Portfolio Pietro Sala

education contacts

SALAPIETRO

POLITECNICOAHO

portfolio2

102

2

006

personal info

education contacts

italian :mother tongue

internship at :spring ‘12

MIAW

- Sami Rintala + PoliM

I :fall 2010

wor

k experience

Rintala Eggertsson Arkitekter (Oslo)

internship at Caputo Partnership (Milano) :fall 2008

volunteer at Meeting Rimini :summer 2009

design + installation of temporary exhibitions

volunteer at Meeting Rimini :summer 2008

design + installation of temporary exhibitions volunteer at Meeting Rimini :summer 2007

Amber+ (Milano) :Feb 09-Jan ‘10

installation of temporary exhibitions

lang

uage

s

english :fluent

norwegian :good

spanish :good

windows, MAC :operative systems

Microsoft O

FFICE suite, M

icrosoft E

XCEL :pro

gram

s

Adobe Suite

(PS, A

I, ID, A

crobat)

:pro

gram

s

CAD from

2008, for W

indow

s and Mac :p

rogra

ms

Ske

cth

Up,

V-R

ay, R

hino

:3D

SALAPIETRO

POLITECNICOAHOCV

2

001

computer skills

personal info

education contacts

address: v

ia vittorio

veneto 33, 2

0862 Arc

ore (M

B), Ita

ly

born: M

ilano

(Ital

y), 31/

08/1987

skype: pietro.sala87

2010-12: Master Degree in Architecture

2012: Guest Thesis Student at AHO / advisor: Per Olaf Fjeld

2001 -06: Istituto Sacro Cuore, Liceum - final m

ark 90/100

Jens Bjelkes Gate

42, 0578 Oslo, N

orway

nationalit

y: Italia

n

mobile: +39 3473821798 (ITA), +

47 92521303 (NOR)

mail, google+: [email protected]

issuu: pietro sala87issuu

linkedin: pietro sala

fall 2011: ERASMUS exchange student at AHO

Arkitektur og design høgskole i Oslo

2006-10: Bachelor Degree in Scienze dell’Architettura

at Politecnico di Milano - final mark 110/110 cum laude

wor

k experience

lang

uage

s

SALAPIETRO

POLITECNICOAHOCV

2

1030

at Politecnico di Milano - final mark 107/110

Arkitektur og design høgskole i Oslo

computer skills

12

INDEX

thesis

works and intenships

1st year 3rd y

4th y

lett

ers

of re

fere

nce

2nd y

refe

renc

e co

ntac

ts

MIAW

07

08

09

1011

0102

03

04

05

06

B3 ST

UDIO

Am

ber +

INDEX

thesis


1st year 3rd y

4th y

5th year

preservatio

n and design

building designbuild

ing

desi

gn

building + public space design

detailed building design

building design

workshop

analytical survey +

internship

work

graphic representation

lett

ers

of re

fere

nce

2nd y

thesisOSLO

The Bus Terminal, also called Galleri Oslo is a

400 m long building completed in 1989 to

be a lively centre for Oslo, with shops

and public activities. It

became a failure, too much isolated from the pattern of the surrounding city, it is today a void in the heart of the city. After the construction of the

new Opera House all the near

districts started a new development,

giving the chance to reconsider for

Galleri Oslo in a more bright perspective.

PER OLAF FJELD

Per Olaf Fjeld studied architecture at Washington State

University and University of Pennsyl-vania from where he graduated in 1973.

At the University of Pennsyl-vania Per Olaf Fjeld studied under Louis I. Kahn. In

Norway, he worked in Sverre Fehn's office from 1973 to 1975

before opening his own office. His built

projects include the Oslo City Museum,

residential properties, and

furniture. Author of numerous

publication, he is a professor at

the Oslo School of Architecture .

He holds many lectures in Europe

and the US. From 1992 to 1999 Per

Olaf Fjeld was Rector of AHO. He is

a frequent member of competition juries

and advisory committees and a board

member of many architectural association. .

GENNARO POSTIGLIONE

He is Associated Professor of Interior Architecture at Politecnico

di Milano. His researches (lablog.org.uk) focus on issues that link

the culture of dwelling, the architecture and

Modern Movement, with a specific

attention for the Nordic countries. Author of many

publications about Sverre Fehn and

Norwegian Architecture. His

interests spread also to museography and

in the ways how collective memory

and cultural identity preserve and

develop crossing museum studies and

domestic environments. The house and the musem represent the

main themes of his teaching and studies. He was visiting professor

and organizator for many workshops in many

universities.

thesisOSLO

The Bus Terminal, also called Galleri Oslo is a

400 m long building completed in 1989 to

be a lively centre for Oslo, with shops

and public activities. It

became a failure, too much isolated from the pattern of the surrounding city, it is today a void in the heart of the city. After the construction of the

new Opera House all the near

districts started a new development,

giving the chance to reconsider for

Galleri Oslo in a more bright perspective.

PER OLAF FJELD
















member of many architectural association. .

GENNARO POSTIGLIONE

He is Associated Professor of Interior Architecture at Politecnico

di Milano. His researches (lablog.org.uk) focus on issues that link

the culture of dwelling, the architecture and

Modern Movement, with a specific

attention for the Nordic countries. Author of many

publications about Sverre Fehn and

Norwegian Architecture. His

interests spread also to museography and

in the ways how collective memory

and cultural identity preserve and

develop crossing museum studies and

domestic environments. The house and the musem represent the

main themes of his teaching and studies. He was visiting professor

and organizator for many workshops in many

universities.

01

final model_aerial view from south

AHO-ARKITEKTUR OG DESIGN HØYSKOLE I OSLO // POLITECNICO DI MILANOmaster thesisprofessor Per Olaf Fjeld

GALLERI OSLO:DISCOVERING A NEW PLACE

To re-think Galleri Oslo doen not implies just a reflection on aes-thetics problems or on functional aspects, what has to be the core of the work is a research on the power of the spatial quality of an architecture and what this can lead. The purpose is to activate the potential which this building can offer, making it part of the vibrant dynamics of the district. G. O. will become an intriguing collection of spaces, able to attract people and to enhance their desire to discover a new environment.This will happen with the inser-tion of new appealing functions and the improvement of the existing, but also will be achie-ved by a new spatial quality for the existing, relying on the capa-city that an architectural discus-sion can affect a building. This concept led the redesign process, introducing a series of gangways, ramps, and boxes linked together in order to break the monotony of the building. There is a new approach to the building, engaging the visitor in sensorial experience of the buil-ding where the movement is a unifying feature.

galleri oslo: discovering a new place

OSLO

The Bus Terminal, also called Galleri

Oslo is a 400 m long building completed

in 1989 to be a lively centre for

Oslo, with shops and public activities. It became a failure, too much isolated from the pattern of the surrounding city, it is today a

void in the heart of the city. After the

construction of the new Opera House

all the near districts started a new

development, giving the chance to

reconsider for Galleri Oslo in a more bright

perspective.

PER OLAF FJELD
















member of many architectural association.

02

B3 ST

UDIO

5th year

OSLO

The Bus Terminal, also called Galleri

Oslo is a 400 m long building completed

in 1989 to be a lively centre for

Oslo, with shops and public activities. It became a failure, too much isolated from the pattern of the surrounding city, it is today a

void in the heart of the city. After the

construction of the new Opera House

all the near districts started a new

development, giving the chance to

reconsider for Galleri Oslo in a more bright

perspective.

PER OLAF FJELD
















member of many architectural association.

study model

reading the area

concept - filling a void in the city

concept - carving the mass

AHO-ARKITEKTUR OG DESIGN HØYSKOLE I OSLObuilding design studioprofessor Per Olaf Fjeld

STUDIO B3. GALLERI OSLO. IN SEARCH FOR A PLACE AND ACONSTRUCTION

The first impact with the area of Galleri Oslo and with the building itself was the recognition of the presence of a huge urban element that, despite of its dimension, does not manage to be a positive polarity for the city, remaining, instead, just a sort of barrier without a real connection with the life around it. The people just pass through it to get to their own bus in the Bus Terminal, the only remarkable event hosted by the whole construction, tran-sforming Galleri Oslo in a simple corridor. To change the situation it was necessary to give to the fabric some features making it attrac-tive, a place to live and to stay. A continuously, variable space allowing and inviting people to walk and explore it.The new structure occupies the same footprint of Galleri Oslo and keeps, as it is now, the Bus Terminal. It is articulated in three layers, parallels and equal for width, created by four conti-nuous walls that are also the primary structure of the buil-ding.

all the project had been developed using study models that investigate the interior spaces, light and connections between al the parts of the building

This disposition recalls the previous one, but with the modification that the original linearity of the project has been replaced by a high gra-dient of complexity of different spaces, public and private, interacting together.Now it is possible to walk, explore and discover the entire construction, since the flux of the public is

not limited anymore to the “central layer”.The result is a big variety of spaces with diverse purposes but connected each other allowing the existence of the move-ment through the entire building. The people moving around activate the building and vice versa the intriguing spaces offered by the building itself make

people moving in it.

The original simplicity of the three layers and of the four walls has been overwhelmed by the complexity of the variety of spaces in filled in the structure, that are themselves generating another complexity, new in every moment becau-se is given by the way in which the people chose

in search for a place and a construction

all the project had been developed using study models that investigate the interior spaces, light and connections between al the parts of the building

to live the interior spaces. All the spaces have a certain awareness of the spaces close to them because everything is, in different gradients, inter-connected.

The initial purpose of “bringing the life of the city inside the building” is achieved so, through the realization of the com-plexity within the buil-

ding itself. Walking the entire length of the buil-ding it is possible to per-ceive all the different gradient of complexity present and to discover the richness present inside the footprint of the old Galleri.Eventually, it is possible to say that the complexi-ty typical of the territory of a city (with all its diffe-rent perspectives, paths,

public and private spaces) has been brought inside the building, crea-ting, in this way the con-nection previously mis-sing between Galleri Oslo and the area around it.

BRIVIO

This small town on the Adda river is

located 30 km North of Milano.

The castle represent the core of the city and it lays on what are believed to be traces of a roman villa or a small temple. The first

traces of a castle in a similar shape to

the current one date back to the X

century. The original function

was to protect the border of the

dominions of Milano, namely the Adda river.

During the history it changed many owners and

destination, many parts were added or demolished. After being a silk factory and a wine deposit in today partly residential and partly abandoned.

ANTONELLA SAISI

Teacher at researcher at Politecnico di Milano she is the

author of many and autorevoly recognized publications and researches about preservation of the

existing cultural heritage of Italy. She focused her analys on the many

different problems related to the

earthquakes.She currently

belongs both to the departments of

Architecture and Construction

Engeneering. The courses leaded by

her are: Chemistry and Technology of

Restoration and Material Conser-

vation, Material Conservation in Historical Buildin and Diagnostic of

Materials.

035th year BRIVIO

This small town on the Adda river is

located 30 km North of Milano.

The castle represent the core of the city and it lays on what are believed to be traces of a roman villa or a small temple. The first

traces of a castle in a similar shape to

the current one date back to the X

century. The original function

was to protect the border of the

dominions of Milano, namely the Adda river.

During the history it changed many owners and

destination, many parts were added or demolished. After being a silk factory and a wine deposit in today partly residential and partly abandoned.

ANTONELLA SAISI

Teacher at researcher at Politecnico di Milano she is the

author of many and autorevoly recognized publications and researches about preservation of the

existing cultural heritage of Italy. She focused her analys on the many

different problems related to the

earthquakes.She currently

belongs both to the departments of

Architecture and Construction

Engeneering. The courses leaded by

her are: Chemistry and Technology of

Restoration and Material Conser-

vation, Material Conservation in Historical Buildin and Diagnostic of

Materials.

material and decay analysis

1

2

3

4

6

7

8

POLITECNICO DI MILANOpreservation and design studioprofessor Antonella Saisi

REFURBISHMENT OF THE ABANDONED OF CASTLE OF BRIVIO

with D. Chierichetti, V. Duy, M. Nikolova, B. O’Donnel, B. Stojanovic

The castle of Brivio has a tradi-tional quadrangular shape. Each side presents differnt conditions of preservation. The part analyzed by our group was the southern one. This side was bulit later, compared to the rest of the castle because it was not facing the military border of the river. The upper part was addes in the XX cent. when the castle was transformed into a silk facory. After it was used as a wine facto-ry and storage, but it has been abbandoned for more than 30 years.The purpose was to achieve a complete mapping survey of every plan and to redraw this southern wing of the castle. The second phase was focused on the analisys of the materials and their level of decay. The point was to guess which one would have been the cause of the decay and argue for a specific solution.The last step was the design, on a preliminary stage, for a possible reuse of this part of the castle that would have been able to affect positively the life of the citizenship of Brivio and of the structure itself.

5

9

10

1white plaster

2red plaster

metal door 3

wooden stairs 4

metal beam 5

wooden floor 6

rust 10

bulge 9

water leaks 8

plaster detachment 7

MILANO

Many sites of the city that is going to host the 2015 EXPO are going to be refurbished, Porta Volta is one of these. The stretched shape of

the area is the mark left by the

spanish defensive wall built in the

XVII century that was surrounding

Milano. Nowadays few parts of the

bastions are left while the rest of the area is in a

general state of neglect.

4th year

CINO ZUCCHI

Born in Milano in 1955, he graduated in Bachelor of Science

in Art and Design at Massachusetts Institute of Technology in 1978 , and year

later he graduated in Architet-tura at Politecnico di

Milano, where he currently teaches

Architectonic and Urban Composition .

He is professor at the PHD in Progettazio-ne Architettonica e

Urbana. Zucchi led many internatio-

nal seminars of building design

and urban theory. He was visiting

professor at Syracuse

University of Florence and at

ETH of Zurich.His office won

many competitions and awards, both in

Italy and abroad, for his realizations and

proposals

04

MILANO

Many sites of the city that is going to host the 2015 EXPO are going to be refurbished, Porta Volta is one of these. The stretched shape of

the area is the mark left by the

spanish defensive wall built in the

XVII century that was surrounding

Milano. Nowadays few parts of the

bastions are left while the rest of the area is in a

general state of neglect.

4th year

CINO ZUCCHI

Born in Milano in 1955, he graduated in Bachelor of Science

in Art and Design at Massachusetts Institute of Technology in 1978 , and year

later he graduated in Architet-tura at Politecnico di

Milano, where he currently teaches

Architectonic and Urban Composition .

He is professor at the PHD in Progettazio-ne Architettonica e

Urbana. Zucchi led many internatio-

nal seminars of building design

and urban theory. He was visiting

professor at Syracuse

University of Florence and at

ETH of Zurich.His office won

many competitions and awards, both in

Italy and abroad, for his realizations and

proposals

FINAL MODEL: the pavilions plaza

POLITECNICO DI MILANObuilding design studioprofessor Cino Zucchi

THE CITY: A MOSAIC OF CULTURES

with Daniele Chierichetti

The site is in a historically important part of Milano. The stretch of bastions between Porta Garibaldi and Porta Volta has peculiarly long shape and includes the pre-existance of the old custom toll of Porta Volta.The programme requires the realization of a “slab” to host expo pavillions of many foreign nations.The plaza in front of the pavil-lions turns out to be a stage where all the national spaces overlook. An active public space for mutual cultural exchange between the citizens of Milano and the foreign population represented by the various pavillions. The core of the area is the public space of a plaza inclu-ded by two building similar for composition but not for dimen-sion and function. These are an auditorium and a restaurant that conclude the walkabout of the whole site.The Lombardy Region Pavillion is characterized by the brick frame facades that changes gra-dient of density as it goes higher. The use of brick recalls the tradi-tional “full / void” frame of the rural farms in the milanese countryside.

preliminary sketches for the west-end of the side. Plans and perspectives

Every area of the public space is described by a different pattern of the finishing stone. This helps the definition of the limits and the guide-lines that reads the site and the context.

stones - materials

plaza paving

red porphyryOriginally from Egypt it has been widely used by Romans and after in whole italy. Precious, it is used for details.

Grey of BodenFrom north Italy, it is common used in Milano, especially for public buildings. Here is, infact, adopted for the audito-rium and the bar

CeppoCheap and very common in the entire lombardy, it is used both for buildings both for pavings. We use it for the piazza. In diver-se sizes.

the city: mosaic of cultures

circulation schemes

VIA B. MARCELLO

Via Benedetto Marcello is what in Italy is called

“viale”. With this word it is meant a

large road with trees on both sides.

This particular case presents a very

large span of space between the two

opposite car lines that was supposed to be an

animated public ground for the inhabitants of the district.

Nowadays just half of it is designed, while the rest is used as a parking lot and once a week hosts the open grocery maket.

VINCENZA LIMA

Vincenza Lima is associate professor at Politecnico di Milano

since many years now. She belongs to the Department of Architecture and

Urban Studies. She is professor of building design and

interior architecture at the last year of the

bachelor. She is also advisor for many

students that complete their

bachelor studies.With her husband,

Raffaello Cecchi, they founded the

office Cecchi-Lima Associati, which

partecipated to many competi-

tions in Italy and abroad. One of teh

lates realizations is the Social

Housing Complex in via Ovada, in

Milano.

3rd y

VIA B. MARCELLO

Via Benedetto Marcello is what in Italy is called

“viale”. With this word it is meant a

large road with trees on both sides.

This particular case presents a very

large span of space between the two

opposite car lines that was supposed to be an

animated public ground for the inhabitants of the district.

Nowadays just half of it is designed, while the rest is used as a parking lot and once a week hosts the open grocery maket.

VINCENZA LIMA

Vincenza Lima is associate professor at Politecnico di Milano

since many years now. She belongs to the Department of Architecture and

Urban Studies. She is professor of building design and

interior architecture at the last year of the

bachelor. She is also advisor for many

students that complete their

bachelor studies.With her husband,

Raffaello Cecchi, they founded the

office Cecchi-Lima Associati, which

partecipated to many competi-

tions in Italy and abroad. One of teh

lates realizations is the Social

Housing Complex in via Ovada, in

Milano.

05 3rd y

final model opened

POLITECNICO DI MILANObuilding + public space design studio professor Vincenza Lima

A NEW URBAN CA-TALYST FOR MILANO

with Alain Marino, Elisabetta Rota

The aim of our project is to improve the urban landscape and to restore the identity to the public space of the site, that pre-sents itself today as disorgani-zed, isolated from the rest of the city and without formal unity.To get this point, to make the homogeneous the space we con-sidered to find an base-cell able to organize the entire site. The best solutions was to find it on the site itself. After the survey, we choose the AEM building, near via Boscovich. We divided this reference into smaller units that will define and organize the area.These "sub-units" had been distributed all along the site according to a increasing gra-dient of density that follows the relation existing between green and built. The first is decreasing from south to north, while the second, by contrast increases.It was decided to concentrate all buildings on the lot between Via and Via Scarlatti and Vitruvio.The four buildings are intended to become meeting places and to provide the possibility of a social interaction among residents of the area. Each building has a different function.

SOCIAL MILANO

The increasing

need of housing and the high prices

consitute a difficult match for the new

families, students and singles that look

for a place. The studio focuses on

co-housing as a solution to beat these

economical problems and optimizing the spaces needed

and the way they are used through the sharing. Particular attention is also for the best technologic solutions on the market in order to achieve a sostainable solution for the house life.

ALESSANDRA ZANELLI

Architect and PHD researcher in Environmental and Architectural

Technology from 2005, became in 2011 associate professor of

Technologies of Architec-ture at the Departmentof

Building Environmen-tal SciencesTechno-

logies of Politecnico University (Milano).

She develops her scientifical

research on the role of technical

innovation in the design process,

especially focusing on

adaptability and flexibility of the

construction with a particula eye on

advanced textile materilas as a

board member of many Italian and

International assotiations. She

cooperates with many specialized

magazined in the sector of the building technology.

3rd year 2nd y

SOCIAL MILANO

The increasing

need of housing and the high prices

consitute a difficult match for the new

families, students and singles that look

for a place. The studio focuses on

co-housing as a solution to beat these

economical problems and optimizing the spaces needed

and the way they are used through the sharing. Particular attention is also for the best technologic solutions on the market in order to achieve a sostainable solution for the house life.

ALESSANDRA ZANELLI






She develops her scientifical




adaptability and flexibility of the

construction with a particula eye on

advanced textile materilas as a

board member of many Italian and

International assotiations. She

cooperates with many specialized

magazined in the sector of the building technology.

3rd year

06 2nd y

final model 1:20

concept models: structural grid + natural shading / ornament

POLITECNICO DI MILANOdetailed building design studio professor Alessandra Zanelli

CO-HOUSINGBUILDING IN MILANO

with Benedetta Caggioni, Federica Sabatini

The main idea takes the move from the contemporary need of a flexibility of the interior spaces and the velocity of the building phase and its reversibility of it. The flexibility is required by the life style of the co-housing that has been adopted as the challen-ge to deal with during the design. The same space has to be thou-ght as something to be lived fully 24 hours a day by different users. The life in our days implies con-stant movement, from the hou-sewife, to the student. From the employee to the family; everyo-ne has different timetables and requirements. In this perspecti-ve, it is good to bring the exam-ple of the ground floor of the project. It has been conceived as occupied by kinder garden-homes. The family that lives in the apartment takes the respon-sibility of taking care of the small children of the community of the co-housing. The use of particular sliding panels the area of the house traditionally more dange-rous, as a kitchen, can be isola-ted, while it will become fully integrated with the rest of the house in the rest of the day. In this way it is possible to have a sort of “playground”.

structure

spring

winter

autumn

detail: glazed staircase

the double glass of the step allow the insertion of serigraphy or other kind of filters

bulloneria

all the spider joints, parapets and other finishing are in inox iron.The choice is due to aes-thetical reasons and to maintainability.

above side front

model: detail of the stairs

co-housing in Milano

GENOVA

After that the most of the mercantile vessels had been moved away form

the old central harbor, the

majority of the seafront has been

requalified by the work of many architects, for

example Piano and Consuegra. The so called “Bacinetto” isthe last part that remains untached, but the recent completion of the new Museo del Mare asks for a reconvertion of this last part.

DAVIDE PATERGNANI






He develops her scientifical




adaptability and flexibility.

3rd year 1st year

GENOVA

After that the most of the mercantile vessels had been moved away form

the old central harbor, the

majority of the seafront has been

requalified by the work of many architects, for

example Piano and Consuegra. The so called “Bacinetto” isthe last part that remains untached, but the recent completion of the new Museo del Mare asks for a reconvertion of this last part.

DAVIDE PATERGNANI






He develops her scientifical




adaptability and flexibility.

3rd year

07 1st year

aerial view _project and area

seafront housing

pointing the Lanterna

POLITECNICO DI MILANObuilding design studio professor Davide Patergnani

NEW HOUSING FOR THE OLD SEAFRONT OF GENOVA

with Breandan Patrick O’Donnell

The program required a commer-cial ground floor and residence for the other levels.The project is developed in a peculiar area, narrow and long in the water of the harbour. Every side presents very defined featu-res. The North side is strongly influenced by the presence of the elevated highway deviding the built city to the seafront. To the West, the Old Dock is characteri-zed by the numerous boats and yacths and by the tourist attrac-tion represented by the Toti submarine and the Museo del Mare. The East side hosts a the noisy dry dock, to be dismantled soon. The South beautiful view on the harbor and, above all, on the “Lanterna” lighthouse (simbol of Genova) is the most important element to consider.Therefore the projetc was concei-ved starting from the context. Designed as a telescope to point to the Lanterna the building becomes narrower towards the end. The longitudinal elevations are completely different in rela-tion to what they are facing: the one on the dock is very open, while the other one on the dry dock is completely closed.

narrow streetsla Lanterna

pointing the Lanterna

final model

S. MARIAINCORONATA

The church is formed by two

paired buildings.. was completed in

the same age of

the election of Francesco Sforza

as duke of Milan 1451. In 1460 the duke's wife, Bianca

Visconti, commissione the construction of a new church next to the oldest one, identical and connected to it, in order to create a single, larger edifice.

LUIGI COCCHIARELLA

He teaches Descriptive Geometry and other disciplines related

to Graphic representation at the School of Architettura e Società, where

since 2011 he is a memberof a joint committee of

teacher and studentsfor school activities

monitoring (Commissione

Paritetica). From 2004 to 2010 he has

also taught at the Faculty of Design.

From 1999 to 2009 he teaches at the post- graduated

school SILSIS-MIfor secondary

school teachers.

3rd year 1st year

S. MARIAINCORONATA

The church is formed by two

paired buildings.. was completed in

the same age of

the election of Francesco Sforza

as duke of Milan 1451. In 1460 the duke's wife, Bianca

Visconti, commissione the construction of a new church next to the oldest one, identical and connected to it, in order to create a single, larger edifice.

LUIGI COCCHIARELLA

He teaches Descriptive Geometry and other disciplines related

to Graphic representation at the School of Architettura e Società, where

since 2011 he is a memberof a joint committee of

teacher and studentsfor school activities

monitoring (Commissione

Paritetica). From 2004 to 2010 he has

also taught at the Faculty of Design.

From 1999 to 2009 he teaches at the post- graduated

school SILSIS-MIfor secondary

school teachers. 3rd year

08

1st year

interior

POLITECNICO DI MILANOsurvey and representation studio professor Luigi Cocchiarella

CHURCH OF SANTA MARIA INCORONATA

The aim of the studio is introdu-cing to basic concepts of spatial description in the architecture scale. Freehand drawing and technical drawing will be sup-ported by lectures of Descriptive Geometry as graphical repre-sentation of three-dimensional lines, surfaces and solids with emphasis and development of drawing skills. So the students will focus on many different techniques, from the sketch to the map, from drawing to mode-ling.Students will be required to analyze an architecture, to develop visual drawing and physical interpretation of the morphology to produce clear drawings; to support documen-tation and analysis, to hand-draw views and plans using the correct proportions; to develop the understanding of architectu-ral “space”; to learn a wide-range use of design and visual techniques, to improve a thorou-gh use of correct scale definition and drawing codes.Architectural space will be experimented by conventional techniques of representation - maps, orthographic projection, axonometric and perspective drawings, – analyzing relevant designs both in the building scale and detailed scale.

santa maria incoronata

freehand survey sketches

THE IDEAL

The starting point of the work is the

reappropriation of the real value of

things in a way to discuss the winning capitali-stic philosopy which measures all on thier ability of produce an income, with the limit of not

considering many other good ideas.

Our citieshas become an

impersonal “no men’s land” . We

live in a sequence of

spaces without particular quality; it is time to claim from the ords of “money-makers” a more human environment. To do that we need a perfect business plan.

SAMI RINTALA

Sami Rintala (1969) is an architect and an artist, with a long

merit list after finishing his architect studies in Helsinki (1999). He established

architect office Casagrande & Rintala 1998, which

produced a series of acknowledged

installations around the world until 2003.

Rintala had his first wider recognition in 1999 with the Land(e)scape:

Three abandoned wooden barns

were raised on 10 meter high legs. In

Venice Biennale 2000 Sixty Minute Man was realized;

A ship sailed to Arsenal with a

garden inside.In 2008, Rintala

started a new office with Eggertsson,

Rintala Eggertsson Architects. Big part

of Rintala’s work is lecturing and workshopping in various universities.

3rd year

1st year


THE IDEAL

The starting point of the work is the

reappropriation of the real value of

things in a way to discuss the winning capitali-stic philosopy which measures all on thier ability of produce an income, with the limit of not

considering many other good ideas.

Our citieshas become an

impersonal “no men’s land” . We

live in a sequence of

spaces without particular quality; it is time to claim from the ords of “money-makers” a more human environment. To do that we need a perfect business plan.

SAMI RINTALA

Sami Rintala (1969) is an architect and an artist, with a long

merit list after finishing his architect studies in Helsinki (1999). He established

architect office Casagrande & Rintala 1998, which

produced a series of acknowledged

installations around the world until 2003.

Rintala had his first wider recognition in 1999 with the Land(e)scape:

Three abandoned wooden barns

were raised on 10 meter high legs. In

Venice Biennale 2000 Sixty Minute Man was realized;

A ship sailed to Arsenal with a

garden inside.In 2008, Rintala

started a new office with Eggertsson,

Rintala Eggertsson Architects. Big part

of Rintala’s work is lecturing and workshopping in various universities.

3rd year

1st year

MIAW

09


POLITECNICO DI MILANOMIAW-Milano InternationalArchitecture Workshopprofessor Sami Rintala

RE_BOX.A BUSINESS PLAN AND INSTALLATION

In five days the team of students and teachers has designed and implemented an architecture. The interest of this work lies not only in the final result, the archi-tecture implemented, the visible part of an all-round, but espe-cially in a process that caused a short circuit compared to the classical oppositions project / construction, theory / practice, teachers / academic / "real" world.A non-linear method, in which every act, every action is inte-grated and takes shape, it so happens that architecture beco-mes referentiality travel expe-rience, sharing and building. The interaction between the diffe-rent parts of the architecture, including the different attitudes of each participant (MIAW was an international workshop with students from everywhere in the world) is the core of a working method which aims to increase the attention, participation, inte-rest and creativity to architectu-re and allied activities screwing, plan, planing, cutting, discuss. The project was only one factor, an element of the constellation of activities in which each student participated in this workshop.construction phase

INTERNHSIP

To consider the career of a studnet of architec-

ture complete the university of

Politecnico di Milano requires the

accomplishment of a minimum 150

hours stage. Under the supervision on the professor and architect of Politecnico di Milano Massimi-liano Spadoni (also founder of

Studio AZero Architects) and the

tutoring in teh office by Dagur

Eggertsson, this experience had

been highly formative under all

the aspect for me as and architect.

DAGUR EGGERTSSON

He is an architect with a professio-nal background from a number of the

most prominent offices in Oslo. After his degree from the Oslo School of Architecture in 1992, he

started his collaboration with architect Vibeke

Jenssen, as NOIS architects. In 1996

he got a master’s degree at the

Helsinki University of Technology,

under supervision of Professor

Juhani Pallasmaa. Along with his

practice, he taught architecture in

Norway, Iceland and Sweden. He is

examinator at the Oslo School of

Architecture.In 2008, he started

with the architect Sami Rintala the

office called Rintala-Eggertsson

Architects.

3rd year

1st year


INTERNHSIP

To consider the career of a studnet of architec-

ture complete the university of

Politecnico di Milano requires the

accomplishment of a minimum 150

hours stage. Under the supervision on the professor and architect of Politecnico di Milano Massimi-liano Spadoni (also founder of

Studio AZero Architects) and the

tutoring in teh office by Dagur

Eggertsson, this experience had

been highly formative under all

the aspect for me as and architect.

DAGUR EGGERTSSON

He is an architect with a professio-nal background from a number of the

most prominent offices in Oslo. After his degree from the Oslo School of Architecture in 1992, he

started his collaboration with architect Vibeke

Jenssen, as NOIS architects. In 1996

he got a master’s degree at the

Helsinki University of Technology,

under supervision of Professor

Juhani Pallasmaa. Along with his

practice, he taught architecture in

Norway, Iceland and Sweden. He is

examinator at the Oslo School of

Architecture.In 2008, he started

with the architect Sami Rintala the

office called Rintala-Eggertsson

Architects.

3rd year

1st year

10


internship

index of RE Monography: final design logos

128SAFE HAVEN LIBRARY

109ALLAI

097KUMTA

088GRAPH

068VIEWPOINT

053SAUNA

041FISHING POINT

033ARBORETUM

026MIILU

009BOXHOME

014SELJORD

RINTALA/EGGERTSSON ARKITEKTERInternshiparchitect Dagur Eggertsson

RINTALA / EGGERTSSON - OSLO

The first week focused on the design of a small wooden pavi-lion to be built in old disused dock in the city of Zhoushan, China, the metropolitan area of Shanghai and involved me par-ticipating in short meetings to discuss the design and imple-mentation of several models of study in the scale 1:500. The ma-terials used were gray card, blue card, balsa wood and PVC. Secondarily I draw some preli-minary study plans and section for other project developed by the office.For the remaining weeks of trai-ning I have worked, instead, on the graphic layout for a mono-graph on the work of the office to be published in Hong Kong and China.The monograph aims to illustra-te the development of the corpus design of the study in the last five years.The projects were selected from the study in order to show the wide range of solutions presen-ted to the office.in the publication are also shown realizations result of several workshops conducted by Dagur Eggertsson and his colleague and co-founder of the study Sami Rintala.

birth of a logo

AMBER +

During my last year of bachelor I have

been working for three or four days a

week. The office of Milano is one of the

three that this firm has; the others are in Udine and Rotterdam. In this period I have been involved in different phases of the project design

and in various projects and

competions. Some of them are

nowadays under construction. All in

all it was a very positive experience

and a way to get in touch with the everyday

life of an architecture office

MASSIMO BERTOLANO

He graduated with honors in Architecture at IUAV of Venice) in 1995,

with a thesis on Territorial Planning with the Prof. Bernardo Secchi that

got the first prize by the city of Udine as the best

urban study for the territory of Udine in

2001. Formed with the architect Gino

Valle, he tackled the first work

experience as an interior designer

in Moscow. From 1997 he worked in

Rotterdam as Associate with E.

van Egeraat. His attention to issues

related to the city and the region led him to become the designer responsi-

ble for projects such as the master plan and architectu-

ral design . In 2007 he founded the office

Amber+Atelier Massimo Bertolano.

3rd year

1st year


AMBER +

During my last year of bachelor I have

been working for three or four days a

week. The office of Milano is one of the

three that this firm has; the others are in Udine and Rotterdam. In this period I have been involved in different phases of the project design

and in various projects and

competions. Some of them are

nowadays under construction. All in

all it was a very positive experience

and a way to get in touch with the everyday

life of an architecture office

MASSIMO BERTOLANO

He graduated with honors in Architecture at IUAV of Venice) in 1995,

with a thesis on Territorial Planning with the Prof. Bernardo Secchi that

got the first prize by the city of Udine as the best

urban study for the territory of Udine in

2001. Formed with the architect Gino

Valle, he tackled the first work

experience as an interior designer

in Moscow. From 1997 he worked in

Rotterdam as Associate with E.

van Egeraat. His attention to issues

related to the city and the region led him to become the designer responsi-

ble for projects such as the master plan and architectu-

ral design . In 2007 he founded the office

Amber+Atelier Massimo Bertolano.

3rd year

1st year

11

Am

ber + works and intenships

final masterplan proposal

com

mon

par

k

resi

dent

ial

stud

ent r

esid

ence

s

old

casc

ina

com

mer

cial

diagrams

AMBER+Atelier Massimo BertolanoWorkarchitect Massimo Bertolano

ONE YEAR WORKING AT AMBER+ATELIER MASSIMO BERTOLA-NO

One of the firts project I have been taking part was a resinde-tial masterplan in Monza, in the place of a former factory of cardboards.I searched for references and I designed some proposals for a children playround. Then I had been working on differnt typolo-gies of housing, from the block apartment to the two floors villa.Secondarily I took part of the graphical part and representa-tion for a competition to build a residential and social housing district in via Cenni in Milano.The third project I have been asked to work with was a private villa to build on the top of a small hill in a municiplaity close to Udine. I worked on teh design of the outdoor swimming pool and the underground cantina for the storage of wine barriques that the owner produces. This project is, nowadays, on the way to be completed. For this building I also worked on the physical ma-quette to be show to the client.The office was composed by a partner, three archietcts and two students as intern. The working enviromnet was productive and positive.

BORGO

MICRO PARCOCORTE

ORTO

BELVEDERE

spazio ceduto

spazio fondiaria

spazio asservito

IN

G

12

thesis


1st year 3rd y

lett

ers

of re

fere

nce

thesis


1st year 3rd y

lett

ers

of re

fere

nce

reference letter

rr iinn tt aa ll aa ee gg gg ee rr tt ss ss oo nn arkitekter vatn nr. 991869093 To whom it may concern

Oslo, 06/07/2012

WORK REPORT FOR PIETRO SALA

GENERAL

Pietro Sala was an intern in our office between 08/06/2012 and

05/07/2012. He worked 4 days pr week, and used the fifth day of the

week working on his master’s thesis. This was a good arrangement for

both Pietro and Rintala Eggertsson Architects.

TASKS

Sala performed different tasks in the office ranging from model

making, strategic planning, technical drawings and presentation work,

including 3d drawings and Photoshop. His skills in presentation and

graphic design made it possible for us to engage him in the process of

designing a monograph of the office which will be published by a

Chinese publishing house in a few months.

He was also actively involved in developing design strategies for the

harbour development, including an open- air theatre the office is

working on in Zhoushan, China.

PERFORMANCE

During the period of the internship, Pietro was a very positive,

focused and concentrated on his work. He showed genuine interest in

discussions about architectonic content and conceptual foundations of

the projects which enabled him to take an active part in the shaping

of our work.

CONSLUSION

Altogether Pietro Sala was a very positive contribution to the office

and we have no hesitation in recommending him for work in other

offices.

Sincerely,

Dagur Eggertsson

reference letter

-

Per Olaf FjeldAHO-Institutt for arkitektur

Oslo

tlf. 22 99 70 70mob. +47 91195066

[email protected]

Rolf GertslauerAHO-Institutt for arkitektur

Oslo

tlf. 22 99 70 [email protected]

Dagur EggertssonRintala/Eggertsson Arkitekter

Oslo

mob. +47 [email protected]

Massimo BertolanoAmber+ architecture plus urbanism

Milano

mob. +39 3463254704

Fausto Carlo TestaAssociate professor at Politecnico di Milano

Milano

[email protected]@polimi.it

reference contatcs

Portfolio Pietro Sala

Documents

Transcript of Portfolio Pietro Sala