSES, ORDER/CATEGORY

    INTRODUCTION TO PHONICS)

    FIVE INWARD WITS:

    "common wit", "57IMAGINATION ", "fantasy", "estimation", and"58MEMORY "

    FIVE OUTWARD WITS (FIVE SENSES)

    hearing, sight, smell, touch and taste.

    SONNET 141, BY WILLIAM SHAKESPEARE

    In faith, I do not love thee with mineeyes ,

    For they in thee a thousand errors note,

    But 'tis my heart that loves what they despise ,

    Who in despite of view is pleased to dote.

    Nor are mine ears with thy tongue's tune delighted,

    Nor tender feeling to base touches prone ,

    Nor taste, nor smell, desire to be invited

    To any sensual feast with thee alone ;

    But my five wits nor my five senses can

    Dissuade one foolish heart from servingthee ,

    Who leaves unswayed the likeness of a man,

    Thy proud heart's slave and vassal wretch to be .

    Only my plague thus far I count my gain,

    That she that makes me sin awards me pain.

    57 IMAGINATION58 MEMORY

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    5. ILLUSTRATION SHOWING EXACTLY WHERE EACH OF THE 33 SOUNDS OF 1938 ENGLISH IS FORIN THE ORAL CAVITY (1938). TIME CAPSULE OF CUPALOY, BY WESTINGHOUSE ELECTRIC. PUB

    DOMAIN PER PRELINGER LIBRARY.

    BODY RHYME TABLE0 [f ] [v] [hw] [w] Finger1 [t ] [d] [tsh] [dzh] Temple2 [n ] Nose3 [m ] Mouth4 [th ] [dh] Throat5 [r ] Ribs6 [k ] [g] [ng] Kidney7 [sh] [zh] [s] [z] Shin8 [l] Leg9 [p] [b ] Ball of the foot

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    D7 YOUR TIME TO SIGN

    SIGNS PUT ONE MEANING IN ANOTHER THING: LEARN HOW TO FORM REMEMBER THEM THROUGH MATH INSTEAD OF WORDS. (CROSS-BRAC

    SENSES, CARICATURES)

    WHEN I SEE EQUATIONS, I SEE THE LETTERS IN COLORS: I DON'TKNOW WHY. AS I'M TALKING, I SEE VAGUE PICTURES OF BESSELFUNCTIONS FROM JAHNKE AND EMDE'S BOOK, WITH LIGHT-TANJ'S, SLIGHTLY VIOLET-BLUISH N'S, AND DARK BROWN X'S FLYINGAROUND. AND I WONDER WHAT THE HELL IT MUST LOOK LIKE TOTHE STUDENTS.

    RICHARD FEYNMAN, NOBEL PRIZE WINNING PHYSICIST

    COMPOUND INTEREST

    A equals P times open parenthesis, one plus r divided by n, close parenthesis to the power of nt.

    59 A being the future value, 60P being the principal, or initial investment, 61R being the nominal interest rate, 62N being the number of times the interest is compounded per year, and 63T being the number of years.

    LOGISTIC GROWTH

    ( ) N is the world population in the year t K is the carrying capacity of our planet

    59 A60 P61 R62 N63 T

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    R is the birth rate.

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    D8 ON THE SEVENTH DAY

    IT IS EASY TO MAKE NEW IDEAS. REVIEW CODE-STORE-RECALL,ORDERING/MATCHING, CROSSED SENSES, AND THE DAL RULE. REAL

    EXAMPLES.

    IAMSCARED

    1. I is for64IMPACT . Head-on, rear-end, rollover, et cetera.2. A is for65 AUTOMOBILE , as opposed to bicycle and pedestrian incidents3. M is for66MEDICAL history , including heart, liver, and immune system, blood

    clotting abilities, obesity, and pregnancy

    4. S is for67SPEED. 50 miles per hour, or 80 km per hour, is the cut-off point wheremedical attention becomes a must.

    5. C is for68COMPARTMENT intrusion. If the glove compartment is crushed bymore than twelve inches or 30 cm, there will be significant injuries.

    6. A is for69 AGE . Anyone under five or over fifty-five is at risk.7. R is for70RESTRAINTS . Check if laps, shoulders, airbags and child seats are clear.8. E is for71EXTRICATION . If it takes more than 20 minutes to free passengers,lives are at stake even if the trapped person is conscious.9. D is for72DEATH .

    64 IMPACT65 AUTOMOBILE66 MEDICAL67 SPEED68 COMPARTMENT69 AGE70 RESTRAINTS71 EXTRICATION72 DEATH

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    D9 HOME SWEET HOME

    BUILD STRUCTURAL SPACES IN YOUR MIND AND PUT THINGS IN YOHOUSE. (ORGANISING)

    BUILDING CODE

    1. It must consist ofpermanent and 73 SPLIT spaces . Studios flats, RVs, and lofts, howevertiny or roomy they may be, need to be sliced up bytheir use .

    2. It should have74TWO levels. In plain English, it shouldn't be built like a maze. The first levelare the big spaces where you can access the little spaces in the second level. If the front hallleads to the dining room, that should be the end of it, without a big walk-in closet or patiowindows or anything.

    3. Rooms have to be ordered. You should be able to number the rooms in a regular manner off thetop of your head, even if you can't go directly from two consecutive rooms; bedrooms, forinstance, might be sequenced in the clockwise direction.

    SAMPLE HOUSE

    75 LOUNGE : Kitchen island, stairwell/bookcase, settee, fridge, and the multifuel stove. 76YARD: River, tool shed, green-lidded wheelie bin, blue-lidded recycling bin, and the

    brown-lidded compost bin.

    77 BATHROOM : Freestanding bath, toilet, washing machine, tumble dryer, and washbasin.

    78STUDY : Bookshelves, desk, chair, laptop, and the ashtray. 79BEDROOM : Double bed, wardrobe, chest of drawers, nightstand, nightcap

    73 SPLIT74 TWO75 LOUNGE76 YARD77 BATHROOM78 STUDY79 BEDROOM

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    D10 SEEK A NEWER WORLD

    READ A POEM OUT LOUD AND DRAW PICTURES TO STORE IN YOUR HO(RHYME, RHYTHM, AND THE MEMORY TRIANGLE OF WORD, SIGHT, A

    SOUND. POEM,ULYSSES.)

    ULYSSES, BY ALFRED, LORD TENNYSON (EXCERPT)

    1 Come, my80FRIENDS ,

    'Tis not too late to seek a newer 81WORLD.

    Push off, and sitting well in order82

    SMITE The sounding furrows; for my83PURPOSE holds

    5 To 84SAIL beyond the sunset, and the baths

    Of all the western stars, until I85 DIE.

    It may be that the 86

    GULFS will wash us down:

    It may be we shall touch the87 HAPPY88ISLES ,

    And see the great 89ACHILLES , whom we knew

    10 Though much is taken, much90ABIDES ; and though

    We are not now that 91STRENGTH which in old days

    Moved earth and heaven; that which we are, 92WE 93ARE ;

    80 FRIENDS81 WORLD82 SMITE83 PURPOSE84 SAIL85 DIE86 GULFS87 HAPPY88 ISLES89 ACHILLES90 ABIDES91 STRENGTH

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    One equal94TEMPER of heroic hearts,

    Made weak by time and fate, but strong in 95 WILL

    15 To strive, to seek, to96FIND , and not to yield.

    92 WE93 ARE94 TEMPER95 WILL96 FIND

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    D11 THE PEOPLE'S CAR

    PRESENT YOUR IDEAS WITH SIMPLE PICTURES AND TALKING POINTSTHE HOUSE. (CODING AND RECALLING SPEECHES BY EAR. SALES

    PRESENTATION,VOLKSWAGEN .)

    FIGURE 6 VOLKSWAGEN THINK SMALL CAMPAIGN

    ECONOMY TALKING POINTS

    97

    IMPERFECT . This car is not your dream vehicle.The picture is a worn down but working car."It was the only thing to do after the 98MULE died."

    The picture is a poor farmer driving a VW bus.

    Is the 99ECONOMY trying to tell you something?The picture is a line chart of a boom and bust economy, shaped like a Beetle.

    Live100BELOW your means.The picture is an underground Beetle.

    Think it over, New York, Chicago, San Francisco.

    The picture has Beetle101TAXICABS , which is what the ad is suggesting.MAINTENANCE TALKING POINTS

    Will we ever102KILL the bug? Never.The picture is a bug zapper. VW says they will go on making the Beetle forever.

    97 IMPERFECT98 MULE99 ECONOMY100 BELOW101 TAXICABS102 KILL

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    The picture is seat belts, air bags, and whatnot that have been added over the years.

    116STUFFED animal. The rabbit is back, and its bursting at the seams. The picture is a packed American VW Golf, or as they call it, the VW Rabbit.

    It was already here when we lived naked in huts.

    The picture is a psychedelic,117FLOWER-power VW Bus, as younger buyersmight imagine the seventies to be.It is unusual to drive the vehicle you were conceived in.

    The picture is a plain VW bus, which may have been lived in as a118TRAILER.

    116 STUFFED117 FLOWER118 TRAILER

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    D12 SPEECH, SPEECH

    UNDERSTAND WHAT MAKES A SPEECH TICK WITH LINCOLN. SUMMARHIS LINES AND KEEP THEM IN YOUR HOUSE. (A SIMPLIFIEDGETTYSBURG

    ADDRESS )

    THE COMPLETE ADDRESS

    1. Eighty-seven years ago our parents made a new nation on this land, born free, and built on

    the idea that all people are made 119 EQUAL .Four score and seven years ago our fathers brought forth on this continent a new nation,conceived in liberty, and dedicated to the proposition that all men are created equal.

    2. Now we are in a big120CIVIL121WAR , testing whether that nation, or any nation,imagined and built in this way, can last for long.

    Now we are engaged in a great civil war, testing whether that nation, or any nation soconceived and so dedicated, can long endure.

    3. We are 122GATHERED on a great battle-field of that war. We are met on a great battle-field of that war.

    4. We have come to123SET 124 ASIDEa part of this field as a grave for people who gavetheir lives so that the nation can live.

    We have come to dedicate a portion of that field, as a final resting place for those whohere gave their lives that that nation might live.

    5. It is all 125 RIGHT126 AND127 GOOD that we should do this.It is altogether fitting and proper that we should do this.

    6. But, in a larger sense, we cannot128SET 129 ASIDE , we cannot make holy, we cannothonour this ground.

    119 EQUAL120 CIVIL 121 WAR122 GATHERED123 SET124 ASIDE125RIGHT126 AND127 GOOD128 SET129 ASIDE

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    But, in a larger sense, we can not dedicate, we can not consecrate, we can not hallow thisground.

    7. The brave men, living and dead, who struggled here, have130HONOURED it, far aboveour poor power to add or take.The brave men, living and dead, who struggled here, have consecrated it, far above ourpoor power to add or detract.

    8. The world will not note or remember for long what we say here, but it can never

    131FORGET what they did here.The world will little note, nor long remember what we say here, but it can never forgetwhat they did here.

    9. It is for us the living, rather, to be set here to the 132UNFINISHED work which they who fought here have thus far so nobly advanced.It is for us the living, rather, to be dedicated here to the unfinished work which they whofought here have thus far so nobly advanced.

    10. Instead, we are here to finish the 133BIG134 JOB left before us:a. we are more 135 LOYAL to the cause for which the dead gave their final

    loyalty;

    b. we firmly136DECIDE that these men did not die for nothing;c. freedom will be137 REBORN in this nation, under God;d. and this government of the people, by the people, for the people, will not138DIE

    139OFF .It is rather for us to be here dedicated to the great task remaining before us

    - that from these honored dead we take increased devotion to that cause forwhich they gave the last full measure of devotion

    - that we here highly resolve that these dead shall not have died in vain- that this nation, under God, shall have a new birth of freedom- and that government of the people, by the people, for the people, shall not

    perish from the earth.

    130 HONOURED131 FORGET132 UNFINISHED133 BIG134 JOB135 LOYAL136 DECIDE137 REBORN138 DIE139 OFF

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    D13 SALES STITCH

    USE YOUR BODY RHYME TO REMEMBER A LIST OF ASSIGNMENTS ORHOW-TO GUIDE AS A STORY. (BUILDING NARRATIVE)

    SALES PRESENTATION CHECKLIST

    1. Prep and 140 SET .2. Find the 141 HOOK .3. 142SIZE them up.4. Fix their 143 PROBLEM .5. Get 144 EXCITED.6. Show the 145 WAY .7. Whats In It For 146 ME ?8. Build the 147 LOVE .9. Listen and 148 SHOOT .10. Close the 149 SALE .

    140 SET141 HOOK142 SIZE143 PROBLEM144 EXCITED145 WAY146 ME147 LOVE148 SHOOT149 SALE

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    D14 RELATIVELY SPEAKING

    BREAK DOWN BIG WORDS BY LINKING SOUNDS TO SIGHTS. (COMPARSOUNDS ACROSS LANGUAGES.)

    A REMINDER

    null, 150EINS , zwei,151DREI , vier,152FNF , sechs,153SIEBEN , acht,154NEUN , zehn,155 ELF , zwlf,156DREIZEHN , vierzehn, und157 FNFZEHN .

    TEN WORDS ZEHN WORTEWurst /v st/Nullachtfnfzehn /nl axtf nftse n/Verabredet /f ape dt/Treppenwitz /t pnvts/Kummerspeck /km pk/ fremdschmen /f mt mn/Verschlimmbessern /f lmbsn/Drachenfutter /daxnf t / Handschuhschneeballwerfer /hant u ne balvf / Vergangenheitsbewltigung /f

    ganha

    tsbv

    lt

    g

    /

    150 EINS151 DREI152 FNF153 SIEBEN154 NEUN155 ELF156 DREIZEHN157 FNFZEHN

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    D15 LIPPY NUMBERS

    REMEMBER WHERE YOU MAKE SOUNDS IN A WORD, AND LINK NUMBESOUNDS. (SPELLING, READING, AND CONSONANTS)

    BODY RHYME BREAKDOWN

    0. [f] [v] [hw] [w] Finger between teeth and lips.1. [t] [d] [tsh] / t / [dzh] / d / Temple. Stopping with a raised tongue2. [n] Nose: in your nose with raised tongue3. [m] Mouth: in your nose with both lips4. [th] [dh] Throat: forcing through your teeth5. [r] Ribs: roll your tongue6. [k] [g] [ng] // Kidney: back of tongue7. [sh] / / [zh] // [s] [z] Shin: forcing through your teeth and raised

    tongue8. [l] Leg: stop with level tongue between yourteeth

    9. [p] [b] Ball: stopping with both lips

    3714 4963 5398 4317 0213

    Thirty-seven fourteen, forty-nine sixty-three, fifty-three ninety-eight, forty-three seventeen,

    oh two thirteen. 158 MILL159TITHE , Thebe cam, 160 RAM161BASH , them tail,162

    FUN163

    TOM .MORE NUMBERS FOR PRACTICE

    158 MILL159 TITHE160 RAM161 BASH162 FUN163 TOM

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    European Union 502,519.9(population,thousands)

    164 GERMANY 81,751.6

    165 FRANCE 65,075.3166 UNITED167 KINGDOM

    62,435.7

    Italy 60,626.4Spain 47,190.4Poland 38,200.0Romania 21,413.8Netherlands 16,655.8Greece 11,325.9Belgium 10,951.7Portugal 10,636.9Czech Republic 10,532.8Hungary 9,985.7Sweden 9,415.6 Austria 8,404.2Bulgaria 7,504.9Denmark 5,560.6Slovakia 5,435.3Finland 5,375.3Ireland 4,480.8

    Lithuania 3,244.6Latvia 2,229.6Slovenia 2,050.1Estonia 1,340.2Cyprus 804.4Luxembourg 511.8Malta 417.6

    164 GERMANY165 FRANCE166 UNITED167 KINGDOM

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    D16 PLUGGING INTO THE MATRIX

    REPLACE THE MEANING OF NUMBERS WITH SOUNDS, AND THEN PICTU

    DRAW THEM IN YOUR COMMUTE. (BUILDING HABITS FROM ROUTINMEMORY.)

    CREDIT CARD NUMBER: 37141684963 5398 1694317 EXPIRY DATE: 02/13

    Mill, tithe, Thebe, cam, ram, bash, them, tail, fun, Tom .

    A REMINDER: THE COMMUTE

    1. On a 170 PLANE : touchdown onto the tarmac.2. Walking through a 171 JET 172 BRIDGE 3. Going through 173 CUSTOMS .4. Entering the 174 ARRIVALS 175 HALL 5. Taking the 176 UNDERGROUND 177 TRAIN to 178 CITY179 CENTRE 6. Hitting the 180 PUB next to the 181 CITY 182 CENTRE 183 TRAIN184 TERMINUS .7. 185 TRAIN 186 RIDE8. Reaching the 187 SUBURBAN 188 STATION .168 4963169 4317170 PLANE171 JET172 BRIDGE173 CUSTOMS174 ARRIVALS175 HALL176 UNDERGROUND177 TRAIN178 CITY179 CENTRE180 PUB181 CITY182 CENTRE183 TRAIN184 TERMINUS185 TRAIN186 RIDE187 SUBURBAN

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    9. Walking along the 189 FOOTPATH 190 THROUGH 191 THE192 PARK .10. Arriving 193 HOME .

    188 STATION189 FOOTPATH190 THROUGH191 THE192 PARK193 HOME

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    D17 HEAR THE CLOCK TICK

    CONCLUDE THE NUMBER GAMES WITH BIG NUMBER CHALLENGESUNDERSTAND THE CONCEPT BETWEEN DIGITAL AND ANALOGUE

    INFORMATION. (FACE MEMORY.)

    FILL IN THE BLANKS.

    /f t, f n, f m, f , f r,

    __ __ __ __ __ __fik, f l, f , f b, t f,

    __ __ __ __ __ __t t, t n, t m, t , t r/__ __ __ __ __ __

    SUGGESTED SOLUTION:

    /f t, f n, f rm, f f , f r, f k, f l, f , f b, t f, t t, t n, t m, taj, t r/fit, fin, farm, fifth, fir, fick, fill, fish, fib, tuff, tit, tin, tim, tithe, tear.

    COUNTING THE DAYS

    194943940 : NUMBER OF DAYS IN MODERN HISTORY

    023640: 195 Average 196Lifespan 197 of 198a 199human 200in 201days

    202013267 : NUMBER OF DAYS LEFT

    194 943940195 Average196 Lifespan197 of198 a199 human200 in201 days202 013267

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    D18 FACEBLIND

    THE SPACE-PICTURE-ACTION RULE IN ACTION: PIECEMEAL TECHNIQUEREMEMBER NAMES IN SPACES.

    RELIGIOUS SPA

    - Jesus203DIED on the 204CROSS for our 205SINS .- Muhammad206PRAYED in a207CAVE and 208RECEIVED 209THE

    210QURAN .- Buddha 211SAT under a 212TREE and found213WISDOM .

    15 MYSTERY GUESTS

    1. Stanley

    2. 214RAMSEY 3. Neville

    4. 215WINSTON 5. Clement

    6. 216 ANTHONY 7. Harold (Supermac)

    8. 217 ALEC 9. Harold

    10. 218EDWARD

    11. James

    12. 219MAGGIE 13. John

    14. 220TONY 15. Gordon

    203 DIED204 CROSS205 SINS206 PRAYED207 CAVE208 RECEIVED209 THE210 QURAN211 SAT212 TREE213 WISDOM214 RAMSEY215 WINSTON216 ANTHONY217 ALEC218 EDWARD219 MAGGIE220 TONY

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    D19 FUNNY ONE-LINERS

    DRAW CARICATURES BY READING FACES IN PICTURES AND EXAGGERAFEATURES.

    7. TWO FIXATIONS SUFFICE IN FACE RECOGNITION. JANET HUI-WEN HSIAO & GARRISON COTTDEPARTMENT OF COMPUTER SCIENCE & ENGINEERING, UNIVERSITY OF CALIFORNIA, SAN DIEG

    T-SCANNING FACES

    1. 221NOSE : standard, straight.2. Philtrum: marked, with laugh lines around the mouth.

    3. 222EYES : lazy on the right.4. The rest of the face: a cleft chin, or a dimple chin.

    NOSE TYPES:

    Fleshy / Hawk / Pencil / Greek / Turned up / Roman / Snub / Nostrils / Bulbous / Bumpy /Sturdy / Nixon / Flat / No-nose.

    221 NOSE222 EYES

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    D20 PLEASE BE SEATED

    COMBINE THE SPACE AND PICTURE FROM THE LAST TWO LESSONS, AWRAP IT UP WITH AN ACTION. (DECLUTTERING)

    FILL IN THE BLANKS.

    Space Name One-liner Action

    NOSE Anthony Eden NOSE NOS NOSE E NOSE Harold(Supermac)

    Macmillan NOSE NOS NOSE E NOSE Alec Douglas-Home NOSE NO NOSE SE

    NOSE Harold Wilson

    NOSE NO NOSE SE NOSE Edward Heath NOSE NO NOSE SE NOSE James Callaghan NOSE NO NOSE SE NOSE Maggie Thatcher NOSE NO NOSE SE NOSE John Major NOSE NO NOSE SE NOSE Tony Blair NOSE NO NOSE SE NOSE

    Gordon Brown

    NOSE NOS NOSE E

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    D22 CLEANING UP FOR A DATE

    SIMPLIFY EVERYTHING WITH THE DAL RULE: SKIM THROUGH MAGAZAND PLAY WITH NUMBERS AS DATES. (DESCRIBING THE INDESCRIBA

    AND MENTAL ARITHMETIC)

    RANDOM MAGAZINE

    Abertis considers sale of UK 223 AIRPORTS o Imagine a butcher who hangs up airports on meat hooks on your kitchen island.

    Boeing's hopes to have 224 DREAMLINER flying again by Aprilo The huge Dreamliner is trying to hop up your stairs and tumbles down.

    VisitEngland launches new 225 'RURAL 226SHORT 227 -BREAK'promotiono Farmers are sitting on your settee, chilling out, and feeding you their heirloom ham.

    British tourist dies in 228 SHARM 229EL 230SHEIKH o In the tropical resort, the tourist is stuffed in your fridge with zero dignity.

    Royal Caribbean appoints new 231 GODMOTHER o This stove of yours is driving the Titanic, whose godmother is apparently Kristin Chenoweth

    now.

    THE CALENDAR CODEPicture Month

    codeWe see

    January Two-face 1February

    232FEVER 4March Warrior 4 April

    233LOVER 0May Old Major 2June

    234 JUNIOR5

    July Caesar 0 August

    235 LUCKY 3223 AIRPORTS224 DREAMLINER225 'RURAL226 SHORT227 -BREAK'228 SHARM229 EL230 SHEIKH231 GODMOTHER232 FEVER233 LOVER234 JUNIOR

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    236DOGSeptember WTC 6October

    237 OCTOPUS 1November

    Novel 4December 238CHRISTMAS6

    235 LUCKY236 DOG237 OCTOPUS238 CHRISTMAS

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    D23 CHARTING IN THE SEA OF MEMORY

    GROW YOUR MEMORY BY YOURSELF, BY OBSERVING HOW YOU SPEAKCHARTING IT. (BUILDING TABLES AND SYSTEMS, PHONICS AND ACCEN

    BASIC TABLE LAYOUTS

    Your Scheme I II III IV V F [f] [v] [hw] [w] 0T [t] [d] [tsh] [dzh] 1N 2M 3TH [th] [dh] 4R 5

    K [k] [g] [ng] 6L 7SH [sh] [zh] [s] [z] 8B [p] [b] 9

    CONSONANT-CONSONANT TABLE

    F T N M TH R K L SH B

    0 1 2 3 4 5 6 7 8 9

    F 0 FAFF FORTH

    T 1TUFF TEAT TOOTH

    N 2 KNIFE NAN NORTH

    M 3 MUFF MUM MOUTH

    TH 4 THIEF THAT THIN THUMB CID (i) THOR THICK TRILL THRUSH THEBE

    R 5 RUFF WRATH ROAR

    K 6 CUFF GARTH KICK

    L 7 LOVE LOATH LULL

    SH 8 SHOVE SLOTH SHUSH

    B 9 BUFF BATH BOB

    CONSONANT-VOWEL TABLE (CONTD)

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    FULL VOWELS

    Full Basic 10 0 1 2 (_) 3 4 5 6 7 (_) 8 9

    EXAMPLE PALM LOT TRAP stack DRESS FACE KIT FLEECE nod hook WOO

    IPA symbol a e i u

    (Your Scheme) _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

    IPA symbol . . . a a . . . . o u ju .

    Full Advanced 16 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

    EXAMPLE PALM LOT TRAP PRICE MOUTH DRESS FACE KIT FLEECE THOUGHT CHOICE GOAT FOOT GOOSE cute STRUT

    R-COLOURED VOWELS

    R Advanced 32 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 (33)

    IPA symbol r r r ar ar r r r r r r r r r jr r r

    EXAMPLE START moral barrow Ireland hour error SQUARE mirror NEAR NORTH loir FORCE courier boor cure borough NURSE

    (Your Vowels)

    (Your Scheme) _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _

    F [f] [v] [hw] [w] 0 FI(T)

    T [t] [d] [tsh] [dzh] 1 TI(P)

    N 2 NI(T)

    M 3 MI(TT)

    TH [th] [dh] 4 THI(S)

    R 5 RI(P)

    K [k] [g] [ng] 6 KI(T)

    L 7 LI(T)

    SH [sh] [zh] [s] [z] 8 SI(T)

    B [p] [b] 9 BI(T)

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    D24 A WORLD IN REVIEW

    A SUMMARY OF THE MEMORY TRIANGLE (WORD-SIGHT-SOUND): SOM

    REAL LIFE EXAMPLES.

    MANHATTAN: AN IBA OFFICIAL COCKTAIL

    Type CocktailPrimary alcohol by volume WhiskeyServed Straight up; without iceStandard garnish cherryStandard drinkware Cocktail glassIngredients*

    50ml rye or Canadian239WHISKY 20ml Sweet red240VERMOUTH Dash Angostura241BITTERS Maraschino242CHERRY (Garnish)

    Preparation Stirred over ice, strained into a chilled glass,garnished, and served straight up.

    THE BOILED DOWN MARTINI

    5 STANDS FOR Five centilitresNOSE Two cl

    NOSE Zero, as in a dash

    NOSE Rye Whiskey

    NOSE Red Vermouth

    NOSE Angostura Bitters

    NOSE Stir

    NOSE Strain

    NOSE Cocktail glass

    NOSE Cherry garnish

    239 WHISKY240 VERMOUTH241 BITTERS242 CHERRY

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    LIST OF 100 MOST POPULOUS COUNTRIES AND TERRITORIES:

    1 243CHINA 2 India

    3 244UNITED 245 STATES

    4 Indonesia

    5 246BRAZIL 6 Pakistan

    7 247 NIGERIA 8 Bangladesh

    9 248RUSSIA 10 Japan11 Mexico12 Philippines13 Vietnam14 Ethiopia15 Egypt16 Germany17 Iran18 Turkey19 DR Congo20 Thailand21 France22 UK23 Italy24 South Africa25 South Korea26 Myanmar27 Colombia28 Spain29 Ukraine30 Tanzania31 Argentina32 Kenya33 Poland34 Algeria35 Canada36 Uganda37 Iraq38 Morocco39 Sudan

    243 CHINA244 UNITED245 STATES246 BRAZIL247 NIGERIA248 RUSSIA

    40 Peru41 Malaysia42 Uzbekistan

    43 Saudi Arabia44 Venezuela45 Nepal46 Afghanistan47 Ghana48 North Korea49 Yemen50 Mozambique51 Taiwan52 Australia53 Syria54 Ivory Coast55 Madagascar56 Angola57 Sri Lanka58 Cameroon59 Romania60 Kazakhstan61 Netherlands62 Chile63 Niger64 Malawi65 Burkina Faso

    66

    Ecuador67 Guatemala68 Mali69 Cambodia70 Zambia71 Zimbabwe72 Senegal73 Chad74 Cuba75 Belgium76 Guinea77 Greece78 Tunisia79 Portugal80 Rwanda81 Czech Republic82 Bolivia83 Haiti84 Hungary85 Somalia86 Sweden87 Belarus88 Dominican Republic

    89

    Benin90 Azerbaijan

    91 Burundi92 Austria93 Honduras

    94 United Arab Emirates95 South Sudan96 Switzerland97 Israel98 Tajikistan99 Bulgaria100 Serbia

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    D25 THE ABSTRACT HOUSE

    USING MEMORY OF SPACE TO REMEMBER 20 ABSTRACT IDEAS. (HOUSE FABSTRACTION)

    FIGURE 8 FRANCISCO DE GOYA,SATURNO DEVORANDO A SU HIJO

    IN SATURN DEVOURING HIS SON,SATURN, GOD OF PLENTY, IS EATINGHIS SON. THE HEAD AND LEFT ARM IS ALREADY GONE. HIS EYES POPOUT IN THE BLACK BACKGROUND.

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    FIGURE 9 DIAGRAM SHOWING THE ORIGINAL LOCATION OF THE BLACK PAINTINGS IN LA QUINTASORDO

    READ OR LISTEN

    1. 249SLEEP 250OF 251REASON 252PRODUCES 253MONSTERS : Goya is asleep on his painting desk, and some devils owls andbats, folly and unknown attack him as he buries his head in his arms.

    249 SLEEP250 OF251REASON252 PRODUCES

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    2. 254THE 255 THIRD 256OF 257 MAY 2581808 : a fierce and unfeeling firingsquad is about to kill a messy group of people early in the morning. One man, about to beshot, opens his arms wide as he stands on top of the dead bodies.

    3. 259THE 260NUDE 261 AND 262CLOTHED 263MAJA: two pictures ofthe same prim and proper lady lying back on a bed of pillows, with her hands behind herhead.

    4. 264YARD 265 WITH 266LUNATICS : Behind high walls and without a roof,naked and crazy people are cut off from the world and the rest of us.

    5. 267 THE 268DISASTERS 269OF 270WAR: there are 82 post-card sizedprints of war crimes, in three groups: war, famine, and cultural stories.

    6. 271THE 272FATES : The goddess of death cuts the cloth of life with scissors; hersisters spin new life and measure a length of time. A man sits in front of the three goddesses,with his hands tied behind him.

    7. 273 AN 274OLD 275 MAN 276 AND 277 A 278MONK : the old, bearded god oftime has a scary monk shouting into his ear. (Goya was deaf and hearing voices by then.)

    8. 279TWO 280OLD 281MEN 282EATING 283SOUP : the men are so hungrythey somehow have formed a smile with their mouth, like their teeth have fallen off fromthe lack of food. Their eyes are just holes.

    253 MONSTERS254 THE255 THIRD256 OF257 MAY258 1808259 THE260 NUDE261 AND262 CLOTHED263 MAJA264 YARDS265 WITH266 LUNATICS267 THE268 DISASTERS269 OF270 WAR271 THE272 FATES273 AN274 OLD275 MAN276 AND277 A278 MONK279 TWO280 OLD281 MEN282 EATING283 SOUP

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    9. 284FIGHTING 285 WITH 286CUDGELS : two men club each other to deathwith cudgels, which are short thick sticks. Both of them are trapped knee-deep inquicksand.

    10. 287 WITCHES 288SABBATH : Goya makes fun of superstitious people bydrawing a funny Devil-goat who is the master of a team of terrified witches.

    11. 289MEN 290READING: This painting is also called Politicians. Six men arereading a printed page, probably a newspaper article about themselves, on the lap of asitting man.

    12. 291 JUDITH 292 AND 293HOLOFERNES : In the Bible, a beautiful widowsaved her city by seducingthe invaders general, and hacking his head off after he fallsasleep.

    13. 294PILGRIMAGE 295 TO 296SAN 297 ISIDRO: it is night-time at a seasideholiday resort, and drunk tourists are turning into monsters.

    14. 298MEN 299MOCKED300BY301TWO302WOMEN : it is the oppositeofMen Reading, about two women laughing cruelly at the ugly body of a man who loveshimself.

    15. 303PROCESSION304OF 305 THE 306HOLY307 OFFICE : unholymen and women of the church are walking in a line underneath the open sky, showingeverybody how holy they are.

    16. 308THE 309DOG: it is the head of a small black dog looking up. The entire painting isalmost empty, but something huge is hiding the dogs body. We dont know what it is.

    284 FIGHTING285 WITH286 CUDGELS287 WITCHES 288 SABBATH289 MEN290 READING291 JUDITH292 AND293 HOLOFERNES294 PILGRIMAGE295 TO296 SAN297 ISIDRO298 MEN299 MOCKED300 BY301 TWO302 WOMEN303 PROCESSION304 OF305 THE306 HOLY307 OFFICE308 THE309 DOG

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    17. Saturn Devouring His Son: Saturn, god of plenty, is eating his son. The head and left arm isalready gone. His eyes pop out whitely in the black background.

    18. 310LA311LEOCADIA: Goyas younger maid and sometime lover is in funeral dress,resting against a grave. We dont know whose grave it is, but we can guess.

    19. 312FANTASTIC313VISION : a man and a woman are flying, frightened,looking in different directions. War and destruction on the ground is so far away, it is almostinvisible.

    20. 314HEADS315 IN 316 A 317 LANDSCAPE : it is a painting of a window. Fivestrange-looking people peep at us suspiciously from one corner, as we do the same to them.

    310 LA311 LEOCADIA312 FANTASTIC313 VISION314 HEADS315 IN316 A317 LANDSCAPE

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    D26 LOST IN RHYMES

    REVISITING RHYMES, ROUTES, AND THE REST. THE LADDER OF ABSTRACEXERCISES.

    DAYS OF OUR LIVES

    How long is human history?318943940 . The rhyme is both mob that How long is a lifetime? 023640. The rhyme is319FUN 320MEEK321THIEF How much time do we have?322013267 . The rhyme isfit men kill.

    LEIF ERICSONS ROUTE

    1. Rogaland, Norway;2. ingvellir, Iceland;3. Eastern Settlement, Greenland;4. Baffin Island, Nunavut; and

    5. Labrador, Newfoundland.

    THE GREAT COMMISSION

    318 943940319 FUN320 MEEK321 THIEF322 013267

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    Room 3 is A Diamond Is 332 FOREVER Room 4 is New 333 TRADITIONS Room 5 is 334 SIZE Matters

    332 FOREVER333 TRADITIONS334 SIZE

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    D28 TROUBLESHOOTING

    A FINAL INVENTORY IN THE HOUSE. NEW FACES ON OLD COMMUTES. SOROUT THE ORDER IN ABSTRACT IDEAS.

    BONUS COMMUTE: VISITING A FRIEND

    1. Walk.

    2. 335 TRAM .3. Mainline.

    4. 336CHANGE337 AT 338 JUNCTION 5. Rail-Tube change.

    6. 339TUBE 340-TUBE341CHANGE 7. Bus.

    8. 342STEEP343STREET 9. Friends dog.

    10 . 344BEER 11. Food.

    12 . 345 POKER 13. Dinner.

    14 . 346WHISKEY 15. Home.BONUS PARTY: U.S. PRESIDENTS IN THE 20TH CENTURY

    1. 347 THEODORE Roosevelt2. William Howard348TAFT

    335 TRAM336 CHANGE337 AT338 JUNCTION339 TUBE340 -TUBE341 CHANGE342 STEEP343 STREET344 BEER345 POKER346 WHISKEY347 THEODORE

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    3. 349WOODROW Wilson4. Warren G.350HARDING 5. 351CALVIN Coolidge6. Herbert 352HOOVER 7. 353FRANKLIN D. Roosevelt8. Harry S.354TRUMAN 9. 355 DWIGHT D. Eisenhower10. John F.356KENNEDY

    11. 357

    LYNDON B. Johnson12. Richard358NIXON 13. 359GERALD Ford14. Jimmy360CARTER 15. 361RONALD Reagan16.

    348 TAFT349 WOODROW350 HARDING351 CALVIN352 HOOVER353 FRANKLIN354 TRUMAN355 DWIGHT356 KENNEDY357 LYNDON358 NIXON359 GERALD360 CARTER361 RONALD

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    FIGURE 13 LES DEMOISELLES D'364 Avignon, BY PABLO PICASSO

    363 neoplasticist364 Avignon

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    D29 ALMA MATER

    CICEROS ORIGINAL METHOD OF LOCI. A FINAL WRAP-UP OF THE THREE-BY-THREETRIVIUM FOR EXTENSION STUDIES.

    GO TELL THE SPARTAN S, PASSERBY: THAT HERE, BY SPARTANLAW, WE LIE.

    EPITAPH AT THERMOPYLAE, COMPOSED BY SIMONIDES,TRANSLATED BY FRANK MILLER

    PREVIOUSLY IN OUR MEMORY

    IAMSCARED . 365FIRST aid. Ulysses . 366RETIREMENT speech. Gettysburg . 367MOTIVATIONAL speech. Sales Prep . 368 APPRAISAL speech. Sausages. Forgone waltzes.369VOCABULARY . Stanley to Ronald . 370HISTORICAL trivia.

    MENTAL ARITHMETIC

    371 ADDING things, as in exaggeration. 372OMITTING things, as in abstraction. Changing the373ORDER of things, as in A lack of pies is a pack of lies, and 374SUBSTITUTING one thing for another, as in Friends, Romans, Countrymen:

    lend me your ears.

    365 FIRST366 RETIREMENT367 MOTIVATIONAL368 APPRAISAL369 VOCABULARY370 HISTORICAL371 ADDING372 OMITTING373 ORDER

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    "The380LANDSCAPE of His381DREAMS Pontito, Tuscany, by Franco Magnani,

    "382PRODIGIES " Sydney, by Stephen Wiltshire"An Anthropologist on Mars"

    "The Last Hippie"

    MEMORY IS THE DIARY THAT WE ALL CARRY ABOUT WITH US.OSCAR WILDE

    380 LANDSCAPE381 DREAMS382 PRODIGIES

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    APPENDIX: MINISTERIAL PORTRAITS

    STANLEY BALDWIN

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    RAMSEY MACDONALD

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    ANTHONY EDEN

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    HAROLD MACMILLAN

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    ALEC DOUGLAS-HOME

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    JAMES CALLAGHAN

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    MARGARET THATCHER

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    TONY BLAIR

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    GORDON BROWN