OCTOBER 2015 二零一五年十月號 - RTHK

OCTOBER 2015 二零一五年十月號©

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I was listening to a repeat broadcast of Live on 4 while drafting this foreword.

‘Hey! Who’s that soloist?’ I thought to myself. ‘This style of interpreting Tchaikovsky’s Violin Concerto is rarely heard today. I like the bold use of portamento, masterful treatment of space, subtle changes in pulse, dynamics and tone colour….’ The applause came and all was revealed. It was Anne-Sophie Mutter with the Vienna Philharmonic conducted by Riccardo Muti. The concert was part of this year’s Salzburg Festival recorded in mid-August.

The joy of listening to a concert recorded live is incomparable. It is as though you are there, inside the concert hall, the recording is usually little edited, and the presence of an audience is a stimulus to the performers, making it a truly spontaneous experience. I’m pleased to announce that more live recordings from this year’s Salzburg Festival are coming to this month’s Live on 4 on Thursdays.

In addition to live concerts from overseas, this month Radio 4 is proud to present recordings of performances from the LCSD’s current ‘Great Music’ series.

Vienna Boys’ Choir with conductor Jimmy Chiang, Singapore Chinese Orchestra with conductor Tsung Yeh, and the duo of tenor Ian Bostridge and guitarist Xuefei Yang will appear in Hong Kong in October. Our cover story has interviews of these artists so that we may know more about their artistry. This special Friday series of Live on 4 will be kicked off by the iconic master pianist Nelson Freire who gave his amazing Hong Kong debut recital early last month.

More live music-making will come from Poland as spotlights fall on this year’s International Fryderyk Chopin Piano Competition. From now till the end of November, every Tuesday evening at 8pm, you can immerse yourself in the Competition’s spirit. There will be a two-part documentary on the mega event, in between six weeks of starlit performances, straight from Warsaw.

Finally, it’s a special month for Music of Friends. Not long ago the piano in Studio One was moved to Studio Two, which made it possible for pianists to come in to record piano duos. From 4 October, for five consecutive Sunday evenings, you can listen to works for two pianos. Find out more in ‘Programme Highlights’. You may like to know that one of the programmes involves eight hands!!

Jimmy Shiu Head, Radio 4

落筆寫今期「掌台人隨筆」之際，收音機正重播「第四台音樂會」。

「那位獨奏者是誰？」我問自己︰「今天已鮮有這種演繹柴可夫斯基小提琴協奏曲的手法。我喜歡當中仔細的節奏、強弱和音色變化、果敢的滑奏、空間的處理⋯⋯」掌聲響起，我的疑團亦解開，她是安蘇菲‧慕達，同台演出還有慕迪指揮維也納愛樂樂團。這是今年8月份薩爾茲堡音樂節其中一場亮點演出。

收聽音樂會現場錄音的感受實在無可比擬。你好像置身音樂廳中，錄音一般沒有太大修剪。由於有現場觀眾，演出者通常會更加投入。10月份逢星期四晚的第四台音樂會有更多來自今年薩爾茲堡音樂節的演出，對我來說，這是多麼令人雀躍的消息啊﹗

除了海外的現場錄音外，本月第四台更為你播放由康文署主辦的「音樂盛會」其中幾場精彩演出。由曾智斌指揮的維也納兒童合唱團、葉聰帶領的新加坡華樂團，男高音歌唱家博斯烈茲和結他演奏家楊雪霏將亮相本港舞台。在今期的封面故事，我們先刊載四個專訪，讓你更認識他們的藝術觸覺。這一系列「第四台音樂會」將於星期五晚播出，打頭炮的是鋼琴大師費艾亞，他於上月在香港的首演，實在叫人難忘。

續談現場音樂會。今年世界各國的目光亦會投向波蘭的國際蕭邦鋼琴大賽。10月至11月，逢星期二晚上8時，你可以安坐家中欣賞兩個與這項國際盛事有關的特輯，還有六場由華沙直送的演出，不容錯過﹗

最後，本月的室樂雅聚將獻新猶。不久之前，一號錄播室的三角琴搬到二號錄播室去。我們特別趁機邀請多位鋼琴家前來灌錄鋼琴二重奏作品。由10月4日起，一連五個星期日晚上8時，你可以欣賞到多個組合的演出，詳情請參閱「節目精華」。提提你，其中更有八手聯彈呢！！

第四台節目總監　蕭樹勝

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FOREWORD 前言

掌台人隨筆From The Desk of HR4

Listen to two legendary first-prize winners, Martha Argerich and Garrick Ohlsson as they perform at The 17th International Fryderyk Chopin Piano Competition in two gala concerts on 6 and 13 October at 8pm.第十七屆國際蕭邦鋼琴大賽將由兩場特備音樂會展開，兩位名字響噹噹的前度優勝者亞嘉莉殊和奧爾遜將擔綱演出。音樂會分別於10月6日及13日晚上8時正播出。

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October 2015 二零一五年十月號

CONTENTS 目錄

01 FROM THE DESK OF HEAD, R4掌台人隨筆

SPECIAL FEATURES 特稿05 Sharing Chopin

分享蕭邦

COVER STORY 封面故事10 Live on 4 brings you… Great Music Around Town

「第四台音樂會」呈獻… 城中盛會

COLUMNS 專欄19 Sunday Opera 歌劇世界

22 Songs of the Earth 大地之歌

25 Musical Exchange 談天論樂

27 Scriabin Unveiled 揭開史嘉爾亞賓的神秘面紗

33 Music from China 樂在神州

37 Young Music Makers 2015 Graduation 樂壇新秀2015結業了

41 New Releases 碟碟不休

43 Concert Highlights 音樂會轉播精選

45 Friends of Radio 4 第四台之友

47 Main Programme Chart 節目時間表

48 Programme Highlights 節目精華

55 ‘FM’ Classified Board 《美樂集》分類廣告

56 Coda

美樂集FINE MUSIC©

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Stacey Rodda

This month, along with the two 17th

International Fryderyk Chopin Piano

Competition Inaugural Concerts in Live

on 4 on 6 & 13 October, we hope you can

join us for a two-part documentary on

the Competition entitled Sharing Chopin

on 20 & 27 October presented by Oliver

Chou, featuring historical competition

recordings and recent interviews with

some past Chinese winners.

The 2015 Competition recitals will be

preceded by two inaugural concerts. On

1 October, Martha Argerich and Nelson

Goerner will perform with the Warsaw

Philharmonic under the baton of Jacek

Kaspszyk; and on 2 October, Garrick

Ohlsson with the Warsaw Philharmonic

Men’s Choir and Orchestra under the

baton of Wojciech Rajski. Krzysztof

Penderecki’s Polonaise for Symphony

Orchestra, a work commissioned by the

Fryderyk Chopin Institute especially for the

inauguration of this year’s Competition,

will feature in the 1 October concert.

Prelude to The 17th International Fryderyk Chopin Piano Competition

The first Competition was held in 1927 with 26 pianists from 8 countries taking part. This year, over 450 applications were

received. 81 pianists were selected from 21 countries, with the most from the host country of Poland (15) followed by China (14).

Inspired by Fou Ts’ong

Fou Ts’ong was the first Chinese pianist to win a prize in the 5th Competition held in 1955. That year, increased demands

were placed on the participants with a more difficult programme than in previous years. Victory went to Polish pianist Adam

Harasiewicz. Vladimir Ashkenazy, who had been leading, performed less strongly at the final stage and ultimately came in

second. Third Prize went to Fou Ts’ong along with the Prize for the Best Performance of Mazurkas. Martha Argerich, winner of

the award for Best Mazurka Performance at the 1965 Chopin Competition, when asked where she had learned to play these

difficult miniatures responded: ‘From recordings of the Chinese pianist Fou Ts’ong!‘

▲ Fryderyk Chopin (1849)


SPECIAL FEATURES 特稿

▲ Warsaw Philharmonic Concert Hall

In the 6th Competition in 1960, the audience favourite was

undoubtedly the Mexican pianist Michel Block, who, in the end,

failed to win a prize. Arthur Rubinstein, honorary chair of the jury,

(which was the largest in the Competition’s history), decided to

respond by awarding Block a ‘Hors concours’ prize. Maurizio

Pollini, then 18 years old, took First Prize, and Fourth Prize went

to Li Mingqiang. This was not Li’s first award - he won Third Prize

in the Smetana Competition in Prague (1957) and First Prize in

the Enescu Competition in Bucharest (1958). Li was a juror of the

Chopin Competition in 1995.

The Drama Continued…

The 60s and 70s brought more controversy with Martha Argerich

defeating runner-up Arthur Moreira-Lima. The rivalry between

Argerich and Moreira-Lima stirred huge emotions among the

critics and the public, and not everyone agreed with the jury’s

decisions. In 1975, Krystian Zimerman became the first Pole to

win for twenty years.

In 1980, the 10th Competition was won by the Vietnamese pianist

Dang Thai Son. It is worth emphasising that in the final, Dang Thai

Son was playing with an orchestra for the first time in his life. He

also won three other prizes. Among the competitors not included

among the prize winners was the Yugoslavian, Ivo Pogorelich.

After the third round Martha Argerich (as juror) quit, unable to

reconcile herself to the elimination of Pogorelich.

In the 90s, in two successive competitions, the jury failed to

find anyone among the candidates deserving of first place.

That changed in 2000. That year, many talented pianists from

the Far East appeared on the concert platform of the Warsaw

Philharmonic Concert Hall. The prize for the Best Performance of

a Polonaise went to First Prize winner Yundi Li and to Fourth Prize

winner Chen Sa. In 2010, Chen Sa was awarded the prestigious

Chopin Art Passport by the Polish government in recognition of

her achievement in Chopin’s music during the Chopin bicentennial.

Celebrated for his ‘wondrous colourings of many Chopin recitals’,

(China Daily) Yundi’s latest recording features the complete Chopin

Preludes. He is a juror in this year’s Competition.

The Winner Takes It All

In 2005, the Polish pianist Rafał Blechacz became the most

decorated pianist in the history of the Competition, winning not

only First Prize, but also all the special prizes, as well as the

prize funded by Krystian Zimerman for the Best Performance of a

Sonata, and the Audience Prize. It was this year that Colleen Lee

took sixth place. She became the first Hong Kong pianist to reach

the final round of this prestigious Competition.

Finally, there was more controversy in 2010. Austrian pianist Ingolf

Wunder was among the favourites for the 16th Competition from

the very beginning, but ultimately, came second, a prize shared

with Lithuanian pianist Lukas Geniušas. The jury awarded First

Prize to the Russian pianist Yulianna Avdeeva – the fourth woman

to be crowned winner of the Chopin Competition.

Only time will tell what we can expect from this year’s Competition.

Stay tuned for updates in Sunday Morning on 4 and other Radio

4 programmes and, for concerts from the Competition to be

broadcast in November.

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關於國際蕭邦鋼琴大賽


這項著名的鋼琴大賽於1927年首辦，只有來自八個國家共

二十六位樂手參與。今年報名人數超過四百五十人，共有

八十一人入圍。

傅聰是首位得獎的中國鋼琴家。他在1955年的大賽上獲得

第三名以及「馬祖卡最佳演奏獎」。1965年，亞嘉莉殊贏

得同一獎項後，自稱深受傅聰影響。1960年的冠軍由年僅

十八歲的普連尼奪得，第四名是中國鋼琴家李明強。李明

强在1995年更担任國際蕭邦鋼琴大賽的評審哩！

七十至八十年代，傳奇繼續。亞嘉莉殊的獲獎頗具爭議；

齊默曼1975年奪冠，打破波蘭人二十年無緣冠軍的「魔

咒」。1980年，冠軍鄧泰山進入決賽時才首次與樂團合

作。因波哥利殊被擋在決賽門外，評審亞嘉莉殊請辭，以

示憤怒。

李雲迪2000年贏得首獎，結束了比賽頭名空缺十五年的歷

史。另一位中國鋼琴家陳薩亦獲得第四名。2005年，波蘭

鋼琴家布雷查茲不但贏得首獎，更包攬其他特別獎項，成

最大贏家。香港鋼琴家李嘉齡獲得第六名，為香港首奪殊

榮。2010年的冠軍爭奪同樣激烈。最終，俄羅斯鋼琴家阿

芙蒂耶娃奪冠，成為國際蕭邦鋼琴大賽的歷史上第四位女

性冠軍。還有更多有關國際蕭邦鋼琴大賽的故事，將由周

光蓁在「分享蕭邦」節目中與你娓娓道來。

▲ Yundi Li 李雲迪

▲ Chen Sa 陳薩

▲ Martha Argerich 亞嘉莉殊

▲ Colleen Lee 李嘉齡

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適逢第十七屆國際蕭邦鋼琴大賽在波蘭舉行，第四台在10月20日及27日推出由樂評人周光蓁以英語主持的「分享蕭邦」特輯，節目中會帶來多段珍貴錄音，並有他與前度得獎者的訪談片段。

今屆大賽將由兩場特備音樂會揭幕。10月1日，鋼琴家亞嘉莉殊與高爾拿同台，聯同卡斯帕斯奇指揮華沙愛樂演出。10月2日，鋼琴家奧爾遜與華沙愛樂及男聲合唱團合作，由萊斯奇執棒。此外，10月1日更會演奏由蕭邦協會委約作曲家班特維斯基為交響樂團而寫的波蘭舞曲。第四台分別在10月6日及13日晚上8時，為你帶來這兩場星光熠熠的演出。

文：盧迪思翻譯：箬笠

本月，「週日早晨」亦會與你分享國際蕭邦鋼琴大賽的最新情況。三位決賽入圍者的音樂會將於11月播出，敬請留意。


Nelson Freire 費艾亞 Last month, we recorded the legendary Brazilian pianist Nelson Freire’s recital. He is

a champion of Chopin’s music, and is a long-time collaborator of Martha Argerich.

Surprisingly, the 70-year-old maestro at the keyboard had not previously played in Hong

Kong until he gave that sensational recital.

上月，我們為巴西鋼琴巨匠費艾亞的獨奏會錄音。他是舉世知名的蕭邦作品權威演繹

者，也是亞嘉莉殊的長期拍檔，卻未曾在港獻技。他的香港首演大獲好評。

This month, Radio 4 brings you four great performances in Hong Kong!

本月，第四台為你帶來城中四個音樂盛會。

Vienna Boys’ Choir 維也納兒童合唱團The Vienna Boys’ Choir (VBC), famed for their angelic and lyrical voices, is also making a

stop in Hong Kong. Boasting Haydn and Schubert as former members, the Choir added

Jimmy Chiang to their membership roll, their first conductor from Hong Kong. Although

the VBC has visited Hong Kong on numerous occasions, this performance is particularly

meaningful as it will be Chiang’s Homecoming Concert!

天使般的歌聲，使人心醉。維也納兒童合唱團歷史悠久，其成員甚至包括海頓和舒伯

特。2013年，他們加添一員 ─ 曾智斌。他是合唱團首位來自香港的指揮。雖然合唱團

已多次訪港，但這是曾智斌的載譽榮歸，顯得別具意義。

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FINE MUSIC | October 201510

Ian Bostridge and Xuefei Yang 博斯烈茲與楊雪菲

Another world-renowned artist making his debut in Hong Kong will

be British tenor Ian Bostridge, famed for his opera performances and

song recitals. He will be teaming up with UK-based Beijing guitarist

Xuefei Yang who is a favourite of Hong Kong’s music lovers.

另一位在港首次演出的名家是英國男高音博斯烈茲，他在歌劇與藝

術歌曲的領域上同樣大放異彩。在這個星級的演出中，有本港樂迷

熟識和愛戴，來自北京、現居英國的結他演奏家楊雪霏同場獻技。

4.

In Conversation 樂人雋語To whet your appetite, Radio 4’s Rachel Lai, Kathy Lam, Jonathan Douglas,

and Stacey Rodda, spoke respectively to Jimmy Chiang, Tsung Yeh, Ian

Bostridge and Xuefei Yang*.

以上三場演出尚未舉行，第四台同事黎慧因、林家琦、杜格尊和盧迪思分

別與曾智斌、葉聰、博斯烈茲和楊雪菲傾談過，部份內容如下*：

*Transcribed by William Lau 文字整理及中譯：劉偉霖

Tsung Yeh is no stranger to the Hong Kong audience. Before taking

the helm at the SCO, he was Music Director of the Hong Kong

Sinfonietta from 1999 to 2002.

新加坡華樂團成立於1997年，可說是一個年青且成就卓越的組

合。他們曾到訪蘇格蘭、匈牙利、中國大陸、台灣和澳門等地，

卻從未踏足香港。除演奏傳統中樂作品外，樂團更努力開拓新視

野，特別是展現具東南亞風貌的作品。指揮家葉聰成為新加坡華

樂團的音樂總監前，曾在1999至2002年擔任香港小交響樂團的

音樂總監，相信本地樂迷對他相當熟識。

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Singapore Chinese Orchestra 新加坡華樂團 Established in 1997, Singapore Chinese Orchestra (SCO) is a youthful and accomplished ensemble. They have been invited to

perform in places such as Scotland, Hungary, China, Taiwan, and Macau. Yet, they have not set foot in Hong Kong. While preserving

traditional arts and culture, the Orchestra also explores new compositions and works with a Southeast Asian flavour. Music Director


COVER STORY 封面故事


Vienna Boys’ Choir and conductor Jimmy Chiang 曾智斌與維也納兒童合唱團

The upcoming visit of the Vienna Boys’ Choir will be the choir’s first with

conductor Jimmy Chiang who was born in Hong Kong and has been

living in Vienna for 15 years. In the US, he was a student of the renowned

piano pedagogue Krassimira Jordan. Jordan has regular masterclasses

in Vienna and she brought Chiang with her. Chiang’s goal was to be a

conductor and, since Vienna has produced more than its fair share of

renowned conductors, Chiang decided that it was the right place for him

to study conducting. Chiang sees his work with the Vienna Boys’ Choir as

a summation of his previous training. He also feels that he learns a great

deal by teaching.

A father of two sons, Chiang feels that European children are more

independent and proactive than Hong Kong kids who tend to be less

independent and more passive. His choirboys in Vienna are eager to

respond and feel okay to talk about what is bothering them. This is very

important to Chiang as he believes that to sing properly you have to sing

from the heart. Music from an unsettled heart sounds unsettled. In rehearsal

Chiang is quite a disciplinarian. He attributes that to his own efficient and

methodical teachers. But although he may be very demanding in rehearsal,

on stage, they are equal partners.

Chiang’s sons are aged 6 and 8. Both are studying at the choir’s elementary

school and the elder is expected to join his father’s section soon. Chiang

is keen to cultivate the individuality of his sons, and he notes that this

may sound inconsistent with the aims of a choral conductor. In Chiang’s

view, the coexistence of individuality and unity is not just the challenge of

a choral conductor but also the challenge of a society. One may exercise

his or her freedom, but one must bear in mind that the freedom of others

should not be infringed.

首次帶領維也納兒童合唱團來港的曾智斌在香港出生，於

維也納定居至今十五年。他曾在美國主修鋼琴，老師佐頓

是位鋼琴教育家，定期在維也納舉行大師班，曾智斌亦有

陪同。成為指揮是曾智斌的志願，維也納也曾孕育不少名

指揮，促使曾智斌到維也納深造。教育對於曾智斌是一個

平衡點，教人的同時亦能教導和認識自己。

身為兩子之父，曾智斌留意到歐洲的小孩較獨立主動，香

港的小孩倚賴性較強和較被動。他的團員勇於回答問題和

說出心中感受。他相信唱歌亦是唱出自己的內心，內心不

開放，唱出來也是這樣。曾智斌秉持他老師的嚴厲風格，

有效率、按部就班、學生可以錯但不能重覆犯錯。曾智斌

排練時非常嚴格，然而在台上表演他會視團員為同等的藝

術家。

曾智斌的兩個兒子今年六歲和八歲，就讀於合唱團的附屬

小學，長子即將加入曾智斌的小組。父親很注重培育他們

的獨立個性，這似乎違背合唱團的合作精神，但曾智斌認

為個體和群體如何共存，不單是合唱團，更是社會的運行

準則。行使個人自由的前提，是不能侵害別人的自由。

>>>©

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Tsung Yeh and the Singapore Chinese Orchestra 葉聰與新加坡華樂團

The Singapore Chinese Orchestra will soon be making its Hong Kong debut. At the

helm is their long-serving Music Director Tsung Yeh. Hong Kong music lovers will

surely remember Yeh’s tenure at the Hong Kong Sinfonietta.

Yeh is quick to point out the contribution of the Singapore government in

developing the cultural scene there, including the building of the Esplanade arts

complex and enabling the Singapore Chinese Orchestra to become a professional

ensemble. Prime Minister Lee Hsien Loong isn’t just the Orchestra’s Patron, he

has also personally contributed 750,000 Singapore Dollars to the Singapore

International Competition for Chinese Orchestral Composition. Although Yeh isn’t

from Singapore, he champions local composers just as he did in Hong Kong and

in the US where he is serving as Music Director of the South Bend Symphony

Orchestra.

Trained as a pianist, Yeh wasn’t acquainted with Chinese music initially. Now he

feels comfortable in both Chinese and Western repertoire, and he treasures his

experience with Chinese music for giving him an extra dimension to his music

activity. To Yeh, the conducting technique for Chinese and Western music is

essentially the same. But when rehearsing a Chinese orchestra a conductor has to

consider the fact that Chinese instruments are stronger in character. It is more of a

challenge to blend them into a harmonic whole.

Another difference lies in the nuances of Chinese music, and not just how these

may be different from those of Western music. There are many different schools of

Chinese music. Traditional Cantonese music, for example, is different from Beijing

opera. Still, Yeh acknowledges that his training in Western classical music has been

of great help in shaping a Chinese orchestra into a harmonious and flexible unit.

Orchestra members are not only from Singapore but also, increasingly from China

and Taiwan. Following the recent appointment of Hong Kong sheng player Cheng

Ho-kwan Kevin, Yeh hopes that more players from Hong Kong will join their ranks

in future.

跟香港有深厚感情的葉聰，將帶領新加坡華樂團首

度來港。他特別感謝新加坡政府對藝術的支持，包

括興建濱海藝術中心，以及撥款讓新加坡華樂團職

業化。李顯龍總理不單是樂團的贊助人，還個人出

資七十五萬坡幣資助主辦新加坡國際華樂作曲大

賽，支持創作帶有南洋特色的新作品。葉聰雖然不

是當地人，但也像過去在香港和現時在美國出任南

灣交響樂團音樂總監一樣，全力支持本地作曲家。

葉聰學習鋼琴，中樂本來不是其專門。他喜歡指揮

西樂和中樂，中樂能給他一種特別的空間。即使在

技巧上，指揮中西樂並無區別，但中國樂器的個性

較強，指揮要將不同樂器融合，排練時要花相當的

工夫。另外，不同的中樂有不同的韻味，例如廣東

音樂和京劇就有不同的味道。然而葉聰認為西樂的

訓練對他指揮中樂有很大幫助，讓他知道如何把不

同樂器帶到融和及富彈性的境地。

新加坡華樂團團員以當地人為主，也有來自中國大

陸和台灣的樂手，最近亦招聘了香港土生土長的笙

演奏家鄭浩筠。葉聰期望日後有更多香港樂手加入

樂團。

>>>©

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新加坡華樂團音樂總監葉聰(右)與團員鄭浩筠。鄭氏亦是第四台的「樂壇新秀」。

▲


Tenor Ian Bostridge 男高音博斯烈茲

Guitarist Xuefei Yang 結他演奏家楊雪菲

A frequent visitor to Asia, tenor Ian Bostridge is delighted to be coming to China with Beijing guitarist

Xuefei Yang. For the Britten centenary the two collaborated in a recording of Songs from the Chinese.

It will be included in their joint recital programme in Hong Kong, as will Stephen Goss’ Book of Songs.

This piece, like the Britten, was written for the unusual combination of tenor and guitar.

Bostridge is aware of the fact that Britten frequently wrote his pieces with specific performers in mind, but

that not every singer can do the same things, despite belonging to the same vocal type. Audiences, on the

other hand, tend to look for consistency between performances by different artists and can be disappointed.

>>>

For Bostridge, though, it makes perfect sense to find your own way around a piece that has been tailor-made for another artist.

As a noted Britten interpreter, Bostridge surely acknowledges the influence of tenor Peter Pears, who inspired many of Britten’s pieces for

tenor voice. Yet when Bostridge first performed Songs from the Chinese as a student he didn’t listen to Pears’ recording as he and his guitarist

partner weren’t even aware of its existence. It was actually Pears’ recording of The Holy Sonnets of John Donne that first made an impact

on the young Bostridge. Bostridge took Pears’ Britten recordings as an important reference when learning those pieces. In recent years,

however, he has put them behind him and approaches the music in terms of his own technique and feelings as to how to bring out the music

and poetry.

博斯烈茲和楊雪霏曾於2013年，即是在布烈頓百歲誕辰紀念時，合作灌錄布氏的《中國歌曲集》。當時他們同屬一間唱片和經理人公司，

合作順理成章。這套歌曲集相信會是他們在香港演出的重點曲目，音樂會還會多演一首同樣以男高音配結他的作品 ─ 高斯的《詩經》。

博斯烈茲留意到布烈頓有不少作品都是為表演者度身訂造。他從歌唱家的角度指出，聽眾通常以為所有歌唱家都做到相同的事，但事實不

然，所以作曲家就個別演出者的長短來譜曲是有其依據的。只是他去唱這些為別人而寫的歌曲時，也要想想自己聲音的特性。有弱點不一

定是壞事，因應自己的弱點去調整演繹，是表演者的一大挑戰。

博斯烈茲是知名的布烈頓歌曲的演繹者，原來《中國歌曲集》是他第一套公開演唱的布烈頓作品。男高音皮亞士是布烈頓創作的對象，但

博斯烈茲初唱《中國歌曲集》時卻沒聽過皮亞士的錄音，反而皮亞士灌錄的《鄧恩神聖十四行詩集》令他深深愛上。之後他演唱布烈頓作

品時也有參考皮亞士的錄音，但近年博斯烈茲主要從自己的技巧和感覺出發，去思考如何帶出作品的曲韻及詩意。

Xuefei Yang first met Ian Bostridge backstage after her solo recital at Wigmore Hall, London. Having the same

record company and agency back then, they eventually came together to work on a CD of Britten songs. The

recording was to be done in a small church, but on the day the background noise from strong winds made

that impossible. To her delight, Abbey Road Studios became the alternative location – a place Yang always

wanted to record in. She loves working with singers and to her, Bostridge is a knowledgeable partner and

a very nice ‘British gentleman’.

Stephen Goss’ The Book of Songs, commissioned by the duo, is on the programme of their joint recital

in Hong Kong. Yang explains that other than sharing the same instrumentation of Songs from the Chinese

(featured on the Britten CD and in the recital), The Book of Songs also takes its lyrics from ancient Chinese

poetry. According to Yang, the theme of their programme is ‘From Ancient to Modern.’ ‘Ancient’ is represented

by Dowland and Schubert, while Britten, Goss, and Argento are the ‘Modern’.

A considerable part of Yang’s repertoire consists of her own transcriptions. She writes them for various reasons. She may disagree with some

of the fingerings or on other technical issues. Sometimes she just wants to do it her way. Yang always goes back to the original, then makes

her decisions on which details to keep or change. Another driving force to her transcriptions is her Chinese heritage. The guitar isn’t a Chinese

instrument, yet she wants to play Chinese music on it. She’s very happy to have added her arrangement of a Falla piece and the Chinese

traditional song Fisherman’s Song at Eventide to the programme.

Yang believes that one’s beliefs change as one ages. Still, she thinks that people should follow their hearts and do what they love. Just don’t

be too focused on one particular thing as life is rich.


Performers Firstbroadcast首播 Repeatbroadcast重播 Recordingdateandvenue 演出者 (Fri星期五8pm) (Wed星期三2pm) 錄音日期及地點

Nelson Freire 9/10 14/10 8/9 費艾亞 HK Cultural Centre Concert Hall 香港文化中心音樂廳

Vienna Boys’ Choir 16/10 21/10 10/10 維也納兒童合唱團 City Hall Concert Hall 大會堂音樂廳

Singapore Chinese Orchestra 23/10 28/10 18/10 新加坡華樂團 HK Cultural Centre Concert Hall 香港文化中心音樂廳

Ian Bostridge and Xuefei Yang 30/10 4/11 25/10 博斯烈茲與楊雪霏 City Hall Concert Hall 大會堂音樂廳

These four performances presented as part of the Leisure and Cultural Service Department’s ‘Great Music’ series will be brought to you in Live on 4 on four Friday evenings. Here is the broadcast schedule:

四場演出為康樂及文化事務署「音樂盛會2015」的節目。本月逢星期五在「第四台音樂會」中播出，詳情如下︰

Please refer to Programme Highlights for details 有關曲目資料，請參閱「節目精華」


楊雪霏坦言最愛與歌手合作，她眼中的博斯烈茲是位學識淵博的英國紳士，在倫敦威格摩音樂廳後台跟他首次見面。她還記得《中國歌曲

集》的錄音原本在小教堂進行，但因為天氣取消，最後改期於她夢寐以求的艾比路錄音室完成。

在香港演出的《詩經》是他們委約高斯所作，編制和《中國歌曲集》相同，歌詞就是出自中國的《詩經》，呼應了《中國歌曲集》的中國

淵源。楊雪霏指出曲目編排有「從古到今」的脈絡 ─ 杜蘭特和舒伯特的歌曲代表了古代，布烈頓、高斯、亞根圖代表了現代，加上《中

國歌曲集》和《詩經》以古代詩詞譜曲，體現了「從古到今」的方向。

楊雪霏為結他改編了不少作品，背後有多個原因。其一是她未必同意別人所寫改編曲中的指法或和聲，但無論她自己改編或是演奏別人的

改編曲，也會參考原曲去作出取捨。另一個原因是身為中國人，她很想用結他演奏中國音樂。她在香港的演奏會悉心編排了法雅的樂曲和

《漁舟唱晚》讓樂迷欣賞。

即使她相信人生在不同階段會有不同的人生觀，但她認為人應該隨心而活，做自己真正喜愛的事。不過也不要眼光狹窄，人生其實還有很

多東西值得細味。

>>>


Lo King-manSUNDAY OPERA

Sunday Opera’s October listing consists of an Italian verismo masterpiece, a pair of East European expressionist dramas, a fantastic Masonic

fairy-tale, and a musical chronicle of an international event.

▲Front cover of the original 1899 libretto

▲Béla Balázs, Hungarian poet, librettist of Bluebeard’s Castle

▲Karol Szymanowski, composer of King Roger

▲Zinka Milanov

Sundays 2:00pm

4 October: Puccini’s Tosca

Tosca is perhaps the most successful suspense thriller in operatic form ever created, and yet its musical

quality stays on the highest artistic level from beginning to end, never descending to being mere theatrical

effects. With this work, Giacomo Puccini (1858 - 1924) arrived at full maturity and demonstrated his complete

mastery of compositional technique, innovative harmony, evocative orchestration and irresistible melodies.

The composer once again displayed his unfailing instinct for effective music theatre.

The premiere of Tosca in Rome in January 1900 was a sensational success. Puccini’s rich musical invention

provided some 60 specific dramatic motifs that propel the action swiftly on to the climax of each act with

stunning effect. The opera is destined to remain one of Puccini’s most popular works.

The intensely exciting plot is derived from a stage play by the French master-craftsman Victorien Sardou.

The heroine is cruelly victimised by the sadistic police chief Baron Scarpia, who manages to trigger a death

trap for her and her lover before his own death at the hands of Tosca in self-defense.

In our recording, the title role is interpreted by soprano Zinka Milanov; her lover Mario is sung by tenor Jussi

Björling; and the villain Scarpia is portrayed by baritone Leonard Warren. The Rome Opera Orchestra and

Chorus perform under the baton of Erich Leinsdorf.

Béla Bartók (1881 - 1945), a great creative genius of twentieth-century music and a

brilliant virtuoso pianist, completed his only opera, the single-act Duke Bluebeard’s

Castle, in 1911. Based on a French fairy tale retold by Charles Perrault, the libretto

was written by the Hungarian symbolist poet Béla Balázs, who gave the story a

heavy psychological meaning emphasising the protagonist’s desire for unquestioning

devotion from his young bride and his ultimate extreme loneliness. The music reveals

a marked dualism between romantic and impressionistic influences on the one hand,

and the search for a new musical language on the other.

With only two singing characters on stage, the orchestration is varied and complex, at

times achieving a powerful expressive sonority. The work is nowadays regarded as the

greatest masterpiece of Hungarian opera. Our excellent recording has bass-baritone

Siegmund Nimsgern as Bluebeard and mezzo-soprano Tatiana Troyanos as his bride

Judith. The BBC Symphony Orchestra is conducted by Pierre Boulez.

King Roger is an opera in three acts by the Polish composer Karol Szymanowski (1882 - 1937), set to a libretto by Jarosław Iwaszkiewicz.

The work was first performed in Warsaw in 1926. Its music is considered to be of the highest quality, with exquisitely coloured and refined

orchestration imbued with evocative harmony and seductive oriental melodies.

11 October: Bartók’s Duke Bluebeard’s Castle Szymanowski’s King Roger


COLUMNS 專欄

▲Edo de Waart

▲Margaret Price

Prof. Lo King-man, producer and director of numerous opera productions in Hong Kong.

18 October: Mozart’s Die Zauberflöte

The final crowning achievement of Wolfgang Amadeus Mozart (1756 - 1791) for the opera

stage, Die Zauberflöte (The Magic Flute) was composed to an inconsistent libretto by the

entrepreneurial impresario Emanuel Schikaneder. Under Mozart’s treatment, the work

became a lively Singspiel full of colourful characters, with amusing scenes alternating

with serious episodes. Its music combines joyous tunes, expressive arias, noble choruses

and ensembles, and includes two tour-de force showpieces for coloratura soprano in the

character of the Queen of the Night. At a deeper level, the opera symbolises the freemasonry

ideal of universal brotherhood.

The first performance in September 1791 in Prague was highly successful. Barely a month

later, however, Mozart’s health collapsed, and he was buried in a mass grave without mourners.

Within just one year. The Magic Flute was given more than a hundred performances.

This extraordinary contemporary opera about a momentous turning point in modern world

history is perhaps the most original operatic composition in the past quarter of a century. It is

a superb collaborative effort initiated by the avant-garde stage director Peter Sellars, bringing

together composer John Adams (born 1947) and writer Alice Goodman.

The opera covers the five days of President Richard Nixon’s visit to Beijing in February 1972,

beginning with Premier Chou En-lai greeting the Nixons on arrival, followed by a meeting with

Chairman Mao, a state banquet, a guided tour for Mrs. Nixon and a ballet performance hosted

by Madam Jiang Qing. The final act concentrates on the inner thoughts and emotions of the

main characters as they retire to bed on the last night of the visit.

The work had its world premiere in Houston in October 1987. It moved to the Brooklyn

Academy of Music two months later. It was during the Brooklyn run of performances that

the opera was recorded under the baton of Edo de Waart, who later took up appointment as

Artistic Director of the Hong Kong Philharmonic.

Other principal artists include baritone James Maddalena in the role of Richard Nixon, tenor

John Duykers as Mao Tse-tung and baritone Sanford Sylvan as Chou En-lai. Edo de Waart

conducts the Orchestra of St. Luke’s.

The story concerns the enlightenment of the Christian King Roger of Sicily by a young shepherd who represents pagan ideals and whose

identity is revealed to be the Greek deity Dionysus. The Shepherd’s charisma inspires both the King and his young queen Roxane to begin a

new life of devotion.

King Roger is sung by baritone Andrzej Hiolski, the Shepherd by tenor Wiesław Ochman, and Roxane by soprano Barbara Zagórzanka. The

Polish State Philharmonic Orchestra and Chorus are conducted by Karol Stryja.

We will offer our listeners a fine recording featuring soprano Margaret Price, tenor Peter Schreier, baritone Mikael Melbye, coloratura Luciana

Serra, and bass Kurt Moll. The Leipzig Radio Chorus and the Staatskapelle Dresden perform under the baton of Sir Colin Davis.

25 October: John Adams’s Nixon in China

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Sundays noon

Composers have long been inspired by folk music, or music

from other cultures and lands — think about the Jannisary music

of Haydn, Mozart and Beethoven, inspired by the Turkish military

who had fought the Austrians for centuries. Chinoiserie was all

the rage in Europe, as evidenced in music in a work such as

Purcell’s Fairy Queen of 1692, with its scene set in a Chinese

garden. Brahms and Dvořák are well known for their Hungarian

and Slavonic Dances, and Dvořák was further influenced by the

folk music he heard in the New World. None of these inspirations

was particularly subject to rigorous study at the time, though. The

formal, academic study of various kinds of musics of the world

began only about 150 years ago. Originally called Comparative

Musicology, the field of Ethnomusicology generated quite a lot

of interest following the 1889 Paris Universal Exposition, where

Claude Debussy was inspired by the gamelan music from Java.

Perhaps more than any other composer, Béla Bartók conducted a

rigorous study and transcription of the music of Eastern Europe,

Asia Minor, and even North Africa. This study was so important to

him that he learned both Turkish and Arabic languages.

Keeping Folk Music’s Integrity

Bartók’s respect for the music he studied was not always matched

by other ethnomusicologists, who routinely ‘Westernised’ the

music they transcribed — forcing pitches into the equal tempered

scale, simplifying rhythms, and even adding traditional classical

harmonisations. In order to rectify some of these discrepancies,

Alexander Ellis conceived and notated musical ‘cents’— divisions

of a half step (the smallest interval of the equal tempered scale)

Christopher Coleman

into 100 parts, allowing ethnomusicologists to discuss tunings

that deviated from the classical norm in a precise language. It is

often said that music is a universal language, and the search for

these universals has been a Holy Grail of ethnomusicology in the

same way the unified field theorem has been for physics — and

both remain equally elusive. Ellis’ research into folk instruments

and traditions across Europe demonstrated conclusively that

there is no universal ideal tuning. The widely held idea that tunings

arise naturally from the physical properties of the overtone series

is only true for a limited number of cultures.

Music with a Sense of Place

Although Ellis died in 1890, the hegemony of Western classical

music lasted well into the 20th century. Musics that deviated from

this ideal were often considered ‘primitive’ and inferior, no matter

how sophisticated. Gradually, however, as ethnomusicologists

began to study not only the music itself, but the place of

music in a society, this sense of superiority has waned, if not

disappeared entirely. With the advent of post-modern thought,

ethnomusicologists have discovered a new humility. Many now

argue that as outsiders to a culture and a tradition, they cannot fully

understand it, nor do they seek to judge it. Instead of attempting

to force some sort of impossible ‘universal truth’ — even the

concept of a tonality itself, although widespread, is not universal

— they act as mere observers, attempting to be as impartial as

they can. Along with this new attitude has come a distancing from

the very word ‘ethnomusicology’, which some believe smacks of

colonialism. In its place has been suggested ‘World Music’ — and

that term itself has been expanded to include all music, including

the music of ‘dead white male’ composers — who unquestionably

have had their own subcultures and traditions.

▲ Béla Bartók records folk songs on a phonograph with Czech peasants (1907) ▲ Sichuan Opera in Chengdu, China ▲ Verdi’s Il Trovatore at the Salzburg Festival


COLUMNS 專欄

身兼作曲家和 � 育工作者的高爾文當接觸不同國家的文化時，總感受到世界音樂的豐富和最美之處。10月份逢星期日正午12時的大地之歌( 英語節目 ) ，他會帶大家用耳朵遊歷世界。

▲ A native American being recorded by a musicologist with a gramophone

As a composer and educator myself

— but not an ethnomusicologist — I

find the value of World Music to be

the richness of new experiences and

aesthetics. That another culture from

mine can have a completely different

concept of what tuning even means,

or what a beautiful sound is, fascinates

me. Comparing a Chinese Opera

singer with an Italian opera singer is

remarkable — and yet both cultures

enjoy their own art and consider it

highly refined. The universals, such

as they may be, interest me far less

than the differences! And it is those

differences that we will celebrate

together when you join me for

‘Listening to the World’ on Songs of

the Earth, every Sunday at noon.

談天論樂星期一晚上8時正

5/10 條條大路通音樂在美國完成心理學碩士的黃安弘年幼時學習鋼琴並考獲演奏級，一次

偶然機會下參與流行音樂製作後令他著迷。他現時除了在專上院校兼

職教心理學，其餘時間都投入流行音樂創作、編曲和製作。孔惠佳大

學畢業後，繼續修讀項目及節目管理學士課程，年紀輕輕的她已有十

二年演奏手鈴的經驗，每年還帶隊出外參與國際手鈴大會和表演呢！

客席主持陳永華聯同嘉賓每週環繞一個特別主題，與樂迷聽聽音樂，談談音樂，在音符之間，悠然增值。

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▲ 劉永康 ▲ 葉詠媛

▲ 黃安弘

▲ 唐少偉

▲ 孔惠佳

▲ 何崇志

▲ (左起) 主持陳永華、羅乃新與吳美樂

12/10 音樂領你到世界各地中文大學音樂系畢業生葉詠媛在美國印第安納大學修讀指揮碩士時，偶有機會與來

自香港主修鋼琴的劉永康合作。葉詠媛在維也納完成博士課程後打算四出闖蕩，而

後者則在倫敦修畢鋼琴演奏碩士及藝術商業碩士後，選擇在國際知名拍賣行工作，

但對音樂的熱誠卻未減退。

19/10 兒童合唱的音樂唐少偉和何崇志都是童聲合唱的推動者。唐少偉當上國際合唱聯盟副主

席，何崇志創作的〈麥兜〉歌曲則唱到家傳户曉。因為多與兒童接觸，

兩人都滿有童心，對生命充滿熱誠。

26/10 鋼琴彈出豐盛人生兩位香港知名鋼琴家 ─ 吳美樂和羅乃新自小習琴，年少時已獲獎無數。在鋼琴家的

身份背後，羅乃新是電台節目主持、戲劇演員、作家和音樂社工。兩位在演奏之餘亦

從事教育工作，豐盛的人生叫人羨慕！難得的是，她們都很從容，充滿喜樂。

陳永華


COLUMNS 專欄

揭開史嘉爾亞賓的神秘面紗

第一集 (4/10) 我們該如何欣賞史嘉爾亞賓的音樂？

較少接觸現代音樂的聽眾，一般會覺得史嘉爾

亞賓的後期作品屬無調性，充斥著不協和音而

無法接受，或者把他的作品當作印象主義/表

現主義的音樂來聽。以上都是普遍對史嘉爾亞

賓後期創作的誤解，這一集會建議你以合適的

角度和方法，來欣賞史嘉爾亞賓的音樂。

第三集 (18/10) 狂喜之詩

這一集我會介紹史嘉爾亞賓創作的成熟時期，

同時也是轉折時期的風格。從這時期開始，史

嘉爾亞賓迷上了當時歐洲很盛行的神秘主義思

想 ─ 在音樂中追求表現超越、昇華、狂喜等

神秘體驗。作曲家需要在新的內容上尋找新的

音樂語言來表達。我會簡單介紹這些內容和音

樂語言。▲由德國畫家羅拔‧史地爾(Robert Sterl)於1910年繪畫的《高索域斯基和史嘉爾亞賓的鋼琴協奏曲》，現收藏於德累斯頓的新大師畫廊

伍盛中

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‘No one was more famous during their lifetime, and few were more quickly ignored after death’, wrote

Faubion Bowers, Alexander Scriabin’s biographer. Scriabin was a Russian composer, pianist, and one

of the most innovative and most controversial of the early modern composers. To commemorate the

centenary of his death, Scriabin Unveiled (in Cantonese) hosted by Wu Sheng-chung will be broadcast

every Sunday at 10am.

史嘉爾亞賓的最終創作計劃 ─《神秘》(Mysterium) 更史無前例地結合了所有藝術形式：音樂、舞蹈、色

彩、香氣和文學，融合成一種有末世意義的宗教儀式。通過《神秘》的演出，人類就能得到拯救和昇華。

雖然這些思想並非一般人能明白和接受，而《神秘》這首作品，亦因作曲家在創作高峰期突如其來面臨死

亡而告終。然而，史嘉爾亞賓留給我們的音樂，已經有足夠的啟發性。除開啟了聽者的想像力、豐富音樂

的表現力之外，也引導人追尋靈性的超越和昇華。

今年是俄羅斯作曲家兼鋼琴家史嘉爾亞賓 (Alexander Scriabin, 1872 - 1915) 逝世百週年。史嘉爾

亞賓生於聖誕節，在復活節離世。他是一個傳奇，長期遭到誤解和忽視，同時也受盡爭議，逝世後

卻轉眼被遺忘。「揭開史嘉爾亞賓的神秘面紗」一連四集節目，除了為大家介紹這位個性獨特、原

創性極高的作曲家外，也向史嘉爾亞賓致以最崇高的敬意！

第二集 (11/10) 史嘉爾亞賓早期的藝術生涯

從第二集開始，我們會探索史嘉爾亞賓不同時期

的風格，先會細談他早期的音樂，特別介紹三首

早期鋼琴奏鳴曲的創作歷程。這些作品的思想和

內涵，已續漸轉移到精神的層面上。

第四集 (25/10) 神秘之火

《普羅米修斯》(Prometheus) 可以說是史嘉爾亞

賓創作的另一高峰，標誌著他後期風格的開始，

這部作品結合了聲音和色彩。史嘉爾亞賓的作品

都帶著火一般的不穩定性。火除了象徵著人類的

理性和創造力，也代表重生、轉化和昇華。希臘

神話中的普羅米修斯除了是人類的啟蒙者，也是

叛逆精神的象徵。對史嘉爾亞賓來說，普羅米修

斯（即是他自己）還背負著彌賽亞的使命，到世

間來是要以藝術拯救世界。

星期日早上10時


COLUMNS 專欄

The 8th annual Dvořák Prague International Music Festival was held in September. Each year the organiser, the Classical Music Academy, awards the Antonín Dvořák Prize to a lifelong devotee who promotes and popularises Czech classical music. This year, Yo-yo Ma was named the winner of the 2015 Antonín Dvořák Prize, and is the first non-Czech recipient of the prize.

Ma launched this year’s Festival, and performed one of the most celebrated works in cello literature, Dvořák’s Concerto in B minor in the opening concert. He was accompanied by the Czech Philharmonic Orchestra under Jiří Bělohlávek, who himself was awarded the Antonín Dvořák Prize last year.

This year, the 17-day Dvořák Prague International Music Festival included a line-up of world-class ensembles including the Philharmonia Orchestra led by Christoph von Dohnányi, the Academy of St Martin in the Fields, the Emerson Quartet, as well as top soloists such as Sabine Meyer, Piotr Anderszewski and David Garrett.

第八屆德伏扎克布拉格國際音樂節於9月舉行。音樂節啟動之先，大會宣佈馬友友為2015年度德伏扎克大獎得主。此獎項由捷克共和國布拉格市文化部的古典音樂學院頒發，以肯定得獎者對推廣捷克音樂的貢獻。馬友友更是首位得到此獎項的非捷克音樂家。

音樂節的揭幕音樂會邀請馬友友擔任嘉賓，所演奏的是大提琴曲目的不朽名作 ─ 德伏扎克的B小調協奏曲。與馬友友同台演奏的是捷克愛樂樂團，而擔任指揮的更是去年德伏扎克大獎得主貝勞拿域。

今年為期十七天的德伏扎克布拉格國際音樂節，亦邀請了多隊世界頂尖樂團，包括杜南意領導的愛樂樂團、聖馬田室樂團、愛瑪遜弦樂四重奏，並有知名演奏家如莎邊娜‧美亞、安德撒夫斯基和加力特等。

Arts Happenings 藝壇快訊

馬友友獲頒2015年度德伏扎克大獎

Yo-yo Ma awarded the renowned 2015 Antonín Dvořák Prize

Rachel Lai 黎慧因

In early September, Riccardo Chailly announced his resignation from the Leipzig Gewandhaus Orchestra at the end of the 2015/16 season – four years earlier than expected. Just as the news led to speculations of Chailly’s successor, the ‘Who’s the Leader’ game was over within a week. On 9 September, it was reported that 36-year-old Latvian conductor Andris Nelsons is to take over the Orchestra from 2017 with a five-year contract.

The current Music Director of the Boston Symphony Orchestra, Nelsons has only recently extended his contract through at least 2022. One may question how he is going to handle both orchestras. Nonetheless, the two orchestras are already planning transatlantic collaborations, taking the advantage of sharing the same director. The Boston Symphony will be performing in Leipzig and the Gewandhaus Orchestra at Symphony Hall in Boston. Joint commissioning programme and educational activities will also be launched.

Nelsons will be the 21st Gewandhauskapellmeister of this historical Orchestra founded in 1781, following the footsteps of numerous great maestros such as Felix Mendelssohn, Bruno Walter, and Kurt Masur.

沙爾於9月初宣佈將於2015/16樂季辭去萊比錫布業大厦樂團總指揮一職，較原定時間提早四年。消息傳出引起樂界對新指揮的猜測，但在短短一星期內已有報導指，現年三十六歲的拉脫維亞指揮尼爾森於2017年起出任新指揮，為期五年。

現時為波士頓交響樂團音樂總監的尼爾森，亦剛續約至2022年。尼爾森雖然要同時兼顧兩大樂團，但樂團表示會把握共享同一指揮的優勢，宣佈跨國合作計劃。波士頓交響樂團將到萊比錫演出，而萊比錫布業大厦樂團則到波士頓舉行音樂會。另外，兩個樂團亦會聯合委約新作品和推出教育計劃。

尼爾遜將成為萊比錫布業大厦樂團第二十一任指揮。這隊歷史悠久的樂團成立於1781年，歷屆指揮包括孟德爾遜、華爾特以及馬素亞。

尼爾森成為萊比錫布業大厦樂團新指揮

Andris Nelsons named next Leipzig Gewandhaus Orchestra Music Director

Tune in to Artbeat every Saturday at noon for more arts happening around the world.

請收聽逢星期一至六黃昏6時的「藝壇快訊」，接觸海外和城中最新的藝術資訊。

▲ Jiří Bělohlávek and Yo-yo Ma 貝勞拿域與馬友友


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星期五下午3時正塵紓

Wong Kin-ting brings you Chinese music on string and wind instruments, together with some Cantonese and

the Southern Min music. Tune in to Music from China (in Cantonese) every Friday at 3pm.

▲ 明朝仇英的《彈箜篌圖》(局部)，左為箜篌、右乃古琴。

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▲ 塤 (又名「壎」) ▲ 板胡

踏入10月，「樂在神州」會來一個雙翼齊飛，弦絲樂與吹管樂各展姿釆，務求讓樂迷盡享絲竹妙韻。

先談拉弦樂，我們除了聽到閔惠芬和趙寒陽演繹劉天華的二胡曲外，也會讓板胡出場。板胡是從胡琴體系

衍生而流行於北方的一種拉弦樂器，與戲曲的梆子體系劇種關係極為密切。簡單來說，板胡就是各個梆子

劇種的文場領奏樂器；久而久之，板胡不再囿於戲曲而成為獨立的拉弦樂器。大家會在節目中聽到一些取

材自戲曲的板胡樂曲如《秦腔牌子曲》，以及不涉及梆子戲的板胡曲如《月牙五更》。

同樣，京胡既是京劇的領奏樂器，但也可以成為獨立的拉弦樂器。大家可從《夜深沉》和《春夏秋冬》，

細味這件樂器尖亮剛堅的音韻。此外，我們也可以在節目中欣賞由余其偉以高胡領奏的粵樂。

至於彈撥樂，我們當然會繼續享受古箏音樂，只不過，重點會稍為移向南方，尋探潮州箏和客家箏，細味

當中《粉紅蓮》、《福德祠》、《秋芙蓉》等名曲。此外，本月也該輪到中阮和琵琶出場了。大家會聽到

從古琴改編的中阮曲《酒狂》以及衝出傳統樂思的《無所事事》，而琵琶則有浦東派大師林石城和該派傳

人楊帷演繹的名曲。大家亦有機會淺嚐箜篌的樂韻，細聽這種狀似豎琴的樂器所演奏的《湘妃竹》，沉醉

於傳說中舜帝與兩位愛妃的淒美故事。

吹管樂方面，我們會將重點轉到笙、簫、笛、塤。一直以來，笙較少獨當一面，而多數發揮配搭功能。為

了突顯笙的器樂特色，我們將會聽到以笙領奏的《春夏秋冬》、《寒梅傲雪》等，也會聽到塤曲《寒江殘

雪》、《陽關三疊》，細味這種樂器所營造的沉鬱氣氛。當然，節目中豈可少了簫笛音樂？我會與大家分

享《霓裳曲》、《妝台秋思》、《姑蘇行》、《朝元歌》等不同風格的樂曲。

為了有效展示弦樂與吹樂這兩大門類的樂韻，我會在其中兩集節目舉行「弦樂專場」和「吹樂專場」。屆

時大家可以逐一了解這些樂器有何特色。

本月節目結束之前，我亦會邀請大家淺嚐流行於粵東客家地區的漢樂，還有閩南的北管樂，以體驗這些仍

被保留的傳統文化。

COLUMNS 專欄


16 Young Music Makers (YMM) – 14 soloists and

2 groups – have been showcased on RTHK Radio

4 and TV programmes. Which three acts were your

favourites?

Please select three Young Music Makers of your

choice. The three acts with the most votes, together

with one selected by the adjudicating panel, will

perform at the Final Concert cum Prize Presentation

ceremony on 12 November 2015 in RTHK Studio One.

From now till 8 October, you can cast your vote by

visiting YMM’s webpage (rthk.hk/ymm2015). What’s

more, you can come and support our local talents by

attending the Final Concert. Simply fill out the ticket

request form.

「樂壇新秀2015」的十六個單位，經已在香港電

台第四台及電視節目中亮相。你最喜愛那三個演出

單位呢？

由即日起至10月8日，你可到「樂壇新秀」網頁投

票 (rthk.hk/ymm2015)。得票最多的三個單位，連

同評審團挑選的一個單位，會於2015年11月12日

在香港電台一號錄播室舉行的「閉幕音樂會暨頒獎

禮」中演出。你亦可填妥本頁表格，親臨欣賞這場

音樂會，以行動支持我們的年青音樂家。

Kathy Lam 林家琦

Graduation!rthk.hk/ymm2015 樂壇新秀

結業了2015

2015

‘Young Music Makers 2015 – Final Concert cum Prize Presentation ceremony’

Ticket Request Form 「樂壇新秀2015」閉幕音樂會暨頒獎禮 ─

門票索取表格

Date 日期：12/11/2015(Thu 星期四)Time 時間：8:00pm Venue 地點：Studio One, RTHK, 30 Broadcast Drive, Kowloon 九龍塘廣播道30號香港電台一號錄播室

Name 姓名：

Address 地址：

E-mail 電郵地址：

Tel. 電話　（Day 日間）　（Evening 夜間）

FOR4 Membership No. 第四台之友會員編號 (if applicable 如適用)：

Number of Tickets 門票數量

(Please specify the no. of tickets, maximum 2) (請列明數量，最多兩張)

Please return the completed form to:Radio 4, P.O. Box 70200 Kowloon Central Post Office請郵寄至九龍中央郵箱70200號，香港電台第四台

Fax傳真：23396427 Enquiries查詢：23396425


COLUMNS 專欄

COLUMNS 專欄

2015令人觸目的樂壇新秀

Cheung Ping (piano)

張平 (鋼琴)

Cheung Wing-lam (soprano)

張穎琳 (女高音)

Chan Kai-him (huqin)

陳啟謙 (胡琴)

Chan Tin-chi (guzheng)

陳天姿 (古箏)

Yip Hiu-yeung (saxophone)

葉曉洋 (薩克管)

Yuen Ka-yi (yangqin)

袁嘉怡 (揚琴)

Sung Dizhang, Jasper (tenor)

宋狄樟 (男高音)

Wong Tsz-kei (huqin)

黃紫琦 (胡琴)

Luen Long-yuet (erhu)

倫朗悅 (二胡)

SPCC String Quartet 聖保羅男女中學

弦樂四重奏

Liu Chi-man, Elise (marimba)

廖智敏 (馬林巴琴)

Liu Tung-bo (bassoon)

廖冬保 (巴松管)

Lee Kin-tat, Alfred (horn)

李建達 (圓號)

Leung Ka-lok (pipa)

梁家洛 (琵琶)

Chu Ying-lam, Eva (guzheng)

朱映霖 (古箏)

Hong Kong Professional Zheng Junior

箏音樂Junior


Rachel Lai and a group of music critics guide you through some of the most interesting new releases to keep you in touch with the

latest in fine music recordings. The segments are also available on Radio 4’s website for streaming: radio4.rthk.hk

黎慧因和多位樂評人在「碟碟不休」中，為你介紹最新推出的影音製作。環節更可於網上重溫：radio4.rthk.hk


Monday and Friday 5:30pm 逢星期一及五下午5時30分

2 OCT

23 OCT

12 OCT

5 OCT

26 OCT

16 OCT

9 OCT

30 OCT

19 OCT


COLUMNS 專欄

Date 日期 Highlights 重點推介

8, 15, 22, 29/10 (Thu 四) 8:00pm

13, 20, 27 / 10, 3 / 11(Tue 二) 2:00pm

Repeat 重播

Concerts from the Salzburg Festival 2015

Join us for four weeks of concerts from the Salzburg Festival 2015 with appearances

by the Israel Philharmonic under Zubin Mehta, returning to Salzburg after a 24-year

hiatus; the distinguished countertenor Bejun Mehta in a Mozart matinée concert;

the Camerata Academica des Mozarteums Salzburg with oboist François Leleux as

conductor and soloist; and a chamber performance from the brilliant trio of Christian

Tetzlaff (violin), Tanja Tetzlaff (cello), and Lars Vogt (piano).

薩爾斯堡音樂節音樂會2015

第四台為你帶來今年薩爾斯堡音樂節盛況。指揮家梅達闊別薩爾斯堡二十四年後重返故地，領導以色列愛樂樂團演出。假聲男高音比尊‧梅達為樂迷演唱以莫扎特為題的午間音樂會。此外，亦有薩爾斯堡莫扎特學院室樂團，由雙簧管演奏家勒樂兼任指揮和獨奏演出。不可或缺的還有室樂作品，由小提琴家基斯安‧特茨拉夫、大提琴家妲雅‧特茨拉夫和鋼琴家拉斯‧霍特送上兩首精彩的鋼琴三重奏。

10/10 (Sat 六) 8:00pm

15/10(Thu 四) 2:00pm

Repeat 重播

Ning Feng and the Southbank Sinfonia

Hailed by The Times as a group of ‘open-minded players… redefining

everything about classical music’, the Southbank Sinfonia brings together

brilliant young performers and communicates the power of classical

music from fresh perspectives. In this concert, besides Beethoven’s

vigorous Symphony No. 7, the Orchestra is joined by multi-prize-winning

violinist Ning Feng in Mendelssohn’s Violin Concerto in E minor, along

with Beethoven’s Romances Nos. 1 and 2. The Orchestra’s founder

Simon Over conducts.

音樂會轉播精選 HIGHLIGHTS OF CONCERT BROADCASTS

▲ Bejun Mehta, countertenor 假聲男高音：比尊‧梅達

▲ Ning Feng, violin 小提琴：寧峰

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寧峰與南岸交響樂團

倫敦南岸交響樂團由一眾頂尖新晉演奏家組成，以耳目一新的演繹展示古典音樂魅力，獲《泰晤士報》讚譽「創新前瞻，為古典音樂寫下全新定義」。樂團在創辦人奧法帶領下，除了送上貝多芬活力十足的第七交響曲，亦會與屢獲殊榮的小提琴家寧峰合作，帶來孟德爾遜的E小調小提琴協奏曲，還有貝多芬的第一及第二浪漫曲。


Mon - Fri 星期一至五 : 7:55am, 12:55pm, 5:55pm, 10:55pmWeekends 週末 : 9:55am, 4:55pm, 10:55pm

– be in touch in 3 minutes — 三分鐘錦囊

Topic 內容 Host 主持

Mon : Listening to the World Christopher Coleman 星期二 : 樂在神州塵紓 Wed : Zooming In Rachel Lai Thu : Arts News Jonathan Douglas Fri : The Golden Voices Lo King-man 星期六 : 碟碟不休胡銘堯星期日 : 今日話當年馬盈盈

COLUMNS 專欄

Friends of Radio 4 Society Limited第四台之友協會有限公司

www.finemusic.org.hk 會籍年費 Annual Membership Fee

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Friends’ Exclusive Benefits Friends’ Discounts•《美樂集》郵寄至府上• 各大琴行、唱片公司及種種不同的優惠• 優先獲得指定的第四台音樂會門券• 參加第四台之友特備活動• 購買香港中樂團第 39 樂季指定音樂會正價

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Kong Chinese Orchestra 39th Orchestral Season concerts’ ticket purchase (Enquiry: 3185 1647)

亞斯頓教育．Aston Education

伯樂音樂學院．Baron School of Music

嘉林琴行．Collin Music Co. Ltd.

琴之屋．Eddie’s House of Strings

偉樂琴行．Eddy Music Co. Ltd.

香港鋼琴教育專業學院． HK Prof. Piano Education Academy

繆斯琴行．Muse Music Company

向日葵文化良品．Sole Cultural Goods

華偉音樂藝術中心．S T Music & Art Centre

通利琴行．Tom Lee Music Co. Ltd.

Friends of Radio 4 Membership Application Form第四台之友協會會員申請表

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Please allow 3 weeks for processing of membership and 5 weeks for delivery on the first issue of Fine Music. 會員證將於三星期內寄到府上；而第一期《美樂集》將於五星期內郵寄至閣下地址。


Monday 星期一

Tuesday星期二

Wednesday星期三

Thursday星期四

Friday星期五

Saturday星期六

Sunday星期日

Aubade 晨曲

Morning Call with Jonathan Douglas清晨妙韻杜格尊

Music Infusion 樂樂無窮Ben Pelletier

彭禮傑

Sunday Morningon 4

週日早晨 Stacey Rodda

盧迪思

Minutes That Matter

Non-stop Classics美樂無休

Ben Pelletier / Stacey Rodda 彭禮傑 / 盧迪思

Play by Ear 週末隨想Synthia Ko

高德儀

Scriabin Unveiled揭開史嘉爾亞賓的

神秘面紗 Wu Sheng-chung 伍盛中

Church Service 主日崇拜

Artbeat Jonathan Douglas 杜格尊

Songs of the Earth 大地之歌

Christopher Coleman 高爾文

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Music à la Carte (Tue ﹠ Thu : Chinese Music) 午間精點 (星期二及四：中樂篇) Shing Chun-hay / Kathy Lam / Rebecca Siu / Tina Ma 成俊曦 / 林家琦 / 蕭程佳明 / 馬盈盈

Live on 4 第四台音樂會

(Repeat 重播)

Music of Friends室樂雅聚 (Repeat 重播)

R4 Buddies四台插班生

Raymond Chung鍾子豪

Sunday Opera歌劇世界Lo King-man

盧景文

Rupert Chan 陳鈞潤

(1st Sunday 首個週日）

(1st b/c: Wed) (首播：星期三)

(1st b/c: Thu) (首播：星期四)

(1st b/c: Fri) (首播：星期五)

(1st b/c: Sat) (首播：星期六)

Music from China樂在神州

Wong Kin-ting 塵紓

Four for Classics with Rachel Lai 四時行樂黎慧因

Collage點指美樂

All or Nothing情有獨鍾

Ben Pelletier / Rebecca Siu彭禮傑 / 蕭程佳明

Children’s Corner 親親童樂日

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Arts News 藝壇快訊Tunes to

Remember人約黄昏後

Emma Liu廖碧楨

Jazz and more... with Kathy Lam 不太古典林家琦

All or Nothing情有獨鍾

Cantilena 自投羅網

Nancy Loo 羅乃新

Musical Exchange

談天論樂Chan Wing-wah

陳永華

The 17th International Fryderyk Chopin

Piano Competition 第十七屆國際蕭邦

鋼琴大賽Sharing Chopin

Live on 4 第四台音樂會

Music of Friends室樂雅聚

Sunday Divertimento

星夜樂逍遙Wendy Ng

伍穎文Nocturne 夜心曲

Tina Ma / Gladys Lau馬盈盈 / 劉建婷

Chamber Fragrance

寫意室樂Ben Pelletier / Rebecca Siu

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爵士靈感Ben Pelletier 彭禮傑

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* Reflections 晚禱 Mon-Fri (星期一至五)11:57pm

RTHK Radio 4 香港電台第四台 FM Stereo 97.6-98.9MHz http://www.rthk.org.hk

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MAIN PROGRAMME CHART 節目時間表



節目精華Programme Highlights

英國廣播公司逍遙音樂節2014貝桃（中提琴）英國廣播公司交響樂團 / 李頓佛漢威廉士：綠袖子幻想曲布特維素：流亡華爾頓：中提琴協奏曲佛漢威廉士：F小調第四交響曲

2014年9月10日倫敦皇家亞爾拔音樂廳錄音。

4/10/2015 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Puccini: Tosca 112’Floria Tosca: Zinka Milanov (s)Mario Cavaradossi: Jussi Björling (t) Baron Scarpia: Leonard Warren (br)Rome Opera Orch. & Cho. / Erich Leinsdorf

浦契尼：托斯卡托斯卡：米蘭諾夫（女高音）卡華拉多西：貝爾靈（男高音）斯加皮亞：華倫（男中音）羅馬歌劇院樂團及合唱團 / 蘭斯杜夫

8:00pm MUSIC OF FRIENDS 室樂雅聚 Amy Sze, Stephen Wong (p)Arensky: Suite No. 1, Op. 15 14’Bolcom: Garden of Eden 16’

Recorded at RTHK Studio Two on 17/3/2015.

施敏倫、黃偉榮 (鋼琴)亞倫斯基：第一組曲，作品15波甘：伊甸園

2015年3月17日香港電台二號錄播室錄音。

5/10/2015 (Mon 星期一)11:00am HAYDN 海頓 Symphony No. 94 in G, ‘Surprise’ 25’Bavarian Radio Sym. Orch. / Carlo Maria GiuliniG大調第九十四交響曲，「驚愕」巴伐利亞電台交響樂團 / 茲奧連尼

1/10/2015 (Thu 星期四)11:00am VIEUXTEMPS 魏歐當Violin Concerto No. 4 in D minor, Op. 31 23’Jascha Heifetz (v) London Phil. Orch / John BarbirolliD小調第四小提琴協奏曲，作品31凱費茲（小提琴）倫敦愛樂樂團 / 巴比洛利

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Live at the Wigmore Alina Ibragimova (v)Cédric Tiberghien (p)Schubert: Violin Sonata No. 1 in D, D. 384 12’ Violin Sonata No. 2 in A minor, D. 385 22’ Violin Sonata No. 3 in G minor, D. 408 17’

Recorded at Wigmore Hall, London on 7/1/2013.

威格摩音樂廳的迴響伊貝拉紀莫娃（小提琴）堤伯肯恩（鋼琴）舒伯特：D大調第一小提琴奏鳴曲，D. 384 A小調第二小提琴奏鳴曲，D. 385 G小調第三小提琴奏鳴曲，D. 408

2013年1月7日倫敦威格摩音樂廳錄音。

8:00pm LIVE ON 4 第四台音樂會Zhou Ji: Ancient Tunes of Quici 29’Kaohsiung City Chinese Orch. / Yan Hui-chang

Chan Wing-wah: Symphony No. 6, ‘Reunification’ 21’Voronezh State Sym. Orch. / Mak Ka-lok

周吉：龜茲古韻高雄市立國樂團 / 閻惠昌

陳永華：第六交響曲，「九州同」佛羅內斯國家交響樂團 / 麥家樂

9:00pm MUSIC FOR THE NATIONAL DAY FIREWORK DISPLAY 2015 國慶煙花匯演音樂2015

9:25pmLiu Wenjin: The Great Wall Capriccio 28’Min Huifen (erhu)Shanghai Chinese Orch. / Qu Chunquan

劉文金：長城隨想閔惠芬（二胡）上海民族樂團 / 瞿春泉

2/10/2015 (Fri 星期五)11:00am REGER 雷格 Variations and Fugue on a Theme of Beethoven, Op. 86 32’András Schiff, Peter Serkin (p)貝多芬主題變奏及賦格曲，作品86安德斯‧舒爾夫、彼得‧舒爾健（鋼琴）

2:00pm MUSIC OF FRIENDS (REPEAT) 室樂雅聚（重播）Oliver Lo (t)Shum Kin-wai (p)Duparc: Soupir 3’ Phidylé 5’Schumann: Dichterliebe, Op. 48 28’


盧思彥（男高音）岑健威（鋼琴）杜伯克：嘆息菲迪萊舒曼：詩人之戀，作品48


8:00pm LIVE ON 4 第四台音樂會BBC Proms 2014Budapest Festival Orch. / Iván FischerBrahms: Symphony No. 3 in F, Op. 90 37’ Symphony No. 4 in E minor, Op. 98 42’

Recorded at Royal Albert Hall, London on 26/8/2014.

英國廣播公司逍遙音樂會節2014布達佩斯節日樂團 / 艾雲‧費殊布拉姆斯：F大調第三交響曲，作品90 E小調第四交響曲，作品98

2014年8月26日倫敦皇家亞爾拔音樂廳錄音。

3/10/2015 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會BBC Proms 2014Lise Berthaud (va)BBC Sym. Orch. / Andrew LittonVaughan Williams: Fantasia on Greensleeves 5’Birtwistle: Exody 28’Walton: Viola Concerto 25’Vaughan Williams: Symphony No. 4 in F minor 34’

Recorded at Royal Albert Hall, London on 10/9/2014.

Amy Sze 施敏倫

Stephen Wong 黃偉榮

Oliver Lo 盧思彥

Shum Kin-wai 岑健威


PROGRAMME HIGHLIGHTS 節目精華

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Baltic Sea Festival Wrocław Phil. Orch. / Tõnu KaljustePärt: Symphony No. 1 16’ Symphony No. 2 14’ Symphony No. 3 20’ Symphony No. 4 32’ Swan Song 6’

Recorded at Berwaldhallen, Stockholm on 29/8/2014.

波羅的海音樂節弗羅茨瓦愛樂樂團 / 卡利尤仕德帕特：第一交響曲第二交響曲第三交響曲第四交響曲天鵝之歌

2014年8月29日斯德哥爾摩貝瓦爾德音樂廳錄音。

6/10/2015 (Tue 星期二)11:00am RACHMANINOV 拉赫曼尼諾夫 Symphony No. 3 in A minor, Op. 44 41’ Philadelphia Orch. / Charles DutoitA小調第三交響曲，作品44費城樂團 / 杜托華

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 1/10/2015, 8pm節目與2015年10月1日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會1st Inaugural Concert of the 17th International Fryderyk Chopin Piano CompetitionMartha Argerich (p)Nelson Goerner (p)Warsaw Phil. Orch. / Jacek KaspszykPenderecki: Polonaise for Symphony OrchestraPaderewski: Piano Concerto in A minor, Op. 17Schumann: Piano Concerto in A minor, Op. 54

Recorded at Warsaw Philharmonic Concert Hall on 1/10/2015.

第十七屆國際蕭邦鋼琴大賽成立音樂會第一場亞嘉莉殊（鋼琴）高爾拿（鋼琴）華沙愛樂樂團 / 卡斯帕斯奇班特維斯基：為交響樂團而寫的波蘭舞曲柏特維夫斯基：A小調鋼琴協奏曲，作品17舒曼：A小調鋼琴協奏曲，作品54

2015年10月1日華沙愛樂樂團音樂廳錄音。

7/10/2015 (Wed 星期三)11:00am PROKOFIEV 浦羅歌菲夫 Piano Concerto No. 5 in G, Op. 55 25’ Samson François (p)Philharmonia Orch. / Witold RowickiG大調第五鋼琴協奏曲，作品55森遜‧法克斯雅（鋼琴）愛樂樂團 / 盧域基

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 2/10/2015, 8:00pm節目與2015年10月2日晚上8時相同

9/10/2015 (Fri 星期五)11:00am DEBUSSY 德布西 Nocturnes 25’ Ulster Orch. / Yan Pascal Tortelier夜曲三首奧斯特樂團 / 托替利亞

2:00pm MUSIC OF FRIENDS (REPEAT) 室樂雅聚（重播）Prog. as 4/10/2015, 8pm節目與2015年10月4日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Piano Recital by Nelson FreireNelson Freire (p)Mozart: Piano Sonata No. 11 in A, K. 331 16’Beethoven: Piano Sonata No. 32 in C minor, Op. 111 24’Prokofiev: Vision Fugitives, Op. 22 (excerpts) 8’Granados: Quejas, ó la maja y el ruiseñor from ‘Goyescas’ 5’Chopin: Barcarolle in F sharp, Op. 60 8’ Mazurka in A minor, Op. 17, No. 4 4’ Mazurka in C, Op. 56, No. 2 2’

Presented by Leisure and Cultural Services Department. Recorded at Hong Kong Cultural Centre Concert Hall on 8/9/2015.

費廸鋼琴演奏會費廸（鋼琴）莫扎特：A大調第十一鋼琴奏鳴曲，K. 331貝多芬：C小調第三十二鋼琴奏鳴曲，作品111浦羅歌菲夫：瞬間的幻影，作品22（選段）葛拉納多斯：嘆息、少女與夜鶯，選自《戈耶之畫》蕭邦：升F大調船歌，作品60 A小調馬祖卡舞曲，作品17，第四首 C大調馬祖卡舞曲，作品56，第二首

康樂及文化事務署主辦。2015年9月8日香港文化中心音樂廳錄音。

10/10/2015 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Ning Feng and Southbank SinfoniaNing Feng (v)Southbank Sinfonia / Simon OverMozart: Overture from ‘The Marriage of Figaro’Mendelssohn: Violin Concerto in E minor, Op. 64Beamish: RecklessBeethoven: Romance No. 1, Op. 40 Romance No. 2, Op. 50 Symphony No. 7 in A, Op. 92

Presented by Premiere Performances of Hong Kong. Recorded at Hong Kong City Hall Concert Hall on 21/9/2015.

寧峰與南岸交響樂團寧峰（小提琴）南岸交響樂團 / 奧法莫扎特：《費加洛的婚禮》序曲孟德爾遜：E小調小提琴協奏曲，Op. 64比蜜舒：魯莽貝多芬：第一浪漫曲，作品40 第二浪漫曲，作品50 A大調第七交響曲，作品92

飛躍演奏香港主辦。2015年9月21日香港大會堂音樂廳錄音。

8:00pm LIVE ON 4 第四台音樂會Verbier Festival 2015András Schiff (p)Verbier Fest. Ch. Orch. / Gábor Takács-NagyHaydn: Symphony No. 94 in G, ‘Surprise’ 20’Bartók: Piano Concerto No. 3 in E, Sz. 119 24’Beethoven: Symphony No. 6 in F, Op. 68, ‘Pastoral’ 38’

Recorded a t Sa l le des Combins , Verb ie r on 18/7/2015.

韋爾比亞音樂節2015安德斯‧舒爾夫（鋼琴）韋爾比亞音樂節室樂團 / 塔卡斯－拿基海頓：G大調第九十四交響曲，「驚愕」巴托：E大調第三鋼琴協奏曲，Sz. 119貝多芬：F大調第六交響曲，作品68，「田園」

2015年7月18日韋爾比亞綜合音樂廳錄音。

8/10/2015 (Thu 星期四)11:00am BARTÓK 巴托Violin Sonata, Sz. 117 27’György Pauk (v)小提琴奏鳴曲，Sz. 117鮑格（小提琴）


8:00pm LIVE ON 4 第四台音樂會Salzburg Festival 2015Israel Phil. Orch. / Zubin MehtaSchoenberg: Verlärte Nacht, Op. 4 Chamber Symphony No. 1 in E, Op. 9Tchaikovsky: Symphony No. 6 in B minor, Op. 74, ‘Pathétique’

Recorded at Grosses Festspielhaus, Salzburg on 30/8/2015.

薩爾斯堡音樂節2015以色利愛樂樂團 / 梅達荀伯克：昇華之夜，作品4 E大調第一室樂交響曲，作品9柴可夫斯基：B小調第六交響曲，作品74，「悲愴」

2015年8月30日薩爾斯堡大節日音樂廳錄音。

András Schiff 安德斯‧舒爾夫



11/10/2015 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Bartók: Duke Bluebeard’s Castle 61’Bluebeard: Siegmund Nimsgern (br)Judith: Tatiana Troyanos (ms)BBC Sym. Orch. / Pierre Boulez

巴托：藍鬍子城堡藍鬍子：尼士基恩（男中音）祖迪：蔡恩奴斯（女中音）英國廣播公司交響樂團 / 布萊茲

Szymanowski: King Roger 83’King Roger: Andrzej Hiolski (br)Roxana: Barbara Zagórzanka (s)Shepherd: Wiesław Ochman (t)Edrisi: Henryk Grychnik (t)Boys’ Cho. of the Cracow Phil.Polish State Phil. Orch. & Cho. / Antoni Wit

史曼諾夫斯基：羅傑王羅傑王：希奧斯基（男中音）路絲娜：莎高贊卡（女高音）牧羊人：奧克文（男高音）艾迪里斯：桂克力奇（男高音）奇利高愛樂樂團男童合唱團波蘭國家愛樂樂團及合唱團 / 域茲

8:00pm MUSIC OF FRIENDS 室樂雅聚Colleen Lee, Warren Lee (p)Brahms: Variations on the Theme by Haydn, Op. 56b 18’Milhaud: Scaramouche – Suite for Two Pianos Op. 156b 9’


李嘉齡、李偉安（鋼琴）布拉姆斯：海頓主題變奏曲，作品56b米堯：膽小鬼—雙鋼琴組曲，作品156b


12/10/2015 (Mon 星期一)11:00am MOZART 莫扎特 Piano Trio in B flat, K. 502 25’ Rostislav Dubinsky (v)Yuli Turosky (vc)Luba Edlina (p)降B大調鋼琴三重奏，K. 502杜邊斯基（小提琴）圖洛夫斯基（大提琴）艾迪蓮娜（鋼琴）


13/10/2015 (Tue 星期二)11:00am WEBER 韋伯Eight Pieces, Op. 60 34’ Lucia Marrucci, Maurizio Galli (p)八首鋼琴二重奏，作品60馬魯池、加利（鋼琴）


8:00pm LIVE ON 4 第四台音樂會2nd Inaugural Concert of the 17th International Fryderyk Chopin Piano CompetitionGarrick Ohlsson (p)Warsaw Phil. Orch. & Male Cho. / Wojciech RajskiBusoni: Concerto for Piano, Orchestra and Male Choir, Op. 39

Recorded at Warsaw Philharmonic Concert Hall on 2/10/2015.

第十七屆國際蕭邦鋼琴大賽成立音樂會第二場奧爾遜（鋼琴）華沙愛樂樂團及男聲合唱團 / 萊斯奇布梭尼：鋼琴、樂團與男聲合唱團協奏曲，作品39

2015年10月2日華沙愛樂樂團音樂廳錄音。

14/10/2015 (Wed 星期三)11:00am PALESTRINA 帕萊斯特里那 Missa Papae Marcelli 32’ Cho. of Westminster Abbey / Simon Preston馬爾采魯斯教皇彌撒曲西敏寺合唱團 / 柏爾斯頓 2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 9/10/2015, 8:00pm節目與2015年10月9日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Verbier Festival 2015Edgar Moreau (vc)Julien Quentin (p)Brahms: Cello Sonata No. 1 in E minor, Op. 38 28’Schumann: Adagio and Allegro, Op. 70 9’Poulenc: Cello Sonata, Op. 143 23’Chopin: Introduction et polonaise brillante in C, Op. 3 8’

Recorded at the Church, Verbier on 24/7/2015.

韋爾比亞音樂節2015摩內（大提琴）昆安田（鋼琴）布拉姆斯：E小調第一大提琴奏鳴曲，作品38舒曼：慢板與快板，作品70浦朗克：大提琴奏鳴曲，作品143蕭邦：C大調引子及華麗波蘭舞曲，作品3

2015年7月24日韋爾比亞教堂錄音。

15/10/2015 (Thu 星期四)11:00am MOZART 莫扎特Piano Concerto No. 7 in F, K. 242, ‘Lodron’ 24’Tatyana Nikolayeva, Elizo Virzaladze, Nikolai Lugansky (p)Lithuanian Ch. Orch. / Saulius Sondeckis

F大調第七鋼琴協奏曲，K. 242，「羅德隆」尼高拉耶花，薇莎拉絲，盧甘斯基（鋼琴）立陶宛室樂團 / 桑德克斯


8:00pm LIVE ON 4 第四台音樂會Salzburg Festival 2015Bejun Mehta (ct)Mozarteum Orch., Salzburg/ Ivor BoltonMozart: Serenade No. 10 in B flat, K. 361, ‘Gran Partita’ 50’ Ombra felice … Io ti lascio, K. 255 9’Gluck: Ezio’s arias from ‘Ezio’ 9’Mozart: Symphony No. 40 in G minor, K. 550 27’

Recorded at Mozarteum, Salzburg on 9/8/2015.

薩爾斯堡音樂節2015比尊‧梅達（假聲男高音）薩爾斯堡莫扎特音樂學院樂團 / 保頓莫扎特：降B大調第十小夜曲，K. 361，「大組曲」陰影中的快樂⋯⋯我會告訴你，K. 255格魯克：艾西奧的詠嘆調，選自《艾西奧》莫扎特：G小調第四十交響曲，K. 550

2015年8月9日薩爾斯堡莫扎特音樂學院錄音。

Colleen Lee 李嘉齡

Edgar Moreau 摩內

Warren Lee 李偉安



16/10/2015 (Fri 星期五)11:00am MOZART 莫扎特 Piano Concerto No. 20 in D minor, K. 466 31’ Jenő Jandó (p)Concentus Hungaricus / András LigetiD小調第二十鋼琴協奏曲，K. 466珍盧‧恩度（鋼琴）匈牙利獨奏者 / 利格第


8:00pm LIVE ON 4 第四台音樂會Vienna Boys Cho.Hong Kong Children’s Sym. Orch. / Jimmy ChiangCroce: O sacrum conviviumMonteverdi: Ave MariaCaldara: Ego sum panis vivusHaydn: AbendgebetSchubert: Widerspruch, D. 865 Die Forell, D. 550and more

Presented by Leisure and Cultural Services Department. Recorded at Hong Kong City Hall Concert Hall on 10/10/2015.

維也納兒童合唱團香港兒童交響樂團 / 曾智斌克羅察：神聖筵席蒙台威爾第：聖母頌卡爾達拉：我是永生糧海頓：晚禱舒伯特：對立，D. 865 鱒魚，D. 550及其他歌曲

康樂及文化事務署主辦。2015年10月10日香港大會堂音樂廳錄音。

17/10/2015 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會A National Day CelebrationLouise Kwong (s)Niu Niu (p)Hong Kong Phil. Orch. / Rachel Jiemin ZhangTchaikovsky: Cossack Dance from ‘Mazeppa’ Lisa’s Aria from ‘The Queen of Spades Piano Concerto No. 1 in B-flat minor, Op. 23Trad. (Lo Hau-man arr.): Si Lian Zheng Qiufeng: Pamir, How Lovely is my Hometown ‘Four Seasons of our CountryZhu Jianer: A Wonder of Naxi

Presented by The Hong Kong Philharmonic Society Limited. Recorded at Hong Kong Cultural Centre Concert Hall on 25/9/2015.

國慶音樂會鄺勵齡（女高音）牛牛（鋼琴）香港管弦樂團 / 張潔敏柴可夫斯基：哥薩克舞曲，選自《馬捷帕》麗莎的詠嘆調，選自《黑桃皇后》降B小調第一鋼琴協奏曲，作品23 傳統歌曲（盧厚敏編）：思戀鄭秋楓：帕米爾，我的家鄉多麼美，選自《祖國四季》朱踐耳：納西一奇

香港管弦樂團協會有限公司主辦。2015年9月25日香港文化中心音樂廳錄音。

18/10/2015 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Mozart: Die Zauberflöte, K. 620 125’Pamina: Margaret Price (s)Tamino: Peter Schreier (t)Papageno: Mikael Melbye (br)Sarastro: Kurt Moll (b)Rundfunkchor Leipzig Staatskapelle Dresden / Colin Davis

莫扎特：魔笛，K. 620帕米娜：瑪嘉烈‧派爾斯（女高音）塔米諾：舒威亞（男高音）帕帕堅洛：梅爾比（男中音）薩拉斯妥：慕爾（男低音）萊比錫電台合唱團德累斯頓樂團 / 哥連‧戴維斯

8:00pm MUSIC OF FRIENDS 室樂雅聚HK Duo :Julie Kuok, Hui Ling (p)Mozart (Busoni arr.): Overture from ‘The Magic Flute’ 7’Julie Kuok: Image - the Reflection of Don Juan 11’Prokofiev (Hui Ling arr.): Death of Tybalt from ‘Romeo and Juliet’ 5’Irish folk song (Trimble arr.): The Gartan Mother’s Lullaby 3’Bennett: Finale from ‘Four Piece Suite’ 3’


諄意四手：郭品文、許寧（鋼琴）莫扎特（布梭尼改編）：《魔笛序曲》郭品文：像 — 唐璜之影浦羅歌菲夫（許寧改編）：提伯爾特之死，選自《羅密歐與朱麗葉》愛爾蘭民歌（添葆改編）：葛藤媽媽的搖籃曲班尼特：終曲，選自「四首樂曲組曲」


19/10/2015 (Mon 星期一)11:00am GADE 加特Symphony No. 6 in G minor, Op. 32 26’Danish Nat. Radio Sym. Orch. / Christopher HogwoodG小調第六交響曲，作品32丹麥國家電台交響樂團 / 賀活特


20/10/2015 (Tue 星期二)11:00am SCHUMANN 舒曼 Humoreske, Op. 20 26’ Radu Lupu (p)幽默曲，作品20盧甫（鋼琴）


8:00pm SHARING CHOPIN 分享蕭邦

21/10/2015 (Wed 星期三)11:00am VAUGHAN WILLIAMS 佛漢威廉士 Coastal Command Suite 24’BBC Phil. Orch. / Rumon Gamba《海防部隊》組曲英國廣播公司愛樂樂團 / 甘巴 2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 16/10/2015, 8:00pm節目與2015年10月16日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Verbier Festival 2015Truls Mørk (vc)Jan Lisiecki (p)Beethoven: Cello Sonata No. 4 in C minor, Op. 102, No. 1 14’Schumann: Fantasiestücke, Op. 73 10’Chopin: Cello Sonata in G minor, Op. 65 29’

Recorded at the Church, Verbier on 28/7/2015.

韋爾比亞音樂節2015莫克（大提琴）利斯克奇（鋼琴）貝多芬：C小調第四大提琴奏鳴曲，作品102 ，第一首舒曼：幻想樂曲，作品73蕭邦：G小調大提琴奏鳴曲，作品65

2015年7月28日韋爾比亞教堂錄音。

22/10/2015 (Thu 星期四)11:00am DITTERSDORF 狄特斯多夫Symphony in F, ‘The Rescuing of Andromeda by Perseus’ 23’Cantilena / Adrian ShepherdF大調交響曲，「珀爾修斯拯救安德洛墨達」根達蓮拿室樂合奏團 / 蕭柏特

HK Duo 諄意四手




8:00pm LIVE ON 4 第四台音樂會Salzburg Festival 2015Renaud Capuçon (v)Khatia Buniatishvili (p)Camerata Academica des Mozarteums Salzburg/ François Leleux (ob & cond.)Mendelssohn: String Symphony No. 10 in B minor Concerto for Violin, Piano and Orchestra in D minorHaydn: Oboe Concerto in C Symphony No. 44 in E minor, Hob. I : 44

Recorded at Mozarteum, Salzburg on 20/8/2015.

薩爾斯堡音樂節2015雷諾‧卡普森（小提琴）布尼亞季什維利（鋼琴）薩爾斯堡莫扎特學院室樂團 / 勒樂（雙簧管及指揮）孟德爾遜：B小調第十弦樂交響曲 D小調小提琴、鋼琴與樂團協奏曲海頓：C大調雙簧管協奏曲 E小調第四十四交響曲，Hob. I : 44


23/10/2015 (Fri 星期五)11:00am HAYDN 海頓 Symphony No. 7 in C, ‘Le Midi’ 25’Concentus Musicus Wien / Nikolaus HarnoncourtC大調第七交響曲，「中午」維也納古樂團 / 亞奴閣

2:00pm YOUNG MUSIC MAKERS (REPEAT) 樂壇新秀（重播）Prog. as 18/10/2015, 8pm節目與2015年10月18日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Concert by Singapore Chinese OrchestraWu Bixia (s)Warren Mok (t)Li Baoshun (huqin)Opera Hong Kong Cho. & Opera Hong Kong Children Cho.Singapore Chinese Orch. / Tsung YehZhao Dongsheng arr.: Thunder in a DroughtWatson: Mahjong KakisTan Dun: Fire Ritual Simon Kong Su-leong: Izpirazione II – RambutanLiu Yuan: Excerpts from ‘Marco Polo and Princess Blue’

Presented by Leisure and Cultural Services Department. Recorded at Hong Kong Cultural Centre Concert Hall on 18/10/2015.

新加坡華樂團音樂會吳碧霞（女高音）莫華倫（男高音）李寶順（胡琴）香港歌劇院合唱團及香港歌劇院兒童合唱團新加坡華樂團 / 葉聰趙東升編：旱天雷沃森：牌友譚盾：火祭江賜良：捕風掠影II — 刺的回味之「紅毛丹」劉湲：「馬可波羅與卜魯罕公主」選段

康樂及文化事務署主辦。2015年10月18日香港文化中心音樂廳錄音。

24/10/2015 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Live at the Wigmore Emerson QuartetMozart: Fugues for String Quartet after Bach, K. 405 3’ Adagio and Fugue in C minor, K. 546 7’Beethoven: String Quartet No. 14 in C sharp minor, Op. 131 37’ Recorded at Wigmore Hall, London on 14/11/2011.

威格摩音樂廳的迴響愛瑪遜弦樂四重奏莫扎特：為弦樂四重奏而寫改編自巴赫的賦格曲，K. 405 C小調慢板與賦格曲，K. 546貝多芬：升C小調第十四弦樂四重奏，作品131


25/10/2015 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Adams: Nixon in China 144’Richard Nixon: James Maddalena (br)Mao Tse-tung: John Duykers (t)Chou En-lai: Sanford Sylvan (br)Henry Kissinger: Thomas Hammons (b)Orch. of St. Luke’s / Edo de Waart

亞當斯：尼克遜在中國尼克遜：麥達尼拿（男中音）毛澤東：杜爾卡（男高音）周恩來：舒分（男中音）基辛格：夏蒙士（男低音）聖路加樂團 / 迪華特

8:00pm MUSIC OF FRIENDS 室樂雅聚Otto Mani:Angela Au, Sheryl Lee, Shum Kin-wai, Yim Wan (p)Saint-Saëns: Danse macarbre, Op. 40 6’Moszkowski (Gurlitt arr.): Valse brillante 6’Rachmaninov: Valse and Romance 7’Wilberg: Fantasy on Themes from Bizet’s Carmen 9’ Recorded at RTHK Studio Two on 13/3/2015.

Otto Mani:區美玲、李明哲、岑健威、閻韻（鋼琴）聖桑：死之舞，作品40莫士高夫斯基（紀烈特改編）：燦爛圓舞曲拉赫曼尼諾夫：圓舞曲及浪漫曲衛伯：比才《卡門》主題幻想曲


26/10/2015 (Mon 星期一)11:00am SZYMANOWSKI 史曼諾夫斯基 Violin Concerto No. 1, Op. 35 27’Nicola Benedetti (v) London Sinfonietta Soloists / Daniel Harding第一小提琴協奏曲，作品35賓納迪蒂（小提琴）倫敦小交響樂團獨奏家 / 哈丁


27/10/2015 (Tue 星期二)11:00am BEETHOVEN 貝多芬 Piano Sonata No. 23 in F minor, Op. 57, ‘Appassionata’ 25’ Emil Gilels (p)F小調第二十三鋼琴奏鳴曲，作品57，「熱情」基利斯（鋼琴）

Emerson Quartet 愛瑪遜弦樂四重奏

Angela Au 區美玲

Shum Kin-wai 岑健威

Sheryl Lee 李明哲

Yim Wan 閻韻



2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 22/10/2015, 8:00pm節目與2015年10月22日晚上8時相同力

8:00pm SHARING CHOPIN 分享蕭邦

28/10/2015 (Wed 星期三)11:00am SHOSTAKOVICH 蕭斯達高維契 String Quartet No. 6 in G, Op. 101 25’ Borodin String QuartetG大調第六弦樂四重奏，作品101鮑羅丁弦樂四重奏 2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 23/10/2015, 8:00pm節目與2015年10月23日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Verbier Festival 2015Pretty Yende (s)Verbier Fest. Ch. Orch. / Joshua Bell (v & cond.)Mozart: Exsultate Jubilate, K. 165 15’Bruch: Violin Concerto No. 1 in G minor, Op. 26 24’Beethoven: Symphony No. 7 in A, Op. 92 38’

Recorded at Salle des Combins, Verbier on 1/8/2015.

韋爾比亞音樂節2015欣迪（女高音）韋爾比亞節日室樂團 / 貝爾（小提琴及指揮）莫扎特：喜悅歡騰，K. 165布魯克：G小調第一小提琴協奏曲，作品26貝多芬：A大調第七交響曲，作品92

2015年8月1日韋爾比亞綜合音樂廳錄音。

29/10/2015 (Thu 星期四)11:00am HANDEL 韓德爾Concerto for Double Orchestra No. 2 in F, HWV333 16’ La Grande Écurie et la Chambre du Roy / Jean-Claude MalgoireF大調第二雙樂團協奏曲，HWV333萊爾室樂團 / 馬顧華


8:00pm LIVE ON 4 第四台音樂會Salzburg Festival 2015Christian Tetzlaff (v)Tajna Tetzlaff (vc)Lars Vogt (p)Dvořák: Piano Trio No. 3 in F minor, Op. 65 40’Schubert: Piano Trio No. 2 in E flat, D. 929 48’

Recorded at the Mozarteum, Salzburg on 2/8/2015.

薩爾斯堡音樂節2015基斯安‧特茨拉夫（小提琴）坦雅‧特茨拉夫（大提琴）拉斯‧霍特（鋼琴）德伏扎克：F小調第三鋼琴三重奏，作品65舒伯特：降E大調第二鋼琴三重奏，D. 929


30/10/2015 (Fri 星期五)11:00am HOFFMEISTER 賀夫米士特 Concerto for Two Clarinets 23’ Walter Boeykens, Anne Boeykens (cl) New Belgian Ch. Orch. / Jan Caeyers兩支單簧管協奏曲華爾特‧布健士、安妮‧布健士（單簧管）新比利時室樂團 / 斯雅士


8:00pm LIVE ON 4 第四台音樂會Concert by Ian Bostridge and Xuefei YangIan Bostridge (t)Xuefei Yang (g)Dowland: In Darkness Let Me DwellSchubert: Die Mainacht, D. 194 Der König in Thule, D. 367 An die Musik, D. 547 Ständchen from ‘Schwanengesang’, D. 957Britten: Songs from the ChineseChinese Trad. Song (Xuefei Yang arr.): Fisherman’s Song at EventideGoss: Book of Songsand more

Presented by Leisure and Cultural Services Department. Recorded at Hong Kong City Hall Concert Hall on 25/10/2015.

博斯烈茲與楊雪霏音樂會博斯烈茲（男高音）楊雪霏（結他）杜蘭特：讓我躲在黑暗中舒伯特：五月之夜，D. 194 圖勒的國王，D. 367 音樂頌，D. 547 小夜曲，選自《天鵝之歌》，D. 957布烈頓：中國歌曲集中國民謠（楊雪霏編）：漁舟唱晚高斯：詩經及其他曲目

康樂及文化事務署主辦。2015年10月25日香港大會堂音樂廳錄音。

31/10/2015 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Live at the Wigmore Nikolai Lugansky (p)Liszt: Sposalizio from ‘Deuxième anneé: Italie of Années de pelerinage’ 9’Wagner (tran. Liszt): Liebestod from ‘Tristan and Isolde’ 8’Rachmaninov: Piano Sonata No. 1 in D minor, Op. 28 36’

Recorded at Wigmore Hall, London on 27/2/2012.

威格摩音樂廳的迴響盧根斯基（鋼琴）李斯特：婚禮，選自《旅遊歲月》的《第二年：意大利》華格納（李斯特編）：愛之死，選自《崔斯坦與伊索爾德》拉赫曼尼諾夫：D小調第一鋼琴奏鳴曲，作品28


1/11/2015 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Verdi: La Traviata 124’Violetta Valéry: Angela Gheorghiu (s)Flora Bervoix: Leah-Marian Jones (ms)Alfredo Germont: Frank Lopardo (t)Orch. & Cho. of the Royal Opera House, Covent Garden / Georg Solti

威爾第：茶花女華拉莉：基柯基沃（女高音）寶禾爾：鍾絲（女中音）傑爾蒙：盧帕度（男高音）高文花園皇家歌劇院樂團及合唱團 / 蘇提

8:00pm MUSIC OF FRIENDS 室樂雅聚Jacqueline Leung, Cherry Tsang (p)Mayevsky: Fantasy on Songs by Gershwin 9’Barber: Souvenirs, Op. 28 19’Piazzolla: Adiós Nonino and Revirado 10’


梁維芝、曾捷麗（鋼琴）馬耶夫斯基：歌舒詠歌曲幻想曲巴伯：回憶，作品28皮亞蘇拉：《再見爸爸》及《搗毀》


Joshua Bell 貝爾

Nikolai Lugansky 盧根斯基

Jacqueline Leung 梁維芝

Cherry Tsang 曾捷麗



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2/11/2015 (Mon 星期一)11:00am BRAHMS 布拉姆斯 String Quartet No. 3 in B flat, Op. 67 38’Julliard String Quartet降B大調第三弦樂四重奏，作品67茱利亞弦樂四重奏


8:00pm Mendelssohn: Octet in E flat, Op. 20 33’Melos Ensemble of London Mendelssohn: Symphony No. 2 in B flat, Op. 52, ‘Hymn of Praise’ 75’Elizabeth Connell (s)Karita Mattila (s)Hans Peter Blochwitz (t)London Sym. Orch. & Cho. / Claudio Abbado

孟德爾遜：降E大調八重奏，作品20倫敦米路士室樂團

孟德爾遜：降B大調第二交響曲，作品52，「謝恩讚美詩」高妮爾（女高音）馬蒂娜（女高音）博威玆（男高音）倫敦交響樂團及合唱團 / 亞巴度

3/11/2015 (Tue 星期二)11:00am MESSIAEN 梅湘 Cinq Rechants 18’ The Sixteen / Harry Christophers五首叠唱曲十六人古樂合唱團 / 基斯杜化士


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香港電台弦樂四重奏 ─ 第二度出訪歐洲

繼「法國五月」的演出後，香港電台弦樂四重奏再度與豎琴家

黃士倫合作，在7月底於中環花旗銀行廣場舉行了一場免費音

樂會，演出全套法國作品。

四重奏的成員三年前曾到訪法國，今年又獲得香港經濟貿易辦

事處邀請，於10月中到比利時首都布魯塞爾亮相。他們將與笙

演奏家盧思泓合作，世界首演香港作曲家陳慶恩的新作《廣東

音樂兩首》。之後，他們又會在明年1月份參與香港作曲家聯會

的多媒體音樂會，首演二十首本地作曲家的樂曲。

詳情請登入香港電台弦樂四重奏的網頁和臉書專頁。

Raymond Chung 鍾子豪

COLUMNS 專欄

After their appearance at Le French May Concert in late May, the

RTHK Quartet teamed up again with harpist Ann Huang and repeated

the entire French programme at Citibank Plaza in July.

The Quartet will perform in Brussels later this year and will have

other performances in Hong Kong. At the invitation of the Hong

Kong Economics and Trade Office, the Quartet will give the premiere

of Hong Kong composer Chan Hing-yan’s work Two Pieces of

Cantonese Music in Brussels with sheng player Loo Sze-wang in

mid October. They will also give the premieres of new works written

by local composers in a multi-media concert organised by the Hong

Kong Composers’ Guild in January 2016.

Click on their website and Facebook page for more information.

RTHK website 香港電台網頁 : rthk.hk/rthkquartet

Facebook page 臉書專頁 : www.facebook.com/rthkquartet

▲ RTHK Quartet and guest sheng player Loo Sze-wang performed in Europe in 2012 香港電台弦樂四重奏聯同笙演奏家盧思泓於2012年首度出訪歐洲

RTHK Quartet - Second Trip to Europe


OCTOBER 2015 二零一五年十月號 - RTHK

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Transcript of OCTOBER 2015 二零一五年十月號 - RTHK