Painting Abstract and Color Theory

42
SFAI 9/24/14

description

Glenn Hirsch, Instructor www.glennhirsch.com

Transcript of Painting Abstract and Color Theory

Page 1: Painting Abstract and Color Theory

SFAI

9/24/14

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Filippino Lippi

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Filippino Lippi

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Bartholomeaeus Bruyn

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John Singer Sargent

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Edouard Manet

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Paul Cezanne

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Pablo Picasso

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Hung Liu

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Alphonse Mucha

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Frederick Leighton

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Manisha Patel

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The space is flat (Arshile Gorky 1940)

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The space has more depth (Arshile Gorky 1943)

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The space is flat (Andre Masson 1960)

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The space has more depth (Andre Masson 1955)

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The space is flat (Kandinsky 1940)

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The space has more depth (Avinash Chandra 1963)

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The space is flat (Philip Guston 1959)

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The space has more depth (Francis Picabia 1913)

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The space is flat.(Robert Motherwell 1945)

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The space has more depth (Graham Sutherland 1973)

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What’s the ‘true color’ of the house?

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Monet painted ‘white marble’ on the Rouen Cathedral in different times of day, showing that color doesn’t exist independently of the light

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Since color is “relative,” we use warm and cool versions of each color to enhance the feeling of “light”

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Chromatic scale to enhance the illusion of “light”

Lighter b/w value in the light

Brighter intensity in the light

Warmer (orangey) red in the light (vs bluer purplish) in the shadow

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• This isn’t a ‘rule,’ it’s a ‘recipe’ to enhance the illusion of ‘light’

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Chromatic scale

• Light to dark• Bright to dull• Warm to cool

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Chromatic scale

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Chromatic scale

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Georgia O’Keefe

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Abstractions in a Lost Tongue

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Pyre

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Maya Planet

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Transfiguration

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After the Flood

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Creation Myth

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Night Spirit

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Quintessence