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CONTENTS
1. RESUME
2. ARCHITECTURE WORKS
DEALING WITH THE PROGRAM
DEALING WITH THE EXISTING
DEALING WITH THE CONTEXT
DEALING WITH THE LANDSCAPE
3. ACADEMIC LEADERSHIP
4. PUBLICATIONS
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RESUME
1973 Born in Madrid, Spain
1998 Bsc. Architecture, School of Polytechnic University of Madrid
2000-2011 Associate Professor of Design at the Architecture School of
Polytechnic University of Madrid
2000 Invited Bienal of Venice
2002 Honorable Mention Luigi Cosenza Prize
2003 Honorable Mention C.O.A.M. awards
2008 JAE exhibition. young Spanish Architects
2008 Scholarship by the Royal Spanish Academy of the Fine Arts for re-
search in Rome
2009 Final stage Architectural Digest awards
2010 Selected BSI University of Mendrisio awards
2010 Final Stage FAD Spanish Awards
2011 Design Vanguard Award 2011. Architectural Record
2011 Emerging Architecture Awards. Architectural Review.
2011 First prize Hauser award 2012
2012 FAD architecture award 2012.
2012 Public opinion award FAD 2012.
2012 GA Document International Emerging future 2012
2012 COAM Award 2012
2012 Phd candidate doctoral thesis: Louis Kahn vs Robert Venturi: Coin-
cidences in time and space
INTERNATIONAL COMPETITIONS
1994 Four new doors for the Retiro Garden Competition. First Prize
1996 Steel Award. E.T.S.A.M. The house made of steel. First Prize
1996 New Bio-house Competition. Third prize
1997 IV steel Award A comertial surface . Accesit
1997 New Architectural School Competition for C.E.U. First Prize
1999 Multifuntional building at El Chopal park. Valladolid. Accesit
1999 New square plaza of the Pelayos de la Presa City Hall. First Prize
2000 New Politecnic School Building Competition for C.E.U.. First Prize
2001 New School in Albacete. First Prize
2001 57 new houses for young families in Castilla-La mancha. First Prize
2002 56 experimental houses in Granada for the E.P.S.A. Second Prize
2002 37 experimental houses in Sevilla for the E.P.S.A. Second Prize
2002 28 experiemntal houses in Sevilla. E.P.S.A. Honorable mention
2002 Europan VII International Competition in Santoa. Runner up
2002 Europan VII International Competition in Montijo. Runner up
2004 45 social housing in Madrid Vallecas 29. First Prize
2005 Sports Building fot the Complutense University of Madrid. Olympics Madrid
2012. First Prize
2007 VIVA Competition for 320 experiemental housing for young familiesin Ma-
drid. First Prize
2007 Restoration of the old slaughters-House of Madrid. New Art Center Mata-
dero-Madrid . First Prize
2007 New Sports Building and open playgrounds of Vallehermosos Garden of
Madrid. Accesit
2007 New Distric Attorneys ofce building in Madrid. New Justices Campus in
Madrid. First Prize
2010 New Turist Hospederia Competition in Herrera del Duque. Extremadura.
Third Prize
2011 Eurpoan 11 Competition in San Bartolom. Honorable Mention
2011 International Competition Sculptures Museum in Leganes. Madrid. Honor-
able Mention
Iaqui Carnicero Architecture Office
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LECTURES
2007 Lecture at the COAM Fundation. Builded Architectures. School
2002 Lecture: Finished work 2000-2002. C.O.A.M. Politecnic School of CEUs fun-
dation
2002 Lecture in cicle: Young awards architects.
2008 Lecture at the E.T.S. of Architecture in Madrid.
2008 Lecture at the Circle of Fine Arts in Madrid The future of Madrid .10 architec-
tural emerging ofces
2008 Lecture at the Tabacaleras new visual arts building in San Sebastian
2008 Lecture at Navarra University
2008 Visiting Profesor Mater Collective Housing at the E.T.S. of Architecture in Ma-
drid
2008 Visiting Profesor Navarra university
2008 Visiting Profesor Master Collective Housing in the ETSAM
2009 Lecture at the Royal Spanish Academy of Rome
2009 Debate Table with Young Finnish Architects in Madrid
2009 Visiting Profesor to the new Master of Design at the E.T.S. of Architecture Ma-
drid. Critics lab and theory.
2010 Visiting Profesor at the Workshop at Castello di Proceso. Siena. Italy. Universita
di Sapienza di Roma
2010 Lecture at Sevilla University
2010 Visitng Profesor at the Workshop Avant-garde at Burgos University
2011 Convegno Internazionale di Architettura :A Roma/Da Roma. Lecturer
2011 Lecture at Campus Ultzama. Pamplona University
2011 Lecture at Roma Tre University
2011 Visiting Profesor to the Master of Restoration at the E.T.S. of Architecture in
Madrid.
2012 Lecturer at Najera international seminar: Contemporary architecture interven-
tion in the heritage.
2012 Lecturer Facolt di Architettura Universita Cagliari. Cerdea.
2012 Lecturer at La Sall ARQ Barcelo.
2012 Lecturer at Barcelona School of Architecture ETSAB
2012 Lecture at APFC Juan Herreros
2012 Lecture at Master di Historia, Architettura e Progetto at Universita di Roma Tre
2012 Gensler visiting critic at Cornell University.
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WORKSHOPS AND SEMINARS
2010 Invited Workshop at Castello de Proceno, University la Sapienza
2010 Director of the International Architectural Congress 100 years learning
from Rome at the Royal Spanish Academy of Rome
2010 Director of the International Seminar Architettura e Resistenzia at the
Royal Spanish Academy of Rome
2011 Visiting teacher Workshop Campus Ultzama: Llegadas Partidas. Fun-
dacin Arquitectura y Sociedad
2011 Visitng teacher Workshop di Progetazzione Internazionale University of
Roma Tre, Temple University, Waterloo University
2011 co Director Symmetries summer workshop University of Split
2012 co Director Symmetries winter workshop University Roma Tre
2012 co Director Symmetries summer workshop ICTSE Lisbon.
2012 visitng teacher at Encontros Ibericos Valladolid
JURYS
2007 Technical Comition of the New Exhibiton and Congress building of
Madrids Competition.
2008 Jury of the third Young Architects Competition Javier Morales. Hercesas
Fundation
2007 Technical Comition of the New Administration Building New Justices Cam-
pus of Madrids Competiton
2009 Jury of the Final Proyects of the Architecture School CEU of Madrid
2010 Jury Final works of the University of Sapienza di Roma
2011 Final reviews University Ponticia Salamanca
2012 Final reviews UniversityFrancsico Vitoria
EXHIBITIONS
2000 Exhibition of the Selected Works of the rst Bienal of Spanish Architecture
for Students
2000 Exhibition of the awared works of the New Politecnic School Competition
2000 Exhibition at the Arquera of the New Ministerios.
2000 Chill out space for the International Comtemporary Art Fair ARCO in Ma-
drid.
2001 Spanish Pabillion at the Bienal of Venice.
2003 Exhibition at the COAM Fundation Finished work with the Politec-
nic School of CEU Fundation
2003 Exhibition at the Mies Van der Rohe Pabillion. Awared projects of the
International Competition Europan VII
2003 International exhibition of the awared Europan prizes in Athens
2005 Exhibition of the awared Luigi Cosenza prize in Naples
2007 Exhibition at the COAM Fundation : Abierto
2007 International exhibition E.M.V. new social housing.
2008 JAE International Exhibition in diferent european countries.
2008 Exhibition New City of Justice of Madrid at the old Royal Textile
Factor in Madrid.
2008 Exhibition COAM fundation Crudo 100% around european coun-tries.
2009 Exhibition at the Acuarium of Rome. Academy architects.
2009 Exhibition at Columbia University, JAE. Nueva York.
2009 Exhibition at the Rumanian Academy in Rome. Spazi Aperti
2009 Exhibition at the Royal Spanish Academy in Rome.
2009 International Exhibition Madrid 100%.
2010 International Exhibition in Athens A city called Spain . SEACEX
2011 Mind the gap Exhibition at COAM.
2011 Architecture Week in Prague 2011
2011 Monographic Exhibition at Cervantes Institute in Prague.
2012 Exhibition at R.I.B.A. Emerging Architecture Awards 2011.
2012 Scultures Museum in Leganes awarded projects exhibition at
C.O.A.M.
2012 Push house at Biennale of Venice. Alberto Campo Baezas space.
2012 Europan 11 exhibition of awarded works.
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W-O-R-K-S
DEALING WITH THE PROGRAM
2009 House 1+1=1, Pitchs house
2000 Polytechnic School Building for C.E.U., Competition First Prize
2001 Elementary School in Albacete, Competition First Prize
2007 District Attorneys Ofce Building, New Justices Campus in Madrid, First Prize
2007 Europan VII Competition in Santoa, Runner-up
2006 Sport s Pavillion in Cantarranas, Madrid, Competition First Prize
2011 Eurpoan XI Competition in San Bartolome, Spain, Honorable Mention
DEALING WITH THE EXISTING
2012 Hangar 16 in the Old Slaughterhouse, Matadero-Madrid, Competition First Prize
2008 Restoration of an Arab tower in Guadalajara
2010 Restoration of the Ministry of Culture Headquarters in Madrid
2011 Restoration of the federal building for the new European culture CIRCE
2007 320 experimental housing for young families in Madrid, First Prize
DEALING WITH THE CONTEXT
2010 Guest House in Fregenal, Extremadura
2011 Europan 11 Competition, Housing in Savenay,
2011 Europan 11 Competition, Housing in Wittstock
2004 39 Social Housing in Vallecas 29, Madrid, Competition First Prize
DEALING WITH THE LANDSCAPE
2004 Sports building in las Palmas Competition
2005 Sports building in Vallerhermosos Garden Competition, Madrid, Honorable Mention
2002 Europan VII International Competition in Montijo, Runner-up
2010 Guest House in Herrera del Duque, Extremadura, Third Prize
2011 Sculptures Museum in Leganes Garden, Madrid, Honorable Mention
2012 Fair Building in Alczar de San Juan Competition
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-2004Pavillion in las Palmas -2006 Sports Pavillion ina Garden - 2006 Europan VII in Montijo -2009Guest House inHerrera de Duque -2012 SculpturesMuseum in Leganes
-2009 House 1+1=1, Pitchshouse - 2007Polytechnic University for C.E.U. - 2004 Elementary School Don Bosco -2006 DistrictAttorneys Ofce
WORKSDEALING WITH THE LANDSCAPE
DEALING WITH THE PROGRAM
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-2009 29 Social Housing in Madrid -2011Europan 11 in Savenay -2011 Europan 11in Wittstock -2009Guest Housein Fregenal
-2006 Restoration of anArabTower -2010 Restoration of an Ofce - 2011 Restoration of Old Slaughterhouse -2012 Restoration of Cultures Building
2000-12DEALING WITH THE CONTEXT
DEALING WITH THE EXISTING
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DEALING WPROGRAM
-2009 House 1+1=1, Pitchshouse - 2007 Polytechnic University for C.E.U. - 2006 Prosecutorsofce in Madrid -2006 Elementary School Don Bosco
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ITH THE
-2005 Europan VII in Santoa, Santander
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The design of these two semi-detached houses is addressed in a non-conventional manner. From the
beginning, the two units were conceived as a single project, and although the program for both residences
is identical, the layout is asymmetrical. The nished design answers to the clients needs, as well as offers
the possibility of being transformed into a single house, envisioning a wider range of plausible scenarios in
the future.
The house is located in Los Peascales rocky area in Spanish on a slope with many outcrops and
oriented to the south. The building, however, does not relate to them, but rather turns its back to the immediate
surroundings, interacting with the distant Pardo forest and with Madrids skyline. While the design denies the
abrupt topography of the site and the immediate context, the structure delicately leans on the existing rocks
with a large horizontal plane that denes the footprint of the building.
Once this datum has been established, the house is organized in two independent units. Car parking and
other services are located underneath, and the living areas are put above in a single volume. Relating to the
footprint plane, the size, shape, and placement of this hermetic, horizontal prism provides for the rest of the
program: bedrooms, the main bathroom, study rooms, and a little toilet. In this piano nobile, where the daily
life goes on, the oor is covered with white calcareous stone. A unique bay window located 1,40 meters from
the oor trims the skyline of the landscape and uniformly illuminates the concrete ceiling.
Resting against the hillside, the hanging concrete box serves as a canopy to protect the ground oor from
the sun, while stimulating views into the horizon. The horizontal void created practically spans the whole
building, bringing natural light into the rst oor and allowing it to enter the ground oor diagonally though
the central double-height space. This as well as other double-height volumes put in relation the two rather
independent levels.
Between these segregated worlds, the entrance appears around a huge rock and through a slightly hidden
stair. Inside, objects are clustered and related to one another in multiple ways. In the ground oor, the
furniture is reduced to a single element with various functions: storage, kitchen counter, sitting area, and
entrance windbreak. In the rst oor, all the wardrobes are concentrated in one single strip that is attached to
the faade, improving the thermal behavior of the building, and therefore reducing its energy consumption.
This building hosts two dwelling units, but lacks the typical scale of a house. By abstracting traditional dwelling
elements, the visitor is mislead and his attention redirected to the specicity of the environment.
Architect: Iaqui Carnicero
Technical Architect: Manuel Iglesias Velasco
Building Engineer: JG
Construction: Anton Iakoviny Pitch
Client: Private client
Budget: 390.000,00
Date: 2009 Pitchshouse
Individualhousefortwofamilies.Madrid2009
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SITE CROSS SECTION
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DETAILED PLAN
DETAILED SECTION
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DETAILED CROSS SECTION
STEEL STRCUTURE DETAILS
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The challenge of this project was: how could we design the plan of a big
scale building that could be constructed as smaller buildings on different
time periods? By making the building process exible, the client could
divide construction into multiple stages according to the availability of funds.
The design was driven by the idea that the learning process at the
university takes place not only in the classrooms, but also in other
locations, where people can meet to discuss ideas. These places
of student exchange become active cores in particular parts of the
building to trigger the learning environment in more dynamic ways.
To dene the main section of the building, we distinguished between two clearly
differentiated levels. On the one hand, the stage of knowledge exempliedwith classrooms, labs and studios required a repetitive and divisible modules.
These were placed upstairs, away from the ground oor and the noise
coming from the campus, in an intimate relationship with a system of north-
oriented courtyards. On the other hand, the stage of relations composed
by the lobby, the meetings rooms, cafeteria and auditorium turn out to be
a whole new space inside the building where social relationships take place.
Outside, the design has an industrial appearance as a oating box made
out of zinc. Its formal austerity combined with its long facade contrasts
with the diversity of forms and colors of the rest of the buildings. Our
goal was to introduce a new scale inside the campus of Monteprincipe
in order to achieve a new personality for this prestigious university.
The modulation and geometry of the plan allowed us to divide the
construction process in two stages. If the building needs to grow, it
would be easy to add new modules without affecting the overall image.
Architects: Iaqui Carnicero, M. Camara, A. Viseda
Technical Architect: Manuel Iglesias Velasco
Building Engineer: JG
Client: San Pablo CEU Fundation
Budget: 15.390.000,00
Date: April 2007 Polytech
nicUniversi
tyforC.E.U.
Fundation
Madrid2006.F
irstPrizeCompetition
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SITE PLAN OF MONTEPRINCIPE CAMPUS. MADRID
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SECOND FLOOR
LONGITUDINAL SECTION
GROUND FLOOR
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HighSc
hoolinAlba
cete
FirstPrizeCom
petition.Albacete2004
The city of Albacete in Spain is well known for its extreme weather
conditions. Temperature ranges from -15 Celsius in winter to 40 in
the summer. The building is an addition to an existing high school on a
restricted site that lacks interesting views. The Campuss surrounding
vicinity includes several brick buildings that bear no relation to the
site. The competition brief lacked a space for student interaction.
Our proposal denes an introverted building, where light would give
character to a semi-open space. To make this possible, different
volumes that contain functional programs rotate as they change level
until they reach the third story, where the main classrooms face north
orientation. Each oor has a strikingly different layout, creating a
complex web of open and close spaces around a central courtyard.
The ground oor, divided into three work spaces, hosts heavy
machinery. The glass facades allow the workrooms to be perceived
as one, continuous space. The rst oor, the core of the school,
was designed as a cloister and contains the main circulations. This
generates a place where students can meet in between classes. The
second oor uses the same scheme of the ground oor, yet by rotating
the plan 90 degrees, the level obtains adequate light for studying.
The complex section of the building also improves temperature
conditions. The program is distributed internally around a non-
heated indoor space that regulates temperature and adapts
to changing environmental conditions throughout the year.
Architects: Iaqui Carnicero-Alonso, I. Vila, A. Virseada
Technical Architect: Manuel Iglesias
Building Engineer: JG
Construction: FERROVIAL
Client: Community of Castilla-La Mancha
Budget: 390.000,00
Date: April 2006
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SITE PLAN WITH THE NEW ADITION
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CROSS SECTION A-A CROSS SECTION B-B CROSS SECTION C-C
tice
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48District
AttorneysO
fceinMad
rid,Campus
ofJus
FirstPrizeCom
petition.Madrid2006
The plan of this building was a premise of the competition. Its circular
form was dened by the master plan of the New Campus of Justice
in Madrid, which was enforced on all buildings, including those of
Norman Foster, Zaha Hadid, Richard Rogers and Alejandro Zaera.
The challenge for us was to nd a geometric solution that allowed us to insert
the program inside a circle of small dimension. To do so, we reduced the
complex functional requirements into ve elementary geometries. With the
same versatility as in a puzzle, each of the ve pieces would solve the clients
needs. Either by themselves or by attaching to another, multiple combinations
with different surfaces adjust according to programmatic requirements.
The most repetitive piece, the prosecutors ofce, is located radially
on the perimeter where the circular geometry does not compromise
the good use of the space. The secretaries, in a closer position to
the core of the cylinder, are solved with an orthogonal geometry,
to avoid adversely affecting the efcient use of the circular shape.
Ofce buildings of this type are usually isolating and disorienting in the
inside. To avoid this, we dened double-height courtyards that penetrate
the facade in four directions in order to lter natural light into the core of the
building, even during the winter, and also open up to exterior views. The two
patios vary in height and position. As we ascend, rotating clockwise, the rst
type is found, and in the other direction, the second one. Thus, at different
times of day, light enters differently in each oor, characterizing each space in
very particular ways. These big patios bring into perspective the main views
of the campus, yet avoid direct confrontation with the neighboring buildings.
Architects: Iaqui Carnicero-Alonso, I. Vila, A. Virseda
Technical Architect: Manuel Iglesias Velasco
Building Engineer: JG
Stage: Executive project
Client: Community of Madrid
Budget: 15.970 286,14
Date: Unbuilt 2010
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PUZZLE PIECES
GENERATION OF PATIOS BY ROTATION
SITE MODEL
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Europa
n7CompetitioninSanto
a
Runner-upCo
mpetition.Madrid2006
Situated between Santander and Bilbao and laying close to salt marshes with an
intrinsic ecological value, Santoas unique position on the Cantabrian coastline gives
the town excellent possibilities for becoming a nucleus of activity and growth. Yet
one of todays major urban problems is the phenomena of dispersion. To reverse this
trend and to formalize Santoas potential, our project explores the inherent urban
limits and creates new centers of economic activity and programmatic difference.
The old industrial zone in the port, left vacant after the conservation industry moved on, offers
a unique position to develop a center of urban activity bordering the coastline. The proposed
design also responds to the sites urban limits and salt mashes. The project, in re-inventing
the historic concept of the port warehouses, creates a large urban space facing the sea that
pursues the organization around a large public space, typical of traditional European towns.
City streets converge inside the project into a road that follows the coast-line towards the
salt marshes. As a result, a new ground level is introduced in the urban fabric that hosts:
an entertainment area, a meeting place for inhabitants, and a center for economic activities.
On the upper levels, housing is created, offering a more intimate and protected living
experience. We avoid the conventional concept of a singular home by establishing a spatial
sequence. The houses face east-west across the patios, opening up to the sea and the horizon.
The raised homes also act as the beams of a large canopy that lters the suns rays. Theses
beams face south and become large arches over the patios. The north wall stretches along
the whole living area, solving one of the eternal problems of modern homes: storage space.
Architects: Iaqui Carnicero-Alonso, I. Vila, A. Virseda
Technical Architect: Manuel Iglesias Velasco
Budget: 15.970 286,14
Date: Unbuilt 2006
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Sports
PavilioninC
antarranas,Madrid
FirstPrizeCo
mpetition.Madrid2006
Hosted by the Complutense University of Madrid, this competition called for the
design of a building that could cope with the universitys rising demands for sporting
facilities. The site, located on the ancient stream of Cantarranas, between the complex
in Moncloa and the Faculty of Information Sciences, holds a privileged position
as it is one of the rst images a visitor would see on his arrival from Corua Road.
Our proposal not only responds to the functional demands, but also imagines
a new space in the university life. We have termed it the open forum to allude
to its potential as a place of encounter and dialogue between students. The
building, thus, performs like a bridge that respects the existing pine forest,
promotes student interaction, and reactivates underutilized places in the campus.
This double condition of social life and sporting activities amidst an urban
garden in the university promises to create facilities of Olympic quality.
Architects: Iaqui Carnicero-Alonso, I. Vila, A. Virseda
Technical Architect: Manuel Iglesias Velasco
Building Engineer: JG
Stage: Executive project
Client: Community of Madrid
Budget: 17.670 286,44
Date: Unbuilt 2006
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CANTARRANA SITE PLAN. COMPLUTENSE UNIVERSITY OF MADRID
MAIN SPACE VISUALLY CONECTED WITH SPORT FACILITIES
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pain
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Eur
opan11Com
petitioninSanBartolom
e,Sp
HonorableMentionCompetition
.2011
The climate of San Bartolome is characterized by pronounced arid conditions, trade
winds, and cold temperatures. Historically, the city has developed around farm roads, and
houses typically have a rear garden that produces food for the residents. The site for the
competition lies in a place of transition: between the urban and the natural environment.
We propose a new model for the community, different from traditional, individualistic
patterns characteristic of terraced housing. By stacking and overlapping houses
together, we achieved a higher density that generates an active community. Social
life grows within a new, continuous urban space provided by covered streets.
The design for each unit arises from our investigation into the essential elements of ahouse. As a starting point, we proposed a minimum size for the dwelling that is capable
of responding to different ways of inhabiting space. Each spatial unit is conceived as a
container that uses a simple hinge system, which can transform the interior according to
the daily needs of the inhabitants. Furthermore, a minimal depression inside each house
allows for a common space that can be closed or further subdivided into smaller spaces for
more privacy. The rst oor always has a direct relationship with a courtyard, reengaging
with the islands tradition of cultivating gardens. The courtyards also protect from the wind
and other environmental conditions. The second level has a separate access via stairs
that enable multiple duplex typologies. While the actual dimensions of the units are tight,
the exibility imbedded in each of them allow for a multiplicity of dwelling conditions.
Architects: Iaqui Carnicero-Alonso, Lorena del Ro, Silvia F.
Technical Architect: Manuel Iglesias Velasco
Client: Local Government of San Bartolome
Budget: 5.970 286,00
Date: Unbuilt 2011
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COMUNICATION WITH PATIOS MAIN ENTRANCES ACCES TO SECOND FLOOR HOUSES
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DEALING WEXISTING
-2006 Restoration of an Arab Tower -2010 Restoration of aGovernmentsOfce - 2011 Restoration Old Slaughterhouse -2012Restoration of a Cultures Building
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A former restored slaughterhouse in Madrid offers space for a variety
of cultural and creative activities, such as exhibitions that utilize
defunct carcass-hanging hooks to display delicate pieces of art.
Given a limiting budget, we reduced our architectural decisions into two
unique actions. The rst one uses a particular industrial element: doors. By
manipulating their position, the functional possibilities of the design were
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Slaughterho
useinMadrid
IntoaContemporaryExhibitionSpace
.Madrid2011.FirstPrizeCompetition
manipulating their position, the functional possibilities of the design were
multiplied. For example, the main space could be transformed into smaller
spaces to celebrate different activities simultaneously. The second move was
to recover the brickwork to establish a distinct atmosphere within the building.
The execution of these two simple ideas reinforced the scale and proportions
of the interior, while at the same time, it revamped the character of the building.
To satisfy the challenging budget set by Madrids City Hall, the adaptable
intervention is based on a single material and structural feature. At the core
of the concept laid a system of double-height, pivoted steel doors that can
be easily adjusted to meets the needs of the user. The battery of doors
encloses a central rectangular space, enabling this area to be segregated
from the rest of the hall. One possibility is a neutral void that is suitable for
avant-garde installation art and projections. When opened, the set of doors
connects the central area with the rest of the space, achieving full exibility.
When the central area is not enclosed, visitors have an excellent view of the
buildings old interior, whose historical value has been preserved. Existing
windows and doors are equipped with the same steel mechanisms, yet
adapted for a modern intervention. Steel window shutters can be closed to
block the outside environment and to darken the interior for concerts and
performances. Displaying a similar character, the main door pivots at its
central lateral point, thus becoming a marker that denes a threshold into themain space. The chromatic contrast between the converted interior and its
monumental brick shell enhances this unobtrusive and elegant backdrop
to public events, while allowing it to retain a subtle industrial aesthetic.
Architects: Iaqui Carnicero, I. Vila, A. Virseda
Technical Architect: Manuel Iglesias Velasco
Building Engineer: JG
Client: Madrids City Hall
Construction: VIAS Y CONSTRUCCIONES
Budget: 5.970.286,14
Date: April 2012
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MAIN SPACE
WALLS BEFORE INTERVENTION
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Located in Riba de Saelices, Guadalajara, the site sits on top of the highesthill of the surroundings, originally serving as a defensive point where the
Arabs could have an advantage over their enemies.
The project consisted of a modest architectural intervention that restored
the semi-destroyed tower to its original volume. Rebuilding the stones back
into their original position, the tower can be contemplated again as an object
in the landscape.
Our challenge was to dene minimal architectural elements that could
reactivate the interior of the structure. These interventions reinforced the
main qualities of the tower, such as the thickness of the walls, the heaviness
of the stone, and the privileged views from the top.
To dignify an entrance and to establish a procession through the project, a
small bridge and two staircases connecting the different levels inside were
built out of aluminum, a very light material. The bridge forces the user to
experience the landscape as a fragile structure, which starkly contrasts
with the solidity of the interior. The bridges handrail metaphorically refers
to the shrubbery found in the surroundings. The highest level is covered
with an aluminum mesh, where visitors can have a global perception of the
landscape.
Architects: Iaqui Carnicero-Alonso, I. Vila, A. Virseda
Technical Architect: Manuel Iglesias Velasco
Building Engineer: JG
Client: Ministry of Culture
Construction: TDI. Huesca
Date: April 2011
Budget: 60.000,14
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rabTowerinGuadalajar
a
RibadeSa
elices.Guadalajara2006
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DETAILED CROSS SECTION
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GENERAL SITE PLAN
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eadquarter
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Rest
orationofth
eMinistryofCulturesH
ThirdPrizeCompetition.Madrid2009
The existing buildings are in the Cerrillo de San Blas, a
privileged location in the city, next to the Astronomical
Observatory. Originally, the project was conceived as a Civil
Engineering School and its layout mainly divided between
a ground and a rst oor, connected through a central
staircase. Thus, this system corresponded to a functional
necessity different from todays. Furthermore throughout
time, the buildings have suffered negative alterations.
Our project seeks to modernize the existing buildings
to meet the current needs of the administrative ofces,
while suppressing the adverse effects of past architectural
modications. Our proposal inserts a principal mechanical
core that contains the main staircase, a secondary emergency
stair, and elevators. This optimizes space and substantially
improves the circulation and the programmatic demands.
The addition has the light, transparent appearance of two
bodies of glass that lean over the existing structures. By
building on top, the new architecture crowns the existing
one, giving the headquarters a unied, coherent image.
Architects: Iaqui Carnicero-Alonso, I. Vila, A. Virseda
Technical Architect: Manuel Iglesias Velasco
Building Engineer: JG
Client: Ministry of Culture
Budget: 15.320.000,14
Date: April 2009
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SECOND FLOOR
GROUND FLOOR
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uropeanThe proposed design arises from an exhaustive analysis of how the
building plan has transformed in different time periods. As a result,
three operations stand out addition, compartmentalization, and void
that generated the existing structure. Once the structural logic of the
site is understood, we propose a reorganization of the building, capable
of cleaning, reordering, and recuperating the essence of the place.
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RestorationofaF
ederalBuild
ing,NewEu
CultureCIRCE
Competition.Madrid2012
g g p g p
Our plan manifests a duality discovered in our research between a
space that is peripheral, preexisting, compact, and compartmentalized
and another that is central, hollow, neutral, and programmatically
multifaceted. Consequently, the most specic and less exible programs
(library, ofces, and meeting rooms) are inserted in the periphery of the
building. This move not only exposes these programs to natural light and
outside views, but also prompts the main circulation to be in the interior.
A grand central void frames the new ground added to the project:
four hanging rooms that bring light from all directions into the heart
of the proposal. This central void, a symbol for the life of the building,
allude to the different courtyards congurations the building has had
throughout history. These added volumes add versatility to the existing by
generating multipurpose rooms with rich spatial and lighting conditions.
Architects: Iaqui Carnicero-Alonso, Jose Mara Sanchez
Technical Architect: Manuel Iglesias Velasco
Building Engineer: JG
Client: Ministry of Culture
Budget: 12.970 286,14
Stage: Executive project
Date: Unbuilt 2011
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The competition required the use of specic architectural norms as a starting
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39So
cialHousing
inMadrid
FirstPrize
Competition.Madrid2004
point for the design of the housing building: alignments with the existing fabric,
the chamfered corner, setbacks for attics, and a specic building height. We use
these not for their representational value, but rather for their performative logic.
We rst chamfer the corner of a generic volume to determine the buildings organization
in section. Then, three-meter setbacks are applied on the roof to open space for
the attics. Inside, these sloped planes generate attractive double-height spaces,
which generate superior living spaces compared to the typical standards. As a result,
the overall form of the building is characterized by a series of bevelling operations.
The edges and slopes of the chamfers generates facades that lack a clearly
recognizable scale: oor distances, window dimensions, and entrance locations
become blurred. In parallel, the overall image of the building recalls a giant
rock, where the adjoining buildings rest upon. Another series of voids penetrate
the facade, altering the location of the different rooms in each apartment.
In plan, the usual arrangement of two symmetrical apartments on either side of
the hallway per access core is broken. Rather, we propose a cluster of three living
units per access core, optimizing the mechanical performance of the building.
Architects: Iaqui Carnicero-Alonso
Technical Architect: Manuel IglesiasVelasco
Building Engineer: JG
Client: Madrid City Hall
Construction: TDI. Huesca
Date: April 2012
Budget: 2.220.000,14
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GROUND FLOOR
GROUND FLOOR GROUND FLOOR
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BLOCK
FAADE MODEL
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a
This project might have been called as well periphrasis, that is, using a roundabout way of
expressing something that could be expressed concisely, but not in such an attractive manner.
What seems to be a crooked and elongated form of the new building actually stitches and unies
the surrounding historic buildings of the Jesuit Church and College, while at the same time
providing for the required new Guest House. The continuous section introduced turns and bends,
adapting to the sites boundaries and creating a new focal center. The part of the building that is
not connected to the streets is suspended over the site, creating a shadow over the open space
that divides and adds value to the exterior spaces of the Guest House.
Big palm, lemon, and other types of trees that have been around for years remain in the new
public space. Behind their foliage lies the terrace of the cafeteria and the entrance to the Guest
House. From that point one can see the two other Guest House gardens: the smaller and more
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Gues
tHouseinF
regenal,Extr
emadur
InternationalCompetition.Extremadura2010
House. From that point one can see the two other Guest House gardens: the smaller and more
private one, which serves as an entrance to the patio guest rooms, and the other, much larger,
which can be seen as big garden, through the windows of the Jesuit College.
To modify the hermetic nature of the site, as well as connect back to the city, we opened an
exterior are of the Guest House for public use. A staircase from Juan Bravo Murillo Street leads
into the elevated garden, where new views from the city can be observed.
The proposal includes three types of spaces: historical, patio, and viewpoint rooms. The rst typeis situated on the rst oor and is conditioned by the structural composition characteristic of the
older Jesuit School. The second type links with the garden level and introduces a small patio in
each room. This increases the feeling of privacy from the street and improves the thermal and
visual comfort of the room. This terrace-patio, inspired by the towns history, serves as a prism
through which the guest perceives the street and the contour of the towns buildings. The third
type of room is located on the rst level of the new buildings, in the dislocated part, which elevates
to enjoy a new scenery of the town. These viewpoint-rooms bend to nd the best perspectives of
the immediate surroundings.
Architects: Iaqui Carnicero-Alonso, Lorena del Ro
Building Engineer: JG
Client: Extremadura Government
Stage: Executive project
Budget: 6.230 286,14
Date: Unbuilt 2010
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GROUND FLOOR
ay,
Fra
nce
Nantes-Saint Nazares metropolitan area requires a new identity that
can help the city modernize its enterprises, business, and shops.
The government plans to expand the towns limits to create new
nodes of activities that can entice people to visit.
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Eu
ropan11Co
mpetitionin
Savenay
Com
petition.Madrid2011
Therst move, then, wasto propose an architecture that canbe seen
from a distance, as a place marker that grants presence to the city.
Secondly, it was important to create a dynamic neighborhood that
hosted spaces for interaction and social expression. We introduced
certain nodes into the design interpreted as micro-plazas. Each of
these could exibly adapt depending on the needs of the communityat a given moment.
Finally for each living unit, we retake the idea of a minimum, exible
area that absorbs the constantly changing activities of a house. Each
residence is conceived as a container where a complex system of
revolving doors allows for the transformation of the interior space.
The living space can be used as an open, common space or it can
be closed off into smaller segments for more privacy. The rst oor is
always in direct relationship with a private patio, and the second one
has its own independent access. This limited space compensates
its deciencies with south-oriented patios that have the same
proportions of the house.
Architects: Iaqui Carnicero-Alonso, Lorena del Ro, Silvia F.
Technical Architect: Manuel Iglesias Velasco
Client\t: Local Government of France
Budget: 5.970 286,44
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dridOlympics2012
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SportsPavilioninaGardenforMad
HonorableMentionCompetition.
Madrid2006
The principal idea of the project is to consolidate the Municipal Sports
Center along Islas Filipinas Street, allowing most of the site to remain open.
While most spaces are in the exterior, the covered area is conceptualized
as a terrace garden that oversees the athletic tracks.
A great ring, tangentially extending from the perimeter of the lot,
incorporates two levels associated with sports. The rst one serves the
running tracks and functions as a kind of balcony overlooking the eld.
The second level, protected on the exterior by a pergola constructed out
of metal rods, involves a circular street (not required by the brief), open for
people who just want to take leisurely walks. During big events, this area
can serve as a grand sports suite for the city.
Architects: Iaqui Carnicero-Alonso, I. Vila, A. Virseda
Technical architect: Manuel Iglesias Velasco
Building Engineer: JG
Client: City Hall in Madrid
Budget: 19.220.000,14
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CROSS SECTION
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GROUND FLOOR AT PARK LEVEL
LONGITUDINAL SECTION
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FIRST FLOOR RING LEVEL
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Montijos coastline gets lost in the ambiguity between land and sea To
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Eur
opanVIIinM
ontijo
Runner-upInternationalCompetition.Madrid2004
Montijo s coastline gets lost in the ambiguity between land and sea. To
assign a clear identity to the frontier, we wanted to trim that anonymous
boundary and frame it into view. The result was two facades: city and ocean,
welcome and farewell.
The project demarcates the frontier in respect to the materialization of the
terrestrial and the marine. The housing complex is placed in the citys limit,
as a backdrop for the sea; while frames are set overlooking the ocean,
delineating the horizon as a painting to be cherished from the living rooms
of the apartments.
Architects: Iaqui Carnicero-Alonso, I. Vila, A. Virseda
Technical Architect: Manuel Iglesias Velasco
Budget: 15.970.286,14
Date: Unbuilt 2004
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ue,Extremadura
The New Tourism Guest House in Herrera del Duque must be a building that respects
the traditional architecture of the city, without sacricing its potential to be a new iconic
image for Extremadura. We reuse the model of the cottage, a dispersed rural habitat
t i l i th th f S i t di b d b t th i h bit t d it
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Gue
stHouseinHerreradeD
uqu
ThirdP
rizeCompetition.Extrem
adura2010
typical in the south of Spain, to discover a bond between the new inhabitant and its
surrounding landscape. The attractive mantle of olive trees that cover the hillside
descend into the site as a large tapestry that directly interacts with the inhabitants.
Given that the program requires a large number of rooms, we introduce a series of
smaller courtyards to split the program into smaller groups and to create a more intimate
relationship between the inside and the outside. A continuous, single bay house breaks
and reorients itself according to the position of each of the courtyards. As a result, the
broken perimeter refers back to the lack of a consolidated urban fabric and also points
to the olive trees random organization.
The main entrance appears through a large shadowed space dened by the footprint
of the upper pentagon, where there is a restaurant and lounge and also a large porch
on the lower oor for the grand multipurpose lobby. From this place, every room in the
inn, including the reception, caf, spa, and private rooms can be accessed. Several
vestibular patios are scaled to t the topography.
Architects: Iaqui Carnicero-Alonso, I. Vila, A. Virseda
Technical Architect: Manuel Iglesias Velasco
Client: Local Government of Extremadura
Budget: 5.970 286,44
Date: Unbuilt 2010
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STRUCTURE
INTERIOR COURYARDS
CIRCULATIONS
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COMMON SPACES
ROOMS
CELEBRATIONS
PARKING AREA
MadridThe landscape where this Sculpture Museum rests is unique. Upon our visit, we
realized that people did not use the paved paths, but rather engaged with the sculptures
by moving around small, serpentine, dirt trails that had been created in time. We also
notices that the artwork could only be engaged from the ground, preventing views from
other angles.
Our observations became the starting point to propose a design that recreates the
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Scu
lptureMuseuminLegan
es,
Honor
ableMentionCompetition.Madrid2011
Our observations became the starting point to propose a design that recreates the
attractive spots already existing in the park. The new building preserves a relationship
with the open air exhibitions, linking the park into the interior.
The interior of the architecture becomes a new trail in the landscape, while the exterior
serves as a roof over existing trails. Between the curves, we generated small gardens
that became new backdrops for showcasing the sculptures.
The new building will be a continuous section piece of 5.50 meters wide by 550 meters
long and it curves, turns, and bends, in order to adapt itself to the plot limit and to
maintain as many of the existing trees as possible. It abides by the empty spaces and
embraces the sculptures, the trees, and the beauty of the artwork surrounded by nature.
The piece also twists and interlaces upon itself in its vertical dimension, using ramps to
communicated the changing topography. The visitor moves goes up and down, insideand outside, almost without noticing it.
Architects: Iaqui Carnicero-Alonso, Lorena del Ro
Technical Architect: Manuel Iglesias Velasco
Client: Local Government of Leganes
Budget: 8.970 286,44
Date: Unbuilded 2011
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PARK BEFORE INTERVENTION
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SITE PLANPHASE 1.
PHASE 2
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SEQUENCE OF CROSS SECTIONS
deSanJua
n
Inside this lineal park, a vast commercial space is designed. The
exible form can accommodate any type of event, while granting a
fresh image for Alczar de San Juan.
The form is based on how tensegrity structures play with the tension
of cables and the compressions of bars, all supported only in the
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rd
InternationalCompetition.2012
p , pp y
perimeter. The bars receive a different treatment according to their
function: sometimes they are LED lights, event lights, projectors, heatsources, or air conditioners.
The resulting form not only alludes to notions of the ephemeral, but
also refers back to a traditional Spanish lacework called mundillo, or
bobbin lace. The thin members of the structure appear and disappear
as they blend with the environment, and the design suggest a novel
identity for the city that looks into the future.
Architects: Iaqui Carnicero-Alonso, Jose Mara Sanchez
Technical architect: Manuel Iglesias Velasco
Client: Local Government Alcazar de San Juan
Budget: 15.970 286,44
Date: Unbuilt 2012
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COVERING STRUCTURE
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STRUCTURE
GROUND LEVELINSTALATIONS DIAGRAMANS
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TRANSFORMATIONS OF THE SPACE
ACADEMIC
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International Workshops
rome----------split----------lisbon---------madrid-------
LEADERSHIP
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Symposiums
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PUBLICATI
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TEXTS, ARTICLES, AND WORKS PUBLISHED
IN PERIODICALS, MAGAZINES, AND BOOKS
ONS
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