Portfolio Pablo Estefania

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Pablo Estefania Portfolio

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Portfolio Pablo Estefania Architecture TU Munich / FAU Universidade de Sao Paulo

Transcript of Portfolio Pablo Estefania

Page 1: Portfolio Pablo Estefania

Pablo Estefania Portfolio

Page 2: Portfolio Pablo Estefania

INDEX

3 Curriculum Vitae

4 - 7 8. Xella Student Competition: Im Herzen der Stadt - Stachus München

8-9StahlbauPflichtentwurf Berghütte im Höllentallklamm - modulares Bauen

10-11UrbanismPflichtentwurf Neue Mitte Freimann - Bayernkasserne

12 - 13 Project & Patrimony Künstleunterkunft am Flaucher - Living for artists at the Flaucer

14 - 15 Tensile Structures II Project: Cover for the Glypthothek Museum(Munich)

16 - 17 Construction Design Project I SolarDrop-EnergyEfficientLab.

18 - 19 Construction Design Project II SightseeingtowerforthePerlacherFrost-AlmostTensegrity

20-22ParametricArchitectureI Cardboard Furniture - SPLINES

22 - 24 Sketches: Munich & Bilbao

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Pablo Estefania Lopez(11) 64318330 - [email protected]/12/1990 - 21 anosRua Paris 217, 01257-040 PerdizesSão Paulo - SP

OBJETIVO Estágio na área de Arquitetura e Urbanismo.

QUALIFICAÇÕES Raciocíniológico,posturadinâmicaepró-ativa,defácilrelaciomento Interesse e bom desempenho em disciplinas de projeto Conhecimento e interesse em comunicação visual e tratamento de imágenes

FORMAÇÃO 2008 - Technische Universität München,Alemanha-ArchitekturDiplom Ensino Superior 2012 previsão de conclusão: julho de 2013 2012 FAU USP-duração1anoAcadémico PremioBolsaEMECWBrasil-EUBRANEX

Ensino Medio 2000- Deutsche Schule Bilbao, Espanha 2008conclusão:Abitur

FORMAÇÃOCOMPLEMENTAR 2011 Waterford International Seminar,Waterford, Irlanda Intensive Envelopes - cooperação WIT(Waterford), TUM (Munique), ENSA M-la-V (Paris) 2012SãoPauloTUMExpertAlumniSeminar,SP BRICS Megacities-Urbandevelopment,focusontransportandwater

INFORMÁTICA ArchiCad,Vectorworks,AutoCad2D,3D-Rhinocerous,V-rayforRhino,Cinema4d AdobePhotoshop,Illustrator,InDesign,Premiere,MicrosoftOfficeWord,Powerpoint

IDIOMAS Espanhol lingua materna Alemão avançãdo Portugués avançãdo Inglés avançãdo Frances intermediário

ESTÁGIOS 2010Ajuriaguerra3S.L.,Bilbao,Espanha escritorio arquitetura , duração 4 Semanas 2009VIA2002,Bilbao,Espanha construtora viviendas Carlos Ferrater Bilbao, duração 4 Semanas 2008Bielkeu.Struve,Eutin,Schlesswig-Holstein,Alemanha escritorio arquitetura, duração 3 Semanas

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in the center of munich - between central station and city Hall - we find now a large department store from the 70s and the five-star hotel royal court, which, with its distinctive panoramic restaurant located exactly on the axis of munich pe-destrian zone. so prominent a position of the two major city buildings is so great is the assumption that the architectural and urban design potential of this place today is far from exhausted. the design problem consists in the planning of the whole area, which give the place a new identity is capable of. the aim is to recapture now almost paradigmatic mono-functional unused locations for diverse activities in the heart of the city. at such a central place in the city, it is now in the course of the contest to first formulate a (new) urban design, their morphology, the analysis of the context, however, seeks as much of a following step designing own attitude. the elaboration of the new building, the ratio of city and house and reflect the public and private space in an appropriate manner. but not only a response to the controversial question of who owns the “spaces” of the city, can be given at this level, but also a programmatic and architectural statement about appearance, use and typology of public spaces.the project consist in building a compact body ocupying the entire plot, assuming the necessary presence of the shape for the surrounding. the dwelling is divided into 3 parts, 3 total independentcharacters, with different patios or zones, that evoke the primary forms as the pyramid, the square and the sphere. the first, solves the living programme, giving to each flat a private terrace. the second, public pedestrian, holdes the office and commerce programm. finally, the sphere gives the hotel in the front an patio which serves as connexion point between all the service areas. the outer shell of the complex should unify the three typologies as a mantle.

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“neue mitte freimann”roof farmingtheroofterracesfortheresidentsandmaybeusedforRooffarmingandbeekeeping.theproductswillreceiveasealandintheshops of the area can be sold.thisisthenewcenterwithLeb-ensmittelwithoutembodiedenergysuppliedbythebrandingandidentityisstrengthenedlivinginourbuildingtherearethreedifferentblocksthatdefinethebuildingeast-westmodules.depth:12mdevelopment:singlestaircaseandliftover3floorsbalconies to the courtyardapartments:50m2, 60m2, 82m2, 108m2 maisonette apartments: 78m2 and 127m2north - south modules depth:8m+2mpergolaaccess:porchwithstairsinthecornerpartofcorehouses:60m2corner modulesdepth:12mand10mdevelopment:stairwellapartments:112m2thesocietyhaschangedinthelastfewyears,especially intheareaoffamiliesandhouseholds.wearelookingformoresmalldwellings.therefore,wehavekeptmostofthehomesinthearearathersmall.Intheneighborhoodtherearemanymoresingle-familyhomesandhousing-nungen.thereisalackofsmalldwellingsoftheareacovered,andthusmoreintegrationofthevarioushealth society groups sought.the public spaceinordertopromoteencountersinpublicspacewehaveplannedwidesidewalksandnotexclusiveweightheritageorneighbor-hooddefined.bymixingthefunctionsofpublicspaceischarminganddiverse.parkournewcentergetsabigpark,arecreationareaforresidentsandneighbors.intheformwehavefocusedontheexistenceoftreesinordertoteardownasfewtreesneed.thebigsportareafromtheoldbayernbarrackswasalsoobtained.

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in front of the gates of Munich put crown prince ludwig, king of bavaria, a monument to ancient greece. in the “athens on the isar”, the idealized ancient culture found a new home. it won the 1815 and architect leo von klenze philhellene created a place in the manner of an ancient forum, located on the north side of the glyptothek with greek and roman sculptures.behind the classical temple front of Ionic style, the rooms offered from destruction during the second world war with colorful frescoes and magnificent stucco an overwhelming impression. after reopening in 1972, the structures of only slightly whitewashed brick masonry are visible.the museum became truly a place for the observation and contemplation in the nowadays busy heart of munich. the objective of the project was to create a flexible structure, to cover the central patio in case of rain, or solar radiation ex-cess during music and theater performances in the museum. after experimenting. the difficulty relied not only in creating a material saving, easy to assemmble structure, but also in the delicazy of what kind of intervention would suit with the character of the building without diminuiying its importance. the proporsal tries to rebring the idea of a tent landscape similar to the the olymic games parc. the cover is suported by 4 sticks with points at equidistante distances and tensed in the middle to assure the structure to the ground.

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the body comes from the idea of the sun as the only energy source to use. the outer shell adapts accordingly to get the best solar radiation angle in any all sky direction, so that the surface absorbs the light rays as much perpendicular as possible . on the north-east side, the surface lens steeper becauseofthelowangleofincidenceofsolarradiation,whileonthesouth-westsidebecauseofthehigherpositionofthesun,itisratherflat.flexiblephotovoltaicfilmontheaircushionofthefrontgeneratestheenergythatisnecessaryforatwo-personhousehold.thecurvatureoftheaircushion-sen,andthusthefilmwillallowoptimalutilizationofsolarradiation.therecoveredenergyisusedinbatteriescollectedandstoredunderthebuilding.thewatercon-tainerinthegroundisheatedbyelectricity,theinteriorfeaturesaheatedfloor,whichisfedexactlylikeeverythingelseinthehouseholdoverthesun’senergy.thefloorplanfollowstheideaofenergy-efficientcompactness.itconsistsofanellipseandacirclewhichblendintotheirmids.thecasespannedfreelyoverthefloorplancreatesapureandinterference-freedesign.thetoiletisthusinthemiddleoftheroomasaroom,annexwhereallthenecessaryinstallations.Thestructurecon-sistsofhorizontalpressurewashersandsecuredstruts.onsite,theringsareinitiallybroughttothecorrectheightbybeingattachedtoasubstructure.itconsistsoftwoarcsthatareperpendicularto each other and form the principal curvature directions.whenthepressureringsareatthecorrectheight,thestrutsareusedintheballjointsandadjustedbythethreadinlength.affterwards,thetire-shellishungavoidingheatbridgesasasecondskin.

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alookouttowerforforestperlacher.startingwiththeideaoftransparency,lightness, permeability, easy assembling, and dismantling, proportion...the question of the cost ofmaterialsisconsideredasthebiggestchalleng.therefore,wewerewatchingthroughmate-rialcoststobeaslessaspossible.inordertoachieveitwewentthroughdifferentexperiments,studyingtheprinciplesoftensegrity.testingmodelsindifferentscales,wecameultimately,tothisstructure.theinteractionofpressureandtrainsticksraisesthevieweroverthetopofthesurround-ingtrees.thesurroundingtrees.thecompressionbarsarev-shapedintoringsconnectedwiththeliftcordingtoconnectthepressure-ringwitheachother.thedifferentsizedintermediatelevelsalso serve as reinforcing elements since they are connected to the pivotal axis of construction. the towerhasatotalheightof22metersandadiameterof5.allumibiumischosenasmainmaterial.the lift cords are made of rust-proof steel. the prefabricated construction v-shaped elements and thenassembledonsiteintoringsandacraneonthepredeterminatedheightinterconnectedwithsteel cables.

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parametric architecture. grasshopper for rhino. form. the concept tries to analog the shape of the humand body in order to achieve a comfortable seatorcouch.therelaxedattitudewasexaminedasthephisicalconditionforproject.theformcurveisgenertedalongacurvedefinedbyacos´function,determinigthemaximaandminimaonthe piece. the goal is to achieve a serial production of individual items, but building together a unit. throughthesquareintersectionofthedifferentpicecesthecouchallowssparinginmaterial,butreaching high stability. a quick and clean assembling is achieved using a simple plug in construc-tion method.

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