Nothing is more fascinating than reality: An introduction ... · The decisive moment Henri Cartier...
Transcript of Nothing is more fascinating than reality: An introduction ... · The decisive moment Henri Cartier...
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Nothing is more fascinating than reality: An introduction to street
and documentary photography
Henri Cartier Bresson
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• What is street photography?
• What is documentary photography?
• History of street photography
• The role of Leica
• Street photography equipment
• Technique
• Success rate
• Strategy and obstacles
• Subject matter and composition
• Magnum photo agency
• Using a documentary style
• Wrap up, conclusions and resources
Outline
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What is street photography?
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Street photography is photography conducted for
art or enquiry that features unmediated chance
encounters and random incidents within public
places. Street photography does not necessitate the
presence of a street or even the urban
environment.
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Wエ;デ ゲデヴWWデ ヮエラデラェヴ;ヮエ┞ キゲミげデぐ
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• Landscape or nature photography
• Studio Photography
Grey area:
• Posed or choreographed photographs
• Rural photography
• Photographs with no human element
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Travel
Steve McCurry
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Story telling
Henri Cartier Bresson
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Candid
Elliot Erwitt
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Peter Turnley
Candid
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Richard Harmer
Candid
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Posed?
Mary Ellen Marc
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Elliot Erwitt
Posed?
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Mary Ellen Marc
Posed?
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The decisive moment
さTエWヴW is a creative fraction of a second when you are
taking a picture. Your eye must see a composition or an
expression that life itself offers you, and you must know
with intuition when to click the camera. That is the
moment the photographer is creative. Oop! The
Moment! Once you miss it, it is gone forever.ざ- Henri
Cartier-Bresson
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The decisive moment
Henri Cartier Bresson
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Alex Webb
The decisive moment
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Peter Turnley
The decisive moment
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David Allen Harvey
The decisive moment
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To me, photography is an art of observation. Iデげゲ about finding
something interesting in an ordinary placeぐ Iげ┗W found it has
little to do with the things you see and everything to do with
the way you see them.ざ に Elliott Erwitt
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Humorous or witty
Elliot Erwitt
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Elliot Erwitt
Humorous or witty
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Elliot Erwitt
Humorous or witty
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Elliot Erwitt
Humorous or witty
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Elliot Erwitt
Humorous or witty
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What is documentary photography?
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Documentary photography usually refers to a popular form
of photography used to chronicle both significant and
historical events and everyday life. It is typically covered in
professional photojournalism, or real life reportage, but it
may also be an amateur, artistic, or academic pursuit.
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Documentary photography
Elliot Erwitt
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Nik Ut
Documentary photography
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Fヴラマ けTエW AマWヴキI;ミゲげ ヱΓヵヵが ‘ラHWヴデ Fヴ;ミニ
Documentary photography
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Documentary photography
Both images by Robert Capa. D Day landings, 1944
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Documentary photography
Fヴラマ けFキヴゲデ ヱヰヰ D;┞ゲげ H┞ PWデW “ラ┌┣;
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History of street photography
• Once photographing meant a large box camera on a tripod, shifting film plate after each shot
- and working with a dark cloth over your head and the camera.
• Pre enlargement photography meant that a large negative was a necessity
• Photography was slow, methodical, precise, posed.
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Oskar Barnack
• Oskar Barnack was headhunted from Carl Zeiss to make the Ur-Leica. He made 2-3 samples in
1912-1913
• The camera was designed to test motion picture film stock for movies
• He had the idea of a small format negative and large final picture through enlargement
• さNラデ ;ノノ キIラミキI ヮエラデラェヴ;ヮエゲ ┘WヴW マ;SW ┘キデエ ; LWキI;が H┌デ デエW┞ ┘WヴW ;ノノ マ;SW HWI;┌ゲW ラa ; LWキI;ざ
135 film Ur-Leica (1912): Precurser to
the Leica 0 series (1923)
Oskar Barnack and his role in the development of street photography
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Equipment: Rangefinder Vs SLR
Rangefinder ViewfinderSmaller than an SLR
See outside the frame
Does not show depth of field
Uses only a central focus area
Non exact framing
Allows you to see outside the frame
No blackout
Quiet shutter
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Equipment: Rangefinder Vs SLR
SLR viewfinder Larger than a rangefinder
Focussing at maximum aperture
Can show depth of field- but
viewfinder goes dark
Exact framing
Cannot see outside the frame
Viewfinder blackout with each
shot
Loud shutter
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Embrace proximity and master the wide angle
さIa ┞ラ┌ヴ ヮエラデラゲ ;ヴWミげデ ェララS Wミラ┌ェエが ┞ラ┌ ;ヴWミげデ IノラゲW Wミラ┌ェエがざ RラHWヴデ Fヴ;ミニく
さぐ デエW ラノSWヴ I ェWデが デエW IノラゲWヴ I ェWデがざ Bヴ┌IW Gilden
Alex Webb
• 28mm or wider: Mary Ellen Marc, Bruce Gilden
• 35mm: David Allen Harvey, Alex Webb,
• 50mm: Henri Cartier Bresson
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I am a tough editor of my work, and usually when I look at my contacts I find
that I can go as many as fifty rolls without getting a good photo. But when I
looked at this roll, I had not one but two of my best images ever of New York
City. What a coupぁざ Bruce Guilden
1 keeper in 50 rolls = 0.05 % or 1 in 1800 frames
Oミ ゲ┌IIWゲゲ ヴ;デWぐ
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Oミ ゲ┌IIWゲゲ ヴ;デWぐ
さL┌Iニ に or perhaps serendipity に plays a big roleぐ But you never know what is going
to happen. And what is most exciting is when the utterly unexpected happens, and
you manage to be there at the right place at the right time に and push the shutter
at the right moment. Most of the time it SラWゲミげデ work out that way. This kind of
photography is 99.9% about failure.ざ に Alex Webb
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Oミ ゲ┌IIWゲゲ ヴ;デWぐ
さDラミげデ be afraid of taking a bad photograph. The key to taking a small number of
good photographs is to take a lot of ヴ┌HHキゲエがざ Martin Parr
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Oミ ゲ┌IIWゲゲ ヴ;デWぐ
ざYラ┌ヴ aキヴゲデ ヱヰがヰヰヰ ヮエラデラェヴ;ヮエゲ ;ヴW ┞ラ┌ヴ ┘ラヴゲデくざ に Henri Cartier-Bresson
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Technique- Focus on the moment, not the technical aspects
Vivian Maier
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さAll the technique in the world SラWゲミげデ compensate for
the inability to notice.ざ に Elliott Erwitt
さTエWヴW is nothing worse than a sharp image of a fuzzy
conceptくざ に Ansel Adams
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Henri Cartier Bresson
Technique- Focus on the moment, the composition not the sharpness
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Technique- Zone Focusing
Z Tarek
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Technique- Pre-metering and manual exposure
Robias Toss
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Strategy, Obstacles and Solutions
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Find the geometry, then wait
Henri Cartier Bresson
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Find the geometry, then wait
Henri Cartier Bresson
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Ask Permission- Steve McCurry
Steve McCurry
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Ask Permission- Steve McCurry
Steve McCurry
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Ask Permission
Richard Harmer
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Ask Permission
Richard Harmer
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Build trust with the subjects: David Allen Harvey
David Allen Harvey
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Build trust with the subjects: David Allen Harvey
David Allen Harvey
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Build trust with the subjects: Mary Ellen Mark
Mary Ellen Mark
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Get extremely close, and react fast. Do not ask permission
Bruce Gilden
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Get extremely close, and react fast. Do not ask premission
Bruce Gilden
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Composition for Street or Documentary Photography
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Geometrical Composition
Henri Cartier Bresson
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Geometrical Composition
Henri Cartier Bresson
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Geometrical Composition
Martine Franck
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Frame within a frame
Davied Allen Harvey
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Frame within a frame
Elliot Erwitt
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Frame within a frame
Elliot Erwitt
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Frame within a frame
Steve McCurry
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Minimal overlapping elements
Davied Allen Harvey
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Minimal overlapping elements
Richard Harmer
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Minimal overlapping elements
Richard Harmer
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Renaissance Composition
Slander by Botticelli
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Renaissance Composition
The descent from the cross, Rogier van der Wayden
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Renaissance Composition
Annie Leibovitz
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Renaissance Composition
Kazi Mushfiq
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Renaissance Composition
Gabi Ben Avraham
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Renaissance Composition
David Allen Harvey
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Joel Goodman
Renaissance Composition
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Not telling the whole story
さL;デWノ┞ キデげゲ HWWミ ゲデヴキニキミェ マW エラ┘ I ヴW;ノノ┞ ノラ┗W ┘エ;デ I I;ミげデ ゲWW キミ ; Photograph,ざ Dキ;ミW Arbus
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Not telling the whole story
Trent Parke
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Not telling the whole story
Kazi Mushfiq
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Not telling the whole story
Eric Kim
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Not telling the whole story
Richard Harmer
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Use of light and shadow
さI am forever chasing light. Light turns the ordinary into
the magical.ざ に Trent Parke
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Use of light and shadow
Trent Parke
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Use of light and shadow
David Allen Harvey
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Use of light and shadow
David Allen Harvey
Elliot Erwitt
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Use of light and shadow
Shiomy Evron
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Use of light and shadow
Steve McCurry
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Leading Lines
Elliot Erwitt
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Repeating Patterns
Garry Winogrand
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さIデ can be difficult to make a decision because you can like this frame for
this reason, and that frame for that reason. Each photograph has its
particular strength. But you only pick one. One has to represent all. So I
am always trying to put everything into one image: the statement, the
foundation, the composition, the story, the individual personality に all of
that together into one imageぐざ Leanard Freed- Magnum
Magnum Photos
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Magnum and the contact sheet
Rene Burri
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Magnum and the contact sheet
Rene Burri
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Magnum and the concept of the contact sheet
Elliot Erwitt- President Nixon and Premier Nikita Khrushchev
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Elliot Erwitt- President Nixon and Premier Nikita Khrushchev
Magnum and the concept of the contact sheet
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Applying a documentary/street style to your own photographs
Richard Harmer
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Resources
• Eric Kim Street Photography Blog
• Magnum Photos (and Magnum Contact Sheets)
• Leica Blog
• Flickr Group HCSP (Hard Core Street Photography)