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    BA (Hons.) GRAPHIC DESIGN LEVEL 06Module Code OUGD303 Outcomes 1

    Module Title FINAL MAJOR PROJECT

    FINAL MAJOR PROJECT

    STATEMENT OF INTENT

    Name: Niall Hargrave

    Blog Address: n-hargrave0912fmp.blogspot.com

    Rationale

    A typographic investigation of layout, within the cultural sector, across a

    range of media

    I will explore editorial design, focussing on contemporary design, with the basis solely on typography.

    Typography and layout are the fundamentals of my design practice. Through research into processes, briefs

    and interests, this will form my understanding of graphic design. This and what I look at through design context

    will inform the work I produce.

    Typography is important to me, focussing on both type as letterform and type as text. Through type design I am

    interested how this can be applied to branding as bespoke type, how it can be commercial in order to sell an

    idea/ project. Type as text, I am interested and am going to explore body copy within layout for editorial, hard-

    nosed type knowledge.

    Design will be mainly focussed on print, but I want to explore and understand web design. Especially given the

    technology in our current climate, I will always keep in mind other possibilities. There is a relationship between

    printed media and online media, the two can work together and influence each other. The differences between

    the two are key to understanding how to utilise both to the best of their abilities.

    With an interest in the culture sector, I will produce a range of designs that draw influence and content from

    within the culture sector to inform my work. This might include areas such as arts and culture and photography,

    focussed on the subjects broadly and in editorial design

    I will explore high-end print productions and processes this module, in order to help my professionalism within

    the industry. This will also help with my understanding and knowledge of print costs and budgets. This should

    become a part of my practice.

    Work with other creatives and collaborate with in a number of different ways. Broad areas include, curating and

    organising exhibitions or events, this could include anything from concept to production, branding, and

    promotional material, supporting publications, way finding and signage.

    Designing my own identity, to have presence within the design community. This will include business cards,

    stationery, and web presence. This should be something that is on going and I can always develop. I will make

    contact with various designers and design studio and try to get my work out there.

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    Subjects / Themes

    Culture Sector:

    Exhibitions

    Events

    Art

    Photography

    Literature

    Editorial within:

    Arts and Culture

    Photography

    Subculture

    Fashion

    Music UK Garage / Post-rock

    Commercial editorial and branding effectively to be commercial, make money.

    Production print processes and outcomes

    Userbility ease and navigation of user focussed design.

    Contemporary Culture arts and literature, entertainment, music, film.

    Swiss International Style fundamental rules and guidelines of typography and layoutDeconstructivist design break down of structure. Looking at post-structuralism & postmodernism

    Design Disciplines / Creative Development

    What I know & what I know I like.

    PRIMARY

    Typography- Type development and design. As exploration and

    research.- Type knowledge within layout and body copy for

    publications. Hard-nosed type.

    Branding- Develop and design identity for client in arts and

    culture sector.

    - Analyse design, subjective views. What is suitable

    and what is effective editorial branding.

    Editorial- Main focus point and interest within the layout and

    typography.- Identify concept and reasoning behind a project,

    what it is about.

    SECONDARY

    Promotion- The use of different medias for promotional

    purposes, and their effects.

    - Promotion for exhibitions/ events.

    - Suited for more individual purposes, when working

    with a client.

    Colour- Colours that evoke different emotions, different uses

    and applications of colour suited to the brief.

    What I need to do & find out.

    PRIMARY

    Typography- To develop bespoke type specifically for different

    purposes.- Improve and practice layout of body copy in a

    number of publications. Professionalism

    Branding- Explore branding for clients within the arts and

    design culture.

    - How branding applies within editorial. Art direction,

    brand guidelines.

    Editorial- Talk and engage with editorial designers discuss the

    current printed matter situation.- Print processes, in industry, create something

    tangible, something people can interact with.

    SECONDARY

    Promotion- Asses different approaches of promotional material

    depending on the brief.

    - Clarify the audience, and the objective.

    - To discuss opportunities and possibilities with clients

    when delivering promotional material.

    Colour- Explore and be more creative with colour for an

    appropriate resolution.

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    Practical Skills / Workshops what, why and when?

    Photography (on going)- As research. In order to gain primary sources of information when gathering material.

    - Content driven, with a focus on editorial, photography is a key element I would like to include within my work.

    - Documentation and Presentation of my own work, in order to show my work in the best light, either for

    presentation boards or for my portfolio.

    Print- Digital print, working effectively and appropriately when working to print digitally.

    - Print making, screen printing. See it as an appropriate and suitable skill to have.

    - Commercial printing, within this module gain experience of communicating with a professional printer.

    Yearbook and other briefs, which may include this.

    Print Preparation- To gain and develop a greater understanding of stock considerations. Appropriate for the message delivered

    and the print processes used. Develop the tactile element of design.

    - Print processes, explore and experiment and understand the processes and what they can achieve.

    Laser Cutting

    - Workshop in to be planned to laser cut if and when needed.

    Software (on going)- Constantly improve effectiveness within InDesign for professional printing.

    - Photoshop skills and Illustrator skills to be developed for more professional outcomes.

    - Web Design. Learn and effectively use basic skills in Dreamweaver. Html and Css.

    Time Management- Time management is something that will continuously have to be at the forefront of any decision making. Due

    to the last module, it is important as it will help me to clarify where I am with my work and what needs doing to

    finish my briefs in a given time and to the standard I am happy with.

    Identity Design- For my own practice as well as others. Focussing on typography in order to resolve the brief to communicate

    someone and their practice.

    - Branding should be clear and focussed for others to understand.

    Brief 01: BA (Hons.) Graphic Design Yearbook Deadline

    Rationale:

    To deliver and work collaboratively in a design team (Ben McKean, Jack Neville, Will Skane-Davis). Project

    management. Live brief, working with Graphic Design faculty and whole year group. Layout and content

    based publication. Printed professionally, will be working with Printers, preparation for industrial printing will

    be a must.

    Brief 02: SixteenHT Leeds Book Fair Deadline

    Rationale:

    Collaborative brief working as a collective with Ben Mckean, Pawel Adamek, Sam Wallbank and Will Duffy.Self initiated, we are creating a collective as five housemates. Focussing on group management, working to

    a live brief, producing commercially viable work. Discussing themes appropriate for a contemporary artists

    book fair.

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    Brief 03: Showcase of Typographic Mistakes Deadline

    Rationale:

    Self initiated brief. Publication on a collection of mistakes made within typography, such as widows,

    orphans, bad kerning, bad leading etc. Research driven to postmodernism, post-structuralism as a break

    down in communication. Look at Cranbrook Academy

    Brief 04: Book/ Magazine Relationship Deadline

    Rationale:

    Self initiated brief to investigate the relationship between the book, magazine and digital media. Print based

    outcome, focus on format which is to be played with, the magazine is disposable where as the book is seen

    as more of an object to keep, digital media is somewhere in the middle.

    Brief 05: Collaboration with Ben McKean Deadline

    Collaboration, with main focus points on typography, editorial. Publication to be produced. Brief to be

    decided upon. Have pitched for re-design of music magazine, Vibrations through Catalogue, have yet to find

    out.

    Brief 06: Design Context Publication Deadline

    Publication to investigate my design practice and what informs, interests and influences me. Questions,

    interviews, articles with graphic designers, type designers, art directors, studios. Key areas to look at include

    Design Disciplines, Professional Practices, Social/ Ethical/ Commercial concerns, and Production/Distribution Methods. Time and content management, type based publication.

    Brief 07: Competition Brief Deadline

    Brief to be decided upon.

    STUDIOS

    UK

    wearebuild.com

    bandwstudio.co.uk

    studio8design.co.uk

    bibliothequedesign.com

    designbymusic.com

    thebeautifulmeme.com

    Foreign

    heydays.no

    clasebcn.com

    workingformat.comniessendevries.nl

    projectprojects.com

    the-international-office.com

    mainstudio.com

    DESIGNERS

    Neil Donnelly - neildonnelly.netLudvig Bruneau - bureaubruneau.com

    Robin Uleman - robinuleman.nl

    Paul Pensom - paulpensom.com

    David Pearson - davidpearsondesign.com

    Paul Barnes - moderntypography.com

    Mike Meire - meireundmeire.de

    TYPE FOUNDRIES

    klim.co.nz

    commercialtype.comlineto.com

    typography.com

    emigre.com

    fontfont.com

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    RESEARCH ACTIVITY: Contact With Studios Deadline

    Details

    Get in contact with studios, and designers to discuss issues and practices. This will inform my own practice

    and feature in my design context publication. Could lead to placements, relevant to FMP and PPD.

    RESEARCH ACTIVITY: Printers Visit Deadline

    Details

    To visit professional and industrial printers, have a better understanding of the structure of printing

    professionally and the individual printing technologies and processes. Can focus on stock considerations,

    inks and colour, and preparation for print.

    RESEARCH ACTIVITY: Collaboration Deadline

    Details

    Collaborate with other creatives in the college, promote myself to inform those of what I do. With the

    intention to be able to create a branding or self identity brief, with possibly look books or photographic

    publications.

    RESEARCH ACTIVITY: Leeds Print Festival Deadline

    Details

    Attend Leeds Print Festival, and view exhibition from regional, national and international artists and

    designers. There will also be a series of three talks, from Generation Press, Si Scott, Anthony Burrill. Chancefor design context research for publication, and a chance to network.

    RESEARCH ACTIVITY: Contact Magazine Editors Deadline

    Details

    Make contact with editors or art directors who work specifically at contemporary magazines, in order to

    create a dialogue and understand more of the process and individual issues that might arise in the editorial

    industry. Specifically for my own practice and understanding, as well as used in Design Context publication.

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    BIBLIOGRAPHY

    BOOKS / TEXTS - (Harvard Refernced)

    Klanten, S. Ehmann, R. Bolhofer, K and Schulze, F. (2010) Turning Pages: Editorial Design for Print

    Media,Berlin, Gestalten

    Messeguer, L (2010) Typo Mag: Typography In Magazines, Barcelona, Index Book

    Lupton, E & Miller, A (1996) Design Writing Research, London, Phaidon Press Limited

    Ambrose, G. / Harris, P. (2005) Basics Design: Typography, Lausanne, AVA Publishing

    Ambrose, G. / Harris, P. (2008) Basics Design: Grids, Lausanne, AVA Publishing

    Shaughnessy, A. (2005) How to be a graphic designer without losing your soul, London, Laurence King

    Ambrose, G. / Harris, P. (2008) The Production Manual: A Graphic Design Handbook, Lausanne, AVA

    Publishing

    Samara, T. (2002) Making and Breaking The Grid: A Graphic Design Layout Workshop, Minneapolis,

    Rockport Publishers

    Barnard, M. (2005) Graphic Design as Communication. New York, Routledge.

    MAGAZINES / JOURNALS / ARTICLES (include publication date and details)

    Codex, The journal of Typography. Issue 1.

    Computer Arts, October 2011 (#193), The Secrets of Great TypographyComputer Arts Collection,

    Graphic DesignTypography

    Branding

    Photography

    ON LINE REFERENCES / WEBSITES / ARTICLES (include specific urls)

    thisiscollate.com

    septemberindustry.co.uk

    visuelle.co.uk

    typetoken.net

    aisleone.netilovetypography.com

    typophile.com

    typographyserved.com

    OTHER REFERENCE MATERIAL (Films, events, exhibitions, conferences)

    Leeds Print Festival

    V&A - Postmodernism - Style and Subversion 1970-1990

    Catch-Up, monthly exhibitions. Curated by Catalogue.

    Helvetica, film. Directed by Gary Hustwit (2007)Objectified, film. Directed by Gary Hustwit (2009)

    Typeface, film. Directed by Justine Nagan (2009)