my final project on school of design and technology.A cultural site about events in Copenhagen.

cultural website for copenhagengraphic designwebsite developingcampaing materialcontent management

CPH CONTENT

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JAZZ NEXT DOOR

azzextoor

azzextoor

grønnegade 33

1107 copenhagen

tel . 70702015 www. .fabios .dk

din ing jazz lounge

client meetinggraphic identityidea developmentadobe Illustrator

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KEA CONNECTconcept developmentco-organizervideo editing and animationadobe after effects and premier prosettlement and videoteaser

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ILLUSTRATIONStusch adobe illustratoradobe photoshop

KEA CATALOGUE

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new catalogue for future studens at KEA.in cooperation with yrsa gregersen and sabine jensen.

co-authorco-illustratorpoofreading

KEAKEA develops and provides practice-oriented higher education at business school and bachelor degree level. The school o�ers the following profiles: design/business, construction/production, media/IT and management/vocational training. KEA acts as a knowledge centre in relevant areas such as CSR (corporate social responsibility) and Sustainable Fashion, and we also have a development section where the project keywords are innovation, learning and CSR. KEA has more than 3000 students.

COPENHAGEN SCHOOL OF DESIGN & TECHNOLOGY

KEA DESIGN/BUSINESSDesign/business is for those of you who just cannot help being creative and who want to work in the fashion and lifestyle industry. Studying is about turning ideas and needs into designs that will make it commercially.

KEA CONSTRUCTION/PRODUCTIONWith an education from KEA construction/production you will be able to par-ticipate in the creation of both small and large buildings and constructions. The focus here is on the many tasks and productions of the building industry.

KEA MEDIA/ITWorking with a computer simplifies and eases many of our tasks if we under-stand how to use its potential in the best way possible. This is what KEA media/IT teaches you. A strong interest in computers is therefore of the essence in all the programmes at media/IT.

KEA MANAGEMENT/VOCATIONAL TRAININGKEA o�ers a number of vocational training programmes in management and HR. There is also a knowledge centre of CSR, Centre for Responsible Design, and new knowledge centres are in the pipeline. Finally, a development section carries out projects with emphasis on innovation, learning and CSR.

KEAS INTERNATIONAL COOPERATIONMany foreign exchange students join us at KEA for one or two semesters. Like-wise, Danish students go abroad to study for a semester or two in order to find inspiration in the encounter with other cultures.

KEA’s international lines also welcome a number of guest teachers from our Eu-ropean partner institutions. This gives inspiration to both teachers and students in the di�erent countries in terms of methods, building technology and cultural influences.

An increasing number of students choose to do their internship in foreign coun-tries like the United States, UK, Germany, India, China and many other countries. KEA works closely with universities in Australia, Scotland, England, Ireland, Spain, Germany, Poland, Holland, Lithuania, Italy, Sweden, Norway and Canada.

“You learn how to collaborate with people from other countries. Because of our di�erent cultures, We have di�erent kinds of views and that’s exciting, You have to compromise and collaborate to �nd the best solution.”

KEA’S COOPERATION WITH THE BUSINESS COMMUNITYAt KEA we make an e�ort to create the best job opportunities for the students when they have graduated. Most of the programmes therefore have an internship period where the students may test and increase their skills in a workplace.

In recent years, KEA has worked very consciously to strengthen relations be-tween the business community and the students. We organise various events that enable representatives of the business community to meet the students and see their projects.

Read more about KEA at www.kea.dk

Johanna -Poland

anne hartmann bierrevalgårdsvej 9, 1.th.2500 valby

anne.bierre@gmail.com20 74 43 53www.annebierre.com

2anne hartmann bierrevalgårdsvej 9, 1.th.2500 valby

anne.bierre@gmail.com20 74 43 53www.annebierre.com

ARTICLE FOR VICE MAGAZINE

school assignment about trendspotting in Istanbul

concept and trendspottinginterviewlayoutphotographywritten part

MEN COIFFEUR ORHANBy

ANNE HARTMANN BIERREAND KAJSA ENGLESSON

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THE ITALIAN VANwebsiteprogrammingadobe dreamweaverdesign

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URBAN LIFEschool assignment about making a podcast in the city

conceptpress releasepodcast

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INTERMISSIONschool assignment about makinga re-design of a danish magazine

conceptlayout

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PSYCHIN THE SOUTH LAND

PSYCHIN THE SOUTH LAND

The Entrance Band:

Dark Days

Golden Animals:

Sun & Moon

The Growlers

Growl-ing Seas

balanced collaboration—an equilibrium, like the sun and moon.”Later that year, after answer-ing an Internet ad, the duo packed up and headed out to California to housesit for Gordon Kennedy, author of the much-fetishized natural living guidebook Children of the Sun, at his home on the Salton Sea. “The book explains the history of the ideals that predate what became so intertwined with the movement in the ’60s,” says Eisner. “The book and Gordon were a perfect introduction for us to southern California and more importantly some rules to help the move away from conventions in society.”Now, preparing to embark on a summer tour across the the American south, Beecroft adds, “We have spent a lot of time alone in the wilderness playing music together. We want to capture that and bring some-thing real to people.”

“We have met dark days,” wrote Lestar Bangs in his bril-liant exegesis of Black Sabbath in 1972. “People will do almost anything to escape from the pall.” War was still raging in Viet Nam, and the heavy doom of Sabbath’s early records hung in the air like a death knell, yet was deeply moralistic, mused Bangs. Guy Blakeslee, the frontman for modern day doom-psyche trio, the Entrance Band, felt something akin to that approach during the writ-ing of Prayer of Death,

As the surf off the coast of Orange County sweeps the beach, a sunny romanticism sets in. This allows for a warm

to the beachfront properties of the earth. “We’ve all just been learning this whole process,” says Brooks Nielsen, front-man of the Growlers, in a lassez-faire drawl typical to his locale. “No one in the band is in any way really amaz-ing [musically]—if we need a keyboard player, instead of an actual classic pianist, we get a guy who hasn’t played be-fore, because he’s a cool kid.” It translates into a similarly ramshackle live show. “You just can’t have expectations,” laughs Nielsen. “That thing broke, [guitarist] Matt [Taylor]’s amp drank beer. I forgot this, someone messed up on that.”That isn’t to say the Growlers play music that’s amateur-

PSYCHIN THE

SOUTH LANDLos Angeles is weird. You don’t have to be here to know it either. It’s common knowledge: the whole damn city is a psychedelic freakshow.

-other. Whether they’re fronted by tiny, thrashing Japanese sisters, or they have holed up in the desert or by the beach, or they’repre-occupied with death or sports, Los Angeles is home. Let’s get weird.

an album of cabal of Sabbath-like dirges mostly centered on the prognostication of death. “I tried to have it have a positive spin: don’t take life for granted, because death is inevitable,” says Blakeslee, his voice crackling with passion over the phone. “Every day the news was about all the stuff around it, but underlying it there were many deaths—you talk about war, you’re really talking about people killing each other. It’s a crass overgeneralization, but people weren’t talking about it like that.”All this stems from Blakeslee’s

known then as simply En-trance, which was Blakeslee, a six-string and a set of bluesy songs. “I didn’t want to be from this time period. And it was a practical decision to not have it be too dependent on other people,” says Blakeslee. “It goes back to old school American music. A lot of the gospel and blues singers, they were not only preaching biblical moral-ity, but the idea that everyone’s going to die.”Adding multi-talented bassist Paz Lenchantin and drummer Derek James gave Blakeslee the gravitas to cut his history lesson with some slightly more

feel like what we’re doing now is trying to bring it back into a new sound that includes all the things I was always into,” he says. The Entrance Band of today takes the Charley Patton

a bandwide reverence for hard-core punk, a little bit of love for Tom Petty, and a healthy dose of the ghosts of Laurel Canyon circa 1968, and sloshes it all around to create a druggy concoction, albeit an optimistic one.“The new record has themes that are blatantly positive, about love and political ac-tion,” says Blakeslee. “We have a song called ‘MLK,’ paying tribute to what he was about. There may not be a leader like him, but we need to try and live by his example and make sure his works were not in vain.”

Life is easier in the desert, explains Golden Animals singer/guitarist Tommy Eisner. “There are no distractions. Time moves way slower. No one asking you to come to their opening or show or bar or party. There’s space out here for cheap or free and at this stage, being young, trying to make music together, we are able to focus more on music than just trying to get by.” It’s a good trade-off for worldly excess and car horns and light-polluted nights—slough off the unneeded and head into the untamed frontier.The desert worms itself into the Golden Animals sound. On last year’s debut album, Free Your Mind and Win a Pony, Eisner and drummer Linda Beecroft built a record that’s cracked and damaged and earthy. But Golden Animals weren’t always lawless desert-dwellers. Beecroft met Eisner, a Swedish expat moments after she arrived in Brooklyn. “On a rainy winter night,” she reminisces. “We bonded immedi-ately. We had a hard time staying together because of the law, so we started traveling together in Europe. We’d perform on the streets of Paris—me playing tambourine and Tommy playing acoustic guitar. It wasn’t until I moved to New York I started to play a drum kit.”Eisner and Beecroft married at City Hall in New York in 2007. “Marriage was our only option to just saying goodbye to each other and sticking to our own side of the sea,” says Eisner, “Marriage represented the coming down of big wall in front of us, which was immigration trying to separate us. We don’t wear rings or con-sider ourselves to be traditionally husband and wife. Somehow we both share the same vision for what we are creating. It’s a very

With this kind of positive song-writing, perhaps dark days and prayers of death may soon give way to exaltations of living and blue skies.

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FUND FUND

Igangværende projekt: Indspilningen af en selvproduceret LP

Karrieremål: At dele min musik med så mange mennesker som muligt

Inspirationskilder: Pablo Honey, Sam Cooke, Sun Giant EP,

Jack KerouacDet bedste ved new york: Alt kan ske Største bedrift: Sker ude i fremtiden

Helte: Ralph Waldo Emerson, Odysseus

Barndomshelte: Wolverine, Marthin Luther King Jr., Bruce Springsteen

Favoritsted for live optræden: The Rockwood Music Hall

Yndlingsguitar: Min akustiske Seagull

Rejser aldrig uden: iPod, en bog, en ekstra t-shirt

Sidst læst: Er i gang med One Hundred Years of Solitude,

og elsker den indtil videre Værste mareridt:

En tilbagevendende drøm om en tysk poltergeist

Afhængig af: At rejse, mad fra dineren, fremmede sprog.

Hvorfor ny: “The land of opportunities...” Det er en by, der aldrig sover

Kunne ikke leve uden: frihed til...

Favorit karakter af kød og blod: Som karakter, Jack Nicholson

Mest inspirerende person(er):

Penn, Avedon, Newton, Bailey, LindberghMest inspirerende sted: Paris

Det bedste ved københavn: Familie og venner

Titelsang: “I’ve got the world on a string” - Frank Sinatra

Yndlingsplade: Singles collection: The London Years - The Rolling Stones

Indbegrebet af god stildette er personligt. Stil er et billede, vi alle lever igennem, man kan lade sig

Men hellere være sig selv

og omfavne diverse referencer.

Hayes Peebles Christian BrylleAlder: 17Beskæftigelse: Studerende/musiker

Bor: New York, NY

Alder: 24Beskæftigelse: Model

Bor: New York, NY

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intermission intermission

OH LOLA!by marc jacobs

the new spring 2012 scent for women

miss dior cherieby christian dior

the new spring 2012 scent for women