Portfolio11-12

ERNESTOHINOJOSARUIZ

FASHION>INDUSTRIAL>DESIGNER

>[email protected]

ERNESTOHINOJOSARUIZ [email protected]

MY NAME ISERNESTOHINOJOSARUIZ IM 23 YEARS OLD > I WAS BORN IN TOLUCA, A town NEXT TO MEXICO CITY. > AMONG THE MANY THINGS I GOT INVOLVED IN dURING MY EARLY YEARs, the one that stuck in me like a curse was fashion making. i was a ballet dancer from 6 to 12 years old, painter and illustrator from 11 years old when finished my first art course. > I COME FROM 4 GENERATIONS OF TAILORS IN MEXICO > SO I GREW UP IN A PLACE FILLED WITH FABRICS AND MATERIALS treated like precious objetcs. I GOT THE OPPORTUNITY OF LEARNING FROM MY GRANDFATHER THE CRAFTS OF TAILORING AND FROM A VERY YOUNG AGE I WAS ALREADY MAKING TAILORED WOMENSWEAR. THEN IT CAME FUR.

> THEFIRSTTIMEIGOTTOTOUCHAMINKCOAT,IWASMESMERIZED>IDOBELIEVEFURISONEOFTHEMOSTPPRECIOUNATURALMATERIALS>ASITTOOKALIFETOBEOBTEINED> > IT MEANS SO MUCH TO ME BEING ABLE TO WORK WITH SUCH IMPORTANT MATERIAL.

ERNESTOHINOJOSARUIZ

FASHION>INDUSTRIAL>DESIGNER


> AFTER FINISHING HIGHSCHOOL I WENT TO ARCHITECTURE SCHOOL> IN ONE OF THE MOST PRESTIGIOUS UNIVERSI-TIES IN MEXICO> INSTITUTOTECNOLGICOYDEESTUDIOSSUPERIORESDEMONTERREY > AFTER 1 YEAR I REALISED IT WASNT TAKING ME ANYWHRE WHERE MY TRUE PASSION WAS. > SO I MOVED TO IN-

DUSTRIAL DESIGN WHEREIFOUNDANOTHERIMPORTANTPARTOFMYLIFEASADESIGNER>PLASTICS.

1 year before finishing my degree i moved to london to continue my formal studies in fashion design at istituto marangoni > > during my second year i won 2nd prize in the bfta national competition which brought me a lot closer to my fur pas-sion. after finishing that 2nd year i went back to mexico to apply for a degree validation and fin-ish my industrial design studies.

In my third year at marangoni i got involved more in graphic design and illustration for magazines, as well as fur- haute couture garments. > so far i managed to deliver bespoke orders by private cli-ents as well as other graphic design competitions.

Istudy> dream >create


PROMOTION OF RESPONSIBLE USE OF FUR BASED ON INNOVATIVE PROCESSES AND TECHNIQUES OF

>TREATMENT >PATTERNCUTTING >STITCHING >STYLING.

APPLICATION PROCESS FOR THE COMPETITION CONSISTED IN SUBMISSION OF > RESEARCH > MANIPULATION > DEVELOPMENT > CONCLUSION

> 6 OUTFIT COLLECTION with RESPECTIVE WORK IN PROGRESS.

SELECTIONOF8FINALIST > ONE DAY WORKSHOP SPONSORED BY SAGA FURS AND HOCKLEY OF LONDON > INTRODUCTION TO 2012 TECHNIQUE COLLECTION BY SAGA FURS

> RECOGNITION AND ANALYSIS OF CUSTOMER NEEDS AND MARKET ENVIRONMENT >PROPOSALPRESENTATIONTOSAGAFURSANDHOCKELYDIRECTIVETEAM. > SUBMISSION OF 1 NEW OUTFIT WITH DEVELOPMENT OF SAGA FURs TECHNIQUES.

NATIONAL2NDPRIZE FORBFTA> SAGAFURS> LONDON >AW13

NATIONAL2NDPRIZEBFTA > SAGA FURS COMPETITION 2011




RESEARCH>SKETCHBOOK> WORKINPROGRESS



FRONT BACK



> DETAILS >

> (A) 3 tones of Fox - Blue - light blue - gold. > (B) Leather shell. > (C) Raglan sleeve. > (D) Loosen second sleeve.> (E) Jacket metalic zip on front. > (F) Racoon trimming

B

A

E

D

F

SHADED-DYE FOX

pantone334ec

pantone9945ec

pantone8836ec

pantone1837ec

pantone0049ec



>PATTERNFORSLEEVEANDGENERALFUR >

> 1CM WIDE STRIPES OF DIED FOX AND STITCHED FOLLOWING THIS PATTERN > THE NUMBER OF STRIPES MIGHT VARY ON REAL SCALE, HOWEVER, THE PATTERN DYNAMIC IS THE SAME.

> AFTER HAVING STITCHED THE DESIRED PLATE OF SHADES, THE BLOCK OF THE LOOSE SLEEVE IS CUT.

> THE SAME PATTERN MOVEMENT IS AP-PLIED IN THE OTHER SHADING (BODICE)

1

1

2 2 2 2 2 2

1

1

1 1

1

1 1

1

1 1

1

1 1

1

1 2 2 2 2 22 1 1

1

2 2 2 2 2 2

2

2 2 2

2 2

2

2

2

3 3

3

3

3

3

3 3

3

3

3

3 3 3

3

3

3

3

3

3

3

3

3 3

3 3 3 33

3 3 3

33 3 3 3 3 3

33333 3 333

2 2

2 2 2

2

2

2 2

2

2

2

2

2

222

2

2 2

2 2

2 2 2

2 2 2 2 2 2 2 2

2 2 2 2 21 1 1 1 1

1 2 2 2

2

1 1 1 1

1 1

1 1 1 1 1 1 1 1 1 1 1 1

1 1 1 1 1 1 1 1 1 1 11

1 1 1 1 1 1 1 1 1 1 11

1 1 1 1 1 1 1 1 1 1 1 1

1 1 1 1 1 1 1 1 1 1 11

1 1 1 1 1 1 1 1 1 1 1 1

1 1 1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1

1 1 1 1 1 1 1 1 1

1

1

2 2 2 2 2 2

1

1

1 1

1

1 1

1

1 1

1

1 1

1

1 2 2 2 2 22 1 1 1 1 1

1 2

2 2 2 2 2 2 2 2 2 2 2 2

2 2 2 2 2 2

2 2 2 2 2 2

3 3 3 3 3 3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3 33 3 3 33 3 3

3 3 3 33 33 3 3 3 3 3

333333

2 2

2 2 2 2 2 2

2 2 2 2 2 2

2 2 2 2 2 2 2 2 2 2

2 2 2 2 21 1 1 1 1

1 2 2 2 2 2 21 1 1 1 1

1 1

1 1 1 1 1 1 1 1 1 1 1 1

1 1 1 1 1 1 1 1 1 1 11

1 1 1 1 1 1 1 1 1 1 11

1 1 1 1 1 1 1 1 1 1 1 1

1 1 1 1 1 1 1 1 1 1 11

1 1 1 1 1 1 1 1 1 1 1 1

1 1 1 1 1 1 1 1 1 1 1 1



1

2

3

1

2

3

>PATTERNFORcollarandGENERALFUR >

> THE SHADING IS MADE THROUGH THE PANELING.

> AFTER THE PANELING, THE LINED PATTERN IS TRANSFERED ONTO THE PLATE.

> THE INTERMITENT LINE SHOWS THE CUT POINTS. > THE AMOUNT OF WITH DESIRED TO COVER THE COLLAR WOULD DEPEND ON THE NUMBER OF CUTS MADE.



FRONT BACK

SHADED-DYE FOX

pantone334ec

pantone9945ec

pantone8836ec

pantone1837ec

pantone0049ec

- FULL DYED FOX SHOULDER PANELS AND LEFT SLEEVE.- BODICE AND RGHT SLEEVE IN LEATHER (OR WOOLEN FELT *)- BODICE HAS APPLIQUES IN DYED RACOON WITH BEADS.- BEADED RIGHT SHOULDER FOLLOWING APPLIQUE PATTERN.

treated leather GOLD BEADS



pantone334ec

pantone9945ec

pantone8836ec

pantone1837ec

pantone0049ec

- MULTICOLOUR DYED MINK TRIMMING (OR RABBIT *) IN SHOULDERS, SLEEVES, HEM AND COLLAR.- WOOLEN FELT DRESS WITH VISIBLE ZIP ON CENTRE BACK.- BEADS APPLIED RANDOMLY IN FUR TRIMMING.

SHADED-DYE MINK HEAVY SILK SOFT WOOLEN FELTGOLD BEADS



pantone334ec

pantone9945ec

pantone971Sec

pantone8836ec

pantone1837ec

pantone0049ec

- KNITTED DYED MIND (OR RABBIT*) WITH DYED RACOON IN SHADES.- LEATHER STRIPES FORMING SHOULDER PANELS.- VISIBLE ZIP ON CENTRE BACK.- BEADED SHOULDERS AND WAIST BAND

LEATHER WEAVE SHADED-DYE FOXknitted

GOLD BEADS



pantone334ec

pantone9945ec

pantone971Sec

pantone8836ec

pantone1837ec

pantone0049ec

- KNITTED MINK (OR RABBIT *) - APPLIQUES PATTERN OF DYED MINK OR RACOON.- BEADS FOLLOWING FUR PATTERN- LEATHER SHOULDER PANEL WITH TOPSTITCHING AND FRONT LOOP BUTTONS.

SHADED-DYE MINK SHADED-DYE RABBIT

treated leather



SHADED-DYE MINK SHADED-DYE RABBIT

treated leather SHADED-DYE FOX

pantone334ec

pantone971Sec

pantone8836ec

pantone1837ec

- KNITTED MINK (OR RABBIT *) SHAWL / JACKET WITH RACOON MIX.- BEADS APPLIED RAMDOMLY (CAN BE DELETED)

GOLD BEADS



pantone334ec

pantone9945ec

pantone971Sec

pantone8836ec

pantone1837ec

pantone0049ec

LEATHER WEAVE SHADED-DYE FOX

- FOX WAISTCOAT WTH LEATHER SLEEVES AND FASTENING- FULL FOX SHOULDER PATH IN ASYMETRIC CUT.- LEATHER STRIPES FORMING SLEEVE AND FRONT FASTENING.

GOLD BEADS



pantone334ec

pantone9945ec

pantone971Sec

pantone8836ec

pantone1837ec

pantone0049ec

- FOX SHELL IN SHADED-DYE - LEATHER TURTLE COLLAR.- LEATHER STRIPES FORMING LOWER SLEEVES- BEADED NECK.- VISIBLE JACKET ZIP ON CENTRE FRONT.

LEATHER WEAVE SHADED-DYE FOX GOLD BEADS


REALFUR> MADEGARMENTS >

> THE COLLECTION IS BASED ON A STORYLINE THAT I WROtE SOME YEARS AGO > TALKS ABOUT A SEVERE WOMAN WHOS TRAVELLING AROUND THE WORL TO FIND THE KILLERS OF HER HUS-BAND...THEN SHE gets involved in stylish but deadly situations.

> SOME PIECES I GOT THE CHANCE TO DO them IN A FUR STUDIO > HOWEVER, OTHER FUR GARMENTS WERE HANDswen.

> ALLOFTHEFOLLOWINGWORKHASBEENDONEENTIRELYBYME.UNDERPROFESSIONALSUPERVI-SIONANDSELF-TEACHEDTECHNIQUES.

LABEL> ERNESTO HINOJOSA LONDON

KILLERCOLLECTION FORISTITUTOMARANGONI> LONDON >AW13


KILLERCOLLECTION> FORISTITUTOMARANGONILONDON > > 2012



OUTFIT1>KILLERCOLLECTIONAUTUM/WINTER2013 FORISTITUTOMARANGONI



>DIEDGOAT>PANELCOAT> > LEATHER FACING> SILK LINING> BEADED NECK LINE WITH JADE.> SHADE MADE THROUGH BLUE > YELLOW > BROWN > (E) FUR HOOKS ON FRONT.



OUTFIT2 >illustration>KILLERCOLLECTIONAUTUM/WINTER2013 FORISTITUTOMARANGONI



> OUTFIT2KILLERCOLLECTIONAUTUM/WINTER2013 FORISTITUTOMARANGONI> LAYERED BROCADE COAT WITH FITTED PANELS UP TO THE WAIST LINE WIYH RED DYED GOAT HIP SECTION.> TAILORED JACKET WITH 3 LAYERS OF METAL LACE.> GOAT PANELD SKIRT



DYEDGOATFURINPAN-ELS

> THE GOAT WAS HAND DYED AND TREATED AT THE STUDIO.> THE DYE TINT WAS MATCHED TO THE TONES OF FABRIC.

>LAYEREDMETALLACEONBROCADE.

>BEADEDCOLLARANDCUFFS



.BLACKINDUSTRIALDYEDGOAT

>BUTTONSONTHEFRONT>MIRROED

.>COTTONTAFETA>FUSEDONUPPER

WAISTLINE

> THE GOAT WAS ON INDUSTRIAL DYED TREATMENT > PANELING AND PATTERN CUTTING WERE MADE AT THE STUDIO.



> OUTFIT3>illustrationKILLERCOLLECTIONAUTUM/WINTER2013 FORISTITUTOMARANGONI

> LAYERED BROCADE COAT WITH FITTED PANELS UP TO THE WAIST LINE WIYH RED DYED GOAT HIP SECTION. > TAILORED JACKET WITH 3 LAYERS OF METAL LACE. > GOAT PANELD SKIRT



OUTFIT3>KILLERCOLLECTIONAUTUM/WINTER2013 FORISTITUTOMARANGONI

> TAILORED LONG SUITED DRESS > BUILT IN PANELS TO FIT > CUT ON THE BIAS> HEAVY WOOL DYED AND METAL PRINTED.


KILLERCOLLECTION> FORISTITUTOMARANGONILONDON > > 2012 >DIEDGOAT>

PANELING

>VIS-IBLEZIP>WOOLPANELING

>HANDSTITCHEDONTOTHEGARMENT

>GOATSHOULDERPATHS> CONTINOUSPANELING

>DIEDINSHADES

> THE WOOL IS STIFFED WITH INTERLINING ANDINVISIBLE HAND STITCHING. THE SHOULDER GOAT > DYED IN DEGReD from darkbrown to bright blue > the fur was hand dyed and treated at the studio.



> OUTFIT4illustrationKILLERCOLLECTIONAUTUM/WINTER2013 FORISTITUTOMARANGONI



> OUTFIT4KILLERCOLLECTIONAUTUM/WINTER2013 FORISTITUTOMARANGONI

> FOX SHORT JACKET WITH FLL COLLAR AND 3/4 SLEEVES > > PANELING AND SHAVING ON EDGES TO AD VOLUME AND SHAPE. > FOX NET-TECHNIQUE ON THE COLLAR TO MAKE IT LIGHTER AND LARGER.



FOXNETTECHNIQUECOLLAR

PANELING

shavingontheedgestocreatevolume.

furhooks>fastening.



> OUTFIT5KILLERCOLLECTIONAUTUM/WINTER2013 FORISTITUTOMARANGONI

> printed silk chiffon dress with shoulder paths and godets. inserts on sleeves and train.



EXPERIMENTATION FOR SHAVED FUR> GRADING

NET TECHNIQUE ON COLLAR SHAVED FUR IN PANELS> UNDYED SILVER FOX.

> OUTFIT6 > WORK IN PROGRESS


INDIVIDUALPROJECTS> >> THIS SECTION IS DEDICATED TO INDIVIDUAL GARMENTS THAT I MADE FOR EXAMS OR SINGLE PROJECTS. > EVERY PIECE WAS MADE FROM PATTERNS/ CUTTING AND STITCHING BY ERNESTO HINOJOSA.

> LABEL> ERNESTO HINOJOSA.LONDON.

INDIVIDUALFURPROJECTS FORISTITUTOMARANGONI> LONDON >COLLEGE COLLECTIONS


INDIVIDUALPROJECTS> FORISTITUTOMARANGONILONDON > > 2012



KNITTEDWOOLBOOTS >

>yankeeCOLLECTIONAUTUM/WINTER2011 FORISTITUTOMARANGONI

THE BOOTS ARE HAND KNITTED IN MEXICAN WOOLen yarn > hand stitched fox inserts and rabbit pom poms on laces


NATIONAL2NDPRIZEBFTA > SAGA FURS COMPETITION 2011 [email protected]




minkWaistcoat>

>yankeeCOLLECTIONAUTUM/WINTER2011 FORISTITUTOMA-RANGONI

> LOOSE MINK WAIST COAT. > WIDE CAP SLEEVE.

> THE TECHNIQUE USED WAS STRIPING> 5MM STRIPES WERE CUT IN MINK AND LEATHER TO THEN BEING STITCHED TOGETHER FOLLOWING AN ETHNIC PATTERN. > 2 SHADES OF MINK WHERE USED > WOOLEN INTERLINING AND SILK LINING.> ERNESTO HINOJOSA.LONDON. LABEL.



>DIAGONALSTRIPESINCREAMMINK

>2SHADESOFMINKINCLASINGDIAGONALSTOFORMPATTERN.

>WIDEOPENSLEEVE

>2SHADESOFMINKFOLLOWINGPATTERN

>WAISTLINEINSAMEPATTERNASFRONTANDBACK>



>5MMSTRIPESOFMINKANDLEATHER.

>MINK

>LEATHER



>SHADEDMINK > > 5MM MINK AND LEATHER STRIPES STITCHED IN PATTERNMODEL.> THE ENTIRE GARMENT FROM PATTERNS TO STITCHING WAS MADE BY ME.> LABEL> ERNESTO HINOJOSA.LONDON.


HARAJUKUSTYLE >> THIS COLLECTION WAS DESIGNED TO FOLLOW THE ANALYSIS OF A SPE-CIFIC STRET STYLE FROM AROUND THE WROLD. > THIS STYLE HAD TO BE VERY DIFFERENT FROM A PREVIOUS STYLE WE HAD SHOWN > THE CHALLENGE BROUGH ME TO A DIFFERENT SPECTRUM OF COLOURS AND STYLING, WHICH EVOLVED IN A MORE VERSATILE STYLE OF DESIGN.

> THE COLLECTION COSISTS IN RESEARCH OF STYLE, MATERIALS, FABRICS AND MANIPULATIONS OF GRAPHICS AND STYLING. > DEVELOP-MENT OF SILHOUETTES AND INNOVATION OF MATERIALS. > STYLING AND ILLUSTRATIONS AS CONCLUSION OF RESEARCH.

HARAJUKUSTYLE FORISTITUTOMARANGONI> LONDON >college collection aW12


HARAJUKUSTYLE FORISTITUTOMARANGONILONDON > > COLLEGE COLLECTION AW12



Lining

Interlining on shoulders and back

facing

Facing -opening and label space

Customised XL shoulder paths hand stitched to interlining

Raglan sleeve

Jack pockets

Clothing wire - hand stitched to

rabbit ears to shape up.

Lining

Interlining on shoulders and back

facing

Facing -opening and label space

Customised XL shoulder paths hand stitched to interlining

Raglan sleeve

Jack pockets

Clothing wire - hand stitched to

rabbit ears to shape up.



Customised XL shoulder path stitched in left side

Pleated right side with topstitching holding the

pleats.

Embelished shoulder path with stones and beads

Customised XL shoulder path stitched in left side

Pleated right side with topstitching holding the

pleats.

Embelished shoulder path with stones and beads



Concealed fastening clip

Tul layers

Waist band with concealed fastening clip

Bulky shapes with gathering and oer

stitching



RESEARCH>SKETCHBOOK> WORKINPROGRESSfabricmanipulation


HARAJUKU STYLE FOR ISTITUTO MARANGONILONDON > > COLLEGE COLLECTION AW12



Aperture on side seam for left side.Stitching like a button hole.

XL stand collar with topstitching

Customised XL shoulder paths atached to collar as it is a raglan sleeve

Ribbons atached to each side panel to fastening

Topstitching over the edges.

Aperture on side seam for left side.Stitching like a button hole.

XL stand collar with topstitching

Customised XL shoulder paths atached to collar as it is a raglan sleeve

Ribbons atached to each side panel to fastening

Topstitching over the edges.



Jeans style waist band, stitching and finishing

Double topstithing with wide denim thread

Metal studs

Label square on waist band (cowboy style)

Denim style back pockets

Topstitching in fabric join.

Coin pocket

Logo-label

Metal studs



Bulky- cap sleeve atached to side panel of bodice.

* Taylor style -invisible stitches.

Topstitching in lining edge and

finger thread upon label.

Sleeve extension to capsleeve- overstitched.

Hanging -rattail ribbons gathered between sleeve.

Blazer style cuff-opening with

three buttons.

Double hidden pockets for

glasses & mobile.

Customised XL Shoulder paths



One only layer of fabric drapped and gathered by elastic bands on waist and knees end.

Elastic band concealed in folded fabric with three line of

topstitches.

Drapes hold together by a stitching over the edge.

This is repeated alleatory in the whole garment.

One only layer of fabric drapped and gathered by elastic bands on waist and knees end.

Elastic band concealed in folded fabric with three line of

topstitches.

Drapes hold together by a stitching over the edge.

This is repeated alleatory in the whole garment.



See-trough fabric

See-trough fabric

Fake belt attached in high waist

15cm visible zip on centre back with

topstitching

Under sleeves joining in lining with dislevel of

lenght.Fused pieces.

Plastic N10 plastic thread as boning stitched on edges with baby zigzag

stitching

See-trough fabric

See-trough fabric

Fake belt attached in high waist

15cm visible zip on centre back with

topstitching

Under sleeves joining in lining with dislevel of

lenght.Fused pieces.

Plastic N10 plastic thread as boning stitched on edges with baby zigzag

stitching



Customised XL shoulder paths - hand stitched to

interlining.

Gathered-Cap sleeve atached to extension.

T-shirt style stretchy collar

Normal double fold hem

Customised XL shoulder paths - hand stitched to

interlining.

Gathered-Cap sleeve atached to extension.

T-shirt style stretchy collar

Normal double fold hem



Customised XL shoulder paths - hand stitched to interlining concealed

fastening button

Lining

X-wide ribbon to

close

Customised XL shoulder paths - hand stitched to interlining concealed

fastening button

Lining

X-wide ribbon to

close



KNITTEDFURANDLYCRASTOLE> ribbonsandbeadshangingfromrandom

>



KNITTEDFOXANDLYCRASTOLE IN THIS SAMPLE, STRIPES OF STITCHED RABBIT HAVE BEEN KNITTED WITH A YARN OF LYCRA.



FORINSERTSONEMBROIDERY> CHIFFONANDORGANZA

> THE FOX INSERT IS GOING TO BE ATTACHED TO ONE SHOULDER > HOW-EVER, THE INSERT HAS TO HAVE MOVEMENT.



HANDSTITCHEDFOXINSERTSONEMBELISHEDCHIFFON> THE EMBELISHED FABRIC WILL CONTINUE THE STITCH WITH THE FIXEDINSERT > THE INSERTS STITCHES WILL BE COVERED BY SEQUINED STITCHING.



FORINSERTSONEMBROIDERY> CHIFFONANDORGANZA

> BEADED FUR TECHNIQUES > THE FUR COAT HAS RANDOM GLITTERING PARTS > WHERE THE BEADS / STUDS OR INSERTS WILL BE PLACED.

> THE FUR WILL BE CUT IN STRIPES AND OVERSTITCHED ON WOOL OR HEAVY COTTON.



ELASTIC >

BANDS OF FUR ARE STITCHED WITH STRETCHED ELASTIC BANDS > SO WHEN THE NATURAL SHAPE OF THE ELASTIC WAVES THE FUR > AND CRATES SOME TETURE TO THE GARMENT.


DARKCHURCH >

> THIS COLLECTION was the first of second year at marangoni. the initiative was create a collection based on a storyline and conceptual ideas created during research process.

> as part of the collection i added a cap-sule collection of accessories based on snake skin and citrine stones.

>

DARKCHURCH FORISTITUTOMARANGONI> LONDON >college collection aW11


DARKCHURCH FORISTITUTOMARANGONILONDON > > COLLEGE COLLECTION AW11

INSPIRATION

ROCCOCO > BAROQUE CHURCHES IN PROVINCES OF MEXICO THAT WERE BUILT IN COLONIAL TIMES WITH DIRECT INFLUENCES ON SPANISH BAROQUE.

> > THE SPECIAL EFFECT THAT I WANTED TO DESCRIBE WAS THE DARKNESS LIVING INSIDE THE CHURCHES, WHERE DURING OFF-TIMES WHERE THERES NO SERVICE ON AND THE LIGHTS ARE ALL OFF.

> THE SUN GETS INSIDE AND REFLECTS THE LUXURIOUS GOLD LEAVES DECORATION WITH SER-AFINES AND ANGELIC PROFUSION OF CHARACTERS.

THIS EFECT OF DARK GOLD LIGHT ON THE BA-ROQUE ORNAMENTATION IS THE MAIN INSPIRA-TION.



EMBROIDEREDWOOLTOPANDTROUSERS

TOP > METALIzED WOOL WITH EMBROIDERED SIDES WITH GOLD BEADS AND STUDS. > SHOULDER PATHS WITH GAP SLEEVE ON SHOULDERS AND ASYMETRIC HEM LINE.

TROUSERS > METALIzED WOOL WITH EMBRODERE SIDES WITH GOLD BEADS AND STUDS. PATHED SIDES WITH FILLING TO CRE ATE VOLUME. > FINISHING ON HEMS WITH GATHERING AND PLEATING FITING THE ANKLE.

metalized woolGOLD BEADS

pantone334ec

pantone971Sec

pantone1837ec



EMBROIDEREDWOOLWITHCHIFFONTOPWITHJER-SEYTROUSERS

TOP > SILK CHIFFON BLOUSE WITH LOOSE FABRIC AND PLEATING ON A SYMETRICAL EFFECT. > METALISED WOOL STRUCTURE ON NECK AND BACK TO MAKE STRUCTURES.

TROUSERS > JERSEY PLEATED TROUSERS WITH BA BY-LOCKING ON SIDES AND FITTING ON THE ANKLES.

HEAVY SILK jerseyGOLD BEADS

pantone334ec

pantone971Sec

pantone992Sec

pantone1837ec



EMBROIDEREDRAT-TALEKNITTEDNETWITHCHIF-FONSKIRT

TOP > GOLD EMBROIDERED RAT-TALE KNITTED TOP WITH SKIRT ATTACHED.

SKIRT > LAYERED CHIFFON AND GODETS TO CRETAE VOLUME. > BABY-LOCKING ON EDGES AND HEM LINE.

HEAVY SILK GOLD BEADS

pantone334ec

pantone992Sec

pantone1837ec



BEIGEMETALIzEDWOOLENFELTTOPANDTROSERS

TOP > DOUBLE BREASTED JACKET WITH FAKE DOU BLE SLEEVES. > EMBROIDERED WITH GOLD BEADS AND HID DEN MAGNETIC BUTTONS. > ASYMETRICAL CUT AND JERSEY FAKE LONG SLEEVE.

TROUSERS > METALIzED WOOLEN FELT WITH EM BRODERED FRONT. > FITTED ANKLE LINE WITH KIDDEN ZIP. > SIDE POCKETS.

metalized woolGOLD BEADS

pantone334ec

pantone971Sec

pantone992Sec

pantone1837ec



WOOLENFELTCAPE-COAT

TOP > WOOLEN FELT WITH ASYMETRIC CUT AND DOUBLE SLEEVE. > shoulder paths with golden beads em broidery. > pleating and gathering on neck line a nd sides. > silk net blouse underneath.

trousers > jersey draped trouers with baby- locking on the sides.

metalized woolGOLD BEADS jersey

pantone334ec

pantone971Sec

pantone9909Sec

pantone1837ec



SILKNETLAYEREDANDPRINTEDDRESSWITHGOLDEMBROIDERY.

> Asymetrical dress with cow neck and back with long sleeve and embroidery faded from one side.> hand printed virgin face on centre front.

HEAVY SILKGOLD BEADS

pantone334ec

pantone971Sec

pantone1837ec



embroideredtopwithorganzaprinteddress

> woolen fekt top with gold beads embroi-dery and inserted organza skirt.> organza is printed and embrodered on hem line.

embroidered wollen dress underneath.

HEAVY SILK organzaGOLD BEADS

pantone334ec

pantone971Sec

pantone1837ec

pantone9909Sec



silkjerseytopwithembroideredopeningandwooltrousers.

Top > silk drapped bodice and shoulders with handstitched pleats. > woolen embroidered opening hidden magnetic buttons.

troussers > drapped and emrbroidered trousers with hip paths and knee pathing. ankle embroidery with hidden zip opening.

metalized woolGOLD BEADS HEAVY SILK

pantone334ec

pantone971Sec

pantone1837ec



silksateenedblousewithcollarembroi-dered

top > silk sateened blouse with colar em broidered with golden beads. > gathered collar and draped sleeves. with naked shoulders.

skirt > flared skirt with godets and in serts to make volume. > baby-locking in all edges and hem line.

metalized woolGOLD BEADS HEAVY SILK

pantone334ec

pantone971Sec

pantone1837ec

pantone992Sec



SILKJERSEYDRAPPEDBLOUSEANDJERSEYEM-BROIDEREDTROUSERS

TOP > SILK JERSEY DRAPED AND GATHERED BLOUSE WITH SLEEVES AND ASYMETRI CAL SHOULDERS. > EMBROIDERED SHOULDER PATH HOLDING FRONT AND BACK.

TROUSERS > FITTED JERSEY TROUSERS WITH KNEE PATHING AND EMBROIDERY. > FITTED DRAPED ANKLES.


pantone334ec

pantone971Sec

pantone1837ec

pantone9909Sec



JERSEYBLOUSEANDEMBROIDEREDWAISTCOATWITHLOOSEJERSEYSKIRT

EMBROIDERED WAIST COAT WITH SHOULDER PATHS AND EDGY CUT.JERSEY SILKY BLOUSE IN BASIC SHAPE,LOOSE JERSEY SKIRT WITH SIDE POCKETS AND WAIST BAND.


pantone334ec

pantone971Sec

pantone1837ec

pantone9909Sec



SILKJERSEYDRAPPEDBLOUSEANDJERSEYEM-BROIDEREDTROUSERS

TOP > SILK JERSEY DRAPED AND GATHERED BLOUSE WITH SLEEVES AND ASYMETRI CAL SHOULDERS. > EMBROIDERED SHOULDER PATH HOLDING FRONT AND BACK.

TROUSERS > FITTED JERSEY TROUSERS WITH KNEE PATHING AND EMBROIDERY. > FITTED DRAPED ANKLES.

GOLD BEADS jerseyHEAVY SILK

pantone334ec

pantone971Sec

pantone1837ec

pantone9909Sec



JERSEYBLOUSEANDEMBROIDEREDWAISTCOATWITHLOOSEJERSEYSKIRT

EMBROIDERED WAIST COAT WITH SHOULDER PATHS AND EDGY CUT.JERSEY SILKY BLOUSE IN BASIC SHAPE,LOOSE JERSEY SKIRT WITH SIDE POCKETS AND WAIST BAND.

GOLD BEADS jerseyHEAVY SILK

pantone334ec

pantone971Sec

pantone1837ec

pantone9982Sec

pantone9909Sec


DARKCHURCH FORISTITUTOMARANGONI> LONDON >college collection aW11 ACCESORIEs

ACCESORIESLINE >

> THIS FOLLOWING COLLECTION OF ACCESORIES IS BASED ON THE SAME INSPIRATION, HOWEVER, THE INTRODUCTION OF NEW MATERIALS AND THE MOOD CHANGES TO SUIT A YOUNGER CLIENT.

> snake skin > stainless steel > citrine stones and embroi dered beads.


DARKCHURCH ACCESORIES FORISTITUTOMARANGONILONDON > > COLLEGE COLLECTION AW11



rhodiumbracelet>

Snake skin coated bracelet with incrusted citrine stones.



Rhodiumnecklacewithcitrinestones> Necklace in links with citrines and quartz.> box with glass window contaning four citrine crystals.> emerlad-cut quartz.



Hologramshadeswithincrustedframe> > Lences have hologram of a citrine kaleidoscopic effect.

> Incrusted citrines on edges and arms.



snakeskinbandana> > Pleated snake skin with centred emerald-cut precious stone.> glued and hand stitched.



rhodiumearringswithquartzandcitrines> > Rhodium based earrings> emerald-cut quartz in 2 sizes.> two incrusted citrine stones.



snakeskinbandana> > snake skin shoe with polished heel.> tul and lace pleating and gathering on toes and ankle.



GOLD PYTHON SKIN

CTRINE ORANGEPANTONE 3382G

GOLDEN LIGHTPANTONE 7802G

SILVER RAYPANTONE 63092G

AQUA VISIONPANTONE 02872G

RHODIUM CITRINE STONES

QUARTZ STONES

BLACK SILK LACE

EMERALD-CUTQUARTZSTONES

BLACK TULE

ROUNDEDFACETEDCITRINESTONES

5MM

8MM

10MM

15MM

18MM

15MM

8MM


FATTO-A-MANO-FENDI FORFENDI> LONDON >2012 FENDI

FATTO-A-MANO2012PROJECT>

> THIS PROJECT IS SPONSORED AND LAUNCHED BY CASA FENDI > THIS CONSIST IN ALLOW AN ARTIST TO DEVELOP AN ARTISTIC PERFORMANCE BASED ON THE LEATHER CRAFTMANSHIP DEVOTED TO FENDI.> THE PERFORMANCE WOULD BE DONE IN ONE OF THE POP-IN-STORE IN ON EOF THE LUXURIOUS DEPARTMENT STORES IN LONDON, SUCH AS HAR-RODS, SELFRIDGES AND FENDIS BOND STREET STORE. > THE ARTIST WOULD BE at the shop during opening time with a craftman from fendi. > they will start building the sculpture and performing the concept.

> the project would take about 2 or 3 days to be completed and there would be press and customer feedback.

> THE SCULPTURE IS BASED ON PROTOTYPE MOLDING IN INDUSTRIAL DE-SIGN AND fendi leather craftmanship.


FENDI-FATTO-A-MANO FORfendi

LONDON > > 2009

QUETZALCOATL> NAHUATL> FEATHERED SERPENT.> MESOAMERICAN GOD-RULER > QUETZALCOATL.



LONDON > > 2009



LONDON > > 2009


TheFeatheredDragonInspiration

Quetzalcoatl, the Aztec God represented as a feathered snake, was the main inspiration of it.Moving a bit too far from it, searching for a twist of something less literal of the Aztec God, got at-tracted by Japanese Dragon festivals.

The features of the figure are based on the dragon form, giving it a oriental feeling. Although taking it to a much modern sense portraying a woman turning into a Feathered Dragon.

The feathers would be the focus point on this project, as implies the excellence of leather treatment by the Fendi artisans.Combining brilliant colours with stricking rain of leather feathers.

Construction

The mannequin will be extended to a dragon head. This will be possible with manipulated pour-polyurethanes and acrylic coatings to give it a impecable finishing to show to the customers of the store while the final figure is constructed.

The head of the dragon will consist of layered blocks and rolls of multicolour leather. Those blocks and rolls will be glued/ stitched to the plastic struc-ture.Each feather will consist of multicolour layers of hand stitched leather stripes. Then the feathers will be glued/ stitched onto the mannequin, from bottom to top.

Preparation

The mannequin construction will take about a month to prepare and finish. Preventing the material treatment, construction and finishings.In order to show excellent results and be prepared for any malfunction, would be useful to discuss with the artisan the time and finishing of the leather feath-ers.

Also, some special lighting would be used in the show room. This would be arranged with the store team for installation options, although the electric device will be atached to the understructure and only a safe AC/DC connection would be required.




LONDON > > 2009



[email protected]

Eyes on the side and on the front to create a double sight.

Layering of leather feathers

*Multicolour hand-stitched leather feathers

** DETAILS FOLLOWING PAGE

Wooden structure to help the blocking technique

* Minimum carving done on wood panels.

** The pieces could be stitched / drilled and fixed / glued.

Folded and rolled leather, then layered to create volume and shape.

* This method used in most of skull features to show colour and shape.

[email protected]

* Multicolour hand-stitched leather feather.

* The main form is panel of stiff leather to hold the shape.

* Sharp thin leather cuts are stitched over the stiff leather to create volume and feath-

ery visual effect.

Single sharp leather cut.

Full-covered leather panel, ready to be stitched over dragons body.

[email protected]

Understructure

Curved blankets creating the shape could be:

*Flexible wood

*Acrylic sheets

*Metal plates.

The plates should be nailed to the mannequin.

Wooden skull *

Could be also make of:

*Liquid polyurethane / silicone / wax / automotive coating.

The inner structure could be:

* Reconstituted Polyurethane blocks (laser cut)

* Liquid polyurethane for carving and coating.

* Cushion panels.

[email protected]


FASHIONILLUSTRATION FORISTITUTOMARANGONI> LONDON >2009 HANDDRAWING

VECTORILLUSTRATIONILLUSTRATION >

> THIS SERIES OF DRAWINGS WERE MADE IN A SINGLE PROJECT WHICH CONSISTED IN RECREAT CATWALK SHOTS IN A REALISTIC/PHOTOGRAPHIC STYLE.> LATER THOSE ILLUSTRATIONS WERE TRANSLATED IN ANOTHER silhouette and style.

> vectorial illustartion consisted in processing magazinesillustrations into a vector style.


FASHIONILLUSTRATION FORISTITUTOMARANGONI

LONDON > > 2009

ILLUSTRATION

STELLA MCCARTNEYSS 2010



LONDON > > 2009

ILLUSTRATION

ALEXANDER MCQUEENSS 2010



LONDON > > 2009

ILLUSTRATION

versace SS 2010



LONDON > > 2009

ILLUSTRATION

LANVIN SS 2010



LONDON > > 2009ILLUSTRATION

DIORHAUTE COUTURE SS 2010




VALENTINOHAUTE COUTURE SS 2010



LONDON > > 2009



LONDON > > 2009

ILLUSTRATION

VALENTINO SS2010



LONDON > > 2009

ILLUSTRATION

GIAMBATISTA VALLI SS2010



LONDON > > 2009

ILLUSTRATION

BALLY SS2010




MANOLO BLAHNIK SS2010



LONDON > > 2009

FLORALPRINTEDSILKDRESS> FLEARED DRESS WITH LACE TRIMMING.> FLEARED BACK AND GATHERED SIDES.



LONDON > > 2009

FLORALPRINTEDSILKBLOUSEANDSKIRT> FLEARED AND LACE TRIMMED SKIRT.> ASYMETRICAL BLOUSE WITH ONE PLEARED SLEEVE AND LACE TRIMING.



LONDON > > 2009

Portfolio11-12

Documents

Transcript of Portfolio11-12