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1 Winter Concert WINTER CONCERT CULTURAL FUSION Sunday, February 10, 2013 • Pick-Staiger Concert Hall Mallory Thompson, conductor PROGRAM Fanfare of Wakakusa Hill (1998) ...................................................................................................................... Itaru Sakai (b. 1970) The Spring Sketches (2006) ................................................................................................................... Satoshi Yagisawa (b. 1975) Gloriosa (1990) .................................................................................................................................................. Yasuhide Ito I. Oratio (b. 1960) II. Cantus III. Dies Festus INTERMISSION Dance Mix (2000).................................................................................................................................................. Rob Smith (b. 1968) Symphonic Suite (1957)* ........................................................................................................................Clifton Williams I. Intrada (1923-1976) II. Chorale III. March IV. Ancient Dance V. Jubilee The Circus Bee March (1908)* .................................................................................................................. Henry Fillmore (1881-1956) *Performed with Lifetime of Muic students The use of cameras and recording devices during the performance is prohibited. Please turn off all cell phones and pagers. Large print programs are available on request. Please ask an usher. This program is made possible in part by a grant from the Illinois Arts Council, a state agency. Become a friend of the Northshore Concert Band! facebook.com/northshoreconcertband Follow us on Twitter: twitter.com/#!/northshoreband Links to Facebook and Twitter are also available on our website: www.northshoreband.org For information about bringing the NCB to your school or attending a concert at Pick-Staiger, please scan the QR code above.

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Transcript of NorthshoreConcertBand-WinterConcert2013_single

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WINTER CONCERTCULTURAL FUSION

Sunday, February 10, 2013 • Pick-Staiger Concert Hall

Mallory Thompson, conductorPROGRAM

Fanfare of Wakakusa Hill (1998) ......................................................................................................................Itaru Sakai(b. 1970)

The Spring Sketches (2006) ...................................................................................................................Satoshi Yagisawa(b. 1975)

Gloriosa (1990) ..................................................................................................................................................Yasuhide Ito I. Oratio (b. 1960) II. Cantus III. Dies Festus

INTERMISSIONDance Mix (2000) ..................................................................................................................................................Rob Smith

(b. 1968)

Symphonic Suite (1957)* ........................................................................................................................Clifton Williams I. Intrada (1923-1976) II. Chorale III. March IV. Ancient Dance V. Jubilee

The Circus Bee March (1908)* .................................................................................................................. Henry Fillmore(1881-1956)

*Performed with Lifetime of Muic studentsThe use of cameras and recording devices during the performance is prohibited. Please

turn off all cell phones and pagers. Large print programs are available on request. Please ask an usher.

This program is made possible in part by a grant from the Illinois Arts Council, a state agency.

Become a friend of the Northshore Concert Band!

facebook.com/northshoreconcertband

Follow us on Twitter: twitter.com/#!/northshorebandLinks to Facebook and Twitter are also available

on our website: www.northshoreband.org

For information about bringing the NCB to your school or attending a concert at Pick-Staiger, please

scan the QR code above.

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welcome

Dear Friends and Patrons:

Welcome to our annual Lifetime of Music concert!

Today we are pleased to welcome 50 Chicago area high school musicians to Pick-Staiger Concert Hall, sharing the stage with Artistic Director Mallory Thompson and Northshore Concert Band. Please join us in celebrating the talents and dreams of all young emerging artists everywhere!

As adult musicians we have been given opportunities through our lifetime to realize the benefits of quality music education and mentorship. Each year we recommit to our mission to foster music education for the next generation of talented musicians, providing a rewarding music experience as well as exposing them to the performance opportunities that await them beyond college, whether or not they choose to pursue music as a career.

Each spring, we host our annual Festival of Music in partnership with Northwestern University where over 3,500 music students and educators attend clinics and master classes led by the unrivaled musical leadership of Northwestern University’s Bienen School of Music and the dedicated membership of Northshore Concert Band.

To help support our educational initiatives, we are holding our annual silent auction today with many great items for everyone! Proceeds from our auction directly impact our program and the young participating musicians. Please consider how you can support our efforts, not only through today’s auction, but also by joining The Paynter Society, buying our CD’s, or becoming a Northshore Concert Band ambassador by inviting family, friends, and colleagues to join you at our next performance.

We are grateful for the support of area businesses who advertise in our program book. Please take a few minutes to explore their ads and support their commitment to Northshore Concert Band by patronizing their businesses and letting them know that you, too, are a supporter.

On behalf of the 100 dedicated members of Northshore Concert Band, Artistic Director Mallory Thompson, and the remarkable students sharing our stage today, thank you for sharing your afternoon with us.

Enjoy today’s performance! We look forward to greeting you again soon.

Laura StibichNCB Board Chair

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conductor and artistic d irector

Mallory ThompsonMallory Thompson is the director of bands, professor of music,

and coordinator of the conducting program at NorthwesternUniversity. In 2003 she was named a Charles Deering McCormick Professor of Teaching Excellence. As the third person in the university’s history to hold the director of bands position, Thompson conducts the Symphonic Wind Ensemble, teaches

undergraduate and graduate conducting, and administers all aspects of the band program. December 2011 marked the release of rising, her fourth compact disc with the Northwestern Symphonic Wind Ensemble on the Summit label.

Thompson received her bachelor of music education degree and master of music degree in conducting from Northwestern University, where she studied conducting with John P. Paynter and trumpet with Vincent Cichowicz. She received the doctor of musical arts degree in conducting from the Eastman School of Music, where she studied with Donald Hunsberger. Thompson maintains an active schedule as guest conductor, conducting teacher, and guest lecturer throughout the United States and Canada. She has taught conducting to hundreds of undergraduate students, graduate students, and professional educators. Thompson has served as a conductor or clinician at the College Band Directors National Association regional and national conventions, the Midwest Clinic, the Interlochen Arts Academy, numerous state music conventions, and the Aspen Music Festival. She has also appeared as guest conductor with the United States Air Force Band, United States Army Band “Pershing’s Own,” United States Army Field Band,

United States Coast Guard Band, United States Navy Band, West Point Band, Dallas Wind Symphony, and Symphony Silicon Valley. Her professional affiliations include Pi Kappa Lambda, College Band Directors National Association, and the American Bandmasters Association. Thompson first conducted the Northshore Concert Band in April 1999 and was named principal guest conductor the same season. She conducted one subscription concert each year and also appeared with the band at the 2001 Midwest Clinic.

In 2003, Thompson took on the expanded role of artistic director. The 2005–2006 season marked her first year as sole musical and artistic leader of the Northshore Concert Band, conducting the ensemble in all four subscription concerts.

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assistant conductor

Daniel J. FarrisDaniel J. Farris is in his twelfth year as director of athletic

bands at Northwestern University, where he is responsiblefor conducting the “Wildcat” Marching Band, Concert Band,and Contemporary Music Ensemble and teaching courses inmusic education and conducting. He has been the assistantconductor of the Northshore Concert Band since 2006.

Farris holds degrees in music education from James Madison University and the University of Illinois. Prior to moving to Northwestern, Farris served as assistant director of bands at Illinois State University and the University of Nevada, Las Vegas. He was also the director of the Walt Disney World Collegiate All-Star Band in Orlando, Florida, and taught in the public schools of Minnesota and Wisconsin. Bands under his direction have performed at the Macy’s Thanksgiving Day Parade; Bands of America regional and national championships; the Dublin, Ireland, St. Patrick’s Day Parade; and the Outback, Ticket City, Alamo, Motor City, and Sun bowls. Farris has been an active clinician, adjudicator, and guest conductor throughout the United States and Canada. He is a member of the National Band Association and College Band Directors National Association and an honorary member of Tau Beta Sigma/Kappa Kappa Psi.

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about us

The Northshore Concert Band (NCB) is a 100-member adult symphonic band with membership drawn from the greater Chicago metropolitan area. Founded in 1956 by the late John P. Paynter, the ensemble has become internationally known and respected for its musical excellence, membership continuity, and service to music education. Dr. Mallory Thompson, director of bands and professor of conducting at Northwestern University, is NCB’s artistic director. Thompson is in great demand as a guest conductor and clinician throughout the United States and is widely regarded as one of the leading wind conductors in the nation.

NCB performs 10 to12 concerts a year in the Chicago metropolitan area, reaching over 20,000 people. These include a four-concert series at Northwestern University’s Pick-Staiger Concert Hall, educational outreach programs at area schools, many summer concerts at the invitation of various communities and venues, and professional band festivals and conferences. Over the years, the group has worked with many renowned soloists and conductors, including Doc Severinsen, Wynton Marsalis, Frederick Fennell, Leroy Anderson, and dozens of musicians from the Chicago Symphony Orchestra, including Christopher Martin, John Bruce Yeh, Dale Clevenger, Adolph Herseth, and Mathieu Dufour.

NCB has produced eight CDs and receives playtime on Chicago’s classical music station, WFMT, among others. The band has also toured in Canada and Europe and extensively throughout the United States. NCB’s mission is deeply rooted in the concept of “community” and in encouraging involvement in music for people at all stages of life. NCB strives to be a leader in performance, educational outreach, recorded works, and new commissions, while reaffirming the heritage of bands in America. Several programs in NCB’s Lifetime of Music initiative help further the band’s educational mission. NCB co-sponsors the Northshore Concert Band/Northwestern University Festival, which annually provides 3,500 Chicago area young musicians the opportunity to perform solos and ensembles, with NCB members serving as judges and clinicians. The band also awards its John P. Paynter Scholarship to an outstanding young musician and invites dozens of talented high school students to perform with the band at the Winter Concert to help encourage young people to pursue their musical endeavors after graduation.

The ensemble’s musicians come from throughout the Chicago area, northern Indiana, and southern Wisconsin, and represent many professional backgrounds. Approximately half are professional music educators; the rest have a diverse set of occupations including business executives, attorneys, and physicians. Musicians range in age from 20 to 85, many with a tenure of two decades or more with the ensemble. All of the musicians are selected by audition and are strongly committed to volunteering their time and talents to the group.

NCB has sponsored three adult band conferences and has published a guide to organizing community bands. The guide has been used by hundreds of community bands over the past 20 years. These community band resources are available for download on our website, www.northshoreband.org.

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progr a m notes

Fanfare of Wakakusa Hill Itaru SakaiItaru Sakai was born in Osaka, Japan, on March 24, 1970. At the age of four he began

taking piano lessons, and two years later he composed his first piece for piano. Sakai played flute in his high school band and began composing for winds around the same time. In 1990 he entered the Osaka College of Music and studied composition under Hideki Chihara and Kunihiko Tanaka. He graduated at the top of his class in 1994 and received his master’s degree from the same institution in 1996. In 1997 he was chosen as staff composer for the 52nd National Sports Festival in Osaka, Japan. 

Fanfare of Wakakusa Hill was written in 1998 for the Nara Prefecture Band Association. A band consisting of selected junior high school students performed the premiere on February 7th, 1999. Wakakusa Hill is a landmark located east of downtown Nara, Japan. The large formation is named for the type of grass that is found there (“wakakusa” translates as “young grass”). Many famous temples and shrines can be found at the foot of the hill, such as the Todaiji Temple and Kasuga Shrine. 

The hill is also the scene of the Yamayaki festival, a centuries-old annual event held in January. On this occasion, the entire hill is set ablaze, and the flames eventually fill the night sky above Nara and are visible for miles. The origins of the practice are unclear, though one theory claims that burning the hillside began during boundary conflicts between Nara’s great temples. 

Despite the questionable beginnings, the festival has become a celebratory event, including fireworks and games that involve the entire community. Sakai’s Fanfare of Wakakusa Hill captures the joyful nature of the event and the pageantry that is often associated with time-honored traditions. 

The Spring Sketches Satoshi YagisawaSatoshi Yagisawa was born in the Iwate Prefecture of Japan in 1975. After receiving degrees

in composition from the Musashino Academia Musicae, he devoted two years to work in research, working with Japanese composers Kenjiro Urata, Hitoshi Tanaka and Hidehiko Hagiwara. He also studied trumpet with Takeji Sekine and band instruction with Masato Sato in an effort to better learn the idiosyncrasies of the ensemble for which he would be composing.

Today, Yagisawa is one of Japan’s most vibrant young composers. He has written for orchestra, band, chorus and chamber settings, though his pieces for band have been his most successful. He has been commissioned by the World Heritage Foundation and his works have been performed at WASBE conferences. Yagisawa participates in a wide variety of activities including guest conducting, adjudicating musical events and writing for various music magazines.

The Spring Sketches was composed in 2006 as a sequel to an earlier composition, Fanfare - Young Pheasants in the Sky. The original work was written for the Kashihara Senior High School Wind Band in celebration of the school’s thirtieth anniversary. It was Yagisawa’s hope that the piece would “help inspire students to fly into their bright futures like young pheasants” (The school mascot was the Young Pheasant!). The Spring Sketches is a more introspective piece, presenting the Fanfare theme in a lush, chorale style.

Gloriosa Yasuhide ItoIn the sixteenth century, Roman Catholic missionaries introduced Christianity to the

people of Japan. The practice of this new religion was immediately banned by the region’s leaders, but there were those who continued to practice their faith surreptitiously in underground communities. Gloriosa is inspired by the songs of one such group – the Kakure-Kirishitan (Crypto-Christians) – who lived and worshiped in Kyushu, Japan.

The Kakure-Kirishitan performed sermons with disguised songs. Melodies and texts from Gregorian chant were obliged to be Japanized; for example, the Latin word “Gloriosa” was changed to “Gururiyoza.” This adaptation of liturgy for survival led Yasuhide Ito to write this piece, to reveal and solve this unique cultural mystery.

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In explaining the work, Ito writes the following: Nagasaki district in Kyushu region continued to accept foreign culture even during the seclusion period, as Japan’s only window to the outer world. After the proscription of Christianity, the faith was preserved and handed down in secret in the Nagasaki and Shimbara areas of Kyushu region. My interest was piqued by the way in which the Latin words of Gregorian chants were gradually ‘Japanized’ during the two-hundred years of hidden practice of the Christian faith. That music forms the basis of Gloriosa.

The first movement, “Oratio,” opens with bells sounding the hymn’s initial phrases. The composer evokes the fervent prayers and suffering of the Crypto-Christians. The second movement, “Cantus,” showcases a brilliant blend of Gregorian chant and Japanese elements by opening with a solo passage for the ryuteki, a type of flute. The theme is based on the “Song of Saint John,” a 17th-century song commemorating the Great Martyrdom of Nagasaki in which a number of Kyushu Christians were killed in 1622. The third and final movement, “Dies Festus,” takes as its theme the Nagasaki folk song, “Nagasaki Bura Bura Bushi,” where many Crypto-Christians lived. Gloriosa was commissioned in 1989 and premiered in 1990 by the Sasebo Band of the Maritime Self-Defense Force of Kyushu, southern Japan.

Dance Mix Rob SmithRob Smith is currently the Associate Professor of Music Composition at the University of

Houston’s Moores School of Music. In Houston he directs the AURA Contemporary Ensemble as well as the Musiqa Chamber Ensemble. Before he received his teaching position at the University of Houston he was a faculty member of the University of Wollongong in Australia.

His compositions are performed throughout the United States and abroad. His music has received many awards including those from the Aaron Copland House, the National Band Association and the ASCAP. He has been commissioned by the Texas Music Festival Orchestra, the American Composers Forum Continental Harmony, Society for New Music, Sprung Percussion Sextet, and the New York Youth Symphony First Music Program.

Dance Mix was commissioned by the Society for New Music and the American Composers Forum, and it was premiered at an outdoor concert on Cazenovia Lake in Upstate New York. The instrumentation is similar to that of a jazz ensemble and the work contains traits of jazz and pop music, which the composer thought appropriate given the setting for the premiere. This work was used as the title music for the critically-acclaimed television documentary Continental Harmony, a behind-the-scenes look at the nation’s largest music commissioning project which “brought together strangers and neighbors for a common cause: to make music about the places they call home.”

Symphonic Suite Clifton WilliamsJames Clifton Williams was born in Traskwood, Arkansas, in 1923. He lived in a small house

near the station where his father worked as an agent for the Missouri Pacific Railroad. Like many families, the Williams suffered greatly during the economic depression of the 1930s. After weathering many hardships, including bankruptcies and divorce, the family eventually arrived in Little Rock. Williams thrived in the setting of a larger city, gaining recognition as a cartoonist, composer, and horn player while still in his teens. He joined the United States Air Force (Army Air Corps at that time) as a bandsman. After the war, he performed in dance bands and taught in public schools before moving to Rochester, New York to study composition at the Eastman School of Music. Williams quickly received national acclaim as a composer of serious music for the wind band; his use of modern instrumentation was skillful and had a great impact on the standard of wind band literature.

Symphonic Suite consists of five movements, each of which incorporates the same principal theme. In addition to this repeated and reworked material, each movement also introduces a new theme. The suite begins with an “Intrada” which suggests a solemn processional in fanfare style. The following movement, “Chorale,” is based on a melody in the first cornet written in a blues-based style. “March” is composed after a short fanfare-like motive heard at the beginning of the piece; after many repetitions, the music builds to grand

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allegro vivo peak. The “Antique Dance” features a modal melody in the flute with percussion accompaniment. Marked allegro con brio, “Jubliee” is the triumphant climactic movement of the suite with sonorous triadic harmony throughout. With a few contrasting sections, this movement develops several themes from the previous movements in an energetic and rhythmic style.

The Circus Bee March Henry FillmoreHenry Fillmore was the most flamboyant bandsman of this time, an era that stretched

across fifty years. During those years he likely wrote, arranged and edited more band music than any other musician in history. According to his biographer, Paul Bierly, Fillmore composed over 250 works and arranged over 750 others!

The Circus Bee March was a celebration of sorts for the fact that Fillmore and his father (who managed the family’s music publishing business) finally agreed that the young composer could publish his own music (even though it did not meet the elder Fillmore’s standard of being religious music). The title is that of an imaginary circus newspaper; Fillmore was poking fun at his dear friend John Klohr’s wildly popular Billboard March (written for a show business newspaper). With a lifelong interest in circuses and varied experiences touring with five different big top shows, Fillmore composed many circus-themed works. The Circus Bee March has become one of Henry Fillmore’s best known contributions to the band repertoire.

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l i fetime of music h igh school music ians

The NCB extends sincere thanks to our talented Lifetime of Music students for participating in today’s concert. We also wish to thank the students’ band directors, private music teachers, and parents/guardians for their dedication and commitment!

FLUTEHarmony Alford, MorrisMorris Community High SchoolEmma Bochner, Oak ParkOak Park-River Forest High SchoolChristy DeVol, NorridgeRidgewood High SchoolJoJo Garvey, GlenviewGlenbrook South High SchoolLora Kelley, EvanstonEvanston Township High SchoolLauryn Manoni, Elmwood ParkElmwood Park High SchoolBridget Sampson, GlenviewGlenbrook South High SchoolJulisette Velazquez, Round LakeMundelein High SchoolJean Verdaguer, AntiochAntioch Community High SchoolRachael York, Crystal LakePrairie Ridge High School

OBOEMatthew DeJong, AntiochAntioch Community High SchoolMadeline Marsan, ElmhurstYork High School

B-FLAT CLARINETMarissa Antkowiak, Lake ZurichLake Zurich High SchoolAnn Borow, WinfieldKolbe Academy Home SchoolGabriella Gervasio, Homer GlenLockport Township High SchoolRyley Horner, AntiochAntioch Community High SchoolTaylor Isberg, LibertyvilleLibertyville High SchoolAnita Mathew, SchaumburgSchaumburg High SchoolDavid Soro, Oak ParkOak Park- River Forest High SchoolDaniela Salas, LansingThornton Fractional South High School

BASS CLARINETMitzi Ochoa, MundeleinMundelein HighSchoolDanielle Shorter, ZionZion-Benton Township High School

ALTO SAXOPHONEJasmine Acosta, WadsworthZion-Benton Township High SchoolDevin Cano, Lake VillaGrant Community High SchoolGrace Cusick, Mount ProspectJohn Hersey High SchoolChristian Farrell, AntiochAntioch Community High SchoolDina Sinclair, EvanstonEvanston Township High SchoolCody Stocker, River ForestOak Park -River Forest High School

TENOR SAXOPHONEMatt Collera, Vernon HillsStevenson High School

BARITONE SAXOPHONEMarwin Noel Esguerra, Des PlainesMaine East High School

TRUMPETBenjamin Butler, EvanstonEvanston Township High SchoolMarjorie Fera, Downers GroveDowners Grove SouthRachel Holbrook, Lake ZurichLake Zurich High SchoolJessica Kouloumbas, Elmwood ParkElmwood Park High SchoolJosh Popovici, Mt. ProspectJohn Hersey High SchoolEsther Espeland, EvanstonEvanston Township High School

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HORNMary Casagrande, Arlington HeightsJohn Hersey High SchoolSarah Posner, EvanstonEvanston Township High School

TROMBONEJames Hardman, Mundeleinhome schooledJoey Lozada, Vernon HillsStevenson High SchoolErin Reifler, EvanstonEvanston Township High School

EUPHONIUMMelissa Bugner, Beach ParkZion-Benton Township High SchoolTyler Herbst, Carol Streamhome schooled

River Tuason, SchaumburgSchaumburg High SchoolDominique Watson, EvanstonEvanston Township High School

TUBAGilbert Sanchez, ElmhurstEast Leyden High SchoolAndrew Westgate, MundeleinMundelein High School

PERCUSSIONNicole Bianchi, Lake ZurichLake Zurich High SchoolSeth Burkhart, MontgomeryHart Home AcademyColleen McCoy, Aurorahome schooled

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personnel ( F I R St Y E AR oF BAn D M E M B ER S H IP In D Ic AtE D In PAR E ntH E SE S )

PICCOLOKelly McGregor, Geneva, business consultant (2002)

FLUTEJulianne Bilinski-Arvidson, Wheeling, private instructor (1991)Kathryn Cargill, Palos Heights, private instructor (1977)Angela Deligiannis, Elmhurst, music teacher (2000)Michele Gaus Ehning, Vernon Hills, attorney/private instructor (1996)Sandra Ellingsen, Buffalo Grove, private instructor (1990)Nancy Golden, Hinsdale, band director (1979)Kristen Hanna, Park Ridge, band director (2012)Tammy Lathan, Libertyville, elementary music teacher (1992)Jennifer Nelson, Chicago, private music teacher (2001)Marija Robinson, Highland Park, freelancer (1992)Amy Strong, Chicago, attorney (2006)Gail Wiercioch, Aurora, teacher (2008)

OBOE/ENGLISH HORNSarah Farster, Waukegan, band director (2009)Jacqueline Jellison-Landis, Elmhurst, private music teacher (2010)Don Kehrberg, Grayslake, retired professor of music (2010)Melaine Pohlman, Geneva, music therapist (2004)

BASSOONPam Holt, Arlington Heights, band director (2009)Maryann Loda, Arlington Heights, music teacher (1969)Steve Moline, Naperville, general music teacher K–3 (1981)Ann Motogawa, Evanston (2000)

B-FLAT CLARINETCorey Ames, Grayslake, band director (2010)Christopher Bajek, Naperville, band director (2011)Pamela Beavin, Chicago, high school Spanish teacher (2004)Traci Bowering, Skokie, band director (1991)Janet Butterfield, Evanston, band director (2001)Laurie DeVillers, Waukegan, group tour operator (1995)Alan Dubois, Chicago, fitness instructor (2003)Debbie Durham, Mundelein, associate band director (1979)Rick Gibson, Chicago, retired military musician (2012)Kelley Gossler, Chicago, music teacher (2011)Janet Jesse, Prairie View, theater coordinator (1982)Gail Kalver, Chicago, executive director of dance company (2006)Christine Kaminski, Villa Park, band director (2007)Bob Konecny, Wheeling, retired actuary (1977)Carolyn Merva Robblee, Chicago, music teacher (2010)Janet Schroeder, Glenview, retired managing editor (1961)Laura Stibich, Tinley Park, band director (1992)Rick Wadden, Wilmette, retired environmental science professor (1994)David Zyer, River Forest, venture capital investor (1990)

BASS CLARINETJori Pulver, Grayslake, private instructor (2012)Robert Yaple, Evanston, music educator (2009)

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personnel c o n t.

ALTO SAXOPHONEAnn M. Betz, Crete, band director (1978)Roland Colsen, Glenview, trader (1996)Heidi Helstad, Libertyville, music educator (2007)Carey Polacek, Chicago, music educator (2005)

TENOR SAXOPHONEPete Ross, Chicago, systems programmer (2011)

BARITONE SAXOPHONEElissa Kana, Chicago, music teacher (2012)

TRUMPETJonathan Blackburn, Evanston, finance/technology (2011)Sylvia Carlson, Chicago, admin. assistant/private instructor (2006)Patrick Dawson, Palatine, band director (2009)Scott Golinkin, Chicago, attorney (1979)Candace Horton, Prospect Heights, band director (2000)Allen Legutki, Villa Park, music education professor (2011)Erik Lillya, Chicago, attorney (1994)Terry Melbourn, Plainfield, band director (2011)Kyle Rhoades, Oak Park, band director (2010)Barry Skolnik, Highland Park, regional manager (1979)Becky VanDonslear, Elmwood Park, director of email operations (2008)

HORNBetsy Engman, Naperville, internist (1995)Peter Gotsch, Chicago, private equity investor (1987)Laura Guili, Evanston (2012)Janene Kessler, Highland Park, band director (1995)Mollie McDougall, Evanston, band and orchestra director (2005)Ryan Sedgwick, Chicago, arts administrator (2010)Laura Stone, Chicago, math teacher (2012)Hilary Strauch Logan, Evanston, instrumental music teacher (2000)Jennifer Young, Evanston, arts administrator (2007)Barbara Zeleny, Park Ridge, retired MIS manager (1969)

TROMBONEPaul Bauer, Elmhurst, university administrator (1982)Daniel DiCesare, Evanston, private instructor (2013)Ed Gadberry, Arlington Heights, software consulting manager (2010)Greg Glover, Lake Barrington, systems architect (1989)Brad Say, Mundelein, music educator (1999)Joseph Schorer, Northbrook, attorney (2012)Todd Smith, Des Plaines, band director (2007)Andy Sturgeon, Chicago, band director (2009)Matt Taylor, Grayslake, band director (2007)

EUPHONIUMKendra Gohr, Elmhurst, private instructor (2005)Bruce Nelson, Chicago, project manager (2001)Scott Oliver, Downers Grove, band director (2010)

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TUBAKevin Baldwin, Chicago, mechanical engineer (2007)John Harshey, Mundelein, band director (1987)Peter Lograsso, Westchester, orchestra director (1989)Rodney Owens, Lake Forest, band director (1987)Eric Weisseg, Chicago, network administrator (2008)

PERCUSSIONDeborah Hawes, Northfield, retired physician (1966)Derek Inksetter, Oak Park, software developer (2004)Richard Lehman, Chicago, band director (2005)Mike Moehlmann, Barrington, jazz & percussion director (2011)Chris Rasmussen, Chicago, attorney (2006)Bill Seliger, Chicago, supply chain manager (2004)

MEMBER EMERITUSCharles Hawes, Northfield, retired instrumental music teacher (1965)Nancy Hinners, Evanston, music educator (1964)Edward Kahn, Highland Park, retired attorney (1983)Gilbert Krulee, Evanston, retired psychology professor (1966)Gordon A. Long, Prairie Grove, consultant-land development (1985)Beatrice Mattenson, Deerfield, retired music teacher (1983)Dennis Montgomery, Prescott, AZ, brass instructor (1972)Herb Schneiderman, Highland Park, retired (1964)David Shaw, Wilmette, brass teacher (1965)

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2012–2013 Board of Directors and StaffLaura Stibich, chairDavid Zyer, vice chairDr. Mallory Thompson, artistic directorDaniel J. Farris, assistant conductorDr. Paul Bauer, development directorCheryle Dobnikar,general managerTodd Smith, personnel directorKendra Gohr, librarian and Festival managerScott Golinkin, secretaryDeborah Hawes, treasurerAnn Motogawa, marketing/PR directorJulie Wolf, marketing/PR managerMarija Robinson, administrative assistant

Members-at-largeKathryn CargillNancy GoldenKelley GosslerGail KalverDon KehrbergAlan LegutkiRyan SedgwickRobert YapleJennifer Young

NCB Advisory BoardJohn AndersonKim CampbellRay CramerBernard DobroskiCarl GrapentineJohn HultmanKelly JociusDale LonisChristopher MartinSteve SandersMark MoretteMarietta Paynter

NCB Auxiliary BoardDon Kehrberg, ChairHeather BehlesDenise BolmanRalph DurhamMary FriedliebBen FarsterCorinne KehrbergMarietta PaynterHerb SchneidermanJoe SchroederDavid Shaw

Mary ShawDorothy Silver

In Remembrance(Active members of the band andAuxiliary who have passed away)Paul BolmanBarbara BuehlmanJohn ChristieBill DitzlerKurt FriedemannSusan HirschfieldErnie KettnichJack MarksGordon McLeanSteve NedzelMargaret Neuhaus (Peggy)John P. PaynterGeorge PeichlO. DeLap PremoCarol ScattergoodVictor W. ZajecHenry ZazraElizabeth Zyer (Betty)

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2012-2013 paYnter societ Y contr ibutors

THE PAYNTER SOCIETY is the society of donors making gifts of $500 or more to the Northshore Concert Band’s annual funds. Paynter Society donors ensure the future of the Northshore Concert Band and its continued ability to bring the finest in wind band music to the Chicago area and beyond, through high quality performances, educational programs, commissions, and leadership to other community bands. For more information about the Paynter Society and the benefits offered to members, please call Julie Wolf at 847-432-2263.

Sustaining Members($5000 +)AnonymousArts Work FundIllinois Arts CouncilJohn P. PaynterFoundationMarietta M. Paynter in memory of John P. PaynterGeorge & Arlene RuschMemorial FoundationThe Farny R. WurlitzerFoundationDavid and Connie Zyerin memory of Betty andBen Zyer

Advocate($1,000–4,999)AT&T United Way/EmployeeGiving CampaignJohn L. and Megan P.Andersonin memory of John P. PaynterAileen S. AndrewFoundationAnn M. BetzEllen and Moshe Gelboimin honor of Mollie McDougall

Scott G. GolinkinJeffrey & Jayne GrieseCharles and DeborahHawesErik Lillya and SarahLaytonNSCB FoundationNorm & Pat GatesHerb SchneidermanMary and David Shawin memory of Neil ShawJohn and Laura StibichHoward L. WillettFoundation, Inc.in honor of thecontrabass clarinetsectionBecky VanDonslearBarbara Zeleny

Benefactor ($500–999)AnonymousAnonymousremembering CarolRichard S. Bairin memory of Carol W.ScattergoodDenise Bolmanin memory of PaulBolmanMildred Calhoun &

Joseph SchorerJames and Dianne CerialeBernie and SallyDobroskiAlan DuboisDebbie and RalphDurhamGreg GloverBill & Nancy GoldenJohn and WilmaHultmanKirkland and Ellis FoundationBob KonecnyC. LesnyApril and DennisMontgomeryMichael and Karen Nedzelin memory of Steve NedzelBruce & Jennifer NelsonBruce and Bonita PaynterSylvia and Robert Scher Charitable Foundationin honor of Mollie McDougallJoseph and JanetSchroederin memory of John P.PaynterRichard Wadden andAngela TrabertSally Ward

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2012-2013 season contr ibutors

Many thanks to our contributors; the Northshore Concert Band continues to flourish because of their kindness and generosity.

Associate ($250–499)Anonymousremembering CarolKathryn and GregoryCargillLaurie DeVillersMary FriedliebJohn & Angela GrahamKarel HusaLee & Janene KesslerDawn & Stanley Shellremembering CarolMary Kay and WilliamWalshBonnie & W. DanielWefler

Patron ($100–249)AnonymousJames and Mary-LouiseAagaardChristine & Paul Bauer

Helen Billings,in honor of BarbaraZelenyMary Bilinskiin memory of DonArvidson & EdwardBilinskiJonathan & AnnaBlackburnBetty and Bill BoydJanet Butterfield andPeter JablakowRoland ColsenChad CrawBruce CurrieMary DesJardinsin honor of Christine KaminskiJennifer Giese DonathBetsy & Paul EngmanAnn EvansKim and Michael FathErin Foster and

Christopher BeckerHarold and Betty GohlEnid J. Golinkinin honor of ScottGolinkinJohn & Susan HarsheyPeter and Mary HerrCandace HortonMary Ann HurleyJim and Pat Jociusin memory of BarbaraBuehlmanMr. and Mrs. Edward J.KahnChristine and IanKaminskiPhil & Elizabeth KanaDon and CorinneKehrbergGilbert and CarolynKruleeRose Matousek

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2012-2013 season contr ibutors c o n t.

David & Carolyn MayHarvey Millmanin memory of Joyce MillmanChristopher & Ann MotogawaJane MuellerBruce A. and Helen D.Nelsonin honor of Bruce &Jennifer NelsonGeorge Quinlan, Jr.Chris Rasmussen andAmy StrongNancy ReiserMilton & Shirley SabinSteve SandersLynn ScherfEllen SchollyBeth and Barry SkolnikMallory Thompsonin honor of Dr. EngmanRichard & Nancy WilsonMarilea Zajecin honor of Victor Zajec

Contributor ($50–99)Anonymousin memory of SteveNedzelPeter and Sarma Allein honor of JohnHarsheyPhyllis AlpernBruce BrineyKaren CaseboltSheri ConoverJohn CroftFlorian & Marie Dynek

Robert EvansBette Ward GainesJane and Richard GeorgeEllen and Jeff GluskinDiane & Will GreggDonald & ConstanceHeardWerner and EllenHeimannJanet and William JesseJanet KaminskiBob KaminskiJeannette Konecnyin honor of Joseph KonecnyBarbara KremlLynda & Roger La RausMaryann & Joseph LodaSandra Markowitzin memory of DorothySpriesterDorothy MaynardDr. and Mrs. FrancisNeuhausin memory of Margaret“Peggy” NeuhausThomas C. ParrishLaura PryzbyJoyce Riegelin memory of Ben andBetty ZyerNancy and Peter RollElysian and ElizabethSchiavittiin honor of Nancy GoldenAl Spriesterin memory of DorothySpriesterGloria Stepak

Dorothy StueckemannElizabeth RobinsonTurnerin honor of Ian, Marija,and Jacob RobinsonJohn and Ruth TuzsonEdwin SchmidtHarry and Louise SimonMary Lou SkoglundPat & Jack SturgeonLauren WilkieGordon & Frieda Wilson

Friend ($1–49)George S AugustasAnonymousBob BilhornJudith DismanJane & Dick GeorgeMaxine Goursein honor of all bass clarinet playersErnst & Roslyne HeimannTom and Linda KellerStanley Shell Jr.

This list reflects gifts as of January 11, 1013. We also extend our appreciation to 2011-2012 contributions too numerous to mention in this program. Every effort has been made to list names accurately, Please call 847-432-2263 to bring errors or omissions to our attention.

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sponsors

The following companies and individuals have made contributions in support of our 2012-2013 season:

Platinum Level Advertisers:Alphonsus Academy & Center for the ArtsChristopher Burke EngineeringTGI Friday’sDeborah and Charles HawesDana HoferHorn StashNCB BoardNCB ClarinetsNCB Percussion NCB SaxophonesNCB TrumpetsNCB Tubas/Meier’s TavernNCB FlutesPrescott Jazz SummitPaynter FoundationQuinlan & Fabish

Silver level:Lapin Systems, Inc. Macintosh computers fixed fast! In/Out of warrantyCarry-In or On-Site832 Dempster St, Evanston, IL847-328-9945www.lapin.com

NCB Bassoons and OboesOur 57th season is something to crow about!

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