Notes and Quotes

Act 1, Scene 1 Marcellus says to Barnardo: “Horatio says [the

ghost] ‘tis but our fantasy…” This adheres to the Protestant view that there were no ghosts. These were only visions, demons sent to lure others to their death – What are ghosts in this play…an essential question.

Old Hamlet is dressed as a warrior (49-50), Young Hamlet is dressed in his “inky cloak”.

Foreshadowing comes early as Horatio says, “This bodes some strange eruption to our state” (I.i.72)

Marcellus, Barnardo, and Horatio, in their discourse with one another, give the reader a sense of paranoia. Denmark is in disrepair, and they hardly recognize one another in the dark.

In this act, the reader finds that Denmark has “old beef” with the Fortinbras family of Norway. The people make ready for war, “at least the whisper goes so” (Horatio I.i.82)

In Horatio’s lines surrounding 150, we find that the ghost disappears with the breaking day, evidence that he is stuck in a state of limbo. (Catholic Philosophy)

Act 1, Scene 2 Claudius marries his former sister-in-law,

which he calls his “sometime sister”. “Th’ imperial jointress to this warlike state,”

(Claudius’ formal speech to open Act II). Shows a double meaning.

Hamlet says to Claudius, “A little more than king and less than kind” (I.ii.65). Read side-note, page 66)

And at line 67, “No so much, my lord; I am too much in the sun (son).”

Claudius mentions at line 73, “all that lives must die.”

Hamlet calls Gertrude “cold”. Do you find this to be true?

In I.ii.78-87, Hamlet admits for the first time he does not have the words to express his feelings. “That can denote me truly” (69).

Shortly following, Claudius oddly speaks about the ordinariness of death. “For what we know must be and is as common / As any the most vulgar thing to sense. / Why should we in our peevish opposition / Take it to heart?

Line 105: Reference to Cain and Abel, ironic because the brother-homocide.

Note that near line 30, Hamlet considers suicide, but decides it is not an option because of religious reasons.

Hamlet begins to show his “modern” or inward-philosophical views in this same soliloquy. “How weary, stale, flat, and unprofitable / Seem to me all the uses of this world!

“Frailty, thy name is woman!” “My father’s brother, but no more like my

father / Than I to Hercules.”

“O most wicked speed, to post / With sudden dexterity to incestuous sheets!”

“It is not nor it cannot come to good—” Hamlet ends the scene with a lesson to

impart: “Foul deeds will rise, / Though all the earth o’erwhelm them, to men’s eyes” (255).

Act 1, Scene III Laertes to Ophelia, lines 10-14, Page 87. About Hamlet: “His greatness weighed, his

will is not his own.”

Throughout Laertes speech at the beginning of scene III, he compares love to military battle and maneuvering.

He tells Ophelia that Hamlet only wants her “chastity”.

Line 108 (page 95). “You’ll tender me a fool.” Act I, Scene IV We find early on that Claudius is a reveler: “It

is a custom / More honored in the breach than the observance.”

Note 9, Page 100 Hamlet, lines 23-26: “So oft it chances in

particular men / That, for some vicious mole of nature in them, / As in their birth (wherein they are not guilty, / Since nature cannot choose his origin)…”

Line 36: One evil will outweigh any good one can do (paraphrase).

Hamlet, lines 65-67: “I do not set my life at a pin’s fee, / And for my soul – what can it do to that, / Being a thing immortal as itself?

“Something is rotten in the state of Denmark” (Marcellus)

Act I, Scene V Hamlet speaks a tremendous irony: “I, with

wings as swift / As meditation or the thoughts of love, / May sweep to my revenge.”

Ghost: “A serpent stung me.” Hamlet: “O my prophetic soul!”

In Act I, scene V, we find that Old Hamlet is ticked at Gertrude. (Line 50ish)

A great deal of pressure is applied to Hamlet: “Let not the royal bed of Denmark be / A couch for luxury (lust) and damned incest.”

Old Hamlet is sent to death without forgiveness for his sins…or so he says…which would follow the Catholic ideals.

Does Hamlet say he will forget school? Line 100?

“That one may smile, and smile, and be a villain” –Hamlet.

An ironic sidenote – Hamlet breaks Polonius’ long-winded advice to Laertes. He tells others secrets and relies on other men to do right.

Is Polonius a wise sage, or an ass? “The time is out of joint”

Polonius advises Reynaldo to spy on Laertes.

His advice to Reynaldo is convoluted, contradictory, and hard to follow.

Essentially, Polonius wants Reynaldo to talk poorly about Laertes to L’s new friends. If they agree, or dispute what Reynaldo says, the true nature of L’s character will be revealed.

“They may seem taints of libertry”

Act II is when Hamlet begins to “put on his madness”

Why is Ophelia frantic with Polonius in Act II?

Ophelia of Hamlet: “…his stockings fouled, / Ungartered, and down-gyved to his ankle…”

This is an image of Hamlet as prisoner, with shackles about his feet.

She also says, “As if he had been loosed out of Hell.”

Consider madness in this play as a device or motif.

In Act II, Scene I, Polonius gives many ironic comments as to the intuition of others.

“By Heaven, it is as proper to our age / To cast beyond ourselves in opinions / As it is common for the younger sort / To lack discretion.”

Polonius decides to go to Claudius and Gertrude.

A solution is brought to the Fortinbras problem.

Again, ironically, Polonius utters this: “Since brevity is the soul of wit / and tediousness the limb of outward flourishes / I will be brief…your son is mad.”

HAMLET’S LETTER TO OPHELIA page 147 and sidenote.

Polonius then plans to have Hamlet interact with Ophelia, while he (Polonius) hides behind the “arras” or curtain.

In Act II, Scene II, there is more evidence of Hamlet’s modernity: “To be honest, as this world goes, is to be one man pricked out of ten thousand.”Notice he speaks not in verse.

Discuss Hamlet’s madness and pointed jabs at Polonius on page 156-157.

What is with the extended sex joke in Act II, Scene II?

Why call fortune a strumpet? Rosencrantz: “None, my lord, but the

world’s grown honest.: Hamlet: “The doomsday is near.” “He that plays the king shall be welcome;

his majesty shall have tribute on me.” Rosencrantz: “For they say an old man is

twice a child.”

Hamlet’s allusion to ballads shows his connection with the common man, or the vulgar. Something, that as a prince, would have annoyed his aristocratic parents. Reciting a ballad is also a way of saying something without having to take full responsibility for it.

Hamlet says he will ask the theatre troop to “play something like the murder of my father.”

He says, the spirit he saw “may be a devil” and this theatre trick will help him to be sure of Claudius deed. Line 515.

“Must, like a whore, I unpack my heart with words / And fall a-cursing like a very drab, a Stallion!”

Hamlet finds himself a coward. True?

Scene I Guildenstern say, “…but with crafty

madness keeps aloof…” (the word crafty used this way meaning feigned)

An irony in Claudius’ dialogue near line 25. He (Claudius) encourages Hamlet to pursue his delight of plays, though it is this playing that will incriminate Claudius.

Shortly following, Claudius and Gertrude arrange the “chance meeting” with Ophelia.

Gertrude says, “I do wish / That your good beauties be the happy cause / Of Hamlet’s wildness.”

At line 45 Polonius speaks a biting truth: “We are oft to blame in this; / ‘Tis too much proved, that with devotion’s visage / And pious action do we sugar o’er / The devil himself.”

Keep this in mind when Claudius is trying to pray later in the act.

In an aside Claudius replies, “How smart a lash that speech doth give my conscience.”

In lines 50-53ish, Claudius extends a metaphor for his guilt. He basically compares a harlot (prostitute) covering her face with makeup to his covering up of evils with a falsified image.

This signifies another motif in the play of facades, or false fronts. Hamlet’s madness for example, or even Polonius’ behind the scenes meddling.

Line 55 marks the beginning of Hamlet’s most famous speech. “To be, or not to be?”

In this passage Hamlet speaks many times about “fortune”. This word continues to surface many times in the play.

Hamlet makes death seem innocuous; it is no worse than sleep: “To die, to sleep – No more – and by a sleep to say we end / The heartache and the thousand natural shocks / That flesh is heir to…”

Hamlet continues to consider suicide throughout this speech as he does the entire play.

“The insolence of office…” “The patient merit of th’ unworthy takes…” “To grunt and sweat under a weary life, /

But that the dread of something after death, / That undiscovered country from whose bourn / No traveler returns…” (Line 76)

Line 82 and following: “Thus conscience does make a coward of us

all, / And thus the native hue of resolution is sicklied o’er with the pale cast of thought, / And enterprises of great pitch and moment / With this regard their currents turn awry / And lose the name of action.”

Line 95: Hamlet denies to Ophelia that he ever loved her.

Line 110?

Line 123: “I am very proud, revengeful, ambitious, with more offenses at my beck than I have thoughts to put them in, imagination to give them shape, or time to act them in.”

Line 129: Does Hamlet realize Polonius is watching?

Hamlet to Ophelia: “…if thou wilt needs marry, marry a fool, for wise men know well enough what monsters you make of them. To a nunnery go…”

Cuckold? Reference to G’trude?

“God has given you one face and you make yourselves another.”

Ophelia calls Hamlet “Th’ observed of all observers…”

She means here that he is the “object of every courtiers attention.” It’s an irony, however, because of how many people are marking his behavior.

Claudius and Polonius decide to send Hamlet to England for a change of scenery.

Polonius, line 175: “But yet do I believe / The origin and commencement of his grief / Sprung from neglected love.”

Lines near 185: Polonius decides to meddle one last time before Hamlet goes to England. He will hide in Gertrude’s room behind the arras and listen to the conversation.

This decision ultimately kills him.

Scene II This scene is devoted to the playing of The

Mousetrap. Line 20…a prime example of meta-drama.

These lines discuss the conventions of drama and its effect, which is rather ironic, seeing as the comment is within a drama.

Page 201 The disapproval of one judicious person

outweighs the approval of many undiscriminating people.

Hamlet admires Horatio. “Give me that man / That is not passion’s

slave, and I will wear him / In my heart’s core, ay, in my heart of heart / As I do thee.”

Line 78: “It is a damned ghost” Line 88: “How fares our cousin Hamlet?” Fares here can mean to “eat”. Next line there is a pun on air/heir. Line 100: Julius Caesar allusion/joke. Hamlet begins to be profane at line 105.

At line 140 Ophelia, referring to the prologue of the play says, “Tis brief, my lord.” Hamlet responds, “ As woman’s love.” I think this could be a reference to either Gertrude or Ophelia.

Player Queen: “Where love is great, the littlest doubts are fear; / Where little fears great, great love grows there.”

As the play within a play begins, there is biting commentary of Gertrude and Claudius’ actions.

Line 172: “A second time I kill my husband dead / When second husband kisses me in bed.”

“Purpose is but the slave to memory, / Of violent birth but poor validity, / Which now, like fruit unripe, sticks on the tree…”

Above is an ironic comment on Hamlet’s behavior, an unintended consequence surely.

“Our thoughts are ours, their ends (outcomes) none of our own.”

“Your majesty and we that have free souls, it touches not.” – Hamlet, 227.

Sex joke, 235. At line 250, just after the player king is

poisoned. Line 260? Line 287… “purgation” The metaphor of the flute…line 345

At the end of scene II, Hamlet vows no violence to his mother (probably because of the ghost’s wishes), though his soul would like to.

Scene III An essential question: What is the role of

Rosencrantz and Guildenstern in the play? Rosencrantz speaks some unknowingly wise

words: “The cess of majesty / Dies not alone, but, like a gulf, doth draw / What’s near it with it.”

Line 37: passing Biblical allusion. During his soliloquy, starting at line 35, Claudius

has a moral dilemma, deciding whether or not is fitting for him to pray.

He begs the question, Why does mercy exist? He also wonders if one can be absolved of sins if

they still retain the spoils of the act. “May one be pardoned and retain the offense?”

Line 56. “There is no shuffling (evasion)” “Bow stubborn knee” – Line 70

Before going to his mother’s room, Hamlet decides to kill Claudius. However, when he gets there Claudius appears to be praying. Hamlet chooses not to kill him because he could then go to Heaven. Hamlet wants to kill him when he is doing something “bad”.

Hamlet said his father did not get absolved before his death, and therefore, neither shall Claudius.

Lines 97-98…Was Claudius unable to pray? Hamlet could have killed him!

Scene IV In his mother’s chamber, Hamlet chides his

mother. He also kills Polonius with little or no remorse. It takes Hamlet a long time to get to the point

with his mother, much like Polonius early on…Hint.

Hamlet suggests that Gertrude must have been deprived of her senses to marry Claudius after having seen Old Hamlet.

Hamlet’s diction is biting: “In the rank sweat of [a greasy] bed.” Yuck.

The ghost of Old Hamlet appears to Hamlet, yet Gertrude cannot see it.

Line 141: It is not madness that I have uttered.”

Hamlet, when he wants someone to believe him, can’t get them to because of his feigned madness throughout. BACKFIRE.

Line 152: Garden reference.

Shakespeare renounces “habit” which many authors do from time to time.

Hamlet acknowledges in the scene that he cannot trust R & G.

To end the scene, Hamlet ironically calls Polonius a “counselor”.