INTRODUCING: NON-RESTRICTIVE CLAUSES AND PARENTHETICAL PHRASES.
Parenthetical Observation, Subplot, Shift in Style
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Transcript of Parenthetical Observation, Subplot, Shift in Style
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Brandon ClaytonElliot Somers
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When the author temporarily shifts from the initial structure in a new direction.
It is a brief interruption during which the character or the narrator reflects on a minor point that seizes his attention.
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“Now wheter it be Bestial oblivion, or some craven scrupleOf thinking too precisely on th’event-A thought which, quartered, hath but one
part wisdomAnd ever three parts coward-I do not knowWhy yet I live to say ‘This things’s to do.’-Hamlet
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Secondary stories that parallel or contest with the main plot.
Characters in the subplot may have a major impact on the characters in the main plot, or they may simply mirror some aspect of it, in either precise or distorted form.
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Much Ado about Nothing by Shakespeare Claudio and Hero Benedick and Beatrice
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A narrative may also shift structure by introducing a marked change in style, usually accompanied by corresponding alteration in tone.
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“If my right ear itched, then something good was being said about me by somebody…If I covered a mirror when storm was raging, the lighting would not strike me…If I walked in my sleep, then God was trying to lead me somewhere to do a good deed for him.”
“Anything seemed possible, likely, feasible, because I wanted everything to be possible…Because I had no power to make thing happen outside of me in the objective world, I made things happen within. Because my environment was bare and bleak, I endowed it with unlimited potentialities, redeemed it for the sake of my own hungry and cloudy yearning.”