Opening Veins - Andrew Rindfleisch · Opening Veins (2008) for chamber orchestra duration: 12...
55
Andrew Rindfleisch Opening Veins for Chamber Orchestra Do Not Copy
Transcript of Opening Veins - Andrew Rindfleisch · Opening Veins (2008) for chamber orchestra duration: 12...
Andrew Rindfleisch
Opening Veins
for Chamber Orchestra
Do Not
Copy
Opening Veins (2008) for chamber orchestra duration: 12 minutes
Andrew Rindfleisch Manzo Music
Instrumentation This is a Transposed Score
Flute (doubling piccolo and alternate flute) Oboe Clarinet (doubling Bass Clarinet) Alto Saxophone Bassoon Trumpet I Trumpet II French Horn Trombone Bass Trombone Accordion Piano Percussion I Marimba, Xylophone, 2 Tom-toms (low and high), Bass Drum Percussion II Vibraphone, Tenor Drum, Brake Drum, Triangle, Claves Single Strings Violin I Violin II Viola Violoncello Double Bass Performance notes: 1. Flute player doubles on an “Alternate Flute”- an additional C flute with the head joint pulled out as to create an
intonation of a quarter step flat. 2. Alto saxophone (bars 123-142) and Clarinet (Bars 238-257) should play each articulation with a different fingering
as to produce a slightly different intonation for each repeated pitch (the effect should be that some pitches will be in tune, some will be slightly flat, and some will be slightly sharp).
Do Not
Copy
© Copyright 2008 by Andrew Rindfleisch. All Rights Reserved.
Cbs.
molto lunga breve
Vcl.
molto lunga brevepizz.
Vla.
molto lunga breve pizz.
Vln. II
molto lunga breve pizz.
Vln. I
molto lunga
Relentlessly intensebreve pizz.
= ca. 108
2
molto lunga brevePerc.
1
molto lunga breveMarimba—hard mallets
Piano
molto lunga breve
Accordion
molto lunga breve
Bass Tbn.
molto lunga breve
Tbn.
molto lunga breve
F Hn.
molto lunga breve
2
molto lunga breveC Tpts.
1
molto lunga breve
Bassoon
molto lunga breve
E Alto Saxophone
molto lunga
breve
B Clarinet
molto lungabreve
Oboe
molto lunga breve
Flute
molto lunga
Relentlessly intensebreve
= ca. 108
to the Slee Sinfonietta, David Felder, Artistic Director
Opening VeinsAndrew Rindfleisch
(2008)
Do Not
Copy
Cbs.
Vcl.
Vla.
Vln. II
10
Vln. I
2
Perc.
1
(Mar.)
Piano
10
Accordion
Bass Tbn.
Tbn.
F Hn.
2
10
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
Ob.
10
2
Fl.
Do Not
Copy
Cbs.
con bravura
sul G
Vcl.
con bravura
arcosul A
3
gliss.
Vla.
con bravura
arco
3
Vln. II
con bravura
arco
18
Vln. I
con bravura
arco
2
Perc.
1
to Tom-toms
Piano
18
Accordion
Bass Tbn.
Tbn.
F Hn.
2
18
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
Ob.
18
3
Fl.
Do Not
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Cbs.
Vcl.
gliss.
Vla.
3 3
gliss.
Vln. II
23
Vln. I
3
rit.
2
Perc.
1
Piano
23
Accordion
Bass Tbn.
Tbn.
F Hn.
2
23
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
Ob.
23
4
Fl.
rit.
Do Not
Copy
Cbs.
Vcl.
molto legato
Vla.
molto legato
Vln. II
molto legato
28
Vln. I
molto legato
= ca. 60–64
2
Perc.
1
Piano
28
Accordion
Bass Tbn.
st. mute
Tbn.
st. mute
F Hn.
mute
2
st. mute
28
C Tpts.
1
st. mute
Bsn.
E Alto Sax.
B Cl.
Ob.
28
5
Fl.
= ca. 60–64
Do Not
Copy
Cbs.
Vcl.
Vla.
Vln. II
35
Vln. I
= ca. 132–136
2
Tenor Drum—drumsticks
3 3 3 3 3 3
Perc.
1
Tom-toms—drumsticks3 3 3 3 3 3
Piano
35
Accordion
Bass Tbn.
Tbn.
F Hn.
2
open
35
C Tpts.
1
open
Bsn.
E Alto Sax.
B Cl.
Ob.
35
6
Fl.
= ca. 132–136to Piccolo
Do Not
Copy
Cbs.
Vcl.3
Vla.
3 3 3
3 3
Vln. II 3
42
Vln. I3
2
(Tenor Dr.)Perc.
1
(Tom-toms) Bass Drum—B.D. beater
Piano
42
Accordion
Bass Tbn.
open
Tbn.
open
F Hn.
2
42
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
to B Bass Clarinet
Ob.
42
7
Picc.
Piccoloto Flute
Do Not
Copy
Cbs.
Vcl.3
3
Vla.
gliss.
3 3 3
3 3
Vln. II 3
47
Vln. I3
2
Perc.
1
molto secco
3 3
Piano
3 3 3 3 3 3
47
Accordion
Bass Tbn.
Tbn.
F Hn.
2
47
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
Ob.
47
8
Fl.
molto seccoFlute
Do Not
Copy
Cbs.
Vcl.
gliss.
3
Vla.
gliss.
3 3 3
3 3
Vln. II 3 3
51
Vln. I
2
Perc.
1
3 3
Piano
3 3
3 3
3
3
3 3
51
Accordion
Bass Tbn.
Tbn.
F Hn.
2
51
C Tpts.
1
Bsn.
molto secco
3 3 33
E Alto Sax.
B Cl.
Ob.
51
9
Fl.
Do Not
Copy
Cbs.
Vcl.
gliss.
3
Vla.
gliss.
3 3 3
3 3
Vln. II 3
55
Vln. I3
2
Perc.
1
3 3
Piano
3 3 3 3
3 3
3
3 3
55
Accordion
Bass Tbn.
Tbn.
F Hn.
2
55
C Tpts.
1
Bsn.3
3 3
E Alto Sax.
B Bass Cl.
molto secco
Ob.
55
10
Fl.
Do Not
Copy
Cbs.3
Vcl.
gliss.
3
Vla.
gliss.
3 3 3
3 3
Vln. II 3
59
Vln. I3
2
Perc.
1
3 3 3 3
Piano
3 3 3 3 3 3
3 3
3
59
Accordion
Bass Tbn.
Tbn.
F Hn.
2
59
C Tpts.
1
Bsn.3
E Alto Sax.
molto secco 3
B Bass Cl.
3 3 3 3
Ob.
59
11
Fl.
Do Not
Copy
Cbs.3
Vcl.3
3
Vla.
gliss.
3 3 3
3 3
Vln. II 3 3
63
Vln. I
2
Perc.
1
3 3
Piano3
3 3 3 3 3 3
63
Accordion
Bass Tbn.
Tbn.
F Hn.
molto secco
2
63
C Tpts.
1
Bsn.
3 3 3 3 3 33
E Alto Sax.
3 3 3 3 3
B Bass Cl.
3 3
Ob.
molto secco 3 3
63
12
Fl.
Do Not
Copy
Cbs.3
Vcl.
gliss.
33
Vla.
gliss.
3 3 3
3 3
Vln. II
gliss. gliss.
67
Vln. I
3 3
2
Perc.
1
L.H. = black notes (pentatonic) 5 note cluster
Piano3 3
3
R.H. = white notes (diatonic) 5 note cluster
67
Accordion
Bass Tbn.
Tbn.
F Hn.
molto secco
2
molto seccost. mute
67
C Tpts.
1
molto seccost. mute
3 3
Bsn.
3 3
E Alto Sax.
3 3 3
B Bass Cl.
Ob.
67
13
Fl.3
Do Not
Copy
Cbs.
Vcl.
gliss.
3
Vla.
gliss. gliss.
3 3 3 3
Vln. II
gliss. gliss.
71
Vln. I3 3 3 3
2
(Tenor Dr.)Perc.
1
(Tom-toms)
Piano
71
Accordion
Bass Tbn.
Tbn.
F Hn.
open
2
71
C Tpts.
1
Bsn.3 3
E Alto Sax.
3 3
B Bass Cl.
3 3 3
Ob.
71
14
Fl.3
3 3
Do Not
Copy
Cbs.
Vcl.
pizz.
Vla.
pizz.
Vln. II
pizz.
75
Vln. I
pizz.
= ca. 60–64
2
(Tenor Dr.) rim shotPerc.
1
(Tom-toms) rim shot
Piano
8 8
75
Accordion
Bass Tbn.
molto
Tbn.
molto
F Hn.
molto
2
75
C Tpts.
1
Bsn.
molto
E Alto Sax.
molto
B Bass Cl.3 3 3 3
to Clarinet
Ob.
molto
75
15
Fl. 5
= ca. 60–64
Do Not
Copy
Cbs.
sul G
Vcl.
senza vibratoarco
Vla.
arcosul G
Vln. II
arco
81
Vln. I
arco= ca. 52–56
2
(Tenor Dr.)Perc.
1
(Tom-toms)
Piano
81
Accordion
Bass Tbn.
legato
st. mute
Tbn.
legato
st. mute
F Hn.
legato
2
legato
81
C Tpts.
1
legato
Bsn.
legato
E Alto Sax.
legato
B Cl.
legato
Clarinet
Ob.
legato
81
16
Fl.
= ca. 52–56
Do Not
Copy
Cbs.
Vcl.
Vla.
Vln. II
89
Vln. I
rit.
2
soft malletsVibraphone
Perc.
1
soft malletsMarimba
Piano
89
Accordion
Bass Tbn.
Tbn.
F Hn.
2
89
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
Ob.
89
17
Fl.
rit.
Do Not
Copy
Cbs.
Vcl.
Vla.
Vln. II
96
Vln. I
= ca. 60–64
2
(Vib.)Perc.
1
(Mar.)
Piano
96
Accordion
Bass Tbn.
Tbn.
F Hn.
2
96
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
to Bass Clarinet
Ob.
96
18
Fl.
= ca. 60–64
Do Not
Copy
Cbs.
Vcl.
Vla.
sul G, senza vib.sord.
Vln. II
sul G, senza vib.sord.
102
Vln. I
sul G, senza vib.sord. rit. a tempo
2
Perc.
1
(Mar.)
Piano
102
Accordion
Bass Tbn.
Tbn.
F Hn.
2
102
C Tpts.
1
Bsn.
E Alto Sax.
B Bass Cl.
Ob.
102
19
Fl.
rit. a tempo
Do Not
Copy
Cbs.
Vcl.
Vla.
sul G
sul D
Vln. II
sul D
sul A
107
Vln. I
= ca. 168
sul G
sul D = ca. 60–64 = ca. 168
2
4(Vib.)
4 let ring 4 4
Perc.
1
5
(Mar.)
5 5 5
Pianosub.
let ring
107
Accordion
hard mallets
Bass Tbn.
st. mute
Tbn.
st. mute
F Hn.
2
4
open
4 2 4
2
107
C Tpts.
1
5
open
5 5 5 5
Bsn.
E Alto Sax.4 4 4 4
B Bass Cl.
Bass Clarinet
Ob.
107
20
Fl.
3
= ca. 168
3 3 3 3 3
= ca. 60–64
3
= ca. 168
3
Do Not
Copy
Cbs.
Vcl.
Vla.
legato
Vln. II
legato
sul G
113
Vln. I
legato
= ca. 60–64
2
(Vib.)Perc.
1
(Mar.)
Piano
113
Accordion legato
Bass Tbn.
Tbn.
legatocup mute
F Hn.
2
cup mute
113
C Tpts.
1
cup mute
Bsn.
E Alto Sax.
B Bass Cl.
Ob.
113
21
Fl.
= ca. 60–64
Do Not
Copy
Cbs.
Vcl.
legatosord.
Vla.
Vln. II
118
Vln. I
2
(Vib.) let ringPerc.
1
(Mar.)
Piano
3 3 3 3 3 3 let ring
118
Accordion
soft mallets
Bass Tbn.
Tbn.
F Hn.
2
118
C Tpts.
1
Bsn.
E Alto Sax.
B Bass Cl.
legato
Ob.
118
22
Fl.
Do Not
Copy
Cbs.
Vcl.
sul Gsul D
Vla.
Vln. II
123
Vln. I
sul D
sul A
2
(Vib.) legatoPerc.
1
(Mar.)
Piano
123
Accordion
Bass Tbn.
Tbn.
F Hn.
2
123
C Tpts.
1
Bsn.
E Alto Sax.
molto legato
B Bass Cl.
Ob.
123
23
Fl.
Do Not
Copy
Cbs.
Vcl.
sul G
Vla.
Vln. II
sul G (senza vib.)
129
Vln. I
(sul D)
2
(Vib.)Perc.
1
(Mar.)
Piano
129
Accordion
Bass Tbn.
Tbn.
F Hn.
2
129
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
Ob.
129
24
Fl.
Alternate Flute
3
Solo
Do Not
Copy
Cbs.
Vcl.
legato espressivo
Vla.
Vln. II
135
Vln. I
← = →
2
Perc.
1
(Mar.)
Piano
135
Accordion
Bass Tbn.
Tbn.
F Hn.
2
135
C Tpts.
1
Bsn.
E Alto Sax.
B Bass Cl.
legato espressivo
Ob.
135
25
Fl.
← = →
Do Not
Copy
Cbs.
Vcl.
pizz.senza sord.
Vla.
pizz.senza sord.
3
Vln. II
pizz.senza sord.
3 4 3 3 3 3
142
Vln. I
= 120 pizz.senza sord.
3 3
2
rim shotTenor Drum
ord. rim shot rim shot to TrianglePerc.
1
(Mar.) to Xylophone8ba 8ba 8ba
Piano
15ma 15ma 15ma 15ma
3 3
3
3 3
3
142
Accordion
Bass Tbn.
open
Tbn.
open
F Hn.
2
open
4
142
C Tpts.
1
open
3 3
Bsn.
E Alto Sax.
B Bass Cl.
to Clarinet
Ob.
3 3 3 3
142
26
Fl.
= 120to Piccolo
Do Not
Copy
Cbs.
Vcl.
4
33 4
Vla.
3 4
Vln. II
3 3
148
Vln. I
3 3 3 3 3 3
3
2
Perc.
1
Piano 3 33 3
3 3 3
148
Accordion
Bass Tbn.
Tbn.
F Hn.
2
3
148
C Tpts.
1
43 3
3
Bsn.
E Alto Sax.
B Cl.
Ob.
3
4
148
27
Picc.
Do Not
Copy
Cbs.
Vcl.
3
4
3
Vla.
4 4 4 4
Vln. II
3 3 3 3 3
153
Vln. I
3 3 3
2
Perc.
1
3 4
Piano3
43 3
3 3
3 3
3
153
Accordion
Bass Tbn.
Tbn.
F Hn.
2
3
3
153
C Tpts.
1
3
3
3
3
Bsn.
E Alto Sax.
B Cl.
Clarinet
Ob.
4 4 4
153
28
Picc.
Do Not
Copy
Cbs.
Vcl.
4 4
Vla.
4 4
Vln. II
3 3
158
Vln. I
3 3
2
Trianglechoke
to Bass Drum
Perc.
1
Xylophone—hard mallets3
Piano3 3
3 3
158
Accordion
to Brake Drum
Bass Tbn.
Tbn.
F Hn.
2
158
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
Ob.
3
158
29
Picc. 3
Piccolo
to Flute
Do Not
Copy
Cbs.
Vcl.
arco
Vla.
arco arco
Vln. II
arco
163
Vln. I
arco
2
Perc.
1
3 3
Piano
3 3 3
3
163
Accordion
Bass Tbn.
Tbn.
F Hn.
2
163
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
Ob.
163
30
Fl.
Flute
Do Not
Copy
Cbs.
Vcl.
Vla.
Vln. II
167
Vln. I
2
Perc.
1
3 3 3
Piano
3 3 3 3 3 3
3 3
167
Accordion
3 3
Bass Tbn.
Tbn.
F Hn.
2
167
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
Ob.
167
31
Fl.
Do Not
Copy
Cbs.
Vcl.
Vla.
Vln. II
172
Vln. I
2
metal hammerBrake DrumPerc.
1
Bass Drum
Piano
172
Accordion
Bass Tbn.
Tbn.
F Hn.
2
172
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
Ob.
172
32
Fl.
Do Not
Copy
Cbs.
Vcl.
Vla.
Vln. II
179
Vln. I
2
Perc.
1
Piano
179
Accordion
Bass Tbn.
Tbn.
F Hn.
2
179
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
Ob.
179
33
Fl.
to Piccolo
Do Not
Copy
Cbs.
Vcl.
pizz.
Vla.
pizz.
3
Vln. II
pizz.
3 4 3 3 3 3
186
Vln. I
pizz.
3 3
2
(Brk. Dr.)Triangle
to VibraphonePerc.
1
(B.D.)
hard malletsXylophone
Piano3 3
3
3 3
3
186
Accordion
Bass Tbn.
Tbn.
F Hn.
2
186
C Tpts.
1
Bsn.
E Alto Sax.
3 3
B Cl.4
3 4
Ob.
3 3 3
186
34
Picc.
Piccolo
3
Do Not
Copy
Cbs.
Vcl.
4
33 4
Vla.
3 4
Vln. II
3 3
192
Vln. I
3 3 3 3 3 3 3
2
Perc.
1
(Xylo.)
Piano 33 3 3
3 3 3
192
Accordion
Bass Tbn.
Tbn.
F Hn.
2
192
C Tpts.
1
Bsn.
E Alto Sax.
3 4 3 3
B Cl.
3
3
Ob.
3
4
192
35
Picc.
Do Not
Copy
Cbs.
lunga
Vcl.
lunga
Vla.
4 lunga
Vln. II
lunga
197
Vln. I
3 lunga = ca. 64 (somewhat freely)
2
lungaPerc.
1
(Xylo.) lungato Bass Drum
3
Piano3
8
lunga
197
Accordion
lunga
Bass Tbn.
lunga
Tbn.
lunga
F Hn.
lunga
2
lunga
197
C Tpts.
1
lunga
Bsn.
lunga
E Alto Sax.
lunga molto marcato, molto drammatico
B Cl.
3
3 3
lunga
Ob.
3
lunga
197
36
Picc. 3
lungato Flute
= ca. 64 (somewhat freely)
Solo
Do Not
Copy
Cbs.
Vcl.
Vla.
Vln. II
204
Vln. I
2
Perc.
1
Piano
204
Accordion
Bass Tbn.
Tbn.
F Hn.
2
204
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
Ob.
204
37
Fl.
Do Not
Copy
Cbs.
Vcl.
moltomolto espressivo
Vla.
moltomolto espressivo
Vln. II
moltomolto espressivo
210
Vln. I
moltomolto espressivo
arco
arco
arco
arco
2
Perc.
1
Piano
210
Accordion
Bass Tbn.
Tbn.
F Hn.
2
210
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
Ob.
210
38
Fl.
Do Not
Copy
Cbs.
Vcl.
Vla.
Vln. II
216
Vln. I
2
Perc.
1
Piano
216
Accordion
Bass Tbn.
Tbn.
F Hn.
2
216
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
Ob.
216
39
Fl.
Do Not
Copy
Cbs.
Vcl.
Vla.
Vln. II
222
Vln. I
rit.
2
soft malletsVibraphone
Perc.
1
Piano
222
Accordion
8
Bass Tbn.
st. mute
Tbn.
st. mute
F Hn.
2
st. mute
222
C Tpts.
1
st. mute
Bsn.
E Alto Sax.
B Cl.
Ob.
222
40
Fl.
Fluterit.
Do Not
Copy
Cbs.
Vcl.
3 3 3
Vla.
Vln. II
229
Vln. I
= ca. 723 3 3
2
to Brake DrumPerc.
1
Piano
229
Accordion
8
Bass Tbn.
Tbn.
F Hn.
2
229
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
Ob.
229
41
Fl.
to alternate Flute= ca. 72
Do Not
Copy
Cbs.
Vcl.
3 3 3 3 3 3 3
Vla.
Vln. II
237
Vln. I
3 3 3 3 3 3 3
2
Perc.
1
Piano
237
Accordion
8
Bass Tbn.
Tbn.
F Hn.
2
237
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
Ob.
237
42
Fl.
hollow, mysterioussoloAlternate Flute
Do Not
Copy
Cbs.
Vcl.3 3 3 3 3 3 3
Vla.
Vln. II
244
Vln. I
3 3 3 3 3 3 3
2
Perc.
1
Piano
244
Accordion
8
Bass Tbn.
Tbn.
F Hn.
2
244
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
Ob.
244
43
Fl.
(Alt. Fl.)
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Cbs.
Vcl.3 3
Vla.
Vln. II
251
Vln. I
3 3
2
Perc.
1
Piano
251
Accordion
8
Bass Tbn.
Tbn.
F Hn.
2
251
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
Ob.
251
44
Fl.
(Alt. Fl.)
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Cbs.
poco a poco cresc.
senza vib.
Vcl.
poco a poco cresc.
senza vib.
Vla.
poco a poco cresc.
senza vib.
Vln. II
257
Vln. I
poco a poco accelerando
2
Perc.
1
Piano
257
Accordion poco a poco cresc.
Bass Tbn.
(st. mute)
poco a poco cresc.
Tbn.
(st. mute)
poco a poco cresc.
F Hn.
poco a poco cresc.
mute
2
257
C Tpts.
1
Bsn.
poco a poco cresc.
E Alto Sax.
B Cl.
poco a poco cresc.
Ob.
257
45
Fl.
(Alt. Fl.)
poco a poco accelerandoto Flute
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Cbs.
Vcl.
Vla.
Vln. II
poco a poco cresc.
senza vib.
poco a poco cresc.
265
Vln. I
poco a poco cresc.
senza vib.
poco a poco cresc.
(poco a poco accel.)
2
Perc.
1
Piano
265
Accordion poco a poco cresc.
Bass Tbn.
poco a poco cresc.
Tbn.
poco a poco cresc.
F Hn.
poco a poco cresc.
2
cresc.
(st. mute)
poco a poco cresc.
265
C Tpts.
1
cresc.
(st. mute)
poco a poco cresc.
Bsn.
poco a poco cresc.
E Alto Sax.
cresc. poco a poco cresc.
B Cl.
cresc.poco a poco cresc.
Ob.
poco a poco cresc.
265
46
Fl.
poco a poco cresc.
Flute
(poco a poco accel.)
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Cbs.
Vcl.
poco a poco cresc. poco a poco cresc.
Vla.
poco a poco cresc. poco a poco cresc.
Vln. II
poco a poco cresc.
271
Vln. I
poco a poco cresc.
(poco a poco accel.)
2
Perc.
1
Piano
271
Accordion poco a poco cresc.
Bass Tbn.
Tbn.
F Hn.
poco a poco cresc.
open
2
poco a poco cresc.
open
271
C Tpts.
1
poco a poco cresc.
open
Bsn.
poco a poco cresc.
E Alto Sax.
poco a poco cresc.
B Cl.
poco a poco cresc.
Ob.
poco a poco cresc.
271
47
Fl.
poco a poco cresc.
(poco a poco accel.)
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Cbs.
Vcl.
Vla.
Vln. II
277
Vln. I
(poco a poco accel.)
2
Perc.
1
Piano
277
Accordion
Bass Tbn.
poco a poco cresc.
open
Tbn.
poco a poco cresc.
open
F Hn.
2
277
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
Ob.
277
48
Fl.
(poco a poco accel.)
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Cbs.
con bravura
Vcl.
con bravura
sul A
3
Vla.
bravuracon 3
Vln. II
con bravura
284
Vln. I
= ca. 124
con bravura
2
Brake DrumPerc.
1
Bass Drum
Piano
284
Accordion
Bass Tbn.
Tbn.
F Hn.
2
284
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
Ob.
284
49
Fl.
= ca. 124
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Cbs.
Vcl.3
Vla.
3 3
Vln. II
arco
289
Vln. I
arco
2
(Brk. Dr.)Perc.
1
(B.D.)
Piano
289
Accordion
Bass Tbn.
Tbn.
F Hn.
2
289
C Tpts.
1
Bsn.
E Alto Sax.
B Cl.
Ob.
289
50
Fl.
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Music engraved by Thomas M. Brodhead
Cbs.
lunga breve
Vcl.
gliss. gliss. gliss. gliss. gliss. gliss. lunga pizz. breve
Vla.
gliss. gliss. gliss. gliss. gliss.gliss.
lunga pizz. breve
Vln. II
gliss. gliss. gliss. gliss. gliss. gliss.lunga
pizz.breve
294
Vln. I
gliss. gliss. gliss. gliss. gliss. gliss. lungapizz.
breve
2
(Brk. Dr.) lunga Claves brevePerc.
1
(B.D.)lunga
8hard malletsXylophone
breve
Piano
lunga15ma
breve
294
Accordion
lunga
breve
Bass Tbn.
lunga breve
Tbn.
lunga breve
F Hn.
lunga breve
2
lunga breve
294
C Tpts.
1
lunga breve
Bsn.
lunga breve
E Alto Sax.
lunga breve
B Cl.
lunga breve
Ob.
lunga breve
294
51
Fl.
lunga breve
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Program Note In response to a question about how he approached writing, the great sportswriter Red Smith once famously answered, “All you do is sit down and open a vein.” As a composer, I’ve often thought of this remark and how appropriately it reflects the unfolding of any personal creative act. Such a reflection expresses both the ease with which one reveals oneself, while simultaneously describing an act (opening veins) from which there is no going back – an honest exposure of one’s most personal ideas and feelings, a revelation of one’s life blood. Opening Veins, then, is a work which takes Red Smith’s famous remark to heart, to reveal myself in ways previously not attempted, to expose a certain vulnerability, to open my veins.
(A. Rindfleisch)
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www.manzomusic.com
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