NUEVOS LENGUAJES EN LA MÚSICA PARA CINE

Iván L. Valderrama EspejoCiencia de la Información - Bibliotecología

Tendencias

• Sonidos electrónicos• Repetitividad• Ópera

Representantes

• Angelo Badalamenti (1937- )

• Philip Glass (1937- )

• Howard Shore (1946- )

• Éric Serra (1959- )

• Michael Nyman (1944- , Reino Unido)

Angelo Badalamenti

• Blue Velvet (1986 – David Lynch)• Wild at heart (1990 – David Lynch)• Mullholand drive (2001 – David

Lynch)• La ciudad de los niños perdidos (1995

– Jean Pierre Jeunet)• A very long engagement (2004 – Jean

Pierre Jeunet)• The Beach (2000 – Danny Boyle)

Philip Glass

Qatsi Trilogy (Reggio Godfrey)

Philip Glass

• Kundun (1997 – Martin Scorsese)

• The Truman Show (1998 – Peter Weir)

• The hours (2002 – Stephen Daldry)

• The Illusionist (2006 – Neil Burger)

• Notes on a Scandal (2006 – Richard Eyre)

Howard Shore

The Lord of the RingsTrilogy (Peter Jackson)

Howard Shore• The Brood (1979 – David Cronenberg)

• Naked Lunch (1991 – David Cronenberg)

• The silence of the lambs (1991 – Jonathan Demme)

• Ed Wood (1994 – Tim Burton)

• Se7en (1995 – David Fincher)

• High Fidelity (2000 – Stephen Frears)

• The Departed (2006 – Martin Scorsese)

• Eastern Promises (2007 – David Cronenberg)

Éric Serra (RXRA)

• Le Dernier Combat (1982 – Luc Besson)

• Le Grand bleu (1988 – Luc Besson)

• The Professional (1994 – Luc Besson)

• GoldenEye (1995 – Martin Campbell)

• The Fifth Element (1997 – Luc Besson)

• The Messenger: The Story Of Joan of Arc (1999 – Luc Besson)

Michael Nyman

• The Falls (1980 – Peter Greenway)

• The Draughtsman’s Contract (1983 – Peter Greenway)

• Drowning by Numbers (1988 – Peter Greenway)

• The Piano (1993 - Jane Campion)

• The Claim (2000 – Michael Winterbottom)