Overture - InterNemesis

1The Intergalactic Nemesis | Overture Center

A TOMCAT Products Outside the Box Series Event

The Intergalactic NemesisLive-Action Graphic Novel

Book One: Target Earth

Written and Directed byJason Neulander

Adapted from the stage play by Based on an original idea by Jason Neulander and Chad Nichols Ray Patrick Colgan

Adapted from the radio drama by Ray Patrick Colgan, Jessica Reisman, Julia Edwards and Lisa D’Amour

Comic-Book Artwork by Color Art by Production Designed by Tim Doyle Paul Hanley and Lee Duhig Jason Neulander

Sound Effects Created by Original Music Composed by Buzz Moran Graham Reynolds

Sound Engineering by Company Manager Agustin Frederic Jessie Douglas

FRI, NOV 4, 2011 | Overture Hall

Bottled water and beverages in Overture Refillable Souvenir Cups are allowed in the theater during select performances. Purchase a souvenir cup for $3 plus the cost of your drink at any of the concession locations in the lobby, and bring it back next time.

This program is part of Overture’s Take 10 Series for students and educators. Funding for Take 10 is provided by contributors to the Ovation Fund. Learn how you can be part of supporting Overture’s community and education programs at overturecenter.com/contribute.

This program is part of Overture’s Community Ticket Program. Funding for the Community Ticket Program is provided by American Girl’s Fund for Children, a grant from the Wisconsin Arts Board with funds from the State of Wisconsin and the National Endowment for the Arts, and by Overture Center Foundation contributors. Learn how you can help make arts experi-ences real for hundreds of thousands of people in the greater Madison area at overturecenter.com/contribute.

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CAST in order of appearance

Danu Uribe ....................................................... Molly Sloan, Bird, Lead Hive Voice, Aughy, Claire, Queen of Zygon

David Higgins .................................Timmy Mendez, Assassin, Jeeves, Shopkeeper Clint, X-7, Silcron, Zygonian guard, Little Girl

Christopher Lee Gibson .................................................. Vlad, Ben Wilcott, Driver, Mysterion the Magnificent, Lord Crawford, Thug, Omar,

Jean-Pierre Desperois, Elbee-Dee-Oh

Keyboardist ................................................................................ Kenneth Redding, Jr.Foley artist understudy ................................................................................Cami Alys

There will be a 15-minute intermission.

Comic-Books, sound-effects gadgets, posters, shirts, and Zygonian Slime available in the lobby at intermission and after the performance.

The cast will be signing books after the show.

This production received its world premiere at the Long Center for the Performing Arts in Austin, Texas.

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© 2008, Joan Marcus

An SVA Music Celebrations Series Event

FRI, MAR 2, 8 pmTickets Starting at $29

Overture Hall

RainA Tribute to the Beatles It’s “the next best thing to seeing The Beatles!” (Associated Press). They’ve mastered every song, gesture and nuance of the legendary foursome!

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4 Overture Center | The Intergalactic Nemesis

WHO’S WHO IN THE CAST AND CREW

JESSIE DOUGLAS (Company Manager) is thrilled to be making her touring debut. Her past credits include: ZACH Theater Austin, TX: Stage Manager Red Hot Patriot: the kick ass wit of Molly Ivins, Assistant Stage Manager for August Osage County, Our Town and Hairspray. Assistant Stage Manager and ensemble cast member for Rent. Jessie spent a year in Juneau, Alaska working for Perseverance Theatre as the Company/Stage Management Fellow. Other Credits: Stage Manager for Barefoot in the Park at Unity Theater located in Brenham, Texas; Proof, produced by Thunder Mountain Theater Project in Juneau, Alaska. She is a graduate from Texas State University, San Marcos, where she earned her B.A. in Theater with a Business minor.

TIM DOYLE (Artwork) is an illustrator and print-maker working out of Austin, Texas. Growing up in the suburban sprawl of the Dallas area, he turned inward and sullen, only finding joy in comic-books and television and video games. Moving to Austin, Texas in 1999 to fulfill a life-long dream of not living in Dallas, Doyle begun painting and showing in galleries in 2001. He self-published a diary zine, Amazing Adult Fantasy from 2001-2003. Doyle has held many nerd-friendly jobs, including running a small chain of comic-book stores, as well as designing t-shirts and art-directing the poster series for the Alamo Drafthouse Cinema. Doyle left ‘jobs’ behind and launched his company Nakatomi Inc in January of 2009. In the Summer of 2009, Tim Doyle along with artist Clint Wilson built their own screen printing studio, Nakatomi Print

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Are you a silent film aficionado? Does the sound of the Capitol Theater’s Barton Organ signal the beginning of a fabulous evening of Duck Soup Cinema for you? Then join Overture’s Duck Soup Cinema Club, and help keep this community program healthy and affordable for all!

Learn about the benefits of membership and make your donation online at overturecenter.com/contribute. You’ll have even more fun with Duck Soup and can take pride knowing that your generosity is part of how it all happens.

DON’T STAY

SILENT ABOUT YOUR LOVE

OF SILENT FILMS!

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TUE, JAN 24–SUN, JAN 29Tickets Starting at $40 | Overture Hall

Blue Man Group will thrill Madison with its high octanetheatrical experience. Escape the ordinary and surround yourself in an explosion of comedy, music and technology. If you’ve never seen Blue Man Group, it’s a must-see. If you’re already a fan, don’t miss it.



Labs, which they and other artists work out of. Since then, he has produced art for companies such as ABC/Disney’s Lost Poster project, Mattel’s He-Man art show in LA, has had artwork used by Lucasfilm/ILM, Hasbro, IDW, among others. Doyle lives and works in Austin, Texas.

AGUSTIN FREDERIC (Technical Director / FOH Engineer) is an artist and musician born in San Jose, Costa Rica, whose craft also includes composing and arranging, theatre, recording, live sound, music pedagogy, and instrument technician. As a live sound engineer in NYC, Agustin has worked with artists including Trey Anastasio, My Chemical Romance, Fionna Apple, and LL Cool J; and in Austin, with George Clinton & the Parliament Funkadelic, Neil Young, Santana and Broadway

Across America. Agustin has also had the pleasure of working with the Old Settler’s Music Fest, SXSW, The Paramount, The Bass Concert Hall at UT, The Long Center for the Performing Arts and The Erwin Center. His affiliation with production companies, studios, theaters, and clubs include: Sounds of Brazil, Rocket Studios, the French Institute: Alliance Francaise, Tribeca PAC, Nomad Sound and ACL Live Studios. Agustin’s teaching and composing experience includes: ASU, Wake Forest, UCF (BA Education & Social Behavioral Sciences), Winter Park HS, Trinity HS and Thoroughbred/Sam Ash in Florida. In addition, he is the percussion instructor at the Austin Waldorf School. Performance credits include: youth orchestra in New Orleans, Hendersonville Orchestra and North Carolina Symphony,

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Duck Soup CinemaSAT, MAR 17, 2 & 7 pm*

$7 for adults, $3 for kids 12 and under

*7 pm performance sign language interpreted

The Kid Brotherstarring Harold Lloyd There’s nothing quiet about this classic silent film series! Each movie features live music performed by a talented organist on the Grand Barton Organ.



Madison Scouts Drum & Bugle Corps, Walt Disney World, Heronymus, John Neilson, La Putain Avec Les Fleurs and several bands in New York City and Austin. Agustin is performing and touring nationally on drums and percussion with Jessie Torrisi & the Please, Please Me.

OLIVER FREEMAN (Assistant Company Manager) was born and raised in Northern Virginia. Due to his father’s opera career he started working in theatre at the age of fifteen. Oliver attended The Evergreen State College where he received a B.A. in Liberal Arts with an emphasis in Film, Theatre, and Humanities. Graduating in 2006, he began working as a stagehand in the Washington D.C. metropolitan area on operas, plays, rock concerts and corporate events. Along with working as a stagehand, Oliver started a small music production company called RauchenWolf Productions, where he produces, records and promotes artists. Hoping to find more opportunities in the entertainment world Oliver moved to Austin, Texas in the spring of 2011.

CHRISTOPHER LEE GIBSON (Ben Willcot, Mysterion, Jean-Pierre, et.al) Graduate, American Musical and Dramatic Academy (1990). Actor for several producing companies in Tampa, FL; The Loft Theatre, The Tampa Players, American Stage Theatre, The Off-Center Theatre, B.O.B. (theatrical palindrome) and The Hillsborough Moving Company. Producer of the Orlando International Fringe Festival (2001-2004). Production Manager at Orlando’s Mad Cow Theatre (2005). Actor for Mad Cow and The Orlando Shakespeare Theatre. Actor for The Austin Playhouse, Zach Scott Theatre, Salvage Vanguard Theatre, and The Da! Theatre Collective.

DAVID HIGGINS (Timmy Mendez, et al.) is proud to be returning to The Intergalactic Nemesis after a three year hiatus while living and working in New York. As a theatrical lighting technician and master electrician, GATZ, Bloody Bloody Andrew Jackson, Road Show and the Under the Radar Festival at the Joseph Papp Public Theater. Vaudeville Vanya, Spurt and Rainbow Family of the Serendipitous Now with St. Idiot Collective in Austin, TX. Man For All Seasons at the Austin Playhouse. Lemonade Tous Les Jour at Zachary Scott Theater, Austin, TX. BA from St. Edwards University.

BUZZ MORAN (Sound Effects Designer) has been performing live sound effects for The Intergalactic Nemesis since the first production in 1996. Since then he has worked steadily as a sound designer for theater productions, and as a recording engineer. Buzz is responsible for Foleyvision in Austin, TX, wherein odd foreign films receive new music, voices, and sound effects performed live in the theater. Also in Austin, Moran helps run The Dionysium, a monthly show featuring lectures, drinking, and debates. He has recorded, mixed, and produced several cds, as well as various soundtracks with Graham Reynolds. Buzz recently worked as Music Editor for the upcoming film Bernie, starring Jack Black.

JASON NEULANDER (Writer, Director, Producer) was the founder and Artistic Director of Salvage Vanguard Theater from 1994 to 2008. During his tenure there, he directed and produced more than fifty world premiere plays, musicals, and operas. The Austin American-Statesman has said of him: “Neulander aims to change the world …. Unlike most of his artistic compatriots, he is winning.” In 2004, 2005 and 2007 he was voted Best Theatre Director in the Austin



Chronicle Best of Austin readers’ polls. His directing work has been staged at Salvage Vanguard Theater in Austin; The Playwrights’ Center in Minneapolis; Portland Center Stage; The Guthrie; The Public Theater, among others. His current project, The Intergalactic Nemesis Live-Action Graphic Novel, Book One: Target Earth received its world premiere at the Long Center for the Performing Arts in Austin, Texas, in 2010 to rave reviews and is touring to 31 venues around the world in the 2011-12 season. The comic-book version of Nemesis is available for sale in the lobby after this performance. Book Two: Robot Planet Rising will premiere in Austin, Texas, on June 8, 2012.

KENNETH REDDING, JR. (Keyboardist) resides in San Antonio, Texas, where he regularly performs as a pianist, vocalist and bassist. He studied Contemporary Writing and Production at the Berklee College of Music. Kenny composes music for television, film, jazz ensembles and orchestra. This is his first tour with The Intergalactic Nemesis.

GRAHAM REYNOLDS (Composer) creates, performs, and records music for film, theater, dance, rock clubs and concert halls with collaborators ranging from Richard Linklater to DJ Spooky to the Austin Symphony Orchestra. As Golden Arm Trio, he’s released four critically-acclaimed CDs and performed throughout the United States and Europe. As Co-Artistic Director of Golden Hornet Project with Peter Stopschinski, he has produced more than 50 concerts of world-premier alt-classical music. His music has been heard throughout the world on TV, in films and on radio, from HBO to the Cannes Film Festival to the BBC and NPR. His score for A Scanner Darkly, featuring Robert Downey Jr., was

named the #1 Best Soundtrack of the Decade by Cinema Retro magazine and he recently finished scoring the Jack Black/Shirley MacLaine feature Bernie. In January, Reynolds released The Difference Engine: A Triple Concerto and DUKE! Three Portraits of Ellington on Innova Records with distribution by Naxos, the world’s biggest classical label. More at grahamreynolds.com

DANU URIBE (Molly Sloan, Aughy, Queen of Zygon) performs with the multimedia sketch comedy troupe, The Latino Comedy Project. With the group, she was nominated for a daytime Emmy award for her acting and writing contributions to a promotional campaign for MTV Tr3s. Danu played opposite Martin Sheen, along with Michael York and Kristen Bell in the award-winning, animated film, Flatland: The Movie based on the 1884 science fiction novella. She earned her B.A. in Drama from Texas Woman’s University, where she starred in The Search for Signs of Intelligent Life in the Universe, Spanish dramatist Frederico Garcia Lorca’s Blood Wedding (as the bride), and as Maria in Shakespeare’s Twelfth Night. Danu’s musical theatre credits also include Dorothy in The Wizard of Oz and Dorothy Parker in Red, Hot & Cole. Offstage, Danu regularly appears on-camera and provides voice-overs for numerous commercial, industrial and educational projects. She’s takes pride in having created over one-hundred unique characters for educational software curriculums used by students all over the United States. In her spare time, she performs improvisational comedy at The New Movement Theater. She thanks her family and her extended families at the Paramount Theatre and The New Movement Theaters in Austin, Texas for their unending love and support.

9The Intergalactic Nemesis | Overture CenterOVERTURECENTER.COM

TUE, MAY 1–SUN, MAY 6Tickets Starting at $40 | Overture Hall

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Overture Center for the Arts would like to recognize our 2011/12 Community Partners and thank them for all they do to support Madison’s thriving arts community.

LegACy SPOnSOrS

PLAtinuM COMMunity PArtnerSAmerican girl’s Fund for Children

SiLver COMMunity PArtnerSAmerican Family insurance

Bell LaboratoriesFood Fight, inc.

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tOMCAt Products

BrOnze COMMunity PArtnerSState Bank of Cross Plains

COMMunity PArtnerSthe Bruce Company of Wisconsin

CunA Mutual groupgoodman’s Jewelers

Hovde PropertiesJ.H. Findorff & Son inc.

Mge FoundationMullins group

Murphy Desmond S.C.Pepsi Cola of Madison

Steve Brown ApartmentsWhyte Hirschboeck Dudek S.C.

*List current as of August 5, 2011

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ORDERING & INFORMATIONOrder online! overturecenter.com Phone orders: Call 608.258.4141 Mail or fax: online order form at overture-center.com or in our magazine.Buy in person: Visit the ticket office located on the main floor just off the Rotunda Lobby. Ticket office hours: Mon–Fri, 11 am–5:30 pm; Sat, 11 am–2 pm; open additional hours evenings and Sundays on days of ticketed performances.Group orders: Groups of 15 or more receive a discount on most performances. Call 608.258.4159 to make reservations.Visit overturecenter.com: For a calendar of events, links to artists’ websites, video, audio, directions, parking and much more.

PATRON SERVICES & POLICIESAccessibility: Request accommodations when ordering your tickets. Call 608.258.4144 for information, questions, or to request the following:n wheelchair-accessible seatingn house wheelchair for transportn sign language interpretationn Braille playbilln other accommodationsInformation is also available at overturecenter.com/tickets/accessibilityChildren and lap seating: Every person, regardless of age, must have a ticket to enter the theaters for performances. Children un-der the age of 6 are not permitted at certain performances. See our season brochure, visit our website or call the Help Line at 608.258.4143 for information.Contacting a patron during a performance: Call 608.258.4179 with the performance the patron is attending and his/her row and seat number.

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EtiquettePlease turn off all paging devices, cell phones and watch alarms.Smoking is prohibited in Overture.The use of cameras or tape recorders in the theaters is prohibited without written permis-sion from Overture Center and the performing company’s management. Food, large bags and other large items are not permitted in the theaters. Bottled water and beverages in Overture Refillable Souvenir Cups are allowed in the theaters at select shows.In consideration of audience members with scent sensitivities and allergies, please use perfumes, aftershaves and other fragrances in moderation.Event StaffStagehand services in Overture are provided by members of Local 251 of the International Alliance of Theatrical Stage Employees.Volunteer usher and other services for Overture are provided by Overture Friends. For information, visit overturecenter.com/contribute/volunteer or call 608.258.4177.

RESIDENT ORGANIZATIONSBach Dancing & Dynamite Societybachdancinganddynamite.org | 608.255.9866Children’s Theater of Madisonctmtheater.org | 608.255.2080Kanopy Dance Companykanopydance.org | 608.255.2211Li Chiao-Ping Dancelichiaopingdance.org | 608.835.6590Madison Balletmadisonballet.org | 608.278.7990Madison Operamadisonopera.org |608.238.8085Madison Symphony Orchestramadisonsymphony.org | 608.257.3734Wisconsin Academy’s James Watrous Gallerywisconsinacademy.org | 608.265.2500Wisconsin Chamber Orchestrawcoconcerts.org | 608.257.0638

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Overture - InterNemesis

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