Obey (Shepard Fairey) and Ron English

44
Andre the Giant (1946-1993) Professional wrestler Actor (The Princess Bride) Suffered from acromegaly , which is a dysfunction of the pituitary gland, causing excessive largeness.

description

 

Transcript of Obey (Shepard Fairey) and Ron English

Page 1: Obey (Shepard Fairey) and Ron English

Andre the Giant(1946-1993)Professional wrestler Actor (The Princess Bride) Suffered from acromegaly, which is a dysfunction of the pituitary gland, causing excessive largeness.

Page 2: Obey (Shepard Fairey) and Ron English

Wheat Pasting

Obey(Shepard Fairey)

Page 3: Obey (Shepard Fairey) and Ron English

Shepard FaireyShepard Fairey is the man behind OBEY GIANT, the graphics that have changed the way people see art and the urban landscape. What started with an absurd sticker he created in 1989 while studying at the Rhode Island School of Design has since evolved into a worldwide street art campaign, as well as an acclaimed body of fine art.

Page 4: Obey (Shepard Fairey) and Ron English

Shepard Fairey

Andre The Giant Has a Posse1989While at Rhode Island School of Design

Page 5: Obey (Shepard Fairey) and Ron English

Shepard Fairey

Andre The Giant Early 1990’sKent Ave, Williamsburg, Brooklyn North 6th and Berry street

Williamsburg, Brooklyn

Page 6: Obey (Shepard Fairey) and Ron English

PROPAGANDA

Page 7: Obey (Shepard Fairey) and Ron English

Shepard Fairey

OBEY GIANTCirca 1992

Page 8: Obey (Shepard Fairey) and Ron English

Shepard Fairey

From THEY LIVE1988

Page 9: Obey (Shepard Fairey) and Ron English

Similarities? Differences?

Page 10: Obey (Shepard Fairey) and Ron English

Engineering (Propaganda), 2008, 29 x 40 inches Silkscreen & Mixed Media Collage on Paper

Shepard Fairey

Page 11: Obey (Shepard Fairey) and Ron English

Shepard Fairey

“I can express myself…and I feel that everybody should have the ability to express themselves…as long as what they’re doing isn’t hurting someone else.”

1970-

Page 12: Obey (Shepard Fairey) and Ron English

Shepard Fairey

Obama Poster2008

Page 13: Obey (Shepard Fairey) and Ron English

Shepard Fairey

Obama Poster2008

“Yeah, well, I hate to say this, and some people might get very angry, but the American public is generally pretty superficial, so an image like that just allows them to project whatever limited idea they have onto it. Obviously, not everyone is like that—I actually think there were a lot of people who were bummed by the image because they felt it was shallow propaganda.”

Page 14: Obey (Shepard Fairey) and Ron English

vs. (Shepard Fairey)

On February 4, 2009, the Associated Press announced that it determined "that the photograph used in the poster is an AP photo and that its use required permission."

In January 2009 photographer and blogger Tom Gralish discovered that the poster was based on an Associated Press photograph by freelance photographer Mannie Garcia.

Page 15: Obey (Shepard Fairey) and Ron English

vs.

On October 16, 2009, Fairey admitted that he had based the poster on the AP photograph and had fabricated and destroyed evidence on an old hard drive to hide the fact that he stole the image.

(Shepard Fairey)

Page 16: Obey (Shepard Fairey) and Ron English

Obama Poster2008

vs. (Shepard Fairey)

Page 17: Obey (Shepard Fairey) and Ron English

“I said, ok, I’ll pay the licensing fee it. And [the AP] said, no, we want to claim damages. I said damages? Because of my poster the Mannie Garcia picture is now worth more than it ever would have been.”

-Shepard Fairey

vs.The AP and Shepard Fairey settled out of court in January 2011. In a press release, the AP announced that the AP and Fairey "agreed to work together going forward with the Hope image and share the rights to make the posters and merchandise bearing the Hope image and to collaborate on a series of images that Fairey will create based on AP photographs. The parties have agreed to additional financial terms that will remain confidential."

(Shepard Fairey)

Page 18: Obey (Shepard Fairey) and Ron English

Shepard Fairey

Burmese Monk, 2009, 44 x 60 inches, Stencil & Mixed Media Collage on Canvas

Page 19: Obey (Shepard Fairey) and Ron English

Shepard Fairey

Burmese Monk, 2009, 3 or 4 stories high, near 3rd Ave / 4th ave / Bowery intersection

Page 20: Obey (Shepard Fairey) and Ron English

Shepard FaireyGuns and Roses, 2007, 30 x 44 inches, Retired Stencil & Mixed Media Collage on Paper

Page 21: Obey (Shepard Fairey) and Ron English

Shepard Fairey

On Mercer Street (near Grand and Broome) in SoHo

Page 22: Obey (Shepard Fairey) and Ron English

Shepard Fairey

Williamsburg Hall of Music (brooklyn)

Page 23: Obey (Shepard Fairey) and Ron English

Selling OBEY…Selling out?

Page 24: Obey (Shepard Fairey) and Ron English

“When we first got there, a man walking through the park area was yelling about how graffiti needs to be recognized as a legitimate art form. "I don't know what he's trying to say," said one of Fairey's assistants, "this isn't even graffiti.”

“People like to talk shit, but it's usually to justify their own apathy.”

In DUMBO, Brooklyn…

Page 25: Obey (Shepard Fairey) and Ron English

EXTRA CREDIT ASSIGNMENTGO TO York Street in DUMBO….AND TAKE YOUR PICTURE NEXT TO THIS PIECE OF STREET ART!

Page 26: Obey (Shepard Fairey) and Ron English

OBEY is a classic example of ”culture jamming,” a tactic used by anti-consumerist social movements to

disrupt or subvert mainstream media and pop culture. Culture jammers perform acts like….

Page 27: Obey (Shepard Fairey) and Ron English

Ron EnglishMC Supersize ME

2002-2004

Re-figuring logos

Page 28: Obey (Shepard Fairey) and Ron English

The ultimate goal of culture jamming is to challenge the idea of “what’s cool” and make a statement

about consumption.

Guerilla BillboardingBy Ron English

Page 29: Obey (Shepard Fairey) and Ron English

MOAR Guerilla Billboarding!!

By Ron English

Page 30: Obey (Shepard Fairey) and Ron English

Reverse Shoplifting

Page 31: Obey (Shepard Fairey) and Ron English

Ron EnglishSuper Supper 2010

Page 32: Obey (Shepard Fairey) and Ron English

Ron EnglishAbraham Obama 2008-10

Page 33: Obey (Shepard Fairey) and Ron English

In San Francisco…

Page 34: Obey (Shepard Fairey) and Ron English

“Songs in English”APPARENTLY…Saddam Hussein had Iraqi musicians create 110 songs about him while he was ruling of Iraq….Ron English thinks that there should be at least one American with more songs written about them….so far he’s got more than 40!

Page 35: Obey (Shepard Fairey) and Ron English

Check his site out:https://www.popaganda.com/gallery

Page 36: Obey (Shepard Fairey) and Ron English

(fine art)

Red Marilyn2005

Page 37: Obey (Shepard Fairey) and Ron English

(fine art)

Cowgirl McDonalds

2005

Page 38: Obey (Shepard Fairey) and Ron English

(fine art)

American Depress

2005

Page 39: Obey (Shepard Fairey) and Ron English

(fine art)

Tramp Boy2010-11

Page 40: Obey (Shepard Fairey) and Ron English

(street art) (fine art)Texas Cows

Page 41: Obey (Shepard Fairey) and Ron English

(fine art) (product)Purple Dinosaurus

Page 42: Obey (Shepard Fairey) and Ron English

(fine art) (product)Cowgirl Milkshake Cathy Cowgirl

Page 43: Obey (Shepard Fairey) and Ron English

"Painting on walls has broken down walls between artists and communities, between artists and the police. [Now] There is a new equilibrium.”

Page 44: Obey (Shepard Fairey) and Ron English

"Painting on walls has broken down walls between artists and communities, between artists and the police. [Now] There is a new equilibrium.”

Do you think that graffiti & street art

have created a “new equilibrium” between

artists and communities?

How have you seen this happen?

If you haven’t seen this happen, what

circumstances would you need to see before this

“new equilibrium” is created?