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Pınar Ö renci – A Gentle Breeze Passed Over Us...PINAR ÖĞRENCI: Biography & exhibitions Pınar...
Transcript of Pınar Ö renci – A Gentle Breeze Passed Over Us...PINAR ÖĞRENCI: Biography & exhibitions Pınar...
PRESS INFORMATION
Pınar Öğrenci – A Gentle Breeze Passed Over Us
3 March – 7 May 2017, Garage
Press conference: Thursday, 2 March 2017, 10 a.m.
Opening: Thursday, 2 March 2017, 7 p.m.
The exhibition of Istanbul-based artist Pınar Öğrenci highlights the both politically and socially
explosive topics of war, migration and asylum on the example of an Iraqi living in Vienna. A
Gentle Breeze Passed Over Us (2017) is a four-channel video installation shown for the first time
at KUNST HAUS WIEN. As a universal language, music plays an important role in intercultural
exchange. In Pınar Öğrenciʼs work it is both narrative and metaphor for translocality.
The four films tell a story of resistance, they present Ahmed Obaid Shaqaqi, a young Iraqi who
was forced to leave the country of his childhood shadowed by the war, and who tries to build a
new life for himself in Vienna with the help of music. On the occasion of her 40-day visit to
Vienna in 2016, Pınar Öğrenci became acquainted with the young Iraqi musician Ahmed Obaid
Shaqaqi. Shaqaqi, a very talented oud player (short-necked lute from the Middle East), lives in a
refugee home in Vordere Zollamtsstraße. He and his family were persecuted by militant Islamist
groups and were thus forced to abandon their country. During the time Öğrenci spent with
Shaqaqi and his friends, trust and friendship developed between them. Pınar Öğrenci immersed
into Ahmeds world of music and learned the story of his flight. In her video installation A Gentle
Breeze Passed Over Us the artist brings together these significant aspects of Shaqaqis life in an
impressive and empathetic way.
The title of the work A Gentle Breeze Passed Over Us (orginal Arab title: ا�ل�ه�و�ا� ع�ل�ي�ن�ا� ن�س�م� Nassam
Aleyna Al Hawa) is taken from a song by the famous Lebanese singer Fairuz. The melancholic
song describes the longing for one’s native country; it can be heard in the streets of Istanbul, Pınar
Öğrenci’s home city, sung by musicians from the Middle East.
Pınar Öğrenci, Leaving Baghdad, 2017
© Pınar Öğrenci
Pınar Öğrenci, Leaving Istanbul, 2017
© Pınar Öğrenci
Pınar Öğrenci, Leaving Istanbul, 2017
© Pınar Öğrenci
PINAR ÖĞRENCI: Biography & exhibitions
Pınar Ögrenci (b. 1973, Van, Turkey) is an artist, activist and writer. Based in Istanbul, she is the
founder and organizer of MARSistanbul, an art initiative launched in 2010. Öğrenci uses various
media in her artistic practice, including photography, video, film, performance and installation. Her
works address subjects such as migration, war, nationalism, cultural assimilation, collective
celebrations, and include stories of heroism and urban transformation. Her works have been
exhibited at various museums and art institutions, including the WKV Stuttgart, 2017; the
University of Applied Arts Vienna, 2016; MAXXI Museum, Rome, 2015-6; SALT Galata, Istanbul,
2015-6; De Las Fronteras Biennial, Tamaulipas, 2015; Sinop Biennial, Sinop, 2014; Çanakkale
Biennial, Çanakkale, 2014 and Depo, İstanbul, 2014. She also showed her works at various art
initiatives, such as Biquini Wax, Mexico City, 2015; Halle10, Munich, 2012; Galerie Kunst-Nah,
Hamburg, 2011; altonale-Fest, Frise, Hamburg, 2010; and 5533, Istanbul, 2010.
Since the late 1990s, Öğrenci has extensively written on contemporary art and architecture in
magazines, including Agos, Radikal, ArtUnlimited, m-est.org, SALT Online, Arkitera, Arredemento
Mimarlık, XXI, among others. She has participated in residency programmes in Henie Onstad
Kunstcenter, Oslo, Norway, 2016, R.A.T., Mexico City, 2015; Willa Waldberta, Munich, 2010, as well
as in conferences, workshops and research programmes such as wie Public Calling at National
Theatre Oslo, 2016; Middle East Festival, Henie Onstad Kunstcenter, Oslo, Norway, 2016;
“Plataforma Editable, Desplazamientos Curatoriales: Santiago, Valparaiso, Antofagasta, Tarabaca”
in Chile, 2015; “Public Space and Museums” CIMAM conference, Rio de Janerio, 2013; altonale-
fest, Hamburg, 2011.
KUNSTH AUS WIEN Garage
On the initiative of director Bettina Leidl, the former Garage of KUNST HAUS WIEN has served as
an additional exhibition space focusing on ecologically motivated and political art for two years
now.
FACTS FOR THE PRESS
Exhibition venue KUNST HAUS WIEN, Garage
Untere Weißgerberstraße 13, 1030 Vienna
Curator Verena Kaspar-Eisert
Duration 3 March - 7 May 2017
Opening Thursday, 2 March 2017, 7 p.m.
Press conference Thursday, 2 March 2017, 10 a.m.
Opening times Daily from 10 a.m. to 6 p.m.
Supporting programme Thursday, 9 March 2017, 7 p.m.
Artist talk with Pınar Öğrenci and with Petja Dimitrova
Concert of the Vienna-Ishtar Ensemble
Admission Museum Hundertwasser € 11 or photography exhibition € 9
Combined ticket for both exhibitions € 12
Annual ticket € 22 / annual family ticket € 39
Children up to 10 years: free admission; 11 to 18 years € 5
Free admission to Galerie and Garage
Press contact Eva Engelberger
+43-1-712 04 95-23
Press photos including photo credits are available for download at:
http://www.kunsthauswien.com/de/presse/pressefotos-download
KUNST HAUS WIEN is an enterprise of Wien Holding and is supported by Wien Kultur. We thank
the following cooperation and media partners for their support: Österreichische Lotterien, Club Ö1,
Die Presse, Weingut Mehofer, Schremser and Vöslauer.