PF Goudy Initials Pro

8/12/2019 PF Goudy Initials Pro

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| copyr i ght Parachute Wor ldwide | a l l r i ghts reserved

:PF GOUDY INITIALS PRO + ORNAMENTS

contents

. about Parachute

. OpenType and Parachute onts

. how to type multilingual text

. ont credits /specs

. available styles /ont weights

. supported languages

. the ull character set

. how to use layers with letters

. how to use layers with ornaments

. samples

. acknowledgments

NOTE: All Parachute opentype ont names come with the

prefix PF (e.g. PF Fidelity Pro), a shortcut or Parachute Fonts


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aboutparachute

THE COOL, THE CLASSIC, THE ORIGINAL. Parachute landed in , but it wasnt till

that it started operating as a ull-scale type oundry. By then several designers had

joined in to orm a select group o open-minded, ree-spirited indivinduals/riends. Graphic

designers, illustrators, educators, typographers, with resh ideas and a strong desire to

design sophisticated typeaces which reflect current cultures and trends. Parachute is

based in Athens and is the major ont supplier to most publishing houses and advertising

agencies in Greece. It has built a strong network o valuable relationships with custom-

ers in Europe, United States, Canada and Australia, by providing custom ont services and

corporate ont licensing. Its clientelle includes multinational companies such asIkea, Vo-

dafone, Nestle and Unilever,advertising agencies such as DDB, Leo Burnett, McCann

Erickson, BBDO, Saatchi & Saatchi, Lowe, TBWA, Spot Thompson, publications such

asNational Geographic, Playboy, FHM, Elle, Vogue, Harpers Bazaar, Marie Claire,

PC Magazine, Lucky, PC World, Votre Beautand many, many others. In the last

years Parachutes designers (a.k.a. Parachuters) have won three major typeace design

awards, while their work has been eatured and extensively presented in design-oriented

magazines. The year marked the beginning o a new era or Parachute with the

release o a major -page catalog, which contained Greek and Latin typeace speci-

mens. This catalog/book included several classic revivals o historical importance, as well

as many original ont designs. Since then an emphasis was placed on multilingual support

and OpenType technology. In the spring o Parachutes first opentype Pro ont

was released. Archive Proan award winning typeace with multilingual support (over

. glyphs/ont), kerning or all European languages as well as advanced typographic

eatures, was first presented at theAdobe Creative Days orum, which was held

in Athens, Greece. From then on, all Parachute onts have been redesigned to offer multi-

lingual support, which includes major scripts such as Latin, Greek and Cyrillic.


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How to typeMultilingual text

Its never been easier to type or edit multilingual text. All you need is: 1.a program

which supports opentype onts (see below), 2.switch your keyboard to the languages

you are interested in and 3.use opentype onts which support the speciic languages

(Parachute onts support all European languages). Please note that i you only need to

edit an existing multilingual text i.e. copy/paste or change onts, you dont have to add or

switch keyboards.

HOW TO SWITCH KEYBOARDS. First you add the new languages to the system. The

steps are similar on both platorms 1.On the PC (Windows XP) you go to the section and choose . Select and

ollow the instructions to add the new languages (or earlier versions please reer to their

manuals). Once added, you can switch between keyboards through the language bar

that appears on the desktop or through a key sequence 2.On the Mac (MacOsX) you

go to and select . Then you choose

and checkmark the languages you want to add. Once added, you can switch between

keyboards through the language palette which appears on the desktops menu ba r or

through a key sequence. Please visit Parachutes web site or click on the ollowing link to go directly to the support page. View them on screen

or download or your reerence.

ABOUT GREEK POLYTONIC. Add Greek Polytonic to the system by ollowing above in-

structions. Once added, you need to know the key combinations or typing your text.

Please visit Parachutes web site or click on the ollowing link to go directly to the . View the typing instructions on screen or download

or your reerence.

MAJOR PROGRAMS THAT SUPPORT OPENTYPE. Currently (early ), the programs

known to support OpenType are: InDesignCS, IllustratorCS, PhotoshopCS, Microsof Office,

CorelDraw and QuarkXpress .

SYSTEM REQUIREMENTS. Windows or later, MacOsX or later.
http://www.parachute.gr/support.aspx?Keyboards=1http://www.parachute.gr/support.aspx?Keyboards=1http://www.parachute.gr/support.aspx?HowTo=1http://www.parachute.gr/support.aspx?HowTo=1http://www.parachute.gr/support.aspx?HowTo=1http://www.parachute.gr/support.aspx?Keyboards=1


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fontcredits

PF GOUDY INITIALS PRO + GOUDY ORNAMENTS. The Latin characters were designed

by Frederic Goudy around . These complicated initials are considered to be among the

most beautiul ever made. Designer Panos Vassiliou digitized these characters rom origi-

nal sources back in . Then the Greek characters were patiently and careully designed

to match the original orms. Every letter comes with a different background. As early as

he managed to put these characters together and offer them or the first time as

postscript type and truetype onts. The new Pro version which was finished in , is

truly an amazing series. Parachutes design staff expanded this typeace to include Cyrillic

characters as well. Furthermore, a special new bonus typeace is bundled with the Pro

version. PF Goudy Ornamentsincludes complicated ornaments and framesbased on

Goudys originals. Some o them were restructured to include connecting orms or longer

syntheses. Finally, both typeaces come with additional styles which can be used or un-

limited creative layering.Please visit our site at www.parachute.grto see or yoursel, or

just skip to the ollowing pages to view samples.

format pentype PS

scripts latin, greek, cyrillic

glyphs /font

styles ( used as overlay layers)

ornaments /font

ornament styles ( used as overlay layers)

designer Frederic W. Goudy /Parachute

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Regular

Layer 1

Layer 2

Layer 3

Layer 4

Layer 5

Layer 6

stylesfontweights

PF Goudy Initials Pro PF Goudy Ornaments

NOTE_1:All styles contain the same language range and the ull character set as seen on

page . NOTE_2:The characters are shown as a low-resolution image (zooming is limited).


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supportedlanguages

GB English

GR Greek

FR French

DE German

RU Russian

ES Spanish

IT Italian

PT Portuguese

CS Serbian

BG Bulgarian

TR Turkish

BY Belorussian

SE Swedish

CZ Czech

HU Hungarian

RO Romanian

FI Finnish

NL Dutch

NO Norwegian

IS Icelandic

IE Irish

AL Albanian

HR Croatian

SK Slovak

MD Moldovan

DK Danish

UA Ukranian

PL Polish

EE Estonian

LV Latvian

SI Slovene

LT Lithuanian

ID Indonesian

MT Maltese

PH Filipino

TW Taiwanese

VN Vietnamese

MAJOR LANGUAGES

Following is a list o all major encodings (codepages) and languages supported. This type-

ace supports over languages simultaneously, integrating within the same ont Latin,

Greek and Cyrillic scripts. I you would like to see a ull character set o this typeace

(including all bonus ornaments), go to the character set section on page .

MAJOR CODEPAGES

Latin-

Greek

Cyrillic


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thefullcharacterset

NOTE_1:All styles contain the same language range and the ull character set as seen on this

page. NOTE_2:The characters are shown as a low-resolution image (zooming is limited).

Latin

Layer_1

Gree

Layer_2

LayeCyrillic

Layer_4

Ornaments

frames


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Regular

Layer_1

Layer_2

Layer_3

Layer_4

Layer_5

Layer_6

Layers 3+4+5+6

All Layers

howtouselayerswithletters

The new Pro version comes with unique styles (layer - layer ) which can be placed

one on top o the other and coloured indivindually. You can create unlimited colour

combinations without having to break the characters into outlines. In the example be-

low we used InDesignCS2, copied the letters times, placed them one on top o the

other, changed the style and coloured them. The same applies to the ornaments which

accompany the Pro version.

NOTE:The characters are shown

as a low-resolution image

(zooming is limited).

Latin A Decyrillic Greek Theta


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howtouselayerswithornaments

The new Pro version is accompanied by a set o ornaments which contain unique

styles (layer - layer ) that can be placed one on top o the other and coloured indi-

vindually. You can create unlimited and powerul colour combinations without having

to break the characters into outlines. In the example below we used InDesignCS2,

copied the ornament times, placed them one on top o the other, changed the style

and coloured them.

Regular

Layer_1

Layer_2

Layer_3

Layer_4

All Layers





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specimens

This section displays mixed

samples and illustrates the

application o these initials

and ornaments in many di-

erent languages. The pos-

sibilities are endless. See

how you can use layering

to create amazing coloured

patterns.


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PF GOUDY INITIALS PRO

I N T R O D U C I N G

Best initials ever made

includes Latin / Greek / Cyrillic7 font styles for creative layering

-

SAMPLES_01 :


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PF GOUDY ORNAMENTS

J U S T R E L E A S E D

Layered to the bone

bundled only with the Pro version5 font styles for creative layering




SAMPLES_02 :


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CREATIVE LAYERING WITH PF GOUDY INITIALS PRO

INCLUDES LATIN

GREEK

CYRILLIC




SAMPLES_03 :


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THE IMAGE OF THE SUN ON

THE MOON IS EXTREMELYBRIGHT AND IS ONLY ON ASMALL PART OF ITS SURFACE.

Regardless of whether the nations continue to remain

isolated as far as the territorial aspect is concerned or

they become more distributed, the electronic contigu-

ity will reinforce the cultural link between them. Dur-

ing the few decades that television became widespread,some cultural codes were transmitted, even to nations

where electronic means of communication were explic-

itly forbidden. The breakup of the Soviet Union may

have been affected by this factor more than we would

think possible. Television presented several products

and services worldwide, making people consider them

common, if not to respect them consistently.

Astronomy

The proof to that can

be received, by taking

a sphere and placing

it in darkness with a

light source on some

distance from it; and

then, though half of

sphere will be shined only, the eye will ap-

prehend reflection of light only in a small

part of a surface, and all other surface will

reflect darkness which surrounds it; and it is

only in that point where the image of light

is visible, and all rest remains invisible. The

same would occur on a surface of the Moon if

it was polished, shining and opaque, similarly

to all bodies to a reflecting surface. The proof

to that can be received, by taking a sphere and

placing it in darkness with a light source on

some distance from it; and then, though half

of sphere will be shined only, the eye will

apprehend reflection of light only in a small

part of a surface, and all other surface will

reflect darkness which surrounds it; and it is

only in that point where the image of light

is visible, and all rest remains invisible. The

same would occur on a surface of the Moon if

it was polished, shining and opaque, similarly

to all bodies to a reflecting surface. The proof

2

GOUDY INITIALS 140pt

LAYER 3 + LAYER 5

GOUDY ORNAMENTS 113pt

RR

SAMPLES_05 :


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:PF GOUDY INITIALS PRO + ORNAMENTSSAMPLES_06 :

ASTROOY

THE IMAGE OF THE SUN ON THE MOONIS EXTREMELY BRIGHT AND IS ONLY ON A SMALL

PART OF ITS SURFACE.

The proof to that can be received, by taking a sphere and placing it in dark-

ness with a light source on some distance from it; and then, though half of

sphere will be shined only, the eye will apprehend reflection of light only in a

small part of a surface, and all other surface will reflect darkness which sur-

rounds it; and it is only in that point where the image of light is visible, and

all rest remains invisible. The same would occur on a surface of the Moon

if it was polished, shining and opaque, similarly to all bodies to a reflectingsurface. The proof to that can be received, by taking a sphere and placing it

in darkness with a light source on some distance from it; and then, though

half of sphere will be shined only, the eye will apprehend reflection of light

only in a small part of a surface, and all other surface will reflect darkness

which surrounds it; and it is only in that point where the image of light is

visible, and all rest remains invisible. The same would occur on a surface of

the Moon if it was polished, shining and opaque, similarly to all bodies to a

reflecting surface. The proof to that can be received, by taking a sphere and

placing it in darkness with a light source on some distance from it; and then,

though half of sphere will be shined only, the eye will apprehend reflection of

light only in a small part of a surface, and all other surface will reflect dark-

ness which surrounds it; and it is only in that point where the image of light

is visible, and all rest remains invisible. By Leonardo Da Vinci




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GOUDY INITIALS 120pt


AGORA SERIF PRO REGULAR 11/15




SAMPLES_07 :



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You may reproduce this manual and distribute it reely, provided you do not edit the document and/or

remove the copyright inormation. Parachute assumes no responsibility or liability or any errors or inac-

curacies that may appear in this document. Contents ate subject to change without notice.

acknowledgments

TYPEFACES. The typeace used in this specimen manual or body text, headers, ooters

and page numbering is PF Square Sans Pro. PF Bulletin Sans Pro is used or page titles.

PRODUCTION. This manual was produced using InDesignCS, IllustratorCS and

PhotoshopCS rom Adobe and Word rom Microsof. Multilingual sample text

was originally set in Microsof Word or Windows. Final document was created in MacOsX

with InDesignCS.

TEXT. The main text used or samples, has been adapted and translated by permission

rom the book What will be by the late MIT Proessor and visionary Michael Dertouzos,

published in by HarperEdge. Greek version published in by Livani Publishing

Organization. Additional text and samples were derived rom several o DaVincis writings,

as well as the -page catalog/book IDEA-Trendsetting Typography vol. released by

Parachute in .

TRADEMARKS. Parachute, the Parachute logo, Agora Sans, Agora Seri, Agora Slab, As-

trobats, Alabeta, Amateur, Baseline, Beatnick, Beau Sans, Bodoni Script, Bulletin Sans,

Champion Script, Cosmonut, DaVinci Script, Din Text, Din Display, Fidelity, Fuel, Fusion Sans,

PFGoudy Initials, PFGoudy Ornaments, Scandal, Handbook, Haus Square, Highway Sans,

Hellenica, Hellenica Seri, Isotext, Kids, Kidstuff, Libera, Manic Attack, Mechanica, Mediterra,

Monumenta, Playskool, Psychedelia, Raskript, Reminder, Square Sans, Signskript, Stamps,

Stamp Frames, Synch, Videotext, Wonderland, Wonderbats, are either registered trade-

marks or trademarks o Parachute and/or Parachute Worldwide. Apple, Mac, Macintosh

and TrueType are trademarks o Apple Computer Inc. Adobe, InDesign, Illustrator, Pho-

toshop and PostScript are trademarks o Adobe Systems Incorporated. Microsof, Windows

and OpenType are trademarks o Microsof Corporation.

ParachuteWorldwide

35 Falirou Street, Athens | . + . +

[email protected] | www.parachute.gr
http://www.parachute.gr/http://www.parachute.gr/

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