Painting Light, Composition and Working in Series
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Transcript of Painting Light, Composition and Working in Series
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Light and Concept
Glenn Hirsch, Instructor
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backlighting creates a mood of mystery
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“value’ = the black-and-white of the color
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Rembrandt and Caravaggio pioneered dramatic, ‘chiaroscuro’ light, a spotlight shining into darkness.
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chiaroscuro “theatrical” light
A spotlight on a stage.
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The language of dramatic light was transplanted to Hollywood in the 1930s as film noir
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Richard Diebenkorn
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Glowing, mystical, supernatural light –
the light isn't falling on the flower, the light is coming from it.
It is the source of the light.
Georgia O'KeefeMatthias Grünewald
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Monochromatic color schemes enhance mood
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translation of value
dark on top of light
light on top of dark
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A ‘translation of value’ white against dark, and dark against light
(charcoal study by Georges Seurat, c. 1885)
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Translation of value, light against dark and dark against light (Georges Seurat)
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Translation of value - light against dark, and dark against light.
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A ‘translation of value’ white against dark, and dark against light
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Translation of value - white against black, and black against white. (Mo Seder)
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Artists look for the translation of value, light against dark and dark against light, when figuring out a complex composition.
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working in series
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examples of series by well-known artists
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Joan Mitchell
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Roberto Matta
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Wayne Thiebaud
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Elmer Bischoff
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Elmer Bischoff
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Ronald Brooks Kitaj
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Emile Nolde
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Paula Rego
(English, 1935- ) Rego’s work often reflects an assertive feminism, colored by folk-themes.
Many of the clothes worn by models in her work are representative of the frocks she wore as a child in Portugal.
Animals, clothes and pattern, gesture and body language animate enigmatic visual stories.
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