Music of the 17th - 19th Centuries Arranged for Six-stringed Guitar
Popular Guitar Method Tablaturevincentvaneker.com/wp-content/uploads/PGM-1.pdf · electric,...
Transcript of Popular Guitar Method Tablaturevincentvaneker.com/wp-content/uploads/PGM-1.pdf · electric,...
Popular Guitar Methodin
TablatureBook I
Basic Chord Changes & Pick Techniques
Download the play a long audio files from this book
at www.vincentvaneker.com
by
Vincent Vaneker
Title:Popular Guitar Method in Tablature Book IBasic Chord Changes & Pick Techniquesby Vincent Vaneker
Compositions: All compositions and arrangements of traditionals by Vincent Vanekerexcept where indicated.
E-mail: [email protected] Website: www.vincentvaneker.com
Front page design:Studio Bellamy Amsterdam
Play a long songs Music-Production:Studio Bellamy Amsterdam
Published by:Studio Bellamy AmsterdamBellamystr. 211053BE AmsterdamEurope / Netherlands
© Copyright 2017 www.vincentvaneker.com
Digital copies of music, videos and books are free for individual usage. For professional usage, printed books, questions or comments please contact the author.
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1
Dear Guitarist,
This method is for anyone who wants to learn how to play the guitar or those who wish to improve their playing techniques. It doesn’t matter if you have an electric, acoustic steel string or classical acoustic nylon stringed guitar. How-ever for some exercises it’s best to have an electric one.
This method is the backbone of your basic technical guitar studies. Next to this I advise you to; always investigate all your favorite musicians and bands. There are thousands of legal good downloadable TAB’s, App’s and Video’s on the internet and you can look up any theoretical subject concerning music theory. Therefore I tried to focus mainly on nice original playable exercises, and kept the theory side limited to a minimum.
Another element is to present this method in mainly tablature and chord sym-bols, which is much easier for the guitarist to work with.
Book 1 : Basic chord changes, strumming and picking techniques.
Book 2 : Basic scales, right-, and left hand techniques, improvisation.
Book 3 : Note reading, progressive scales & chords
If you manage to come all the way with me through these three books you will be quite an advanced guitar player having learned all the basic techniques for your right and left hand. Next to that you will have build up basic knowledge of musical theory. Most important however; developed a musical mind with senses for melody, harmony, rhythm and style. Hopefully that will help you starting of exploring your creative mind, and that doesn’t necessarily have to end in music at all.
The books come with play-along-songs so that you can play along where indicat-ed. Have fun !!
Vincent Vaneker
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General Setup
speakersMedia device; Tablet, smartphone etc
Music Stand
good chair
of course; your guitar(s)
Amplifier
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Other things you need !
Picks
Tuning Apps, Chord Apps, TAB Apps etc.
Capo
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Acoustic guitar Electric guitar
guitar parts
Head
Tuning keys
Nut
Neck
Frets
BodyPick upsSoundhole
Bridge Volume & tone controls
Pick upselector
Vibrato bar or Whammy bar
Output jack
The six strings are tuned: E - A - D - G - B - Ethe three bass strings
the three melody stings
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1 : Do you have everything: * a good instrument (and amplifier) ? * a chair ? * a music stand ? * a room to practise ?
2 : Do you know what you want to achieve for the next lesson. ?
3 : Listen carefully to what you play; does it really sound good...??? Do you listen at all...??
4 : Try to find out where your problems are. Is it the left hand or the right hand ?? Practice hands (and fingers) separately. Repeat that single problem daily.
5 : Be creative in finding practice solutions. Try to write your own exercises.
6 : Be persistent in solving a problem it won’t work in 5 minutes. Repetition is the key to success.
how to practise...???
1. Chord Hand 2. Pick Hand 3. Add Timing
work order
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1 Strumming exercises 122 E minor & E Major 143 A major, 2 chord sing-a-longs 16 London Bridge, Pony song 17 Mocking bird, Sur le pond 184 B7, 3 chord sing-a-longs 19 Happy Birthday, Twinkle twinkle 20 Old McDonald, You are my sunshine 21 5 C major, A minor & G major 22 The drunken sailor 24 Green sleeves 256 Rhythm development 1 267 D Major & D7 308 Tablature explained 349 Drum kit imitations & Strumming styles 3810 Playing a Bass line between chords 4411 Time for theory 4812 Chords with a different bass 5213 The Blues 5614 Playing a Melody 6015 Rhythm development 2 6816 Power Chords 7217 Bar Chords 7618 Basic Finger picking styles 8419 Basic strumming styles 8820 Basic Chords 90
CONTENTS
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PLAY ALONG TRACKSDownload these tracks at: www.vincentvaneker.comTrack:1 Rhythm development 1 262 Scarborough fair 313 House of the rising sun 324 Mama don’t ‘low 335 You lift me up 366 Going away 377 Mute & Hit 398 Oh when the saint 429 Swing low 4310 Worried man blues 4411 Up & Down 4512 The wild rover 4613 Open chord medley 1 5014 Open chord medley 2 5115 Si Latino 5316 Hill Billy Baby 5417 Long way down 5518 The blues ain’t nothing 5819 The Blues 5920 Old McDonald 6021 Aura Lee 6122 La Cucaracha 6223 Ode to Joy 6324 The scouts 6425 Moving along 6526 Love in 6627 Fur Elise 6728 Rhythm development 2 6829 Power play 7330 Big 7531 Auld Lang Syne 80 32 Deep River 8133 Spanish Connection 8234 Jamaican Jam 8335 Waterlanding 8636 Evening sun 87
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General information
g
fBb Db Eb Gb Ab
A# C# D# F# G#Sharp
FlatA - B C - D - E F - G - A
the time signature
The time signature tells us how we count through time
this means we count till 3 and the quarter note gets the count
this means we count till 4 and the quarter note gets the count44
34
one two three four
one two three
the names of the music notes
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right hand information> >= a down move = a up move
“General rule”on the count; we strum downwards
after the count, or on the afterbeat; we strum upwards
ã 44 44| ∑
ã 44 44| | Ó Ó
ã 44 44Û Û Û Û Œ Œ Œ Œ
ã 44 44Û Û Û Û Û Û Û Û ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰
1 whole note 1 whole note rest
2 halve notes 2 halve note rests
4 quarter notes 4 quarter note rests
8 eight notes 8 eight note rests
The time value of notes
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Strumming exercises Down and up1
In general the down strum is on the beat and the up strum is on the after beat.
ã 44 Û Û Û Ûone two three four
Û Û Û Û Û Û Û Ûone and two and three and four and
ã | |one three
|one
ã 44 Û Û |one two three four
Û Û Û Û Ûone two three and four
ã Û Û Û Û Û Ûone two three and four and
|one
two two three fourfour
two three four
1 : Singing the counting can help you to get the rhythm right.
2 : Exercise
Pre-count to set the speed before you start. One Two Three Four ....
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ã 44 Û Û Û Û Û Û Û | Û
ã Û Û Û Û Û Û Û | |
ã 44 Û Û Û Û Û Û | Û Û
ã Û Û Û Û Û | |
ã 43 Û Û Û Û | Û Û Û Û
ã Û Û Û Û Û Û Û Û Û |
4: Exercise in 4/4
5 : Exercise in 3/4
3 : Exercise in 4/4
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E minor
0 = open string1 = index finger2 = middle finger3 = ring finger4 = pinkie
Left hand information
Em
32
E
2312
WeakWeak Strong
Very Strong1
234
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Em
32
E
231
E major
ã 44 Û Û Û Û Û
Emin23
Û Û Û Û Û
ã Û Û Û Û Û
E231
Û Û Û Û Û
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A MAJor
1 : Exercise
A m
231A
2343
ã 44 Û Û Û Û
E231
Û Û Û Û
A234
ã Û Û Û Û
E231
| |
A234
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A MAJor two chordSing-a-longs
London Bridge
Pony song
& ### 42 œ œHop Hop
/ / /A œ ŒHop
œ œ œ œGo and ne - ver
/E
œ Œstop.
/A
& ### œ œ œ œWhere it's smooth and
/E œ œ œ œwhere its sto - ny
/A œ œ œ œGo a - long my
/E œ œ œ œlit - tle po - ny
/A
& ### œ œ œ œGo and ne - ver
/ / /A œ Œstop,
œ œ œ œHop Hop Hop Hop
/E
œ ŒHop!
A
& ### 44 .œ œ œ œ œ œ œLon - don bridge is fal - ling down
/ / /A œ œ œ œ œ œfal - ling down fal - ling down
/ /E A
& ### .œ œ œ œ œ œ œLon - don bridge is fal - ling down
/ / /A œ œ œ œ œmy fair la - dy
/ /E A
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Mocking Bird
Sur le pond
& ### 44 œ œ œ œ œHush lit - tle ba - by
/ / /A œ œ œ ˙don't say a word
/ / /E
& ### œ œ œ œ œ œ œMa - ma's gon - na buy you a
/ / /E œ œ .œ jœmock - ing bird. And
/ / /A
& ### œ œ œ œif that mock - ing
/ / /A œ œ ˙bird don't sing
/ / /E
& ### œ œ œ œ œ œ œMa - ma's gon - na buy you a
/ / /E œ œ .œdia - mond ring.
/ / /A
& ### 44 œ œ ˙Sur le Pont
/ / /A œ œ ˙dÁ - vig - non
/ / /E œ œ œ œLón Y dan - se
/ / /A
œ œ œ œLýon Y dan - se
/ / /E
& ### œ œ ˙Sur le Pont
/ / /A œ œ ˙Dá - vig - non
/ / /E œ œ œ œLýon Y dan - se
/ / /A œ œ ˙tous en rond.
/E A
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4 B7
When the pinkie is still to difficult you can leave it out and play it like this.
ã 44 ..Û Û Û Û
E32 1
B7213
ã 44 ..Û Û Û Û
A432
B7213
10 x
10 x
1 : Leave your second finger on the fretboard in this chord change !
2 : Leave your third finger on the fretboard in this chord change ! !
B 7/b
213Em
32
B 7
213 4Em
32
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& #### 43 ..œ œHap - py
œ œ œbirth - day to
/ /E ˙ œ œyou hap - py
/ /B7
& #### œ œ œbirth - day to
/ /B7 ˙ œ œyou hap - py
/ /E
& #### œ œ œbirth - day dear
/ /E œ œ œ œ œ.. .. .. hap - py
/ /A
& #### ..œ œ œbirth - day to
/E B7 ˙ œ œyou hap - py
/ /E
happy birthday
& #### 44 œ œ œ œTwi - nkle Twi - nkle
/ / /E œ œ ˙lit - tle star
/ /A E
œ œ œ œHow I won-der
/ /A E
œ œ ˙what you are.
/ /B7 E
& #### ..œ œ œ œUp a - bove the
/ /E A
œ œ œ œworld so high
/ /E B7
œ œ œ œlike a dia-mond
/ /E A
œ œ ˙in the sky.
/ /E B7
Twinkle Twinkle
three chordSing-a-longs
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& #### 44 œ œ œ œOld Mac - Don - ald
/ / /E œ œ ˙had a farm
/ / / /A E œ œ œ œE - I - E - I -
/B7 .˙ œO and
/ / /E
& #### œ œ œ œon that farm he
/ / /E œ œ ˙had some chicks
/ / / /A E œ œ œ œE - I - E - I -
/B7 .˙ œ œO With a
/ / /E
& #### œ œ œ œ œChick chick here and a
/ / / / / / / / / / /E œ œ ˙chick chick there
œ œ œ œ œ œhere a chick there a chick
& #### œ œ œ œ œ œev'-ry where a chick chick
/ / / / / / /E œ œ œ œOld Mac-Don-ald
œ œ ˙had a farm,
/ / / /A E œ œ œ œE - I - E - I
/B7 .˙ ŒO.
E
old mc donald
& #### 44 jœ œ œYou are my
œ œ ‰ jœ œ œsun shine
/ /
my on
/
ly
E
œ œ ‰ jœ œ œsun
/
shine
/ /
you make
/
me- - -
& #### œ œ ‰ Jœ œ œhap py
/ /
when skies
/
are
A
˙ ‰ jœ œ œgrey.
/
You'll ne
/
ver
E
œ œ ‰ Jœ œ œknow dear,
/ /
how much
/
I
A
- -
& #### œ œ ‰ jœ œ œlove you
/ /
Oh please
/
don't
E
.œ jœ jœ œ jœtake
/
my
/
sun shine
/
a
/
B7
˙ Óway.
E
- -
yOU ARE MY SUNSHINE
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5 c major & A minorC
32 1
B 7
213 4
Em
32
E
231
Am
231
A
234
ã 44 ..Û Û Û Û
C32 1
12Amin
231
Û Û Û Û
C23 1
Amin231
ã 44 ..Û Û Û Û
C32 1
Emin23
Û Û Û Û
C23 1
Emin23
Leave these fingers on the fretboard while changing to Amin !
1 : C to Amin.
2 : C to Emin.
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ã 44 Û Û Û ÛAmin C
Û Û Û ÛEmin
ã Û Û Û ÛA C
Û Û Û ÛE
ã Û Û Û ÛAmin C
Û Û |B7 Emin
3 : Exercise
G major
C
32 1
B 7
213 4
G
32 4
D
213
B 7/b
213Gpinkie
32The problem with G major is the finger-ing. The stretch between the ring finger (3) and the pinky (4) Therefor if this is still too difficult for you, you can leave the pinky out and play it like this.
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The drunken sailor
Way hay and up she risesWay hay and up she risesWay hay and up she risesEarly in the morning
Shave his belly with a rusty razorShave his belly with a rusty razorShave his belly with a rusty razorEarly in the morning
Way hay and up she risesWay hay and up she risesWay hay and up she risesEarly in the morning
& # 44 œ œ œ œ œ œWhat shall we do with the
/ / /Amin œ œ œ œdrun - ken sai - lor
/ / / /
& # œ œ œ œ œ œWhat shall we do with the
/ / /G œ œ œ œdrun - ken sai - lor
/ / / /
& # œ œ œ œ œ œWhat shall we do with the
/ / /Amin œ œ œ œdrun - ken sai - lor
/ / / /
& # œ œ œ œear - ly in the
/ / /Emin
˙ ˙mor - - - ning.
/Amin
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& # 43 œA -
˙ œlas my
/ /Amin .œ Jœ œlove you
/ /C ˙ œdo me
/ / / / /G
.œ jœ œwrong to
˙ œcast me
/ /Amin
& # œ œ œoff dis -
/ /Amin ˙ œcour - teous -
/ / / / /Emin
˙ œly And
˙ œI
/ /Amin .œ Jœ œlov - ed
/ /C ˙ œyou so
/ /G
& # .œ jœ œlong de -
/ /Emin œ œ œligh - ting
/ /Amin
œ# œ œin thy
/ /E
˙ œcom - pa -
/ / / / /Amin
˙ Œny.
˙ œGreen-sleeves
/ / / / /C œ œ œwas
& # ˙ œall my
/ / / / /G .œ jœ œjoy
˙ œGreen-sleeves
/ / / / /Amin œ œ œwas
˙ œmy de -
/ / / / /Emin
œ œ œlight
˙ œGreen-sleeves
/ /C
& # œ œ œwas my
/ /C ˙ œheart of
/ / / / /G .œ jœ œgold and
œ œ œwho but my
/ /Amin
œ# œ œla - dy
/ /E .˙green -
/ / /Amin ˙ Œsleeves.
greensleeves
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6 rhythmdevelopment 1
1 : Syncopation, strumming hand stays down on 2
Syncopated rhythms; With syncopation you skip a (strong) downbeat. You get this; for example with a tie. A tie is a curved line connecting two notes together, indicating that they are to be played as a single note.
ã 44 Û Û Û Û Û1 2 3 4
ã 44 Û Û Û Û Û Û1 2 3 4
Oops !
2 : Syncopation, strumming hand moves down on 2
stay down untill upbeat !one two and
strumming hand moves down on 2 but don’t play the strings !
one and oops! and
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ã 44 Û Û Û Û Û Û Û Û Û Û Û
ã Û Û Û Û Û Û Û Û Û Û Û
ã | | Û Û Û
ã Û Û Û Û Û Û Û Û Û Û Û Û
ã 44 Û Û Û Û Û Û Û Û Û Û Û
ã Û Û Û Û Û Û Û Û Û Û Û Û Û Û
ã | | Û Û Û Û Û Û
ã Û Û Û Û Û Û Û Û Û Û Û Û Û Û
3 : Exercise in 4/4 track 1
4 : Exercise in 4/4 track 1
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5 : Exercise in 4/4 track 1
ã 44 | | Û Û Û Û
ã Û Û Û Û Û Û Û Û Û |
ã Û Û Û Û Û Û Û Û Û Û Û Û Û Û
ã Û Û Û Û Û Û Û Û Û Û
ã Û Û Û Û Û Û Û Û Û Û Û
ã Û Û Û Û Û Û Û Û |
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6 : Exercise in 4/4 with rests Track 1
ã 44 Û Œ Û Œ Û Û Û Û Û
ã ‰jÛ Û Û Û Û ‰ jÛ Û Û Û Œ
ã Û Û Û Û Û Û Û Û Û Û Û Û Û Û
ã Û Û Ó ∑
ã Œ | Œ |
ã Œ ‰ jÛ Û ‰ jÛ Û Û Ó
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7 d majorand the changes to
C, G, Amin. and Emin.
This is your problem ! Full chord change
Practise firstthe right sidethen try thefull chord change on the left side.
>>>
>>>
>>>
G
32 4
D
213
Think about the weak one! Put your third finger first!
23 32
23
23
D132
C32 1
23
23
D132
G32 4
23 32
D132
Amin231
D132
Emin32
1 :
2 :
3 :
4 :
23 32
23
23
D132
C32 1
23
23
D132
G32 4
23 32
D132
Amin231
D132
Emin32
10 x
10 x
10 x
10 x
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scarborough fair
ã 43 Û Û Û
& 43 ˙ œAre you
Am œ œ œgo - ing to
.œ Jœ œSca - bo-rough
G
.˙fair.
Amin
& Œ œ œPars - ley
˙ œsage, Rose -
œ œ# œma - ry and
D ˙ œthyme. Re -
Amin
& ˙ œmem - ber
˙ œme to
C œ œ œone who lives
œ œ œthere, - for
G
& ..˙ œonce she
Amin ˙ œwas a
G
œ œ œtrue love of
.˙mine.
Amin
Strumming Pattern:
Bass note first!
track 2
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& # 43 œThere
˙ œ œis a
Emin
˙ œhouse in
G
˙ œNew Or -
A
˙ œleans they
C
& # ˙ œ œcall the
Emin
˙ œri - sing
G
.˙sun
B7
Œ Œ œ œand it's
& # ˙ œ œbeen the
Emin œ œ œ œ œru - in of
G œ œ œ œ œma - ny a poor
A
˙ œ#boy and
C
& # ˙ œGod, I
Emin
œ# œ œknow - I'm
B7 .˙one.
Emin
∑
House of the rising sun
ã 43 Û Û ÛStrumming Pattern:
Bass note first!
track 3
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33D 7
213G
32 4
d7
& # 44 œ œ œ œ œMa ma don't 'low no
G œ œ œ œ œgui tar pi cking 'round
where.
w- - -
& # œ œ œ œ œMa ma don't 'low no
œ œ œ œ œgui tar pi cking 'round
where
D 7
w- - -
& # œ œ œ œI don't care what
G œ œ œ œ œ œma ma don't 'low gon na
œ œ œ œpick my gui tar
C œb œ œ Œa ny how.- - - - -
& # œ œ œ œ œMa ma don't 'low no
G
œ œ œ œ œgui tar pi cking 'roung
D 7
where.
G ∑- - -
mama don’t ‘low
ã 44 Û Û Û Û ÛStrumming Pattern:
Bass note first!
track 4
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8 tablatureexplained
TAB
TAB44 0 1 3 1 0 0 0 0 0 0
TAB
000220
E min23
01220
Amin231
Tablature is a very old system of musical notation specially for plugged string instruments. It tells the players where to place their fingers on an instrument rather than which pitches to play. It was used a lot during the Renaissance and Baroque eras.
3 : Look at these chords with their tablature notation.
EBGDAE
EBGDAE
EBGDAE
1 : Tablature shows the six strings of the guitar like this.
2 : The numbers on the lines (the strings) refer to the fret
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4 : Exercise for the right hand
TAB44 0
00220
0 00 0
0
E min000220
0 00 0
0
TAB
01220
0 01 1
2
Amin01220
0 01 1
2
TAB
01023
0 01 1
0
C01023
0 01 1
0
TAB
2120
2 21 1
2
D7
2120
2 21 1
2
TAB
000220
0 0 01220
0 0E min Amin
01023
0 0 000220
C E min
(* Keep the full chord in your left hand )
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you lift me up
TAB44 0
1220
0 01 1
0A min
01220 0 0
2 20
TAB
01023
0 01 1
0
C
01023 3 3
2 23
TAB
01220
0 01 1
0
A min
01220 0 0
2 20
TAB
2120
2 21 1
2D7
2120 0 0
2 20
TAB
01220 0 0
2 20
A min
000220 0 0
2 20
Emin01220
20
A min
track 5
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TAB43
0
0122
0122
A min
3
0102
0102
C
3
012
012
Fmaj7
0
212
212
D7
TAB 0
0122
0122
0122
A min
3
0102
0102
0102
C
3
012
012
012
Fmaj7
0
212
212
212
D7
TAB 0
22
1
A min
32
01
C
32
10
Fmaj7
02
12
D7
TAB
01023
01023
01023
01023
C0123
0123
0123
0123
Fmaj701023
01023
01023
01023
C0123
0123
0123
0123
Fmaj7
TAB
01023
0 0 0C
0123
0 0 0Fmaj7
01023
0 0 0C .....
01023
going away
F
321C
32 1fmaj7
track 6
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38
drum kit imitations
Rhythm comes to us in mainly three different sound shapes;
When we play the low bass string(s) from a chord we imitate the low sounds of the drum. The bass drum.
Playing the middle strings of a chord, orWith a Karate hit you can imitate a snare drum.
For the high sounds we play mainly the higher strings from a chord
Low Middle High
Active muting strings with right hand
TAB44 2
20
220
¿¿¿¿¿¿000
000
Emin
TAB44 0
00220
Œ 000220
ŒEmin
Emin
9* Middle
* Low
* High
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39
mute & hit
TAB44 0
00220
Œ 000220
ŒEmin
01220
Œ 01220
ŒAmin
TAB
220
220
¿¿¿ 220
220
220
¿¿¿ 220
Emin Amin
220
220
¿¿¿ 220
220
220
¿¿¿ 220
Emin Amin
TAB
000220
Œ 000220
ŒEmin
01023
Œ 01023
ŒC
TAB
220
220
¿¿¿ 220
023
023
¿¿¿ 023
Amin C
220
220
¿¿¿ 220
023
023
¿¿¿ 023
Amin C
TAB
000220
Œ 01023
ŒEmin C
01220
Œ 000220
ŒAmin Emin
track 7
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40
Strumming styles
ã 44 Û Û Û Û Û Û Û Û
ã 44 Û Û Û Û Û Û Û Û
ã 44 ‰ jÛ ‰ jÛ ‰ jÛ ‰ jÛ
ã 44 Û Û Û Û Û Û Û Û1. Ballad - (Light)
2. Rock - (Heavy)
3. Polka - Gospel (Stimulate)
4. Reggae - Ska (Friendly)
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41
TAB44 0
10
3
010
3
010
3
010
3
C012
0
012
0
012
0
012
0
Amin
TAB
232
0
232
0
232
0
232
0
D3000
3
3000
3
3000
3
3000
3
G
C Fmaj7 C Fmaj7 C Fmaj7 C Fmaj7
TAB44 0
1023
01023
01023
01023
01023
01023
01023
01023
C01220
01220
01220
01220
01220
01220
01220
01220
Amin
TAB
2320
2320
2320
2320
2320
2320
2320
2320
D300023
300023
300023
300023
300023
300023
300023
300023
G
C Fmaj7
ã 44 Û Û Û Û Û Û Û Û1 : Ballad - (Light)
ã 44 Û Û Û Û Û Û Û Û2 : Rock - (Heavy)
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42
Oh when the saint
&
TAB
# 44
44
jœ œ œOh when the
˙ ‰ jœ œ œSaint, Oh whenthe
3
3000
3
3000
3
3000
3
3000
G ˙ ‰ jœ œ œSaint Oh whenthe
3
3000
3
3000
3
3000
3
3000
&
TAB
# œ œ œ œSaint go mar ching
3
3000
3
3000
3
3000
3
3000
˙ ‰ jœ œ œin, Oh Lord I
0
212
0
212
0
212
0
212
D7
-
&
TAB
# .œ jœ œ œ œwant to be in that
3
3000
3
3000
3
3000
3
3000
G
Jœ .œ ‰ Jœ œ œnum ber Oh when the
3
0102
3
0102
3
0102
3
0102
C
-
&
TAB
# œ œ œ œSaint go mar ching
3
3000
3
3000 0
212
0
212
G D7
˙in.
3
3000
3
3000
3
Œ
G
-
ã 44 Û Û Û Û Û Û Û Û3 : Polka - Gospel (Stimulate)
track 8
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43
ã 44 ‰ jÛ ‰ jÛ ‰ jÛ ‰ jÛ4 : Reggae - Ska (Friendly)
& #### 44 œSwing
.˙ œlow Sweet
E
.œ jœ jœ .œCha ri ot.
EA
- -
& #### œ œ œ œ œ œ œCo min for to car ry me
.˙ œ œhome, Swing
B7
- -
& #### .˙ œlow Sweet
E .œ jœ jœ .œCha ri ot
EA
- - - -
& #### œ œ œ œ œ œ œCo min for to car ry me
B7
.˙ œhome. I
E
- -
& #### œ œ œ œ œlooked o ver Jor dan
E
œ œ œ jœ .œwhat did I see
EA
- -
& #### œ œ œ œ œ œ œCo min for to car ry me
.˙ œ œhome, A
B7
- -
& #### œ œ œ œband of An gels
E
œ œ œ œ jœ .œco min af ter me
EA
- - -
& #### œ œ œ œ œ œ œCo min for to car ry me
B7
.home.
E
- -
swing lowtrack 9
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44
10playing a simple
bassline between chords
&
ã
# 44
44œIt
Œ
.œ jœ œ œtakes a wor ried
Û Û Û Û Û ÛG
.˙ œman to
‘
.œ jœ œ œsing a wor ried
‘
.˙ œsong. It
Û Û Û Û Û5/0 5/2
- -
&
ã
# .œ jœ œ œtakes a wor ried
Û Û Û Û Û ÛC
.˙ œman to
‘
.œ jœ œ œsing a wor ried
Û Û Û Û Û5/2 5/0
.˙ œsong. It
Û Û Û Û Û ÛG
- -
&
ã
# .œ jœ œ œtakes a wor ried
‘
.˙ œman to
‘
.œ jœ œ œsing a wor ried
‘
œ œ œ œsong, I'm wor ried
Û Û Û Û Û5/2 5/3
- - -
&
ã
# wnow
Û Û Û Û Û ÛD 7
.˙ œ œbut I
‘
œ œ œ œwon't be wor ried
Û Û Û Û Û6/0 6/2
.˙long.
Û Û Û ÛG
-
worried man bluestrack 10
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45
TAB44
0 0 3 30
01220
Amin
0 03 3 0
000220
Emin
0 0 3 30
01220
Amin
0 0 3 30
01220
Amin
TAB 0 0 3 3
0
2120
D7
0 03 3 0
01220
Amin
0 0 3 30
2120
D7
0 03 3
0
2120
D7
TAB 0 0 2 2 3
01023
C
0 0 2 2 3
0123
Fmaj7
0 0 2 2 3
01023
C
0 0 2 20
000220
Emin
TAB 0 0 3 3
0
01220
Amin
0 03 3 0
000220
Emin
0 0 3 30
01220
Amin
0 0 3 30
Œ
up & downtrack 11
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46
&
ã
# 43
43
œI've
Œ
.œ jœ œbeen a wild
Û Û ÛG
œ œ œro ver for
Û Û Û 6/3 5/0 5/2
œ œ œma ny a
Û Û Û
.˙year
Û Û ÛC
˙ œ œand I've
‘
4/0 6/0 6/2
- -
&
ã
# œ œ œspent all my
Û Û ÛG
jœ .œ œmo ney on
‘D 7
œ .œ jœwhis key and
Û Û Û
.˙beer.
Û Û ÛG
œ Œ œBut
‘- -
&
ã
# .œ jœ œnow I'm re
Û Û ÛG
œ œ œturn ing with
Û Û Û 6/3 5/0 5/2
œ œ œgold in great
Û Û Û
.˙store
Û Û ÛC
˙ œ œand I
‘- -
&
ã
# .œ jœ œne ver will
Û Û ÛG
œ œ œplay the wild
‘D 7
œ œ œro ver no
Û Û Û4/0 6/0 6/2
œ œ œmore. And it's
Û Û ÛG
.˙no
‘D 7
- -
the wild rovertrack 12
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47
&
ã
# .˙nay
‘D 7
œ œ ˙ne ver
‘
.˙
Û Û Û4/0 6/0 6/2
Œ œ œNo nay
Û Û ÛG
.œ jœ œne ver no
‘- -
&
ã
# .˙more
‘C
œ jœ .œI will
Û Û Û5/3 5/2 5/3
.˙play
Û Û ÛG
œ œ œthe wild
Û Û Û6/3 5/0 5/2
œ ˙ro ver
Û Û ÛC
-
&
ã
# ˙ œno
‘
œ œ ˙ne ver
‘G
˙ œno
Û Û ÛD 7
.˙more.
Û Û ÛG
œ Œ Œ
Û Œ Œ-
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48
11 Time for
theory
1 : Have a look at our note family again, we have 7 naturals and 5 altered notes. The altered ones can have two names but it’s the same position on your guitar.
Chords are always named after their root note or bass note.You can build on any note of the note family a major or a minor chord. You can also add an extra note to your major or minor chord, like the seventh.
So far we only did “open chords”, those are chords that use open strings.Not all chords can use open strings and we have to use higher positionsto be able to play all the other chords from the note family.
Before we are going to the bar chords we will first complete our list of the standard open chords.
g
fBb Db Eb Gb Ab
A# C# D# F# G#Sharp
FlatA - B C - D - E F - G - A
upwards
downwards
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49
List of standard “open chords“
Major 7 Minor Minor7
A
b
c
d
e
f
g
A234
A72 3
Amin231
Amin712
B B 7213 4
B min B min7
C23 1
C74132
Cmin Cmin7
D132
D7213
Dmin231
Dmin712
E231
E 72 1
E min23
E min72
F F7 Fmin Fmin7
G32 4
G732 1
Gmin Gmin7
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50
open chord medley 1
ã 44 Û Û Û ÛE E 7
Û Û Û ÛA A7
ã Û Û Û ÛD D7
Û Û Û ÛG G7
ã Û Û Û ÛC C7
Û Û Û ÛB 7
ã Û Û Û ÛE min E min7
Û Û Û ÛAmin Amin7
ã Û Û Û ÛDmin Dmin7
Û Û Û ÛG G7
ã Û Û Û ÛC C7
Û Û Û ÛB 7 E min
track 13
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51
ã 44 Û Û Û Û ÛC7 Dmin7
Û Û Û Û ÛG7 C C7
ã 44 Û Û Û Û ÛAmin7 Dmin7
Û Û Û Û ÛG7 C A7
ã 44 Û Û Û Û ÛDmin D7
Û Û Û ÛG G7 E 7 E min7
ã Û Û Û Û ÛAmin D D7
Û Û Û Û ÛG C C7
ã Û Û Û Û ÛE m A A7
Û Û Û Û ÛE Amin Amin7
ã Û Û Û Û ÛE min7 B 7
Û Û |E
open chord medley 2track 14
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52
12 chords with a different bass
(slash chords)
Basic Major and Minor chords exist out of 3 tones;• The ground note (the name giver)• The third• The fifth
The third and the fifth can also function as bass to the chord. For Example:C major = C - E - G and of course C is in the bass.But you can also have E and G in the bassC/e and C/g
These are the chord’s own tones.
In “Si Latino” you have a piece with chords that use chord own tones as different bass. Also “Hill Billy Baby” uses chord own tones with a little bass walk in the end.
But chords can also have any other tone as bass note. Mostly it’s a small bass line on its way to a new chord.
For example:C to Amin becomes > C C/b AminG to Emin becomes > G G/f# Emin
In “A long way down” you have a piece where the bass is on its way to a new chord.
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53
si Latino
TAB43
0
0122
3
0122 2
012
Amin Amin/c Amin/e
0
00022
3
00022 2
0002
Emin Emin/g Emin/b
TAB
..2
2021 1
202
2
2021
B7 B7/d # B7/f#
0
00020
3
00022 2
0002
Emin Emin/g Emin/b
TAB
.. ..2
2320
0
2320 0
232
D/f# D/a D
3
30002 2
3000 0
300
G G/b G/d
TAB
.. ..3
0102 2
010
3
0102
C C/e C/g
2
2021 1
202
2
2021
B7 B7/d # B7/f#
TAB 0
00022
3
00022 2
0002
Emin Emin/g Emin/b
0
00022
3
0002
000220
Emin Emin/g Emin
track 15
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54
TAB 3
0102
3
0102
3
0102
3
0102
C
3
0102
3
0102
30 2
3
TAB 0
0122
0
0122
0
0122
0
0122
Amin
0
0122
0
0122
0 2 3 0
TAB 3
1000
2
1000
3
1000
2
1000
G7
3
0102
3
0102
01023
01023
C
TAB 3
0102
3
0102
3
0102
3
0102
C
3
0102
3
0102
3 2 03
TAB 0
0002
2
0002
0
0002
2
0002
Emin
0
0122
0
0122
03 2 3
Amin
TAB 0
0002
2
0002
0
0002
2
0002
Emin
3
1000
2
1000
3
1000
2
1000
G7
TAB 3
0102
3
0102
3
0102
3
0102
C
3 2 0 2
01023
01023
Hill Billy Babytrack 16
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55
long way down
TAB44 2
00
0
00
00
Emin Emin/d
32
01
32
01
C
TAB 3
20
1
20
01
C C/b
02
21
02
21
Amin
TAB 0
22
1
32
21
Amin Amin/g
20
21
20
21
D7/f#
TAB 3
00
0
20
00
G G/f#
02
00
02
00
Emin
TAB
.. ..2320
2320
2320
2320
2320
2320
D300023
300023
300023
300023
300023
300023
G
TAB
0002
0000
01023
01002
Emin Emin/d C C/b01220
01223
01202
000220
Amin Amin/g D7/f# Emin000220
track 17
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56
13 the blues
1 : Triplets feel
“The blues” is the name given to a style of music created by African-Amer-icans at the end of the 19th century. It had great influences in the jazz, rock and roll and pop music.
The most common chord structure uses three chords in 12 bars. The rhythm is mostly in triplets.
ã 44 Û Û Û Ûone two three four
ã 44 Û Û Û Û Û Û Û Ûone and two and three and four and
ã 44 Û Û Û Û Û Û Û Û Û Û Û Û3 3 3 3
one two three one two three one two three one two three
ã 44 Û jÛ Û jÛ Û jÛ Û jÛ3 3 3 3
one and two and three and four and
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57
2 : Simple 12 bar blues form
ã 44 Û jÛ Û jÛ Û jÛ Û jÛ3 3 3 3
E7
‘ ‘ ‘
ã ‘A7 ‘ ‘E7 ‘
ã ..‘B7 ‘A7 ‘E7 ‘B7
ã 44 Û jÛ Û jÛ Û jÛ Û jÛ3 3 3 3
A7
‘D7
‘A7 ‘
ã ‘D7 ‘ ‘A7 ‘
ã ..‘E7 ‘D7 ‘A7 ‘E7
3 : Simple 12 bar blues form
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58
&
ã
#### 44
44
jœ œ œI built my
Œ .
œ œ œ œself a lit tle
Û Û Û Û Û ÛE
˙ ‰ jœ œ œboat, I'm gon na
‘- - -
&
ã
#### œ œ œ œfloat that ri ver
‘E7
˙ ‰ jœ œ œdown, I'm gon na
Û Û Û Û Û6/2 6/4
œ œn œ œbuilt my self a
Û Û Û Û Û ÛA 7
- - -
&
ã
#### ˙ ‰ jœ œ œhouse in some old
Û Û Û Û Û5/0 6/3A7
œ œ œ œWest Vir gi ny
Û Û Û Û Û ÛE
˙ Œ œ œtown. Oh the
Û Û Û Û Û5/0 5/1
- -
&
ã
#### œ œ jœ œ jœblues ain't no thing the
Û Û Û Û Û ÛB7
œ œ œ œ œ œblues ain't no thing but a
‘
œ œ œ œngood man feel in'
Û Û Û Û Û5/0 6/3A 7
˙bad.
Û Û ÛE
- - -
the blues ain’t nothingtrack 18
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59
the blues
TAB
001020 0 0 4 4
2 2
E7
02020 0 0 4 4
2 2
A7
TAB
001020 0 0
001020 0 0
E7
001020 0 0
001020 0 0
TAB
02020 0 0 4 4
2 2
A702020 0 0 4 4
2 2
TAB
001020 0 0
001020 0 0
E7001020 0 0
001020 0 0
TAB
20212 2 2
1 1 4 4
B702020 0 0 4 4
2 2
A7
TAB
..001020 0 0 4 4
0 0
E720212 2 2 2 2 2 2
B7001020
E7
track 19
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60
14 playing a melody
old mcdonald
TAB44 1 1 1
0 2 2 0
C F C0 0
3 301023
01023
G C
TAB
1 1 10 2 2 0
C F C0 0
3 1300023
300023
D7 G
TAB
1 1 10
01023
01023
C C1 1 1
001023
01023
C
TAB
1 1 10 2 2 0
C F C0 0
3 3 1023
G C
track 20
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61
aura lee
TAB44 0
1 0 1 32
3
C D1 0
20
01023
01023
G C
TAB
01 0 1 3
23
C D1 0
20
01023
01023
G C
TAB
01023
0 001220
01220
0 01023
C E Amin C0
3 1 301023
01023
Fmaj7 C
TAB
0 0 1 03
23
C D1 0
03
01023
01023
G C
track 21
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62
la cucaracha
TAB44 ‰
J0 0 00 0
0 0300023
300023
300023
300023
300023
300023
G
TAB‰
J3 3
03 1 0 3
2120
2120
2120
2120
2120
2120
D7
TAB‰
J0 0 0 4 42 2
2120
2120
2120
2120
2120
2120
D7
TAB‰
J3 3
03 1 0
2 0300023
‰J0 0 0
G
TAB
300023
300023
300023
300023
0 0 0
G300023
300023
300023
300023
300023
G
TAB‰
J0 0 0
4 4 2 2
2120
2120
2120
2120 0 0 0
D7
TAB
2120
2120
2120
2120 0 0 0
D72120
2120
2120
2120
2120
D7
TAB‰
J3 3
03 1 0
2 0300023
300023
300023
ŒG
track 22
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63
ode to joy(L. Beethoven)
TAB44 0
1023
0 1 3C
300023
1 03
G
TAB
1220
1 30
Amin ......000023 J
3 30023
G
TAB
01023
0 1 3C
300023
1 03
G
TAB
1220
1 30
Amin .....30023 J
1 1023
G C
TAB
30023
301023
1
G C30023
0 1 01023
1
G C
TAB
..30023
0 1 001220
3
G E01220
2320
300023
Amin D G
track 23
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64
TAB44 1
0 2 2 201023
01023
01220
01220
01220
C Amin
TAB
12 0 0 0
01220
01220
000220
000220
000220
Amin Emin
TAB
0 3 0 03
01023
01023
2120
2120
2120
C D7
TAB
10 2 2
101023
01023
01220
01220
01023
C Amin C
TAB
0 0 20 1 1
00
00 0
1023
01023
C
TAB
0 01
2 23
0 01
3 3
the scoutstrack 24
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65
TAB
01220
03220
01220
00220
01220
01220
Amin0123
0323
0123
0023
0123
0123
Fmaj7
TAB
01023
03023
01023
00023
01023
01023
C2120
3120
2120
0120
2120
2120
D7
TAB
01220
01220
01220
01020
01020
01020
01020
Amin0123
0123
0123
0103
0103
0103
0103
Fmaj7
TAB
01023
01023
01023
01003
01003
01003
01003
C2120
2120
2120
2100
2100
2100
2100
D7
TAB 0
22
13
21
0Amin Fmaj7
02
12 0
1220
D7 Amin
moving alongtrack 25
Playing the melody within the chord !
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66
love-in
TAB44 1 3
0 01023
01023
C
1 30 0
123
0123
Fmaj7
TAB
1 30 0
1220
01220
Amin
1 30 2
120
2120
D7
TAB
1 30 0
1023
01023
C0
3 10123
0123
Fmaj7
TAB
03 1 1
023 3
C
30 2
01023
01023
C
TAB 3
0 2
0123
0123
Fmaj7
30
3
01023 3
C
track 26
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67
fur elise
TAB43 0
40
40
0 3 1
02
21
01
Amin
02
01
01
E7
02
21
04
Amin
TAB
04
00 3 1
02
21
01
Amin
02
01
01
E7
02
20 1 3
Amin
TAB
01023
10
0 1 0C
30023
00
30
3
G1220
22
1 3 1
Amin001020
‰J0 0
E7
TAB‰J0 0 ‰
J4
0 ‰J4
04
04
00 3 1
02
21
01
Amin
TAB 0
20
10
1
E7
02
21
04
Amin0
40
0 3 1
02
21
01
Amin
TAB
..0
20
10
1
E7
02
21
01
Amin
1220
(L. Beethoven)track 27
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68
15 rhythmdevelopment
1 : Practise these standard rhythm figures
2
ã 44 Û Û Û Û
ã 44 Û Û Û Û Û Û Û Û
ã 44 Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û
ã 44 Û Û Û Û Û Û Û Û Û Û Û Û
ã 44 Û Û Û Û Û Û Û Û Û Û Û Û
track 28
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69
ã 44 Û Û Û Û Û Û Û Û Û Û Û Û Û Û
ã Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û
ã Û Û Û Û Û Û Û Û Û | Û
ã Û Û Û Û Û | |
ã 44 Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û
ã Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û
ã Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û
ã Û Û Û Û Û Û Û Û Û Û Û Û Û Û |
2 : Exercise in 4/4 track 28
3 : Exercise in 4/4 track 28
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70
ã 44 Û Û Û Û Û Û Û Û Û Û Û Û Û
ã Û Û Û Û Û Û Û Û Û Û |
ã Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û
ã Û Û Û Û Û Û Û Û Û |
ã 44 Û Û Û Û Û Û Û Û Û Û Û Û
ã Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û
ã Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û
ã Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û
4 : Exercise in 4/4 track 28
5 : Exercise in 4/4 track28
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71
6 : Exercise in 4/4 track 28
ã 44 Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û
ã Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û
ã Û Û Û Û Û Û Û Û Û Û Û Û Û Û
ã Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û
ã Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û
ã Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û Û
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72
16 powerchords
1 : Power chords avoid the note that collar a chord major or minor. They are mainly the bass notes of the chord and sound kind of “Powerful” especially when played with distortion. A number five is added behind the chord’s letter to indicate that it’s a powechord.
2 : There are four basic open power chords (use of open strings)
ã 44 ..Û Û Û Û
E5
1A5
1
Û Û Û Û
D5
13G5
342
The first finger plays two positions in E5 and A5
open power chords
2
Playing A to D, D could have fingering 2Playing G to D, D could have fingering 3
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73
TAB44 2
20
220
220
220
220
220
E5 A5
320
320
320
320
220
220
D5 A5
TAB
220
220
220
220
220
220
220
E5 A5
320
320
320
220
220
220
220
D5 A5
TAB
33003
33003
33003
33003
G5
320
320
320
320
320
320
320
D5
TAB
33003
33003
33003
33003
G5
220
220
220
220
220
220
220
A5
TAB
320
220
220
220
220
220
D5 A5 E5 A5
320
220
220
220
220
ŒD5 A5 E5 A5
TAB
33003
320
320
220
320
320
G5 D5 A5 D533003
320
320
220
320
ŒG5 D5 A5 D5
TAB
220
220
220
220
220
220
220
220
E5 A5
320
320
320
320
220
220
D5 A5
power playtrack 29
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74
movable power chords
4: Movable power Chords take the name of their root note or bass note. So it’s absolutely important for you that you know the note names of some basic positions on your guitar. Write down the note names of the 5th ,the A string, and the 6th ,the low E string. The dots on the guitar neck help you to find your positions back. Roman numbers are being used to number the positions.
I III V VII IX XII
A
E
A#
F
3 : Movable Power Chords with the root on the 6th and 5th string.
mute the open strings with the first finger !
431 134
You don’t have to bar all the strings as we only play three notes anyway. The first finger has another important task though. It has to mute all the other open strings.
Fill in all the positions on the A string and the low E string
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75
TAB44 3
31
331
¿¿¿ 553
553
¿¿¿F5 C5
331
331
¿¿¿ 553
553
¿¿¿Bb5 C5
TAB
331
331
¿¿¿ 553
553
¿¿¿F5 C5
664
664
¿¿¿ 553
553
¿¿¿A b5 G5
TAB
664
664
664
664
664
664
664
664
Db5553
553
553
553
553
553
553
553
C5
TAB
664
664
664
664
664
664
664
664
A b5553
553
553
553
553
553
553
553
G5
TAB
331
331
¿¿¿ 553
553
¿¿¿F5 C5
664
664
¿¿¿ 331
331
¿¿¿F5A b5
BIGtrack 30
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76
17 bar chords
Now it’s a small step to move to bar chords.With bar chords you use your first finger to press down multiple stringsacross the guitar fingerboard. Bar chords are “moveable” chords, as theycan be moved up and down the neck as needed.
Never bar with two fingers, split your left hand between your point finger and middle finger so that it becomes a V.
ã 44 ..| |34
2
1
342
| |34
2
1
342
ã 44 ..| |34
2
1
432
| |34
2
1
432
1 : Exercise for the six stringed bar
2 : Exercise for the five stringed bar
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77
3 : The two basic chords that are being copied the most behind the bar are the chord variations on E (6 string bar) and A (5 string bar).
The four chords of E > then to the F position
E231
E72 1
Emin23
Emin72
F1
342
F71
32
Fmin1
34
Fmin71
3
A234
A 72 3
A min231
A min712
B1
234
B71
43
Bmin1
342
Bmin71
32
The four chords of A > then to the B position
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78
4 : To know the name of the bar chord you have to know the name of the root note or bass note where you bar. Write down again the note names of the 5th ,the A string, and the 6th ,the low E string. The dots on the guitar neck help you to find your positions back. Roman numbers are being used to number a position.
I III V VII IX XII
E
5 : Answer the following questions; In which position do I find ?
Bb or A#Gb or F#Eb or D#CGAb or G#DDb or C#BF
A-StringFret / Position number:
E-StringFret / Position number:
A
F
A#
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79
6 : Play these chords and answer the following questions; In which position do I find the following chords ? (where possible as a 6 and 5 string bar)
Gbmin or F#min
Dmin7
Db7 or C#7
Gmin
Emin7
Bbmin or A#min
Cmin
Ebmin or D#min
B7
C
Abmin7 or G#min7
G7
Ab7 or G#7
D7
Bb or A#
A-StringFret / Position number:
E-StringFret / Position number:
Chord name:
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80
auld lang syne
& b 44 œShould
.œ jœ œ œauld ac-quaint-ance
F
.œ jœ œ œ œbe for-got, And
C7
.œ jœ œ œne - ver brought to
F .˙ œmind? Should
Bb
& b .œ jœ œ œauld ac-quaint - ance
F
.œ jœ œ œbe for-got, and
C7
.œ jœ œ œdays of auld lang
Bb C7
.˙ œsyne? For
F Bb
& b .œ jœ œ œauld lang
F
.œ jœ œ œsyne my dear for
C7
.œ jœ œ œauld lang
F .˙ œsyne, we'll
Bb
& b .œ jœ œ œtake a cup of
F
.œ jœ œ œ œkind - ness yet for
C7 A7
.œ jœ œ œauld lang
Dmin Bb C7
.˙ Œsyne.
F
ã 44 Û Û Û Û Û
Bar chords for F and Bbtrack 31
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81
Deep river
& b 44 ˙ œ œ œDeep
F
œ ˙ œri - ver, my
Bbœ œ .œ Jœ
home is o - ver
F
œ ˙ œJor - dan.
Am C7
& b ˙ œ œ œDeep -
F
œ œ .œ jœRi - ver, Lord I
Bb
œ œ œ œ œ œ œwant to cross o- ver in - to
C7
œ .˙camp ground.
F
& b œ œ œ œLord, I am a
Dm
œ .˙co - ming,
Am
œ œ œ œLord I am a
Bb A œ ˙ œco - ming. I
Dm
& b œ œ œ œ œ œ œwant to cross o - ver in - to
C7
œ œ .˙camp ground,
F
œ œ .˙camp ground
Bb œ œ .˙Lord.
F
ã 44 Û Û Û Û
Bar chords for F and Bb
track 32
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82
TAB43 1
03
00
01
03
00
01
00
02
01
02
00
0
TAB
10 0 0
00
10 0 0
00
10
00
20
10
20
00
TAB
555775
55
5Amin
334553
43
3G
112331
21
1F
001220
10
0E
TAB
555775
55
5Amin
334553
33
3G
112331
11
1F
001220
00
0E
TAB
10 0 0
00
10 0 0
00
10
00
20 0
01220
01220
ŒE Amin
Spanish connectiontrack 33
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83
TAB44
0 2 4 0 2
222442
¿¿¿¿¿¿222442 0 2 4 0
F#min
2
222442
¿¿¿¿¿¿222442
0 2 4 0
TAB 2
23442
¿¿¿¿¿23442 0 2 0
4
Bmin
2
222442
¿¿¿¿¿¿222442 0 2 4 0
F#min
TAB 5
556775
¿¿¿¿¿¿556775
¿¿¿¿¿¿556775
¿¿¿¿¿¿556775
A ¿¿¿¿¿¿444664
¿¿¿¿¿¿444664
¿¿¿¿¿45664
¿¿¿¿¿45664
G#min C#min
TAB
¿¿¿¿¿¿222442
¿¿¿¿¿¿222442
¿¿¿¿¿¿222442
222442
F#min
40
4 2 0 2 04
TAB 0
79997
¿¿¿¿¿79997
¿¿¿¿¿79997
¿¿¿¿¿79997
E ¿¿¿¿¿¿556775
¿¿¿¿¿¿556775
¿¿¿¿¿¿556775
¿¿¿¿¿¿556775
A
TAB
¿¿¿¿¿¿444664
¿¿¿¿¿¿444664
¿¿¿¿¿45664
¿¿¿¿¿45664
G#min C#min222442
222442
F#min
Jamaican jamtrack 34
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84
18 Basic fingerpickin styles
1 : General exercises for the right hand fingers. (You can also practice these exercises with a pick if you don’t want to get involved in finger picking. )
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88
19 basic strumming
styles
Pop
Pop
Pop
Pop
Polka / Gospel
Reggae / Ska
Jazz / Blues
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89
Grunch
Metal / Rock
Bossa
Rumba / Lambada
Cha cha cha
Spanish
Waltz
Eastern Europe
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90
basic chords
Major 7 Minor Minor7
A
b
c
d
e
f
g
A234
A72 3
Amin231
Amin712
B1
234
B 7213 4
B min1
342
B min71
32
C23 1
C74132
Cmin1
342
3fr.
Cmin71
32
3fr.
D132
D7213
Dmin231
Dmin712
E231
E 72 1
E min23
E min72
F1
342
F71
32
Fmin1
34
Fmin71
3
G32 4
G732 1
Gmin
34
3fr.
Gmin71
3
3fr.
20