Portfolio

Marcel Perez-Pirio | Abridged Portfolio

Clodagh Design: Restaurant / HospitalityTreehouse | Park Hyatt, BrazilProject Phases: SD

The Treehouse restaurant is nestled in the forest near the Iguazu Falls. The dining level is located 2 stories up amongst the tree cano-pies with dining appendages on stilts framing forest canopy views. After a climb up the exterior staircase you enter the into the center of the building where another light wooden staircase suspended by ropes with climbing vines ascends through the wood plank ceiling to the roof deck. The main lounge has large window walls on 3 sides and the wood slatted ceiling has hundreds of tiny pinpoint lights that slowly pulsate and twinkle to emanate a glow similar to that of fireflies. The main dining area has an open show kitchen with rough stone flooring and a live edge communal table.

Marcel Perez-Pirio | Abridged Portfolio | 415.216.9251 | [email protected] 1 of 1

Lacina Heitler: Blow-Dry Salon / Retail / CommercialDrybar | National Roll-OutProject Phases: DD, LPC, CD, DoB, CA

Drybar’s motto is “no cuts, no color, only blowouts.” The branding and interior design was designed in-house and has expanded from a one-off location into a national success currently located in 5 states and 25 locations. The identity and interior environment were devel-oped together to create a seamless brand identity of a bright playful atmosphere for ladies of any age with pops of color and witty and clever furnishings, accessories and marketing. Themed to look like a bar, the design is built around a 4’-6” module which allows for flex-ibility in design when adapting to various tenant locations.

New York, NY

Del Mar, CAPacific Palisades, CANew York, NY


111 1

TV

N.I.C.

A

CHALKBOARDSIGN

8'-2

"

9'-7

"

UC REF

PROJECT NAMEPROJECT ADDRESS

DATESCALE: XX"=1'-0"

SK-02ELEVATIONS

RECEPTIONCLOSED

RECEPTION OPEN (PANELS STORED)

WASH AREA / MIRRORED ENDS STORAGE

END WALL GRAPHIC STATIONS / DISPLAY CASE ENDS SECTION @ STATIONS

END WALL TUFTING

7D

7D7D7D7D

1A

14B14B

15B15B

14B

S

S

14B

14B

14B

CL OF BAR

2

EQ'

EQ'

EQ'

EQ'

EQ'

EQ'

EQ'

EQ'

EQ'

EQ'

14B

4'-5"

2'-0

"2'

-0"

B.O. GWB CLG.12'-0" A.F.F.

B.O

. GW

B C

LG.

9-0"

A.F

.F.

3

1

1

7D7D7D

7D7D7D

7D7D7D

7D7D7D

7D7D7D

7D7D7D

1

B.O. DROP CEILING10'-6" A.F.F.

CT - 1

2F 2F 2F 2F

2F 2F 2F 2F

14E 14E 14E 14E 14E

14E 14E 14E 14E 14ES S S

SSS

15G

15G

15G

14E

14E

6H 6H 6H 6H 6H

6H 6H 6H 6H

13

13

2

14M 14M 14M

14M

14M 14M 13

131I

14J

14J

14J

14J

14J

14J

2

6K 6K

6K6K

7L 7L

7L7L

14N

7

1'-6"

1'-6

"9O 9O

3

B.O. GWB CLG.9'-0" A.F.F.

6

14P

CT - 1 CT - 1

CT - 3

2

1'-6" 9" TYP.9"2

2 2 2B.O. DROP CLG.10'-6" A.F.F.

B.O. DROP CLG.10'-6" A.F.F.



4Q

14P

14P

16R 16R

16R 16R

16R 16R

16R 16R

CT - 1


14S

B.O

. DR

OP

CLG

.10

-6" A

.F.F

.

CT - 33

1A B C D

E F GH

IJKL

N O

QR

S

3

12

12

12

12

S S

12

12

17C

17C

13

13

1212

17C

17C

17C 17C

PM

S S

SS

100WAITING

101HAIR BAR

104WASH RM

107BATHROOM

106STORAGE

102HAIR BAR

110VIP ROOM

108HALL

109HALL

105PANTRY

13

1'-6"

2'-0"2'-0"

2'-0

"2'

-0"

WH

T

VC

60"AFF

1

60"AFF

1

2

ICE

5

WH

WH

3

100WAITING

101HAIR BAR

104WASH RM

107BATHROOM

106STORAGE

102HAIR BAR

110VIP ROOM

108HALL 109

HALL

105PANTRY

POWER AND DATA PLAN2

SCALE: 1/4" = 1'-0" A.020.00

REFLECTED CEILING AND POWER PLANS

REFLECTED CEILING PLAN1

SCALE: 1/4" = 1'-0"

POWER KEYNOTES POWER PLAN NOTES1. SEE DRAWING A.003 FOR SYMBOL LEGEND AND

DRAWING A.000-A.001 FOR GENERAL NOTES AND POWER NOTES.

2. ELECTRICAL CONTRACTOR TO CONFIRM TEL/DATA, CATV, AND RECEPTACLE REQUIREMENTS WITH OWNER.

3. ALL OUTLETS BELOW 24" ARE TO BE MOUNTED VERTICALLY AND ALL OUTLETS OVER 24" A.F.F. TO BE MOUNTED HORIZONTALLY, UNLESS OTHERWISE NOTED OR DEPICTED IN INTERIOR ELEVATIONS.

4. ALL OUTLETS NOT DIMENSIONED ARE ASSUMED TO BE CENTERED ON THE WALL ON WHICH THEY ARE SHOWN. ADJUST WALL FRAMING AS REQUIRED.

5. ELECTRICAL CONTRACTOR TO PROVIDE ALL POWER CONNECTIONS FOR ALL APPLIANCES AND EQUIPMENT. CONFIRM POWER REQUIREMENTS AND OUTLET LOCATIONS W/ MANUFACTURERS SPECIFICATIONS.

6. ALL DATA LOCATIONS TO BE HOMERUNED TO OFFICE. COORDINATE WITH IT CONSULTANT.

7. ALL CABLING TO BE CERTIFIED AS CAT6 OR GREATER. ELECTRICAL CONTRACTOR TO RUN AND CLEARLY LABEL ALL CABLING. IT VENDOR TO TERMINATE CABLING AT ALL TEL/DATA POINTS AND PATCH PANEL.

8. ALL RECEPTACLES AND COVERPLATES TO MATCH ADJACENT WALL OR MILLWORK FINISH, UNLESS OTHERWISE NOTED.

9. CONFIRM ALL THERMOSTAT LOCATIONS PRIOR TO INSTALLATION.

10. COORDINATE ALL SECURITY AND IT/DATA WORK WITH VENDORS.

11. ELECTRICIAN TO REVIEW ALL ELECTRICAL RELATED SPECIFICATIONS AND PROVIDE ARCHITECT WITH TOTAL DEMAND LOAD OF NEW FIXTURES, OUTLETS, AND LIGHTING. ELECTRICIAN TO DETERMINE EXISTING ELECTRICAL CAPACITY, PRIOR TO STARTING WORK, AND ALERT ARCHITECT IMMEDIATELY IF NEW PROPOSED LOAD EXCEEDS THE EXISTING SERVICE CAPACITY

12. ARCHITECTURAL DRAWINGS TO BE USED FOR LOCATION AND ELECTRICAL DRAWINGS TO BE USED FOR SWITCHING.

RCP KEYNOTES RCP PLAN NOTES1. SEE DRAWING A.003 FOR SYMBOL LEGEND AND

DRAWING A.000-A.001 FOR GENERAL NOTES AND REFLECTED CEILING NOTES.

2. ALL MULTI-SWITCH LIGHT SWITCH BANKS TO BE GANGED UNDER ONE FACEPLATE.

3. LIGHT SWITCH FACEPLATES TO MATCH COLOR OF ADJACENT WALL OR MILLWORK FINISH, UNLESS OTHERWISE NOTED. CONFIRM PRIOR TO PURCHASING.

4. CONCEALED SPRINKLER HEAD CAP COLOR TO MATCH COLOR OF ADJACENT WALL OR MILLWORK FINISH, UNLESS OTHERWISE NOTED. CONFIRM PRIOR TO PURCHASING.

5. PROVIDE REQUIRED BLOCKING ABOVE CEILING OR BEHIND WALL FOR ALL DECORATIVE LIGHT FIXTURES. CONFIRM FIXTURE WEIGHT W/ MANUFACTURER's SPECIFICATIONS.

6. INSTALL LIGHT SWITCHES IN ORDER DEPICTED IN DRAWINGS.

7. INSTALL ALL DIRECTIONAL LIGHTS (NOT SPECIFIED W/ WALL WASHER SYMBOL) TO POINT TOWARDS NEAREST ADJACENT WALL.

8. CONFIRM LOCATIONS OF ALL REMOTE TRANSFORMERS W/ ARCHITECT PRIOR TO INSTALLATION.

9. RELOCATE EXTG. SPRINKLER HEADS AS REQUIRED FOR NEW LAYOUT AND CEILING HEIGHTS. ALL HEADS TO BE CONCEALED TYPE, IN CENTER OF NEAREST TILE.

10. FOR SCONCE LOCATIONS AMD MOUNTING HEIGHTS SEE INTERIOR ELEVATIONS A.070.

11. ALL LIGHT FIXTURES INSTALLED IN DROP CEILING TILES TO BE CENTERED ON EACH TILE. HOLES FOR FIXTURES IN EACH TILE TO BE CAREFULLY CUT SO TRIM OF FIXTURE COMPLETELY COVERS THE HOLE.

12. PATCH AND REPAIR ALL EXISTING TO REMAIN CEILING AND PREPARE FOR SPECIFIED FINISH - PRIME PLUSE (2) COATS PAINT (P-1).

13. NOT USED.14. COORDINATE SPEAKER AND SECURITY DEVICE

(BY OTHERS) LOCATIONS, WIRING AND INSTALLATION.

15. COORDINATE THERMOSTAT LOCATIONS WITH ARCHITECT AND TENANT PRIOR TO INSTALLATION.

16. ALL PERIMETER CUT TILES TO BE CUT STRAIGHT AND TRUE WITH NO VISIBLE TEARS.

17. DIFFUSERS: LAY-IN DIFFUSER 24"X24 KRUEGER PLQ WITH OPPOSABLE BLADE TO BE USED IN ALL LOCATIONS OTHER THAN ENTRY/WAITING.

18. LINEAR DIFFUSERS TO BE USED IN ENTRY/WAITING.

EXISTING UNDERSIDE OF CEILING ABOVE. PAINT P-1.

EXISTING HVAC REGISTER TO REMAIN. CLEAN AND SERVICE AS REQUIRED.

NEW GWB CEILING IN SPECIFIED FINISH.

RELOCATED SUPPLY GRILLE.

LIGHT FIXTURE TO BE INSTALLED IN FACE OF MILLWORK CABINET. SEE MILLWORK DETAILS AND COORDINATE SOFFIT HEIGHT, INSTALLATION OF FIXTURE, AND LOCATION OF FINISHED TRIM WITH ALL TRADES.

SPECIFIED CROWN MOULDING.

1

2

3

4

5

PROVIDE 1-1/2" CONDUIT WITH PULL FROM TV's TO MEDIA STATION IN PANTRY (SEE PLAN).

PROVIDE AND INSTALL RECEEPTACLES IN MILLWORK. SEE MILLWORK DETAILS FOR LOCATIONS AND WIRING PATH.

LOCATION OF FEED POINT FOR RECEPTACLES IN MILLWORK. COORDINATE WITH MILLWORK DETAILS.

NEW LOCATION OF EXISTING ELECTRICAL PANEL.

LOCATION OF MEDIA STATION IN 2' DEEP CABINET ABOVE FRIDGE. PROVIDE ACCESS AS REQUIRED TO/FROM RECEPTACLES, TV CONDUIT AND SPEAKER WIRING. PROVIDE AREA FOR INCONSPICUOUS CABINET VENTING.

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2

3

4

5

6

Proj

ect N

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0416

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M

DescriptionRevisionNo. Date

DRYBAR SANTA MONICA1426 MONTANA AVENUESANTA MONICA, CA 90403

ARCHITECT OF RECORD:MIKE JACOBS ARCHITECTURE18 W. 27TH STREET10TH FLOORNEW YORK, NY 10010T: 718.858.8455

MEP ENGINEER:MONTROSS & ASSOCIATES, INC2081 BUSINESS CENTER DR. #218IRVINE, CA 92612STEVEN HAYMANT: 949.553.9005F: 949.533.9007

BUILDING OWNER:AMERICAN COMMERCIAL EQUITIES, LLC22917 PACIFIC COAST HIGHWAYSUITE 300MALIBU, CA 90265

TENANT:DRYBAR LLC49 DISCOVERY #150IRVINE, CA 92618

DESIGNER:LACINA HEITLER135 5TH AVE.6TH FLOORNEW YORK, NY 10010T: 212.533.4250F: 212.533.4251

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2 FOR CONSTRUCTION7/26/12

1 FOR PERMIT6/11/12

1

CENTER LIGHT ON CEILING7

Drybar Mini - Styling Bar Drybar Mini - Wash/Cashier Drybar Mini - Compact Plan

Drybar Mini - Concept Elevations

VIP Room Typology

Marcel Perez-Pirio | Abridged Portfolio | 415.216.9251 | [email protected] 2 of 31INTERIOR ELEVATIONS

SCALE: 1/2" = 1'-INTERIOR ELEVATIONS

INTERIOR ELEVATIONS

SCALE: 1/2" = 1'-

SCALE: 1/2" = 1'-

2

3

4 4 4 44

4

3/A.500

4/A.501

3/A.500

1 11 1111

TV

N.I.C.

H

A L M

10'-6"B.O. DROP CEILING

9'-0"T.O. TRIM


9'-0"T.O. TRIM


A B C

A B

BA

+0'-0"T.O. FINISHED FLOOR

+0'-0"T.O. FINISHED FLOOR

1/A.600

8/A.102

7/A.

102

8/A.102

7/A.

102

8/A.102

7/A.

102

1/A.500

1/A.500

A.072.00

INTERIORELEVATIONS

Proj

ect N

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0416

-DBS

M

DescriptionRevisionNo. Date

DRYBAR SANTA MONICA1426 MONTANA AVENUESANTA MONICA, CA 90403


MEP ENGINEER:MONTROSS & ASSOCIATES, INC2081 BUSINESS CENTER DR. #218IRVINE, CA 92612STEVEN HAYMANT: 949.553.9005F: 949.533.9007

BUILDING OWNER:AMERICAN COMMERCIAL EQUITIES, LLC22917 PACIFIC COAST HIGHWAYSUITE 300MALIBU, CA 90265

TENANT:DRYBAR LLC49 DISCOVERY #150IRVINE, CA 92618


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2 FOR CONSTRUCTION7/26/12

1 FOR PERMIT6/11/12

1

Emerging Facade Vocabulary


Built Facades

Lacina Heitler: Makeup Retail / CommercialBlushington | West Hollywood, CA Project Phases: PD, SD, DD, CD, DoB, CA

Blushington is a new makeup service concept where clients come in to get makeup applied by industry professionals. Customers are greeted at reception with a feature wall comprised of dual magnification compact mirrors. The iconography of the circle is carried throughout the design in millwork details and material choices. The store is arranged into “rooms” each containing 4 stations that are reimagined as a riff on the old-style Hollywood vanities. Long pink drapery disappears into the ceiling and is used throughout to add movement, implied space separation and is used as a visual link so stations appear to float detached from the walls. The flooring material is an oversized herringbone pattern and mirrors the recessed illuminated ceiling cove.

Reception & Prodcut Display Lounge

Exterior Styling Stations

Restroom


Logo by Cam Webb

ExteriorExterior

Marie Antoinette Apothecary Spice Market Dressing Room

Concept Photos

+ + +

Generic Workflow Studies

Concept Vanity Studies

Programming Studies


Merchandising Concepts

Perspective Station Layout

Color Palette

Perspective Store Section


Construction Plan

Final Design Perspective

Marcel Perez-Pirio | Abridged Portfolio | 415.216.9251 | [email protected]

Construction Details

CROWN AS SPECIFIED (P-3)

PTD WOOD TRIM (P-3)

PTD CABINET DOOR (P-3)

PTD WOOD TRIM (P-3) TYPICAFOR ALL SIDES

PTD WOOD TRIM (P-3)

SPECIFIED PULL

PTD WOOD TRIM (P-3)

FLIP-IN TRASH DOOR (P-3)

SPECIFIED PULL

PTD WOOD PANEL (P-3)

SPECIFIED BASE (P-3)

SPECIFIED FINISH FLOOR

PTD CABINET DOOR (P-3)

212" 1'-1" 21

2"

1"

3'-9

"21 2"

1"3'

-01 2"

PTD WOOD TRIM (P-3) TYPICAFOR ALL SIDES

CROWN AS SPECIFIED (P-3)

PTD WOOD TRIM (P-3)

PTD WALL (P-2)

PTD WOOD TRIM (P-3)

PTD WALL (P-2)

4"6"10"2'-1"10"6"4"

R5"R5" R5"

R5"

3'-9

"21 2"

1"3'

-01 2"

134" 13

4"1'-0"

134" 13

4"1'-0"

R2 12 "

2"2"

1"

1"

SPECIFIED LIGHT FIXTURE

EQEQ

RECEPTACLES AT WALL BEHIND MILLWORK

PTD WALL (P-2)

SPECIFIED HOOK

1'-6"

212" 21

2"1'-1"


SPECIFIED WASTE BASKET

PTD WOOD TRIM & DOOR (P-3)


1'-6

"

21 2"1"

11"

1"21 2" PTD WOOD TRIM (P-3)

1'-6"

212" 21

2"1'-1"


SPECIFIED WASTE BASKET

FLIP -IN TRASH DOOR (P-3)


1'-6

"

21 2"1"

11"

1"21 2" PTD WOOD TRIM (P-3)

1'-6"

212" 21

2"1'-1"

1'-6

" PTD WOOD PANEL (P-3)

PROVIDE (4) ADJUSTABLE SHELVES (PL-1)

PTD WOOD TRIM (P-3)

LINE OF TRIM BELOW

CABINET BOX (PL-1)

PTD WOOD TRIM (P-3)

21 2"1"

11"

1"21 2"

1'-0" 2'-9" 1'-0"

1'-6

"

SPECIFIED PULL ON DECORATIVE PANEL (P-3)

DRAWER BOX (PL-1) TYPICA

PTD WOOD (P-3) TYPICAL

LINE OF STONE ABOVE

1'-8

"

1'-0" 2'-9" 1'-0"

1'-6

"

RECEPTACLES

COUNTER SUPPORTS

SPECIFIED PULL ON DECORATIVE PANEL (P-3)

DRAWER BOX (PL-1)

PTD WOOD CABINET (P-3)

I-PORT DOCK (N.I.C.) COORDINATE WITH AV VENDOR

EQ EQ

LINE OF STONE ABOVE

SPECIFIED HOOK

1'-6

3 4"

1'-8

3 4"

1'-058" 2'-91

8" 1'-058"

4"10"2"2'-9"2"10"

PTD WOOD TRIM (P-3)

MIRROR (MR-1)

STONE TOP (S-2)

TYPICAL MILLWORKDETAILS - STATION

Proj

ect N

o.11

0307

-BLU

BLUSHINGTON8591 SUNSET BLVDWEST HOLLYWOOD, CA 90069

THIS DRAWING AS AN INSTRUMENT OF SERVICE IS THE PROPERTY OF LACINA HEITLER ARCHITECTS AND MAY NOT BE REPRODUCED WITHOUT THE ARCHITECT'S PERMISSION AND UNLESS THE REPRODUCTION CARRIES THE ARCHITECT'S NAME. ALL DESIGN AND OTHER INFORMATION SHOWN ON THE DRAWINGS ARE FOR THE USE ON THE SPECIFIED PROJECT ONLY AND SHALL NOT BE USED OTHERWISE WITHOUT WRITTEN PERMISSION FROM THE ARCHITECT. © COPYRIGHT LACINA HEITLER, INC. 2011

PROGRESS SET

Description

1 05/06/11

RevisionNo. Date


BUILDING OWNER:FRANCIS MONTGOMERYMONTGOMERY MANAGEMENT COMPANY8623 SUNSET BOULEVARDWEST HOLLYWOOD, CA 90069T: 310.652.7137

TENANT:BLUSHINGTONSTEPHI MARON


2

3

4

5

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-

-

-

-

-

-

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-

FOR APPROVAL05/09/11

FOR PERMIT05/13/11

FOR BID05/19/11

FOR CONSTRUCTION06/22/11

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1" = 1'-0"ELEVATION @ CABINET1

1" = 1'-0"ELEVATION @ STATION - RIGHT2

1" = 1'-0"PLAN SECTION @ CABINET - BOTTOM5

1" = 1'-0"PLAN SECTION @ CABINET - MIDDLE4

1" = 1'-0"PLAN SECTION @ CABINET - TOP3

1" = 1'-0"PLAN SECTION @ STATION - BOTTOM8

1" = 1'-0"PLAN SECTION @ STATION - MIDDLE7

1" = 1'-0"PLAN SECTION @ STATION - TOP6/1 A.1200.00

/1 A.1200.00

/1 A.1200.00

/2 A.1200.00

/2 A.1200.00

/2 A.1200.00

1

1

1

SNK

ICE

DW

A. GROUND FLOOR B. MEZZANINE

101LOUNGE

110BATHROOM109

DRESSING108

PANTRY

105VIP ROOM

1

1

100RECEPTION

102LOUNGE

104STATIONS 1

103STATIONS 2

106HALL

107REAR ENTRANCE

201MEZZANINE

202STORAGE

203STORAGE

01

2

02

0304

05

06

1

1

1

1

1

3

2

1

204HALL

12'-4

"

EQEQ

3'-2

" V.I.

F.

3'-1

01 2"12

'-4"

3'-1

01 2"

3'-1

01 2"12

'-4"

12'-4

"3'

-101 2"

1'-6

"1'

-6"

3'-1

01 2"12

'-4"

2'-4

"2'

-41 2"

2'-6"3'-0"

EQEQ1'

-9"

1'-9

"

5'-0"5'-0"

TRAV

EL D

ISTA

NC

E 9

1'-9

" < 1

00'-0

"

5'-0"

4

8"8"

10" 5"

10" 5"

5"

07

1'-0"

5

3'-2

" V.I.

F.

ALIG

N

ALIG

N

5

54"x60"

54"x60"

5"

1'-112" V.I.F.2'-0" 3'-0"

68

7

5'-0"

9

10

3

4 4

34

11

11

11

11

12

12

A. GROUND FLOOR B. MEZZANINE

2

1

1

3

3

3

4100

FRONT ROOM

104BACK ROOM

102BATHROOM103

STORAGE

203STORAGE

201MEZZANINE

202STORAGE

205HALL

A.100.00

DEMOLITION &CONSTRUCTIONPLANS

Proj

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o.11

0307

-BLU

BLUSHINGTON8591 SUNSET BLVDWEST HOLLYWOOD, CA 90069

THIS DRAWING AS AN INSTRUMENT OF SERVICE IS THE PROPERTY OF LACINA HEITLER ARCHITECTS AND MAY NOT BE REPRODUCED WITHOUT THE ARCHITECT'S PERMISSION AND UNLESS THE REPRODUCTION CARRIES THE ARCHITECT'S NAME. ALL DESIGN AND OTHER INFORMATION SHOWN ON THE DRAWINGS ARE FOR THE USE ON THE SPECIFIED PROJECT ONLY AND SHALL NOT BE USED OTHERWISE WITHOUT WRITTEN PERMISSION FROM THE ARCHITECT. © COPYRIGHT LACINA HEITLER, INC. 2011

PROGRESS SET

Description

1 05/06/11

RevisionNo. Date


BUILDING OWNER:FRANCIS MONTGOMERYMONTGOMERY MANAGEMENT COMPANY8623 SUNSET BOULEVARDWEST HOLLYWOOD, CA 90069T: 310.652.7137

TENANT:BLUSHINGTONSTEPHI MARON


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FOR APPROVAL05/09/11

FOR PERMIT05/13/11

FOR BID05/19/11

FOR CONSTRUCTION06/22/11

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1/4" = 1'-0"CONSTRUCTION PLAN2

1/4" = 1'-0"DEMOLITION PLAN1

DEMOLITION PLAN KEYNOTES

1

DEMOLITION PLAN NOTES1. SEE DRAWING A.003 FOR SYMBOL LEGEND AND

DRAWING A.000 FOR GENERAL NOTES AND DEMOLITION NOTES.

2. PROVIDE PROTECTION FOR ALL AREAS AFFECTED BY DEMOLITION. G.C. TO BE RESPONSIBLE FOR ALL DAMAGES CAUSED BY IMPROPER PROTECTION AND MAKE ALL NECESSARY REPAIR OR REPLACEMENT WITHOUT ADDITIONAL COST TO THE OWNER.

3. REMOVE ALL TRIM AND MOULDINGS UNLESS OTHERWISE NOTED.

4. CONFIRM THAT ALL WALLS TO BE REMOVED ARE NON-LOAD BEARING PRIOR TO DEMOLITION.

5. NO BUILDING RISERS ARE TO BE RELOCATED OR REROUTED IN THIS ALTERATION.

6. REMOVE ALL ABANDONED NON-WORKING ELECTRICAL WIRING, CABLING, PIPING , AND SURFACE MOUNTED CONDUIT AND RECEPTACLES BACK TO ORIGINAL SOURCE, UNLESS OTHERWISE SPECIFIED.

7. ALL EXISTING ELECTRICAL PANELS AND SERVICE TO REMAIN.

8. COVER, SEAL AND/OR PROTECT ALL HVAC EQUIPMENT FROM DUST AND DEBRIS DURING DEMOLITION AND CONSTRUCTION.

9. REMOVE ALL EXISTING ELECTRICAL RECEPTACLES, SWITCHES, LIGHT FIXTURES, SECURITY AND AV DEVICES UNLESS OTHERWISE NOTED.

2

CONSTRUCTION KEYNOTES

1

CONSTRUCTION PLAN NOTES

2

3

1. SEE DRAWING A.001 FOR SYMBOL LEGEND AND DRAWING A.000 FOR GENERAL NOTES, CONSTRUCTION NOTES AND PLUMBING NOTES.

2. DO NOT SCALE DRAWINGS. USE ONLY FIGURED DIMENSIONS. LARGE SCALE DETAILS TAKE PRECEDENCE OVER SMALL SCALE DRAWINGS.

3. CONTRACTOR SHALL VERIFY ALL DIMENSIONS IN FIELD.

4. ALL ROUGH OPENINGS FOR CLOSET DOORS ARE TO BE CENTERED UNLESS OTHERWISE NOTED.

5. ALL ROUGH OPENINGS FOR DOORS TO BE OFFSET 6" FROM ADJACENT WALL UNLESS OTHERWISE NOTED.

6. ALL PARTITION DIMENSIONS ARE MEASURED TO THE FACE OF NEW SHEETROCK, NEW FINISH MATERIALS, OR EXISTING WALLS.

7. IF ANY +/- DIMENSIONS VARY BY MORE THAN 2" FROM LABELED DIMENSION NOTIFY ARCHITECT BEFORE PROCEEDING WITH WORK.

8. REPAIR EXISTING WALLS AS REQUIRED IN ALL AREAS AFFECTED BY CONSTRUCTION AND DEMOLITION.

9. ANY WORK PERFORMED ON WALLS, CEILINGS, AND FLOORS COMMON TO OTHER HABITABLE SPACES, PUBLIC SPACES OR THE EXTERIOR SHALL NOT LOWER THEIR EXISTING FIRE RATINGS.

10. ALL DOORS TO CONFORM TO ADA PUSH/PULL CLEARANCES

11. CONTRACTOR TO PATCH, REPAIR, OR SKIM COAT ALL REMAINING G.W.B. POST-DEMOLITION TO MATCH FINISH QUALITY OF NEWLY INSTALLED G.W.B.

12. WATER HEATER LOCATION TBD. CONFIRM WITH DESIGNER.

13. ALL EXISTING DOORS, DOOR FRAMES OR HARDWARE TO REMAIN OR BE REUSED SHALL BE PATCHED, REPAIRED, UNDERCUT, OR ADJUSTED AS REQUIRED FOR A PROPER INSTALLATION.

14. ALL DOORS (NEW AND EXISTING) SHALL HAVE DOOR STOPS AND BUMPERS OR SILENCERS. DOOR STOPS TO BE FLOOR MOUNTED TYPE, UNLESS OTHERWISE NOTED.

15. ALL LOCKSETS SHALL BE MASTER-KEYED AS REQUIRED BY THE BUILDING MANAGEMENT. SEE DOOR SCHEDULE/HARDWARE SCHEDULE FOR INFORMATION.

16. G.C. TO CONFIRM QUANTITIES, LOCATIONS AND REQUIREMENTS OF ALL FLAT-PANEL TV'S WITH OWNER PRIOR TO STARTING WORK.

17. G.C. TO PROVIDE BLOCKING AT ALL ACCESSORY AND/OR GRAB BAR LOCATIONS.

REMOVE EXISTING SHELVING.

REMOVE ALL EXISTING FIXTURES, FINISHES ACCESSORIES AND PANELING IN BATHROOM.

REMOVE ALL EXISTING CARPETING, PADDING, WALLPAPER, TRIM AND MOULDINGS.

FACE OF WALL TO BE LOCATED MINIMUM DISTANCE FROM THIS SIDE OF EXISTING COLUMN.

REFER TO1I/A.006 AND 1J/A.006 FOR ADA GRAB BAR DETAILS

3 REFER TO 1K/A.006 FOR ADA KNEE SPACE DETAILS.

4 REMOVE WALL FOR NEW INTERIOR WINDOW.

4 NEW INTERIOR WINDOW. SEE DETAIL 4/A.007.00

5 REMOVE PORTION OF TREAD TO MATCH TYPICAL TREAD DIMENSION.

5 EXTEND EXSITING RAILING.

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7 NEW COLUMN COVERS (P-6)

8 PROVIDE AND INSTALL (1) SHELF (PL-2) AND BRUSHED CHROME CLOSET POLE.

9 REQUIRED EXIT DOOR

10 EXIT DOOR

11 RETAIL PRODUCT DISPLAY AREA

12 PROVIDE AND INSTALL ADA COMPLIANT THRESHOLD BETWEEN NEW FINISH FLOORING AND EXISTING EXTERIOR OR CORRIDOR FLOORING MATERIAL.

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Restaurant ConceptProvenance | Concord, MAProject Phases: Concept Design; Space Planning

Located in a town bursting with rich history and tradition, Prov-enance was to capture the essence of the local charm and aesthet-ics while infusing a modern and playful interior theme expanding on these traditions.

Located on the second floor of the old Train Depot, the entry to the restaurant is through the main staircase which is flanked on one side by wood paneling that is traditional in feel yet not excessively orna-mental. Arriving in the restaurant in the heart of the activity which is the bar/lounge area, has a relaxed feel punctuated by elements of interest such as an eye-catching chandelier, banquette seating and mirrored wood and marble bar. This is seen as more informal/relaxed atmosphere of the restaurant. The bar can become a destination and/or double as a waiting area for patrons.

As a result of repurposing an existing structure there are many ele-ments in the space that compete for the eye - windows, columns, elevator, skylight and angled ceiling lines. The intention was to re-store order to this inherently symmetrical building by placing the bar on axis of the windows thereby making it a focal point of the room.

The rear dining room is the most formal of the three areas. The long wall is flanked by a banquette where the seating can be a mixture of 2 or 4 tops. Two round tables are added to visually add interest and flexibility. This room, as it is far enough away from the other dining room would also lend itself perfectly to be a private dining room.

A lot of the richness, playfulness and visual excitement comes from the furnishings, finishes and textures. As one travels through the whole of the restaurant these textures reference each other in color and style to create a cohesive yet exciting experience.

Seating Plan

Perspective Sketch & Material Palette


Dining Elevation Entry & Reception Waiting

Chandelier Lounge & Bar Perspective Sketch


Furniture Design / LightingHelloHelio | New York, NYCLU Foundation Competition: Finalist

HelloHelio is a responsive sculptural lighting element which is integrated into modular street furniture to inspire, inform and engage various types of outdoor activity. The elegant structural canopy slowly pivots, following the sun, to maximize the energy captured through integrated photovoltaics. At night, the stored energy powers embedded, ultra-efficient LED lighting creating an even ambient pool of light—all the while, slowly pivoting back to ready itself for the next day’s solar harvesting.

The base is designed to support a variety of uses. In its most basic form, as a lightpost, the base acts as the roots anchoring the HelloHelio to the ground. On top of this, a modular system of components can be added for different programmatic uses. The goal of the modularity is to keep production costs low while creating choice and opporunity in design.

Light + Bench + Armrest Light + Bench + Recycling Light + Bench + Table Light + Bench + Planter

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PhotovoltaicsTo maximize energy capture, HelloHelio slowly pivots to follow the path of the sun throughout the day.

Solar cells embedded in the structure provide the energy necessary to illuminate and pivot the canopy.

Affinium™ LED LightingLED lighting, integrated into the canopy, is used for its very minimal power consumption and longevity.

The flexibility of the LED string system follows the canopy curvature creating a continuous band of light.

Locating lighting on the underside of the canopy directs light down to illuminate the immediate surroundings thereby minimizing light pollution.*image courtesy of Philips

Recycled Aluminum The framework of the HelloHelio is made from extruded recycled aluminum.

Recycling aluminum is more cost effective and environmentally responsible than extracting virgin aluminum.

Recycling, by nature, does not degrade the molecular makeup, allowing the HelloHelio framework to be disassembled and recycled indefinitely.

Wood Seating The bench seats are made from FSC certified wood to insure environmental responsibility.

HelloHelio takes the familiar materials of a traditional park bench and reinterprets them. Wood, used as a continuous surface, creates a comfortable seat that wears well over time.

MechanicsThe canopy is connected to the base through a gear shaft which controls the fluid pivot motion.

As a result of the slow diurnal swings, minimal energy is needed to actively pivot the canopy on the upswing.

On the downswing, the gears work in resistance, harnessing the force of gravity to pivot the canopy thereby increasing energy efficiency.


Corbing Group Corporate Identity

Logo DesignVarious Projects


melissa melissaRetail Craft Identity

Accurate Medical SolutionsCorporate Identity

Center for Architectural SciencesNon-Profit Identity

Platform 4 Collaborative DesignNon-Profit Identity

Central AirCorporate Identity

Identity DesignVarious Projects

Platform 4 Collaborative DesignNon-Profit Identity

Accurate Medical SolutionsCorporate Identity

Corbing Group Corporate Identity

Central AirCorporate Identity

Plane Branding

B&W Logo

In-Flight MenusIn-Flight Magazine

Boarding Pass

Self Check-In Sequence


Hot-Humid Climate

Concentrations of Relative Humidity

Bioclimatic Effects on Solar Resource

Masters Thesis ProposalEnhancing Interior Environmental Control Systems with Intelligent Desiccant Materials | Mumbai International Airport, Mumbai, India

Experiential Light Modulation of Proposal

If we consider and harness the relationship between humidity, en-vironment and structure within a building application we can then experience the “process of performance” through visible light modu-lation as the systems ebb and flow, collecting and removing water, while responding to interior and exterior conditions.

The user is then able to understand and participate in a connection between what is traditionally regarded as separate entities—building and environment.

By bringing systems that are traditionally banished to basements, and almost in a way glorifying them, by distributing the functions across a roof membrane allows it to visibly respond to dynamic bioclimatic conditions. The systems are now able to participate in a social realm but just as importantly they are able to participate in a quantifiable and imperative global-realm as it literally works to de-crease energy consumption, harvest water for consumption in order to maintaining interior comfort levels.

Marcel Perez-Pirio | Abridged Portfolio | 415.216.9251 | [email protected]

Incident Surface Analysis

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Reformed Roof Plan

Detail Roof Plan

Cutaway Axonometric of Multi-Layered Building System



North-South SectionPhysical Model Studies

East-West Section


Bergen Street Studio: Residential / Renvation147 Congress Street | Brooklyn, NYProject Phases: DD, LPC, CD, DoB, CA

Located in a landmrked district, this original 2-story house with a tower was approved by the Lanmarks Planning Commision for the addition of a 3rd-story Mansard thereby retaining the historical texture of the neighborhood. The first floor renovation consisted of a new kitchen, custom millwork in the dining and living rooms, new air delivery throughout and new insulation on all walls. The second floor was reconfigured from a 3-bedroom to 2-bedroom to improve circulation and increase bedroom sizes. The addition of the 3rd floor to accomodate a master suite and rear terrace. Contrasting the exterior facades, the 3rd floor interior was designed to achieve a sparse, japenese-inspired aesthetic emphasising natural materials.

1 of 3Marcel Perez-Pirio | Abridged Portfolio | 415.216.9251 | [email protected]

2 of 3Marcel Perez-Pirio | Abridged Portfolio | 415.216.9251 | [email protected]

Bergen Street Studio: Residential Conversion331 State Street | Brooklyn, NYProject Phases: SD, DoB, SD, CD

First Floor Basement

Second Floor

Exterior

Interior Perspective

Section

This 4-story apartment building was a gut renovation / combination of 4 separate flats. The building was not located in a landmarked area which allowed for a subtle yet pronounced transformation of the front facade. The new openings in the facade were framed with a 4” cor-ten steel frame with inset wood panelling. Vertical connections were made both visually and through orientation. At the entry was a 3-story forced perspective atrium with balconies for interior and exterior connections. The staircase ascended around a hollow translucent recycled resin chamber to bring light to the interior floor plate. High velocity small duct system was used to maximize floor to ceiling heights.

Material Samples


Third Floor

Portfolio

Documents

Transcript of Portfolio