EXERCjISE No.1 ll ++ :l ;) :~ f) _;; G ) ~~ if - - -;;;:

I~ I - ~ j# r: - .Ir'

-4- !""' rm'.' --j~~= J: I I •!

f ~y-nr -i!c «Ji.

II \

q_·

------·-----------·---_..__

MINl1ET No.1

s#=i 1i: ~ t :Al ~ IL [J"1"'i jI- -._ ~ -. -~ j ..... I @.

:~ :ii: 'lili'

1 _;z =3::

yr· y ·~ r·· ::r i ~ -~

Ii -. l""" -# ~

'~ -. -- j j ~ - • - l'"" • ~ ] J [ I - -~

~~µ ~

I J~ i 71. 1 1 L¥:i1 ~- -. • I .,,.,. ' ~)

L~ I l

zI \ .;z

-2 -

1

i 1 T ~ 7I

-;;;.- ~ 'F- ± I -'111"' I"" 0

L 1 -Coypright@ 1965

International Copyright

5

EXERCISE ·1 AND MINUET 1

Exercise one attempts to give the player two things. First, strength. The player moves from the middle of the right hand to the last finger of the right hand, then moves from the thumb of the right hand to the middle of the hand. Secondly, if practised properly, the player should be able to achieve better digital control on this type of phrasing without rocking the hand from side to side.

__'.}_ ~ 5 f) 5 ,;

~ ;,! f)

-';!- " --!! - - ~

,;.. -:;;;;-

-? l""" :F l"""

t ?T _._ ~ 1 ~ I

I 1 J l J 1 I 1 1

~ ......,

- JI i .L'l.

11! !"" Jiii_ J::"'

11! ~ j i J I I -11!

!!:. r r; 11! 1 'P' t :r I

?' :IT ~ p j ::r ] I

~ . ....J.

'1 ::;;i: • .... -.r

=:;;;;;J - -- -v

• --- :± -- -1':"'. l""" 1115 ·- t"' ::r .:;,,;; '1""' j _LL .... -,... ] j ]" I"" - L ]

-t 1 l J ± j t 1 ~ fJ!I ~ • 7/Af -,..,. ---:J A.I ~ i =6f I • ---.- -:zr

J ---ffi· - t _._ -i ::!!":'. t - :e I

Tomi Music Co. and Doe Music Co. Made in U.S.A. All Rights Reserved

6

EXERCISE No.2

MINUET No.2

EXERCISE 2 Al\ID MINUET 2

This exercise and minuet are merely to induce in the player the ability to phrase jazz-wise in his left hand when called upon to do so. Here also he should strive for a completely even tonal result.

EXERCISE No. 3

6- 4 ,5 4 s 4 .5 4 z :zr=:t: ii --- 11! I ..J"". I l'- Ill .ll'!'i_::!'.'.: ~ 7/L_ ± ± -!'--I ...., I T J

-e-~}:i Ai ......,.. .... ...._..

.;z: ~ ~

2 :~ 2 2 3 ~

~_i -4

I ± ± ± ± ± :! . ];~ ± 1L 1'.'.:"i y """- I • • Jl/L • :.! \; ..... • @.. ,,... i;;;;;;;;;;

1 1

-e- -0-

f-~~I ..:-.. IE ......,..

... _,L ·~

2 a 2 1 2 3 1 2 11. ~t=J 1 I ::at 1 I ! ..... - • ..... . ~ I .. -"' .L ..... ..... ~ @J

-e- -0-],._}.• .L:>o.. --i· ~ .:ex .;z~

'{ 4 4 11 1 2 --- 11!: ':Li. 6/IJI ..J"". 1L ~ 1E- ---± -:I.. I -:I.. ~

~:.i-: I

eiiJ

.il... fi ~ -

~:I ''--"'" ~

..::_L ~

7

EXERCISE 3 AND MINUET 3

This exercise and minuet deals primarily with what I feel are the two weakest fingers of the jazz pianist's right hand (the fourth and fifth fingers). On playing this exercise and piece the player should attempt to keep the listener (or his instructor) from knowing that he is using his fifth finger on his right hand. Usually this is a pitfall in jazz playing. The student will notice that the fifth finger is employed in the middle of the phrase rather than at the end which is the usual jazz custom.

3 4 3 1 3 4 2 1 3 2 t 2, 3 2 1 l I I l l 1 I l

~ :! f f -i Ill • All 11/l_ .. • -- .....! - .... All •••• -- I -Ji I ~ __._ -- ~

-0- -0-'"-.

~It ~

3 4 3 t 1 5 4 2 4 5 4 2 l l l J J l ] l

11! 11!: ..r Jl: ..J f I I ~ • ..._ -i :.± _.._ I ~ -- -- --- • ! --J J J --G-

Cc•~

2 1 2 2 1 4 5 4 2 4 5 4

---_._

--- --- _.__ --- 2

~ ..J"". --- J"". .1""'.: -I . .r"": 1""" ..... ......... . ..-L • ......... l l ~ ......... .... _ -~ .....i.. - - -

..0.. TF

'l 2 2 3 '3 2 1 ' 1 ,., . 2 2 2 .A .A. ..... ~ --- ~ --- --- _!_ - ... l"': -- .J"". .1""'.: --- --- .1""'.: _._ -• ]""' • ~ .1""'.: •• ± ± 3: ~

_] ~ T J

-G-........ ~

3 4 3 t 3 4 3 t

8

MINUET No.3

~ r l i l 1 1 1 l J 1J 1 l ~ • :f J j _..t.,

_....i_ ___!llL ·.11.1· I~ _.l :fi ~ _....i_ Jl/IL ...__ --- 3ht ::h_d ~ j - ~ ....i _'.""". -- ...i I ~IL _'"":

~-: ~ ----_ ... -) ._, ---n- 1 •

<

' u a ~ ~ ¥ ~ -- . n ---- ~

- L!. ... r- 1 \ _,,L- • I

.L1 I l -1 l l l I l j J l