On-Air 1000 (2)
Transcript of On-Air 1000 (2)
The Studer On-Air 1000 at a Glance
• Inexpensive and ergonomic solution for small- to mid-range broadcasting studios
• 10 channel faders, 2 master faders• Integrated input router• digital signal processing• easy to operate• short learning curve• graphical user interface• proven Studer quality and reliability
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The Studer On-Air 1000 digital mixing console sets new standards for professional broadcasting, making access to the new world of digital signal processing a pleasure. The Studer On-Air 1000 is based on the operating principles and many of the components of the famous Studer On-Air 2000 digital mixing console. The simple yet comprehensive operational philosophy offers features and functionality unprecedented in its class. This proven technol-ogy is on air in hundreds of studios worldwide, 24 hours a day, seven days a week.
The Studer On-Air 1000 digital mixing console is equipped with a large graphical user interface giving access to all levels of operation. Different modes can be set whereby only the key operating elements for routine operation are provided on the surface, handy and convenient for day-to-day tasks.
The Studer On-Air 1000 offers a versatile monitoring and talkback system providing support for a studio and allowing control of telephone lines directly from the console. Two integrated stereo level meters and phase correlators, together with a wide variety of control inputs and outputs delivered as standard, allow seamless integration in the digital signal processing chain.
Uniquely in this range, the Studer On-Air 1000 is provided with the serial control interface for Computer Assisted Broadcasting (CAB) systems and can easily be connected to the Studer DigiMedia radio automation system. This combination allows for completely unattended, semi-automatic or manual generation of your radio program. It also offers audio editing, access to audio databases or complete integration into your audio network.
Renowned Studer audio quality based on more than 50 years of know-how and experience in the professional audio industry, combined with the ultimate in digital signal processing, make the Studer On-Air 1000 a future-proof investment which offers a standard set of features way beyond the usual.
A Class of its Own
PFL loudspeaker Touch screen Input router Metering Monitoring and Talkback
Channel label display
Script tray
10 channel faders Output bus routing 2 master faders
Headphone connector Memory card slot Script tray
Talkback microphone
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The distinctive design makes the Studer On-Air 1000 an aesthetically pleasing working tool.
All You Need for Radio Production and Broadcasting
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• Channel label display
• Input A/B selector
• Control screen commands
• Overload indication
• Pre-fader listening button
• 100 mm high-quality fader
• Auto take-over indication
• PGM / REC bus routing indication
• AUX send bus routing indication
• Insert routing indication
• Channel ON button
• Channel OFF button
The Studer On-Air 1000 is an assignable console, with most channel parameters being centrally as-signed through the touch screen, rather than via dedicated per-channel switches and knobs. This results in an extremely uncluttered surface. A channel is assigned by pressing the SEL button above its fader. The screen then displays the main functions - such as input and output routing - for that channel. Further submenus can then be se-lected (access permitting), for adjustment of less commonly used functions.
Four rotary encoders beneath the touch screen allow the adjustment of parameters or the selection of a parameter from a selection table.
This example shows that the equalizer fi lter curve setting has been chosen. The user can switch the equalizer on or off, and set the frequency and slope of the fi lter curve. On the right side of the screen, one can see the date and time display which can be synchronized with an external time
When pressing the SEL button in the fader strip, the input confi guration page expands on the touch screen. The user can then conveniently select the output signal routing or adjust the balance for instance (example with a microphone input). In the mid right section the user can chose one of the menu knobs and go one step deeper into the machine control.
signal. Also available are two stop watches. One of them can be controlled either by a fader start signal or externally.
On the right of the knobs, two buttons are used to control the lower stop watch on the screen. A Start/Stop and Reset button are provided for manual control.
Snapshots and confi gurations can be stored and re-trieved via a memory card (PCMCIA). It allows the user either to reconfi gure the console completely or just recall a suitable EQ setting for the DJ’s micro-phone channel. Radio stations often use the same console type for on-air and production applications. With the memory card, it is easy to reload dif-ferent settings and turn a production console into an on-air console within seconds, if required. In addition, new software versions can be downloaded from the memory card to the console.
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As the console is based on the larger system’s technology, the Studer On-Air 1000 offers an unprecedented level of functionality for this class. Up to 20 user access accounts can be installed, allowing the system administrator to shape a user profi le exactly to the skills and needs of the spe-cifi c user. Each of these users can generate nearly 200 snapshots of his or her preferred system set-up, or microphone settings in his or her domain. All snapshots and console settings are stored in the internal fl ash memory or can be backed up to a PCMCIA memory card.
The large touch screen, unique in this type of console, provides information on the system status, the input and output routing, and the level and pan adjustments. All parameters and settings can be adjusted by four rotary encoders beneath the screen or through the screen touch matrix. A three-band equalizer curve can be displayed and
Touch’n’Action
adjusted in real time on the screen for all chan-nels independently.
Menu access can be control-led for individual users and this information stored in their profi le defi nition. This allows the console to be sim-plifi ed for use by non-technical staff, yet re-main extremely versatile and sophisticated for the skilled technician.
The integrated input router enables any input signal to be assigned to any fader channel on the surface. This confi guration can also be stored and retreived from the user profi le.
The On-Air 1000 is very simple to use thanks to the patented Touch’n’Action operating concept, renowned
for its success in the Studer On-Air 2000. The operator can concentrate on his specifi c task, making good radio
programs, using only the required minimum of operating elements on the console surface.
A user authorization system allows control of access rights for many functions of the mixing console. Up to twenty users can be given a log-in name by the administrator to access their working domain. Each user can store and recall his own snapshots or mic settings.
There are a number of system confi guration sub-menus. To open a menu page the operator just has to touch the appropriate soft button on the screen. In the input confi guration page of an ana-log line input, e.g. nominal levels and headroom can be adjusted, and features like fader start,
external control, bus assignment, timer start, or the channel label can be customized. Other pages provide a detailed system diagnostics menu, and a system dump function, used to download global or specifi c confi guration data to a memory card.
The user can, access permission given, assign the input signals easily to a fader using this graphical representation of the input matrix. The selection is made by choosing a fader and an input channel via the two left rotaries, displayed also by two highlighted lines in the grid. Where these lines
cross, the connection is made by touching the set button. The channel routing can be stored in the user profi le. In addition, fi ve preset confi gurations, e.g. for news or sports broadcast, can be accessed globally by all users.
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The Studer On-Air 1000 - You’ll Love It …
… in your daily DJ work, e.g. for live interviews with music broadcasted from a radio automation playlist.
… whenever you do production work, e.g. with an audio editing software.
Control Room Monitoring
Ten keys are available to select one of the six internal and four external signal sources, whereby the selected source key is illuminated.
Studio Monitoring
The built-in studio monitoring functions are based on a touch menu on the control screen. The moni toring source selection can also be controlled directly from the studio via external push buttons on the studio talkback box.
Talkback
There is a choice of fi ve talkback destinations from the built-in talkback microphone. A key is assigned for each destination. Two clean-feeds (N-1) can be used as mono outputs to telephone hybrids or to line outputs. The clean-feeds as well as the general purpose audition bus have master level controls accessible via the touch screen. Talkback to the AUX busses or the studio is directly accessible.
If required, an external talkback microphone can be connected to the Studer On-Air 1000 as well as a studio talkback microphone.
Monitoring, Metering and TalkbackThe Studer On-Air 1000 provides the utmost fl exibility in monitoring and metering of all signal sources. The
DJ or technician can listen to several audio sources and monitor the levels with the built-in LED bargraph meters
directly accessible via buttons on the front panel.
The Studer On-Air 1000 also supports an external studio, e.g. news studio, whereby an external talkback box, available as an accessory, permits remote control of signal sources and level control of the loudspeakers or headsets in the studio.
Located to the right of the control screen are the monitoring and talkback controls which provide access to the auxiliary outputs (AUX), the audition bus (Audition), the two main stereo busses (PGM, REC), the pre-fader listening bus (PFL), 3 external sources (EXT) and an external off-air monitor feed. There is also a dedicated external PFL input provided for use with radio automation systems. Separate level controls are available for the headphones, the loudspeakers and the PFL/talkback signals.
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Metering
The Studer On-Air 1000 is equipped with two 30-segment LED stereo bargraph meters. Each of the level meters features an additional phase correlator. The sources to be monitored can be selected from the touchscreen between the main buses (PGM and REC), the two AUX sends, the audition and the cleanfeed bus and the control room monitoring signal. The ballistics of both stereo meters may be switched between PPM or VU.
24 V DC Operation
In addition to standard 110-240 VAC, 50/60 Hz mains operation, the Studer On-Air 1000 is equipped with a dedicated 24 VDC input.
Full console operation is possible from a 24 V battery, e.g. in an OB van for mobile applications. The 24 V connection can also be used as a mains failure back up, both power sources may be connected simultaneously and are internally insulated. Complete power supply redundancy may be achieved by external power supplies. An internal power supervisor circuitry monitors all voltages and warns the operator in case of fault status by a red LED on the front panel.
Connectivity and Controls
Input
For studios with most of the equipment in digital format a digitally biased version offers 10 (5x2 with A/B select) digital inputs accepting AES/EBU or S/PDIF signals. The digital signal source needs not be synchronized to the console as all inputs are equipped with sampling frequency converters (SFC). The input can be connected via XLR, Cinch or optical TOSLINK connectors. In addition to these 10 digital inputs the digitally biased version offers 4 (2x2 with A/B select) analog line inputs with XLR connectors and 6 (3x2 with A/B select) mono microphone wide range inputs also with XLR con-nectors. All microphone inputs feature insert sends and returns and also accept line level signal sources e.g. telephone line signals.
For more traditional analog applications the Studer On-Air 1000 is available in an analog biased ver-sion. There are 10 (5x2 with A/B select) analog inputs, 4 (2x2 with A/B select) digital inputs and 6 (3x2 with A/B select) microphone mono wide range inputs at the user’s disposal. All inputs feature the same characteristics as described for the digitally biased version.
In addition to these input channels the console offers two analog stereo insert sends and returns which can be routed into any channel or even the main output buses. The active routing is displayed on the surface in the respective channel strip by LEDs.
The Studer On-Air 1000 features an integrated input router allowing to assign any of the input signals to any of the channel faders on the surface in a very easy way.
Output
On the output side the Studer On-Air 1000 console provides one stereo Program Output (PGM), one stereo Record Output (REC) and two stereo AUX send busses. All available in analog and digital format at the same time. Moreover two cleanfeeds, N–1A and N–1B, are available in analog format. Finally the stereo Audition bus can be used for different applications. All outputs are fed to XLR connectors.
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The Studer On-Air 1000 offers a choice of analog and digital input and output confi gurations. In addition, there are many control interfaces provided as standard, like RS232/RS422 interface, telephone hybrid control, clock synchronization and time synchronization.
The input connection set of the Studer On-Air 1000 digital mixing console is available in two versions.
Controls
Setting new standards in its class, the Studer On-Air 1000 is equipped with a wide variety of control inputs and outputs. The Time Sync input allows the internal time and date system to be synchronized to external sources. Up to 8 protocols (AFNOR NFS87-500, Seiko serial clock, DCF77 mouse clock, MOBATIME IF482, GPS NMEA0183, RCC 8000A Type II, HOPF 6021, LEITCH SMPTE/EBU Timecode) are implemented.
The Clock Sync input provides word clock synchro-nization to external sources. AES/EBU, word clock for 32 kHz, 44.1 kHz and 48 kHz are accepted as well as Video Ref for 25, 29.97 or 30 frames per second.
The Studer On-Air 1000 can communicate to exter-nal devices via RS232 or RS422 serial interfaces. This allows integration with a radio automation system such as Studer DigiMedia through a standard serial protocol. A built-in telephone hybrid control can be used to directly control two external telephone hybrids from the console.
The Studer On-Air 1000 includes a set of general purpose inputs and outputs (GPIO open collectors or opto coupler inputs) on every individual input channel which may be used to start and/or cue external devices such as CD players or R-DAT units, to be controlled by a radio automation system, or for red light indication, etc. The control signals can be triggered by various functions and depend on the selected fader start mode giving the On-Air 1000 greatest possible fl exibility for your needs.
Radio Automation
Editing
Intake
On-Air
RS 422
100
MB
its/
s
NT4
Server
Remote On-Air
CD Jukeboxes
On-Air Console
Remote Source
NT4
NT4
NT4
Scheduling
CAB
Unique in its class, the Studer On-Air 1000 is perfectly suited to seamless integration in a radio automation or Computer Assisted Broadcast (CAB) system. It may be used as a standalone system or integrated in a network of several computer work stations, CD jukeboxes or other data storage devices.
The whole system can also be remotely controlled with a combination of laptop computer and mobile phone from anywhere in the world with a telephone network!
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Radio automation becomes increasingly important when positioning a radio format effectively in the open market. CAB
systems give the program director the ability to compose titles he or she wants to play, in what airplay weighting and in which time window during the day. A CAB system also helps
to improve economy and decreases the access times to music material by using hard disk storage methods.
The Studer DigiMedia is a worldwide proven, reliable and very easy-to-use CAB system. The Studer On-Air 1000 can be fully controlled by the DigiMedia and allows either completely unattended operation, semi automatic operation or manual use. (The DigiMedia software is not part of the Studer On-Air 1000 digital mixing console.)
Studer Original Equipment – Made in Switzerland
For over 50 years, Studer‘s commitment to continu-ous investment in R&D has maintained a position as a world leader in both analog and digital audio technology. The recognition of its importance is demonstrated by the fact that 8% of turnover is spent on research. This has resulted in the award of over 20 technology patents but more importantly, it gives Studer the engineering and design skills to turn these technologies into innovative and often unique products that our customers want to use.
If you are looking for technical solutions, ergonomic solutions, speed-of-operation solutions, I-don‘t-know-what-format-I‘ll-require-tomorrow solutions, and future-proof solutions, we can offer it. Because of our experience in assembling complete systems, we also know about the smaller items that make the products work together, in both the analog and digital domains. It is all here. All developed and manufactured in Switzerland.
For some, the name of Studer carries with it a worldwide reputation for quality and reliability. To others, the name suggests high technology and innovation. To many, the Studer name is synonymous with providing solutions - in Radio, in Television, and in Post Production - either in the form of dedicated products or complete custom made systems.
Service and Support
The Studer On-Air 1000 is derived from the Studer On-Air 2000 electronics and uses most of its sub-assemblies. The On-Air 2000 is a time-tested and proven digital mixing console which is in worldwide use in hundreds of installations, 24 hours a day, seven days a week. It forms the basis of the proven quality inherent in the On-Air 1000 design. Moreover the Studer On-Air 1000 is built in a modular form allowing for fast and easy replacement of sub-assemblies when necessary.
We at Studer know that reliability is of paramount importance to our customers. Therefore Studer offers worldwide service and support for its products. Studer also offers operator training and service courses on-site or in the factory. Please consult your local Studer representative.
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More information?
Ask your Studer representative for detailed informa-tion, if you would like to discuss what innovative solutions Studer may have for you.
General
Level specs, digital, in dBFS: dB, referenced to full modu lation (dB
FS, dB Full Scale)
Level specs, analog, in dBu: 0 dBu Ø 0.775 VRMS
Level specs, analog, in dBuFS: Level in dBu for full mo dulation (Ø 0 dB
FS)
Sampling rate: 48 kHz ±50 ppm (internally synchronized)Headroom adjustable: 0 to 20 dBDefault setting: 9 dBOutput level: 15 dBu @ 0 dB
FS
All input faders set to their 0 dB position. External analog sources: source impedance < 200 Ω . Frequency range: 20 Hz to 20 kHz, if not stated otherwise.
Microphone Inputs
Microphone inputs have A/B switchover and are equipped with a balancing transformer and XLR connectors. The signal is routed to an electronically balanced, analog insert point before the A/D converter. Input sensitivity: -60 to +20 dBu
FS (with 9 dB headroom: -69 to +11 dBu)
Gain setting: in steps of 1 dBPhantom power, switchable: 48 VFrequency response: ±0.5 dBHigh-pass fi lter (12 dB/Octave): -3 dB @ 75 Hz ±5 Hz, switchableInput impedance: > 1 kΩInsert level: +15 dBu
FS (with 9 dB headroom: +6 dBu)
A/D converter: 24 bit (Delta-Sigma, 64 × oversampling)Dynamics: typ. 102 dB (unweighted) THD+N: < -85 dB
FS, 20 Hz to 20 kHz, @ -1 dB
FS
THD+N: < -100 dBFS, 20 Hz to 20 kHz, @ -30 dB
FS
Noise fi gure: typ. < 4 dB @ max. gain, bandwidth 20 kHz, RS= 200 Ω
Common mode rejection: > 50 dB @ 15 kHz, > 75 dB @ 50 Hz
Line Level Inputs
Analog line level inputs are stereo inputs with A/B switching, with electronically balanced input, XLR connectors. Input sensitivity: 0 to +24 dBu
FS (with 9 dB headroom: -9 to +15 dBu)
Gain setting: in steps of 1 dBFrequency response: ±0.1 dBInput impedance: > 10 kΩA/D converter: 24 bit (Delta-Sigma, 64 × oversampling)Dynamics: typ. 102 dB (unweighted) THD+N: < -94 dB
FS, 20 Hz to 20 kHz @ -1 dB
FS
THD+N: < -100 dBFS, 20 Hz to 20 kHz @ -30 dB
FS
Common mode rejection: > 47 dB @ 50 Hz to 15 kHz, electronically balanced
Digital Inputs
Digital inputs have A/B switching and support the AES/EBU (AES3-1992) and S/PDIF (IEC 958) formats. They are equipped with XLR, Cinch, and Toslink optical connectors.All digital inputs are equipped with a sampling frequency converter (SFC). SFC resolution: 20 bitInput sampling rate: 30 to 54 kHzTHD+N: < -105 dB
FS @ 1 kHz, 0 dB
FS
Frequency response: ±0.1 dBInput impedance: 110 Ω (AES/EBU inputs); 75 Ω (S/PDIF inputs)
Technical Specifi cations and Dimensions
Analog Outputs
Analog outputs feature balancing transformers, XLR connectors. Output level @ 0 dB
FS: +4 to +24 dBu @ R
L = 100 kΩ ;
+4 to +23 dBu @ RL = 300 Ω
D/A converter: 24 bit (Delta-Sigma, 128 × oversampling)Dynamics: typ. 101 dB (unweighted) THD+N: < -90 dB
FS @ 1 kHz, -1 dB
FS
Frequency response: ±0.2 dBOutput impedance: < 40 Ω
Digital Outputs
Digital outputs are equipped with two independent outputs according to the AES/EBU standard (AES3-1992). On each of these outputs, the same signal is fed to two XLR sockets with individual buffers. Output level: 2 to 5 VOutput impedance: 110 Ω
Equalizer
Treble control (High): 5 kHz/10 kHz: ±15 dB (depending on Customer Code setting)Equalizer (Mid): 200 Hz to 10 kHz: ±15 dBBass control (Low): 200 Hz/400 Hz: ±15 dB
Crosstalk Attenuation
Between channels: > 90 dBInput fader attenuation: > 100 dB
Power Supply
Mains voltage: 100 to 240 V, 50/60 Hz (auto-ranging)Power consumption: 130 VA typRedundant power supply available on request.DC operating voltage: 24 V/5A typ
Weight
On-Air 1000: 22 kg
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Dimensions
Data subject to change without notice.
690 mm
790 mm
250 mm
636
mm
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Block Diagram
TB TO EXT
RS 422
RS 232
TB TO EXT
APREAMP
Da
INTERFACE
TIME SYNCTIME SYNC INP
RS 232/422COMMUNICATION I/O
INTERFACE
D
SFC
DAES INP 5
d
d
D
APREAMPa
a
TB TO STUDIO
TB TO CR
*
A
D
HL INP 5a
a
TB INPUT CHANNELS
INPUT CHANNEL 10
INPUT CHANNEL 4
***
***
***
*** IF "PFL CUT ON CHANNEL ACTIVE" IS YES
MUTE
MUTE
MUTE
CHANNEL
ON
CHANNEL
ON
CHANNEL
# DIGITAL-BIASED VERSION (6 mic, 4 analog, and 10 digital inputs)
* ANALOG-BIASED VERSION (6 mic, 10 analog, and 4 digital inputs)
HEADPHONE JACK SOCKET
PROGRAM
RECORD
AUDITION
BANTAM JACK
D-TYPE CONNECTOR
XLR CONNECTOR
INPUT CHANNEL 1
AF
PF
AF
PF
AF
PF
AF
PF
AF
PF
AF
PF
a
d
MONITOR SELECTOR
CONFIG SELECTION
DIGITAL SIGNAL (AES/EBU)
ANALOG SIGNAL
STEREO LINE
MONO LINE
INSERT
INSERT
INSERT
CHANNEL ON
AUX 1
PFL
AUX 2
FADER BALANCE
AUX1
AUX2
EQU.
FILTER/
DIG PAD
DC REJ
PHASE
AUX 1
AUX 2
PFL
FADER BALANCEEQU.
FILTER/DC REJ
PHASE
DIG PAD
AUX1
AUX2
ON
BUS
INPUTS
TB TO CR
D
SFCd
d
DAES INP 2
TB TO STUDIOCHANNEL ON
PFL
AUX 2
AUX 1
N–1 B
N–1 A
SFCd
d AES INP 1
a
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a
a
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HL INP 2
HL INP 1
INPUT CHANNELS
AUX1
AUX2
BALANCEFADERINSERT
FILTER/
EQU.DIG PAD
PHASE
DC REJ
D
D
D
A
D
A
A
D
PREAMP 3
PREAMP 2
D
D
APREAMP 1
A
PROGRAM
RECORD
AUDITION
N–1 B
N–1 A
PROGRAM
RECORD
AUDITION
N–1 B
N–1 A
CHANNEL ON
INSERT
INSERT
INSERT
INSERT
INPUT
PCBs
INP
UT
RO
UT
ER
STUDIO
CR
TB MIC
CTRL I/O
# DIGITAL STEREO INP 10
# DIGITAL STEREO INP 9
TB MIC
DIGITAL STEREO INP 3
DIGITAL STEREO INP 4
DIGITAL STEREO INP 1
DIGITAL STEREO INP 2
* ANALOG STEREO INP 10
* ANALOG STEREO INP 9
ANALOG STEREO INP 4
ANALOG STEREO INP 3
ANALOG STEREO INP 2
CTRL I/O
CTRL I/O
CTRL I/O
CTRL I/O
CTRL I/O
CTRL I/O
CTRL I/O
CTRL I/O
ANALOG STEREO INP 1
STUDIO MIC.2
GUEST MIC.2
STUDIO MIC.1
GUEST MIC.1
DJ MIC 1
CTRL I/O
CTRL I/O
BUS
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SWITZERLAND
REGENSDORF
BLOCK DIAGRAM AUDIO
ON AIR 1000M2 V4
BUS
VOL CONTR
VOL CONTR
VOL CONTR
VCA
VCA
DIM
DIM
DIM
DIM
DIM
DIM
VCA
SYNC INP
WORD CLOCK
AES/EBUGENERATOR
CLOCK
VIDEO
AUX 2
AUX 2aD
d
d
A
D
D
EXTERN TB INPUT
EXT TB TO CR
EXT TB TO STUDIO
EXT. TB INPUTa
a
FADER PGM
RETURNSEND
PROGRAM D
( ON AIR / D)
LIM
LIM
LIMITER
LIMITER
LIMITER
LIMITER
AUDITION
N–1 A
EXT. PFL CONTROL
d
d
D
D
MONITOR SELECT
TB TO TEL
MIC SIGN.STUDIO MIC SIGN.
TB TO C.R.MON
TB TO C.R.MON
A
D
aEXT. PFL
D
A
D
D
D
A
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A A
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TB TO STUDIO
C+S TALK
EXT. TO PFL
INSERT
INSERT
2 x INSERTS
D
AaSEND 1
SEND 2
a
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A
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AD
Aa
RET 1
RET 2
d
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BUS
MASTER AND MONITORING
PFL
CR/PFL
C.R.MON.
MONO
C.R./ DJ MONITOR
MAIN OUTPUTS
STUDIO MONITOR
MONO
C.R. CUT + DIM
STUDIO CUT
STUDIO
STUDIO LSP
CR.LOUDSPEAKER
GUESTS
DJ
AUX 1
AUX 1
PFL/TB
C+S TALK
a
a
d
EXTERN MONITORING
aEXT. 2
aEXT. 3
aEXT. 1
aOFF AIR
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N–1 B
N–1 A
D
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D
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D
A
D
D
A
C TALK
C TALK
AUX2 MASTER
AUX1 MASTER
FADER REC
N–1 B
PROGRAM
RECORD
S AUDITION
N–1 B
N–1 A
PROGRAM A
( ON AIR / A)
RECORD / D
RECORD / A
INSERT
INSERT
PPM / VU
BARGRAPH BARGRAPH
PPM / VU
A
D D
A
METER 1 METER 2
a
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N–1 B
N–1 A
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10.26.4
082
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0120
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Studer Professional Audio AGAlthardstrasse 30, CH-8105 Regensdorf-Zurich Switzerland, Phone +41 1 870 75 11, Fax +41 1 870 71 34
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Subject to change. Studer is a registered trademark of Studer Professional Audio AG. Printed in Switzerland. Copyright by Studer Professional Audio AG