PHOTOGRAPH YOUR CAKES · decorators who want to take great photographs. ... but we will look at the...
Transcript of PHOTOGRAPH YOUR CAKES · decorators who want to take great photographs. ... but we will look at the...
Better photos with anycamera
PHOTOGRAPH
How to
YOUR CAKES
Clear steps to take each picture
A STEP BY STEP GUIDE
Tips for immediate results
In simple language
Resources and links to keep learning
For absolute beginners
This book is to help you take better cake photographs immediately. Like today.Right now. You will use the camera you already have and you don't needexpensive equipment.
This is for absolute beginners. If you are want to become a professionalphotographer, this is not the book. Seriously… if you are looking to hear about f-stops and shutter speed, this is not for you. This is for the rest of us. Cakedecorators who want to take great photographs.
I am going to do my best to keep this short. Because I want you to get it.Without having to read through loads of pages and learn lots of new concepts.
I will not burden you with techy photography concepts, but we will look at theimportant stuff. And if you insist on learning about more about photography Iwill share my favourite photography books and links to some great onlinephotography classes.
At the end of this book you will have pratical tips that will help you take betterphotographs and get great results immediately.
But first my story....
Who this book is for
Sadly I found out that there were no photography schools or courses in Africa back then. Aftermonths of searching, my poor parents (God bless them) talked me out of that “foolishness” andgot me back into university. So... it was one psychology degree and four children later that I finallygot a chance to revisit my fascination for photography.
I had started a business teaching cake decorating and built a website but was really unhappy withthe photographs. I saved up and bought a good camera but the pictures still didnt look right. So Istarted studying. I took some classes, read loads of books and started practicing. And I learnt a lot.
I am still learning but I found out that there are just a few changes you can make to seeimmediate results in your cake photographs and this is what I will be sharing in this guide.
25 years ago, I dropped out of medical school and came home and told myparents that I wanted to study photography. I might as well havestood there with freshly sprouted horns on my head. Saying thatyour wanted to study photography in Africa 25 years ago waslike saying you wanted to go to the moon. All I knew was thatsomething in my heart jumped when I saw beautiful pictures inmagazines and I just had to know how to create that.
Photographs plays a big part in your efforts to get your cakes out there in front of your customers -through your brochures, websites, facebook, pinterest and so on. It is painful to see cake decoratorsmake gorgeous cakes that are not appreciated or selling at a good price because the photographs donot do them justice. Someone once said selling is a beauty contest. Many times, that cake you think ismore beautiful than your cake is actually just photographed better.
I know.. I know you already wear many hats… you have been a cake decorator, accountant,bookkeeper, delivery driver, mother, wife, and bottle washer. Well I have news for you. In the neweconomy, you are now a photographer. Think facebook, think instagram, think pinterest, think googleplus, websites, brochures, and fliers. All these things use photography to show your work.
Follow the steps in this guide and your photographs will improve so that you attract more customersand charge better prices for your cakes.
Good Photographymakes good business sense
Get YourGear
Clear theClutter.
Set upthe Shot
Look forThe
Light
21 3 4
The Steps to better cake Photos
StartShooting
Save,touch upand Use
KeepLearning.
Set yourBack-ground
65 7 8
GET YOURGEARUnderstand this:Your best photogaphy toolsare your eyes. (Just as your best cakedecorating tools are your hands).
Next, you need a camera. Any camera. This could be your point and shoot camera, yourcamera phone or a DSLR camera. The most important thing you need to have in the camerais the ability to turn off the flash. More on that later.
It is often said that the best camera is the one you have with you. This is because it is NOTthe camera that takes great pictures, it is you, the photographer that makes the picturegreat.
If you follow the tips I give you here, your photographs will improve immediately no matterwhat kind of camera you are using. Phone cameras these days are quite good and there arealso many apps that help you do more with your photographs than ever before. If you havethe right information, you could take a photograph with your phone that is 10 times betterthat one taken with an expensive DSLR camera and no knowledge.
There is one lens that is the secret weapon of many great cake andcupcake photographs. It is a “Prime Lens”. A great inexpensive starter prime lens is the50mm f1.8 (canon or nikon). This small lens that has two great features: It works in low light so itsgreat for indoor photography. It also has a wide aperture and a shortfocusing distance so it allows your to take photographs where thecake is in focus and the items around or behind it are blurred andthis gives a very pleasant look.I say this is optional but I would put iton top of your to do list – buy one as soon as your budget allows.
OPTIONAL LENS FOR DSLRCAMERAS
You will also need - A thin white cloth sheet bed sheet or translucent shower curtain.- Reflectors - white cardboard, black cardboard and silver or foil reflector.- A tripod (optional)- A lightbox (optional)- A flat surface or tabletop- Background sheets - plain or patterned. - Tracing paper or parchment paper- Cardboard (thin and thick)
OTHER GEAR
This is simple and self explanatory butI dont want you to miss this step so Ihave dedicated a whole chapter to it.
This is one of the mistakes a lot ofcake decorators - myself included -make. Your cake photos have bits andpieces of clutter in the background.
Remove the clutter. Whatever is on thetable or surface or background of thecake. An open door, an umbrella, apassing naked child… all these thingsdistract and detract from the beauty ofyour cake.
Clear it all away. Be finnicky about thisand it will make a massive difference.
Clear the Clutter
Light is the most important partof photography
Photography has been referred to as the act ofwriting/drawing with light.
A good photographer learns to see light, make the mostof it and manipulates it to create beautiful clear photos.
The things you want to do with light whenphotographing your cakes are- See the light- Soften the light- Reflect the light- Eliminate shadows
To photograph your cakes, your best light is daylight.NOT your camera’s flash and not the electric lights.
LOOK FOR THE LIGHT
DAYLIGHTis your best light
Its not just any daylight you want. For cakes, most times you want a SOFT light and not a harsh light.
Midday sun is HARSH. Direct sunlight is HARSH. Your flash is HARSH. All of these cast uglyshadows and affect the true colours of your cake.
The best times to shoot are early morning or early evening. The best place to shoot is near a large window. More on that later.
If you find the sunlight is too bright you have two options:- Shoot in the shade: For example an open doorway, porch, or under a tree if you are outdoors. - Diffuse the light. Hang a light translucent cloth on the window or use a hand held diffuser.
Speaking of harsh light, one of the first things you need to do is read the manual of your camera andfind out how to TURN OFF THE FLASH. The flash is bad bad bad for your photographs. If there is onething you must learn from this book is that you should avoid using your flash. In fact, unless you are atrained photographer, stop using it altogether. There is a place for flash in photography but that is forexternal flashes and not the one mounted on your camera. It takes a lot of practice and study to go therebut fortunately for us cake people, the nature of our subject means we can avoid using the flashaltogether. If you can learn to see light and practice looking for light, it will change your photography forever.
Using reflectors helps you to Eliminate Shadows, balance your light or even to highlight specific areas.
your flash!!OFF
TURN
SET UP THE SHOTThere are two types of shots you could take. A studio shot or A lifestyle shot.
The studio shot is a simple shot where it is just thecake photographed on a plain background. Thisincludes also close-ups of parts of the cake. Herethe cake is the star. Nothing else to distract.
The lifestyle shot is to show the “Cake in action”. You are looking to create a mood by addingbackgrounds and or props . You want to capturea look and feel and present the cake in context.
STYLING THE SHOTStyling a shot involves bringing elements, objects orbackgrounds that help to tell the story of the cake. What story is do you want your cake to tell?
Will it be elegant? Playful? Stately? Modern?Romantic? Cheesy? Flashy?Is it Downton Abbey? Sex and the City? Winnie thePooh? The Great Gatsy? Legally Blonde?
Is it a cake for a mum, for a wedding or for a kidsparty?
Think in terms of themes, people, places, seasons andso on and then start being creative and crafty.. Keepyour eyes open for ideas and look for inspiration ongoogle.
What can you add to the picture to set the scene andtell the cake's story? You are looking for bits andpieces - In your house- In charity shops- In car boot sales.
You can use backgrounds, textiles, wallpapers,crockery tableware and other props - get creative
Your cake is the star of the shot. Styling helps youcreate a scene that shows who the cake is and who itis for while still making the cake the centre ofattention.
4 TIPS FOR USING BACKGROUNDS
Do not put the cake too close to thebackground. This is to avoid shadows.
NOT TOO CLOSE1
Whether your background is paper orcloth, it helps to create an infinity curve.This also gives a seamless look to yourpicture.
USE A CURVED BACKGROUND2If taking photos for an online shop, stickto plain colours but if its for yourwebsite gallery or sharing on socialmedia then you can be creative andexperiment with patterned backgrounds
PLAIN OR PATTERNED?4
Use a light coloured background fordark coloured cakes and vice versa.
LIGHT OR DARK?3
This is an important step. There is a specific way to place your background.
- Do not place your cake too close to your background to minimise shadows.- Create an infinity curve: This is one of the techniques photographers use to minimiseshadows. If your background has angles and corners, you would create shadows that youdont want. The infinity curve makes all those shadows disappear.
Your background could be a single plain colour - white, black or even red. Light colouredcakes work better on dark backgrounds and darker cakes are set off by a lighterbackground. You could use cloth or paper backgrounds and you can even buy backgrounds from aphotography shop however a visit to your local charity shop, home depot or craft shop
If you are taking photos for an online shop it is best to stick to plain colours but if its foryour gallery or for sharing on social media then you can go ahead and be more creative andexperiment with patterns.
You could also use patterned wallpaper or wrapping paper or even patterned cloth as yourbackdrop. Only do this if it goes with the theme of your cake or complements the colourswithout distracting from it.
YOUR BACKGROUNDS
If you take the photograph using the tips in the previous chapters, you will not need todo much editing or post processing.Photoshop or Lightroom are the two best paid post processing software. However youcan get decent results from free post processing software like Picassa for PC or Iphotoif you use a Mac computer - which is what I would recommend for a beginner. These functions are easy to find in picassa and iphoto and usually involve moving aslider up or down. Use as needed and don’t overdo things. Also you can undo anythingyou are not happy with. The end result is your personal preference - what looks mostpleasing to your eye.
The basic post processing steps are:
Save a copy. (Always keep the original)Crop (only as necessary - too much can affect the image quality)SaturationSharpenStraightenAdjust levels of highlights and shadowsWatermarkSaveShare, print or uploadSome places for sharing online work better with different image sizes so look into this.
SAVE TOUCH-UP AND SHARE
Your DIY studio will have
A light source (a window)A table or flat stable surfaceDiffuserTripodCameraYour Backgrounds and Props
Ideas for props include: TableclothsCake standsCrockery and cutleryWooden picture framesWine glassesTeacupsTeapotsCarafes
VasesFlowersRibbons StreamersSilverwarePetalsBuntingBannersPaper flowersToysParty hatsBling. Shiny thingsPlates, forks, napkinsThink outside the box.You are creative solook around and add tothis as needed.
less is more so one or two props can complete your picture.
DIY Studio
6. START SHOOTING
Move CloserFill the frameShoot at eye level with cakeShoot from aboveShoot from belowPut cake in centre of picturePut cake off centerShoot from different angles.Tilt your camera slightlyShoot a lot of pictures. Shoot a few more.
Think outside the box:Shoot with a model. Yes, an actual person.Go outside - in a garden or in a tentPhotograph cake at the party venue
Find inspiration for cake styling:- Cake central magazine- Google pictures of dessert tables, wedding cakes - Look at food magazines- Look at food photography blogs
Write in a notebook for each shot you take. -Time of day-Camera dial settings-Position of cake-Position of camera
TIPS
7. SAVE AND RETOUCH AND USE
If you take the photograph using the tips in the previous chapters, you will not need to do muchediting or post processing.Photoshop or Lightroom are the two best paid post processing software. However you can getdecent results from free post processing software like Picassa for PC or Iphoto if you use a Maccomputer - which is what I would recommend for a beginner. These functions are easy to find in picassa and iphoto and usually involve moving a slider up ordown. Use as needed and don’t overdo things. Also you can undo anything you are not happy with.The end result is your personal preference - what looks most pleasing to your eye.
The basic post processing steps are:
Save a copy. (Always keep the original)Crop (only as necessary - too much can affect the image quality)SaturationSharpenStraightenAdjust levels of highlights and shadowsWatermarkSaveShare, print or upload
Place your background. in acurve. Whether it is paper or cloth, find away to secure the back and lay itin a curve. The cake sits on thelower part of the curve on a flatsurface.
PUT CAKE HERE
Practice!Read your camera manualKeep learning.Visit the website for a list of recommended books and online classes and courses that willimprove your understanding of photography.
http://cakeplc.comfor more tips and resources, visit
AND NOW
TO UNDERSTAND MOREABOUT
THE TECH STUFF
STOP HERE OR READ ON
PHOTOGRAPHY
Right. So here we are: In my non-photographer words I will explain to you the mechanics behindphotography. If you feel your eyes beginning to glaze over just skip this chapter.
Photography is about being creative with light. Capturing images by manipulating light. Anunderstanding of how the camera works will help you be more flexible and creative with thepictures you make.
The camera is made up of the lens and the sensor. The lens is built similar to the eye. Just as thebrain captures the information from the eye. The sensor captures information from the lens.
A good photograph is one that has the correct exposure. A well exposed photograph depends onHow sensitive the sensor is to the lightHow much light comes into the cameraHow long the light strikes the sensor
That is where the big three come in. ISO, Aperture and Shutter Speed.
ISOISO is the measure of the sensitivity of the sensor and is denoted by numbers from 100, 200,400 upwards. The lower the number the more sensitive the sensor and the sharper the picture.More than half the time, it is better to use a higher ISO between 200 to 800 depending. For cakephotos, a safe middle ground is to set it at 400. ISO of more than 800 will result in pixelation ofthe picture. Your photo looks more grainy. This may be what you want in some cases but forcake photos a higher ISO 200-400 is usually better.
APERTUREAperture is the size of the opening in the lens. The size of the aperture determines two things -how much light is allowed into the camera and the depth of field - how much of the objects inthe picture are in sharp focus. When you see a picture where both the near and far away objectsare all in focus then that shows a wide/large depth of field. A shallow/narrow depth of field iswhen a small part of the picture is in focus and the rest is blurred. This can be a very pleasinglook and you would get that effect with a larger aperture on your lens. Make sense? A higherAperture number indicates a smaller opening. So a F1.8 is a large aperture while an F5.6 is asmaller aperture. Setting your camera to a larger aperture (smaller F-number between f 1.8 and f 3.5) wouldusually be more suitable for cake photographs because 1. Most cake photos are taken indoorswhere the light may be low so a larger opening allows more light into the camera.2. A narrow depth of field could also work where you focus on the cake and blur the rest of thebackground giving you that dreamy bokeh look.
SHUTTER SPEEDWhen you take a picture, you hear a click which usually means the shutter opens and closes fora split second. When the shutter opens, light streams in. The longer the shutter stays open, themore light streams in and the shorter it stays open the less light. A faster shutter speed willmean a sharper photo - if the light is a lot. A slower shutter speed will give a good picture if thelight is low. BUT! If it is a moving object, a fast shutter speed will catch and freeze the motionwhile a slower shutter speed will get a blurry picture which can be nice sometimes and a pain atother times - depending on the effect you want.
For cake photos, your cake is usually not moving anywhere so you can afford to slow down the shutterspeed especially if you are shooting in a low light situation. In this case you MUST use a tripod orsomething else to stabilise your camera because any shake in the camera will result in a blurry photo.Suggested shutter speed for 50mm lens would be 1/60th second or 60.
This is just a guide because it varies according to the size of the lens you are using but basically, youget to a point where the shutter speed is too high or too slow for you to be able to take a clear picturewithout stabilising the camera with a tripod or finding other ways to hold it steady like putting yourcamera on a pile of books or simply locking your elbows to your side to steady the camera.
I will stop here even though there is more. This is good working knowledge and the more you get usedto your camera’s control, the more you can practice and experiment to find the settings that work foryou. You would also know what to adjust if your picture is too bright or too dark or too blurry.
So you can see how the three work together.
COMPOSITION
This is a word that professional photographers use to try and confuse the rest of us. I say thisbecause when you ask ten different photographers what the word means you get ten differentanswers.
Here is my take on composition. Composition is what the photographer does. It is subjective. Just astwo cake decorators can use the same techniques to create completely different cakes, twophotographers can take completely different photographs of the same scene. This is because it issubjective. You can bring your own “vision” into the photograph you are taking.
Composition is what your eye sees and what you decide to capture. It is the arrangement that ispleasing to you. It is the “whole” picture. There are a few “rules” of composition such as the rule ofthirds or shooting odd numbers of objects, or using leading line or placing objects diagonal to eachother. These are rules because they have been universally found to be pleasing to the eye. So theyare often not really rules but guides and these rules can be bent or broken to still produce awesomephotographs.Your composition of you cake photograph is how you bring your cake into the picture and how itrelates to, works with, blends with, balances with the light, the space and other objects in the picture.You are the composer. And because you are already creative (we all are), you can compose greatpictures if you pay attention.
The beauty of your cake photograph depends on how much attention you pay to it. Dont stressabout the buttons and dials on the camera. You have an eye. Start with your eyes and yourheart. You can learn the mechanics of the camera. Anyone can. If you can see and appreciatebeauty then you can create a good picture. Simply pay attention. Clear the clutter, look for thelight, set up your shot and start shooting. You will get better at the camera. But first, get better atseeing.
One thing is for sure. The more you put some thought and pay attention to how you “compose”your picture, the better it will be. Think of the “pose” in the word compose. Composition is thatthing in your mind that says “this is the look I am going for, this is how i want it to feel, this is theatmosphere I am creating". That is composition.
And as Forrest Gump would say, "that's all I have to say about that".