OUTSIDE FRONT COVERPLACEHOLDER

C ON T EN T S

INTRODUCTION. . . . . . . . . . . . .

. 2

XBOX 360® CONTROLLER . . . . . 4

CONTROLS . . . . . . . . . . . . .. . . . 5

GETTING INTO THE GAME . . . . . 6

MAIN MENU . . . . . . . . . . . . .. . . 7

BRIEFING NOTES . . . . . . . . . . . . .

. . . . . . . . . . . 8

MISSION OBJECTIVES . . . . . . . . . . . . .

. . . . . . 1O

ROOKIE TUTORIAL . . . . . . . . .

. . . . . . . . . . . . .10

GAME SCREEN. . . . . . . . . . . . .

. . . . . . . . . . . . 11

COMBAT . . . . .. . . . . . . . . . . . .

. . . . . . . . . . . . 12

PAUSE MENU .. . . . . . . . . . . . .

. . . . . . . . . . . . 19

OBJECTIVES . . . . . . . . . . . . .. . . . . . . . . . . . .

19

OPTIONS MENU . . . . . . .. . . . . . . . . . . . .

. . . . 20

ACHIEVEMENTS. . . . . . . . . . . . .

. . . . . . . . . . 20

CREDITS . . . . . . . . . . . . .. . . . . . . . . . . . .

. . . 21

WARNING Before playing this game, read the Xbox 360® Instruction Manual and any peripheral manuals for important safety and health information. Keep all manuals for future reference. For replacement manuals, see www.xbox.com/support or call Xbox Customer Support.

Important Health Warning About Playing Video GamesPhotosensitive seizuresA very small percentage of people may experience a seizure when exposed to certain visual images, including flashing lights or patterns that may appear in video games. Even people who have no history of seizures or epilepsy may have an undiagnosed condition that can cause these “photosensitive epileptic seizures” while watching video games.

These seizures may have a variety of symptoms, including lightheadedness, altered vision, eye or face twitching, jerking or shaking of arms or legs, disorientation, confusion, or momentary loss of awareness. Seizures may also cause loss of consciousness or convulsions that can lead to injury from falling down or striking nearby objects.

Immediately stop playing and consult a doctor if you experience any of these symptoms. Parents should watch for or ask their children about the above symptoms—children and teenagers are more likely than adults to experience these seizures. The risk of photosensitive epileptic seizures may be reduced by taking the following precautions: Sit farther from the screen; use a smaller screen; play in a well-lit room; do not play when you are drowsy or fatigued.

If you or any of your relatives have a history of seizures or epilepsy, consult a doctor before playing.

E

VIDEOGAME

ESRB Game Ratings The Entertainment Software Rating Board (ESRB) ratings are designed to provide consumers, especially parents, with concise, impartial guidance about the age-appropriateness and content of computer and video games. This information can help consumers make informed purchase decisions about which games they deem suitable for their children and families.ESRB ratings have two equal parts: • Rating Symbols suggest age appropriateness for the game. These symbols

appear on the front of virtually every game box available for retail sale or rental in the United States and Canada.

• Content Descriptors indicate elements in a game that may have triggered a particular rating and/or may be of interest or concern. The descriptors appear on the back of the box next to the rating symbol.

For more information, visit www.ESRB.org

E

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2 3

N o w i t ’s i n YO U R h a n d s : S h e l l s h o c k 2 p u t s y o u

i n c o n t r o l o f N a t e W a l k e r . Yo u m u s t ta k e u p

t h e h u n t f o r Ca l a n d t r y t o s o l v e t h e m y s t e r y

o f “ W h i t e k n i g h t ” i n t h i s i n t e n s e “ s u r v i v a l h o r r o r ”

g a m e . S e t i n t h e d a r k , n i g h t m a r i s h j u n g l e s d u r i n g

t h e V i e t n a m W a r , t h i s i s y o u rc h a n c e t o e x p e r i e n c e i n t e n s e ,

b r u ta l j u n g l e c o m b a t m a t c h e db y s w a t h s o f u n b r i d l e d h i g h

t e m p o h o r r o r .

I N T R O D U C T I O NO n c o u r s e f o r w a r - t o r n V i e t n a m , a U S p l a n e

c a r r y i n g a t o p - s e c r e t c a r g o c o d e - n a m e d

“ W h i t e k n i g h t ” i s l o s t o v e r t h e j u n g l e s o f

Ca m b o d i a . A S p e c i a l O p s s q u a d i s s e n t i n t o

r e t r i e v e i t , b u t t h e y a l l m y s t e r i o u s l y d i s a p p e a r .

O n e m o n t h l a t e r , o n e o f t h e t e a m , S e r g e a n t

Ca l e b W a l k e r , w a l k s o u t o f t h e j u n g l e — b u t h e i s

c h a n g e d ; s o m e t h i n g h a s d r i v e n h i m i n s a n e ,

s o m e t h i n g t h a t f o l l o w e d h i m o u t o f t h e d a r k n e s s .

Th e h o r r o r …

Ca l ’s y o u n g e r b r o t h e r N a t e i s t h e n q u i c k l y b r o u g h t

i n t o t r y t o g e t i n f o r m a t i o n a b o u t “ W h i t e k n i g h t ”

f r o m h i s d e r a n g e d s i b l i n g . Ca l i s b e i n g k e p t i n

q u a r a n t i n e b y t h e m i l i ta r y b e c a u s e h e i s c a r r y i n g

a h i g h l y c o n ta g i o u s a n d h o r r i f i c a l l y d e s t r u c t i v e

v i r u s . Th e b r o t h e r s m e e t b r i e f l y , b u t t h e n a l l h e l l

b r e a k s l o o s e : V i e t c o n g S p e c i a l Fo r c e s a t ta c k

t h e r e m o t e j u n g l e t o w n b a s e , a n d i n t h e c h a o s

t h a t f o l l o w s Ca l b r e a k s o u t a n d e s c a p e s .

4 5

C ON T R O L SX B OX 3 6 0® C ON T R O L L E R

L / l Menu highlight

A Menu select

B Menu back

L Move character

C Camera

y Run

z Throw grenade

A Flashlight on/off

B Melee attack

X Reload weapon

Y Use / Interact / Pickup

w Snap to Iron Sight

x Fire weapon / Punch / Melee

s / o Change weapon

m / q Switch to flare or grenade

j (click L) Stance Toggle

> Pause Menu / Objectives

G A M E C O N T R O L S G A M E A C T I O N

G A M E C O N T R O L S G A M E A C T I O N

A button

Y button

X button

B button

w left trigger

L left stick

y left bumper z right bumper

C right stick

ldirectional pad

XboxGuide

<BACKbutton

>STARTbutton

x right trigger

6 7

The Main Menu screen is the starting point for all areas of the game.Here you can choose: New Game to start a new game; Continue Gameto resume from the last checkpoint; Level Select to replay an unlocked level;Options to adjust game and controller options; or Change Gamer Profileto modify your profile.If this is the first time you are playing Shellshock 2: Blood Trails:• Select New Game.• Select Easy, Medium or Hard difficulty.• Press > once the level has loaded.

MA I N MENUG E T T I N G I N T O T H E G AME

• Once the game loads, press >.• You will be asked to Sign In. If you don’t sign in, you won’t be ableto save your settings or progress.

• Next, you will be asked to select your storage device. This will bethe location of your Autosave and all manual saves.

• You will now proceed to the Main Menu screen.

F a m i l y S e t t i n g sThese easy and flexible tools enable parents and caregivers to decide whichgames young game players can access based on the content rating. For moreinformation, go to www.xbox.com/familysettings.

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You play Nate Walker. Get to know him well and use these characternotes to try to understand the special bond he has with his olderbrother Cal.

Private Nathanial (Nate) WalkerNate’s father was dishonorably dischargedfrom the US Army in World War Twofor cowardice, after suffering shellshock.Nate’s older brother Cal always resentedhis father. As soon as the US was suckedinto the Vietnam conflict, Calvolunteered to fight, to provethat he was not a coward like his father.It was not long before he was decoratedfor bravery at the siege of Khe Sanh.His father was overjoyed at the newsof the medal and Nate found himselfunder increasing pressure to volunteer.But before Nate could decide whatto do, he was drafted.

B R I E F I N G N O T E S

Sergeant Caleb (Cal) Walker

When the brothers were young, Cal alwayslooked after Nate, especially when they weretaunted by other kids about their father’sreputation for cowardice.In the Army, Cal was always the firstto volunteer for the most dangerousassignments. This “first into the fight”mentality generated furious loyaltyfrom the soldiers he fought with.Cal worked his way up to Squad Leaderof a Special Ops squad, the squad that wassent in to track down “Whiteknight.”

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When the game begins, you have to hit the ground running.Initially, you won’t know what’s going on. You will be briefed by MasterSergeant Griffin, a fiercely patriotic psychotic who would willingly diefor his country.You are in the frontier town where Cal is quarantined. Griffin takes youto meet your incoherent brother. Cal’s first moment of clarity occurs when herecognizes you. There is a connection—but then an explosion blasts throughthe cell, showering debris into the room. When you come to, you spot Calescaping with Griffin racing after him.There’s very little time for basic training. You must chase them and learnthe basic game controls FAST—your life and the life of your brother nowdepend on it!

R O O K I E T U T O R I A L

Shellshock 2: Blood Trails has a large number of intense levels. Each levelhas a number of mission objectives that you must complete before you canprogress to the next level.New objectives are added to the list as you progress. When added, they areshown briefly on-screen and then listed in the Objectives Menu.Completed objectives are checked off.

M I S S I O N O B J E C T I V E S

The game screen is deliberately left clear and uncluttered, enabling youto see and hear exactly what Nate Walker is experiencing. This conveysthe atmosphere of being there, deep in the jungle, surrounded by hostiles,the VC after your blood and a terrifyingly contagious virus primedand ready to infect you.Some HUD items and text messages will appear on-screen briefly, then fadeaway to clear the screen for action. The screen also graphically reflectsNate’s state of health, shock, stamina, etc.

G AME S C R E EN

We a p o n sYour current weapon in hand is shown on-screen, but be warned that youwill have to find additional weapons to survive. You will find a numberof different US and VC weapons; those that can be picked up areclearly indicated.• Once you possess more than one weapon, you can scroll through them(put them into your hands) with s/o.

C r o s s h a i rEach pistol, rifle or automatic weapon you are currently holdinghas an on-screen crosshair sight icon that allows you to aim

and fire at a specific target.The crosshair is permanently on by default, but you can choose to switch itoff via the Options Menu. It will then appear on-screen only when youbegin to fire.

I r o n S i g h tEach pistol, rifle or automatic weapon also has the option of an Iron Sight.This raises the weapon’s sight up to your eye line, and allows you to firean accurate, finely controlled shot.• Pull w to use the Iron Sight.• You cannot use the Iron Sight while running, and you will not seethe crosshair.

C OMBAT

C o n t e x t u a l B u t t o nThere are many objects, items, and structures in the game that you can use,pick up, or interact with in some specific way. When you are nearthe object, an on-screen contextual button prompt will appear.• Press the contextual button shown on-screen to use, pick up, interact,and so on.

S t a n c e I c o nYou have two stance positions in the game: standing andcrouching. Standing gives you more mobility but makes youmore vulnerable. Crouching makes you slower across the groundbut puts you in a better defensive position. An icon appearsbriefly on-screen to show the changed stance.

• Click j to switch between standing and crouching.

Amm o a n d R e l o a d i n gAmmo is at a premium in the game. There’s not much of it around,so try not to waste it on indiscriminate fire.When your weapon is low on ammo, the weapon icon flashes upon the HUD. When your weapon is out of ammo, the weapon iconappears with a red cross through it.• Press X to reload the equipped weapon.

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14 15

M e l e e A t t a c kIf an enemy jumps out at you tooclose for you to aim your weapon,you can use a melee attack to smashthe enemy in the face with whateveris in your hands.• Press B when close toan enemy to melee attack.

If you are not carrying a weapon,you will use your fist to smashthe enemy’s face.

G r a p p l e A t t a c kIf a deranged enemy suddenly gets rightin your face, that foe will lock you intoa hand-to-hand grapple.• To successfully grapple attack the enemy, press the on-screen buttonprompts in sequence.

• Once you manage to beat down the enemy, pull w / x to performthe finishing move of your choice.

T h r o w i n g G r e n a d e sYou can pick up and throw various different objects, such as grenadesand flares, but in combat the explosive grenades are by far the mostimportant.• Select the grenade (scroll through your items with m / q).• Turn and look in the direction you want to throw.• Press z to throw the grenade.The grenade is thrown in an arc in the direction you are facing:• If you are looking forward, level with the ground, the grenade will travelin a low trajectory arc.

• If you are looking up, you’ll get a longer distance on the throwby pressing, holding and then releasing z. Increase the effort you putinto throwing the grenade to increase the thrown distance.

A grenade is fitted with a detonation timer that initiates as soon as yourelease z. This means that a grenade thrown a great distance with a largetrajectory arc can explode in the air above an enemy, making himvulnerable even when he is in good cover.

16 17

H e a v y M a c h i n e G u n sAt certain times, you may have to firea mounted high-caliber weapon such asa heavy machine gun. These weapons cando a lot of damage in a short spaceof time, and can be very useful againsta strong, determined attack.• Approach the mounted gun by facingthe handles, and press Y. You willgrab hold of the gun.

• Aim with L.• Fire with x.• Press Y to release the mounted gun.

Wa l k i n g a n d R u n n i n gWalking is the default character movement in Shellshock 2: Blood Trails.You can also sprint by pressing and holding y.• Be aware that running tires you out and uses up stamina.

S t a m i n aMaintaining stamina is very important; it affects everything you do. Prolongedsprinting, the effects of shellshock, and taking damage all reduce your staminalevel. Reduced stamina affects your combat efficiency, reducing your reloadtime and the accuracy of your aim. You can preserve (or top up) stamina bywalking slowly, remaining still or crouching for a period of time.While there is no specific indicator on the HUD to show your stamina level,you can get a good idea via realistic audio feedback and on-screen effects.

B r e a t h i n gThe heavier and more frequent your breathing, the lower your stamina.When your stamina is at its lowest point, your breathing will changeto an unhealthy wheeze and you will only be able to move very slowlyacross the ground.

F l a s h l i g h tYou are carrying a useful flashlight that will help light your way throughpitch black tunnels and dark sections of the game. Remember: usinga flashlight will also make you visible to an enemy, so turn it off when it’snot essential to your progress.• Press A to turn the flashlight on/off.

18 19

H e a l t hYou are able to see your current state of health without affecting your fieldof view: as health decreases, the edges of the screen turn red and beginto close in. If you continue to take damage and die, your view will gocompletely dark. As you regain health from injuries, your field of vision isgradually returned to normal.

I n j u r yA number of full-screen effectsshow the effects of injury,impaired vision, drug useor shellshock. If Nate is badlyaffected by gas or smoke, youwill hear him cough and gaspand the screen will flash.

You can access the Pause Menu at any time to freeze the game and takea break from the intense action. The Pause Menu also allows you to:• Restart the level.• Return to the last checkpoint.• Access the game options.• View your current objectives.

P A U S E MENU

You can access the Objectives screen at any time. Next objectives will beshown briefly on-screen and then listed on the Objectives screen.If an objective has been completed, it will be checked off.• Press > to view your current objectives.

O B J E C T I V E S

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You can access the Options Menu from the Main Menu or from the PauseMenu. It allows you to adjust various control- and game-related optionsand manually save the game.

O P T I O N S MENU

C o n t r o l O p t i o n s• Invert Controls on/off (default: off)• Aim Sensitivity (graduated bar)• Aim Assist on/off• Aim Assist Sensitivity (graduated bar)• Control Layout• Left Handed on/off (default: off)

G r a p h i c s O p t i o n s• Brightness (graduated bar)

A u d i o O p t i o n s• Music Volume (graduated bar)• Sound Volume (graduated bar)• Speech Volume (graduated bar)• Subtitles on/off (default: off)

G a m e O p t i o n s• Crosshair yes/no (yes = always on)

S a v e O p t i o n s• Save Game• Auto Save on/off

V i e w C r e d i t sAvailable from the Main Menu OptionsMenu only.

D e v e l o p e d b yREBELLION

R E B E L L I O NM a n a g e m e n t C E OJason Kings ley

C T OChris Kings ley

H e a d o f P r o d u c t i o nMike Burnham

H e a d o f P r o g r a m m i n gKevin Floyer-Lea

H e a d o f D e s i g nTim Jones

G a m e T e a m

S e n i o r P r o d u c e rSean Gri f f i ths

P r o d u c e rJohn Walsh

A s s i s t a n t P r o d u c e r sLee Heir

Richard McClaughryEric Mil ler

L e a d C o d e rStuart Middleton

C o d eCata l in Arsenescu

Steve Barnet tJames BulmanDamian FurlongMart in Harr isMike HealeySteve Keen

Andrew McDonaldMark Parry

Morgan ParryRichard RiceGuy Symonds

John Treece-BirchBen Weston

Can Wether l i tNei l Young

Thomas Young

L e a d D e s i g n e rKeith Ledger

D e s i g n e r sWayne Adams

Jonathan Barret tOl i Clarke-Smith

Ade EsanPaul Fie ld

Ben GouldstoneIan HanniganJamie MortonKevin NolanDarren PriceAndy SandhamDavid Ward

L e a d A r t i s tDaryl Clewlow

A r tLeavon ArcherPeter AsbergPete BarnardTom Bees leyAdrian DenneAndrew FinchJames FraserJamie GibsonJason HardmanNick HintonJohn Li l ley

Doug McPhersonCla ire MunceyChris NarchiJerry Oldre ive

Andrew Patt insonSean PowerVidar RappLee Ray

David ReadingGraham Rice

Scott RobinsonJo Taylor

Paul Trehan-YoungRick Underhi l l

Richard White lockMatt Wilmot

A d d i t i o n a l A r tKornel ius DahlMart in OchengPaul SparkesNathan Tang

Andrew Stewart

A n i m a t i o nJohn BarnardSarah DeasDes Forde

Gary RonaldsonDuncan Skertchly

A s u r a E n g i n e C o d eCata l in Arsenescu

Steve Barnet tNick Bret t

James BulmanPaul CardyNick Davis

Kevin Floyer-LeaAnthony GregsonMart in Harr isMike HealeySteve Keen

Steven LoveseyRichard May

Andrew McDonaldStuart MiddletonCraig Mitchel lMark Parry

Morgan ParryWil l iam PlanoKim Randel lRichard Rice

Andy SouthgateAndy TateNei l Young

Thomas Young

H e a d o f A u d i oMart in Ol iver

A u d i o L e a dStuart Duff ie ld

A u d i oNick BrewerTim Haywood

Michel le LeonardJordan Pedder

V i d e o T e c h n i c i a nIan Smith

Q A M a n a g e rIan Tutt le

Q ASimon Brewer

Hayos FatumnbiPawel Goleniewski

Owen KeysKevin Marshal l

Ale jandro Mil l icanOl iver Scott

V o i c e T a l e n tNick BrewerPeter BrookeRoger Clark

Tim DavenportDarren Daly

Emily Dennis tonSon Do

Stuart Duff ie ldDes Forde

Tim HaywoodBen McCul lough

Ela ine McCul loughHung NygenKerry Shale

Robert G. SladeTom ScuttEben Young

G a m e M u s i cMart in Iveson

Ben McCul lough

I T S u p p o r tEd Duerr

Robb Howel lAndy Ligget tDan Thomas

A d d i t i o n a l T h a n k sAudio Mot ion

Fi lm Finance Inc.

S p e c i a l T h a n k sPaul FrenchAndy GibsonIa in Hancock

Duncan HopkinsSam Kinch

John O'BrienSteve Pr i tchardDavid ReedTom Scutt

Ol ive SentanceCla ire TimpanyJake Turner

Fr iends , Fami l iesand the bet ter ha lvesof a l l o f the staf f

dur ing the developmentprocess

C R E D I T SR E B E L L I O N

A C H I E V EMENT S

Achievements are awards that you can unlock by completing specifictasks within an Xbox 360 game. Each Shellshock 2: Blood Trailsachievement includes an achievement score that will be added to yourgamerscore when it is unlocked.

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E X E C U T I V EV I C E P R E S I D E N T

O F S A L E S& M A R K E T I N GRobert Lindsey

S E N I O R D I R E C T O RH U M A N R E S O U R C E S

Lisa Dennis

M A R K E T I N GD I R E C T O R

Karl Stewart

M A R K E T I N GC O O R D I N A T O R

Joveth Gonza lez

P R S P E C I A L I S TStanley Phan

S E N I O R M A N A G E RO F P R O D U C TM A N A G E M E N TMai Kawaguchi

C R E A T I V E S E R V I C E SM A N A G E RMike Cala

C R E A T I V E S E R V I C E SP R O J E C T M A N A G E R

Jul ie Moret t i

R E G I O N A L S A L E SM A N A G E R

Holly Robinson

S A L E S & M A R K E T I N GS E R V I C E S M A N A G E RI lana Budani tsky

S A L E S S U P P O R TS U P E R V I S O R

Lena Sparks-Anderson

L E G A L & B U S I N E S SA F F A I R S M A N A G E RClinton Waasted

C H A N N E L M A R K E T I N GS P E C I A L I S T

Rafa l Dudz iec

O P E R A T I O N S A N A L Y S TLisa Sakura i

U . S . M A S T E R I N G& S U B M I S S I O N S

S U P E R V I S O RJordon Romaid is

U . S . M A N U A LHanshaw Ink & Image

WE B S Y S T E M SM A N A G E RJohn Glass

WE B A D M I N I S T R A T O RVeronica Rueda

S E N I O R K E Y A C C O U N TM A N A G E R

Kevin Witte

S E N I O R A C C O U N T A N TChen Jiep ing

S E N I O R P A Y R O L L& B E N E F I T S

A D M I N I S T R A T O RDee Edwards

A C C O U N T S P A Y A B L ES P E C I A L I S T

Arsenia Delacueva

C R E D I T M A N A G E RBrian O’Leary

R E C E P T I O N I S TEl izabeth Adelman

S E N I O R F A C I L I T I E SC O O R D I N A T O RTilo Ortega

F A C I L I T I E S A S S I S T A N TClaire Laik

I T D I R E C T O RBrian Ventur i

I T S U P P O R TBarnaby Go

Patr ick Lacis teAndre Rodr iguezRobert Hernandez

Travis RogersRyan Worre l l

S P E C I A L T H A N K SJVST

Robert DangConnie CheungMatt DahlgrenJohn LermaKel ly Xu

Rich Campbel lRudy Geronimo

Greg WuOonagh MorganCale Byrom

E I D O S , I N C .“ F r e e B i r d ”Performed by

Lynyrd SkynyrdWrit ten by

(Van Sant /Col l ins)Courtesy of MCA

Records IncUnder l icence from Universa l

Music Operat ionsPubl i shed by Duchess Music

Corp/Longi tude MusicCo/Universa l /MCA Music Ltd

“ A H o r s eW i t h N o N a m e ”

Cover vers ion producedby Hal Ritson

and Richard AdlamWrit ten by Dewey Bunnel l

© 1972 WARNER BROS MUSICLTD (PRS). LICENSED

COURTSEY OF WARNER/CHAPPELL MUSIC (UK) LTD.

Guitars – Guthr ie Govan,Vocals – Roland Jones ,Drums – Richard Adlam,Keyboards by Hal Ritson

“ M e Y a Y a ”Written by Andrew Barnabas ,

Paul Arnold & Li J iang .Lyr ics by Li J iang

Vocals by Amy Li , backingvoca ls by Li J iang .

Drums & percuss ion –Alex Reeves ,

Guitars – Louis Thorne,Bass – Chris Taylor,

Trumpet – Paul ArnoldRecorded at Blue Bank Studios ,Cambridgeshire . Engineered& edi ted by Chris Taylor

Music produced by Bob & Barn,Side UK.

“ A l l t h e S m o k e ”Written by Leavon Archer,

Andrew Barnabas& Paul Arnold .

Lyr ics by Leavon ArcherVocals & Guitar –Leavon Archer,

Drums & percuss ion –Alex Reeves ,

Bass – Chris Taylor,Organ – Paul Arnold .

Recorded at Blue Bank Studios ,Cambridgeshire . Engineered& edi ted by Chris Taylor

Music produced by Bob & Barn,Side UK.

“ L ’ e d g e e n D a m e ”Written by Andrew Barnabas

and Paul ArnoldPerformed by the City of Prague

Phi lharmonic Orchestra .Guitar – Louis Thorne

Orchestrated and conductedby Nic Raine

Recorded at Barrandov Scor ingStage , Smecky Studios , Prague.

Engineered and mixedby Jan Holzner

Produced by James Fi tpatr ick

M U S I C

24

Shellshock 2: Blood Trails © Eidos Interactive Limited, 2009. Co-published by Eidos, Inc. and Warner Bros. InteractiveEntertainment, a division of Warner Bros. Home Entertainment Inc. Developed by Rebellion Developments Ltd. Shellshock,Shellshock 2: Blood Trails, Eidos, Eidos Interactive and the Eidos logo are trademarks of Eidos Interactive Ltd. Rebellionand the Rebellion logo are trademarks of Rebellion Developments Ltd. Uses Bink Video. Copyright © 1991-2008 by RADGame Tools, Inc. Microsoft, Xbox, Xbox 360, Xbox LIVE, and the Xbox logos are trademarks of the Microsoft group ofcompanies and are used under license from Microsoft. The rating icon is a registered trademark of the EntertainmentSoftware Association. All other trademarks are the property of their respective owners. All rights reserved.

For warranty claims and product support, pleasecontact us at support.eidosinteractive.com (orwww.eidosinteractive.com) or (650) 421-7670. OurCustomer Services Department personnel are availablebetween the hours of 9:00 a.m. and 4:00 p.m. (Pacifictime) Monday through Friday (except holidays). You areresponsible for all toll charges. Customer SupportRepresentatives will not provide game hints, strategies,or codes.To initiate a warranty return, you will need an RMA#(“Return Merchandise Authorization”) from our Customer Services Department. (Any materials not containingan RMA# sent to Eidos may be returned unprocessed.)In many cases, return and replacement of a RecordingMedium or Manual isn’t the best solution for theproblem(s) you may be experiencing or replacement maynot be covered under the foregoing limited warranty. OurCustomer Services Department personnel can help youdetermine if replacement is necessary and coveredunder warranty.

In the event the Recording Medium or Manual isconfirmed to be defective and replacement is subject tothe foregoing limited warranty, you will need to return,postage prepaid, the Recording Medium/Manual (alongwith its packaging, unless advised to the contrary byEidos Customer Service Department personnel) togetherwith a copy of your original sales receipt (dated no earlierthan 90 days preceding the date of your return), and astatement containing a brief description of the difficultyyou are experiencing, the applicable RMA# you have beenissued, your first and last name, return address, emailaddress and phone number to Eidos Customer Service atthe following address to receive warranty replacement:

Eidos, Inc.RMA# (state your authorization number here)

1300 Seaport Boulevard, Suite 100Redwood City, CA 94063

WARRANTY CLAIMS & PRODUCT SUPPORT

The medium (i.e., disc/cartridge) on which an Eidos gamesoftware product is recorded (“Game Disc”) is warrantedto the original purchaser of the product to be free fromdefects in materials and workmanship for a periodof ninety (90) days from the original date of purchase.If the Game Disc is found to be defective in materials andworkmanship within 90 days from the date of purchase,Eidos agrees to replace the Game Disc to the originalpurchaser thereof, free of charge, upon receipt of theGame Disc and required proof of purchase. The foregoingreplacement remedy is the sole and exclusive remedy forbreach of the foregoing limited warranty, and Eidos shallhave no obligation to provide such remedy (i.e., freeGame Disc replacement) with respect to (i) any recordingmedium damaged by abuse, mistreatment or neglect (e.g.,cracks, scratches, damage from application of chemicals),(ii) any defect arising after ninety (90) days from theoriginal date of purchase of the corresponding product or(iii) in instances where the original purchaser cannotproduce a copy of the original sales receipt dated noearlier than 90 days preceding the date of return.

This limited warranty is in lieu of all other warranties,whether oral or written, express or implied, including,without limitation, any warranty of merchantabilityor fitness for a particular purpose, and no otherrepresentation of any nature shall be binding on orobligate Eidos. If any such warranties are incapable ofexclusion, then such warranties applicable to an Eidossoftware product are limited to the 90-day perioddescribed above. In no event will Eidos be liable for anyspecial, incidental or consequential damages resultingfrom possession, use or malfunction of an Eidos softwareproduct, including damage to property, and to the extentpermitted by law, damages for personal injury, evenwhen Eidos has been advised of the possibility of suchdamages. Some jurisdictions do not allow limitation as tohow long an implied warranty lasts and/or exclusions orlimitation of incidental or consequential damages so theabove limitation and/or exclusion of liability may notapply to you. In such jurisdictions, Eidos’ liability shall belimited to the fullest extent permitted by law.

EIDOS LIMITED WARRANTY

WBIE LOGO, WB SHIELD: ™ & © Warner Bros. Entertainment Inc.(s09)

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