PIRANESI - rfacdn.nz...PIRANESI-CHRONOLOGICAL SURVEY OF MAIN EVENTS Born in Magliano, near Mestre....
Transcript of PIRANESI - rfacdn.nz...PIRANESI-CHRONOLOGICAL SURVEY OF MAIN EVENTS Born in Magliano, near Mestre....
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The Genius of Giovanni Battista
PIRANESI 1720-1778 65 Etchings
from the collections of Auckland City Art Gallery, Dr W.S. Auburn, National Gallery Wellington,
Alexander Turnbull Library AUCKLAND CITY ART GALLERY
26 April - 5 June 1977
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37 INSCRIPTION ON BAmEMENT OF ONE OF TiiE LARGE ARCHES OF TiiE PONTE FABRICIO Focillon 352 Coll: Dr W.S. Auburn
38 VERTICAL SECTION OF' PONTE F ABRICIO Focillon 354 Coll: Dr W.S. Auburn
39 VERTICAL SECTION OF:PONTE FABRICIO Focillon 355 Coll: Dr W.S. Auburn
40 ELEVATION OF TiiE PONTE FERRATO Focillon 358 Coll: Dr W.S. Auburn
41 ONE OF THE FRAGMENTS OF TiiE OLD MAP OF ROME CONSERVED IN TiiE CAMPIDOGLIO SHOWING TiiE PLAN OF THE THEATRE OF MARCELLUS Focillon 362 Coll: Dr W.S. Auburn
42 SECTION OF ONE OF TiiE BAmEMENTS OF THE THEATRE OF MARCELLUS Focillon 364 Coli: Dr W.S. Auburn
43 VIEW OF PART OF THE FOUNDATIONS OF THE THEATRE OF MARCELLUS Focillon 367 Coll: Dr W.S. Auburn
44 SECTION SHOWING ELEVATION AND A VIEW OF TiiE PORTICO D'OTTA.VIA ENGRAVED ON A CURLED LEAF FOLDING IN HALF AROUND A SCROLL Focillon 377 Coll: Dr W.S. Auburn
45 ENLARGEMENT OF SOME PARTS OF THE PORTICO D'OTTAVIA Focillon 379 Coll: Dr W.S. Auburn
46 ENLARGEMENT OF THE CAPITAL ON ONE OF TiiE COLUMNS OF TiiE TEMPLE OF JUNO Focillon 383 Coil: Dr W.S. Auburn
47 PLAN OF THE REMNANTS OF THE PORTICO BUILT BY M. EMILIUS LEPIDUS Focillon 386 Coil: Dr W.S. Auburn
48 PLAN OF THE KEYSTONE BUILT BY DOMITIAN FOR THE AMPITiiEATRE Focillon 391 Coil: Dr W.S. Auburn
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49 SCENE SHOWING TiiE STATE OF THE INSIDE OF THE VESTffiULE OF THE TEMPLE OF HERCULES Focillon 545 Coll: Dr W.S. Auburn
VIEWS OF ROME (1745-78)
50 HADRIAN'S MAUSOLEUM FROM THE REAR Focillon 743 Coll: Auckland City Art Gallery
51 TEMPLE OF BACCHUS Focillon 753 Coli: Auckland City Art Gallery
52 ARCH OF SEPTIMIUS SEVERUS Focillon 754 Coil: Alexander Turnbull Library
53 VILLA OF MAECENAS AT TIVOLI Focillon 768 Coil: Alexander Turnbull Library
54 ST PETERS Focillon 787 Coll: Alexander Turnbull Library
55 INTERIOR OF ST PETERS Focillon 788 Coil: Alexander Turnbull Library
56 SANTA MARIA MAGGIORE, ROME Focillon 791 Coli: Auckland City Art Gallery
57 HADRIAN'S MAUSOLEUM (ALSO CALLED CASTEL SANT' ANGELO) AND ST PETERS Focillon 793 Coli: Alexander Turnbull Library
58 PIAZZA DEL POPOLO Focillon 794 Coll: Alexander Turnbull Library
59 COLUMN OF MARCUS AURELIUS Focillon 799 Coli: Alexander Turnbull Library
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60 OBELISK BY STJOHN LATERAN Focillon 800 Coll: Alexander Turnbull Library
61 TEMPLE OF ANTONINUS AND FAUSTINA Focillon 802 Coil: Alexander Turnbull Library
62 THE FORUM Focillon 803 Coil: Alexander Turnbull Library
63 THE COLOSSEUM Focillon 805 Coil: Alexander Turnbull Library
64 THE CAPITOL Focillon 807 Coil: Alexander Turnbull Library
65 TiiE BASILICA OF MAXENTIUS F ocillon 813 Coll: Alexander Turnbull Library
66 THE PORT OF ROME Focillon 814 Coli: National Gallery, Wellington
67 TiiE "FORUM OF NERV A" Hind 42 Coil: Auckland City Art Gallery
Credits: Design: Ross Ritchie Photography: john Daley Planning and Presentation: Andrew Bogle Publicity: Bruce Hay Installation: Peter Worral Printing: Wakefield Press
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PIRANESI- CHRONOLOGICAL SURVEY OF MAIN EVENTS
Born in Magliano, near Mestre. His father, Angelo Piranese, a stonemason and master builder.
17 30-17 40: Studied under: his uncle Matteo Lucchesi , an hydraulics engineer and architect (employed on one of the greatest public works schemes in the history of Venice- the rebuilding of the extensive seawalls); Scalfarotto, an eclectic architect; Carlo Zucchi, an engraver and stage designer, from whom Piranesi probably learnt the art of perspective for set design; and possibly the Bibiena family of stage designers. He certainly knew the text-book on architecture and perspective by Ferdinanda Bibiena.
1740: First visit to Rome as draughtsman to Venetian ambassador to Rome. 1740-1743: Resided in Rome. Probably employed by Domenico and Giuseppe Valeriani, the ruins'
painters and stage-set designers. When G. Valeriani left Rome he studied under Giuseppe Vasi, a Sicilian etcher then working on his etched views Magnificenze di Roma. After a quarrel with Vasi, he left to live with fellow Venetian etcher Felice Polanzani - ·the two spending long days together sketching ruins and monuments. Possibly also studied with Canaletto in Rome about this time.
1743: Published Prima Parte di Archi tetture e Prospettive, a collection of twelve etchings of imaginary temples, palaces and a prison.
1744-1745: Visited Naples to view the excavations and archaeological discoveries at Herculaneum; showed his drawings to Padermi, museum director there, who suggested he make drawings of antiquities of Rome. Returned to Venice where, if he did not study under Tiepolo, he must have at least come into contact with Tiepolo's suite of etchings, Le Capricci, in production at this time. Tiepolo's subject matter in the Capricci and their free style are much evident in the drawings and etched Grotteschi of this period. Possibl~also etched the Corceri about
1745:
1748:
1752:
1755: 1756: 1757:
1758: 1761:
1762:
1764:
this time, although not published until c1750. Returned to Rome, possibly because of intensive competition in Venice amongst Veduta artists. Set up as agent to Joseph Wagner, an influential Venetian print-seller. Published 47 little views of Rome in Varie Vedute di Roma with those by other artists. Reprinted in guide books. Also publishedAntichitd Romane de' Tempi della Repubblica . Began the series Ved ute di Roma which he continued till his death. Married Angela Pasquini after five days' courtship and spent dowry on copper plates for Le Antichitd Romane. Daughter Laura born; she later helped her father as an etcher. Published Le Antichitd Romane May 9. Elected Honorary Member of Society of Antiquaries, London. Circulated a letter to Lord Charlemont who defaulted in his promised patronage for the Antichitd and to whom Piranesi had dedicated that work. Subsequently deleted the dedication from several of the plates. Birth of son Francesco who later became his father's chief assistant. Published Della Magnificenza ed Architettura de' Romani. Established his own publishing business. Published Le Ravine del Castello del l' Acq ua Giulia. Published Lapides Capitol ini sive Faste Consulares and I1 Campo Marzio dell' ontica Roma. Published Antichitd d'A lbano, Descrizione e Disegno dell' Emissario del Lago Albano and Antichitd di Cora.
1764-1765: Remodelled and redecorated church of St Maria del Priorato in Rome, after commission
1765: 1766: 1767: 1768:
1769: 1770:
from Cardinal Rezzonico, nephew of Pope Clement XIII . Published Parere sul' Architettura. Decorated apartments of Cardinal Rezzonico in the Quirinal. Pope Clement Xill created him "Knight of the Golden Spur". Started Vasi Candelabri Cippi Sarcophagi Tripodi Lucerne ed Ornamenti antichi which he continued till his death. Published Diverse Maniere d'adornare i Cam mini ed ogni altra Parte degl i Edifizi. Etched 17 of 20 plates of Differentes Vues de quelques Restes de trois Gra nds Edifices qui subsistent encore dans le Milieu de J'ancienne Ville de Presto. Died November 9.
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