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Transcript of Portfolio Serdar Aydin
p o r t f o l i o 2 20 1
MA ArchitectureUniversity of Liverpool
Serdar Aydin
i
to cancan
Content
1. Brewery over the canal (Bridge) 1
ii
8 142. Invisible Narratives
Invisible narratives propose a submerged research centre and a scultural urban in�ll for a public space using a modular unit at the material scale, a new ‘brick’ topology. The idea highlights how the system responds to a number of change strategies.
3. Islamic Tiling Patterns and Caligraphy
The bridge proposes a range of functional spaces with a modern framework, vierend-eel truss. Put on the bridge, the brewing process is displayed with a linear planning to visitors.
A canopy proposal derived from octogonal star pattern.
Research summary of the dissertation for a �exible urban design tool with shape grammars optimised by genetic algorithms where programming and design take place with aninterdisciplinary approach.
174. (Research)quasiGRAMMARS
Preface
iii
Since the modern philosophy has constructed our understanding in every �elds, one may see a complexity on the piece of caligraphy art at rigth. If it is so
complex, it would be often de�ned as random. The word of random refers to as not
ordered. But the reverse might be the case. Though I will point out a hint about this
anomaly at the end of the portfolio, I want to link my understanding of art, architecture
and urban design with this piece.
According to Wabi-Sabi that tells us two diferrent or opposite things can exist
together, I conclude that it is possible for randomness to coexist with order. In the
projects on this portfolio, complexity is
displayed in di�erent forms such as visual, functional, structural and even philosophical complexities. However,
order is a sine-qua-non whilst designin complexity. This type of design might fall in with mathematics, geometry, algebra
and even astronomy. Having to be innovative and �exible, designing a
complexity might end up with a paradigm shift that will lead the future.
In order to complete this complex process of designing a complexity, research and
analysis possess a signi�cance. Only then, the innovative complexity that is
attempted to design can be contextual as the order used comes with the
knowledge from research and analysis.
Here are three works listed in the content. But each of them are derived from the
others displayed in the last page. On top everything, they are a product of my
self-perception in architecture, life and everything that I think I know. There are con�icts, contradictions and mistakes. I
see them like the world. I see my position as a dealer in this world. Dealer between
the reality of contradictions and the desire for perfect. Never been perfect
though and never felt close to it.In a nutshell, with this portfolio, I ask
your pardon to spend a couple of minutes for a look.
Serdar Aydin, 2012
Merton Road, Bootle, LiverpoolDecember, 2011Academic group work for research, individual for designGroup leader, chief designerResearch, site analysis, master plan, concept generation, layout, details, plansAi Xue, Song Yi, Cagri Celikten, Deng Yuanjie, Zhang FanMike Knight, Richard Dod
Organic Brewery for Cains Leed-Liverpool canal regenaration
Brewery over the canal (Bridge)
Cains is a Liverpool brewery with a long and proud history.Their products range from beers and lagers for largesupermarket chains to small-run beers for their own pubs.They are expanding their range of ‘real ale’ and heritage beersand require a new, organic brewery that can use theLeeds-Liverpool canal for transportation of raw materials inand �nished beers out. The slogan of the design is“Drink Responsibly, Cains Brewery”.
Location: Date:Type:Role:Contribution:
Collaborators:Tutors:
1
Research&History
Liverpool
Liverpool
City Centre
Site
Canal(4 miles)
Wigan
To: Belfast Dublin Isle of Man
Irish Sea
Leeds
1900
1970
2012
1900
Number ofhouses
318
8853
1629
Number of pubs
1970 2012
0
50
100
150
200
250
300
350
Pub & Population Ratio
Social Context: Pubs Social Context: BrewerySocial Context: Canal
Pubs are about people. This indirectly makes pubs to be consideredlike a social being, at least a part of it. Giving a designer the responsibilityto think about social problems, a brewery cannot be consideredwithout the context of pubs and people.
Leeds & Liverpool Canal
From Site to City Centre via Canal
Transatlantic Ties
Traveling by boat or a titanic ship is the history of Liverpool. This brings Liverpool di�erent identities and styles. Boats mean natioal harmony while huge ships international melody. This in turn becomes art, music and architecture in Liverpool.
The canal was built more than 100 years ago and constantly expanded. The main reason was transportation
of goods and coal that was necessary for the industry. Nowadays, canal is alone and mostly ignored by the
architecture alongside its banks.
Brewery architecture is su�ering paralelled with the decrease in the importance of pubs in
society. They are either massive blocks as an extention of existing preliminary old architecture
or completely burried under the smug of industrial zones.
From the site to the city centre, the length of the canal is around 4 miles. The opportunity of a beer festival is the starting point of the design. According to the dock in the site, other functions are organised.
With a declining density in the neighbourhood, pubs have become less and less. Pub culture is a characteristic feature not only in Liverpool but also all over the UK. The tradition of pubs is to become extinct years later, replaced with new typology of modern day meeting places.
Liverpool: Last Stop Before USLiverpool has historic ties with the US. It was the last stop for European immigrants before the continent of America. The port of the city misses the old days and people coming and going. Titanic was owned by a company based on Liverpool. Dramatic history of the ships that sank in the Atlantic gives Liverpool historical importance. These facts make Liverpool important in terms of port engineering as well as canal which connects the city to other places in the North of England.
1970s Cains today
20122012
Mersey River
2
Site Analysis
23.8%
20.9%
Neighbourhood Research
Merton RoadRailwayCanal
RoadsBootle Rail Station
Brocklebank Dock
Alexandra Dock
Oriel House
Railway
Public Utilities
St Winefride'sRC Church
St Winefride'sRC Church
Green Ratio
41.5%
55.3%
Industry&CommercialResidential
Building Density
18.4%
1
A
A
BSefton Borough
Sefton Borough
CClairville CloseDGeorgia Close ERuskin Close F
B
CF
DE
1
2
2
Mersey Rail
Leed-Liverpool Canal
Pedestrian Route Dock Tourist Route Transportation Add 1: Canal Museum
Add 2: Eco-farmyard Add 3: NeighbourhoodPavillion
FunctionsExisting FunctionsGreen
Scrap Yard
Empty Building
Empty Plot
Neigbourhood Pavillion
Eco-farmyard
Canal Museum&Pub
Site forBrewery
CanalMuseum
Dock fortourist
Beer out
Beer outLocal Markets
Raw material in
Functional Route
Farms (10miles away)
Albert Dock (4miles away)
Dock
SiteSiteTowing Path Towing Path
Site Site
Contextual Analysis
SummaryVisual AnalysisBesides a brewery, three more functions is added to the scheme as a result of rigorous research and site analysis, whereas the ideaof a brewey on a bridge spanningover the canal improves theawareness toward the potentials of the canal.In so doing, the e�ect ofthe railway bridgeblocking the view in the site islessened.
3
Problems: Neighbourhood in City
Brewery on the BridgePhase 1
Phase 2
Phase 3
Concept
Approachfrom the station
Vierendeel Truss
Canal Museum
‘Drink Responsibly’ Social Centre
Eco-Farmwayd and Neighbourhood Pavillion
Clearly needed to adress health and social issues.Easily accessed by pedestrians and locals.
Responding to the church, having an openspace in front of the rare door alongside thecanal.
Placed to highlight the canal towards the oriel road where the station is.
In accord with the existing dock, a museumfunction is added to the scheme.
Bistro&Cafe
Solar Panels
St Winefride'sRC Church
Farms (10miles away)
Albert Dock (4miles away)
Entrance to the Bridge Background Image: Approach from Oriel Road where the railway station is
Low household incomes in the cityRelatively low education attainment levels
Highest smoking prevalence in the cityHigh bing-drinking rates in the city
High hospital admission rates for alcahol-related conditions in the cityLowest life expectancy in the city
xxxxxx
Functions
Vierendeel Truss?Elemenation of diagonal elementsRare as a bridge typeCommon in modern building constructionResolution of gross shear forces against the frame elementsRetaining rectangular opennings between columnsAdvantageous in allowing �exibility in the use of space
4
11
10
813
12
9
14
1
01. Social Centre Lobby02. Reception03. Seminar Room04. Secretary05. Meeting Room06. O�ce07. WC
08. Bistro / Cafe09. Bar10. Kitchen11. WC12. Beer Barrels13. Semi-Open14. Car Park
15. Canal Museum16. Reception17. Raw Material Import18. Lifts for Brewery19. Lifts for Visitors20. WC21. Recycling22. Dock23. Open Air Theatre
24. Entrance Hall25. Reception26. Moving Pathway for Visitors27. Sta� Line / Exit28. Lounge29. Changing Rooms30. WC31. Filled Casks32. Engineering Room33. Filling Room34. Fermentation 235. Fermentation 136. Brewery37. Silo / Hops38. Melt Storage39. Bar40. Lifts for Visitors41. Pub42. Roof (Canal Musem)43. Roof (Drink Responsibly Social Centre)44. Leeds-Liverpool Canal
2
3
211516
17
1819
20
23
22
24
25
2727
282931
30 32
333435
2626
3637
38
3941
40
44
44
4443
42
5
4
76
15 35 m50 Bridge Plan Canal Museum Plan Social Centre Plan
Bistro / Cafe Plan
±0,00
±0,00
±0,00
±0,00
±0,00
±0,00
±0,00
±0,00
±0,00 ±0,00
±0,00
-0,50
-0,50
+5,00+5,00
+0,50
+0,50
30 70 m100
DrawingsSite Plan
Process
Section & Elevation
Brewery Scale
Productivity: 80 barrels (163 litre each) per brewing Brew Productivity: 80 X 163 = 13040 L Three times brewing in a week, recommended Weekly productivity: 3 X 80 = 240 barrels; 240 X 163 = 39,120 L Yearly Productivity: 240 X 50 = 12,000 barrels; 12,000 X 163 = 1,956,000 L
Raw Materials: Grist per brewing: (Produced beer) X 0.2 = 13,040 X 0.2 = 2,608 kg Grist per week: 3 X 2.608 = 7.824 kg
Fertiliser: Per brewing: (Produced beer) X 0.25 = 13.040 X 0.25 = 3,260 kg Per week: 3 X 3,260 = 9,780 kg Per year: 9,780 X 50 = 489,000 kg
Transformation System: Canal - Narrowboat Capability of each boats (20,000 kg / 400 bags / 120 barrels) 50L and 15L cask/keg for distribution
PREPARING AND STORAGE TRANSPORTATION 123456 SACCHARIFICATIONFERMENTATIONPACKAGINGDELIVERY
Malt50 kg
SortingMachine
DryingMachine
MashVessel
LauterTun
Hopsback
HarmlessWater
Puri�ed
RECYCLING ROOM
WhirlpoolHops
Yeast
Fermentation TankFermentation TankBarrels / Casks
Cold Water Treatment waterExtra Sugar
Hot Water
Silo Boats
Smashing Baking
HumidifyingGermination
Sustainable Brewery Reuse of water Reuse of waste - Solar drying system Eco-Farmyard Only cask production Health-Social Centre Public transportation accessibility
TRANSPORTATIONDELIVERYPACKAGING
Perspective
7
8
Experimental Wave Power Research Facility on Hilbre Island Visitor and Research CentresModern Brick
Invisible Narratives
Location: Date:Type:
Role:Contribution:
Hilbre Island, West Kirby, LiverpoolMay, 2012Team-work with Ai XueDAF Competition 2012Short-listed Project, (see http://adaptablefutures.com/competition%20results/)DesignerAll
‘Invisible narratives’ is a sensitive design which allows simultaneous perception of the
space and the nature. It emulates self-organisation in nature, with a new
typology of brick system.
Nature on Hilbre IslandSatellite View
Welsh channel
Dee estuary Mersey
LiverpoolBirkenhead
Prestatyn
10 km50
Hilbre Island
Faun
aHa
bita
t Tim
e
Over Winter Wading Birds
Migrating Birds
Only Mamal on Hilbre island
Common Seal Dolpinsometimes appear
Invertebrate
223 species have been observed, and five species have nested here regularly
Flor
aFl
ower
ing
Time
Limonium binervosum
Aspleniaceae
Cerastium arvense
Parietaria judaica
Rock sea-spurrey
Bell Heather
Common Heather
Janurary Feburary March April May June July August September October November December
Algea
Field Vole
SanderingSandpiperOstercatcherKnot Dunlin Redshankturnstone
MeadowpipetLinnetSkylarkStarlingShelduck
1
7
2
2
4
56
8
3
1
34
5
6
1
2
3
3
3
3
3
3
3
4
4
4
4
Special grassland species Sub-maritime Grassland Species Other animals/plants
Red rocks
Safest Route to Hilbre for hikers
1
1
2
2
3
3
4
4
5
5
6
6
Little Hilbre
Mean Low Water LevelMean High Water Level
Little Eye
Hilbre Island
West Kirby
Duddon&Wrye
Anglesey
Lleyn Peninsula
Marine Lake
Liverpool
Hilbre Research
Centre
Existing Wind Farm
Tidal Lagoon Locations
30 kmto
Liverpool BayTidal Energy Lagoon
Mean Low Water Level
Approved Route to the Island
Mean High Water Level
low-cost comparing to other wave power applicationsminimal impact on marine environment
fosters biodiversity by creating new habitatsattracts tourists
Sustainable Tidal Lagoon Advatages
9
MO
VABLE
Non-�xed ObjectsDetachable Connections
Openrable Elements
ADJUSTABLE
SUSTAINABLE
SymbiocticLight Foorprint
BiomimicryPublic Enagement
Environmental Energy Adaptive
Local MaterialsModular Units
Structral RedundancyKnow Techniques
ReassembleStanderd Component
Handful Scale
Multi-functional SpacesFlowing Open Spaces
Changeble Spaces
CONVERTIBLE
SCAL
ABLE
Adaptable
Concept
Proposed area:900m²
Existing footprints: 850m²
Lifeboat House
Protective Observatory
Visitor Center & Research Center
AccommodationZone
Proposed Planting Area
Existing Planting Area
N
Birdview
Mean Low Water LevelMean High Water Level
Lifeboat House
Protective ObservatoryVisitor Center
& Research Center
AccommodationZone
1. Existing Volumes 2. Point Cloud 3. Delaunay 4. Intersection 5. Facet-dome 6. Bubbles
tetrakaidecahedron + dodecahedron
weaire-phelan structure
Type 1: Wooden CoveredInsulated Cells
Type 2:Frame Cells
Type 3: Glass Covered Cells
Type 4:PV Panel Cells
Algae-like Weaire-Phelan StructureModern Brick Units
230m yrs ago Hilbre as a desert
since 1080 to now Hilbre living with tides
scheme of today Hilbre with biomimicry
2050 Hilbre by herself
Biomimicry
Morphology Contextual Design Instead of Intutive Decisions
Modern Brick TypologyA biomimicrical algorithm has been designed as an interpretation of algae, engaging in a creative dialogue with notions of mass, developable surfaces, patterns and transparency in nature. Modern brick becomesa gesture of how geometry and simple forms can cause a complex environmentthat connect intimately with the larger world. Shortly, simple materials are lightly manipulated and connected to dramatic e�ect.10
Visitor & Research Centres Plan
Visitor RouteResearcher Route
Construction‘Design’ literally refers to the past due to the pre�x ‘de-’.With the aim of innovative results, historical material brick has beeninterpreted as well as the construction processof traditional brick domes.
The narrative of organic �ow is free from interruption. Instead of juxtaposing the visual abundance of the natural surroundings with restrained imagery of a research building, ‘invisible narratives’ introduces visitors to a range of ambiences.
Living RoofThe accumulation of sand and earth brought by tidal waves
will be breeding local plants like heather or veneris.They can also provide simple homes for birds
stopping by while migrating
15m5011
Component DetailSection & Detail
4
3D Solar PanelsFolded solar cell systems producing powerthroughout the day and do not need tracking.
ModularityThe adaptivity of the design is mainly featured by the modular units producing which is engaged by public, reassemble of construction and the symbiotic capacity with plants in this unique environment.
15m50
Timeline & Lifespan
HILBRE ISLAND
CITY SQUAREVOLUNTEER ORGANISATIONS
SCHOOLSART STUDIOS
ONE MONTHFRAMEWORK MANUFACTRING
TWO MONTHSDELIVERING
ONE YEARPUBLIC ENGAGEMENT IN CONSTRUCTION PROCESS ON ISLAND
ONE YEARCHANGE AND MOVE OF CLUSTER UNITS
EVERYDAYSEDIMENT FROM WAVES
2050BE A PART OF THE ISLAND
ONE YEAR LATERINDIGENOUS FLORA AND FAUNA INHABIT ON ROOF
GRASS, HEALTHIER, MIGRATING PASSING BIRDS... ...
Nucleation
Intersection
Growth Participation
The framework of cluster units will be transferred by visitors such as hikers from HILBRE ISLAND to the city of LIVERPOOL
Reassembled units asscultures, installations, seats, shelters, ...
Autonomy 2050 Hilbre by herself
230 million years ago Hilbre island was a desert, through years of movement of crust and evolution of creature, it became the paradise for numerous coastal creatures (waders, seals, molllusks, heathers). And it has been under the humanbeings’ in�uence since 1080. The scheme is to make a serious of construction responsible scienti�c research and visitors by barrowing a part of the resource on the island, and 20 years later, the construction will become a part of the island, compensating what we borrowed today.
13
Muqarnas, Tiling and CaligraphyGrasshopper, Kangaroo, CAAD
Islamic Tiling Patterns and Caligraphy
Date:Type:Tutor:Link:
November, 2011Academic / Individual workMike Knighthttps://vimeo.com/43345795
The goal of this work is to design a portable, adaptable and movable canopy based on octagonal Islamic star
pattern. The question raised to solve is the space problem of those who pray together in mosques under
any weather conditions. While stepping up for a solution, learning Grasshopper is the target to reach.
14
Muslims are most likely to get together on Fridays to pray. But there is often lack of space, forcing people to settle whereever they are, court-yards, grass and even streets. Sunny days are good whereas winter doubles the issue. There might be a �exible canopy allowing a couple of people to create their own space quickly. In this work, one of the Islamic tiling patterns that could be seen in mosques almost without exception is used to generate a a �exible canopy form. Then the possibility of a relation-ship between tiling patterns and caligraphy is questioned.
Muqarnas: An stalactile ornament in Islamic architecture applied to the interior of domes,
vaults and arches since 10th century, presenting parameters
of scale, texture and depth, colouration and tone with a
slightly more rational take on the distribution of geometry
and forms.
Al-Hambra PalaceGranada, SPAIN
Section and Plan of muqarnas domeHall of the Two Sisters, Al-Hambra
Stalac Tile, Tesselated ManifoldsStudent work, Washington Uni, http://archinect.com/features/article/100296/student-works-stalactile-tessellated-manifolds
Islamic Deformationsby Jennifer Coppin
Problem Research
Analysis in Grasshopper
15
It is time to reveal the hint that is mentioned in the preface of this portfolio. I think you might have already found it. Yes, it is
hidded in the comparison between two pictures above. On the left is the result of the form �nding analysis from Islamic tiling patterns. And the other is a piece of caligraphy named
as ‘Vav Sketch’. I �nd stunning that the similarity between two pictures are found by random.
Do you still believe that it is random?
Top-View of free form �ndingKangaroo in Grasshopper
Vav Sketch - Caligraphy by Fatih Ozkafa http://www.kalemguzeli.org/hatteserleriayrinti.php?KNO=695&HKNO=20
00:00:00 00:00:02 00:00:04 00:00:06 00:00:08 00:00:04
00:00:14
00:00:23
00:00:36
00:00:48
00:01:00
00:00:12 00:00:14 00:00:16 00:00:1800:00:10
00:00:22 00:00:24 00:00:26 00:00:2800:00:20
00:00:32 00:00:34 00:00:36 00:00:3800:00:30
00:00:42 00:00:44 00:00:46 00:00:4800:00:40
00:00:52 00:00:54 00:00:56 00:00:5800:00:50
Form Finding
17
Shape GrammarsEvolutionary AlgorithmsProcessing Programming Language
A parametric quasi-grammar for generating a �exible urban design tool
Date:Type:Supervisor:Link:
August, 2012Academic / DissertationMike Knighthttp://prezi.com/yphftc9wpedp/quasigrammars/
quasiGRAMMARS is the name of the tool which is theoretically de�ned in my thesis for MA Architecture. Basically it is generated by shape grammar rules as a result of the analysis of existing urban language/pattern. Then these rules are optimised by genetic algorithm which is a technique for computational problems.
18
looking into shape grammar rules in the city of Marrakesh in Morrocco.
This work induced the initial idea of a research in computational urban design that is based on vernacular
rules of shape grammars.
As a result, the dissertation by which I completed the master’s was to
search the theory of designing an urban design tool in an architecture
software. With all the aforesaid interest, knowledge and experiences
this work gave me the passion and ambition for further studies and
career in computational architecture and urban design within the context
of vernacular research interests.
master’s in Liverpool. Afterwards, I came across with an academic news.
It was about the Nobel Prize in chemistry in 2011. Dan Shechtman
had received the prize for his discovery of ‘quasicrystals’. Islamic
architecture, Andalusian in particular, had been resource for
scientist to analyse the structure of ‘quasicrystals’.
Being interested in Andalusian art, I paid special attention to Morroccon
art, architecture and cities. Having learned how to use parametric
design tools, I was intrigued by the works done by Jose Duarte seeking a
�exible urban design method by
Islamic decoration has been a long-time interest of me. When my
dad got a business to produce furnitures for mosques in his little
wood furniture workshop, I was only 19, studying architecture. Me and
my dad have designed and produced many furniture that are embellished
with islamic art patterns. These patterns led my way through my
education. As explained in the previous CAAD project, the topic I
researched has always been in�uenced by this background.
The star patterns in the Al-Hambra Palace and in Andalusian art caught
my eyes before commencing a
Background
19
Computational design has recently come to recast the conventional urban design strategies. The complexity of urban planning exceeds the potential owned by manual design techniques to produce an array of distinguishable solutions while competent to deal with varying demands during urban design process. This research explores the means to create a �exible urban design tool that could a�ord to conceive complex solutions with cooperative computational design techniques. The computa-tional process is divided into two parts; shape grammars and evolu-tionary algorithms. The �exibility to
satisfy constantly changing demands is constituted by parametric shape grammars that consist of variables. Genetic algorithms and genetic programming are compared and suggested to meet the optimisation problem of the �exibility controlled by parametric variables which are described by aforementioned shape grammars. The parametric urban design tool proposed in this work pays special attention to the coexis-tence of the new and old in harmony with each other. Therefore, the goal of this design related research is to present a guidance for a computa-tional solution within this complexity.
AbstractResearch Questions Research Methodology
How can we harmonise very simple rules,whose output generates complexitycarrying su�cient information fordynamic urban design?
What e�ects do genetic algorithmshave on shape grammars in thecontext of complex urban design?
What software are operative inprogramming with shape grammarsand genetic algorithms for urbandesigners and architects?
quasiGRAMMARS ‘Design is Research’1
1
2
3
4
?
?
What is the extent of theoretical/philosophical backgroundin the creation of urban patterns?
Literature Review for: Cities & Philosophy Urban History CAAD History
2 Computational Analysis: Software Case Studies Duarte’s Marrakesh work Halatsch’s work
3 Learning & TestingSoftware Tools and Programming Languages
4 Review for Speci�cProblem: NeoliberalDevelopment Strategies
5 Comparison & Suggestion
INTERDISCIPLINARY APPROACH
architecture roboticsurban design
computer science URBAN HISTORY
philosophy
?
?
ManualDesign
Techniques
UrbanDesign
Now
Future
Complexity
ComputationalOptimisation
Time
ShapeGrammars
Algorithms &
20
Fram
ewor
k
Timeline
+ =
Fast Growing vs.Complexity
What’s wrongwith urban?
PROBLEM IN THE BROAD CONTEXT SOLUTION IN THE BROAD CONTEXT SPECIFIC PROBLEM SPECIFIC SOLUTION
Richness ofrandomness!..
Stacking blocks in thename of development!..
Computation forliveable urban!..
Urbanisation along the historyUrban patternPlanning & PhilosophyTop-down approachesComputation & RandomnessTimeline for computation
Complexity & RandomnessBottom-up approaches and Girih and vernacular patternsFractal strategyEvolutionary algorithmsGenetic-code scriptingCritereia for success
High-rise shortcuts(Re)developing an urban MozartDi�erent form of Neoliberal development: ChinaBuilding future’s cities by TOKI: Turkey
Shape GrammarsParametric & Fractal shape grammarsShape grammar rulesOptimisationGenetic algorithms
Paradigm ShiftNeccessary
Large-ScaleUrban Projects
Programming forUrban Design
Flexible UrbanDesign Tool
quasiGRAMMARS1 2 3 4
PHASE I / FOUR WEEKSRESEARCH FOR THEORETICAL FRAMEWORK
PHASE II / THREE WEEKSLEARNING AND TESTING PROGRAMMING LANGUAGES
PHASE III / FIVE WEEKSANALYSING ACTUAL PROBLEM & DETAILS FOR SOLUTION
FUTURE WORK FOR PHDGENERATING AN URBAN DESIGN TOOL
21
1. Shape Grammars - 1972 by Stiny&Gibsto de�ne
to generate
Programmiıng
2. Genetic Algorithms - 1970 by Holland
Individual elementsto depend on each other
Every change to requirethe whole newlyconstructed.
why ]] ] ]] ]Complexity &Randomness
Because Randomness == max Complexity
Randomness != Regularity && Simplicity
Problem is: INDIVIDUALITY
DISCRETENESS ==
IDENTITY
COMPLEXITY] ]If Order != Disorder then Order != Randomness
But Order Randomness
which is a case of disorder
Every change to requirethe whole newlyconstructed.
how
Instead of euclidean geometry
Algebra & Arithmetic] [Instead of generalisation
Contextual Analysis] [Instead of intuitive design
Logical, Combinatorial,Relational Design] [
Shape Grammars
Descriptive:1 2
input data to de�ne the shape grammar
geometry
symbolattributes
position variables such aslength and width vectors
Shape de�nition
: number of edgesl
w
n: lengthl: widthw: angleQ
n=4
Q1Q2
Q3Q4
an urban lot example:
Generative:
Genetic Algorithms
OPT
IMIS
ATIO
N
COM
PUTA
TIO
Ngenerate random population
growing according to the rules de�ned by shape grammars
DNA - genotypes
�tness criteria
Start optimisationgenerate mating pool
1st step - selection of two parents2nd step - crossover3rd step - mutation4th step - accepting
New populationUsing the new population fora further run
ReplacementIf satis�ed, stop and returnthe best solution
Last step, testing
go to 1st stepFinished - Loop
parent 1
parent 2
1 0 0 1 1 1 0 0 0
1 1 1 0 0 1 0 1 0new
pop
ulati
on
1. mating: 2. crossover:
child+
1 0 0 1
1 0 1 0
1 1 1 0 0
1 1 0 0 0
1 0 1 0
1 1 0 0 0
new population
1 0 1 0 1 1 0 0 0
0 1
3. mutation 4. accepted new population
1 1 1 0 1 0 0 0 0
quasiGRAMMARS - ‘A goodly word is like a goodly tree.’
ConclusionSuggestion
Scripting and Codewriting Languages:
AutoLISP (AutoCAD)
C, C#, C++JavaMATLABMacScriptMaya
Processing (Java)Python
RhinoScript (Grasshopper)
Summary:
easier and faster:
threat
creation of large urban scenarios with the help of the method by which genetic algorithms and shape grammars integrated
generation and visualisation of large-scale urban projects
integration of non-regular geometry
manageable complexity for complicated urban design problems
reusability of design patterns over the process providing sustainability
may come to an abrupt end inadvertently.
may end up with sluggish due to the amount of information carried.
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2
3
4
User-friendly structureConvenient for designers no matter it is a fresher to use or not.
Downloadable librariesFast integration of texts and visual results
Easy integration with other 3D softwareAllows original concepts to be lifting up to their �nal forms
5
1
2
Tested at the beginning.Used to be very commonHard to grasp the work-�ow for a fresherLimited for visualisation of written text comparing to Processing
Designing complexity with AutoLISP in AutoCAD:
Processing combined with Grasshopper:
PointsElements
Libraries
Vectors
Traer Physics Point2line
Boolean Combinatorial optimisation
Point2line
Parametric controlling
ControlP5
Visualisation
PeasyCam
Others
Museum Mosque Social Housing Rennovation Eco-House Airport Terminal Observatory Residence O�ce Leisure Centre Town Hall
Global Warming Museum2007Istanbul - Taksim SquareStudent CompetitionIndividual
Mosque2006TrabzonAcademicIndividual
A Syncretistic Housing2008Tbilisi / GEORGIAAcademicIndividual
Survey / Restoration 2008Tbilisi / GEORGIAAcademicGroup-Work
Sustainable Housing2009Tbilisi / GEORGIAStudent CompetitionIndividual
International Airport Term.2009TrabzonDiploma ProjectIndividual
Bird Observatory and Research Centre Design2009Kars, Kuzey Doga SocietyProfessionalGroup-Work
Residence + Hotel2010EskisehirPractice (Job Exper.)Group-Work Techinal Drawing Rendering
O�ce2010EskisehirPractice (Job Exper.)Individual Design and Presentation
Pro-Steel ‘092009AmasyaStudent CompetitionGroup-Work Group Leader
Municipilaty Building and Square Design2009DenizliArchitecture CompetitionGroup-Work Designer
Masterplan
Liverpool WatersLiverpool, Graz, Hong KongWorkshop 3 Architects 2 Urban PlannersGroup-Work Group Leader
23
Thank you...
提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪
提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪
提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪
提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪
提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪
提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪
提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪
提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪
提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪
提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪
提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪
提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪
提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪
提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪
提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪
提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪
提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉 爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪爱雪
提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉米苏提拉
Adress: Visnelik Mahallesi,Taskopru Caddesi, No: 9/126020 Eskisehir / Turkeye-mail: [email protected] [email protected]
Personal
Project Manager, SENA Project, Eskisehir, 06-10/2011Editorial Assistant, Prof. Sengul Oymen Gur, 07-08/2010Editorial Assistant, Dr. Halil Ibrahim Duzenli, 01-04/2009Freelance Designer, Kuzey Doga Society, 09-12/2008Designer Assistant, Dr. Figen Beyhan, 01-04/2008Intern, Site Architect, ARITURK Cons. Com., 06-09/2007
Experiences
University of Liverpool, Liverpool, UK MA Architecture September 2012Karadeniz Technical University, Trabzon, Turkey Bachelors of Architecture July 2009
Education