Oleander Magazine - Nr. 2 April 2011
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Transcript of Oleander Magazine - Nr. 2 April 2011
OleanderPassion for Music & Life
M A G A Z I N E
Music & Visual Arts Lifestyle & Fashion Culinary & Travel
Nr. 2 - April 2011
Passion for Music & Lifestyle
M A G A Z I N E
INTERVIEW
with Dutch Realist paintress
Joke Frima
is a creation by
Passion for Music & Lifestyle
M A G A Z I N E
Welcome to the 2nd edition of Oleander Magazine.
In this edition I would like to show my admiration for the Dutch
paintress Joke Frima.
One afternoon in 2004 I was about to meet the work of Joke Frima for
the first time when I walked alongside a small canal in Amsterdam.
My eyes were drawn to a couple of beautiful realistic paintings of
Water Lillys through the windows of Gallery Mokum when I walked by.
I was overwhelmed by the beauty of 2 gigantic paintings of Water
Lillys in a pond.
I immediately entered this small Gallery to find out who the painter
was. The paintress is Joke Frima and the painting that touched me the
most is called ‘Still Waters’. (see next page)
I hope you enjoy reading this Visual Art edition of Oleander Magazine.
Exclusive Artist - Founder and President of Oleander Concerts
Boni Li-A-SamChief Editor
Still Waters - Joke Frima © 2004 - 95 x 160 cm
Surinam Lotus - Joke Frima © 2005 - 125 x 225 cm
Born in 1952, The Hague. Lives and works in France. Although she attended two art schools in The Netherlands, Frima had to go to Florence to find the kind of training she was looking for. There she was under the tutelage of the elderly signorina Simi, who taught drawing and painting just as her own father had taught her: by studying plaster feet, terracotta jugs, and living models. Frima trained six hours a day, six days a week. The result of this training is a keen eye for detail and a steady hand for form. Yet her paintings and drawings are not simply reflections of her retinal images. Although nature and vegetation play a strong role in her work, she chooses her subjects carefully and
meticulously sets them in sometimes almost surreal compositions. The intense light and powerful concentration lends an other-worldly quality to her work.
Photo: Boni Li-A-Sam
InterviewJoke Frima
When did you become aware of
your interest in drawing and painting?
I began drawing as a young child
and never stopped. The people who
saw my drawings then complimented
me because of the way I created my
subjects. Most children at age 4 are
just scratching on a sheet of paper.
But I already had the skills to be able
to draw according to my visual
observation.
How did you develop your
talent?
I stimulated myself first and was
encouraged to continue by my
school teachers. The History of Art
education during my secondary
school period gave me a primary
stimulus as well. Later, after my
secundary school I visited the
Academy of Arts which was a very
disappointing experience to me. At
that time I felt that the education at
the Academy didn’t provide me what
I really needed to develop myself any
further because it lacked of the
classical and traditional teachings I
was looking for. So I kept on going to
create in my very own way.
Have you always been supported
to develop your artistic talents?
My parents never encouraged me
extensively or neither did they withhold
me from doing what I loved to do. When I
was 13 years of age they send me to
mould classes. But mainly I was my own
motivator.
What or who inspired you to become
a professional painter?
The motivation to become a professional
painter was feeded by the fact that I had
an urge to study and develop myself with
knowledge. And when I was 24 years of
age I went to Florence, Italy to visit the Art
Museums. During my stay in Florence I
discovered an Art School that was led by
Signorina Simi where I finally was able to
learn all the real basics of traditional and
classical drawing. Signorina Simi made us
draw in black and white with charcoal
first before we where going to paint in
colour. Her philosophy was that we first
had to master to capture all shades of
black and grey before we could fully
understand the full potential of working
with colours. Signorina Simi had a small
classroom of 15 students. We worked 6
hours a day, 6 days a week to improve
our skills and our technique. In her atelier I
really could enrich myself with the
academic way of drawing and painting.
In the 4 years that I studied in The
Netherlands, there was no real education
given regarding technique. I finally felt
really home and comfortable with the
teachings of Signorina Simi.
…vegetation and flowers are very close to my heart…
Which people or subjects inspire
you?My general inspiration comes
primarily from Nature itself.
I absolutely love botanic structures
because vegetation and flowers
are very close to my heart.
Especially water plants and the structure of leaves.
Do you have other interests besides
your profession?I love gardening and to travel. What
interests me the most in other countries
is the original cultural richness of the
country and its people. And off course
the genuine Art. I have visited Gambia,
Surinam, French Guyana, Guadeloupe,
Dominica and Egypt. And when I visit a
museum I am always more drawn to the
paintings than the other artifacts.
Claude Monet – Parc Monceau
Why did you move to France?When I came back to The Netherlands
after residing in Italy for many years, I
had the urge to have my own atelier
near my own garden with good natural
light coming through the windows. In
The Netherlands, my wishes regarding to
obtain such a place were not easy to
fulfill. A friend of mine had a very nice
summer house in Bourgogne, France
and I became familiair with the
beautiful landscape of the Morvan. In
1999 I decided to move to France with
my family permanently.
Joke Frima - Naked Ladies - Oil on Canvas
Joke Frima – The flamboyant Onion - Oil on Wood
What is your favourite animal and most
favourite landscape?
My favourite animals are living in the
forest such as deer, badgers, foxes,
birds, wild boar. The Tuscanian landscape
is very close to my heart. When I visited
Ravenna to visit the old churches, I was
confronted with the landscape that
surrounds it. It was quiet similair to the
Dutch Landscape and that made me
aware that I had missed the Dutch
landscape very much for a long time.
It was an emotional event for me to
acknowledge this fact.
What is your favorite kind of music?
I love music from the Rennaissance
and Arabic music as well. I prefer
acoustic music because it goes to the
heart. Amplified music is not something
I like. It is too noisy and too mechanical.
Joke Frima - Souvenir d’Egypt – Oil on Wood - 2009
Describe your own definition of
Spirituality.
Spirituality has all to do with my own
experience of timelessness and the flow
of energy. When I am painting, time
stops. I do not feel any presence of time
whatsoever. I feel that I am in contact
with a special energy source…another
experience of Time. For me, spirituality
has nothing to do with the institutional
religions.
What is your favourite kind of food?
I love the Tuscanian kitchen. The smell
and flavours of basil, olive oil and all the
other ingredients and herbs that grows in
the region itself.
What is your own definition of
success?
For me, success means that
I am able to make my profession of
something I love to do in all freedom.
I honestly can say that I live my dream
every day. There are so many people
who are trapped in their daily jobs in
order to earn the money that they
need to be able to finance the life
that they really want. I am blessed to create what I want to create in life. ■
What is your current or next
project?
In November 2010 I have had my
exhibition at Gallery Mokum in
Amsterdam. At this moment I will take
the time to create new work.
The way I paint is very labor intensive
and I need a few years to create for
the next exhibition. In the mean time I
also participate in different group
exhibitions. Every year in November
I participate with Gallery Mokum
at the PAN, Arts and Antique fair at
the RAI in Amsterdam.
From April to September this year, one
of my paintings is exhibited at Museum
'De Zwarte Tulp' (Black Tulip Museum)
in Lisse, The Netherlands.
And I would like to explore my newest
ambition to teach. I love to pass on my
knowledge within the classical
tradition to other people. I have been
teaching when I was young, but then I
had not much time left to create my
own work. For many years I have had
the time to be able to create my own
work. And now I feel the time is ripe to
pick up teaching again.
INTERNATIONAL SUMMER
ACADEMY JULY 2011
Joke Frima organizes an
International SUMMER ACADEMY
in her atelier in France where
people can explore and develop
their artistic skills .
see advertisement
on next page
International Summer Academy
4 – 17 July 2011
In her studio in Central France Joke Frima has room for 10 students who can look forward to receiving personal instruction and enlightenment in the classical painting tradition.The Academy course runs this summer in the month of July and classes will be held in Joke’s spacious studio’s or in the academy grounds every week from Monday to Friday.
ContentStudents will be expected to workfrom nature (still life and models)under Joke Frima’s guidance, which isadapted to each student’s personalpossibilities, development of skills and progress. We work half a day with life model and half a day with still life or plaster cast. This permits continuity and the time necessary to elaborate on the construction of proportions, tonal values and shapes.
EntryBefore your admission to the Summer Academy Joke would like you to answer some questions designed to give her an insight into your motivation and abilities in painting, and what your expectations of the lessons are. If you have any experience in painting she would like to receive a modest portfolio documenting your work.
FeeThe fee is € 600,- for two weeks.This covers tuition, drawing materials, as well as a meal at noontime.
More information and subscription
www.jokefrima.com
Morvan - Bourgogne
Joke Frima’s latest book “Manifestations” was presented at her 2007 exhibition at
Gallery Mokum in Amsterdam.
This 70-page publication presents sixty-one paintings.
The introduction is an essay by Diederik Kraaijpoel, well-known Dutch artist and authoritative art critic.
You may order the book through Joke Frima.
Manifestations
Art has the potential to move people. The passion that an artist invests in his or her work provokes a response in the observer. This passion lies at the heart of everything that we at Art Revisited do.
From 1985, we have been reproducing the work of a group of leading artists (for the greater part contemporary Realists) with great fervour and craftsmanship. The artwork is captured in our own studio, employing a technique that is both unique and state-of-the-art: 64 separate exposures are merged into a single digital photograph. The resulting file is used for each of our products, from art books to postcards and from calendars to Giclées.
The inks used during the Giclée production process are guaranteed colourfast for 75 years. In this way, we can offer our customers a reproduction that is barely distinguishable from the original, and with the potential to move people.
All the art of Joke Frimais viewable at Art Revisited.
www.artrevisited.nl
Address: Oudezijdsvoorburgwal 3341012 GM AmsterdamTHE NETHERLANDS
Phone & Fax: +31 (0) 20 6243958After hours: +31 (0)20 - 62 58 025Cell phone: +31 (0)6 - 51 54 99 96
www.galeriemokum.com
Fettunta (Toasted bread with olive oil)
Preparation time: 10 minutes.
Cooking time: 10 minutes.
INGREDIENTS:
Bread
Extra-virgin olive oil
Fresh Garlic
Salt
Black pepper
This dish is generally associated with the month of
november, when the olives have been gathered and
the oil is newly pressed. Obviously it is eaten all year
round, but in other seasons it lacks that characteristic
pungent flavour of the new oil.
Cut the bread about a centimetre thick, grill well on
both sides and rub one side generously with a clove
of garlic.
Place the slices on a large serving platter and drizzle
the oil over them. Season with salt and pepper and eat while still hot.
by Joke Frima
C O N T A C T