Portrait of the Artist as a Music Lover

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Portrait of the artist as a young music lover by Liz Craig

description

A piece dedicated to my late mother and her love of music, which, along with her love, was her legacy to me.

Transcript of Portrait of the Artist as a Music Lover

Page 1: Portrait of the Artist as a Music Lover

Portrait of the artist as a young music lover

Portrait of the artist as a young music lover

by Liz Craig

Page 2: Portrait of the Artist as a Music Lover

It all began before I was

born.My mother, a

professionally trained soprano, sang to me when

I was just a germ of a person.

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She liked to play Helen Traubel

records.

My dad, on the other hand, preferred jazzy

Frankie Carle.The sounds of one or the other often lulled me to sleep when I was little.

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Both my parents were musicians.

My mother sang popular romantic songs on the

St. Louis University radio station every week -- like

“L’amour, Toujours L’Amour.”

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My dad played drums.

At Mizzou, he was a member of the very hep

Sunset Terrace Orchestra. Gordon Jenkins played

“Tiger Rag” to audition for the band, but they didn’t think he

was hep enough.

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Fast forward.I began playing our piano at about age two. By age

three, I had composed my first

opus, yummily titled “The Cherry Song.” At five, my mother began teaching me to read notes. From

six on, I took piano lessons.

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Leonard Bernstein

was my idol.I sat transfixed before the TV set watching his Young

People’s Concerts.

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As a child, I was a big fan of Beethoven.The first record album I

owned myself was a Columbia recording of Beethoven’s “Pastoral”

Symphony conducted by Arturo Toscanini. I played the grooves off that disc.

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Later, I switched my affections to

Bachwhen I learned Two-Part

Inventions. Later, I would fall for Mozart, then Brahms

and Schubert. Now I like everybody. Except for

Schoenberg.

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Fast forward.Years later, house-sitting

for someone with a piano, I wrote my first adult tune.

I didn’t know I could do that.Wow!

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I wrote more music.

But neighborhood teachers hadn’t taught

me theory. So I studied jazz theory with John Elliott. He had

played piano with a combo at the Playboy

Club downtown for decades.

He called guys “cats.”He was definitely hep.

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I worked in theater until my money

ran out.

I directed a dramatic play for a community theater

group and wrote and performed the theme and

incidental music for it. I also co-directed a couple

of musicals.

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At ad agencies, I got to work

for arts organizations.

Ballet Omaha, Opera Omaha, and the Joslyn

Museum had slim budgets, but I enjoyed

doing TV, radio and print for them.

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Great music and inspired visions have

always thrilled me.And they always will.

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Thanks for watching.Thanks for watching.

Liz Craig913.236.7595

[email protected]://lizcraigwriter.com