paper and twine || issue no. 10 || 7.31.11

4
paper and twine from the creator of igotablog THANK YOU thanks for reading or looking at paper and twine. Cover by Bianca Rosales ©2011 a simarsamuel publication contact ‐ submit content | [email protected] Issue No. 10 internet on paper

Transcript of paper and twine || issue no. 10 || 7.31.11

paper and twine f r o m t h e c r e a t o r o f i g o t a b l o g

THANKYOU

tha

nks fo

r rea

din

g o

r loo

king

a

t pa

pe

r an

d tw

ine

.

Co

ver b

y Bian

ca

Ro

sale

s

©2011

a sim

arsa

mu

el p

ub

lica

tion

contact‐subm

itcontent|papertwine@

gmail.com

IssueNo.10

internet on paper

Issueno.10|7.31.11

IssueNo.10

DOODLES?

f a

NOTES?

PAPER AND TWINE

a|thispageb|p&tthesis|milaandnataliekissc |latepass:thecreature“thedeathofcv”d|latepasscontinued|powwowsandpretendingdumb‐continuede|powwowsandpretendingdumbcont.

igotablog | vegansdontbite | paperandtwine .tumblr.com

Ul-te-ri-or |ˌәlˈti(ә)rēәr| Adjective Existing beyond what is obvious or admitted; intentionally hidden : could there be an ulterior motive behind his request? beyond what is immediate or present; coming in the future : ulterior pay promised to the mariners. ORIGIN mid 17th cent.: from Latin, literally ‘further, more distant.’

READTHISILOVEYOU.FUCKMEI’LLLOVEYOUFOREVER

Issueno.10|7.31.11

b e

Themaingoalofthispublicationistotryandcapturethefocusedandunfocusedmindsoftechnologyusers.Thatiswhyineveryissueofpaperandtwineyouwillfindlinkstodifferentblogs,sites,andotheronlinemedia.Buttherearealsoarticleswrittenbymeandsubmittedbyothers.PaperandTwineisaninteractivezine(yesyoucaninteractwithsomethingthatisn’tpoweredbyelectricityorfleshandbones).WhatmakesitinteractiveitthatsomeofthearticlesandinformationIfindforp&thasaurlwheremoreinfoonwhatyouhavejustseenorreadcanbefound.Andhaveyouevernoticedhowthelastpagehasadoodles?andnotes?section,theyarethereforjustthat‐Iwantthereadertodoodleinthebackortakenotesonwhattheyjustreadornotesonsomethingcompletelyunrelated.Itwasthewholereasonbehindthequestionmarksattheendofeachwordbecausethezineisthereasadifferentformofinteractionanditwonderswillsomeoneputdoodleshereorwillsomeoneputsomenoteshere?Wehopeyoudo.P&TIfyouhavedoneanydoodlesornotesfeelfreetoscanthemandsendthemhere‐>[email protected]

P & T Thesis Sheknewthataskinghimblanklyandsononchalantlywouldn’tbughimtheleastbitunderthesecircumstances.Butifthiswasatruelove,arealrelationship,thismomentwouldbecompletelydifferent.Thepaththesetwopaved,however,wasn’tpavedinthesamewayarealrelationshipwouldhavebeenatall.Theypavedtheirswithnoschematicsorcaretomeasure.Theydidn’tneedtosurveythesite,theyjustneededtopoketheirheadaroundtheconstructionareafromtimetotimeandsay“Lettheworkcommence.”They’dworkontheroadabit,andthencarelesslywalkawayforhoweverlongtheywanted,andreturnwhentheyfeltlikeworkingontheroad.Soitwasmadelittlebylittleinlongincrementsoftime.Itneverhadtimetodevelop.Itneverranoutofroadbecauseitwasbarelypavedmuchinthefirstplace.Hedeletedhernumberfromhisphone.AREYOUSUREYOUWANTTODELETE“APORIA”FROMYOURCONTACTLIST?YES.Afterthatsheslowlydriftedfromthought.Hedidn’tthinkaboutthebuslinetoherneighborhood.Northewalktoherhouse.Orthesmellinsideherhome.Hedidn’tthinkofwhatothertastesshehadinstore.Hejustmovedon.Afewmonthsdowntheroad,hewaswalkingaroundwithafewofhisfriends.Theyweregettingsomefoodandcoffeeanddoinggenerallynothing.Theywerewalkingdownthestreet,rantingloudlyaboutagovernorthatwascaughtupinasexringscandal.Oneofhisfriendsscreamed,“That’swhatreallyhasmegoing!Abuseofpower,man!Allthesecorruptassholesgainallthepowerandthelittlepeoplegetnopower!”Anotheroneofhisbuddiesinterrupted,“Youwanttoknowwhy?Becausethelittlepeoplewon’tstandupandtrytolearnwhototakepower!They’realljusttaughttolettheonesinpowerdoitforyou,soitjustkeepsgettinghandeddowntogenerallycorruptpeople.”“Iwon’tdisagreewithyouthere,”theotheradded.Andthat’swhenshecameintoviewforthefirsttimeinmonths.Thefirsttimehereallythoughtaboutheratall.Shewasaheadwalkingtowardsthemonthesidewalk.Hisbuddieswerealltalkingstill.Sheworealongsweaterandtight,light‐bluejeans.Sippingonacoffee,phoneintheotherhandatherside.Shehadeyeglasseson.Hehadneverseenherwitheyeglasses.Shelookedreallygoodinthem.Waytoogood.Theystartedgettingcloserandcloser.Whatwasgoingtohappen?Shouldhewave?Sayhi?Notsayanything?Wouldhisfriendsaskaboutit?Whatwouldheexplaintothem?Thetwoofthemhadarathermutualagreementthattheywerestrictlytobeofonlyeachothersmemories.Theywerenottobememoriesforfriends.Forfamily.Notforanyoneexcepthim,andher. StorybyJohnCardosoLastpartcontinuedinissueno.11orreadtherestandothersatrawspine.tumblr.com

>foundhere:retrosofa.tumblr.com

Issueno.10|7.31.11

d C

Late Pass: The Creature “The Death of CV”

Newmusicprojectsappeardaily;somegetoverlookedandnotgivenasecondthought.Thentherearethosethatcompletelyslipunderyourradarandyouaren’tawareofitexistencebutwhenit’sbroughttoyourattentionyou’relike“fuck,how’dInothearthis?”.Thisisthelatter.

ColeyVTheCreaturehasbeenputtingtogetherlyricsoverinstrumentationforafewyearsandhe’sdamngoodtoo.IfirstheardofhimathousepartyIwenttoawhilebackforthebirthdaypartyofafriendandhewasperformingtracksinthegroupKa‐Blam!withanotherMCTomCogger.Thematerialhewasputtingoutasaduowasdopebuthearinghimstandonhisownisawhole‘notherbeast,orcreatureinthiscase.TheDeathofCVcaughtmeoffguardbecauseI’veheardacoupletrackswithhimdoinghissolothing,butIwasneverexpectingafullprojecttodrop.ThisnewestprojectfromhimletsyouhearhimdowhatheisgoodatbutalsoprovidingthelistenerswithmoredepthintowhoTheCreatureisandwhoColeyVhasbecome.Thetapefeatures10tracks,alloriginalproductiondonebySubstanzDandeachonegoesinbeatwiseandwritingstyle.Hestickstowhatheknows:life,work,plantmatter,andusualanticsbutthewayhetellsusaboutthemisnothinglikeI’ve

heardonanythinghehasdonewithKa‐Blam!.HisdeliveryoneachtrackjustboastthatthisismeandI’mtheonewhohastoholdthisdown.AlthoughtheprojectcontainsfeaturesTheCreaturestillstandsgroundoneachsongandisnotovershadowedassomemusicalfeaturesdo.Ifyouhavenothadthechancetolistentothisyetordidn’tevenknowaboutit,Ihopethatthisisthearticletoputyouon.Theguyistalentedandquiteentertaining.Ihadthechancetositandtalkwithhimandyoucanhearthatfullinterviewat:soundcloud.com/paperandtwine–LatePass:TheCreatureInterview thecreature.bandcamp.com

Pow Wows and Pretending Dumb - continued Whenyouignorelove,andwhenyouignoreloveandyou’restandingnexttothelakenexttolove,orafewloves,andnotbotheringtorunfromit,iswhereyoubegintofoolyourself.You’renolongerjustafraidofbeinginloveandknowingyouhavetostayclearfromit.Instead,youstandnexttolove,perhapshandinhand,andbecomemorethanjustafraid.Youbecomedisillusioned.Youbecomeignoranttothefactthatifyoudon’twanttoloveyouhavetostayawayfromitasmuchaspossible.Youbecomeignoranttothefactthatnomatterwhat,you’regoingtowanttohavesomebodytolove.Sixweekspassed.Hisphonevibratedinhispocketasitusuallydid.Itwasher.Hewasn’tsurprisedsomuch.Heknewtheywouldeventuallyendupspeakingorsayingsomething.Butthistimeheknewitwouldbedifferent.“Hey.Sincerequestion”“Shoot”“Wanttodeleteeachothersnumbersandactlikewenevermet?”“Absolutely.”“Awesome!Well.Haveanicelife:)”“Youtoo.IfIeverseeyouarounddon’tsayhi:)”“Absolutely.Imightaskforaquickieinsomebathroomsomewhereyouneverknow.”“Absolutely.”“Bye.”“Later.”Andthatwasthat.Hehadafeelingthatshewouldn’tbeaskingforanyquickieinanybathroomiftheydidseeeachother.Intheshortamountoftimethattheygotto“know”eachother,theyhadcraftedaverycarefreelanguage,verbalandbodily,andhecouldsenseheroftendrabhumor.Hersarcasm.Hernot‐give‐a‐shit‐ness.Andalternatelyshehadlearnedhimquitewell.continuedonpageE