PAF katalog 2016 - lovropogorelich.net

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raspored / Schedule

ponedjeljak, 1. kolovoza

Monday, 1st of August

koncert u Crkvi sv. Marije u Starom gradu Pagu u 21h / concert in St. Mary’s Church in the Old Town Pag at 9p.m.

Kvartet Apollon / Apollon Quartet & Krešimir Bedek, gitara/guitar

utorak, 2. kolovoza

Tuesday, 2nd of Augustkoncert u Crkvi sv. Katarine u Novalji u 21h / concert in St. Catherine’s Church in Novalja at 9p.m.


srijeda, 3. kolovoza

Wednesday, 3rd of August

koncert u Crkvi sv. Frane u Pagu u 21h / concert in St. Francis’ Church in Pag at 9 p.m.

Aleksandar Milošev, viola & Lovro Pogorelić, klavir/piano

četvrtak, 4. kolovoza

Thursday, 4th of August

koncert u Crkvi sv. Katarine u Novalji u 21h / concert in St. Catherine’s Church in Novalja at 9p.m.


nedjelja, 7. kolovoza

Sunday, 7th of August


Srdjan Bulat, gitara/guitar

koncert u Crkvi sv. Frane u Pagu u 21h / concert in St. Francis’ Church in Pag at 9p.m.


ponedjeljak, 8. kolovoza

Monday, 8th of August

utorak, 9. kolovoza

Tuesday, 9th of August


Kvartet Papandopulo / Papandopulo Quartet

Večer mladih / Youth Evening:

koncert u crkvi sv. Frane u Pagu u 21h / concert in St. Francis’ Church in Pag at 9 p.m.

Filip Merčep, udaraljke/percussions

nakon koncerta otvorenje izložbe fotografi ja Ritam tonova Ele Vuković/opening of the photo exhibition

Rhythm of the Tones by Ela Vuković at Rector’s Palace in Pag, after the concert

petak, 12. kolovoza

Friday, 12th of August

koncert u Crkvi sv. Frane u Pagu u 21h / concert in St. Francis’ Church in Pag at 9p.m.

Michel Bourdoncle, klavir / piano


Wednesday, 17th of August


Wednesday, 10th of August

koncert u Crkvi sv. Luke u Kolanu u 21h / - concert in St. Luc’s Church in Novalja at 9 p.m.


program se odvija u suradnji s Centrom za kulturu i informacije Pag, Centrom za kulturu Novalja i TZ Kolan

the program takes place in co-operation with the Pag Center for Culture and Information, Novalja Culture Center and Kolan Tourist Board

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Što je pravo? Linija može biti prava, ili ulica, ali ljudsko srce,

o ne, zakrivljeno je kao put kroz planine.

Umjetnošću čovjek mjeri vrijednost svojih nazora o svijetu i

o zbivanju. S njom se čovjek miče tminama i fosforescira na

mračnom dnu stvarnosti osvjetljavajući svoju tamnu stazu

njenim sjajem, kao magičnim sumpornim okom, i tako se

miče između zvijezda, i tako živi.

What is straight? A line can be straight, or a street, but the hu-

man heart, oh, no, it’s curved like a road through mountains.

Tennessee Williams,

Tramvaj zvan čežnja/

A Streetcar Named Desire

A man measures the value of his views on the world and

events by art. With it, he moves in the darkness and phos-

phoresces in the dark bottom of reality, illuminating his dark

path with its splendour, as a magic eye of sulphur, and thus

he moves between the stars, and lives.

Miroslav Krleža

odabrao / selected by

Lovro Pogorelić, umjetnički direktor/Artistic Director

foto/photo by Alan Crljenko

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Pavel Kudelásek, violina/violin

Radek Křianovský, violina/violin

Pavel Ciprys, viola

Pavel Verner, violončelo/cello

F. X. Richter: 1. Gudački kvartet u C-duru / String Quartet No. 1 in C major, Op. 5

A. Dvořák: 12. Gudački kvartet u F-duru / String Quartet No. 12 in F major, Op. 96

L. Boccherini: 4. Gitarski kvintet u D-duru / Guitar Quintet No. 4 in D major, G. 448

Kvartet Apolon jedan je od vodećih primjera glasovite češke škole kvarteta, sljedbenika tradicije kvarteta Vlach, Janáček i Smetana. Nakon studija kod članova Kvarteta Smetana i pohađanja prestižnih seminara Kvareta Fine Arts u Nizozemskoj te Kvarteta Alban Berg u Njemačkoj, Kvartet Apollon uspješno se natjecao na značajnim međunarodnim natjecanjima, uključujući natjecanja Ludwig van Beethoven (1. Nagrada i Nagrada za najbolju izvedbu skladbe Beethovena), i fi nalist je natjecanja u Düsseldorfu. S ovim uspjesima Kvartet Apollon započinje koncertnu aktivnost 1993., redovito gostujući na prestižnim festivalima u Češkoj i inozemstvu, uključujući Bruckner Festival u Karlsruheu, fes-tivale komorne glazbe u Bolzanu i Bergamu, Festival Mitte Europa, Festival suvremene glazbe u Bregenzu i Jazz Festival u Salzburgu. Ostvarili su koncertne turneje u Engleskoj, Japa-nu, Španjolskoj, Belgiji, Austriji, Turskoj, Švedskoj, Francuskoj, Ujedinjenim Arapskim Emiratima i drugim zemljama.Od 1993. Kvartet Apollon izdao je deset CD-a klasične glazbe (Dusík, Ravel, Janáček, Brahms, Schubert, Dvořák, Smetana, Chevalier de Saint-George, Reicha, Haydn, Husa, Gemrot, Knížák) i tri jazz albuma (Apollon u jazzu, Noć u Tunisu i Klangburg Concertino) za češke izdavačke kuće Cube Bohe-mia i Radioservis. Daljnje zanimljivo diskografsko izdanje je jazz album snimljen zajedno s austrijskim Triom Fritz Pauer.Kvartet Apollon surađuje s brojnim češkim skladateljima, podjednako u domeni klasične glazbe (Z. Lukáš, P. Trojan, O. Kvěch, M. Knížák) i jazza (K. Růžička, E. Viklický, V. Eckert, and Z. Zdeněk). U mnogo slučajeva ovi skladatelji posvetili su im svoja djela. Češka TV ostvarila je nekoliko programa

The Apollon Quartet is one of the leading examples of the famous Czech quartet school. The tradition that it follows was created by ensembles such as the Vlach, Janáček and Smetana Quartets. After studying under the members of the Smetana Quartet and attending prestigious master classes in Holland (with the Fine Arts Quartet) and Germany (with the Alban Berg Quartet), the Apollon Quartet competed successfully in a num-ber of prestigious international competitions, including the In-ternational Ludwig van Beethoven Competition (First Prize and Best Performance of a work by Beethoven) and taking part in the fi nals of the international competition in Düsseldorf. Following these successes, the Apollon Quartet began its concert activities in 1993 with regular appearances at prestigious festivals both in the Czech Republic and elsewhere, including the Bruckner Festi-val in Karlsruhe, the Chamber Music Festival in Bolzano, the Mitte Europa Festival, the Contemporary Music Festival in Bregenz, the Chamber Music Festival in Bergamo, and the Jazz Festival in Sal-zburg. They were also on concert tours of England, Japan, Spain, Belgium, Austria, Turkey, Sweden, France, the United Arab Emir-ates and other countries. Since 1993, the Apollon Quartet has by now released ten solo CDs of classical music (Dusík, Ravel, Janáček, Brahms, Schubert, Dvořák, Smetana, Chevalier de Saint-George, Rejcha, Haydn, Husa, Gemrot, and Knížák) and three solo jazz CDs (Apollon in Jazz, A Night in Tunisia, and Klangburg Con-certino) with the record companies Cube Bohemia and Radioser-vis. The next interesting record was a jazz CD, recorded with the Austrian ensemble Fritz Pauer Trio. The Apollon Quartet works with a number of Czech composers, both in the fi eld of classical music (Z. Lukáš, P. Trojan, O. Kvěch, and M. Knížák), and jazz (K. Růžička, E. Viklický, V. Eckert, and Z. Zdeněk). In many cases these composers have dedicated works to the Quartet. Czech Televi-

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posvećenih Kvartetu Apollon i redovito s njim surađuje. Re-zultat ove iznimno uspješne suradnje je i međusobno pot-pisani ugovor (1997.) kojim je Kvartet ostvario status ansam-bla Češkog Radija.

sion has already broadcasted several programmes dedicated solely to the Apollon Quartet, and regularly works closely with the ensemble. As a result of their extremely successful work with Czech Radio, a cooperation contract was signed between the Apollon Quartet and Czech Radio in 1997, enabling them to use the title Czech Radio Ensemble.

Krešimir Bedek (Zagreb, 1981.) započinje učiti gitaru sa

šest godina. Diplomirao je na Muzičkoj akademiji u Zagrebu

2005. u klasi D. Petrinjaka. Usavršavao se na Kraljevskom

konzervatoriju u Den Haagu u klasi proslavljenoga gitarista

i pedagoga Z. Dukića te je magistrirao 2008. godine. Nastu-

pao je u Hrvatskoj, Nizozemskoj, Belgiji, Njemačkoj, Sloveni-

ji, Izraelu, Portugalu, Španjolskoj, Estoniji i Rusiji, solistički,

uz orkestre i u različitim komornim sastavima. Dobitnik je

Krešimir Bedek was born in 1981 in Zagreb, Croatia,

where he started to play guitar at the age of six. He graduat-

ed from the Zagreb Music Academy in the class of D. Petrin-

jak and continued his studies at the Royal Conservatory in

The Hague where he gained master degree in 2008 with

Z. Dukić, one of the most prominent guitarists and peda-

gogues of the new generation. He has performed as a solo-

ist, with orchestra and in various chamber music ensembles

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brojnih nagrada i priznanja u Hrvatskoj i u inozemstvu. Na

42.Tribini mladih umjetnika Darko Lukić osvojio je glavnu

nagradu i nagradu Koncertne dvorane Vatroslava Lisinskog.

Dvostruki je laureat prestižnog međunarodnog natjecanja

Printemps de la guitarre (Charleroi, Belgija, 2006. i 2008.) i

pobjednik je međunarodnih gitarističkih natjecanja Certa-

men Internacional de Guitarra de Barcelona Miguel Llobet

(2008.), Guitarmania (Almada, Portugal, 2007.) te Guitar and

Chamber Music Festival Zwolle (Nizozemska) i Scharpach

gitaar concours (Enschede, Nizozemska), oboje 2006.

Zaposlen kao asistent na Muzičkoj akademiji u Zagrebu pri-

mio je Godišnju nagradu Društva sveučilišnih nastavnika i

drugih znanstvenika u Zagrebu za 2010. godinu.

all over Croatia and in Spain, Portugal, Germany, Slovenia,

Israel, Belgium, Netherlands, Estonia and Russia. He has

been awarded many prizes in Croatia, among which the

main prize at the 42nd Young Artists Podium Darko Lukić

and Vatroslav Lisinski Hall Award. He is a double laureate of

the prestigious international competition Printemps de la

guitarre (Charleroi, Belgium, 2006 and 2008) and the win-

ner of several international guitar competitions: Certamen

Internacional de Guitarra de Barcelona Miguel Llobet 2008,

Guitarmania (Almada, Portugal, 2007), Guitar and Chamber

Music Festival Zwolle (Netherlands) and Scharpach gitaar

concours (Enschede, Netherlands), both in 2006.

As a teaching assistant of the Zagreb Music Academy, he re-

ceived the annual award of the Society of University Teach-

ers, Scholars and Other Scientists in Zagreb (2010).

photo by R. Philmen

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Odlikovan najvišom slovenskom nagradom za umjetnička

postignuća (Prešernova nagrada), Aleksandar Milošev

glazbenik je širokih stilskih interesa. Kao solist nastupao je

sa Zagrebačkim solistima pod ravnanjem Marca Copeya, En

Shaoa i Uroša Lojovica, sa Slovenskom, Zagrebačkom i Beo-

gradskom fi lharmonijom. Surađivao je s mnogim istaknu-

tim umjetnicima kao što su B. Giuranna, R. Filippini, J. Talich,

F. Gulli, J. Rahlin, I. Grafenauer, R. Vlatković, G. Capucon, V.

Jagling, A. Rudin, R. Tognetti and C. Altenburger. Nedavno

je snimao i svirao s lutnjistom E. Karamazovim, dobitnikom

nagrade Grammy. Zahtjevan komorni glazbenik, Alek-

sandar je član gudačkog Kvarteta Tartini koji je nastupao

u mnogim prestižnim dvoranama svijeta. Nastupao je na

mnogim komornim festivalima uključujući Komorni festi-

val Colmar (Francuska), Dubrovačke ljetne igre, Mariborski

glazbeni septembar i Festival Ljubljana. Na poziciji je vođe

dionica viola Slovenske fi lharmonije, a istu poziciju obnašao

je i u Minhenskoj i Londonskoj fi lharmoniji, Njemačkom

komornom orkestru i Orkestru Arturo Toscanini. Njegovi

diskografski zapisi uključuju Mozartovu Simfoniju Con-

certante za violu i orkestar sa Slovenskom fi lharmonijom,

Mozartove kvartete za fl autu s D. Formisanom za talijansku

kuću Stradivarius, kao i mnoge zapise s Kvartetom Tartini.

Čvrsto odan pedagoškom radu, Aleksandar poučava violu

kao izvanredni profesor na Muzičkoj akademiji Zagreb i kao

gostujući profesor na Trinity Laban konzervatoriju za glazbu

i ples u Londonu.

Awarded the highest Slovenian prize for cultural achieve-

ment (The Prešern Award), Aleksandar Milosev is a

musician with a broad range of stylistic interests. As a so-

loist he has appeared with the Zagreb Soloists ensemble,

under the baton of Marc Coppey, En Shao and Uroš Lajovic,

and with the Slovenian Philharmonic, Zagreb Philharmonic

and Belgrade Philharmonic Orchestras. Aleksandar has col-

laborated with many renowned artists, such as B. Giuranna,

R. Filippini, J. Talich, F. Gulli, J. Rachlin, I. Grafenauer, R. Vlat-

kovic, G. Capucon, V. Jagling, A. Rudin, R. Tognetti and C.

Altenburger. He has recently recorded and performed with

Grammy Award nominated lutenist Edin Karamazov. An

avid chamber musician, Aleksandar is also a member of The

Tartini String Quartet which has performed in many presti-

gious venues around the world. He has performed in many

chamber festivals including the Colmar Chamber Music

Festival (France), Dubrovnik Festival (Croatia), Maribor Musi-

cal September and Ljubljana Summer Festival (Slovenia). He

is currently the principal violist with the Slovenian Philhar-

monic Orchestra, and has held previous positions with the

Munich Philharmonic Orchestra, Philharmonia Orchestra in

London, Deutsche Kammer Orchester and Arturo Toscanini

Orchestra. CD recordings include Mozart’s Sinfonia Concer-

tante for violin and viola with the Slovenian Philharmonic

Orchestra, Mozart’s fl ute quartets with Davide Formisano

for Italian label Stradivarius, and many recordings with

the Tartini String Quartet. Firmly dedicated to pedagogical

work, Aleksandar currently teaches viola at the Zagreb Mu-

sic Academy in Croatia as well as at Trinity Laban Conserva-

toire of Music and Dance in London.


J. Brahms: 1. Sonata za violu i klavir u f-molu / Sonata No. 1 for Viola and Piano in F minor, Op. 120/1

2. Sonata za violu i klavir u Es-duru / Sonata No. 2 for Viola and Piano in E-fl at major, Op. 120/2

C. Franck: Sonata za violinu i klavir u A-duru / Sonata for Violin and Piano in A major, FWV 8

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Aleksandar Milošev

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Od svoje sedamnaeste godine Lovro Pogorelić redovito kon-certira širom svijeta. Solistički ili s orkestrom, ostvaruje pijanističke kreacije uvjerljive snage i nepobitne individualnosti. Među re-centnim nastupima izdvaja turneju po velikim gradovima Kine (Peking, Šangaj, Tianjin, Guangzhou i Suzhou) te recital u Teatru Bibiena u Mantovi koji je kritičar lista Cultura&Societá opisao kao “Pijanističku meditaciju” i istaknuo “...istančanost zvuka koji za-dire u meditativnu unutarnju refl eksiju kojoj se suprotstavljaju dinamične eksplozije što slijede jednu vrlo osobnu logiku. To se u mantovanskom recitalu vidjelo i u djelima romantičara Schuber-ta (Sonata D 960) i Schumanna (Kreisleriana op. 16) kao i kod ekstatičnog i mističnog ‘simbolista’ Skrjabina (5. Sonata)“. Prilikom prošlogodišnjeg nastupa u Danskoj na festivalu Schubertiaden najavljen je sljedećim riječima: “Majstor za klavirom ... Sve što karakterizira jednog majstora, Lovro Pogorelić ima u izobilju: svoj vlastiti neprikosnoveni pristup svemu što svira, tehniku koja mu dopušta da ispuni prostor zvučnim bojama, a da ne pravi kom-promis s poteškoćama koje većina izvođača doživljava u svojim nastupima, sposobnost da se koncentrira i fokusira na način koji opčinjava slušatelja; slušatelj je uvjeren da je ono što se događa u danom trenutku upravo najvažnije.“ (Bent-Erik Rasmussen)Seriju recitala u Japanu (Osaka, Nagoya, Tokyo 2011.) kritika je popratila sljedećim riječima: “...On je krupan čovjek i svira s pun-im udarom, ali nalazim profi njenost u njegovom zadivljujućem zvuku...” (K. Michishita, Let’s Enjoy Tokyo, 5 najboljih koncerata u 2011.) te “...Njegova izvedba je ekstremno bogata i raznovrsna a vještina njegovih ruku je neiscrpna. Vizualno, kao blistavi kristali i moćno kao prašina u zraku. Potpuno sam zadivljena ogrom-nom širinom dinamičke skale i njegovim kapacitetom u okret-nosti pokretne snage logičkog sklada. Njegov rad sadrži mnogo ekscentričnih faktora, ipak svaki djelić zvuka je gladak i blistav kao baršun ...” (K. Fushhiya, www.jazztokyo.com), a prilikom turneje s Mađarskom fi lharmonijom pod ravnanjem Zoltána Kocsisa (2. Klavirski koncert S. Rahmanjinova; Miškolc, Szegedin, Pečuh, Debrecin, Budimpešta 2012.) zabilježeno je: “Plemenitu elegan-ciju izvedbe Lovre Pogorelića, njegove suverene, ali ne pretjer-ane, individualne odabire tempa – koje je orkestar uglavnom dosta fl eksibilno pratio, - njegovu prirodnu virtuoznost audito-rij je nagradio urnebesnim pljeskom, a glazbenik koji i svojom skromnošću pokazuje primjer svima, za to se zahvalio kratkim fra-pantnim preludijem Rahmanjinova.” (A. Kovács, Eozin magazine, Pécs)Francuska diskografska kuća Intrada (Pariz) prepoznala je um-

From the age of seventeen, Lovro Pogorelich has been giving concerts throughout the world on a regularly basis. Solo or accom-panied by the orchestra, he makes pianistic creations of convincing power and inarguable individuality. Among recent concerts high-lights was the Chinese tour (Beijing, Shanghai, Tianjin, Guangzhou and Suzhou) and recital at Teatro Bibiena in Mantova, described by the Cultura&Societá magazine critic as “Pianistic Meditation... the re-fi nement of sound that aff ects meditative inner refl ection which is opposed by dynamic explosions that follow a very personal logic. This could be seen in Mantova’s recital in the works of romantics Schubert (Sonata D. 960) and Schumann (Kreisleriana Op. 16) as well as in the ecstatic and mystical ‘symbolist’ Scriabin (Sonata No. 5)”. Last summer performance at Schubertiaden Festival in Denmark was announced as the “Master at the Piano... All that characterizes a master Lovro Pog-orelich has in abundance: his own sacrosanct access to everything that he plays, a technique that allows him to fi ll the space with sound colours and by not making compromises with the diffi culties expe-rienced by most performers in their performances, an ability to con-centrate and focus in a way that enchants the listener; the listener is convinced that what is going on at the given moment is the most important thing.” (Bent-Erik Rasmussen)His recital tour in Japan (Osaka, Nagoya, Tokyo 2011) was commented by the critics as: “...He is a big man in size and plays in full impact, but I myself felt refi ned delicacy in his astonishing sound...” (K. Michishita, Let’s Enjoy Tokyo, 5 best concerts in 2011) and “...He is extremely rich in performing music of a great variety and holds inexhaustible skills in his hands. Visually as sparkling crystal and powerfully as dust blown up in the air. I am utterly astonished by a great variety of dynamic range, and his capacity in a swift shifting power of sequence in tune. His work contains many eccentric factors, although every grain of tune is as smooth and brilliant as velvet…” (K. Fushhiya, www.jazz-tokyo.com) and for Hungarian tour with the Hungarian Philharmonic under the direction of Mo. Zoltán Kocsis (2nd Piano Concerto by Rach-maninov; Miskolc, Szeged, Pecs, Debrecen, Budapest 2012): “A noble elegance of Lovro Pogorelich’s interpretation, his sovereign, yet not excessive, highly individual choices of the tempo – which the orches-tra followed quite fl exibly – his natural virtuosity was rewarded by the thundering applause, and the musician, whose modesty should serve as an example to all, thanked for it with a striking Rachmaninoff ’s pre-lude. ” (A. Kovács, Eozin magazine, Pecs)The French recording company Intrada (Paris) has recognised the art of Lovro Pogorelich and, in spring 2007, it published a CD Liszt Lovro Pogorelich acclaimed by the critics, ranging from an exclamation of

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jetnost Lovre Pogorelića te je u proljeće 2007. izdala CD Liszt Lovro Pogorelić koji je izazvao divljenje kritike u rasponu od uzvika Wouah! u Francuskoj (A. Jourdain, www.pianobleu.com) do karakterizacije “... pijanist izvjesne reputacije sa zadivljujućim muzičkim argumentima...” (J. Hamada, The Record Geijutsu Disc Review, Japan) Francuski muzički kanal Mezzo snimio je doku-mentarni fi lm o nastanku ovog CD-a koji je višekratno emitiran. U prosincu 2008. Intrada izdaje novi CD Lovre Pogorelića, s djelima Musorgskog i Rahmanjinova. Pianobleu odabire ovaj CD kao CD mjeseca siječnja 2009. Hrvatski izdavač je Dancing Bear. Lovro Pogorelić izvanredni je profesor klavira na Muzičkoj aka-demiji u Zagrebu. U slobodno vrijeme osvaja planinske vrhove.

admiration Wouah! in France (A. Jourdain, www.pianobleu.com) to the following characterisation “...a pianist of unquestionable reputa-tion with fascinating musical arguments ...” (J. Hamada, The Record Geijutsu Disc Review, Japan). The French music TV channel Mezzo even produced a documentary on the recording of the said CD that has been repeatedly aired. In December 2008, Intrada published a new Lovro Pogorelich CD with the works of Mussorgsky and Rach-maninoff . Pianobleu chose this CD as the CD of the Month in Janu-ary 2009. CDs have been released in Croatia as well, by Dancing Bear record label. Lovro Pogorelich teaches piano as an Associate Professor at the Music Academy of the University of Zagreb. In his spare time he conquers mountain peaks.

foto / photo by Josip Portada

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Srdjan Bulat (Split, 1986.) jedan je od najuspješnijih klasičnih gitarista nove generacije, s najvišim nagradama na gotovo svim najvažnijim međunarodnim gitarističkim natjecanjima, među ostalim Francisco Tarrega (Benicàssim, Španjolska), Julian Arcas (Almeria, Španjolska ), Michele Pittaluga (Alessandria, Italija), Alhambra (Va-lencia, Španjolska), Gredos San Diego (Madrid), London International Guitar Competition, Fernando Sor (Rome); a osvojio je i mnoge speci-jalne nagrade za najbolje izvedbe španjolske glazbe koju redovito iz-vodi u svojim programima. Magistrirao je s najboljim ocjenama na Kraljevskoj glazbenoj aka-demiji u Londonu, u lipnju 2014. Dobio je također i prestižnu stipend-iju ABRSM-a (ocjenjivačkog odbora kraljevskih muzičkih škola Ujedin-jenog kraljevstva), kao jedini strani student generacije. U rujnu 2015. završio je svoj drugi poslijediplomski studij na Muzičkoj akademiji u Zagrebu, gdje se specijalizirao na djelima hrvatskih skladatelja za klasičnu gitaru.Održao je brojne recitale širom svijeta (London, Pariz, Rim, Madrid, Oslo, Kopenhagen, Helsinki, New York, Chicago, Toronto), isnimio dva solistička albuma – prvi za RTVE (Španjolska radio-televizija) i drugi za reprezentativnu izdavačku kuću Naxos, objavljen u rujnu 2012.

Srdjan Bulat (1986, Split, Croatia) is one of the most suc-

cessful classical guitarists of the new generation and the top

prize winner at almost all of the most important international

classical guitar competitions - Francisco Tarrega (Benicàssim,

Spain ), Julian Arcas (Almeria, Spain ), Michele Pittaluga (Ales-

sandria, Italy), Alhambra (Valencia, Spain), Gredos San Diego

(Madrid), London International Guitar Competition, Fernando

Sor (Rome), just to name a few; and has also won numerous

special awards for the best interpretation of Spanish music,

which is featured prominently in all of his recital programmes.

He has a Master of Arts degree from the Royal Academy of

Music in London, which he successfully completed, with high

distinction, in July 2014. He was also awarded the prestigious

ABRSM scholarship as the only international student of his

generation to be given this honour. In September 2015, he

completed his second postgraduate degree at the Music Acad-

emy in Zagreb, Croatia, where he specialized in classical guitar

music written by contemporary Croatian composers.

He has given many recitals around the world (London, Paris,

Rome, Madrid, Oslo, Copenhagen, Helsinki, New York, Chicago,

Toronto), and recorded two full length solo albums – his fi rst

for RTVE (Spanish National Radio Television), and his second for

the prestigious recording company Naxos, which was released

in September 2012.


S. Šulek: Tri trubadurske / The Troubadours’ Three

G. Regondi: 3. Etida u A-duru / Etude No. 3 in A major

8. Etida u G-duru / Etude No. 8 in G major

A.G. Abril: Dvije pjesme / Two Songs

F. Tárrega: Arapski capriccio / Arab Capriccio

I. Albéniz: Mallorca

J. Rodrigo: En los trigales - U poljima pšenice /

In the Wheat Fields

Ž. Brkanović: Suita Mediterana / Mediterranea Suite

F. Parać: Muzika za gitaru / Music for Guitar

Pag

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al2016

Papandopulo kvartet čine četvorica hrvatskih sakso-

fonista, svi redom diplomanti Muzičke akademije Sveučilišta

u Zagrebu, iz razreda Dragana Sremeca. Usavršavali su se na

konzervatorijima u Parizu, Amsterdamu i Beču te na semi-

narima kod uglednih svjetskih saksofonista. Tijekom raz-

doblja studiranja i kasnije bili su vrlo aktivni, među ostalim

muzičkim aktivnostima i kao New Sax Quartet, te ostvarili

zapažene serije izvedbi od 2000. nadalje.

Kvartet je nastupao na poznatim festivalima i značajnim

glazbenim manifestacijama kao što su Dubrovačke ljetne

igre, Muzički biennale Zagreb, Glazbena tribina u Opatiji,

Splitsko ljeto i Dani nove glazbe u Splitu, Echoraum u

Beču te na koncertima u Budimpešti, Zagrebu, Splitu,

Zadru i mnogim drugim gradovima. Posebnu važnost

Papandopulo kvartet pridaje promidžbi nove glazbe, oso-

bito skladbama mladih hrvatskih i inozemnih autora, pa su

tako praizveli djela M. Ivičević, F. Đurovića, M. Kranebittera,

D. Palanovića, T. Borić i drugih, a u pripremi su i daljnje praiz-

vedbe, pri čemu ne zanemaruju ni glazbu minulih stoljeća.

Sastav redovito surađuje sa Zagrebačkim kvartetom sakso-

fona i pijanistom I. Batošem. Nastupe Papandopulo kvarteta

kritika opisuje biranim riječima, kao primjerice T. Matasović

u zagrebačkom Zarezu od 11. studenoga 2010: „Zvijezde

večeri bili su članovi New Sax Quarteta, ansambla koji je vr-

hunskim glazbovanjem, ali i iznimnom posvećenošću bio

Papandopulo Quartet consists of four Croatian saxo-

phone players, all of them graduates of the Music Academy

in Zagreb in the class of professor D. Sremec. They continued

their education at Conservatoires in Paris, Amsterdam and Vi-

enna as well as at masterclasses held by the world renowned

saxophone players. During the years of education and after

the graduation, they were active, among the other musical

activities, as the New Sax Quartet and accomplished a remark-

able series of performances from the year 2000 until now.

The quartet performed on many famous festivals such as

Dubrovnik Summer Festival, Music Biennale Zagreb, Opatija

Music Festival, Split Summer Festival, New Music Festival in

Split and Echoraum in Vienna. They also held numerous con-

certs in Budapest, Zagreb, Split, Zadar and other cities. Special

attention was given to the promotion of new music and to

young Croatian and foreign composers, therefore they have

premiered pieces by M. Ivičević, F. Đurović, M. Kranebitter, D.

Palanović, T. Borić and others, while the fi rst performance of

new pieces are being prepared, without neglecting classical

music of the past centuries. The quartet cooperates regularly

with Zagreb Saxophone Quartet and the pianist I. Batoš. Per-

formances of Papandopulo Quartet have been described in

superlatives by the critics. T. Matasović wrote in the magazine

Zarez of November 11th 2010: “Stars of the evening were the

members of the New Sax Quartet, the ensemble which, with


Nikola Fabijanić, sopran saksofon/soprano saxophone

Gordan Tudor, alt saksofo/alto saxophone

Goran Jurković, tenor saksofon/tenor saxophone

Tomislav Žužak, bariton saksofon/baritone saxophone

G. Ligeti: Šest bagatela / Six Bagatelles, arr. by G. Tudor

L. Janjanin: Pid Oblackom – 6 varijacija za kvartet saksofona / 6 Variations for Saxophone Quartet

B. Papandopulo: Pet studija / Five Studies, arr. by I. Batoš

E. Bozza: Andante et Scherzo

P. Geiss: Patchwork

G. Gershwin: Rhapsody in Blue, arr.by J. van der Linden

Pag

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ono najbolje što se može dogoditi skladateljima“.

Članovi Kvarteta bave se i pedagoškim radom pa predaju

na glazbenim akademijama u Zagrebu, Sarajevu i Novom

Sadu, glazbenim školama u Zagrebu, Splitu, Jastrebarskom i

Samoboru, a djeluju i kao mentori-predavači na majstorskim

radionicama u Hrvatskoj i inozemstvu. Zajedno su pokre-

nuli Školu saksofona u Jaski, iznimno uspješan međunarodni

proljetni seminar za učenike i studente saksofona.

its superb music but also extraordinary dedication, was the

best thing that could happen to composers.”

Members of the quartet are also engaged in pedagogical work

teaching at the Music Academies in Zagreb, Sarajevo and Novi

Sad, music schools in Zagreb, Split, Jastrebarsko and Samobor,

working as mentors-teachers in master workshops in Croatia

and abroad. Together they founded the School of Saxophone

in Jaska, a highly successful international spring seminar for

saxophone students.

Pag

ArtFestiv

al2016 Filip Merčep zasjao je na glazbenoj sceni nastupom u fi na-

lu Eurovizijskog natjecanja mladih glazbenika 2010. godine

ispred bečkog Rathausa pred 45000 gledatelja uz pratnju

Simfonijskog orkestra Bečkog radija pod ravnanjem maestra

C. Meistera. Otada, Filip svojim mnogobrojnim projektima

konstantno dokazuje da je glazbenik širokog spektra interesa

i djelovanja.

Diplomirao je na Muzičkoj akademiji u Zagrebu u klasi prof.

I. Lešnika (2015.), s popratnom pohvalom Cum Laude. Još

od studentskih dana aktivno je prisutan na hrvatskoj glaz-

benoj sceni nastupajući na Dubrovačkim ljetnim igrama,

Šibenskom, Splitskom i Zadarskom ljetu, Osorskim glaz-

benim večerima, Muzičkom biennalu Zagreb. Nastupao je

sa Zagrebačkom fi lharmonijom, Simfonijskim orkestrom

HRT-a, Dubrovačkim simfonijskim orkestrom, Puhačkim

orkestrom OSRH te osvojio nagradu Ivo Vuljević Hrvatske

glazbene mladeži za najboljeg mladog glazbenika, nagradu

Zagrebačke fi lharmonije za najboljeg mladog glazbenika,

nagradu Grada Samobora, nagradnu stipendiju Yamaha za

najboljeg udaraljkaša Muzičke akademije u Zagrebu, 2. na-

gradu na natjecanju Universal Marimba Competition u Bel-

giji, 1. nagradu na Natjecanju Boris Papandopulo u Zagrebu

te diskografsku nagradu Porin u kategoriji najbolje interpre-

tacije klasične glazbe. Za interpretacije Koncerta za udaraljke

i orkestar I. Lešnika i F. Cibulke sa Zagrebačkom fi lharmoni-

jom i Koncerta za ksilofon i gudački orkestar B. Papandopula

sa Simfonijskim orkestrom HRT-a nagrađen je Rektorovom

nagradom Sveučilišta u Zagrebu i Dekanovom nagradom

Muzičke akademije u Zagrebu za aktivnu koncertnu djelat-

nost.

Kao komorni glazbenik surađivao je s J. L. Barretom, S.

Rumolino i J. Rodriguezom u projektu tango opere Maria

de Buenos Aires. S M. Leskovar, I. Bilić i S. Poljak izvodio je

Lights of the music scene spotlight shone on Filip Merčep

at Vienna Rathausplatz before 45.000 people during his per-

formance at Eurovision Young Musicians 2010 fi nals, accom-

panied by the Vienna Radio Symphony Orchestra, directed

by Mo. C. Meister. Ever since, with his numerous projects Filip

has proven a wide range of his music interest and perfor-

mance.

He graduated at the University of Zagreb Music Academy in

the class of I. Lešnik, Cum Laude (2015). Ever since his student

days, Filip has been actively present on the Croatian music

scene, performing at Dubrovnik, Šibenik, Split and Zadar

summer festivals, Osor Music Evenings, Music Biennale Za-

greb, playing solo with most of Croatian orchestras – Zagreb

Philharmonic Orchestra, Croatian RTV Symphonic Orchestra,

Dubrovnik Symphonic Orchestra, Wind Orchestra of Croatian

Armed Forces. He has won prestigious rewards such as Ivo

Vuljević – Croatian Musical Youth award for the best young

artist, Zagreb Philharmonic Best Young Artist Award by the

Zagreb Philharmonic Orchestra, City of Samobor reward,

Yamaha Scholarship Award for the best young performing

artist, 2nd Prize at Universal Marimba Competition in Bel-

gium, 1st Prize at Boris Papandopulo Competition in Zagreb,

discographic award Porin for the best interpretation of clas-

sical music. For his interpretation of Concert for percussions

and orchestra by I. Lešnik and F. Cibulka with Zagreb Philhar-

monic and Concert for Xylophone and String orchestra by B.

Papandopulo with Croatian RTV Symphony Orchestra, Filip

was awarded the Rector’s Award of the University of Zagreb

and the Zagreb Music Academy Dean’s Award for his concert

activity.

As a chamber musician, he cooperated with J. L. Barreta, S.

Rumolino and J. Rodriguez in the tango opera project A.

Maria de Buenos Aires by A. Piazzolla, and with M. Leskovar,

Filip Merčep, udaraljke/percussions

J. S. Bach: Prva suita za violončelo u G-duru / Cello Suite No. 1 in G major, BWV 1007

B. Wahlund: Hard-Boiled Capitalism and the Day Mr. Friedman Noticed Google is a Verb

I. Xenakis: Rebonds

L. Chin Cheng: Kaleidoskop / Kaleidoscope

Pag

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al2016

Pjesme Sunca S. Gubajduline, dok je sa

zborom Ruske državne kapele pod ravna-

njem V. Poljanskog sudjelovao u izvedbi

djela C. Orff a i I. Stravinskog. Nastupio je

na Festivalu sljedeće generacije (Festival

Next Generation) u Bad Ragazu (Švicarska)

i Međunarodnom festivalu Molyvos u

Grčkoj.

Član je ansambla Sudar Percussion. Snimili

su album Eat Suite s djelima M. Meštrovića,

nagrađen dvjema nagradama u programu

Nezavisnih glazbenenih nagrada (Indipen-

dent Music Awards, SAD), i Marimba kvar-

teta s eminentnom marimbisticomm K.

Myckom, koja je Filipov prvi marimbistički

uzor, a sada kolegica i mentorica. Na njenoj

Međunarodnoj marimbističkoj akademiji

Filip radi kao gostujući asistent za komor-

nu glazbu.

I. Bilić and S. Poljak performed Songs of

the Sun by S. Gubaidulina. Along with the

Russian Court Chapel Choir, directed by

V. Polyansky, he took part in the perfor-

mance of pieces by C. Orff and I. Stravin-

sky, among many other chamber projects.

He performed on the Bad Ragaz Festival of

Chamber Music in Switzerland and Moly-

vos International Music Festival in Greece.

Filip is a member of Sudar Percussion En-

semble. They recorded the Eat Suite album

with original pieces by M. Meštrović and

received two awards by USA Independent

Music Awards. He is also a member of Ma-

rimba Quartet with the eminent marimba

soloist Katarzyna Mycka, his fi rst marimba

role-model, now a colleague and mentor.

At her marimba academy Filip works as a

visiting assistant, teaching chamber music.

Pag

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al2016

Ela Vuković rođena je 8. marta 1997. godine u Zagrebu. Fotografi jom se počinje baviti početkom srednje škole te tijekom srednjoškolskog razdoblja sudjeluje u mnogim volonterskim projektima i radu ESMU Karlovy Vary (Eksperimentalna Skupina Mladih Umjetnika). Završava V. gimnaziju u Zagrebu i kao zaljubljenica u more upisuje se na studij mora Sveučilišta u Splitu. Trenutno živi u Göteborgu, gradu na Sjevernom moru, gdje se i dalje aktivno bavi fotografi jom.Održala je samostalnu izložbu fotografi ja u sklopu Noći Muzeja 2015. u Galeriji Cinkuš u Zagrebu. Tijekom 2014. sudjelovala je u skupnoj izložbi i književnom kružoku ESMU Karlovy Vary u Knjižnici Ivane Brlić Mažuranić u Zagrebu te u projektima: Tribina ALKO-HOLIZAM I MLADI, Nastavni Zavod za Javno Zdravstvo Dr. Andrija Štampar, Zagreb; Volonteri Plavog Telefona u prevenciji ovisnosti, Plavi Telefon, Zagreb.U šk.g. 2013./14. sudjelovala je u projektu Afi rmativna nastava i inovativno učenje i poučavanje u gimnazijama u okviru hrvatskog kvalifi kacijskog društva IPAQ PETA /Afi rmative and Inovative Learning and Teaching in Gymnasiums based on Croatian Qualifi cation Framework, a u 2013. u projektu Plavi menadžeri te u Fade In-ovoj radi-onici za mlade Jump Cut!, Plavi Telefon, Zagreb.

Ela Vuković was born on 8 March 1997 in Zagreb. She took up photography at the beginning of high school and participated in many volunteer projects during the high school period and in the work of ESMU Karlovy Vary (experimental group of young artists). She fi nished V. High School in Zagreb and as a lover of sea, enrolled the Marine Studies at the University of Split. She currently lives in Gothenburg, a city on the North Sea, where she is still actively engaged in photography.She held a one-woman photo exhibition as a part of the Night of Museums 2015 in Cinkuš Gallery in Zagreb. In 2014, she participated in a group exhibition and a lit-erary circle ESMU Karlovy Vary in Ivana Brlić Mažuranić Library in Zagreb and in the projects: Panel ALCOHOLISM AND THE YOUNG, Andrija Štampar Teaching Institute of Public Health, Zagreb; Volunteers of Blue Phone in addictions prevention, Blue Phone, Zagreb.In the school year of 2013/2014, she participated in the project Affi rmative and In-novative Learning and Teaching in High Schools based on the Croatian Qualifi cation Framework IPAQ PETA, and in 2013 in the project Blue Managers and in Fade In’s work-shop for the young Jump Cut!, Blue Phone, Zagreb.

Ela Vuković, Ritam tonova / Rhythm of the Tones, fotografi je / photos

Serija fotografi ja Ritam tonova inspirirana je detaljima prirode otoka Paga. Svaki otok, kao cjelina odvojena od ostatka kontinenta, ima poseban način funkcioniranja i svojstvena obilježja. Dugogodišnjim šetnjama otkrivala sam raznolikost motiva krajolika. Otok Pag poznat je po ovčjem siru, soli i čipki, što uvijek može pobuditi različite fantazije o trajanju nečega unatoč prolaznosti vremena. Svaki kadar motiviran je nečime što nije ostvarilo bezvremensku vrijednost poput sira, soli i čipke, ali čini svakodnevicu otoka, a detalji na fotografi jama isječci su mojih doživljaja mješavine boje i zvuka u određenom momentu. Za mene Pag nikada nije bio samo sličica zalaska sunca s razgled-nica, već život u punom njegovom značenju pri čemu je bilo divno zadržati meni lijepe trenutke u kojima se u mašti miješaju prošlost i sadašnjost, zvu-kovi i boje, i podijeliti ih s drugima.

The series of photographs Rhythm of tones was inspired by details from the nature of the island of Pag. Every island, as an entity separated from the rest of the continent, has a special way of functioning and inherent characteristics. During my many years of walking around the island, I discovered the diversity of the landscape motifs. The island of Pag is famous for its goat cheese, salt and lace, which can always evoke diff erent phantasies about the length of something despite the fl eetingness of time. Each shot was motivated by something that has not achieved its timeless value such as cheese, salt and lace, but which makes everyday life of the island, while the details in the photographs are the segments of me experiencing the mixture of colour and sound at a certain moment. For me Pag has never been only a picture of the sunset from postcards, but life in its full meaning, which is why it was wonderful to keep moments that I fi nd beautiful in which the past and present, sounds and colours are mixed in imagination, and share them with others.

Pag

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al2016

Nakon studija na Konzervatoriju Darius Milhaud u Aix-en-

Provence, kod J. Courtin i B. Flavignyja, Michel Bourdoncle

primljen je na pariški Nacionalni konzervatorij za glazbu i ples

gdje je studirao kod G. Joy, J. Hubeaua, C. Ivaldija and D. Mer-

leta. U Francuskoj je radio i s C. Roqué Alsina, A. Neumanom i

E. Malininom.

1984. osvojio je Prvu nagradu na Međunarodnom klavirskom

natjecanju Acanthes kojem je predsjedao I. Xenakis. 1986. je

dobio stipendiju koja mu je omogućila studij na moskovskom

Konzervatoriju Čajkovski gdje je dobio dobre savjete od H.

Mirvis, S. Alumian, M. Voskresenjski i L. Naumova. Iste godine

postaje laureat I Međunarodnog klavirskog natjecanja F. Liszt

u Utrechtu.

Michel Bourdoncle razvija aktivnu koncertnu karijeru te re-

dovito nastupa u prestižnim dvoranama širom svijeta: Carn-

egie Hall New York, Sala São Paulo, Teatro Municipal Rio de

Janeiro, Velika dvorana moskovskog Konzervatorija Čajkovski,

Palača Aničkov St. Petersburg, Sala Verdi Milano, Weinbrenner

Saal Baden-Baden, Teatro Real Madrid, Salle Gaveau i Théâtre

du Châtelet Pariz, Toursky Theatre Marseille, Corum Montpel-

lier, Salle Paderewsky Lausanne, Velika dvorana Kraljevskog

konzervatorija Brussels, Ljubljanski dvorac, Filharmonijski teatar

Odesa, Dvorana Filharmonije Kišinjev, Dvorana Radija Bukurešt,

Dvorana Smetana Prag, Suntory Hall Tokio, Poly Theatre Peking,

Teatar Šangaj, Mahidol University Bangkok, Teatar Hanoi ...

Svirao je s G. Joy, L. Timofejevom, S. Chen, C. Anghelescu,

M. Piketty, C. Perrin, E. Friedmanom, F. Ionescu-Galatijem, P.

Hommageom, F. Duroyem, O. Charlierom, M. Peskanovim, J.

Bašmetom i Moskovskim solistima, K. Rodinom, S. Katesom, D.

de Williencourtom, F. Lagardeom, Ph. Cuperom, G. Sobrinom,

J.-M. Boissièreom, A. Wallezom, D. Thai Sonom, K. Lifschitzom, J.

Rouvierom, G. Pludermacheron. Nastupao je također s kvarteti-

ma Via Nova, Manfred, Élysée, Johannes, Transilvanien, Camer-

After having studied at the Darius Milhaud Conservatory

of Aix-en-Provence with J. Courtin and B. Flavigny, Michel

Bourdoncle was admitted to the National Superior Conser-

vatory of Paris for Music and Dance where he took classes with

G. Joy, J. Hubeau, C. Ivaldi and D. Merlet. In France he has also

worked with C. Roqué Alsina, A. Neuman and E. Malinin.

In 1984 he won the First Prize in the Acanthes International Piano

Competition presided over by I. Xenakis. In 1986 a scholarship

allowed him to study at the Moscow Tchaikovsky Conservatory

where he got some good advice from H. Mirvis, S. Alumian, M.

Vosskressensky and L. Naumov. The same year he won a prize in

the First F. Liszt Piano Competition in Utrecht.

Michel Bourdoncle has had an active concert career and regular-

ly performs at top venues all over the world: Carnegie Hall New

York, Sala São Paulo, Teatro Municipal Rio de Janeiro, Great Hall

of Moscow Tchaikovsky Conservatory, Anichkov Palace St. Peters-

burg, Sala Verdi Milan, Weinbrenner Saal Baden-Baden, Teatro

Real Madrid, Salle Gaveau and Théâtre du Châtelet Paris, Toursky

Theatre Marseille, Montpellier’s Corum, Salle Paderewsky Laus-

anne, Grande Salle of the Royal Conservatory of Brussels, the Lju-

bljana Castle, the Philharmonic Theatre of Odessa, the Chisinau

Philharmonic, the Bucharest Radio, Smetana Hall Prague, Suntory

Hall Tokyo, Beijing Poly Theatre, Shanghai Grand Theatre, Mahidol

University Bangkok, Hanoi Grand Theatre...

Michel Bourdoncle has performed with: G. Joy, L. Timofeveyeva,

S. Chen, C. Anghelescu, M. Piketty, C. Perrin, E. Friedman, F. Io-

nescu-Galati, P. Hommage, F. Duroy, O. Charlier, M. Peskanov, J.

Bashmet and Moscow Soloists, K. Rodin, S. Kates, D. de Willien-

court, F. Lagarde, Ph. Cuper, G. Sobrin, J.-M. Boissière, A. Wallez, D.

Thai Son, K. Lifschitz, J. Rouvier, G. Pludermacher. He has also per-

formed with the following quartets: Via Nova, Manfred, Élysée,

Johannes, Transilvanien, Camerata de Varsovie, Archimède, Ama-

zonien, Debussy... Works by many composers were dedicated to

Michel Bourdoncle, klavir/piano

J. S. Bach-J. Brahms: Ciaconna u d-molu za lijevu ruku / Ciaconna in D minor for the left hand, BWV 1016

F. Liszt: Vallée d’Obermann – Dolina Obermann / Obermann’s Valley

L. van Beethoven: 8. Klavirska sonata u c-molu / Piano Sonata No. 8 in C minor, Op. 13

S. Prokofj ev: 7. Klavirska sonata u B-duru / Piano Sonata No. 7 in B-fl at major, Op. 83

Pag

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al2016

ata de Varsovie, Archimède, Amazonien, Debussy... Posvećena

su mu mnoga djela uključujući skladatelje C. R. Alsina, N. Bacri,

T. Patrice Challulau... Snimao je za Doron Music, Ems Master

Sound, Naxos Marco Polo, 3D Classics.

Od 1981. do 1991. radio je kao korepetitor na pariškom Nacio-

nalnom konervatoriju. Podučavao je također klavir na Nacio-

nalnom konzervatoriju Lyona, i komornu glazbu na regional-

nom Konzervatoriju Marseillea.

Od 1987. predaje klavir na Konzervatoriju Darius Milhaud u Aix-

en-Provence. Organizirao je master classeve u mnogim zemlja-

ma i nastupao je u raznim radijskim i TV emisijama. Utemeljitelj

je i umjetnički direktor Festivala, Akademije i Međunarodnog

natjecanja Les Nuits Pianistiques (Pijanističke večeri) u Aix-en-

Provenceu.

him, including C. R. Alsina, N. Bacri, T. Patrice Challulau... He has

recordings with Doron Music, Ems Master Sound, Naxos Marco

Polo, 3D Classics.

From 1981 until 1991 Michel Bourdoncle has worked as an ac-

companist for the National Superior Conservatory of Paris for

Music and Dance. He also taught piano at the National Superior

Conservatory of Lyon for Music and Dance, and chamber music

at the regional Conservatory of Marseille.

Since 1987, he has been teaching piano at the Darius Milhaud

Conservatory of Aix-en-Provence. He has organized master class-

es in numerous countries and has been featured on various radio

and TV shows. He is the founder and the artistic director of the

Festival, the Academy and the International Competition Les Nu-

its Pianistiques (The Pianistic Nights) in Aix-en-Provence.

Pag

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PagArtFestival podržali/PagArtFestival was supported by:

zahvaljujemo/thanks to:gospodinu Željku Maržiću, gradonačelniku Paga i Gradskom vijeću Paga na prihvaćanju Festivala/

Mr. Željko Maržić, Mayor of Pag and Pag Municipal Authority for approving the Festival

gospodinu Anti Dabu, gradonačelniku Novalje i gospodinu Šimi Gligori, načelniku Kolana, na proširenju Festivala/

Mr. Ante Dabo, Mayor of Novalja, and Mr. Šime Gligora, Mayor of Kolan, for extending the Festival

Turističkom centru Paga i poduzeću PagII na pomoći/ Pag Tourist Centre and PagII enterprise for assistance

zahvaljujemo na gostoprimstvu i suradnji/thanks for welcoming and cooperation to:don Gašparu Dodiću i župnom uredu Paga/don Gašpar Dodić and Pag Parish Offi ce,

velečasnom Josipu Kosiću i župnom uredu Novalje/Reverend Josip Kosić and Novalja Parish Offi ce,

ocu Josipu Galiću i župnom uredu Kolana/Father Josip Galić and Kolan Parish Offi ce

posebno zahvaljujemo/special thanks to:građanima i turistima otoka Paga na odazivu/citizens and visitors of the Island of Pag for attending the performances,

pokojnom gospodinu Josipu Vičeviću na inicijativi i Društvu Pažana i prijatelja Paga u Zagrebu na pokretanju Festivala/

late Mr. Josip Vičević for his initiative and the Zagreb-based Association of Residents and Friends of Pag for launching the Festival,

svim ljudima dobre volje koji su na bilo koji način pomogli u realizaciji naših programa/

all the people of good will that have somehow contributed in the realization of our programs

pomoćnik umjetničkog ravnatelja/Assistant Artistic Director: Krešimir Bedek

produkcija, marketing, organizacija i odnosi s javnošću/Production, Organization, Marketing and Public Relations: Nina Pogorelić

pomoćnica/Assistant: Ana Pogorelić

fotografi je na ovitcima /cover and back page photo by Josip Portada

translation proofreading/: Iva Špoljar Šarić

Festival zadržava pravo promjene programa/Festival reserves the right to modify the program

Umjetnička organizacija/Artistic Association “Lovro&Nina”, Zagreb, Mesnička 24, HR

Zadarska županija/Zadar County,

Turistička zajednica Kolana, Turistička zajednica Paga / Kolan Tourist Board, Pag Tourist Board

Općina Kolan/Kolan District

Arburoža d.o.o., Komunalno poduzeće Pag, Čistoća i održavanje Kolan,

Solana Pag, Pag91, Maricom Tourist Service, Restoran Dubrava, Hotel&Restaurant Tamaris iz Paga/from Pag,

Mandis d.o.o., Vina Jakob i Digitalprint iz Zagreba/from Zagreb

Pag

ArtFestiv

al2016

PAF katalog 2016 - lovropogorelich.net

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Transcript of PAF katalog 2016 - lovropogorelich.net