PART FOUR Chapter 11: Sculpture and Installation Sculpture methods covered in this chapter include:...
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Transcript of PART FOUR Chapter 11: Sculpture and Installation Sculpture methods covered in this chapter include:...
![Page 1: PART FOUR Chapter 11: Sculpture and Installation Sculpture methods covered in this chapter include: Modeling (additive) Assembling (additive) Carving (subtractive)](https://reader035.fdocuments.in/reader035/viewer/2022062407/56649e255503460f94b14b57/html5/thumbnails/1.jpg)
PART FOURChapter 11: Sculpture and
InstallationSculpture methods covered in this chapter include:
•Modeling (additive)•Assembling (additive)•Carving (subtractive)•Casting (involves a mold)
© 2013, McGraw-Hill Higher Education. All rights reserved.
![Page 2: PART FOUR Chapter 11: Sculpture and Installation Sculpture methods covered in this chapter include: Modeling (additive) Assembling (additive) Carving (subtractive)](https://reader035.fdocuments.in/reader035/viewer/2022062407/56649e255503460f94b14b57/html5/thumbnails/2.jpg)
• terra cotta•mold• lost-wax process• “in the round”• low relief (bas-relief)• high relief
• contrapposto• installation• earthwork• time-based work
© 2013, McGraw-Hill Higher Education. All rights reserved.
Key Terms for this chapter include:
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Sculpture and Installation
Sculpture involves works of art dealing with three-dimensional space.
Three-dimensional involves:Height, Width, and Depth
“In the round”: Freestanding artwork that can be viewed from any angle; completed on all sides.
© 2013, McGraw-Hill Higher Education. All rights reserved.
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Maman, Louise Bourgeois, 1999, bronze cast
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SculptureIn relief, forms project from but remain attached to a background surface; meant to be viewed frontally.
•Low Relief: Also called bas-relief; figures project only slightly from the background.
•High Relief: Forms dramatically project from the background by generally at least half their depth.
© 2013, McGraw-Hill Higher Education. All rights reserved.
Insert visual(s).Suggestion: 11.3 Durga Fighting the Buffalo Demon
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Low relief (bas-relief) and High Relief
Sarcophagus lid, Mexico, Mayan late Classical Period Durga Fighting the Buffalo
Demon, cave, India.
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MODELINGModeling is an additive process. The sculptor begins with a framework or nothing at all and adds material until the sculpture is finished. It is a very direct method of working.
•Clay, also known as terra cotta, is the most common modeling material.
© 2013, McGraw-Hill Higher Education. All rights reserved.
Insert visual(s).Suggestion: 11.4 Figurine of a Voluptuous Lady
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Figurine of a Voluptuous Lady, Maya, 700-900,
ceramic
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CASTING
Casting is a very indirect method of working. It involves a mold of some kind into which liquid or semi liquid is poured and allowed to harden.
•Bronze is a common casting material.
© 2013, McGraw-Hill Higher Education. All rights reserved.
Insert visual(s).Suggestion: 11.5 The Bodhisattva Avalokiteshvara
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CASTINGThe lost-wax process is the most common method for casting. The wax original is destroyed in the process making each sculpture cast unique.
© 2013, McGraw-Hill Higher Education. All rights reserved.
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Bodhisattva, India, 12thc, Pala Dynasty
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Micael Jackson and Bubbles,Jeff Koons, 1988, ceramic Daylight,
Rachel Whiteread, 2010, Resin.
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CARVINGIn carving the sculptor begins with a block of material and cuts, chips, and gouges away until the form emerges. It is a subtractive process.
•Wood and stone are the principal materials historically used for this process.
© 2013, McGraw-Hill Higher Education. All rights reserved.
Insert visual(s).Suggestion: 11.9 Virgin and Child on the Crescent Moon
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Virgin and Child on the Crescent Moon, 1495, Limewood Colossal Head,Olmec,
1500-300, Basalt
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ASSEMBLING
In assembling, individual pieces, segments, or objects are brought together to form a sculpture. It is an additive process.
© 2013, McGraw-Hill Higher Education. All rights reserved.
Insert visual(s).Suggestions: 11.11 Cubi XII11.13 C.F.A.O.
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Cubi XII, 1963, Stainless Steel, 1963 C.F.A.O., Martin Puryear, 2006-
7. Pine and found wheelbarrow
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Conjoined, Roxy Paine, 2007. Stainless steel and concrete
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Sculpture: The Human FigureThe human figure is a basic
subject for sculpture throughout time.
•Contrapposto: Meaning counterpoise or counterbalance; sets the body in a gentle S-shaped curve that implies the potential for human motion.
© 2013, McGraw-Hill Higher Education. All rights reserved.
Insert visual(s).Suggestion: 11.20 Apoxyomenos (Scraper)
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Menkaure and Khamerenebty, Egypt, 2490-2473 BC
The Burghers of Calais, Auguste Rodin, 1884-85, Bronze
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Kuya Preaching, Kamakura period, before 1207
Spirit Spouse, Ivory Coast , early 20th century, wood
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Apoxyomenos, (Scraper),Roman copy of
Lyssipos, 320, marble
Dying Slave, Michelangelo, 1535-16
Contrapossto – slight weight shift (from Greeks)
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Quantum Cloud XX (tornado), Anthony Gormley, 2000, stainless steel
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Working with Time and Place
Human beings also sculpt the landscape and specific environments. There are practical, religious, and aesthetic reasons for this type of sculpture.
© 2013, McGraw-Hill Higher Education. All rights reserved.
Insert visual(s).Suggestion: 11.25 Serpent Mound
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Working with Time and Place
•Earthwork: A work of art made for a specific place using natural materials found there, especially the earth itself.
•Installation: An artist modifies a space in some way and asks us to enter, explore, and experience it.
© 2013, McGraw-Hill Higher Education. All rights reserved.
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Serpent Mound, near Locust Grove, OH
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Reconstructed Icicles, Andy Goldsworthy, 1995
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Fireflies on the Water, Yayoi Kusama, 2002, 150 lights and water
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Red Room, (Child), Louise Bourgeois, Installation, 1994
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The Gates,Christo and Jeanne-Claude, 2/12-17/05, Installation in
Central Park
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Sculpture and Installation: Summary
Sculpture Methods Modeling AssemblingCarving Casting
Key Termsterra cottamoldlost-wax process“in the round”low and high relief
© 2013, McGraw-Hill Higher Education. All rights reserved.
contrapposto
installationearthworktime-based work