ordhord - Northwestern College
Transcript of ordhord - Northwestern College
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ordhord Beowulf, the troop’s captain, unlocked his wordhord and answered. Beowulf ll.258-59
Northwestern College
English Department Newsletter
Fall 2012 Volume11 No. 1
The loss of the beautiful trees –especially the redbud that
flowered in early spring -- has struck the hearts of all those
who used to call Granberg home. However, more important
than the trees and the building were the community that had
been fostered and the memories that had been collected
within the walls of the old English department house.
Granberg was a house with a long history and a story to
tell. Dr. Joel Westerholm, who had the same office for 22
years, remembers when he had a little “Mickey Mouse” table
in the corner of his office where his children played. “You
don’t replace a history like that very quickly.” In Granberg,
“there were all sorts of stories about the cracks in the wall
and the creaks in the floor.” Granberg Hall will be missed.
When I asked Dr. Michael Kensak how he felt when
Granberg was torn down, he replied by describing a picture:
“I was in shock when I saw a picture of Granberg Hall with
only my office missing. The demolition machine came and
took a bite – all that history, gone in one quick bite. It was
like watching a slow death as we all watched and pondered
our mortality.” However, seeing the progress of the new
Learning Commons coming out of the hole that was
Granberg has been heartening.
Also heartening is the fostering of a new community and
the collection of new memories in the homey cottages that
now house the evicted.
For a while, rumor had it that the English department was
going to be moved to the basement of the North Suites.
Some English classes now meet in the jail-like bowels of this
new dorm. Westerholm has trained his students to refer to
their classroom as Bunker 13: “We and the cockroaches
would have survived a nuclear attack.” Fortunately, alter-
native accommodations for offices were arranged. The
English department now resides on the far northeast corner
of campus in Doorenbos and Muilenburg cottages. The
English professors are relieved to still be in a house setting,
although they regret the necessary separation. Kensak
laments, “Now I can’t yell sarcastic comments across the
hall to Ann.” Westerholm is concerned for his colleagues in
Muilenburg, “because they’re a long ways from the
coffee pot!”
Dr. Keith Fynaardt in his office in Muilenburg cottage Muilenburg Cottage front room
(Continued on page 2)
In This Issue…
Spring 2012 Courses 2-3
Spectrum 3
Cardboard Magazine 4
Deepsong 4
Festival Faith & Learning 5
Granberg Wake 6
Sherman Alexie 7
Alum Visits 7
Alum Profile 8
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The professors have mixed feelings about having their
offices in ex-bedrooms. Kensak says it makes him feel like
he is coming home for work: there are kitchens and living
rooms, and their offices are in bedrooms. “I can bop over to
Joel’s bedroom and see what he is up to.” Dr. Keith Fynaardt
over in Muilenburg cottage says it’s awkward having his
office in a bedroom that faculty have slept in.
Kensak is already feeling at home in his new office. He
is impressed with how large his office is; he believes he has
over 1,000 books in his closet alone. “I think I could fit four
or five VPH offices into this room!” In fact, with smaller
classes, Kensak invites the students into his office where
they sit around a table and dissect a text together. This
totally changes the dynamic; “It’s like having the students
over for dinner, except the text is the food!”
Besides the split into two houses, another downside of the
new accommodation is that there is less student traffic.
Doorenbos and Muilenburg are farther away from the center
of campus than Granberg was. Muilenburg is usually very
quiet. It is, as Fynaardt says, “A really quiet place to read
and write and be introverted like so many English profs
are.” However, the quiet is a result of both the separation of
the English department and the “long” walk. According to
Westerholm, “What we need now is a skywalk to
Muilenburg and to the center of campus.” In the meantime,
we should all follow Kensak’s example and use the long
walk to ponder and pay more attention to the trees.
Doorenbos Cottage common area
Dr. Michael Kensak in his office in Doorenbos Cottage
Death of a Redbud (Continued from page 1)
ENG 380 Special Topics in Writing Writing With Images
Dr. Samuel Martin Tuesday/Thursday (First Half) 1:45—3:15 pm
Writing With Images is a multi-genre creative writing workshop
designed for writers interested in exploring the possibilities of
engaging the visual image through poetry, fiction, and nonfiction.
Most of the course work is devoted to practical work on writing with
pictures including work with domestic and archival photographs, fine
art, and found images, but this will be supplemented with a considera-
tion of the nature and history of this subgenre (pushing beyond the
idea of image as mere illustration). As part of the course there will be
close readings of, and presentations on, a number of key texts. A final
portfolio, the presentation of a critical reading of at least one author,
and participation in peer critiques and group work will form the basis
for evaluation in the course.
CCOURSEOURSE OOFFERINGFFERING FORFOR THETHE SSPRINGPRING 2013 S2013 SEMESTEREMESTER
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ENG 480 Special Topics in Literature & Culture
Poetry and Prayer
Dr. Joel Westerholm Tuesday/Thursday 1:45—3:15 pm
If you find them disguised as Poems
or Short Stories, please
SUBMIT them to SPECTRUM.
Don’t try hiding them
or pretending they don’t exist.
They are out there, watching you,
waiting, wanting to be seen…
taking your picture.
We at Spectrum, NWC’s literary
journal, can help. Just send
your poems or short stories as
attachments to
Deadline: January 30th
Remember, You’re Not Alone.
SPECTRUM STAFF Spring Semester 2013
Are you…
Passionate about Poetry?
Psyched about Short Stories?
Oogly-eyed about Other Worlds?
If you are interested in working as either an editor
or designer to bring cutting-edge creative work to
print, please contact Dr. Martin:
Experience is an asset.
Passion and commitment are essential.
In Poetry and Prayer, we read some of the literature of the Christian faith. We will be reading a
series of poems addressed to God, starting with the Psalms and ending with praise songs from the
last fifteen years or so. And we will read them with several different aims. Intellectually, we will
study the ways in which Christians’ ideas of themselves and of God have evolved over a couple of
millennia. God may be the same yesterday, today, and forever, but he is also infinite, and we human
beings are trapped in history, and in historical ways of thinking. We will examine what aspects of
God have been most significant for Christians at given moments of human history. Aesthetically,
we will also read this material for its inherent beauty: God is present in the beauty of the world he
has created, and we will see him often both in the matter of the poems and in the pleasure to be had
from a beautifully crafted artifact. My hope is that these encounters with God will also lead to an
enriched devotion: we will worship God more wisely for having seen how other Christians through
history have offered their worship.
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As part of the Deepsong reading series,
narrative poet Paul Dickey will be reading
in the NWC TePaske Art Gallery
on Tuesday, November 13th
Paul Dickey, author of the poetry collection They Say This Is How
Death Came Into The World, is a widely published poet whose work is
“full of sly twists and turns, surprising nuances, and witty insights. At
once profound and mischievous, wicked and accurate, serious and
comic, [Dickey’s poems] offer a reflection of reality that appears at
first glance to be a fun-house mirror. […] Dickey's poetry is grounded
in a recognition that, to quote Sherwood Anderson, ‘each truth [is] a
composite of a great many vague thoughts,’ all equally beautiful and
disturbing, somber and happy.”
Northwestern students and graduates,
as well as freelance writers from other
colleges, have contributed more than
120 posts to the Cardboard magazine
blog and racked up page-views
approaching the 16,000 mark. The
blog, a product of the Publishing
courses taught by Professor
Sowienski, is edited by Writing and
Rhetoric major Tom Westerholm.
As blog editor, Westerholm looks for
posts that will get noticed. “Cardboard
works best when it's a little subver-
sive,” he says. “Not so subversive that
we are offensive to our normal reader-
ship, but subversive enough to grab
attention and people's page-views.
Funny posts are also good.”
An example of a humorous blog (or
“snarky blog,” in the words of
Westerholm) is the September 19 post,
CARDBOARD
MAGAZINE
A magazine by Christian college students
for Christian college students
Check it out at https://cardboardmagazine.wordpress.com/
“10 Terrible Christian T-shirts.” In the
blog, Christian rapper KB (profiled in
an earlier blog), talked to Westerholm
about the wannabe pop-culture
references and rip-offs that appear on
t-shirts: “They are terrible….I think
we need to remind our Christian
brothers that just because we are
Christian doesn’t mean we are exempt
from copyright infringement.” An
example noted in the blog is a t-shirt
with the Adidas logo; the logotype
underneath reads, “addicted/to Jesus.”
In addition to the Culture category,
blogs may also be tagged under Faith,
Missions, and Music.
The blog, however, is not the ultimate
publishing goal, but a means of build-
ing the audience for a forthcoming
Cardboard digital magazine,
“published by and for Christian col-
lege students.”
Sowienski says, on one hand, it’s an
impossible goal for a college the size
of Northwestern to plan on publishing
a digital magazine, followed by a print
version the next year. On the other
hand, he continues, God keeps placing
a small but dedicated group of stu-
dents in his class who keep pushing
toward their big goals.
In the Spring semester, both Introduc-
tion to Publishing and Advanced
Publishing (ENG390 and 395, 4 cred-
its each) will be offered. Students will
learn about the publishing industry in
addition to writing for the blog and
digital magazine, as well as fill a
number of editorial roles.
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“To give word to something is to give it life,” said Jonathon Safron Foer, author of Eating Animals and
Everything is Illuminated, at the 2012 Festival of Faith and Writing.
The Festival of Faith and Writing takes place every two years at Calvin College in Grand Rapids,
Michigan. The Festival’s mission is “to locate, celebrate, and encourage serious imaginative writing by
Christians of all denominations and communions,” as well as “welcome the work of writers in other faith
traditions who acknowledge or seek spiritual understanding, grace, or transcendence.” Foer, the plenary
speaker for the first night of the Festival, is a writer
brought up in the Jewish tradition. Other writers at the
festival included: Marilynne Robinson, Shane Claiborne,
Gary Schmidt, Chimamanda Ngozi Adichie, and Craig
Thompson.
The speakers at the Festival seemed to repeatedly sug-
gest one thing: stories are powerful. Foer expressed that
writing is a way to make the world better. “While I
might not leave the world a better place, I’m committed
to acting like I can,” he said in his keynote address.
Chimamanda Ngozi Adichie, the final plenary speaker of
the Festival and author of Purple Hibiscus and The Thing
Around Your Neck, explained that she writes stories
because “fiction matters.” Fiction is a way for humans
to see a world that they hadn’t seen before, to consider a
real view from a fictional character.
Stories are powerful. That was one message. But, as Northwestern students found out, the Festival is
empowering. “One of the really wonderful things I experienced at the festival was the realization of how
much I've grown as a writer and reader since the last time I was there as a freshman,” said then junior
Shelby Vander Molen. “[This year] I found myself realizing often during our time in Grand Rapids that I
understood so much more, had read more, talked more, could make more connections. . . The experience
at the festival was not only invigorating, inspiring, and
refreshing but also an affirmation of the quality of the
English Department at NWC and how it has grown me as
a writer, a scholar, and a person.” Christine Roy, then a
senior at Northwestern, realized that while the Festival is
full of extraordinary authors to be intimidated by, the main
sentiment collected at the Festival is inspiration. “Each
session left me with thoughts and words that I longed to
group together and make poetry out of,” Roy said. “Each
author gave me a glimpse into their adventures and made
me realize how exciting writing can be. It was intimidating
to be around so many accomplished people, but they were
quick to remind me that their accomplishments started
with baby steps.”
by Ashlee Koedam
Stories Overwhelm and Unite at the Festival of Faith and Writing
The next Festival of Faith and Writing will be held April 10-12, 2014. If you are a writer, a reader, a
lover of words, a person of faith, or a person who loves stories, this conference is well worth your time.
The Northwestern Group attending the last keynote lecture.
Students Morgan Stahl, Jasmine Smith, and Christine
Roy meet author Craig Thompson after his breakout
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English Department alum, Jill Haarsma, writes a tribute to Granberg on the wall.
Professors Fynaardt & Van Es bond over their
Dordt heritage.
English alum Tricia Wiese speaks at the wake. Kaiti Heng shares Beacon goals with
fellow mourners.
On Friday, April 13th, 2012, Northwestern students, faculty, staff, and alumni gathered
to say goodbye to their favorite building on campus: Granberg Hall.
Mourners descended into the basement where they offered their respects to the build-
ing by placing a silk rose next to a commemorating picture, as well as writing their favorite
memories on the walls: “Drinking coffee,” “Cheers to Penny Kittle,” “The first true cele-
bration of learning,” “Devotionals with Westerholm is the segregation of faith and learning,”
and “wir werden dich vermissen,” translated, “We will miss you.” (Granberg was also often
the home to German students).
After some mingling and food, it
was open mic time when many shared
their favorite stories of the building.
English Department Lecturer Ryan
Pendell told of one of his excursions as
a student, sneaking into Granberg at
night and eating ice cream in the pink
bathroom upstairs. “We had the idea
of having a tub of ice cream in a tub,”
he said.
Beacon editor Katie Heng shared
some of the most memorable “Beacon
Goals,” like, “Put windows in the base-
ment.” Kristin Trease told of the
eventful day in Granberg when Dr. Fynaardt explained the link between the words prostitute
and prostrate. Arlo Van Beek even wrote a poem for the building, which ended:
You are soon to be relieved of your duties
Parted out to the smallest treasure
Our acquaintance is more than 20 years
I have to admit, it’s been a pleasure.
To finish everything off, Dr. Westerholm performed a sing-along song to the tune of “Blowing in the
Wind.” The chorus of this song was sung, and felt, by the entire room:
The answer my friends, was found in Granberg Hall. The answer was found in Granberg Hall.
Indeed, the answers to many questions were found in Granberg Hall.
Sarah Kugler finds something funny, while Dr. Kensak is too overcome by grief to smile
by
Ash
lee
Koed
am
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On September 26, a
group of faculty and stu-
dents from Northwestern
and (gasp!) Dordt drove
to Brookings, SD to hear
Native American author
Sherman Alexie talk
about his writing, his
books, and his story.
If you are white,
like myself, there is a
good chance Sherman
Alexie will make you
uncomfortable. Not the
kind of uncomfortable
that you feel hanging
out with people you
don't really like, when
you think to yourself "That was awful, let's not ever do
that again," but the kind of uncomfortable when you
think "Huh, that was fantastic, he's right, and now I
need to change my life because I'm the worst."
"I want everyone in the room who speaks a
European-based language to stand up right now," he
said at one point. He then, when most of the white
people in the audience stayed seated (myself included,
I must confess), chided us English-speakers for our
lack of self-awareness.
Surprisingly, this sort of
rhetorically-induced
self-hatred wasn't off-
putting. Rather, it made
me walk away from his
lecture, the stuffy-
sounding "Griffith Hon-
ors Lecture" in Brook-
ings, SD, with a burning
desire to read every
essay, poem, short story,
and full-length novel he
has ever written.
The event was pre-
sented as much less of a
lecture and much more
of a stand-up comedy routine. Alexie veered off topic
to share humorous tangents and non-sequiturs about
life on the reservation and life in the US as a Native
American, demonstrating his intensely strong ability to
tell a story, no matter how seemingly mundane, and
turn it into a hilarious, poignant moment. His books
and essays reflect this story-telling ability, and I would
highly recommend reading them. I'd join you, but first
I have to shake off this crippling white guilt.
by Thomas Westerholm
English teaching majors and minors gathered in Vermeer Dining Hall
on April 13 to hear the wisdom of alum Dan Smith ’99, teacher of high
school English in Marshall, Minnesota.
After a colorful and inspiring reading from Frank McCourt’s Teacher
Man, Smith launched into his views on English teaching. Smith
explained that teaching requires two very important “sides of a coin”:
passion for kids (“learning relationships”) and a passion for the subject
matter. Good teachers, he said, will have both of these passions.
Perhaps the most important part of his presentation was his assertion,
“Teaching English is not a job, it’s a lifestyle.” Smith reminded his
audience that teaching English is a very demanding career choice.
Finally, Smith reminded his listeners of the quality of education
Northwestern offers. Smith is not only an English teacher, but also a
Theater Department director, a Peer Coach, and much more; he is a
leader in the school community. Northwestern, he explained, not only
gives you the skills for your profession, but also the values that make
others respect you as a leader.
Alum Dan Smith ’99Alum Dan Smith ’99 Inspires English Teaching MajorsInspires English Teaching Majors
by Ashlee Koedam
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NWC Alumna Life After Graduation
Walking across the stage and receiving
my diploma at graduation was one of the
greatest experiences of my life. I was and am
very proud of what I have accomplished, and the work I put
in to earn my degree, but after the cheers, the well wishes,
the hugs and goodbyes, I found that the real work was just
beginning.
I never really had much of a plan for after graduation. I had some vague ideas about working in
business, but other than that, I was rudderless.
Returning home to Arizona, I began working part-time for my uncle’s company as a warehouse
clerk, shipping and receiving LCDs. In my free time, I applied online again and again for jobs that I
was sort of qualified for, or that looked interesting, always getting the same email notification that I
had not been selected for an interview and that they would keep my resume on file… blah blah blah.
The economy was trashed, and people just weren’t hiring recent grads.
What finally broke the trend for me came in the form of a lady at my Dad’s church. The leader of
her bible study group outside of the church had mentioned that he was looking to hire someone with a
degree in the Phoenix area. She, knowing I was looking for work, mentioned me to him. With her
recommendation and some help from the other potential candidate, who, as I found out later, showed
up to the second interview in shorts and a t-shirt. (FYI: Don’t do that!), I landed my current job as a
Territory Sales Representative for Ecolab Inc.
In this position, I’m responsible for helping 815 Quick Service Restaurants (fast food places), cov-
ering Phoenix, most of northern AZ and into New Mexico, with all of their cleaning and sanitation
needs. I do everything from repairing chemical dispensers, to conducting cleaning classes for store
leaders, to meeting with and presenting to franchisees and restaurant owners. Day-to-day, my job
mainly consists of visiting my accounts to perform preventive maintenance on their chemical dis-
pensers and to provide on-site training.
My job clearly has absolutely nothing to do with the material of my major, but the communication
skills I learned while earning the degree have been extremely helpful. I got used to having to defend
my statements and to presenting my thoughts to groups of people in the classroom. Now, the material
is different, but the method is the same.
As for literature, I still consider it extremely valuable, and I’m constantly finding ways to incorpo-
rate it into my daily life. I listen to audio-books (no substitute for the real thing, but we all make sac-
rifices) on my extended road trips, and I’ve read Jonathan Safran Foer’s Everything is Illuminated,
Chinua Achebe’s Things Fall Apart, Aldous Huxley’s A Brave New World, and Earnest Hemming-
way’s A Farewell to Arms on plane trips this year. I force novels and poetry collections on people for
their birthdays and at Christmas, and then I relentlessly bug them until they’ve read what I gave them.
I also write poetry, or at least begin a lot of poems. The big difference now is that it’s all self-
directed, but I’ve learned that that’s just life.
George Barnes ’10
in his current position at Ecolab
- George Barnes ’10
Phoenix, AZ
The Wordhord. Fall 2012. Vol. 11 No. 1
Northwestern College English Department
Compiled & edited by: Professor Ann Lundberg
Formatted by: Karen VanDerMaaten