Northshore Concert Band-Fall Program

1North Central Concert Band

FALL PROGRAM

Sunday, November 7, 20103:00 P.M.

Pick-Staiger Concert Hall

Mallory Thompson, conductorBARBARA BUTLER trumpetCHARLES GEYER trumpet

PROGRAM

First Suite in Eb ............................................................................................................. Gustav Holst (1874 – 1934)

I. Chaconne (ed. Colin Matthews) II. Intermezzo III. March

Carmen Fantasia for Two Solo Trumpets .......................................................... Georges Bizet(1838 – 1875)

Barbara Butler and Charles Geyer, trumpet (arr. Donald Hunsberger)

INTERMISSION

With the Northwestern University Symphonic Wind EnsembleInvestiture Antiphonal Fanfares for Three Brass Choirs .....................................Arthur Bliss

(1891 – 1975)(adapted for Brass Band by Roy Newsome)

O Magnum Mysterium .................................................................................. Morten Lauridsen(b. 1943)

(arr. Reynolds)

Dionysiaques ..........................................................................................................Florent Schmitt (1870 – 1958)

The use of cameras and recording devices during the performance is prohibited. Please turn off all cell phones and pagers. Large print programs

are available on request. Please ask an usher.

This program is made possible in part bya grant from the Illinois Arts Council, a state agency.

2 North Central Concert Band

CONDUCTOR

Dr. Mallory Thompson

Conductor/Artistic Director of the Northshore Concert BandDr. Mallory Thompson is director of bands, professor of music, and coordinator of the conducting program at Northwestern University. In 2003 she was named a Charles Deering McCormick Professor of Teaching Excellence. As the third person in the university’s history to hold the director

of bands position, she conducts the Symphonic Wind Ensemble, teaches undergraduate and graduate conducting, and administers all aspects of the band program. Prior to this appointment, Thompson held similar positions at the University of Cincinnati College-Conservatory of Music, University of South Florida, Oberlin Conservatory, and Bucknell University. She has released recordings with the University of Cincinnati Wind Symphony and the Northwestern University Symphonic Wind Ensemble.

Thompson received a Bachelor of Music Education degree and Master of Music degree in conducting from Northwestern University, where she studied conducting with John P. Paynter and trumpet with Vincent Cichowicz. She received a Doctor of Musical Arts degree in conducting from the Eastman School of Music, where she studied with Donald Hunsberger. Thompson maintains an active schedule as guest conductor, clinician, and guest lecturer throughout the United States and Canada. She has appeared as a conductor or clinician at College Band Directors National Association regional and national conventions, the Midwest Clinic, the Interlochen Arts Academy, and the Aspen Music Festival, and she has conducted the United States Army Field Band, the United States Air Force Band, the Dallas Wind Symphony, the Symphony Silicon Valley, and the United States Navy Band. Her professional affiliations include Pi Kappa Lambda, the Music Educators National Conference, the College Band Directors Association, the American Bandmasters Association, and the Board of Directors of the Midwest Clinic.

Thompson first conducted the Northshore Concert Band in April 1999 and was named principal guest conductor the same season. She conducted one subscription concert each year and also appeared with the band at the 2001 Midwest Clinic. In 2003, Thompson took on the expanded role of Artistic Director. The 2005–2006 season marked her first year as sole musical and artistic leader of the Northshore Concert Band, conducting the ensemble in all four subscription concerts.

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ASSISTANT CONDUCTOR

Daniel J. Farris

Dan Farris is Director of Athletic Bands and Conductor of the “Wildcat” Marching Band and Concert Band at Northwestern University. He teaches courses in conducting and marching band techniques, and was former Assistant Director of Bands and Marching Band Director at Illinois State University and University of Nevada, Las Vegas. Farris also is a former director

and consultant, Walt Disney World Collegiate All-Star Band, and a member of the College Band Director National Association, National Band Association, and International Association of Jazz Educators.

GUEST ARTISTS

Barbara Butler and Charles Geyer, trumpet

Barbara Butler has appeared as a soloist with Mu-sic of the Baroque, Chicago Chamber Musicians, and Grand Teton Music Festival Orchestra. She is a former member of the Eastman Brass, Eastman Virtuosi, and Vancouver and Grant Park Sym-phony Orchestras, and has had recordings and broadcasts with St. Louis, Chicago, and Houston

Symphony Orchestras and New York Philharmonic. She studied with Vincent Cichowicz and Adolph Herseth, and is currently professor of trumpet at Northwestern University.

Charles Geyer is Co-chair, Department of Music Performance at Northwestern Univer-sity. He has performed as a soloist with Music of the Baroque, Chicago Chamber Musi-cians, and Grand Teton Music Festival. He is a former member of the Eastman Brass, Eastman Virtuosi, Chicago Brass Quintet, and Chicago Symphony, Grant Park Sympho-ny, Houston Symphony, and Lyric Opera of Chicago Orchestras, and has had record-ings and international broadcasts with Chicago and Houston Symphony Orchestras as well as Eastman Brass, Music of the Baroque, and Chicago Chamber Musicians. Geyer studied with Herbert Stoskopf, Adolph Herseth, and Vincent Cichowicz.

The extraordinary trumpet duo of Barbara Butler and Charles Geyer debuted at the Grant Park Music Festival with Leonard Slatkin in the 70’s and continue to delight audiences today with their dazzling artistry.


ABOUT US

The Northshore Concert Band (NCB) is a 110-member adult symphonic band with membership drawn from the greater Chicago metropolitan area. Founded in 1956 by the late John P. Paynter, the ensemble has become internationally known and respected for its musical excellence, membership continuity, and service to music education. Dr. Mallory Thompson, director of bands and professor of conducting at Northwestern University, is NCB’s artistic director. Thompson is in great demand as a guest conductor and clinician throughout the United States and is widely regarded as one of the leading wind conductors in the nation.

NCB performs 10 to12 concerts a year in the Chicago metropolitan area, reaching over 20,000 people. These include a four-concert series at Northwestern University’s Pick-Staiger Concert Hall, educational outreach programs at area schools, many summer concerts at the invitation of various communities and venues, and professional band festivals and conferences. Over the years, the group has worked with many renowned soloists and conductors, including Doc Severinsen, Wynton Marsalis, Frederick Fennell, Leroy Anderson, and dozens of musicians from the Chicago Symphony Orchestra, including Christopher Martin, John Bruce Yeh, Dale Clevenger, Adolph Herseth, and Mathieu Dufour. NCB has produced eight CDs and receives playtime on Chicago’s classical music station, WFMT, among others. The band has also toured in Canada and Europe and extensively throughout the United States.

NCB’s mission is deeply rooted in the concept of “community” and in encouraging involvement in music for people at all stages of life. NCB strives to be a leader in performance, educational outreach, recorded works, and new commissions, while reaffirming the heritage of bands in America. Several programs in NCB’s Lifetime of Music initiative help further the band’s educational mission. NCB co-sponsors the Northshore Concert Band/Northwestern University Festival, which annually provides 4,000 Chicago area young musicians the opportunity to perform solos and ensembles, with NCB members serving as judges and clinicians. The band also awards its John P. Paynter Scholarship to an outstanding young musician and invites dozens of talented high school students to perform with the band at the Winter Concert to help encourage young people to pursue their musical endeavors after graduation.

The ensemble’s musicians come from throughout the Chicago area, northern Indiana, and southern Wisconsin, and represent many professional backgrounds. Approximately half are professional music educators; the rest have a diverse set of occupations including business executives, attorneys, and physicians. Musicians range in age from 20 to 85, many with a tenure of two decades or more with the ensemble. All of the musicians are selected by audition and are strongly committed to volunteering their time and talents to the group.

NCB has sponsored three adult band conferences and has published a guide to organizing community bands. The guide has been used by hundreds of community bands over the past 20 years. These community band resources are available for download on our website, www.northshoreband.org.


PROGR A M NOTES

First Suite in Eb - Gustav Holst (1874-1934) (ed. Colin Matthews)

English composer Gustav Holst descended from four generations of musicians. Attending the Royal College of Music on a shoestring, he played trombone during holidays at seaside resorts to survive. He later played with the Royal Scottish National Orchestra, as well as with other less notable ensembles. Frustrated by not having enough time to compose, he turned to teaching, and in 1905 was appointed head of music at St Paul’s Girls’ School, where he was to remain until the end of his life. The First Suite in Eb for Military Band was composed in 1909, but not publicly premiered until 1920. The featured ensemble was the 165-member Royal Military School of Music Band. The suite itself is in three separate movements - “Chaconne”, “Intermezzo”, and “March”. The thematic material of each of the movements is derived from the opening measures of the “Chaconne.” Through the fifteen variations of the first movement, Holst uses a baroque musical form which turned out to be entirely adaptable and appropriate to wind band instrumentation. Imogen Holst has commented that her father’s interest in the music of Purcell at that time may have been the deciding factor in his decision to use this type of formal structure. She also noted, in a review of her father’s music, “It must have been a startling change (for a military ensemble) from the usual operatic selections, and there were bandsmen who long recalled the excitement of the first rehearsal in 1909. In spite of its original approach, the Suite never breaks away from the essential traditions of the band, and the March is the sort of music that is beloved of bombardons (tubas) and euphoniums. It was not for nothing that Holst had played trombone on the pier in his student days: when he opens out into an inevitable meno mosso, it is with the assurance of an experienced bandsman who knows exactly what the other players are going to enjoy.”

We will be honoring Holst’s specification on his original manuscript, “As each movement is founded on the same phrase it is requested that the Suite shall be played straight through without a break.”

Carmen Fantasia for Two Solo Trumpets - Georges Bizet (1838-1875) (arr. Donald Hunsberger)

Georges Bizet‘s mother was a pianist, and his father taught voice and composed. Bizet’s musical gifts were evident early on, and he entered the Paris Conservatoire at age nine. During his nine years there, he rapidly developed as pianist and composer, and also developed a knack for arranging other composers’ works. After his conservatory years Bizet was thrust into the routine that was to be his for the remainder of his life: the eternal quest for opera engagements, courting directors, patrons and singers, offering compositions to reluctant publishers, organizing and conducting occasional concerts, working as a rehearsal pianist and accompanist, and making transcriptions and arrangements of other composers’ works for money. Although his own compositions achieved no great financial success, among his peers he was recognized as the most notable of the younger generation of French composers. Bizet wrote Carmen relatively quickly, arranged the piano score, and played the piano for a rehearsal period which was prolonged and difficult. There were objections from both the orchestra, who found Bizet’s forthright style of scoring beyond their reach, and the chorus, who were expected to act convincingly as individuals rather than respond in unison as a group. Despite the outraged response of many of the audience and the generally hostile response of the press at the first performance (March 3, 1875), Carmen ran for a respectable 48 performances.


PROGR A M NOTES (c o n t.)

However, Bizet was depressed by the uncomprehending and ignorant tone of many of the reviews, and tragically did not live to appreciate his success. Rarely in robust health, he died at 36 from a heart attack a few hours after the 33rd performance. Arranged by Donald Hunsberger for the trumpet duo of Barbara Butler and Charles Geyer, this Fantasia calls for the soloists to play trumpet, flugelhorn and piccolo trumpet. Donald Hunsberger (b. 1932) is conductor emeritus of the Eastman Wind Ensemble, having served as its music director from 1965 to 2002. He also holds the title Professor Emeritus of Conducting and Ensembles at Eastman School of Music, where he served for many years as chair of the conducting and ensembles department.

Investiture Antiphonal Fanfares for Three Brass Choirs - Arthur Bliss (1891-1975)

The son of an English mother and an American father, Arthur Bliss was educated at Rugby and Cambridge, and spent a year at the Royal College of Music. He served throughout World War I, and the devastation of the war led him to write the choral symphony, Morning Heroes (1931), as a tribute to those who died (including his older brother). Bliss was a prolific and versatile composer and he wrote over 140 works for every combination of voice and instrument, including large scale orchestral and choral works, music for brass bands, chamber instrumental music, songs, operas, ballets and film music. During World War II he served as director of music for the BBC. Following his knighthood in 1950 he was appointed Master of the Queen’s Musick. In this capacity he wrote numerous works and fanfares for royal occasions. At 77 he composed the Fanfares for the Investiture of Charles as

To Another GreatBand Season

from theNCB Auxiliary!

Board Members:

Denise Bolman

Ralph Durham

Kim Fath

Mary Friedlieb

Marietta Paynter

Joe Schroeder

Mary Shaw

Dorothy Silver

Herb Schneiderman



Prince of Wales (1969). Arthur Bliss was a familiar and central figure on the English musical scene for over 50 years, continuing to compose up until his death at the age of 83. His music, in an idiom much affected by earlier Romantic composers, typically reflected his warm and outgoing personality.

O Magnum Mysterium - Morten Lauridsen (b. 1943) (arr. H. Robert Reynolds)

Music by Morten Lauridsen occupies a permanent place in the standard vocal repertoire of the twentieth century. A native of the Pacific Northwest, Lauridsen came from a musical background, playing piano and brass instruments. But didn’t decide to become a musician and composer until spending ten weeks in a Forest Service lookout tower by Mt. St. Helens, where “...I did a lot of self-examination ... and decided that I really belonged in music.” This decision led to several advanced degrees, a post in the University of Southern California’s Thornton School of Music as professor of composition for more than thirty years, chair of the composition department from 1990-2002, appointment as composer-in-residence of the Los Angeles Master Chorale from 1994-2001, and in 2007, award of the National Medal of Arts from the President in a White House ceremony, “for his composition of radiant choral works combining musical beauty, power and spiritual depth that have thrilled audiences worldwide.” O Magnum Mysterium was the first piece he wrote for the Los Angeles Chorale, and since its premier in 1994 it has had thousands of performances throughout the world and dozens of recordings. In the composer’s words, “For centuries, composers have been



inspired by the beautiful Latin text for the Christmas Day matins responsory, “O Magnum Mysterium,” depicting the birth of the newborn King amongst the lowly animals and shepherds. This affirmation of God’s grace to the meek and the adoration of the Blessed Virgin are celebrated in my setting through a quiet song of profound inner joy.”

“O great mystery and wondrous sacrament, that animals should see the new-born Lord lying in their manger!

Blessed is the Virgin whose womb was worthy to bear the Lord Jesus Christ. Alleluia!

(O magnum mysterium, et admirabile sacramentum, ut animalia viderent Dominum natum, jacentem in praesepio!

Beata Virgo, cujus viscera meruerunt portare Dominum Christum. Alleluia!)”

H. Robert Reynolds has adapted this work for symphonic winds.

Dionysiaques, Op. 62 - Florent Schmitt (1870-1958)

Florent Schmitt’s parents loved music and encouraged him in a musical career. At the Paris Conservatoire he studied under Fauré and Massenet, became a life-long friend of Ravel, met Debussy, and was often seen in “interminable discussions” with Satie. Almost from the beginning he favored exotic

I wanted an electric train for Christmas but I got a saxophone instead

- Clarence Clemons

The Northshore Concert Band Saxophone SectionAnn Betz • Heidi Helstad • Carey Polacek • Roland Colsen • Murray Fisher • Steve Nedzel



settings, lush orchestrations, and extreme colors in his musical works, perhaps inspired by his love of travel. Prior to 1920, Schmitt was considered to be in the front rank of “advanced”, non-conformist French musical composers. Although his music was idiosyncratic enough at the time to earn him the admiring sobriquet “The Wild Boar of the Vosges” from younger composers, he soon became an accepted and recognized member of the French musical establishment. When not composing or teaching privately, he served on the faculty of the Lyons Conservatory, and later as the influential music critic of Le Temps (1929-39), at the time the most influential newspaper in France. During these years, sarcasm, irony and penchant for wit punctuated his regular reviews, and Schmitt was also prone to create scandal at live concerts by shouting controversial jibes from the loges. A prolific composer for orchestra, chorus, piano, and various chamber ensembles, his music fell out of favor after World War II, although Schmitt continued to compose into his 80’s. A massive work for wind and percussion, Dionysiaques, was composed in 1913 for instrumentation modeled after that of the substantial forces of the Band of the Garde Républicaine, one of the most famous bands of Europe. This ensemble ultimately premiered the work, but not until 1925. The title Dionysiaques is drawn from the orgiastic and dramatic festivals held in honor of Dionysius, the god of fertility, wine, and drama; the piece is a virtuosic showcase for the symphonic band.


PERSONNEL

(number in parentheses indicates first year of band service)

PiccoloKelly McGregor, Chicago, Business Consultant (2002)

FluteJulianne Bilinski-Arvidson, Wheeling, Private Flute Instr./Home Specialist (1991) Kathryn Cargill, Palos Heights, Private Lesson Instructor (1978) Angela Deligiannis, Elmhurst, Instrumental Music Teacher (2000) Michele Gaus Ehning, Vernon Hills, Attorney/Private flute teacher (1996) Sandra Ellingsen, Buffalo Grove, Band Director (1990) Nancy Golden, Hinsdale, Band Director (1979) Gail Grana, Woodridge, English Teacher (2008) Melanie Mathew, Oswego, Flute Teacher (2000) Jennifer Nelson, Chicago, Private Music Teacher (2001) Marija Robinson, Highland Park, Real Estate (1992) Amy Strong, Chicago, Attorney (2006)

Oboe/English HornSarah Cowan, Ingleside, Beginning Band Teacher (2009)Jacqueline Jellison-Landis, Private Music Teacher (2010) Melaine Pohlman, Geneva, Music Therapist (2004)

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Marietta Paynter president 1437 Hollywood Ave., Glenview, IL 60025

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PERSONNEL (c o n t.)

BassoonPam Holt, Mt. Prospect, Band Director (2009)Maryann Loda, Arlington Heights, Music Teacher (1969)Steve Moline, Naperville, General Music Teacher K-3 (1981)Ann Motogawa, Evanston, Training Manager (2000)Meghan Bautista, Chicago, Operations Manager (2008)

E-flat ClarinetCarolyn Merva Robblee, Chicago, Music Teacher (2010)

B-flat ClarinetPamela Beavin, Chicago, H. S. Spanish Teacher (2004)Traci Bowering, Skokie, Band Director (1991)Janet Butterfield, Evanston, Band Director (2001)Laurie DeVillers, Oshkosh, WI, Group Tour Operator (1995)Alan Dubois, Chicago, Fitness Instructor (2003)Debbie Durham, Mundelein, Associate Band Director (1979)Gary Erickson, Wilmette, Engineering Manager (1975)Janet Jesse, Prairie View (1982)Jenna Kaferly, Chicago, Development Assistant (2010)Gail Kalver, Chicago, Executive Director, River North Chicago Dance (2006)Christine Kaminski, Villa Park, Elementary Band Teacher (2006)Kenneth Kelly, Clarendon Hills, Electrical Engineer (2000)Lee Kessler, Highland Park, Copywriter (1994)Bob Konecny, Wheeling, Retired Actuary (1977)Janet Schroeder, Glenview, Managing Editor, Retired (1961)Laura Stibich, Tinley Park, Band Director (1992)Rick Wadden, Wilmette, Retired Environmental Science Prof. (1994)David Zyer, River Forest, Investment Bank Management (1991)

Bass ClarinetCarol Fisher, Morton Grove, Educational Consultant (1974)Susan Vaughn Grooters, Winnetka, Epidemiologist (2009)Robert Yaple, Evanston, Music Educator (2009)

E-flat Contrabass ClarinetCorey Ames, Band Director (2010)

Alto SaxophoneAnn M. Betz, Crete, Band Director (1978)Roland Colsen, Glenview, Trader (1996)Heidi Helstad, Chicago, Music Teacher (2006)Carey Polacek, Chicago, Music Teacher (2005)

Tenor SaxophoneSteve Nedzel, Chicago, Band Director (2010)

Baritone SaxophoneMurray Fisher, Morton Grove, Adjunct Professor, Educational Consultant (1969)

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TrumpetKyle Berens, Lindenhurst, Music Educator (2008)Jared Brame, Northbrook, Financial Systems Analyst (2009)Sylvia Carlson, Chicago, Admin Assis-tant/Private Music Teacher (2006)Patrick Dawson, Chicago, Band Director (2009)Scott Golinkin, Chicago, Attorney (1979)Candace Horton, Prospect Heights, Band Director (2000)Stanton Kramer, Skokie, Photographer (2006)Erik Lillya, Chicago, Attorney (1994)Dennis Montgomery, Barrington, Pri-vate Brass Instructor (1972)Fred Powell, Elkhart, IN, Musician & Brass Instrument Designer (2007)Kyle Rhoades, Riverside, Band Director (2010)Barry Skolnik, Highland Park, Regional Service Assurance Manager (1979)Don Stinson, Elk Grove Village, Band and Choir Director (2007)Becky VanDonslear, Elmwood Park, Director, Email Operations (2008)

French HornBetsy Engman, Naperville, Internist (1995)Erin Foster, Chicago, Research Analyst (2000)Peter Gotsch, Chicago, Private Equity Investor (1987)Janene Kessler, Highland Park, Band Director (1995)Mollie McDougall, Chicago, Band and Orchestra Director (2005)Kelly Jo Schultz-Blanchard, Greenfield,WI, Music Educator (2008)Ryan Sedgwick, Chicago, Arts Fund-raiser (2010)Hilary Strauch Logan, Evanston, Instrumental Music Teacher (2000)Jennifer Young, Evanston, Program Coordinator, Midwest Clinic (2007)Barbara Zeleny, Park Ridge, Investor (1969)

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TromboneNick Atchley, Arlington Heights, Band Director (2005)Paul Bauer, Elmhurst, University Administrator (1982)John Christie, Skokie, Retired Band Director (1979)Ed Gadberry, Arlington Heights, Software Consulting Manager (2010)Greg Glover, Mount Prospect, IT Technical Architect (1989)Brian Russell, Peoria, Private Instructor (2000)Brad Say, Mundelein, Band Director (1999)Todd Smith, Niles, Band Director (2007)Andy Sturgeon, Chicago, Band Director (2009)Matt Taylor, Grayslake, Band Director (2007)

EuphoniumKatie Aucremann, Glen Ellyn, Private Lesson Teacher (2005)Kendra Gohr, Elmhurst, Private Teacher (2005)Bruce Nelson, Chicago, Project Manager (2001)

TubaKevin Baldwin, Chicago, Mechanical Engineer (2007)John Harshey, Mundelein, Band Director (1987)Peter Lograsso, Westchester, Orchestra Director (1989)Rodney Owens, Lake Forest, Band Director (1987)Eric Weisseg, Chicago, Technology Specialist (2008)

PercussionDeborah Hawes, Glenview, Physician, Retired (1966)Derek Inksetter, Oak Park, Software Developer (2004)Matthew Janus, Chicago, Band Director (2009)Richard Lehman, Chicago, Band Director (2005)George Machay, Hinsdale, Percussion Instructor/NCB General Manager (2001)Chris Rasmussen, Chicago, Attorney (2006)Bill Seliger, Chicago, Supply Chain Manager (2004)

Member EmeritusGilbert Krulee, Evanston, Retired Psychology Professor (1966)Gordon A. Long, Prairie Grove, Consultant-Land Development (1985)Beatrice Mattenson, Deerfield, Retired Music Teacher (1983)Herb Schneiderman, Highland Park, Retired (1964)David Shaw, Wilmette, Brass Teacher (1965)

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NORTHWESTERN UNIVERS IT Y SYMPHONIC WIND ENSEMBLE

NCB Auxiliary BoardDenise Bolman, chairRalph DurhamMary FriedliebMarietta PaynterHerb SchneidermanJoe SchroederDavid Shaw Mary ShawDorothy Silver

2010–2011 Board of Directors and StaffLaura Stibich, chairDennis Montgomery, vice-chairDr. Mallory Thompson, artistic directorGeorge Machay, business managerDr. Paul Bauer, development directorDebbie Durham, personnel director

Greg Glover, secretaryDeborah Hawes, treasurerAnn Motogawa, marketing/PR directorKatie Aucremann, librarianJulie Wolf, marketing and development manager

Members-at-largeMeghan BautistaTraci BoweringKathryn CargillAngela DeligiannisNancy GoldenGail KalverRyan SedgwickBill SeligerJennifer YoungDavid Zyer

Mallory Thompson, conductor

FluteMegan CrognaleAzusa InabaSheri MunenoHillary TidmanAnaliese Trimber

OboeMia LundgrenJonathan ThompsonBailey Vazquez

ClarinetBen AdlerMark AndersonJosh BrintnellLauren CookAndy HudsonAndy JacobiEmber MillerSam RothsteinKyle YeckeLauren Zacharias

BassoonAdam BeytDana JacksonNick NelsonAmanda Swain

SaxophoneDan ArkfeldLauren HaleyPatrick MartinElizabeth RidsdelDoug Schneider

HornEmily BarthDaniel MyersJosh PaulusKathryn PetraruloJohn Shawger

TrumpetMatt BakerAnthony DiMauroKris HammondKyle KremerKevin MarchukAaron MessingZack ThomasKyle UptonSteve WoomertTromboneWilliam BakerDavid BinderDaniel DeVereDaniel Lawlor

EuphoniumDarren JohnsonEvan KelsickKen Sasamura

TubaWayne AdamsTiffany BaylyRaul Escobedo

PercussionJordan ArnoldDylan FrankStephen HallBernadette ManaloMatthew MorrowAlex MunroeEric PetersonAlex Wier

Double BassBrendan Fitzgerald

HarpSheila Kredit

Piano/CelesteRachel Kerr

AND THE BEAT GOES ON

The Northshore Concert Band Percussion Section

Tradition Innovation Precision

Music for Your Life

The Northshore Concert BandBoard of Directors


2010 – 2011 PAYNTER SOCIET Y CONTR IBUTORS

THE PAYNTER SOCIETY is the society of donors making gifts of $500 or more to the Northshore Concert Band’s annual funds. Paynter Society donors ensure the future of the Northshore Concert Band and its continued ability to bring the finest in wind band music to the Chicago area and beyond, through high-quality perfor-mances, educational programs, commissions, and leadership to other community bands. For more information about the Paynter Society and the benefits offered to members, please call Julie Wolf at (847) 432-2263.

Sustaining Member ($5000+)John L. and Megan P. Anderson

in memory of John P. PaynterAnonymousArts Work FundGRAMMY® FoundationIllinois Arts CouncilJohn P. Paynter FoundationMarietta M. PaynterGeorge & Arlene Rusch Foundation The Farny R. Wurlitzer FoundationDavid and Connie Zyer

in memory of Betty and Ben Zyer

Advocate ($1,000–4,999)Aileen S. Andrew FoundationGreg GloverScott G. GolinkinCharles and Deborah HawesErik Lillya and Sarah LaytonNSCB FoundationChris Rasmussen and Amy StrongHerb SchneidermanMary and David ShawJohn and Laura StibichHoward L. Willett Foundation, Inc.

in honor of the contrabass clarinet section

Becky VanDonslearBarbara Zeleny

Benefactor ($500–999)Anonymous Anonymous

remembering CarolRichard S. Bairin memory of Carol W. ScattergoodAnn M. BetzDenise Bolman

in memory of Paul BolmanBernie and Sally DobroskiAlan DuboisDebbie and Ralph DurhamNorm and Pat GatesNancy GoldenPeter Gotsch and Dr. Jana FrenchJayne and Jeff GrieseJohn and Wilma Hultman John W. McGowanApril and Dennis MontgomeryBruce and Bonita Paynter Joseph and Janet Schroeder

in memory of John P. PaynterRichard Wadden and Angela TrabertSally Ward

Y O U R O N L I N E G U I D E T O T H E P E R F O R M I N G A R T S

Photo: Milwaukee Rep


CONTR IBUTORS

2010-2011 SEASON CONTRIBUTORS Many thanks to our contributors; the Northshore Concert Band continues to flourish because of their kindness and generosity.

Associate ($250–499)Anonymous

remembering CarolJim and Dianne CerialeGreg GloverKarel HusaJanet and Joseph

SchroederStanley and Dawn Shell

remembering CarolMary Kay and William

Walsh

Patron ($100–249)AnonymousJames and Mary-Louise

AagaardMary Bilinski

in memory of Don Arvidson

Helen Billings in honor of Barbara Zeleny

Janet Butterfield and Peter Jablakow

Kathryn and Gregory Cargill

Roland ColsenLaurie DeVillersJennifer Giese DonathKim and Michael FathErin Foster and

Christopher BeckerHarold and Betty GohlEnid J. Golinkin

in honor of Scott Golinkin

Angela and John GrahamPeter and Mary HerrMary Jo HoweJim and Pat Jocius

Mr. and Mrs. Edward J. Kahn

Phil and Elizabeth Kana in honor of Elissa A. Kana

Deborah Katz-KnowlesGilbert and Carolyn

KruleeAnn MotogawaJane MuellerGeorge A. NaumanBruce A. and Helen D.

NelsonBruce and Jennifer

NelsonNorthbrook School

District 27 in honor of Stan Shell

Nancy ReiserEllen SchollyFrieda and Gordon

Wilson

Contributor ($50–99)Peter and Sarma Alle

in honor of John Harshey

Mr. and Mrs. Florian Dynek

Bette Ward GainesJane and Richard GeorgeEllen and Jeff GluskinJanet and William JesseChristine and Ian

KaminskiRobert KaminskiLynda and Roger La RausCarolyn and David MayFrancis Neuhaus

in memory of “Peggy” Neuhaus

Thomas C. ParrishPeter RollElysian and Elizabeth

SchiavittiBeth and Barry SkolnikGloria StepekJohn and Ruth TuzsonEdwin SchmidtHarry and Louise SimonDick and Nancy Wilson

Friend ($1–49)AnonymousSheri ConoverAngela DeligiannisJudith Disman

in honor of Janet Schroeder

David and Joan FosterMaxine Gourse

in memory of Jerome Gourse

Dolores GuthrieJohn and Sharon HanusinWerner and Ellen

HeimannMarjorie JuneJeannette KonecnyJames and Rose

Matousek in honor of Steve Moline

Ralph MuellerCarole and Michael

Powers in memory of Paul Bolman

Al Spriester in memory of Dorothy

Don and Jenna StinsonLauren Wilkie

This list reflects gifts as of October 1, 2010. We also extend our appreciation to our 2009-2010 contributors too numerous to list in this program. Every effort has been made to list names accurately. Please call 847-432-2263 to bring er-rors or omissions to our attention.


SPONSORS

The following companies and individuals have made contributions in support of our 2010–2011 Season:

Platinum Level AdvertisersAnn BetzChristopher Burke EngineeringFrame WarehouseLevin Schreder & CareyLoser’s ClubMills AudioMontgomery Music ServicesNCB AuxiliaryNCB BoardNCB ClarinetsNCB FlutesNCB PercussionNCB SaxesNCB TrumpetsNCB Tubas/Meier’s TavernNorth Park CollegeNorth Shore Retirement HotelPaynter FoundationQuinlan and Fabish The Care of Trees

Silver LevelAllegra Print and ImagingMulti-Color Printing, High Volume Copying, Digital Printing1255 Hartrey AvenueEvanston, Il 60202847-864-9797www.allegraevanston.com

Lapin Systems, Inc.Apple Authorized Service Provider: In/Out of Warranty Carry-In Service and On-Site Support832 Dempster St., Evanston, IL847-328-9945www.lapin.com

Bronze LevelAllegro Music Center Music instruction, instruments, and accessories800 W. Devon, Park Ridge, IL847-692-6021

Greenbar PrintingBest wishes for the 55th season!

Handgun Press Publishing CompanyFine arms and military books for collec-tors and researchersBox 406, Glenview, [email protected]

Music and Arts CentersSales, Service, Rental and Lessons907 W. Irving Park Road, Itasca, IL630-285-14851512 N. Naper Blvd,Naperville, IL630-577-0820

NCB BassoonsWe raise our bells to the 55th season of the Northshore Concert Band!

Signature BankYour kind of bank6400 N. Northwest Highway, Chicago, IL 60631773-467-5634www.signature-bank.com

Northshore Concert Band-Fall Program

Documents

Transcript of Northshore Concert Band-Fall Program