CCC @ 159 BBQ IV

1. Natalie Imbruglia – Torn Highs on melody

V1 (highs) Thought I saw a man brought to life (l/m Oooh, ooh-ooh) He was warm, he came around & he was dignified (l/m Oooh, ooh-ooh) He showed me what it was to cry (l/m Oooh) Well you couldn’t be that man I adored (l/m Oooh-ooh-ooh, ooh) You don’t seem to know, seem to care (l/m Oooh-ooh-ooh, ooh) What your heart is for (l/m Oooh-ooh-ooh, ooh) I don’t know him any more (l/m Oooh) There’s nothing where we used to lie (l/m I don’t know…anymo-ore) Conversation has run dry (l/m Oh-ohhh…) That’s what’s going on (l/m …what’s going on) Nothing’s fine, I’m torn (3pt) C1 (3-part w/ backups) I’m all out of faith (3pt) This is how I feel (l/m This is how I fee…) I’m cold and I am shamed (l/m …eel I’m cold and shamed) Lying naked on the floor (3pt) Illusion never changed (3pt) Into something real (l/m into something ree…) I’m wide awake and I can see (l/m …eal I’m wide awake) The perfect sky is torn (3pt) You’re a little late (3pt) I’m already torn (l/m I’m already tor-or-or-or-orn) V2 (highs start off echoing backups) (l/m Should have seen it…) So I guess the fortune teller’s right (l/m Should have seen it…)

Should have seen what was there And not some holy light (l/m Should have seen it all…) But you crawled beneath my veins and now (l/m …llll) I don’t care; I have no luck (l/m I don’t care…anymo-ore) I don’t miss it all that much (l/m Oh-ohhh…) There’s just so many things (l/m …Oh-ohhh) That I can’t touch, I’m torn (3pt) C2 (3-part w/ backups) I’m all out of faith (3pt) This is how I feel (l/m This is how I fee…) I’m cold and I am shamed (l/m …eel I’m cold and shamed) Lying naked on the floor (3pt) Illusion never changed (3pt) Into something real (l/m into something ree…) I’m wide awake and I can see (l/m …eal I’m wide awake) The perfect sky is torn (3pt) You’re a little late (3pt) I’m already torn (l/m I’m already tor-or-or-or-orn) Torn (l/m tor-or-or-or-orn) Vocal Break (highs lead w/ lows & mids counter) There’s nothing where (l/m nothing there) He used to lie (l/m anymo–) My conversation has run dry (l/m –orrre) That’s what’s goin’ on (l/m Oh-ohhh…) Nothing’s right I’m torn (3pt) C3 (double chorus; 3pt w/ backups) I’m all out of faith (3pt) This is how I feel (l/m This is how I fee…) I’m cold and I am shamed (l/m …eel I’m cold and shamed) Lying naked on the floor (3pt) Illusion never changed (3pt) Into something real (l/m into something ree…) I’m wide awake and I can see (l/m …eal I’m wide awake) The perfect sky is torn (3pt) I’m all out of faith (3pt) This is how I feel (l/m This is how I fee…) I’m cold and I am shamed (l/m …eel I’m cold and shamed) Bound and broken on the floor (3pt) You’re a little late (3pt) I’m already torn (l/m I’m already tor-or-or-or-orn) Torn…ohhhhh! (l/m tor-or-or-or-orn) Vocal Outro (highs lead w/ lows & mids counter)

2. Blur – Girls & Boys Lows on melody

Vocal Intro (m/h 2x then lows come in for 2x) Ooh-ah!ah!ah! Ah-woo-ah!ah!ah! (lows: Lah-lahh…) V1 (lows w/ mid & high backups) Streets like a jungle (m/h ooh-ah!ah!ah!ah-woo-ah!ah!ah!) So call the police (m/h ah-wooh-ah!ah!ah!ah-woo-ah!ah!ah!)

Following the herd (m/h ah-wooh-ah!ah!ah!ah-woo-ah!ah–) Down to Greece…on holiday (3pt) Love in the 90’s (m/h ooh-ah!ah!ah!ah-woo-ah!ah!ah!) Is paranoid (m/h ah-wooh-ah!ah!ah!ah-woo-ah!ah!ah!) On sunny beaches (m/h ah-wooh-ah!ah!ah!ah-woo-ah!ah–) Take your chances…looking for (3pt) Refrain (3pt) – repeat x2 Girls who want boys who like boys to be girls Who do boys like they’re girls who do girls like they’re boys Always should be someone you really love… V2 (lows w/ mid & high echoes) Avoiding all work (m/h ooh-ah!ah!ah!ah-woo-ah! avoiding all work!) Cuz there’s none available (m/h ooh-ah!ah!ah!ah-woo-ah! avoiding all work!) Like bat-ter-y thinkers (m/h ooh-ah!ah!ah! like bat-ter-y thinkers!) Count your thouuughts…on 1 2 3 4! Five fingers! (3pt) Nothing is wasted (m/h ooh-ah!ah!ah!ah-woo-ah! nothing is wasted!) Only re-PRAH-duced (m/h ooh-ah!ah!ah!ah-woo-ah! we’re re-PRAH-ducers!) You get nasty blisters (m/h ooh-ah!ah!ah! you get nasty blisters!) Du bist sehr schœn; but we haven’t been, introduced (3pt) Refrain (3pt) – repeat x 2 Bridge (lows) – repeat x 2 Get her away from me; (m/h ooh-ah!ah!ah!) Get her away from me! (m/h ah-wooh-ah!ah!ah!) Get him away from me; (m/h ah-wooh-ah!ah!ah!) Get him awaaaay! (m/h ah-wooh-ah!ah!ah!) Get her awaaaay! (m/h ah-wooh-ah!ah!ah!) Get him away, from me… (m/h ah-wooh-ah!ah!ah!) Ahhhhhh! (m/h ah-haaaaaaah!) Refrain (3pt) – repeat x 2 thru outro

3. Elliott Smith – Needle In The Hay Lows on melody

Vocal Intro (3pt) Ooooooh-oooh, ooooooh, ooo-ooh x2 V1 (lows) Your hand on his arm, the hay stack charm (lows only) Around your neck (lows only) Strung out and thin, calling some friend (lows + mids) Trying to cash some check (lows + mids) He’s acting dumb, that’s what you’ve commmme (3pt) To expect (3pt) Refrain 1 (3pt) Needle in the hay; needle in the hay Needle in the hay; needle in the hay Oooh oooh ooo-ooh V2 (lows, mids & highs echo) He’s wearing your clothes (m/h …wearing your clothes) Head down to toes (m/h …head down to toes)

A reaction to you (m/h …a reaction to you) (You say you)Know what he did (m/h …you know what he did) But you idiot kid (m/h …you idiot kid) You don’t have a clue (m/h …you don’t have a clue) Sometimes they just (m/h …sometimes they just) Get caught in the eye (m/h …get caught in the eye) You’re pulling him through (m/h oooo–) Refrain 2 (3pt with lead-in from backups) Needle in the hay (m/h –ooohayyyy) Needle in the hay. Needle in the hay; needle in the hay Guitar break + vocal break (3pt) Oooh, oooh, ooh ooh-ooh-ooh x2 V3 (lows, mids & highs backups then 3pt) Now on the bus, nearly touching (m/h …ooooh ooooh) This dirty retreat (m/h …ooh-ooh) Falling out; 6th & Powell (m/h …ooooh ooooh) Dead sweat in my teeth (m/h …ooh-ooh) Gonna walk walk walk (m/h walk walk walk) Four more blocks plus one in my brain (3pt) Down downstairs (3pt) To the man, he’s gonna make it okay (3pt) V4 (3pt; different ending into final refrain) I can’t beat myself (m/h beat myself) Beat myself and I don’t want to talk (3pt) I’m taking the cure (3pt) So I can be quiet whenever I want (3pt) So leave me alo-one; you oughta be proud (3pt) (That I’m) Getting good marrrksss (3pt) Refrain 3 (3pt) Needle in the hay; needle in the hay Needle in the hay; needle in the hay

4. Nirvana – Heart Shaped Box Lows on melody

Vocal Intro (mids & highs only) Oooh-woo-oooh; oooh-oooh x2 V1 (lows, mids & highs backups) She-ee eyes me like a Pisces (m/h oooh-woo-ooh) When I am weak (m/h oooh-oooh) I’ve been locked inside (m/h oooh-woo-ooh) Your heart-shaped box for-or weeks (m/h oooh-oooh) I’ve been drawn into (m/h oooh-woo-ooh) Your magnet tar pih-it trap (m/h oooh-oooh) I wish I could eat your cancer (m/h oooh-woo-ooh) When you turn black (3pt) Chorus Hey! Wait! I’ve got a new complaint (3pt) For-or-rever in debt to your priceless advice (m/h oooh; forever!) Hey! Wait! I’ve got a new complaint (3pt) For-or-rever in debt to your priceless advice (m/h oooh; forever!) Hey! Wait! I’ve got a new complaint (3pt) For-or-ever in debt to your priceless adviiiice (3pt) Your adviiiice (3pt)

V2 (lows, mids & highs echo) Meat-eating orchids (m/h oooh, meat-eating orchids) Forgive no one just yet (m/h oooh, meat-eating orchids) Cut myself on angel hair (m/h oooh, cut myself on angels) And baby’s breath (m/h oooh, cut myself on angels) Broken hymen of your Highness (m/h oooh, they forgive no one) I’m left back (m/h oooh, I’m left back) Throw-woh down your umbilical noose (3pt) (So I can) Climb right back (3pt) Chorus Hey! Wait! I’ve got a new complaint (3pt) For-or-rever in debt to your priceless advice (m/h oooh; forever!) Hey! Wait! I’ve got a new complaint (3pt) For-or-rever in debt to your priceless advice (m/h oooh; forever!) Hey! Wait! I’ve got a new complaint (3pt) For-or-rever in debt to your priceless adviiiice (3pt) Your adviiiice (3pt) Vocal break (same as intro but in 3pt) Oooh-woo-oooh; oooh-oooh Oooh-woo-oooh; oooh-oooh V3 (same as V1 but in 3pt) She-ee eyes me like a Pisces when I am weak I’ve been locked inside your heart-shaped box for-or weeks I’ve been drawn into your magnet tar pih-it trap I wish I could eat your cancer when you turn black Final chorus + outro Hey! Wait! I’ve got a new complaint (3pt) For-or-rever in debt to your priceless advice (m/h oooh; forever!) Hey! Wait! I’ve got a new complaint (3pt) For-or-rever in debt to your priceless advice (m/h oooh; forever!) Hey! Wait! I’ve got a new complaint! (3pt) Hey! Wait! I’ve got a new complaint! (3pt) Hey! Wait! I’ve got a new complaint! (3pt) Hey! Wait! (3pt)

5. Beck – New Pollution Lows on melody

Vocal Intro (mids & highs only) Ohhhh, ba-ba-ohhhh Ohhhh, ba-ba-ohhhh Ohhhh… V1 (lows on the offbeat, m/h backups lead-in from intro) She’s got a cigarette on each arm (m/h …ba-ba-ohhhh) She’s got the lily-white cavity crazes (m/h …ba-ba-ohhhh) She’s got a carburetor tied to the moon (m/h …ba-ba-ohhhh) Pink eyes looking to the food of the ages (m/h …food of the agezzzzzz) Refrain 1 (lows) She’s alone in the (m/h …she’s a-ah-lo-one) New pollution… (m/h …she’s a-loooone) She’s alone in the (m/h …she’s a-ah-lo-one) New pollution… (m/h …woh-ohh-ohh, ohhhh)

V2 (lows, mids & highs stuttering echo) She’s got a hand on a wheel of pain (m/h Ohhh…w-w-w-wheel of pain) She can talk to the mangling strangers (m/h …m-m-m-mang-guh-lin’ strangers) She can sleep in a fiery bog (m/h …f-f-f-fiery baw-awg) Throwing troubles to the dying embers (m/h d-d-d-dying embers) Refrain 2 (last line shortened for m/h going into bridge) She’s alone in the (m/h …she’s a-ah-lo-one) New pollution… (m/h …she’s a-loooone) She’s alone in the (m/h …she’s a-ah-lo-one) New pollution… (m/h …woh-ohh-ohh–) Bridge (lows) Wohh-ohhh ohhh (m/h Woh-oh, woh-oh, woh-oh-oh-oh) Wohh-ohhh ohhh (m/h Woh-oh, woh-oh, woh-oh-oh-oh) Wohh-ohhh ohhh (m/h Woh-oh, woh-oh, woh-oh-oh-oh) Wohh-ohhh (m/h Woh-oh, woh-ohh, she’s a-loooone) Refrain 3 (same as refrain 2 for m/h going into 3pt V3) V3 (3pt) She’s got a paradise camouflage (3pt) Like a whip-crack sending me shivers (3pt) She’s a boat thru a strip-mine ocean (3pt) Riding low on the drunken (m/h Riding low on a drunk and) Rivers (m/h: she’s a-loooone) Last Refrain (doubled for outro) She’s alone in the (m/h …she’s a-ah-lo-one) New pollution… (m/h …she’s a-loooone) She’s alone in the (m/h …she’s a-ah-lo-one) New pollution… (m/h …she’s a-loooone) She’s alone in the (m/h …she’s a-ah-lo-one) New pollution… (m/h …she’s a-looo–) She’s alone in the (m/h –ooone) New pollution… (lows only)

6. The Smiths – There Is A Light That Never Goes Out Lows on melody

Vocal intro (mids & highs only) Oooh-ooh; oooh-ooh; ooooooh; ooh-ooh (x2) V1 (lows) Take me out (m/h oooh-ooh; oooh-ooh) Tonight (m/h ooooooh; ooh-ooh) Where there's music & there's people (m/h oooh-ooh; oooh-ooh) And they're young and alive (m/h ooooooh; ooh-ooh) Driving in your car (m/h oooh-ooh; oooh-ooh) I never, never want to go home (m/h ooooooh; ooh-ooh) Because I haven't got one (m/h oooh-ooh; oooh-ooh) Anymore (m/h ooooooh; ooh-ooh) V2 (lows) Take me out (m/h oooh-ooh; oooh-ooh) tonight (m/h Oooh, take me out tonight) Because I want to see people (m/h oooh-ooh)

And I want to see life (m/h oooh-ooh… …I wanna see people & I wanna see life) Driving in your car (m/h oooh-ooh, driving in your–) Oh, please don't drop me home (m/h caaar-arr; don’t drop me) Because it's not my home it’s their home (m/h hohhh-ome) And I’m welcome no more (m/h oooh-ooh… …not my home, my home anymore) Oooh, oooh-ooh (m/h Oooh, and I wanted to tell you) Chorus And if a double decker bus (m/h This…if a double decker busss) Crashes into us (m/h …crashes into uh-us) To die by your side (3pt) Is such a heavenly way to die (m/h Ooh-ooh, heaven will be miiine) And if a 10 ton truck (m/h …and if a 10 ton truck) Kills the both of uhh-uh-us (m/h …kills the both of uh-us) To die by your side (3pt) Well the pleasure (m/h …oooh-ooh, the) The privilege is mine (m/h pleasure will be mi-iine) V3 (lows) Take me out (m/h oooh-ooh) Tonight (m/h please take me out tonight) Take me anywhere I don’t care (m/h taaaake me) I don’t care, I don’t care (m/h taaaake me… …please take me out tonight) (And in the) Darkened underpass (m/h darrrrkened) I thought, “oh, God – (m/h unnn-der-passss) My chance has come at last” (m/h my chance had passed) But a strange fear gripped me (m/h straaange fear) And I just couldn’t aaa-ask (m/h gripppped me) (m/h Oooh, and I just couldn’t ask) V4 (lows) Take me out (m/h oooh-ooh; oooh-ooh) Tonight (m/h please take me out tonight) Take me anywhere I don’t care (m/h taaaake me) I don’t care, I don’t care (m/h taaaake me… …take me anywhere out tonight) Driving in your car (m/h driiiving, driiiving) I never never want to go home (m/h in your car I’ll never go home) Because I haven’t got one, no I don’t (m/h wohh-oh, no-ohh) …Oh I haven’t got one (m/h not my home my home anymore) Oooh, oooh-ooh (m/h Oooh, and I wanted to tell you) Chorus And if a double decker bus (m/h This…if a double decker busss) Crashes into us (m/h …crashes into uh-us) To die by your side (3pt) Is such a heavenly way to die (m/h Ooh-ooh, heaven will be miiine) And if a 10 ton truck (m/h …and if a 10 ton truck)

Kills the both of uhh-uh-us (m/h …kills the both of uh-us) To die by your side (3pt) Well the pleasure (m/h …oooh-ooh, the) The privilege is mine (m/h pleasure will be mi-iine) Outro (lows, m/h lead-in from last word of chorus) There is a light and it never goes out (m/h iine…there is a liiigh–) There is a light and it never goes out (m/h –iiight…and it never goes ouuuu–) There is a light and it never goes out (m/h –ouuuut…there is a liiigh–) There is a light and it never goes out! (m/h –iiight and it never goes out!) Repeat outro x forever; m/h lead-in with therrre instead of iiine on repeats; watch Nobu for final ending.

7. Phil Collins – In The Air Tonight Lows on melody

C1 (lows) I can feel it coming in the air tonight, oh Lord (lows only) And I’ve been waiting for this moment (lows only) For all my life, oh Lord (lows only) Can you feel it coming (m/h oooh-ooh) In the air tonight, oh Lord (m/h oooh-ooh) Oh Lord (m/h Oh Lorr-orrd, oooh-ooh) V1 (lows) Well if you told me you were drowning (m/h Well if you told meee-eee) I would not lend a hand (3pt) (m/h I’ve seen yoo-ooo–) I’ve seen your face before my friend (m/h –ooo-oou) But I don’t know if you know who I am (m/h know it’s true-ooh) Well I was there and I saw what you did (m/h Well I was therrrrr-errrrre) I saw it with my own two eyes (3pt) (m/h I know) So you can wipe off that grin (m/h yoo-ooou) I know where you’ve been (m/h oooh-ooh) It’s all been a pack of lies (m/h Oooowahhhh!) C2 (lows) And I can feel it coming (m/h Oooh-oooh) In the air tonight (m/h Ooh, I can feel it) Oh Lord (m/h I can feel it in the) And I’ve been waiting for this moment (m/h aiiirrrr…) For all my life (m/h …airrr; ooh, I can feel it) Oh Lord (m/h I can feel it in the) I can feel it coming (m/h aiiirrrr…) In the air tonight (m/h …airrr; ooh, I can feel it) Oh Lord (m/h I can feel it in the) Well I’ve been waitng for this moment (m/h aiiirrrr…) For all my life (m/h …airrr; ooh, I can feel it) Oh Lord (m/h I can feel it) Oh Lord (m/h Oh Lorr-orrd, oooh-ooh) V2 (lows, with mid/high echos) Well I remembah! (3pt)

I remember don’t worry (3pt + m/h worry…worry… x2) How could I ever forget It’s the first time (m/h oooh-ooh) The last time (m/h ahhh-ahh) We ever met (3pt + m/h met…met… x3) But I know the reason why you keep your silence up (3pt) No you don’t fool me (3pt) Well the hur-urt doesn’t show (m/h oooh-ooh) But the pay-ain still grows (m/h oooh-ooh) It’s no stranger to you and me – (m/h ahhh– Ba-dum, ba-dum, ba-dum, ba-dum-bum-pow! (3pt) C3 (3pt) + outro I can feel it coming in the air tonight, oh Lord And I’ve been waiting for this moment For all my life, oh Lord I can feel it coming in the air tonight, oh Lord And I’ve been waiting for this moment For all my life, oh Lord I can feel it in the aiiiiirrrrr! I can feel it in the aiiiiiiirrrrrrr!

8. Leonard Cohen – Hallelujah Lows on melody

Vocal Intro (3pt): Ooooh, woo-ooooh x4 V1 (lows) I heard there was a secret chord (m/h ooh ooh ooh) That David played, it pleased the Lord (m/h ooh ooh ooh) You don't really care for music, do ya? (3pt) It goes like this (m/h ooh it goes like this) The fourth, the fifth (m/h the fourth, the fifth) The minor fall, the major lift (m/h the fall the major lift) The baffled king composing hallelujah (3pt) C1 (3pt) Hallelujah, Hallelujah, Hallelujah, Hallelujah Ooooh, woo-ooooh x1 V2 Your faith was strong but you needed proof (m/h ooh ooh ooh) You saw her bathing on the roof (m/h ooh ooh ooh) Her beauty and the moonlight overthrew ya (3pt) She tied you (m/h ooh she tied you) To a kitchen chair (m/h to a kitchen chair) She broke your throne, she cut your hair (m/h you broke, she cut your hair) And from your lips she drew the hallelujah (3pt) C2 (3pt) Hallelujah Hallelujah Hallelujah hallelujah Ooooh, woo-ooooh x2 V3 You say I took the name in vain (m/h …you say I took the name in vain) I don't even know the name (m/h …I don’t know) But if I did, well really, what's it to ya? (3pt) There's a blaze of light (m/h ooh a blaze of light) In every word (m/h in every word)

It doesn't matter what you heard (m/h don’t matter what you heard) The holy & the broken Hallelujah (3pt) C3 + bridge (3pt) Hallelujah, Hallelujah, Hallelujah, Hallelujah Ooooh, woo-ooooh x4 V4 (3pt) I did my best, it wasn't much I couldn't feel, I tried to touch Told the truth, I didn't come to fool ya And even though it all went wrong I'll stand before the lord of song With nothing on my tongue but hallelujah Chorus (doubled) thru outro (3pt) Hallelujah, Hallelujah, Hallelujah, Halleluuuu– Hallelujah, Hallelujah, Hallelujah, Hallelujah

9. The Cure – In Between Days Mids on melody

Vocal Intro (mids only x2 + l/h back-ups 3rd & 4th times) Do doo do doo do doo do doo (l/h Oooh oooh x2) V1 Yesterday I got so old (l/h Oooh-ooh, woo-ooh) I felt like I could die (l/h Oooh-ooh-ooh) Yesterday I got so old (l/h Oooh-ooh, woo-ooh) It made me want to cry (l/h Oooh-ooh-ooh) Go on go on, just walk away (3pt) Go on go on, your choice is made (3pt) Go on go on, and disappear (3pt) Go on go on, away from here (3pt) C1 And I know I was wrong (l/h oooh oooh) When I said it was true (l/h ooh now I know it wasn’t…) That it could’ve been me (l/h …truuue-oooh) and been her in between (l/h oooh in between) Without you x4 (l/h without you x4) V2 Yesterday I got so scared (l/h Oooh-ooh-ooh oh-oh oh-oh) I shivered like a child (l/h Oooh-ooh-ooh oh-oh oh-oh) Yesterday away from you (l/h Oooh-ooh-ooh oh-oh oh-oh) It froze me deep inside (l/h ohhhh) Come back, come back, don’t walk away (3pt) Come back, come back, come back today (3pt) Come back, come back, why can’t you see? (3pt) Come back, come back, come back to me (3pt) C2 And I know I was wrong (l/h oooh oooh) When I said it was true (l/h ooh now I know it wasn’t…) That it could’ve been me (l/h …truuue-oooh) and been her in between (l/h oooh in between) Without you x4 (l/h without you x4) Outro (3pt w/ splinters) Go on, go on, go on, go on x3 (l/h wooh-ooh x3) Go on, go on, go on, go onnnnnnnn

10. Bruce Springsteen – I’m On Fire Lows on melody

V1 (lows) Hey little girl is your daddy home (m/h Oooh) Did he go and leave you all alone (m/h oooh, ooh) I got a bad desire (m/h …bad desire) Ohhhhh, I’m on fire (3pt) V2 (lows) Tell me now baby is he good to you (m/h Oooh, tell me) Can he do to you the things that I do (m/h he’ll do) I can take you higher (m/h …take you higher) Ohhhhh, I’m on fire (3pt) Ohhhhh, I’m on fire (3pt) Bridge (3pt) Ooh ooh, ooh ooh ooooh Ooh ooh, ooh ooh ooooh Sometimes it’s like someone took a knife Baby, edgy & dull And cut a 6-inch valley thru the middle of my soul, oooh Sometimes it’s like someone took a knife Baby, edgy & dull And cut a 6-inch valley thru the middle of my soul, oooh V3 (3pt to start) At night I wake up with the sheets soaking wet And a freight train runnin’ thru the middle of my head Only you…can cool my desire (m/h …my desire) Ohhhhh, I’m on fire x4 Outro (lows call/mids response/high counter) I’m on fire x6 à watch Nobu thru a bajillion repeats I’m on fire repeat outro lots (watch for Nobu’s signal)

Encore: Patti Smith – Because The Night

Mids on melody V1 (3pt) Take me now baby here as I am Hold me close, try and understand Desire is hunger is the fire I breathe Love is a banquet on which we feed Pre-C1 (mids) Come on now try & understand (l/h come & understand) The way I feel when I'm in your hands (l/h your hands) Take my hand come undercover (l/h taaake me under…) They can't hurt you now, (l/h …covvv…) Can't hurt you now, can't hurt you now (l/h verrr…now) C1 Because the night belongs to lovers (l/h ohhh ohhh the night!) Because the night belongs to love (l/h ohhh ohhh the night!) Because the night belongs to lovers (l/h ohhh ohhh the night!) Because the night belongs to us (l/h ohhh ohhh!)

V2 Have I doubt when I'm alone (l/h …when I’m alone) Love is a ring, the telephone (l/h the telephone) Love is an angel disguised as lust (3pt) Here in our bed until the morning comes (3pt) Pre-C2 Come on now try & understand (l/h come & understand) The way I feel under your command (l/h your command) Take my hand as the sun descends (l/h taaake me in the…) They can't touch you now, (l/h …sun…) Can't touch you now, can't touch you now (l/h ohh…now) C2 Because the night belongs to lovers (l/h ohhh ohhh the night!) Because the night belongs to love (l/h ohhh ohhh the night!) Because the night belongs to lovers (l/h ohhh ohhh the night!) Because the night belongs to us (l/h ohhh ohhh) B1 (Chant, lows on melody) Tonight tonight tonight my lover (m/h toniiight…my lover) Tonight, tonight, I’m gonna make (m/h toniiight…gonna make) You mine all thru the night (m/h you mine all thru the niii…) The night tonight my love, we’re on fire (m/h …iiight; 3pt my love we’re on fiiiire) B2 (3pt) With love we sleep With doubt the vicious circle turn and burns Without you, ohhh, I cannot live, forgive, The yearning burning I believe it's time, too real to feel So touch me now, touch me now, touch me now (l/h echo touch me now, touch me now, touch me now-owwww) C3 Because the night belongs to lovers (l/h ohhh ohhh the night!) Because the night belongs to love (l/h ohhh ohhh the night!) Because the night belongs to lovers (l/h ohhh ohhh the night!) Because the night belongs to us (l/h ohhh ohhh!) C4 (3pt)

Because tonight there are two lovers If we believe in the night we trust Because tonight belongs to lovers Because the night belongs to us