Part II: Photo Editing
Transcript of Part II: Photo Editing
UCSDSchoolofMedicine,OfficeofEducationalComputing HeleneHoffman,PhD<[email protected]>
PhotoshopVersionPSCS3PartII:PhotoEditingM.E.D.S.Workshop,March2009
SectionI:BasicImageEditingProcess
1. Open2. Createcopyforediting3. Rotate4. Adjustbrightnessandcontrast5. Adjustcolorbalance6. Crop7. Resize8. Sharpen9. Save(forprint,email,web,etc)
SectionII:Techniquesthataddressspecificproblems/needs
1. Dust&Scratchesfilter2. CloneStamptool3. HealingBrushtool4. SpotHealingBrushtool5. BurnorDodgetool
SectionIII:Creativetechniqueswithfilters
WhatphotoeditingprogramshouldIuse?AdobePhotoshopistheleadinggraphicseditingprogramusedbyprofessionalsandseriousamateurs.Itiscomplexandexpensive,butverypowerful.Therearemanyalternativeswithscaleddownfeaturesandprices,andsomeareevenfree.Examplesofconsumer‐levelproductsincludeAdobePhotoshopElements($70.00viaUCSDBookstore),GooglePicassa(free).Therearealsoagrowingnumberofonlineeditors.CNET.comrecentlyreviewed15popularproducts(http://cnet.com).
Whatisthebestwaytomanagedigitalimagecollections?Manyoftheconsumerlevelphoto‐editingprogramsalsoprovidetoolsforbrowsing,sorting,andapplyingkeywordsanddescriptions.InadditiontoPhotoshopElementsandPicassacitedabove,thereisiPhoto(Mac),WindowsLivePhotoGallery(Win),CorelMediaOnePlus(Win),Shoebox(Mac),andmanymore.
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Digitalimageeditingissometimesreferredtoas“post‐processing”orworkinginthe“digitaldarkroom”.Togetthebestresults,mostexpertsdescribeaspecific“workflow”oralogicalorderofsteps.ThedirectionsthatfollowassumeyouareworkingwithAdobePhotoshop,howeversimilarprocessesmaybeaccomplishedwithotherimageeditingprograms.
I.BASICIMAGEEDITINGPROCESS(makingglobalchangestotheimage):
1. Open:FromtheFilepulldownmenu:chooseOpenandselectthephototobeedited.
2. Createacopyforediting:FromtheFilepulldownmenu:chooseSaveAs.
Thedialogbox(left)willappear.a. IntheFileName(Mac:SaveAs)field(redarrow):
changetheimagenametoindicatethatthisistheeditedversion.Forexample,append“copy,”“_ed”or“_edit”totheendoftheoriginalfilename.
b. FromtheFormatpulldownmenu(bluearrow):selectPhotoshop.
c. SelectyourdestinationfolderandclickSave.
3. Rotate:Ifyourphotoishorizontalwhenitshouldbevertical?Orverticalinsteadofhorizontal?Orupsidedown?Hereiswhattodo:a. FromtheImagepulldownmenu:click+holdonRotate
Canvas(redarrow);asubmenuwillappear(bluearrow).
b. Selectappropriateaction:900CW,900CCW,or1800.c. Savethesechanges.
4. Adjustbrightnessandcontrast:Thetechniqueslistedbelowstartwiththesimplestandmovetothemorecomplex.Trythemintheorderinwhichtheyarelisted–onlymovingtothenextIFyouarenotsatisfiedwiththeresults.
ThesetechniquesarefoundintheImagepulldownmenuunderAdjustments(redarrow).Alladjustmentscoveredherearefoundintheupperportionofthesubmenu(withinbluebox).a. AutoLevels:theeasiestoptionthatsometimesworks
fine.Iftheresultisnotsatisfactory,selectUndo(Editmenu)orclickonthepreviousstepintheHistoryPalette,andmoveontothenextoption.
b. AutoContrast:Itworksontheoverallbrightnessandcontrast,butdoesnotalterthecolorsinthephoto.Again,UndoorusetheHistoryPaletteandmoveontothenextoptionifyoustillarenotsatisfied.
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c. Levels:ApowerfultoolalsofoundintheImagemenuunderAdjustments.TheLevelshistogramdisplaysthenumberofpixels(ontheyaxis)vs.thecolorofthepixels(onthexaxis)fromblack(0)towhite(255).
Mostphotoslookbestwhenthefullcolorrangeisusedandthehistogramspansfromblack(0)towhite(255).Ifblacksandwhitesaremissing,theimagemaylookflatandwashedout.
Ontheotherhand,sometimesimagestakenonarainyorfoggydayactuallydonothavethefullyblackorwhiteregionsofthehistogram.Soalwaysconsideryourpictureandhowyouwantittolook,whenmakingtheseadjustments.
UsingtheInputlevelsliders,youcanchangebrightness,contrast,andtonalrangebypickingwhatiscompletelyblack,completelywhite,andmiddlegray.
TherearetwowaystomodifyimageLevels:
SlidersbelowInputHistogram:• BlackPointslider(redarrow)• WhitePointslider(bluearrow)• Midtoneslider(yellowarrow)
EyeDroppers• BlackPointeyedropper(redarrow)• WhitePointeyedropper(bluearrow)• Midtoneeyedropper(yellowarrow)
♪NOTE:InLevelsandmanyoftheothertools,thereisawaytoResetyourchangesandstartoverwithoutleavingthedialogbox.
• PC:clickandholdthealtkey.• Mac:clickandholdtheoptionkey
TheCancelbuttonchangestoReset(redarrow).ClicktheResetbuttonandcontinuetoexperimentwithlevelsuntilyougetthebestpossibleeffect.
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5. AdjustColorBalance:Again,thestepslistedbelowstartwiththesimplesttechniqueandmovetothemorecomplex.Trythemintheorderinwhichtheyarelisted–onlymovingdownifyouarenotsatisfiedwiththeresults.Alltools/techniquesarefoundintheImagemenuunderAdjustments.
a. AutoColor:Thisistheveryeasiestoptionanditsometimesworksfine,especiallywhenyouhaveagoodmixofcolorsinyourphoto.Iftheresultisnotsatisfactory,selectUndo(Editmenu)orclickonthepreviousstepintheHistoryPalette,andmoveontothenextoption.
b. ColorBalancecanbeusedtomakesubtlechangesinthecolorofyourphotos.Itonlytakesasmallchangetocreatealargeeffectinyourimage.Becarefulnottooverdoandcreateunrealisticresults.
• Adjustcolorlevelsusingsliders(redbracket).
• Typically,workwithMidtonesselectedintheToneBalancebox(yellowbox).
• PreserveLuminosityshouldbechecked(bluebox)oryourpicturewillgetdarkerorlighterasyouchangecolors.
6. Crop:TheCroptool(locatedinthetoolbar,seeredarrow)allowsyoutoselectaportionofyourphotoanddeleteeverythingoutsidethearea.
a. Selecttheportionofthepictureyouwanttoretainb. Modifythearea,asneeded,byusingthehandlesonthesideoftheselection
box.
c. HitEnterandyourpictureswillbecropped.
Ifyouchangeyourmind,rememberyoucanalwaysselectUndo(Editmenu)orclickonthepreviousstepintheHistoryPalette,andmoveontothenextoption.
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7. Resize:Youmaywanttochangethesizeorresolutionofyourphotodependingontheintendeduse.
• Trytoresizeonlyonetime,asrepeatedresizingtendstoaddblurrinesstoyourpicture.
• Makeofcopyofthefull‐sized,editedimage(preferablyinPhotoshopformat)beforeyouchangeimagesize,resolution,orfiletype.Thiswillenableyoutogobackatalatertimeandmakecopiesforotherpurposes.
a. FromImagepulldownmenu,selectImageSize(redarrow).
b. TheImageSizedialogboxprovidesameanstomanipulatemultiplevariables:
PixelDimensions(redbox)andDocumentSize(greenbox)arelinked;changingoneaffectstheotherANDthefilesize(redarrow).
Resolution(bluebox)canbeindependentlychanged.Seediscussionbelowaboutwhatresolutiontoselect.
ConstrainProportions(greenarrow)shouldbecheckedtoensureheighttowidthratioaremaintained.Aninterpolationalgorithm(bluearrow)shouldbeselectedaccordingtowhetheryouareincreasingordecreasingimagesize.
• Foruseinemailortheweb:Remembersmallerfilesizesloadfasterandareeasiertosendviaemail.Twocomponentscontributetofilesize,resolution&imagesize.Oldercomputermonitorshavearesolutionof72dpiwhilenewermonitorshavearesolutionof96dpi.Ifyourimagehasahigherresolutionitwillnottranslatetoahigherviewqualityoncomputermonitors.
‐ IftheoptionResampleImageisselected(lookjustbelowthegreenarrow),theimagesizewilldecreasewhenyoureducetheResolution.
‐ ToadjusttheResolutionofyourimagewithoutaffectingtheimagesize,unchecktheResampleImageoption.
• Foruseinprinting:Youshouldusearesolutionatleastequaltothedotsperinch(DPI)ofyourprinter,butusingmoreusuallyproducesabetterresult.
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8. Sharpen:ThesharpeningprocessshouldonlybedoneAFTERallotherstepsofphotoediting.Regardlessofthemethodused,DONOTOVERSHARPEN.Itwillinducenewartifactsandshiftsintheimagecolors.Herearetwomethods,easiestfirst.
a. Sharpen:FromtheFilterspulldownmenu,selecttheSharpenmenu(redarrow)andthenselecttheSharpenfilter(greenarrow).Thisactionwillsetadefaultpercentagetoyourimage.Itisaquickfixandsometimesworks.
b. UnsharpMask:FromtheFilterspulldownmenu,selecttheSharpenmenu(redarrow)andthenselecttheUnsharpMask...(yellowarrow).Thisiseffectivelyahigh‐passfilterthatdetectsedgesandaddscontrastalongtheedges.
TherearethreesettinginUnsharpMask.Whilethereisnoclearconsensusontheorderandvalueforeachsetting,Iusetheminthefollowingorderandselecteffectsthatlookgoodonthepreviewwindowat100%.
i. Radiussetting(redarrow)establishesthesizeofthesharpeningeffectalongeachperceived“edge”.
OnegenerallystartswiththeRadiusaround1.0‐1.5pixels.
• Forphotoswithalotoffinedetail,lowertheRadiussettingto0.5‐1.0.
• Forphotoswithlessdetail,raisetheRadiusto2.0‐4.0
ii. Amountsetting(greenarrow)dictatesthestrengthofthesharpeningbydetermininghowmuchcontrastisaddedattheedges.
• WithasmallRadius,uselargerAmount.• WithalargeRadius,useasmallerAmountofsharpening.Therearenospecific
numberstorecommend.
iii. Thresholdcontrol(yellowarrow)isbasicallyanoise‐reductionsetting.IttellsPhotoshoptoignoreacertainamountofdifferencesbetweenpixelswhensharpeningbysettingtheminimumbrightnesschangethatwillbesharpened.Itenablesyoutoavoidoversharpeninglightlytexturedareas,whilestillsharpeningmorepronouncededgesandleavingmoresubtleedgesuntouched.OnceRadiusandAmountareset,decreaseThresholduntilunwantednoiseandotherartifactsappear,thenraiseitslightly.
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SaveAs:Nowisthetimetoselectafiletypeforyourpicture.Theoneyouchoosewilldependonhowyouintendtousetheimage.
Listedbelowarethemostfrequentlyusedgraphicfileformatsandtheirextensions:
a. PSD–default(“native”)fileformatforAdobePhotoshop.Sinceitpreservesalloftheeditingcapability(e.g.,layers,transparency,etc.),itisgoodpracticetokeepaPSDversionofyouroriginalfileandanotheroftheeditedforsubsequenteditsandadjustments.
b. JPG–theformatdevelopedbytheJointPhotographicExpertsGroup.Itisacross‐platformfileformat(MacandPC)primarilyusedforwebandMicrosoftPowerPointapplications.JPEGisbestforphotoswhenyouwanttokeepthefilesizesmall(withonlysomelossinquality).WheneveraJPGfileisclosed,thefileiscompressed.Therefore,youreditingshouldbedoneonthePSDfileifpossibleandthensavedasaJPG.MultiplesavesofaJPGimagedegradeimagequality.
c. TIFF–TaggedImageFileformat.Across‐platformfileformatprimarilyusedforprintingapplications.Itproduceslargefileswithnolossinquality.
SectionII:Techniquesthataddressspecificproblems/needs
Correctingflawsistypicallydoneafterlevel,brightness/contrast,andcolorcorrectioniscompleted,butbeforeyoucroporsharpentheimage..
1. Dust&Scratchesfilteristheeasiest,butmostprimitivesolutionbecauseitcandegradeyourimage.Itworksbestiftheproblemarealacksalotofdetailandwhenpossibletheareawithdustorscratchesisselected.
a. TofindtheDust&Scratchesfilter:i. GototheFilterpulldownmenu(redarrow)
ii. ClickandholdontheNoisecategory(yellowarrow)iii. SelectDust&Scratchesfromthesubmenu.
b. Dust&Scratchesdialogbox:
i. SetThresholdtozero(redarrow)ii. DragtheRadiusslider(greenarrow)untilthedustor
scratchesgoesaway.
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2. CloneStamptoolcanbeusedtoremoveeverythingfromsmalldustmarkstolargeunwantedobjectsfromyourphoto.Itisaretouchingtoolthatletsyoucopy(sampleorclone)pixelsfromoneareaandthenpastethemontoanotherarea.Forexample,toremoveadustspotintheskyofyourpicture,youwouldsamplethepixelsinanadjacentclearpartofthesky,andthenusethosepixelstocoverthedustspot.
a. SelecttheCloneStampToolfromthetoolbox(bluearrow).BesureyouhaveselectedCloneStampandnotPatternStamp.
b. Yourbrushsizeandshapedepends(inpart)onthesizeoftheflawyouaretryingtocorrect.Tochooseabrush:
• ClickthetinyarrowtotherightofthebrushiconontheCloneStampOptionsBar(attopofthescreen,belowtheMenuBar)Orright‐clickonthephototobringupthebrushsettingsdropdownmenu.
• Masterdiametersetting(redarrow)o Tocorrectminorproblems,useabrush
diameterthatisslightlylargerthantheflawyouwanttocorrect.
o Toremovelargeunwantedobjects,useasmallbrush(5‐10pixels)andsamplefrommanysourcestoblendthepatch.
• Hardnesssetting(greenarrow)o Tomakeprecisesamplesofyoursource
pixels,itisbettertouseaveryhardbrush(~100%).
♪NOTE: Onceyouhaveabrushselected,youcaneasilyrefineitsdiameterwhilethebrushsitsovertheareayouwishtopaint.Theleftbracket[makesthebrushsmaller,whiletherightbracket]‐‐makesthebrushbigger.Thisshortcutworkswithanytoolthathasabrush.
c. Thecloningprocess:• Movethecursorovertheareaofthepicturetobecloned(the“sample”).
• DepresstheAlt(Mac:Option)key.Thecursorwillchangetoatarget.Nowclickthemousetomarkfromwherethepixelswillbesampled.
• Moveyourbrushovertheareayouwanttorepair.Clickandpaintoverthearea.Noticethatthepointfromwhichyousampled(markedbyacrosshair)moveswithyourbrushasyoupaint.
• Repeatthelasttwostepsasneeded.
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♪NOTE: Zoom(magnify)theareaofinteresttomoreeasilyworkwiththeCloneStampandothertools.Tomagnifyanimageyouhaveseveraloptions:
1. Usethezoomsliderinthenavigatorpalette.
2. Typingalargernumberinthe%magnificationboxofthenavigatorpaletteorthestatusbar.
3. Selectthemagnifyingglassfromthetoolbar.Thenclickontheimage.A+signwillappearinsidethemagnifyingglass.Eachtimeyouclickthetoolontheimage,themagnificationwillincrease.
4. UsetheshortcutCtrl+plussign(PC)orCmd+plussign(Mac).Eachtimeyouusetheshortcut,themagnificationwillincrease.
♪NOTE: Todemagnifyanimageyouhaveseveraloptions:
‐ Usethezoomsliderinthenavigatorpalette.
‐ Typeasmallernumberinany%magnificationbox.
‐ Holddownthealtkeywhileusingthemagnifyingglassmakesitworkinreverseanda‐(negativesign)showsupinsidetheglass.Eachtimeyouclickthetoolontheimage,themagnificationwilldecrease.
‐ UsetheshortcutCtrl+minussign(PC)orCmd+minussign(Mac).Eachtimeyouusetheshortcut,themagnificationwilldecrease.
3. TheHealingBrushtoolworksalotliketheCloneStamptool.Butinsteadofcoveringtheimperfectionswithacopyofsampledpixels,theHealingBrushblendsthesampledpixelsintotheimperfectionssuchasscratches,blemishes,etc.
a. ClickontheHealingBrushiconinthetoolboxandselecttheHealingBrush
b. Checkthesettingsintheoptionbar,includingbrushdiameterandblendingmode.Sourceshouldbe“sampledfromtheimage”
c. Alt‐click(Mac:Option‐click)neartheimperfectiontodefinethestartingpointofthesample.
d. Paintovertheimperfection.Ifalignedisselected,theHealingBrushtoolwillrememberthestartingpointbetweenmouseclicks.
4. TheSpotHealingBrushtoolisgreatifyouonlyneedtofixsmallimperfections(likeaspotordustmarkinthesky.Thistooldoesnotrequireasourcetobespecified.Insteaditautomaticallysamplestheadjacentpixelsanddabsawaytheproblem.
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5. TheRedEyetoolisfoundinthesametoolbarboxastheHealingBrush.Selectthetoolandclickoneacheye.Itdoesnotalwayswork,butitistheeasiestoptiontotry.
6. TheBurnorDodgetoolcanbeusedtochangetheexposureofaspecificallydefinedarea.Thenamesofthesetoolscomefrompre‐digitaldarkroomtechniqueswherelightcouldbeblockedout(dodged)fromapartoftheimagetolightenorlightcouldbeconcentratedtodarken(burn)anarea.a. Dodge(yellowarrow)lightenspixels
Burn(greenpixels)darkenspixels.
b. BeginwiththetoolsettoMidtones.Pickawide,soft‐edgedbrush.UsealowExposuresetting(10‐15%),sincelowerthesetting,thelessdrastictheeffect.
c. Thesetoolsworkbestongrayscaleimages.Withcolorimages,usethesetoolssparinglyortheresultscanbeunnatural.
♪ NOTE: TheSpongeTool,notcoveredinthisworkshop,canbeusedtoincreaseordecreasethecolorsaturation.
PartIII.CreativeTechniqueswiththeFilterGallery
1. TheFilterGalleryisfoundintheFiltersmenu.Whenitopens,theworkareadividedinto3panels:
a. Theimageisseenontheleftside(redbox).Youcanchangethemagnificationclickingonthe‐+orbyselectinga%magnificationfromthecontrolsatthebottomleftofthepicture(redarrow).
b. Thefilterselectionisshowninthemiddlepanel(greenbox).Itisdisplayedbycategoriesthatcanbeexpandedbyclickingontherightpointingarrow.
c. Withafilterselected,usethesliderscontrols(bluebox)tochangespecificcharacteristicsoftheselectedfilter.
2. Multiplefilterscanbeappliedtothesameimage.Theyappearinalist(bluearrow)thatworksjustlikethestandardPhotoshoplayers.Itnamesthefilterselectedandhasaneyeicontoshowthatitisvisible.Youcanclickonthepageiconatthebottomofthisboxandcreateanewlayerthatcanbeusedforanotherfilter.Youcanapplyasmanyfiltersasyoulikeandchangetheorderbydraggingthelayerupanddown.
3. Ifyouknowexactlywhatfilteryouwanttoapply,youcanselectiffromthelist.TheFilterGallerywillthenopenwithyourchosenfilterselectedandapplied.