PORTFOLIOPAIGE NICOLE NOLL

DESIGN

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God is in the details.-Meis van der Rohe

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HOSPITALITY DESIGNAutoCAD MODELING & RENDERING

The Scarlet Hotel was my final project in 3D AutoCAD. This hotel is located in Lubbock, Texas in the Overton Park Area. The hotel’s design brings a big city feel to the small college city of Lubbock, as its design stays away from the traditional west Texas feel of the surrounding community. The dark, metallic color palette used throughout the hotel’s interior will help produce a contemporary, industrial interior design look. To balance the bold colors a minimalistic approach was taken in the furniture selection. Banded lights were placed in multiple areas of the hotel to attract attention to important spaces and create an intimateatmosphere. 1

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2LAW FIRMHAND DRAWING & RENDERINGS8.Through research, learned how to interpret the essence of the style of 20th century designers George Nakashima and Isamu Noguchi, and apply it to a small Law Firm office located in downtown Dallas, TX. The reception area and conference room incorporated furniture by Noguchi and Nakashima. The lighter finishes, exposed wood, and shoji screen helped strengthen the style of the two designers.

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FURNITURE VIGNETTEAutoCAD Modeling & RenderingThis was the first project in 3D AutoCAD, and we were required to build each piece, without using manufacturer built drawings. Project consisted of creating a showroom vignette based on the furniture designs of Barbara Barry. Barbara Barry has a refined style consisting of lush interiors. The space gives a sense of luxury, comfort, and ease. The bold colors were introduced to produce a sense of uniqueness.

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4CORPORATE DESIGNHAND DRAWING & RENDERINGSDesigning this corporate office was the first project I was presented with in the hand rendering studio. We were required to use colored paper and use markers and colored pencil as little as possible. The project statement required creating a contemporary small office space consisting of an executive’s office and a conference area. Design was presented by using two-point perspective studies, hand drawn and hand rendered.

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The Voyage Retirement Community is centered on the idea of anchoring the heart in order to reinvent the home for aging seniors. Following precedents set by the Greenhouse model, four homes each housing fifteen residents allow for flexibility for residents with varying capacities through flexible furniture arrangement and specialized care provided by staff dedicated to a specific home. By unifying residents and staff in a family home setting, nurses, aids, and residents alike will be empowered to make decisions concerning household matters and activities. The residential setting of the homes will create an inviting atmosphere for friends and family. An on-site community center, with a small town main street atmosphere, will invite the community at large on to the site to enjoy an afternoon in the peaceful environment.

ASSISTED LIVING FACILITYAutoCAD & Photoshop5

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INDOORSWIMMING POOL

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BEDROOM

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INTERIOR ATRIUM INTERIOR ATRIUM

-Each private bedroom has a full bath-room, including a shower that is handicap accessible-Bedrooms open up into semi-private spaces to creat a transition between provate and public spaces.-Interior atriums were created not only create a bu�er between private and public, but also to create places of respite in an interior space to accomodate residents when the weather is harsh.- A large dining table was created so that each home can create a family experiece. - The kitchen is open to the residents so they can help with meal preperation.- A nurse’s o�ce was created instead of a nurse station to uninstatutionalize the home and create a comfortable space for the sta� and residents to interact in.-Bedrooms were design with large doors, incase there is need to transition from a personal bed, to a medical bed.-Bedrooms are furnished at the time of move in, but residents are encouraged to bring personal furniture and belongings, to aid them in the transition from their personal home to an assisted living community.-Bedrooms are eqipped with multiple lighting levels for di�erent activities that take place during the day and night to makes residents as comfortable as possible.

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6A COLLABORATIVE GROUPMIXED MEDIUMS

18.6“The designer’s imagination is stretched to find as many creative alternatives as possible that can be generated to solve the given problems. These alternatives are then sketched or recorded to build a series of different ways the problem can be resolved. Creative designers force themselves to look at the problem from many different viewpoints, attempting to resolve those into one strong solution.” -(R .Kilmer & O. Kilmer, 1992)

Through the collaboration design class, we were teamed up with architecture and landscape architecture students to reinvent an old warehouse site in Boston, MA. Included on the site is office space, event space, interactive learning gardens and space for the already existing weekly art show. Because of the historical area where the building is located, we wanted to keep an industrial feel on the interior of the building, but create an oasis on the exterior to create an escape from the surrounding city. To execute this project we used AutoCAD, Rhino, Revit, Illustrator, and Photoshop.

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Architect: Shawnda Rixey, Landscape Architects: Aiyou Zhu & Josh Berry, Interior Designers: Paige Noll & Jentry Benke

722.7The project statement required the remodel of the dean’s office at Texas Tech University.

The office was to be modeled on an open plan concept limiting the use of permanent walls. The office layout needed to consist of the dean’s area with a small meeting area, a reception area, graduate student space, four staff desks and two conference rooms. It was built up on a raised flooring system that created a sustainable space with easy access to electricity, data and internet. The design of this space paved way for easy manipulation in case there was a need for change or growth. The purpose of this project was to learn how to produce quick sketches by rendering each perspective in an hour or less.

DEAN’S OFFICE HAND DRAWING & RENDERINGS

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826.8Going back to the origin of construction is where the concept of the design came for the task of constructing a screen wall for a section of a building and relating it back to the aesthetics of the exterior walls. In order to accomplish this, rebar was used as the screen wall to relate to the actual form ties used in concrete construction. The rebar placement was then directly related back to the placement of form ties in the concrete along with the bolts connecting the cladding to the steel stud wall which simulates form ties as well. The reveals in the concrete were staggered along the vertical access to give the building a sense of height. At each of the reveal heights the orientation of the corrugated cladding wall changes in order to provide a sense of unity. Another design element chosen was to change the orientation of the rebar structure at each of the reveal heights as well. This provided the screen with more orientation to each of the building’s exterior walls. The entire exterior screen wall section of the building encompassed the appreciation of details within the construction while relating back to each other and providing a sense of wholeness.

CONSTRUCTIONAutoCAD & ILLUSTRATOR

Arch.2351.704

Assemblies

J. Benke | N. Harbert | P. NollScale: 1/2” = 1’-0”01. Elevation

Scale: 1/2” = 1’-0”02.Section

Scale: 1/2” = 1’-0”06.Key Plan

Scale: 1 1/2” = 1’-0”03. Detail

Scale: 1 1/2” = 1’-0”04. Detail

Scale: 1 1/2” = 1’-0”05. Detail

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Interior gypsum board

12”x12” tile �ooring

Plywood

Closure plate

Metal stopping plate

Metal angle supporting horizontal stress on I-beam

Corbel supporting vertical stress on I-beam

Rigid insulation

Drainage mat

Compacted earth

Waterproo�ng

Reveal

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Compressive �ller

2” concrete topping slab

Rigid insulation

Filter fabric

Drainage tile

Tie hole

Reveal to simulate pattern of screen wall

Angled screenwall rebar

Screenwall rebar

4” concrete exterior slab

Leveling sand

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Typical 3/4 “ hollow elbow sleeve welded to rebar screen I-Beam structural support column at 45 degree angle for screen wall

Typical 3/4 “ hollow elbow sleeve welded to rebar screen

Structural I-Beam for screen wall

Typical 3/4” hollow sleeve connector

Typical 1/2” rebar used as screen wall

Concrete wall

Typical 1/2” rebar used as screen wall

Metal bracing inside conrete wall for rebar screen connection. To be inserted with formwork.

Continuous roof cap

Horizontal corrugated metal

Vertical corrugated metal

Cladding connection bolt that simu-lates tie hole pattern.

Perlite board cant

Typlical concrete slab

Steel decking

Typical joist system

Typical I-Beam at �oor levels

Metal track system

6” metal stud

Batt insulation

Self-healing waterproo�ng

Sheething

Metal stud punch out used for plumb-ing and electrical

Project Description

Your technically sound description of the project assemblies, any developed concepts, and how the two relate are to be placed here. Accuracy and Brevity of the description are your friends.

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Top of Roof Deck20’-5 3/8”

T.O. Slab @ 2nd Floor10’-6”

T.O. Structure10’-7/8”

T.O. Structure-0’5-1/8”

T.O. Wall 8’11-3/8”

T.O. Wall8’11-3/8”

T.O. Slab @ Second FLoor10’-6”

T.O. Finish Floor @ Ground Level0’-0”

T.O. Slab @ Basement-10’-6 3/8”

T.O. Roof Structure20’-7/8”

On Center Spacing For Rebar0’-3”

T.O. Structure10’-7/8”

T.O. Screen Wall / Concrete Wall24’-6”

B.O. Screen Wall2’-11”

T.O. Slab @ Basement-10’-6 3/8”

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2306 58TH STREETLUBBOCK, TEXAS 79412PHONE: (210) 315-4868PAIGE.NOLL@TTU.EDU

PAIGE NOLL