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As recorded by OVERKILL on MEGAFORCE Records

Managemen t: Loud & Proud ManagementTranscribed by Carl Culpepper

Edited by Jeff Jacobson and Jon ChappellMusic Engraving by W.R. Music

Production Manager: Daniel RosenbaumArt Direct ion . Ailsa Hill

Admin istration : Monica CartonDirector of Music: Mark Phillips

Photography by Frank White and Jeff 712" Tisman

ISBN: 0-89524 -553-1

Copyright © 1990 Cherry Lane Music Company. Inc.International Copyr ight Secured All Rights Reserved

MIIt~-rH~ 7tARr or:- D£~AY

INTRODUCTION

"Speed Metal" had become an established musical form by the late 1980's. What hadstarted as a small but potent radical departure from the norm, an alternative to the flood ofshallow glam bands, pop-oriented designer rock groups and dinosaur metal revivals, hasgrown into a movement. It is a movement with a tradition (its roots in the late-70's NewWave of British Heavy Metal and hardcore punk music) and an identifiable, unifying sound.It currently flaunts numerous serious practitioners lnside the genre; we now have manynew entries yearly, compared to the tenacious handful of the early 1980's (Metallica, An­thrax, Megadeth, Slayer). There is a method to what some perceive as the madness withinthe artform. It is about energy and expression. It has a harmonic and melodic language; ithas definite rhythmical, arrangemental and orchestral procedures. The lyrics and relatedsymbolic imagery deal overtly, sometimes disturbingly, with relevant social, political andglobal issues, not with boy-meets-girllove stories nor with bar-crawling machismo. It isrebellious, often painfully self-abnegating, a new voice in the wilderness of social decayand complacency. It demands to be heard .

One of the voices demanding to be heard these days is Overkill. On their 1989 release,The Years of Decay, they get right down to the business of living up to their name. Asexpected, the characteristic elements of modern speed metal are well represented. Unbe­lievably crunchy rhythm guitar grooves and riffs are abundant and insist on shaking thewalls throughout. The rhythm section promises to level you with unwieldly accents andbreaks, sfasmodic meter and feel changes taken at ridiculous breakneck tempos (often inexcess 0 J=200). The lead guitar soloing is absolutely blistering---defying accurate tran­scription with the myriad of fast picked passages, quirky melodic content, exaggeratedwhammy bar abuse and numerous physical and processor-generated effects as musicalevents. Harmonically and melodically, it is unmistakable-references to tritone and chro-

2

matic chord harmony lurk throughout the dense arrangements; odd scales and modes taketheir place along-side time-honored blues, pentatonic and diatonic sounds as viable me­lodic sources.

The guitarorchestration in The Years of Decay is noteworthy. Consider the effective useof acoustic and electric timbres to create a colo rful and dramatic environment in the titletrack, or the exploration of clean and distorted electric guitar tones in "Who Tends the Fire."The intra to "E.vil N.ever D.ies" is a truly orchestral moment, with the volume-swelledsounds (enhanced by wet reverb and delay processing) of multiple overdubbed guitarscreating a quasi string-section impression of violins, violas and cellos. Of course, overdub­bed, heavily distorted guitars in unison riffs, ensemble chord figures and various harmo­nized lines are everywhere in the music, lending an unearthly thickness to the proceedings.

Rhythmic complexity is found throughout The Years of Decay. Check out the shifting ofmeter during the quttar solo of "Evi! N.ever D.ies." There are bars of 4/4, 5/4, 3/4 and 2/4within the section, which is challengi ng in its tempo alone : ..I =216. Or check out the mul­tiple tempo changes in "The Years of Decay," "Who tends the Fire," "Birth of Tension" and"Elimination." "Nothing To Die For" is distinguished by feel changes as well as tempo andmeter changes. Besides the general tempo move from) =200 (intro, verse and chorus) toJ=220 (interlude), there is an intriguing fluctuation of triplet feel to straight-eighth feel in thesolo (Guitarsolo II). -

Dissonance and unusual melodic and harmonic devices are par for the course in modernspeed metal. Overkill's music is no exception. Consider the prevalent use of tritone (flatfive) dissonances in riff construction in "Who Tends the Fire" (Rhy. Figs. 1A and 1B), "BirthofTension" (Rhy. Fig. 4), "E.vil N.ever D.ies" (Rhy. Fig. 5) or "Skullkrusher (Rhy. Fig. 2).Chromaticism is employed in countless forms, often in conjunction with modal harmony asin "Birth of Tension." Here, the intro uses both conventional E Phrygian mode changesand chromaticism from the harmonic minor scale in A (G#) as well as the E blues scale(A#).

Like many of the thrash bands of today, the music has its roots in classic heavy metal ofthe 70's (Black Sabbath, Judas Priest and Iron Maiden) yet it is fused to distinctly modernelements. The initial lumbering 0=60), dinosaur groove of "Skullkrusher" (intro, verse,chorus) grinds inexorably forward like the most unstoppable Sabbath riff (it's even tuneddown two steps for good measure). This is contrasted sharply by the very contemporaryspeed-metal attitude in tempo (J=216) and delivery of the bridge (Rhy. Fig. 6) and guitarsolo. In the solo, two guitars (Gtrs. II and III) solo against each other in free-form poly­phonic improvisation while Gtr . 1 holds down first an E5 power chord pad and then lays outaltogether, heightening the effect of the two-guitar texture. Another example is the obviousmutation of the notorious heavy metal"gallop" (In or n..,), associated with Iron Maidenand 70's metal in general, in "Who Tends the Fire" (Rhy. Fig. 2). Like the staple figure fromwhich it sprang , it receives an appropriately thick, palm-muted attack and a very staccato,accented articulation and phrasinq.

The dictionary defines "overkill" as "nuclear destructive capacity exceeding the amountneeded to destroy an enemy ... excessive killing." That'll do. In the final reckoning, Over­kill is equal to the task. With their arsenal of heavy metal forces and the sheer power oftheir high decibel, high velocity, high energy musical assault, they pack the wallop neededfor ultimate annihilation. They are, indeed, equipped for excessive killing-leaving anaudience devastated and begging for more. Then, they turn it up....

- Wolf Marshall

3

CONTENTS

I

51220263344516170

79

· ] 'jIJJC To Kill· . . . . . . . . . . . . . . . . . . . . . . . .. . .. . . . . . . . . . . . . .. .. . . . . . . . . . . . . . . . . . . . . . . . E1UTI/natloll. .. . .. .. . . ..... . . . . . . ... . . . .. . . .. . . . .. . . . . . ... . .. .. . . . . .... . .. . . . . . . . . . .. I Hate

Nothing To Die For· . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Playing with Spiders/Skullkrusher· Birth of Tension. .. . . . .. . . . ... . .. . . . . . .. ... .. . .... . .... . . . ... .. ... .. .. . . . .... Who Tends tile Fire· The Years of Decay· E. vil N. ever D.ies

...... ... . . .. . . .. . . . .. . . . .. . . . .. .. . . . ... . .. . ... . . . . . . . . . . .. Tablature Explanation

CHE RRY LANE MUSIC THE PRINT COMPANY

EXECUTIVE: Mich ael Le ffel1s, President Ka th leen A Mal oney , Dir ector o f Ad , ertis ing andPromotion, Len Handler, Creative Servrces Man ager; Mo nica Carton , Comracts Adm inist rato r;Kar en Carey, D rvrsion Secretary, Donna Friedman. Execul"8 Secretary.MUSIC ' Mark Pbrlhps, o .recror of Music: .Jon Cil app eli. Associate Dir ecto r of MUSlC, Jefl JacobsonMu,.c Edi tor; Steve Goreobe rq . Mu src Editor.ART: A lrSB Hrll, An OlfSCIOr, KersHn Falrbend, Ass istan t Art Dir ectorPRODUCTION: Daniel Rosenbaum, Production Manager, Belt y Chasen , Prooucnon Assistan t

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~~~§M~·~~rbr~~@

I. Ter - rni - naJ!2.3.4. See additional lyrics

B5 N.C. H5

r# ~r

I\;l. .: -

~ =:~'-'; = :;~~ == ~ ~ ~== == ==

..c..- <,

III ::> II ""1;- sl.>- >- > z>__ oj I'.M.-·-4

.. v

~v

~ ~ ~ ~ A :: Av ~ ~ ~ ~

Faster J=232lst,2nd,3rd,4th Versesw/Rhy. Fig. 1 (4 times)

~~,~B~S~N~'C~'~~~~

A

Bb5 N.C.B5 N.C.

mel L,You're shit - tin'

G5 F#5 G5 E5N.C. F#5

Fa tal?

N.C. B5

wheeze? _cough and

E5 B5 N.C. B~5

~--':\'---- Esec . ond 0 - pin ion is what need.L Laugh - in' in a wind - storm, I'm

F#5 G5 F#5 G5B5 N.C.Bb5 N.C.N.C.B5N.C. B5 N.C. E5

Ef I£~"\~~~~~~~~~~B5 N.C. C5

blow - in' all the com stalks., down.

E5 B5 N.C. BbSE5

Bb5N.C. 85 N.C. C5 N.C. B5 N.C.

IB5 N.C. N.~3

r7? #f' #~~

• •r~ ~\ i r

Cry - in' in the fu - ner . al home. For-ward my mail ___ six feet un - der ground._

12

Copyr1oht II) 1989Bloodand Iron ~slc Co./Zazmar MusicCompany (BMI)This ArrBngemanl1l) 1990 Blood and Iron MuslclZazmar MusicCompany

Inlllma~onal Copyrlghl Secured All RighI!;Reserved

F~5 G5 F#5 GS

Chorus£5Rhy. Fig. 2

na tion,

£ 5-o <,

F~ */ ~ V r iEI£ - lim - i na -

D5

£

~.t- tion.

lim . na tion.

G5c-

~' tE

E -lim . i

lim . na

(end Rhy . Fig. 2)

t~ , ~tion. _

N.C.N.C.B5£5C5 N.C. B5 N.C.

'11

Guitar solo Iw/Rhy. Fig. I (2 times) (Gtrs, 1&11)

E5 B5 N.C. BbS N.C. B5 N.C.Full Full Full Full Full FullG

A~~!~!~! i! :$-f- /. ! i:.~-. H

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85 N.C.

H P~

BS N.C. nbs N.C.

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p

B5 N.C.

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" "-

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~

lion . _ E . lim > j • nate the right. E . lim· i-nate the wrong, E .

lim - i-nate the weak. E . lim· i-nate the strong. E . lim i· na te your feel • ings , E .

To Coda II$ AS

~'I

G5

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turn it all L, a· mund._ I'd

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o o <> ~-~

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w/Rhy. Fig . 3ES(lypo ')

~.:=:::J@)

if had just

good clew

one more

liv - in' and

day I'd

dig

say it

me out of the

to_ your

ground. And

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14

7Jna

15

CS N.C.B5.N.C.N.C.

race lthis

E . lim - iSlowerol = 232Guitar solo Ilw/Rhy . F ig . I (4 tim es) (GITS. I & II)E5 B5 N.C. Bb5 N.C. B5

E51lypo J)

lim· i

r

E

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to

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mak - in' a mess,

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ES('YP< J ) F~5JX

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ESltyp, 3)

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16

17

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p6

D5c-

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C5o

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3

Guitar so lo IVw/Rhy. Fig. I (2 times)

2"0--_--- - -----.Guit ar solo IIIEIj FtS C$5 0 5

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P P P J# ~:----, ;---., ~

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trem . bar2Y..

......--sl.sl.

------ sl. sl.(rem. p ick

Full

P

(Gte. IV out)

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-

II.! tion .A.H

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--51.

sl. P.M.. • • • · •••.•.. ~..~

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sl.~~ ~.r:r;t=)

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51.

'=-=

E5(lype J)

o

~sL

6

' t =closed<treble) P0 = open (bass)

Coda I~

' ../Wah P

1I.llP P P :j!:.--sf.

'* "t:- ~~+ +'f:.+ • ~ ~~~.-... ........ -r--, • • . .. •

@.; - 6sem i-harm.

p p p ~sl. -~ ~ ~ - - ~ J v V ~

J J ~J W V •

V

ES BS N.C. fibS N.C. BS N.C.

F#SA.H.

{Bva) G5 F#5 G5 E5 B5 N.C. nbs N.C.

D.S . (take 2nd ending) al Coda II@l1fr.

E Ci) ~ll

~(IYP" 1)

F#5 GS F4s GS Harm . "I )(Bva)

BSBb5N c, A.H)·Full N.C.

o , 8v~N.C.BS

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(8v~UN.C.B5~~O""~.

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na 0E - lim - i

"f

F"""""J ) ) ) )P.M .·_· ··· ··_·_······ ···· .. · · · .. · ..

tion.ns

Chorus

Cd" (w/last bar o f Rhy. Fig. 2) Rhy . Fig . SF¢5 IX

ii.-.L-f--~&II») .Q.u)n.:Ju!...?...,J ..)J.).J.!.J),

~~i~~~~VIl=r~' ~~lim - i . nat e! E - lim . i • nate! E . lim - i na lion .

'For next 6 bars only , Gtr. J do es not P .M. but ,t ill plays only lowes! Dote .ES(Iype 3) F#5 1X

) F"'J)))))))))))))

~ P;···n···r~~ ···· ,········'1!

E Lim-

E .tion, _

B5o

(end Rhy. Fig. 5)

J=f 4W-~~~~lim . i na

E .

E5(,ype 3)

~~~E - lim . i-nate the weak .E - lim - i-nate the wrong.c,

'f

lim • i - nate the right.

w/Rhy. Fig. SF#5 JX

-, ~#~

E·- nate too late.E - lim -E -Iirn -

'/

- nate the su ong.

AS

lim •

lim nat e the ho pe. E - lim nate! E - lim . nate!_

18

Guitar solo Vw!Rhy. Fig. 1 (2 times)£5 B5 N.c.

~

B~S N.C. B5 N.C. C5 N.c. BS N.C. E5 BS N.C. BbS N.C.

5p p....---...

5p

5p

BS N.C. F#S G5 F#5 GS E5 BS N.c. BbS N.C. B5 N.C.

sf.

--

Full Full

/\/ sf.....

n.

t)

Full---............ ".-

sf. sf.

E5 B5 N.C. B~5 N.C. BS N.C. F#5 G5 F#S G5 E5

"b )I ·f ~-,

<,

sl.'------3~ '----3-------'Full - - - •••• - - - - - - _ •• - •• - . - - - - • - - - • - - - - ,

) }))

8vo1'1 " ••••• - ••••• - • - •••••••••••••• - • - • -- p~li:·'·: : '.' .- =:".' .' -- .- : .- -- =: : .: : -.-.-.-.- : :.: :.-.--- -- :., ... .. ,.r- J))} loco

.' D

<,'<,

st.

Additional Lyrics

2. Contagious? Say, why not? Not just me waitin' to rot.Painful? Yeah .} know. It couldn't be easy when J had to go.I'm yankin' on my plug and J can 't seem to get it loose.Pullin' all the stops. Your ideals change when you got nothin' to lose. (To Chorus)

3. Hopeless? There's no doubt. Set on a slow burn from th e insid e out.Careful? What for ? Last one out closes the coffin door.Spend in' all you saved and wisnin' for a little more.If I'm lookin ' at the ceiling then I must be layin' on the Floor. (To Chorus)

4. Terminal? What disease? You told me too late . What 's this cough and wheeze?Fatal? You're shit tin' me! A second opinion there's gotta be .Laughiri ' at the epidemic. Something is going around .Cryin' at the epidemic. Pulling on nails six feet underground . (To Chorus)

19

l HATEWords and Music b~

Overki l

Tune down 1/2 step.© ~ E~@ ~G~

(3) = A~ a> = B~

@) = D~ CD = E~

Fast Rock ~ =: 144lntro N.C. Play 4 tim es

1\ ... .. .. .. .. .. .. .. .. ~~ .. .,··

~

P.M.- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - _. - - -. - - - - - - - - - - - - - - - -. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - _. - - - ---~f

T · .~ .~ ,~ ~

A • h n .- " " h .... " ;. z; ;.,. ~ " ;; " " " .- .: " .... ... i. ;. .... .... " ,. n'

tJ

GS$

Isr, 2nd, 3rd VersesG5 F~5

IIIl. ~ ..... ~ ,. .----.. - ,.J'r--. ~ --.·

~)------"---. ·@.,

1. So much rrou - ble! Hate this job._ Tried to get out.c, Trapped like a dcg.i.2.3. See addltional lyrics

1\J,jRhy. Fig_ I

1--*-I~-

@.' • • • ",*_-4 -4~ :;j-4 ~~-4 • • • -4~-4 ...

~ ~... - ~~ .....

P.M.----l P,M.--' P.M.----, P.M.--~

·· J W -: ':' -: ':'J " J J J J

~ ~ ~ ~

E5F~5G5FisG5II .. .. .. ..-----------' -fit- ..-----" • .--~

hill-

~

No, r don't like L, pump-in' gas.L, Doya hate to wait? _

(end Rhy. Fig. 1)f\ ..

@. • • • -4'----/-4 -4~ ~

-4 ~ :;J .. • • • "',----/'" ~....~... -i

P.M.·--~ P.M.-·--J P.M.

;; ~ r ;; ;; ~ ~ ~

~ ~

20

Copyright© 1989Bloodand Iron Iv\WcCo.IZ8.Zlnar MLl8Io Company (8MI)ThisArrangement©1990Bloodand Iron Muslc1Zazmar MusloCompany

Intema~onaJ CopyrightSOOIJl1Id All AlghtsReserved

w/Rhy. Fig . 1GS Fl5 G5 F#S

~ r~ r-= " i PMLife's a game.c, We play your rules. _ Bot - tie half emp - ty or the bor- tie half full. It

GS F#S ES

G5 Fi5 ~

~L~~-§[ t fF - ~does no good,_ no good to shout.s, But 1 scream I hate! _

G5 F#5 G5 F~S E5fill ---- -----. . .. .

·17.-

~

Say I'm has - tile. Got - ta re - lax._ Got - ta get a grip .

fiJi,Rhy. Pig. 2

'J • • • ....--------.... ....~ ~

....~ ~

.... • • • ...-------.... = ,----------,.P.M.-·-·~ P.M.····-j P,M.

';!. :;~ ~ -. . .

G5 F#5

tfill ,jr • £~ ... ... t:~J'-

I~

Here's the facts. I hate be - in' here L,

fiJi,(end Rhy. Fig. 2)

@) ~-i .... • • .. '"*-----... ...~ ~

...~ ~

....~ ~

....P,M.--- -, P.M.---' P.M.- -. ~

~ ~ ~ .';!. .

y~. . . . .

ChorusRhy. B5 A5(Wp<' 2) G5 BS A5(lype 2)

Fig.3) ) ) ) ;--J) ) J J ) ) J ) ) ) ) ) ) F) )~ ~ P.M.··· · ...... - .• -. -. - .. - - - •• • J P.M.-. _. _.•. _____ __. •. . _... _____ ••• ___.... _..••.. -- - - _. __. ___... _...• . __ J

@'Ij r r~ r;' " 1ft r ===-Ef rI hate peo > pIe that make.i, ya feel small. ] hate hay - in' my backL,

D5 85 A5(lypo 2) GS (end Rhy. Fig. 3)

) J ) ) ) J ) ) ) ) ) ) ;-J ) ) J J J ) J J J~<u ___u~uu_~u________~ P,M. •••••• ____ _ __ ••• •• _ ••••••• ___ ____ . .. J

W S [', ) ;q- a - gainst the wall, Ya know I hate L; be - in' talked down to.

21

......

be - in' marked to

hate your rules .i, hate 'em aJII _

4th lime 10 Coda~"'IJ·--------

BS A5(typ. 1) G5

P.M.

1-•n~n

P.M . P.M.

A5(IH<1)DS

r~--------~;~

F$S)

Hate

F#5,)

GS F#S,) )\ "I

2. So much me and you.c, But most of all,_ hate you!

~

!

D5(IYpo 2) ASJr.)

@7fr.DS(lype 2) AS BSV ll B (end Rhy . Fig. 4)

) ) ) FJ)JJJ )JJJ)JJ)P.M .' - -. - - •• - ••...••••.. - J

£¥¥~~~E Ihate you .

(You.)

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hate,

hate you.

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(You.)

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,## F" J~4=====@p~J~. ~rg----§~.~~~~~~I hate.i, hate,

Guitar solow/Rhy. Fig. 1 (2 times)GS F#5

1}2

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@",

1/2~

r-: T P P ~ 1/2 T P P P

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22

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)

GSFull FuU)~ L\F#SG5

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I!I 5 5 .5

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w/Rhy. Fig. 2GS nsF~----- ~ ~loco

F$S ESGS

81'a' . - - •• - - - •• - •• - •• ,

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f) 5 5 trem. bar

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sl.

F~5

sl.

steady gliss.

sl.

vib. wlbar

tzz:J·Pull bar up.

GS F~5 D.S. [take Znd ending)slack ~

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'8 1819

18',9

1819

e

23

AS (lype 2)

)N.C. Rhy. B5

Fig.s I.~~ Q

G5 F#5

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talked down to. I hate your rules.i,I hate you!

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@.I

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fill fl.5nwJ.l:':\ (J5m~ f--------""~ )~ ) ~~ - --F--+ --+

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24

zFts G5 F#5) ) ~

G5

ar f f ~ f~~tt f!:\0g

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Sva- - - - - - - - - • - - - - - l

Full Full

fiJI ~ ..f.;;, sf. loco

@)FullFull pick slide

I ):.:;., sl.-:

F#5)

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)F#5)

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Additional Lyrics

2. So mu ch trouble over me.Surrounded by jerks, can' t ya see.Smile to my face. I know ya lie.Knife in the back. Another game.Rules, rules, rules. Not for me, you fuckin' fool.Open your mouth just one more timeAnd my foot's goin' down.In one ear; out the other.A waste of time. Don 't even bother ., hate bein' here! (To Chorus)

3. Think [ know how ya got this far.Trunk I know how ya got where ya are.Think I'll hate you when you're dead.I know I know ['U hate you.Smile to my face . Know ya lie.Say I got pro blerns? Ask yourself why.Hate the games. I hate the rules.You're gonna lose.Say I'm hostile; gotta relax .Better get a grip. Here's the fact.Not much more of you! (To Chorus)

25

NOTHING TO DIE FOR

Words and Music byOverkill

B5xxx1P9fr

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8 7 6 6 8 8I

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1l.3.(end Rhy . Fig . I ) ES BS

. Gtrs l&lf- . ~ -- . - - - . -. , . .. . - - - - ... ,fill - I r ...,

"'Cn. J

't I Gtr. [I

f-7f--1L--, · <- :- · ~ . . ..· . . .

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26

Copyright~ 1989BloodBI'ldIron MusloCo.l2azmar Music Company (BMI}ThisArrangement~ 1990Sioodand Iron MusicJZazmar MusicCompany

IntamationalCopyright Secured All RightsReserved

F5F5 E5FS £5£5FSNCF5lst, 2nd, 3rd VersesN.C. GS NC

1I1I.. . , .. ~---..

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I.Old c - nough to know bet - ter, too young_ to care._Rhy. Fig. 2 (Gus. I & II) 2.3. See additional lyrics

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~~~FS E5E5FSN.C.

w/Rhy. Fig. 2N.C. G5 N.C. FS

where. If I had a rea - son, could make it work for me.L,

G5 FS

!

swer, it would - n't be so hard to see._

N.C. F5 E5 FS ES

Feel - in ' all just the same. Feel - in' all like no pain . Go . in'

GS ES FS E5 F5 E5 F5 E5 FS ES N.C.

13

sf.sl.s:sl.

not down the drain.

fill r " I I "'"

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27

Bva- - - - - - _•••-slFull.J.

II. Guitar solo 1~w/Rhy . Fig . I (Gtr. I)

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/\11Rhy . Fig. 3 (Gtrs. I & II)

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I(end Rhy. Fig. 3)

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29

~

FullFullp

Tempo I ~-,

Triplet feel (n =J j\)Guitar solo II

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Rhy.FigA E s J ~ J

{?l,b l'.fD_D]..G ..rDJ sim.Full

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(end Rhy. Fig. 4) rt/Rhy. Fig. 405(typc 1) D#5 6 ope..,

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31

Straight eighth feel

8Ya-•. __ . _••• __• _. _•.... _• _..•......•••• _• . _..... _..... ~~(~~: :).. ~$.5... _._®L~:~ ~~g. 5 (Gtrs. r ~JCDFull E BbS E CS

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C5 C~5

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(loco)1\11

I!J ~ :! ~ :! .~ :! :! :!II .. II .... II II II II:> :> :> >- :> >- >- :>

P.M.······ , P.M.····· - -, P.M... · ·---j P.M.·· .... . ~

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.wjRhy. Fig. I (Gtr. 1)

Coda E5(lypo :1)

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Gtrs. I & II·w /P.M. E5 B5 F5

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4~:> c> :>

I I ~

Additional Lyrics

2. Make my own decisions.just go away.Take the consequences, just not today.Got enough reasons, still not workin' for me .Got all the answers, still so hard to see.Somethin' is confusin' me. Somethin' is abusin' me .Sornethin' is refusin' me.Life!

3. Old enough to know better, too dead to change.Went in with a full deck, goin' out deranged .J had all the reasons; tried, it didn't work for me.I had all the answers. 1 was too blind 10 see.Mirror man in my eye. Mirror man gonna cry .Mirror man make you die.

32

PLAYING WITH SPIDERS;SKULLKRUSHER

Words and Music byOverkill

PLt\.YINC \VITH SPIDERS

'Tap w/edg~ of pick.HHp p

Pin 8 .

p p

Fast , freely J = 176N.C.

• Approx. 10 sec.

1\ ll.(Gtr. effects ad Jib) y limes ="Tsi. -v st.- - .--· - . ;h- - ~. · - - .--I@) h- iP- ~ ~ ~-1-H' *1's£ *TsL

mf H

'1' sl: -vst. "Tsi. ' 1'sl:

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v ~ ~

Tune down 2 whole step s:

®=CQ)"'E~(2)~F Q)=G@) = B~ CD = clntro

*

.1' P "1' P-----.

0....---..

I I5 e 8 2., ..

;.~ ;~7. 7.

6 7e e 3 5 '---"

' Tap wjedge of pick. H H

'1 P . ' 1' P 01' P '1 P

I

6~e....---..

Ie i! 126

~16 04

it;

'Tap w/edge of pick .

'r

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5 4 e-------p p p p

2 5 4 e-------p r e

Segue 10 "Skullkrusher "

Co~right <fI 1989BloodandIron Music Co.lZa.zmllr MosieCompany (8MI)This Arrangementce 1990Bloodand Iron MusiclZazmarMusioCompany

International Co~lighl Sew l1ld All RightsAeselVad 33

SKUL"LRRUSHER

sf.

N.C.Full

,I.

AS GS'xxx x ~~5[r. tffFFR 3fr.

AS

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-Tune down 2 ste ps :® ~c ® ~ Eb~~FQl"G

@ ~Bb <D "cSlow Rock J= 60

Intro N.C. N.C.Gtrs [&11 ~

2nd lime subs tit u te Rhy. Fill \ A5 N.C.

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F#5 F5

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l st, 2nd, 3rd VersesE5 G5 E5 Bbs AS E5 (;5 N.C. B~5 AS N.r. A5

--~.: ,G5

I. Stand - in' at the cross > roads, Which way you gon -na go ? And wh a t you gon -na do when it co mes'l.,2.3. See additional lyrics

Rhy, Fig. 2

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Additional Lyrics

2. Ridin' on a livin' hell. Got another soul to sell.Right is right and wron g is wrong.Life' s a dream on thi s machine.And last s just about as long .So ya think you know it all. And when you ride , you never fall.I got som e news for you.Entice you with a wick ed smile . Take a ride for a while,Seems that the news is tru e. Yes, it 's true. (To Chorus)

3. Track s go on for miles through the agony and smiles.Lavin' there in pieces on the groun d.What the hell, you take a chance. Krusher calls, make your stance.When you 're dead you never make a sound .Racin ' with the devil.Engine' s slowin' down .F ifty years 100 early.And you 're layin' on the gro und.You're krushed . (To Chorus)

43

........

BIRTH OF TENSIONWords and MusIc by

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CopyrighI@ 1989Bloodand Iron IW.Jslc Co.lZa1:mar MusicCom~I1Y (8MI)ThisArrangement@ 1900Bloodand Iron Muslci2azmar MusloCompany

Inl&mational Copyright Secured All flighlS Reserved

E5FS1st,2nd,3rd Verses

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f\ II r.:--. ~. f:..fI- $- •••• .4~ .fI-'" t').

~

'" '" '" l' (w Jwah wah as filter}

- ... - - - - ~ P.M.· ---1 PM .-· --.~ P.M. Full ....... .. ................... H P P P-~

~

~"...,. , ~-

~~ ~

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L L L L L L L L L L. I

6./ 6H6 ~rFull8 1'0 ' . • - - - .... - ..... , loco

f\ l.I ;.H. .1: b.... ~ t:- ~ .... ./.~------:;..--. .. . . H'V ~... .. ... - -..........~...~

- --

~

trem. bar

.l! P Ful l P H~ ~- ..../H~ ~-----:;-'v ' L 'L 'L 'v ' L

'" / ..... ..----.... ,

.-Full) .

8va- . - - - - - - - - - - - . - - - - . - - - - - • - - - - - - - - - - • - - - - - . - - - .. - - - - - - . - - ...• - - - - - - - - .°1~. _ - - -- - . ................ "I

~-----~ .«>.full}

A.H.···.(8va)~

f\l.I. ¥- ~~..'--- ....f*:...---'"-!L

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.- .I~ ~

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_.

Full ------------ . .. .. _~*1

H~A.H ..•~ Full )~ ~sl.I ---.... .....----...,

/ 'v ....... ,~

'L 'v ~

I

I

-Pull bar up. ··Pull bar up as Iar as POS!l~t

48

I lo co

8m- - - - - - - - - - - - - - - - - - - - - - - - - - - - - 1*1

--- H ~H------..... ~ p1\ It' ,...---...., .~.-... - s '.• ~ -f-:- .f'- .f'- .f'- ~ •

-I'@)

--------"']

__ H ~H .r,pick slides - - - •. . . ••• ••• - - - - . - .

--------- .---------..... sl.

,/'~

, ~

~,~ <,

<,

8 l 'tl - - - - - - - - - •• - - - . - . - - - - - . - . - . • . .•• • •• - - - • - •• •• • - •• • • - • - - - - - • - - - •• - • . - - - - - - - . - - . - . - - - - - - - - ..• - •• • • • • • - - -

P H1\11 .f'-.f'- •• • .f'-~ #-#-.. f-:.f'- . #-~ • • .f'-.#-. • • .. #- .. • .. .f'- .. .,.. • ;;----...

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-------~ r, H./' A --:-...

OJ 'J 'J OJ ' J ~ oJ 'J ' J . ", ,,,, .", , ~

8 va-~ - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - •••••••••• • • - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ••... - - . - • • • . . - .]

fill' ------ s . arm, -_wl - · --_._- ~ ~. ~ .. ~ . . - . .. . .._-. . . .. -. .. - _.. . .. » -.

~(Vib. w /bar)

--...t rem . bar

Full I Harm,

./~ sl . 4 -5 -" ,

-

sl.sl

..

(t5)

Sva- •• - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ••••• - - - - - - - • - - - - - - - • - - - - - - - - - • - - - - - - - - - - - - - • l

\1', I loco

1-----(49l---__ --tI9l-----'--__I-_lJ

1S I_:2 _

~ l- .

I ~I

lo~

*Slack ,Bva- - - - - - - - - - - - - - - - - - ••••• - • - - - - - - - - - - - - - - - - - - - - - - - - - - - - - l

' .. " J/2H P H~ I ~6s/slfi ll ...::-:-:-- ...----. ...----. ~ ~ ....------.....~~ s . ---- - ~ - --

- - .::J--1~

t.J I r I

• .. • .. .. .. vib. w fbar 1. • ~~----~sl, S/. B ]' H ~sl.

---.. r: "'-:..---:-.. - ' A <,

.~ ~

H pull bar up.

slack

2 slack

2

{eJ

I I',

!e le

gd

A.H ,(l Sma )

Full

(it7@4~t~~~~~~~~F~~~ If) A .~~vib, wlbar

d --- t~.:....:...; :....:..... r_-------

~ ! ~ ,; I,. i~ ItH. pitch : A

49

D.S. alC0d4ijBb5NC

w/Rhy. Fig. 4£5

fI II 4. , .---. --

~...

3. You_ areL,

1\11 4.

~~ ~ T ~~~ ~~~ .. ~ :J. ... ~ 17'"d"_____.._u

• I

"

.v v v . u ~

Coda

t N.C. E5 Play 4 times1\ II

- . .. .!,.,

~ ":J T ":J ~~ ~ q~.. ;" ,,; ;;:;

P.M.·· ·· -, P,M.· · ··· · ·· · · ·· · · ··4

. ., .". ,. ,.

;.v ~ v v v

E5Play 3 times£5I\Il

- ·· ·~

~;, ,~, ", ~" ;~; :;:=:,P.M.-····· ~ P.M.······ ... _....... . . ~ p,M,······l P.M.······4 P.M.---··,·~

· ·· ·. ~ . . . ~ ~ ~ ~ 4 - -v

Ab5 GS Ab5 £5 AS N.C. ES

.......sl.

1\11

.~ b':i: ~ , 1:it :J:. :.I::: ~ ~ ... ~~ ~q~'" ~1;-

sl.rit, a tempo

.......v v ~ v u - <,

~

Addittonat Lyrics

2. Don't you understand? Too much tens ion , snap.Then you lose your grip.Too many demand s, start at birth, snap.From the womb you're ripped.Leave your dreams inside, behind.Never had a reason that you'll never find ,Tension builds another way.Gonna make you all go away . (To Chorus)

3. You are killin' me. So many ways,So little time to think .Life's catastrophe. My glass emptyAnd J really need a drink.Mavin' all so very quick.Mavin' so fast that it gets me sick.Let me outta here .Livin' ain't livin' with the tension and the fear. (To Chorus)

50

WHO TENDS THE FIREWords and Music by

Overkill

Esus4

ESVIIo xx x~7fr.

FS

IIFm~7(#4 ) :>

E F#5.mmE5

m1

BI> S

"Freely J=88

Asus2n rof\ GtL I :> :> ::> :> :> oj oj.

-- -~

- -I r1I1jJ

clean let ring> - • - - - . - - - - . - - - - - . - - - - - - - - • - - . - - . - - . - - . - . - - . ~ sim .ton e

~.'. S - v v

~ ~0~

9~ ~

A ~ .~

H

I t

e e e e 6

I

e 0 e e

H~e 6 l) a 0 B e e e e e2 :2 :2 :2 -,.' :2 2 ~ :2 :2

3 :2

"dim.rit .

Esus4Fmlij7(#4) :>

c>Asus2

Moderately J= 120

@ openE

Rhy.Fig. lA o(Gtr. II) Rhy. Fig. I B (GtL I)

I-,;.

@2fr.B

) JBbS

*F ade outwlool. knob .

let ring throughout

~:,e 0 90 e 0

Ie e

Ie e e

3 3 J 3 J 3 3 J 9 J2 :2 ;> 3 J J 3 9

(end Rhy. Fig . 1A)

@open @2fr. @2fr . 1/2E B BbS F#~

¢ )J () J ).~

8 """ I' , ,' , , "I, ",', ,I' , , ' ·, ' , :~

Copyright ~ 1989Bloodarid Iron Music Co.l2azmar MUlilc Company (BMI)ThisArrlll1gemenl e 1990Bloodand Iron Muslcl2azmar MusicCompany

IntematIonal CopyrightSecured All AighlS Reserved 51

(Gtr. 1Il out)

I

w/Rhy. Fi gs. IA & IB) Play 4 limes

*Rhy. 85 (end Rhy. Fig. 2) B~ 5

(~~~.~Jl)m n ffl n m n m ffl*(~:s.))~t:~:.d.,:·0U - , 0-0'oSo 0- U 00"oooo' 0U h 0000 00" o.o"u 00_'u0000 000 -,U 0- 0U 000"0 0:~~, w/""o:,,'" f~: i

25 bars.

£5 (e nd Rh y. Fig. 3)

w;~(RnY Fig 2 (~(31l~n~;) ~~, 3 1 ,mo u[J----!TIu0!Jo-m u[]u __Q--!!Jj~ '2nd time only, C tr , I sub sti tut es E5 (or next 24 bars.

for

torchwrit ·

Who keeps th eWhat does this

-------

r~ tf .J~•

with smoke so you_ can' tWhat do 1- do_

your eyes L,

go?_Who fills

Where do

w/Rhy . Fig . 2 (3 tim es)

F~~~~~~E~b~~~~~I need _ th e fire. _

Proph - e . cies., are fool - ish.c,see?now? _

es li t?_ing mean ?_

w/Rhy. F ig. 3

~:~

l st, 2nd Versesw/Rhy. Fi g. 2 (3 times)

~ R-~~~~~~~'-----'

L Who Icnds L, the fire?_2.What is __ th IS mearr- ing?

I need _ theTh ey nev er

torch eslast. _ Th ey

lit. _nev er

To seespeak

th rou gh all __the tru th.c,

theSo

w/Rhy. Fig . 3

l~~~

f#S F5

J J e-

]

sm okewhy are they

Half time feelw/Rhy. Fig. IB

Rhy. E

~f

CO y • e r - ingcall ing me

mc. _now? _

o (end Rhy. Fig. 4)

4

FS

Chorusw/Rh y. Fi g. 4 (2 ti mes)w/Rhy. F ig. IB ( lS I 7 bars only)

~ Er-o~~~~~~~-4have see n the fires __ bu rn - ing._ Burn - ing th rough th e night.

E F#5 FS

hav e watched the tid es a - tum . ing,

52

w/Rhy. Fill Iw/Rhy. Fig. 4 (1 st 2 bars only) F $S FS

E ,----~&t IF_~- ~: I I~

1.2. And th ey go_ from dark to light.3. Still the fi - re bum - ing bright.

*GtlS. wIFill II&II N.C. E N.C.flJl. r-- J--------, r-----3--, Rhy, Fig. 5 ..----3---, r-- J - ------.

I!! .......:-' • ..". n ~ • ::,;sL "0" sl.

~ -'';' ~a ----sL " st. Double tim e ~ '"198' Glr. I: w/d iBlorlion. N.C. GS N.C. AS N.C.

3rd rime to Coda Rh F' 6F5 N.C. (end Rhy. Fig. 5) ~ y. 19.

/lJl. ,-----3---, .----3---, 1 I I, .

.~J----l-"i, ,!J

~~sl. ~ • T :> >-

sl:P.M. - .. , P.M.· . ~ P.M, · ·j

", , -

" ~ -::. ~ . - - ~ - - -'t .- ~ ~

s/.---.. sl

Play 4 time sBbS N.C. AS N.C. G5 AS GS N.C. GS N.C. AS N.C. BbS N.C. AS N.C. G5 DS

1IJl. 1.0>- :> r I I J >- I I I I I ~ :> z>>-( end Rhy. Fig. 6)

~

~I-Jzi

I '" r r > sL I :> >- 1 r I •>-P,M . ---~ P,M, " 1 P.M .---~ P.M. -.~ P.M. --- -1

I

P.M.--; P.M. • • • ~

I ' I :~': ~ § ~ ~ ~ : ~ ~~7 7 7 7 7 1 7 7 7 7 ? 7 7

sl:Bridge

r#-~~NC r ri "I ) ~ ) r ./ r- .±d: tI don 't know 'cause I can - not see. All I' m

You don't know that yo u 're gon - na die. Birth, life,Yes, I know that I can - not see. And I'm

Ri ff A HGte.

sd I J I J I I bl I I J I J-J J-- r ~h~ I I ~ .1-

ItT Gtc.~zf r I T I I r I I I I I J 1-.- r r I r r I rII H

sl. H ~

. .- ..: ~. .~. .. .':! .. ~ ~ ~ ':

1

-- :... '~ ./ ~.~-

--sl. H -----Rhy. Fill 1 Fill 1

1\ ~ FS I\~ -M----

~) -6' s [ @)

::6' pick slide

sl.

53

H

llJoI ~.(L - .. "fI'- .- • jt... "fI'- • "fI'- ).f'- «<..'!J

l'msu re is [ go t > la be. I'm not sure that e . yen rne.L,deat h is the rea v son w hy . Save th ose tears that you're gon - na cry. _sure that I got . la be. All th ese voic - es are kill - in' rne. L,

fu ll fI

J~ n D IJ I I ~1 I I J j~1IlJ.

1-- I I j I r I J-J~. - _..-

~ 1 ~ t : :j r r r I r r I r r l r r I i r I I I~-- H

Full

I ~ f{ ~

.~ ....'~ ~ .. , .;: .... .~

~ ~

.--.--

[1.2.s:11.11 • ~.f'- "fI'- • "fI'- ..

~ --'!J

But I kno w th at J go t ta be..'Ca use I kno w that you're gon . na die.

And they

Full (e nd Riff A)

f\~ I I j I I J I I J~ J Jj~~

+",. -'!J f r I r r I r r I L I -I

~

Ful l

1 . • __A~···4·4··44··~

/I

.::-. '~'~ ~

. . ... ...~

w/ Rhy. Fill 2G5 N.C. AS N.C. BbS N.C.

~

AS N.C.w/Rhy . Fi g. 6 (last 2 bars only )

GS AS GS N.C. GS N.C. AS N.C. BbS N.C. AS N.C. GS D5

w/Rhy. Fig. 6 (I st 2 bars onl y) w/Ri ff BN.C. G5 N.C. A5 N.C. Bbs N.C. AS N.C. G5 AS G5 N,C.

it£- ti·_- ++tl~~~~~~~:m@)

Rh y. Fill 2 (G lrs. I & lJ ) Riff B (Gtrs . I & II)

f\lJ. r I I I L> I sl.-1---1- -"'1--1:"'1-

It\"- -"-. --..;

z> ;> 1- r r -- l.-J IP.M. --I

P.M.. ,P.M. - --i

P.M. - ,

~ n ...-:..~ ~

~ '--'

sl.

f\J.I ------ ~-

t:1;=J- .l!J -..l l'

~

~ ~

~ ~v -st.

54

Slower ) = 120Half time feelw/Rlty . Fig. 5 (Gtr. lJ)(2 times)E

Gtr.1 Fdbk.

~---

that I got· ta be _ me.

Full

J _-0

say

Full

say that I got,

Full Full Full rit .I g 1 Fdbk.

j

~"'J~9 ~ ~ 1: ~ ~ 1j 447 1j ~14 ';..,7 1;

N.C.N.C.FS I/2 N.C. E

Ir '~;~ --------Wr--;;:'------:y~-.-.;-~-:.:.~---.:~:.:.--~----I~-n~~§~~~F5~A~.

I ." ~1---------[-(~4: ·----------------t---'r~-)---+-------

sl.sl

Gtr. I r-3 ------,

sl

Ill> r--J--, .---3_ I k:--J 1 I 'I I I' - oj J--'J .....Y • -.J Gtr. il-.,.)I [ r f r f ~I 1 r I r 1sL n sl.l--.3 ---.....;J

L--J-1---3---.J

L-- J -------l

sl. sl..: .~...---.... ~ ft

,~

'vft

~

----- -------,~

F5>-

N.C. E5Rhy . Fig. 7:> :::0.

FS>-

"Th ro ughou t next 8 bars, P.M. refersto both gtrl .

(end half time feeJ)

;j1 ES

s/.

L r--3--,

l~ J 1

E51\;;, >-

II:J

I~ listl f r f r r l.UJ l.liJ l.liJ UUl-.- 3---.JL--j_

sl. "P.M.·· .... -- .•. ... .. - - -- . - - . - .. ... .. ................ -- ... -- .... - --- -1:>

P.M. >-...--...

,~ .~ .. .~

... ~ ~

~ .ft ~ ;: ~ :: ::: ::: ::- ~ ::-'--" ~ ;;: ::- :: :: ::

'y

~ l.UJ l.liJ l.UJ UU qr r .- .- l.liJ>- P.M. • -.---. - -.·.-----·---_·_····_······················ · ···--1 >- P.M. >-:> :> P.M.···· .... ··· ····-·· ---- ·-

iii iii i iii iii i ! : ! I: 'I' iii iii I

55

F5(end Rhy. Fig. 7)>- :>

ESF5>-

f\J.l:>

~.-

~

Ull CLU Ull LUJ Ull liLJ:> :> -~ >- :>. ... _. _. _.. - - . .. - . _. . . . . . ~ P.M. P.M. - --- - . .•. . • ••. . . . . .• • • - •. . - ................................ -( P.M.

." j .; ." ."~ ~ ." :- ~ :; ~ ~

~ ~ ~ ~ ~ ~

:; :: ~ ~ 'i :; ;; ~ :: ~ ~ ~ ~ :; ~ '1 '1

3 rt! Versew!Rh y. Fig. 7

N.C. E5 FS ES

j t

Who tends L the fire? __ Who ke eps _ the torch ·

es

FS

@ ¥Iit?_ Who mls your eyes ,.. with smoke so you can't

ES

~.@)

w/Rhy. Fill 3FS )

see? need the lire._

F

)

tty rneed _ th e torch - es lit_ to _ see.L

F~5 F5D.S. al Cod;

%

I

Rhy . Fill 3

(GlT f)1\J.l ~

(c; tr . II) lliJ WiU*P.M.····· · · · · · ·· -1 =-*I'.M. :>

;:;L

L

V

"P.M . refers 10 bo th gt rs,

56

p

Gtr.I

'Bass arr. fO f gt r.• '1' .100I . refers to both gt rs.

... "Gt r. JJ indicated to right of slash in 7 AB.

P

Faster .J= 144N.C.

(Gtr, II tacet)G I1\J.l tr . > :>- > > >1'

· : ·

~· · ..-

Ie; > • • • ~ -# -# ~ T T ~T :J. "'Gtr. t' t t' , 'f f 1- 1- ! r,-n-=:>p II

>- >P.M.······························ - ... -- -. 1 ;> >1'... P.M. . • . . . . . . . . . . . . . . . . . . ... . . . - . - ..... -.-.- -- j

p .....· . ·· .

~ ~ ~ ~ ~ - A ~ - - - -~ .......~ ~

~J "

Coda

~

:~7p

N.C.

5

85

7

C5

9

w/Rhy . Fig. 8 (Gt r. I)E5 D5Gtr. Il

pU 3

ES D5 C5 B5 N.C.Rhy. Fig. 8 (G trs. [ & II) - - - - - - - - - ,

~: ~

~~:~ - ---------=1:!i-=------:Ie --~

Faster J= 208Guitar soloN.C.

Full

Gtr. )II -"'~ """".-.... """".-....vvFull

rake sem i­harm.

PUllH P

Full P H P

1Gtr.

I Rhy . Fig. 9 ___

P.M.·· ~ P.M. --., P.M.... ~ P.M.··oj P.M.···1 P.M.--1 P.M.• • • -1 P.M.··· '1

5 7 ! 8 7 S~ 57 7 7 7 7 7 7 7 7 7 ----=

H

7 75

77

7 7

57

p

(Gtr, II tacet)FullFUll

)full

J

G5 N.C.

Gtr. Full'" ,--~""".....,..~ III :-!Full

-L\I\ll

:-----.. P ~-~ ~: £~ ~: t: ~t:~ -f~ f: ~ f. ft.·:t..~ ~--.

V· 3

Full Full Full Full Full

I , 1p

Jp

r-. p ;~~ .;;---. ,..-........

./ ./~ .~ ,~ .~ 'v ~_

,~

"'Let E <CD 12 fT.)ring w jvibra tofor 2 heats intonext bar.

1\>1 >- ~

~--~

~ >- > I • • • • z> • • >- • • :> • • > • • >------ >H

P.M. -- - -l P.M.-. -1 P.M.. - .. -.- •.•• ~ P.M. ---~ P.M.----I P.M. ---~ P.M.···~

~

v ~ v~

~

~ ~ ~ J ~ ~ ~ ~ v J V

H

N.C.

~lgr:K./

J--J---J~Gtr.II "f

FS

P

Full

H P~

I\ll ~~~ .. ~ .. ~ .. .. ;-------.. - ...~~ ('

~!t--j-f)-I- -

@)

[rem. bargrad bend FUll

~/Jl£K./H P ~ P:-~ --- "

fill(end Rhy. Fig. 9)

I--+ + -- -I-

@) • • > • • :> • • > • • ::>- • • >- ----7:>

P.M.·····, P.M.·-··-' P.M.-----~ P.M. - .. - .-~ P.M.-----" P.M.

~J J U J

J J J ~ ~ ~ ~ J " J

w/Rhy. Fig. 9(Gtr Uitacet) -I Full FullGtr.~ ~ H P I'--.. H

4L-~~- * f=t·SJ-f-T-f-- ./--~# r-~

G5

f-­f- -I::

~ sL

Full

A sl. H PFull0.. H

Ful!

/\

Gtr. Sir---------......III

Full

)_ 'J ,~

.~ "'" 'J,

• Pullup on bar. st.

58

P.M.· · ····· ~

(S-) 5 8 5

F ull

(f\r~~'

FullP J --- ---

1310 13 \

A.H.~~p

1/2f- - ·· - - - - <,

FSFullI 1/2 A.H.~ C5 Gtr.N.c. f -------- (Bva)

~: 5~~·~~~..-....v4 ' II >- >- ./ ~ I' ~~

. ~ ii E ~~ CE" ~~~ ~Full

I ./ .u ..

A.H. pit ch G- LeI A.H . ring w/vibrato

for next 2 bar s.

P.M.· - - 'P.M.· _. ~P.M . _ ._~P.M. . . . ~P,M.•. ~

I I ~~1, 3 4 3 C::J

1__

33 3 3 J J 3 3 3 3 3 --------

H sl.

55

P.M . . • . ,

555

P.M . - --l

11

~d_i- ------j>- - -H sl.

p

1212

121210

1212

A .H.(l Sma)

Full "> >-Gtr. ) e ~~- - - ~-~=~Ii 3 ---J *GtJ.

A.H. UlFull

[

·Gtr. III indica ted to left of slash In TAB.

P.M. - - ~ P.M.··· ~ P.M. • • • ~ P.M . · ··< P.M. --- . ~ P.M. - -'-l P.M. · ·· ,

5 53

55

5 5 I 65 5

55 5

H

J7 7

57 7

77 7

59

illFull

J)>:>rp

1/2

)

II , J H -R I I I J I I .; I I ...- ... ~ ~.,

~-_.

~""" ................ ................... . 4 ......... . ... ...... ....~

..........

1/1 "sem i· harm. Full

•p p f

/ ,J -4-.~

:', ::::

~_ .... ................ 4 4 4 . ... ........"

. ...... .. .. _... . ... 4

..Refers to GIr. II only. Full

flJl, ~) -

I!J >- :> >H :>- :>- >-

P.M.···, r .M.·· ' i P.t.!. . • . - i P.M. •• -. i P.M.· . - ~ Full~ \

~

FullH

Full

1) [1 1 d) £ d - r;\

:::]~j,'/flol ... '*" .. sl.

'I!J ...:.; sl.

full Full. 4 ......................... 4 ........

j 1 • .......... .... . ... ....... sL./ ././ ./

," ------ --........ - ......... ....._.......... 4 .. .. sl: .......Full 1/2 "Gtr, II indicated to left of slashes in TAB.

) /\ 1":'\Au - - ~ .... .................. . 4 . .

0..- .@; --

Full 1/2I A .......... . .................. ~ . .. ....,~

/ / \4

,~

'~J

Slower J:: 144N.C.

(Gtr. III out)

flo!Gtrs, J & II

~.

I!J ::> • • • ......... -,j-,j T "',-71 =i :>- • • .... ... ... -,;- -,;- -,;- ~-,j ~:>- c>>- :>- >1' :> :> pP.M. • - ••. - • - • ••• ••• •• - •• - • - - • - - - - •• • - - - • - • •• • - • - ~ P.M. · -' " ....•..•..... ••••...............••.•. ~

;

P p

E5 F#S GS AS ES

60

THE "YEARS OF DECAYWords and Music by

Overkill

Emadd9Cm aj7sus,H

ESlls2

Iiin

Emadd9

m13

E5

~w/Rh y. Fig .1

Cmaj7su s#4 Emadd9(end Rl1y. Fig. I)

Emadd9Rhy. Fig . I

Modera tely J= J 12

Intro GIT. I (a eon s, gtr.)l\iI 1';'"\ ~ -~ i:---

---"* ~.... u-

sl.U

let ring> . • ...•• - - • • - - - - - - - - - - - • ~

mp

eTA w

R~

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sl,

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Fade in 0'-------------=-0"_______________0"_______________"0"--------------"0"Fdbk . mp dim .

' AH ~ ;;

;: , ~

-'51, 2nd, 3rd Verses(! w/Rhy. Fig. 1 (3 '!. times)~ Emadd9

~Emadd9 Cmaj7susH

for ev - 'ry - thing you do.L,

Emadd9

loll. And you payLOut on this road takes its2.3. See additional lyrics'During 3rd V erse, Rh y, Figs . 1,2 8<3 are played by cl ean dec. w/ eharu s.

Emadd9 Cmaj7s\ls.4

~ , ! ~~~!~~> \ ~~~Un . der lights, mad e me blind . Thi s

w/Fill l (1st time only)Emadd9 Gmaj7 Gm aj7/F#

Rhy. Fig. 2I

(end Rhy. Fi~2) Rhy. Fig. 3 (end Rhy, Fig. 3)i ~ ~

+ --r-~--~- -I--~

tJ ... . L I I I = .... .... 1 .... - ...I . 111

~let ring - - ....•• - . - - - - . - • " - - .. ~ et ring - - - • - • - ..• - ••. - - . -Ilet ring . . . . • __ . ____ . _. _... __• _. ~ lei ring - . - . ~ let ring » - - - - •• ~

I A

A

V

A

V V w

I .v

C D~M

~~777~t"~@ g1 place is the same as last -- night. -

Fill I (clean elec.)

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u ~

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Copyright If) 1999Blood and Iron Mus ic CO.1Za2mar MUSICCompany (8MI)This Arrangemeotlf) 1990 Blood and Iroo Music1ZazmarMusic Company

Inlema~ooQl Copyright Secmed AURights Reserved61

Out of con, trol takes its_ toll. But you

Cmaj7sus~

learn to live with your dr eams and _

Fspea k

~ r. jog your rnind L, to th ose c, you findc;

Emadd9w/Rhy. Fig. 2C Dadd4

Jist . ' uing c, to wha t you have to say._

Emadd9Gm aj7fF#Gmaj7

E---C ::Jj22~~~~~~~~~~wfRhy. Fig. 3 (5 times)Emadd 9

would -n 't change th e way. _

Gmaj7/F# Em add 9 Gmaj7 Gmaj7 fFi

would, n' t s top the de

Gmaj7 fF# Em add9To Coda IGm aj7Emadd9 •

~~~ -------- =======0•. r F j O~

To Codal;Gmaj7 Gmai7/F#$

?3l~u~~~t1f;--~cay . _

Emadd9

II P

Cmaj7sus ~4

Guitar solo 1w/Rhy. Fig . I (3Y2 times)

Ernadd9Acous. gtr.

lfI li S~ -. :;.... ...------.... ,~ . .. - 4 4 4 4 4 4 4 4 4 . . . . . . . . """"'". !

K.m---,/-I!) I

"""". . ....... 4 4 4 4 . 4 4 ...... H . . . . H P ~ 4 4 4 . 4 . 4 . . 4 4 4 4 4 """"""

~

"'" I

ft

,/

H PH P

Cmaj7sust4Emad d9sl

Cmaj7sus#4

P u ll

-AI\JI ~ :;.. .. .. *" -If- ~ t: ~ .(I- .(I-~-1l- *" !'-~~. +- ,

I!) "--" u

rake rakeFull H P H Pr-: .-----..,. ------..

.~ "v

I·u .u

"U

62

w/Rh.y. Fig. 2Bdd4Emadd9 C.......... ... ........ t: .". ~~ ~ t:II» ..,..' sl...,.. • ..,.. .". ,_, - .jt.----~ 11- ~

@)

1/2. .. ......... sl. ~u ·u u

~ ./ D 'U

Emadd9r,'\

l¢ FuU

fli>n H P~

...D.S. (tempo f)al Coda f

~

Full

/\ - H P

-'Two gtrs . arr. for one.

..

(Drum fills)(w/lst bar Rhy. Fig. 3)

Ema~1\ » ---- --....

I@)De - cay a - way.

Gtr, III » -------------- .....---: =-----

I@) n ______n--=======-----nu u U'--------- ---------dim.

':::

'"v '<V7

(w/last bar Rh.y. Fig. 3)Coda I

... Gmaj7 Gmaj7/P.

Play 4 times

P.M. - __- __• • • __- __- __- - . - ••• - _.. -- _.. 00 _ •••• -- _ _j

Faster J= 132G5 F' 5 ES Gmaj7 Gmaj7/F#(GtT. lout)

P.M. - . - • - - - •• i

: ~ ~ I: ~ ~ ~

e e

63

Gmaj7/F$Gmaj7ASGSN.C.BSN.C.G5BridgeES F~5

1\ jJ, - - - JI.---.,

~

I'm go -i.n ' horne.L

1\ IIRhy. Fig. 5

--i

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I

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Gmaj7/F~

1\ II £5 F~5 G5 N.C. D5 N.C. D5 C5 Gmaj7 !I- ~ -fI--' ,t.,... -

~

I don't know where .

.(.)_1>(end Rhy_Fig. 5)

~

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-,f :>... sl. sl .

P,M, P.M. P.M.·· · ··· - - •........ ~ P.M.- · - ···· --- ·······'!

~ ~

~.... u - ,---", .... - 4

sf. sf.w/Rhy, Fig . 5E5 F#5 GS N.C. 85 N.C. G5 AS GOlaj7 Gmaj7/F~ £5 F~5 G5 N.C. DS N.C. 05 C5

t~ - I "l~. f' ) I - I

I'm go' in' home .

Gm aj 7 Grnaj7 / F ~w iRIlY- Fig. 6 (4 tim es)

C#5F#5 Arnaj7

~ sm~.J! ----- ~

J - 'i1~ ~----;sNot far from here! Out on this road.

F#5 Arnaj7 C#5 F#5

tr#~] l - I - I - ~~~

- Pay • in' this

Rhy. Fig. 6

F#5 Amaj? C#51\ II II

~

~ ~ ! ~ ~ ~ ~ ! :;j --. >- :; + :>

P M.--·········· ··- ---··· .. . . . . . . . •... -- - - .................... < P.M.····· _· ··-l

u

;:<r

64 _...

Amaj7 C#5

~~.

F#5 Am aj7

tolJ. _ Ow! _

BS

Fill it with an . gerl ;

J

C5 AS

stage! _theSet

B5

Make , me whole!

~ ~ ~ I : ~ '~ : I ~ ~ ~

B5 C5 AS B5 C5 G/B C5

Fill it with rage! _ No, I don't what is to - day. __ But 1_

---sl.

t4

Gmaj7/F~

Guitar solo 11rs E5 w/Rhy . Fig. 4 (4 times)

AS ~'---3--------, ~5~maj7

~.~~ & &,

~%F--_ ~~~~~I~~~~~

in the years of de - cay! _

H P

{ { {2' '

semi-harm> - - - - -'1Full Full Full FujiFull

I

I j

falls __ know it

n1

85

,.. ;I

ES

Gmaj7

(8~~---" Gmaj7/F'

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---~"""'H P P

A.H.-------,F~U H P P/ \~, ----

ES

H P..... ~

H P

sl. A.H.pitches: D#

sf.

Half-time feelw/Rhy. Fig. 6 (4 times)

E5 Gmaj7 Gmaj7IFf F'SBva- - - - - - - • • • - . - - - - - - - - - - - •• .•.•

F~I ~ F~ ~~.... .. .... .. Full1\;1 ..?--...~ ~ ~ ~ ...._--------.... sl/ ~ 't: += f:. :j:: += t: :J!: t-~ t!:. .. t!:. .. .... II" )---.-................-..-......-----.

-/ / <, / <,

v •

a..~

Pullj~

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F~S

lei ring- - - - •• ~

F~./-.y 'VI

Iet ring- - - - - - - - - - ~

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·u

Ama]? C#5 (end halftime feel) w/Rhy. Fig. 4 (4 times)FU!~ __ . . E5 Gmaj7 Gmaj7/F#.-L4~4~.-. sl. 'k~i ---..----------.-.--.--------------..~- -; -------i-P' -. .--~; .; --..,~~ rr~' Iol;l /4 V",

ou' 4~44U ...... ~. ..~.. . ~.

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66

Full- ,._------_ ..........J. ... """ '- sl. F~Ly .... 00 •••••• ••

+.-j'--J--..J '--3 -1 '--J-l

H P H I' H P-- -- ....-.........OJ .~ -= .'"

E5Gmaj7/Fjloco Gmaj7 E5

Full Full Fullri·"......... . . ........

¥==U~ ....~.uuu r~

Full

I ~)"!!--. ... - " Full

:;1' C> ::uuu~ -7 S

I I,s

:~/ \ 12 14 Ii! 104104 \2 14

Gmaj7 Gmaj7/F# £ 5 Gm aj7 Gmaj7!F~

FullFull

..~i~f-.. . "" ....

~-~.~.. - ll .. • • q~q~.... ....

~I L-3 ----1 ~--,f... r·· .....sl.

F,!!.ll F ullH p . ~

J t u

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.• 'ucc- ' ..

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st.

Free time

Gtr. IIE~US2 rt-.D,S. (Tempo J) al Coda Jl

Full 0 o

"Jl ... ~_ .......1:/------_._. . . . - -_._-

======-- 1";\ ~>- •.. -- --:::-.., .

t' 5grad. release

Fullp .1"""" .-...-.--- ...- - •.-.. --- 'A I .,,

,

·Power shut-offsound enha ncedby reverb.

Faster J= 132w/Rhy. Fig. 4 Play 3 t im esE5 Gmaj7 Gmaj7! F# E5

Coda II.; ) J ) ) ) ) J ) ) ) ) .; ) J )

P.M.· - - ••. -.- •.••.••.•.• -- .. . .. . . ... - ____• . • ____•. •.••.•. __ • • • . ___ J

t grad. Tit .

~: .. I - :!I - I ..I

E N.C . E D E BS C G5 F~ S E D E BSt:\ Rhy. Fig. 7

~ ~~ • ~ . ' ~3:;;j.' ~ #>- >- >-

,- ' A' I A ,.,,~ ' ...

.:.I ':' .,.I ;,

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/ '~'""""".

st.

67

~

c(end Rhy. Fig. 7 ) w/Rhy. Fig. 7

GS F#S E D E B5 C G5 F#Sw/Fill 2E D E B5

All :;; >- Fdb.~ ~ .. ... . . . .. --. -.,. - . ". '" .-- ••• • • • . '_pw.

.. ~ p. -_ ... - - - ...... ... .- . '. pp ••.. ~ ........ ........- . ..

'".. .~ - .... ... . &..- -.--.@) .. .. I I

Fdbk.

~

-: ~

~

F$SG5

A]-I. pit ches. D E

D E

1

Outrew/Rhy. Fig. 7E

1 fF#5G5c

1\ J1 .... , .,>

@)

The of de - cay! Theyears(T he years of de - ca y .)

A.H."'- -· · · · · · · ' 1(B va)

Full Full Pull Full Ful l

i ,;.:---....... '"' Ii P

,..~~nnA.+f\ J.I ••st eady gliss. ~ - --~ .fl-U .fl-. - --

@) '-3-.J

pick slid e A.H .·······-·· ····,Full FullI rrr >:':»; H p Full Full Full Full

./ ./ -.~ .c .-': .-::

-

F#5GSBS C

.l1.-----J- -

ED

1E

1I\w. r-, - - - )

~of de . cay! __ Theyears

(T he years of de . cay .)

A.H. Pull

J4 1/4 --- Full ~

,. }--. ~ H H~ .~~ ~~f\J1 • ------ . l- • ---

~+ ..--'#- • •

@)

If4 1/4 A.H.Pull

Full~ '1"'- - ~ H H ~ P ...... .... ~"I';r'"

/I ".-:: ..----.. ,------.., / .---... /

..

Fill 2

steady glissf\J1

@) I --pick slide

68

wl.Rhy. Fig. 7 (till fade) wjRiff ARepeal and fadew/Gtr. effects

E D E B5 C G5 F~5 E D E B5 C G5 F#5

~~ 1 n~l } 1, ~ 1 n--J l'

f'f - - t -I

r ~ I F I -r G r Ir I

:~G J ~years of de - cay!_ The years of de-cay!_ The

(The years of de - cay.) (The years of de - cay.)

Riff A

pII .. .--- .--...

~

P~

.~

Additional Lyrics

2. Promised the world, as your worldChanged before our eyes.And the days became the weeksAnd the weeks the years.No one remembers that very first day.How it slipped away.Forever [ wait,Pulling in, putting out as the motors whine.To remind me I'm home and I'm here to stay.As we decay.Another day.Decay away.

3. Self-sacrifice every night.And together we payed a price in bloodThat spilled out through the years.And another day passes away.Look to the blackDrawn farther back.Look to each day.See the decay.Times I've had,Good and bad.Win or loose,This is what I choose.

69

E.VIL N .EVER D .1ESWords and Music by

Overkill

Ab5xxxx

~4fr.

D5

!jfSfr.AS BbS(lype2)mBf X XXX~5fr. p6h.

B5

~"G5xXXXp3fr.

Bb5

•FS

~E5

~11

Freely J=108

N.C.Intro Gtr.

[1\ .. ~ • ~ I

~ I (J 4-mp ~.-::::::--=::: ~ ~ --=: ~ -= -= -= -= -= -==::::. .....:::;::, -= -= -= -:;;;;:, --=.....:: ~

wldelay and reverb

~

T ~ "A ~ ~ ~ ~

~ .- "-vei. swells

.....-::: -= -= ......:= -= t:'\

~ #J ~ #J ~-=

Gtr.~ J9- -e- 9-t7'

&- II.. ,.., r, --

I Gtr.' I 0-=:::. -< """" -= :- -= -= --=: -= -= -= -= [ -= -= -= -= -= --=

.~.- .;;

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~ .~

.~

'v

Gtr'fi e:II " II ,s- -e- i9- ,.., ,., ~ , ~ b.p. bi9-

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-= -= -= -=: -= -= -= -= -= -= -= -= -=: -=:; -= ....::; ....::; -=

.~'v

--- ~

::: v

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GtL____s..~f"_

______________s~~~_-- o$../flfJ.e. ---------------~/g£~ -~fl" I

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-= -= -=- -=trem. bar

- _s-'g.c_~ - _sj{lfJs - _sj{y;.k:.. -- s.fg(;}L~l

III!II

"I I .~ ' I.~\ I.~\ I.~\ ,~\ II,. II

Copyright~ 1989Blood and lroll MusicCo./ZazmarMusicCompany (BMI)

70Thl. ArmngBmGlIl~ 1990Bloodand Iron MuslclZJUmar Music Company

InlBrnaDonllJ CopyrlghtSecured All Righls Aesorvoo

.....

f

·w/dJitorl,on

Faster.l = 216 Play 8 rimesE5 (end Rhy. Fig . 2)

~:'-2) ~ J ~ ) ) ) ~'> >- :;:::.- :::>r .M.· ···-- ············· - J

ES• I 1";\d --------...... ()

vol. off--~==========

Gtr,11-

Play 8 timesF#5

(end Rhy. Fig. 1) E5 1";\

) j) )\ 'f "f f·;::- >-

:~

Gtr. w/F'i11 II E5(o9)

fI lJ. .. ". " .

@;

~I

~I

~I

let rlng » ••••• - - • • - •••••• ~ sim,

~

..Moderately .I", 120

Rhy. FSFig. I J', )

(Gus. I & II) P:M.

fn~:~~~

BbSGtrs.1&110t# >-

@)

e-

<> .::> "f --

F5

) ~ ) ~ ;--) )~ - > I >-

••••• ••• •• •• _•••••••••••••••••• J

I.Re . venge is sweet for those who wait.2.3.4. See additional lyrics

ES FjS

),),),)),),).;).;.; J ~):::;::;.. • ::::::> ,. ~ • >- • ::::>- • .>- • :::> • :::::>-P.M -- - _- - - •. - J

Nev > e r ear . Iy, al > ways late. Wait· ing now to con > sum - rnate a mar- riage made in hell.

G5E5 ES

) ~ ) ~ )) ) '? ) ~ ) '? ~) ) ~ ) ~ .; '? ) ~:> """ :> """ :> ::> :> ::> z> :> >- >-P.M - .. - - _.. - .• - - . .. • . . . . . . . . . J P.M.··················· ·· ··· -. - - . - .

~ r g5E~1~~s~~~E" a=r~~j ~Hand in hand you walk a - lonec, as good ad . vice seems to drone. E . vii cuts right to the bone.

Fill I

fill

~

l!J

--= ==-

71

F#5 C5 B5 BpS F#5

~ ,.r=,--J ) ~ '! )I n-JP.M.- .... J P.M. . . . . . J

., f=tf gWtr),

A - wak ens me._

.,J

B5 BbS

Has it come?_ES

(end Rhy . Fig. 3)

~ ;--)t.;:1. .... J w/Rhy. Fig. 2

B5 B~5

~ "f

~r

C5)

Chorus4th time wfVocaJ Fill I C5

) ,) ,) J Rhy . )

~-->-----: -- :-------~

~, ~~~~~~~~~

vil _

go,_

E

Will itGtrs. E5

1 & II r-J ;---J r-J41h lime to Coda IJI :> • :> • :> •

E5 1\). P.M.- · ···_·······················J

~~~§~~ ~

Will it ev - er _ die? _

F#5 CS B5 BbS

t [ g~

Don't you know'L,

BS B~S

b'M8ing me?_

it _ done'L,Is

tak

C5

Play 3rd timeonly,l st and 2nd timestacet,

2nd lime 10 Coda1Ird lime 10 Coda If

~

Not in strict timeE5

Faster J= 216G5 F#5

(cont, in notation)

Refers to both gtrs,

In time ( ~ = 216)Guitar solo Tw/Rhy. Fig . 2 (Gtrs. I & II) (8 times)E5

Slower J= 208CS

II .. . . ...

@J

nev . er dies!

Clean elec, * ......... ,(Clean elec. & Acous, gtr, out) Full

II:! r 1 J r I J r I J Gtrs, I & II )~:...-'"

~ r r J r r J ~r r J ~ ~~ ~ACOliS . "'0 .. -.. " .,gtr. "let ring' .... ~ sim. Full.-,

, ~

~ ~

* •

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~

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/:~.H. Full(J5~-------~Gtr .m

II .. . ,0# - - - - .. ~ .. --- ... - ."--'" . ~~ II. -...,..~~- ~ • .. .. ... ...' _. .....•-. ::;j-- - +- +--F-1If) :;f - - 3

trem. barwlwah

rake vib. wlbar~l

as filter ~ ---------- ====-----Full ~A.H. ~------- _M ,~ . .~ ," ."/' .~ .~ ' ,..-

A.H. pitch: £<Pull up on

72

HH

--

sl.

A_H.- ....• _~

(8ya)I'h. IV>) )Full

)

A.H. pitch: E

Not in strict time"2 BbS

sL ~Pl'1i ,)r----,)---,) "/~ --------- :>

Full

)loco

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Pull ~25/. ___H I[

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slack

BbS * Pull up 011 bar.

I'IJl 't ~

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....

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as filter ' 2 I W w J 0' '-V W ~ ~ ~- ------- ---- ~ 'V"r Ii "'!/P H -..v '-l/ p HWW PH'... P P · T P H TP P H H \) H /- :--.... 1• •"\ ..".~ 17 19 (19) 17 19 2219 17 2 .A:::- ;:: v - . .~ .~

"T ap ",:/pi ck wh ile

1/1 lime (~ '" 216)Guitar solo [J

w/Rhy. F"ig. 2 (Ctrs. I & II) (8 times)ES

Coda I Sva - - - - . - - . - - - .. - - - . - - . - - .. - - . - - - . - . - .. - - . - - . - - . - - - - - - - . - - . 1 loco

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semi­harm.

ful!A.H.·····,

73

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la k

Slower J= 120Int erludeES (cont. in notation)

0 ---------0-----------0'-Gtr. I)) ).) )AS B ~S (I Y po 2) DS AS Bb5(lype1)

1\ a (Gtr. TIl out):> » >- Gtr. II s c

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~

pick slide*-= =- -= -= :-- --= -= -=

I".u 'VI

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I~- -!- - n _____D _______n ____.__n _______n ______n__________.___n-------u_____n

~u___u __________u _______u-----u_____u _________u _______u _____u

Pdbk.

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74

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76

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77

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Additional Lyrics

2. Keep me close to your heart.Adversity will come apartAnd finish just before you start.Never question why.Today was then . Remember when?Skipping numbers one through ten .Permanence through the pen. (To Chorus)

3. Laughter stands accusing me.Emotion stands abusing me.The battered and the bruising me.Is there darkness when you die?I heard a sound. No one there.I heard a shot. No one cares .Laughter turns into despair. (To Chorus)

4. Evil hidden everywhere.Evil has a chilling stare.Null and void of any careIs where the answer lies.It does no good to beg or cry.It doe s no good to question why.It does no good , it never dies. (To Chorus)

78

TIME TO KILLELIMIN~rION

1 Hl\TENortHING TO 1)1£ FOR

PLA..'lING \7\lIT1--1 SPIDERS/SIZULLKRUSHERBlRTl-1 OF TENSION

WHO TENDS TI-rE~ FIRE~rl-lEYEA..RS OF DECl\Y

E.VIL N.EVER D.lES

2 1694 072 18

Printed in U.S.A. iCherryLa ne MusicCompany, Inc .''q I.,WJlY sn pnnted m USlC "

zo. 80 > 430 . Port Che ster, NY 1057J ·43O$17.95i" 1 1 ~ .6.