PÄR BRATTPORTFOLIO ABSTRACT

PROJECT SAMPLES (2012-2015)

Proposal for an art gallery in central Gothenburg. A three week long student competition with special focus on materiality and adaptation to context.

Residential project rethinking the traditional Swedish apartment block. Special focus on ecologi-cal and social sustainability.

My thesis project about collaborative construction in extreme environments. A story about slow- cooking architecture and adaptation.

Proposal for a WW1 memorial competition in Washington DC. An investigation of the typology of burial grounds and dignifying architecture.

A collaboration project made by a group of 25 Chalmers students. Concrete pavilion aiming to rethink the ancient tradition of stacking masonry units.

Mixed use high-rise in central Sydney. Special focus on social aspects of vertical living and the relation between street scene and building facade.

Bachelor thesis project. Mixed use high-rise in the district of Mong Kok, Hong Kong. The proj-ect has a special focus on acoustical analysis.

ART GALLERY

HOUSING INVENTION

MOUNTAIN CABIN

WW1 MEMORIAL

THE CRACK

Cradle 2 Cradle inspired project dealing with the urgent issue of student housing in the Gothenburg region. Recycled material and Lego assembly.

STUDENT HOUSING

HIGH-RISE SYDNEY

HONG KONG ACOUSTICS

STONE BY STONE The Swedish mountain hiking tourism has seen a distinct increase in popularity during the last couple of years. The soothing and spacious environment attracts all kinds of people, and has become a fairy international arena during the past decades. Many cabins are being developed and expanded for the sake of increased comfortability

but according to a recent study conducted by STF (the Swedish tourist association), there is an explicit request among younger visitors for the simple and self arranged mountain experience. But can a genuine dwelling experience in this harsh environment really be achieved from a comfortable jacuzzi in an all inclusive tourist station? This proposal for a stay-over cabin suggests an acceptance of the less comfortable for the gain of authenticity

SLOW-COOKING ARCHITECTUREThe mountain area is remotely located and has a sensitive terrain. The ambition is therefore to exclude heavy construction machines at all costs. The ancient tradition among mountain hikers to gather stones and build cairns to mark their presence, inspired me to think about this simple and analogue process as an architectural building method. The process becomes a collaborative effort stretching over a long period of time

SNOW & WINDThe geometrical shape of the cabin structure is made to capture drifting snow. Wind direction and wall inclination determines how the snow is packed against the structure. The unpredictable playfulness of the wind will keep changing the appearance and shape of the cabin throughout the winter season.

HIERARCHY OF COMFORTABILITYIf what’s unique about wilderness is the untamed forces of nature, then how much can we shelter us from that and still maintain an authenticity of wilderness? Melting snow and rain is allowed to seep through a part of the structure into a gravel floor underneath. The fireplace in the cabins core is essentially one big volume of thermal mass. It offers a micro climate where the dweller can be warm and comfortable enough

WARM / DRY

TAPID / DRY

COLD / WET

COLD / DRY

Surface for sitting and sleeping.

The smoke chamber is inclined just enough to maintain a sufficient flow through the “chimney effect”. Flow is kept to a minimum in order to transfer as much energy as possible to the thermally heavy gabion-structure.

Heat-exchange between smoke chamber and gabionstructure.

At this point, the smoke is relatively cooled down. On it’s way up, excess heat is being absorbed into the vertical part of the chimney.

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WOOD FRAME

WOOD FRAME

INSULATION

FIREPLACE

SLEEPING SURFACE

GLASS X 2

WOOD FRAME

DRY STORAGE OUTHOUSE PIT

GRAVEL

MACADAM

TABLES

ENTRANCE

SUPPORTING BOLT

SUPPORTING BOLT

GABION INTERIOR

STEEL BEAM

THE IMMEDIATE SITEThe cabin is located on a headland at the outfall of a small lake named “Biskopssjön” (The bishop lake). The amount of water is heavily connected to the seasons and during spring, when all accumulated snow starts to melt, the entire area is transformed into wet peat soil. The piece of headland on which the cabin is located is slightly elevated in order to avoid potential problems of

the wet environment. The cabins geometrical structure is oriented with the wind direction in mind. During winter, these outstretched arms functions and snow catchers. This process slowly smoothens the borders between a strict artefact structure and the undulating soft landscape. The entrance to the main cabin is well protected from drifting snow so that there’s no risk of being snowed in. Far away from the background noises of urban life, the only thing visitors will hear at night is the sound of flowing water making it’s way down the mountain.

SECTION A-A SECTION B-B

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WIND CONDITIONS & FRESH-WATER ACCECCIBILITYWhen choosing a more exact location for the cabin, wind and fresh-water accessibility was of great importance. Since the site is not at all connected to the electricity and water-grid, the cabin had to be located in close proximity to any of the creeks that eventually falls into the big lake. The site is located in a dell-like situation and is therefore partly protected from winds. However, the site is

above the tree summit so there is nothing stopping the winds from propagating in the landscape and the strategy in this projects has therefore been to accept the wind and make into an architectural feature. The combination of snow and wind has a tremendous ability to create shape and form. The wind rose below shows that winds are generally coming from either south or west. This is important in order to understand the angles and orientation of the cabin structure. It is designed to interfere with this shape-making game of mother nature.

AN EVER CHANGING VOLUMEThe images below are from an physical experiment made to investigate how different structures interfered with drifting snow. Snow crystals behaves differently at different temperatures so in order to simulate the varying conditions I used different materials. The upper series was made with flour to represent the wet and packed snow with the ability to chunk and cluster. The lower series

was made with salt to represent the cold, crispy and more sand like properties of snow. Wind was simulated by a compressor blowing air at an even pressure over a certain period of time. Before these experiments I had analysed weather data from the site in order to know from which directions I should expose the structure to wind. The orthogonal shape of the structure catches the snow and focus it towards corners where it slowly builds up against the walls. This effect was most apparent in the case with cold drifting snow represented with salt.

PHASE 1 - TRANSPORTATION OF STONE - YEAR 0The easiest and safest way to transport building material to the site without the risk of harming flora or fauna is during winter with the help of a tracked vehicle. A structure made up of metal beams is transported in pieces and welded together on site. The purpose of these is to enable forces to be transferred more easily between individual gabion blocks.

PHASE 2 - A SHELTER IN PROGRESS - YEAR 5In a vast and flat landscape like this, any protruding object will serve as a wind shelter. During the years of construction, the structure itself will serve as a natural shelter and camping ground for hikers. The idea is that the collaborative building process becomes an attraction in itself and a reason for hikers in the region to pass this site and make their contribution by throwing a stone or two into the cages.

PHASE 3 - THE COMPLETED SHELTER - YEAR 10The time required to reach this stage depends completely on the future demand for a wind shelter. Tents are well protected when being set up on the lee side of the gabion structures. At this stage the structure has a mystic and almost unfinished feeling to it. Sleeping outdoors in tents or bivouacs during winter is not a hobby for everyone and it can be very challenging, especially during the colder winter months.

PHASE 4 - THE COMPLETED CABIN - YEAR 11This stage is the exception to an other wise super-simple building process. This is the part of the story where life form finds the relic and adapts to the situation by inhabiting the space much like a hermit crab finding an empty shell. The interior cabin is supported by wooden frames that can be transported in pieces and assembled at site. This phase stands out in the sense that it requires skilled labour.

WW1 MEMORIALDesign proposal for a first world war memorial competition in Washington DC. From a mound in a meadow to Egyptian pyramids on sand, humans have built to remember, mourn & commemorate. The monument for the dead has historically been a significant force in our building instinct.

The point of departure was an investigation of the typology of burial grounds such as the tumulus and the step-pyramid (ziggurat), which surface in numerous cultures from Mesoamerica to the steppes of Central Asia. A tumulus is a simple mound that contains the body of the deceased. Ziggurats & step-pyramids were also shrines/tombs that had quintessential value of commemoration.

TRENCHES

TUMULUS

ZIGGURAT

PATH

AERIAL VIEW

CAPITOL VIEW

OBELIS

K VIE

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tall grass short grassPennsylvania Ave South

Pennsylvania Ave north

15th st 14th stSherman

Statue

Hotels

FreedomPlaza

White House Visitors Center

100 ft 50 10

THE MEADOWThe project is an invention of a new typology; a hollow ziggurat in a tumulus. Our tumuli are located on a meadow with trenches. A path cuts through, separating two halves in which more intimate commemoration can occur. The long strips of landscaping offer seasonal effects from tulip fields to wild grasses. There is sufficient amount of peripheral lawns & hardscape to make the memorial a user-friendly, educating and spiritual structure of commemoration. This Meadow is a timeless remembrance of “the forgotten war”.

public spaces

semi-private spaces water flow

tram line

vehicular traffic

pedestrian & bicycle

HOUSING INVENTIONResidential project rethinking the traditional apartment block.

Special focus on ecological and social sustainability. The building

volumes are positioned in a sequence along a south-north axis.

By doing so, the volumes have limited interference with the visual

connection between eastern high ground and western low ground. This orientation also maximizes the amount of facade being exposed by sun light through out the day and keeps the rocky slope that characterizes the site. a major focus of the project has been to maximize the amount of efficient livable area and maintaining a variation in apartment sizes for the sake of social diversity.

FUTURE VISIONSThe benefit of a digital projection and a flat concrete wall is that there are no direct limits to what can be protected. Unfortunately we can’t foresee the future but we can prepare ourselves for whatever the future might bring, dystopia or utopia.

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PUSHING FOR ENERGY AWARENESSOne of the main conceptual ideas of this project is a facade feature intended to raise awareness of energy consumption in our everyday lives. On top of the power poles that stretch along the tram line adjacent to the site, there are projectors triggered by the tram as it passes by. The western facade serves as a projection wall and the different colours represent the weekly average energy-usage per person for the different building wings respectively.

“CANTILEVERING” SOLIDSThe volumes are designed to have a minimal physical impact on the sloped rock on which they are resting. Parking garage and storage floor are either completely or partially located underground but apart from that, the volume itself is risen to give the impression of a cantilever. In the western entrance, there’s a clean cut corridor sliced out of the rocks, leading into the vertical communications inside each wing.

student apartments utility rooms storage space

apartments bicycle parking commercial space

communication common areas

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Look! Our apartment totem is green, that means our family consumes less energy than the average of our building. Our building facade is orange

though so we still have some work to do in order to beat

the other buildings.

My totem used to be green but I’ve been away this week and forgot to turn the lights off and left the

window open. I’m keeping my current energy use down but my mistake will keep me red for some time.

The facade of my building is still green so I guess my close neighbours are doing fine.

I’ve become more aware of energy consuming activities and my goal is to never bring down the average of my house. I’m doing okay but right now I’m cooking with loud music on and the compressor

in the refrigerator just kicked in. I guess that’s why my totem is coloured almost all the way up.

STUDENT APARTMENTSThese apartments are extremely space efficient and on the very edge of the latest Swedish building regulations for minimal housing. They are designed to be individually modified into various different plan layouts depending on the needs of the current tenant(s). One of these potential layout types meet the requirements for accessibility. Throughout the axis along which the student apartments are distributed, there are a couple of rent-able rooms for visitors as well as common spaces for social activities among the students. At street level there are utility areas such as, laundry, indoor bicycle parking and recycling room.

LARGER APARTMENTSThese apartments are located in the wings stretching out perpendicular to the row of student apartments. All apartments share the same building volume and technical infrastructure but have different entrances and utility areas. These larger apartments vary in size and have rent-able common rooms at the top of each wing, overlooking the surrounding urban district.

PRIVATE AND COMMON In each of the larger apartments there is a clear division between private rooms such as bedrooms and bathroom on one side and common spaces like kitchens and living rooms on the other. The common spaces are located in the light shafts making them bright and open. The private spaces are more protected temples in terms of light and noise.

DEMOGRAPHIC CHANGESAll apartments are designed to allow for some alterations of room functions. Some of the larger apartments have one room well suited for rent out. Children rooms are big enough for two kids but work just as well as a more generous single child room. In the middle of the light shaft, right at the centre of the communication crossing of each apartment, there is an adaptable space. This could for instance become a great working station.

PLAN STUDENT WING 1:100

PLAN STUDENT APARTMENT 1:50

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THE BEDROOM AS A TEMPLESince the project is located in an urban district of Gothenburg there will naturally be urban sounds surrounding the building. The distinction between sound and noise is not always clear but when standing in the middle of this site, one of the most profound impressions is the sound of playing children from the school yard right across the street. In this project the approach has been to invite these background sounds but instead properly sound insulating the bedrooms throughout the building, making them acoustic temples.

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THE CRACKThe Crack was a project realized by me and a group of 24 other international students of the architecture master programme at Chalmers in the Material & Detail Studio. This year the task of the studio was to investigate new possibilities of reinventing concrete masonry. Through a partnership with local firms

specialized in concrete and form-work, and after two months of researching, experimenting and designing the production of a 1:1 scale kiosk started. The crack was constructed out of 67 unique pieces of concrete masonry units each weighting between 200-300 kg. The production and assembly process including construction of molds took 3 weeks. The vernissage and unveiling took place the botanical gardens of Gothenburg.

ARCHDAILY: TOP 26 STUDENT PROJECTS WORLDWIDEThe Crack was selected by the world’s most visited architecture website ArchDaily, as one the 26 best student projects world wide 2015.

ART GALLERYThis project was made as a proposal for the Wernstedt student competition for a new art gallery in Gothenburg.The site was chosen for its accessibility, visibility and demanding limits. In this project I decided to put focus on materiality and how to fit the art gallery into the historic vibe of the site and surrounding

context. The appearance of copper and corten changes drastically

over time. The facade will slowly adapt and earn its place within the

city context. After 40 years, the ripening process is done and the

art gallery will harmonize with the rusty containers and cranes of

the harbour, as well as the teal copper roofs of nearby buildings.

PROGRAM DISTRIBUTIONEXHIBITION SPACE ENTRANCE HALL STORAGE OFFICE AREA UTILITIES AND VENTILATION WORKSHOP TRUCK LOADING AREA COAT ROOM RESTROOMS

COMMUNICATIONVISITORSEMPLOYEESELEVATORSTRUCK LOADING

CORTEN

40 YEARS

25-30 YEARS

COPPER

YEAR 2045

YEAR 2014

EXHIBITION SPACEThe building were to be a venue for exhibitions and artistic performances of any kind and provide a small office for the staff as well. The programme stated that the main exhibition hall were to have complete access to daylight but also to provide temporary “black box” solutions. I decided to incorporate the adjacent bastion as one of the buildings exterior walls.

LIGHT CONTROLThe existing wall structure at the site is naturally shading the building, eliminating direct sunlight to conflict with the art. The exhibition spaces are lit only by daylight from the gridded concrete roof. This makes it possible to create a “black box” situation for all of the exhibition spaces by using a shading device situated in each grid cell of the roof. (See detail)

PLAN THIRD FLOOR

PLAN SECOND FLOOR

PLAN ENTRANCE FLOOR

EXHIBITION SPACE 2 EXHIBITION SPACE 3

EXHIBITION SPACE 1 OFFICE

NORTH FACADE

DETAIL OF SKYLIGHT

STUDENT HOUSING In bridge construction in Sweden today, huge amounts of timber is used for building scaffolding and casting frames. When the bridges are finished, most of this is burned or disposed of. This project suggests to recycle the timber for the purpose of student housing. By designing the house with the same dimensions as the

most commonly used construction timber, we can ensure

that as much timber as possible is given a second life. Despite

some political efforts, the need for student accommodation

in Gothenburg today is urgent. In todays situation, 60 000

students are forced to share 9 500 student accommodations.

NO GLUEInspired by the cradle2cradle-theory, much care has been taken to sustainability throughout the design process. By constructing the house with as few different kinds of material as possible and without merging materials together, the process of disassembling it goes much easier. In this way we can ensure that nothing keeps this house from being recycled into something else in the future.

LEGO ASSEMBLEThere are only a handful different kinds of building pieces that make up

the entire house. In addition, more or less everything in this house can

be assembled with simple tools and man power. Every single piece of

wood in the house consists of the same base dimension of 45 x 180 mm.

TOP FLOORThe upper part of the house consists of a bedroom and a “bathroom” on two different levels. Since these functions call for increased integrity, the facade is less frequently perforated at this height. The ceiling has small windows that makes it possible to watch the stars from bed. Wires that suspend the bed room floor, stretches along the side of the bed preventing accidents. From the bed room there is a ladder leading up to the roof terrace.

MID FLOORA couple of steps down from a small but sufficient office floor, there is a kitchen. The part of the kitchen floor facing the center of the house, is dedicated space for kitchen appliance. Along the outer wall there is a worktop with sink (double bowl) and a stove. The size of the kitchen is big enough for two people to be there at once, however any space above this floor is to be considered somewhat private. The kitchen is visually connected to the first floor.

FIRST FLOORThe first floor consist of a vestibule, toilet and a living room. This is a very transparent floor designed for social activities and dining. There are two big windows helping to illuminate the room. Along the perimeter of the living room, the floor is elevated approximately half a meter. These surfaces are ideal for sitting on when dining or whenever extra seats are needed. In the vestibule, the elevated floor comes in handy for sitting down tying your shoe laces.

PRIVATE

SEMI-PRIVATE

PUBLIC

ROOF TERRACE

BATHTUB

OFFICE DESK / WORK

LIVING ROOMHEAT SOURCE

WC

KITCHEN

BEDROOM

ACCESSIBLE THROUGH LADDER IN BEDROOM. OUTDOOR CLIMATE.

MOST IN NEED OF NATURAL HEAT DUE TO LESS ACTIVITY, LESS CLOTHES AND FEWER PEOPLE.

PARTLY IN NEED OF NATURAL HEAT.SLIPPERS, ROBE AND LAPTOP.

MEDIUM ACTIVITY. SOME HEAT PRODUCED BY COOKWARE.

VERTICAL PLANINGThe house has a small footprint compared to its height. The

layout of the different functions in the house, is distributed

along this vertical direction, with increased integrity

further up towards the roof, where there are less windows.

The house also takes advantage of the natural movements of hot air rising

upwards. Upper, more private parts, is likely to be the warmest and vice

versa. The function layout is made so that naturally colder parts of the

house are synced with functions that includes more people, more activity

and more clothes.

HIGH-RISE SYDNEYThe focus of this project was the social aspects of vertical living and the relation between street scene and building facade. The ambition was to make a building that remains a part of the exterior life and street scene, not just an isolated object. A dynamic and playful facade wrapping loosens up the sometimes strict connection between

a tall flat facade and the vividness in the surrounding street life.This proposal tries to combine the benefits of an orthogonal shape and a more dynamic one. The facade wrapping becomes balconies that brings people out to the exterior of the tower. Integrity is a versatile issue but when balanced,neighborhood interaction and privacy can coexist.

STRICT, ENCLOSED BUILDING PLAYFUL DYNAMIC WRAPPING

TYPICAL RESIDENTIAL FLOOR PLAN. BY KEEPING THE BIGGER APARTMENTS TO THE SOUTH – THE CRITERIA OF 2 HOURS MINIMUM SUN LIGHT EACH DAY CAN BE REACH BY HAVING WINDOWS IN TWO DIRECTIONS (NB: SOUTHERN HEMISPHERE).

MINIMIZING HEATING FROM SOLAR RADIATION BY ADAPTING THE EXTERIOR GEOMETRY. BALCONIES SHADES OF THE SUN AND STRETCHES OUT LONGER FROM THE FACADE FURTHER UP IN THE TALL BUILDING WHERE EXPOSURE TO THE SUN IS MOST EXTREME.

34 M2

50 M2

64 M2

80 M2

130 M2

LOCATIONThe site is located in a dense central part of Sydney, making it suitable to

have retail space at ground floor. The bottom podium that connects the

building to the street consist of an open space with lobby, café and restaurant.

Above this are seven floors of office space, making up the rest of the podium.

The floor plan layout in this part of the building in made in a way so that office workers and their visitors are naturally separated from the residents living further up in the tower. By following the intuitive path along the line of sight after entering the building, you reach meeting locations or the reception where visitors can get info. Residents turn right and follow the wave shaped orange wall right after entering the building. This leads them to the lifts.

SUBURBAN LIVING - NEIGHBORHOOD EXTERIOR LIFE - COMMUNICATION

Each floor has a cantilevering slab that serves as balconies as well as a

natural sun-shader . The shape of the balconies enhances interaction

of the residents – it allows them to see down or up to another level and

around corners. The idea is to bring social interaction between neighbors

and the suburban “over the hedge” talk into the vertical urban context.

HONG KONG ACOUSTICSThis project was a collaboration between architects and acoustical engineers in which I took part during spring 2012. The task consisted of designing of a mixed use high rise in the district of Mong Kok, Hong Kong. Its turning, spine like structure stretched 180 meters and swirled towards the sky,

claiming to match the magnificence of the ever growing world metropole of Hong Kong. The top of the building were to contain a nightclub causing extreme noise levels at night. It was crucial that the guest rooms in the hotel underneath should not suffer from these sound levels. In addition to this, offices at the lower floors demanded completely different acoustical properties.

1. RECEPTION2. CONFERENCE ROOM3. REST ROOMS4. KITCHEN5. COPY AREA6. MANAGER’S OFFICE7-8. OPEN OFFICE WITH CUBICLES

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SPEECH TRANSMISSION INDEX OF THE OPEN OFFICE

Hz 125 250 500 1k 2k 4k 8k 16k

s 0.34 0.33 0.30 0.36 0.34 0.39 0.30 0.22

The reverberation time in an open office should preferably be shorter than 0.5 s within the whole frequency range.

The wedge shape of the offices is a way to avoid parallel walls and thereby flutter echoes. The shape also directs reflections of the sound outwards to the absorbent wall by the cubicles, avoiding resonances in the slots.

A potential problem with division of the floor is the resonances that may occur in the slots. However, the width of one meter in the slots corresponds to a resonance frequency of 16 Hz and will therefor not create a problem within the audible range.

1-2. HOUSEKEEPING3. ELECTRICAL4. FLOOR LOBBY

EACH FLOOR IS SEPARATED BY SLOTS INTO EIGHT WEDGES.

A GLASS TUBE RUNS THROUGH THE CORE OF THE TOWER SURROUNDED BY TWO HELIXES.

THE LOAD BEARING HELIXES ARE CONNECTED TO EACH OTHER THROUGH THE SLABS.

REVERBERATION TIME T-30

SLOTS AND WEDGESEvery floor consists of a number of wedges separated by slots and connected by the central core. The slots between the wedges don’t only bring light into the building, they also prevent both direct sound and flanking transmission to propagate from one wedge to another at the same floor.

A TERRACED TOP FLOORThe nightclub at the top of the building is designed as a restaurant, stage and disco. It occupies the two up-most floors of the building, hence the double ceiling height of the great room. To prevent the sometimes extremely loud sound generated in the night club from being transmitted to the upper guest rooms in the hotel, areas that are not sensitive during night such as kitchen, manager’s office, greenroom and breakfast restaurant are located on the floors directly underneath the night club.

HARDWOOD FLOOR 15 MMPARTICLE BOARD 13 MMSLEEPER 38X50 MMWATERPROOF MEMBRANE 3 MMFIBERBOARD STRIP 13 MMFIBERBOARD 13 MMCONCRETE TOPPING 70 MMPREFAB CONCRETE 200 MM

CAULKING

GYPSUM BOARD 10 MMPLASTER 13 MMCAULKING

DETAIL OF THE SLAB UNDERNEATH THE NIGHTCLUB

SECTION AA: NIGHT CLUB AND SERVICE FLOORS

132 dBA

75* dBA

55 dBA

35 dBA

SPEECH TRANSMISSION INDEX, STI, NIGHT CLUB.

SOUND PRESSURE LEVEL, NIGHTCLUB.

Hz 125 250 500 1k 2k 4k 8k 16k

s 1.03 0.89 0.86 092 0.95 0.89 0.88 0.78

REVERBERATION TIME T-30

1. BAR2. OPEN AIR TERRACE3. LOUNGE AREA4. BALCONY

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Night clubs should have a reverberation time between 0.8 and 1.2 seconds in order to generate good spatial resolution but still not influence the reenforcement negatively.

Pär BrattA Doktor Belfrages Gata 5 41322, GÖTEBORGT +46 738425257M parbratt@gmail.com

EducationAug 2009 – Jan 2016 | Architecture and Engineering, Chalmers – GöteborgA six year long program that leads to a master degree in Architecture, Civil engineering or both. A mix between the two fields is studied during the first three years resulting in a bachelor degree in architecture and engineering. The last two years (3 years for double degree), students choose between different master programs in each field.

Aug 2005 – Jun 2008 | Technical program, Wargentins High school – ÖstersundScience and technology studies with focus on product development and company management.

InternshipsMay 2015 – Aug 2015 | Internship, Studio Vural – New York, USA

June 2014 – Aug 2014 | Internship, Deurell Architects – Stockholm, Sweden

Oct 2012 – Feb 2013 | Internship, Chapman Taylor – Shanghai, China

June 2012 – Oct 2012 | Internship, Gisteråsjöstrand Architects – Östersund, Sweden

June 2011 – Aug 2011 | Internship, Deurell Architects – Stockholm, Sweden