Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please...

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Northern Early Modern Diptychs and Triptychs

Transcript of Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please...

Page 1: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

Northern Early Modern

Diptychs and Triptychs

Page 2: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.
Page 3: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

“Flemish painting will, generally speaking, please the devout better

than any painting of Italy, which will never cause him to shed a tear,

whereas that of Flanders will cause him to shed many…. It will

appeal to women, especially the very old and the very young, and

also to monks and nuns and to certain noblemen who have no sense

of true [artistic] harmony.

In Flanders they paint with a view to deceiving sensual vision….

They paint stuffs and masonry, the grass of the fields , the shadows

of trees, and rivers….which they call landscapes…. And all this

though it pleases some persons, is done without reason or art,

without symmetry or proportion, without skill, selection or boldness,

and finally without substance or vigor. And I do not speak so ill of

Flemish painting because it is all bad, but because it attempts to do

so many things well, that it does none well.”

Page 4: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

The Merode Altarpiece by Robert Campin, oil on panel, 1426

Page 5: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

Western “Royal” portal , Chartres Cathedral, Chartres, France, 12th ce

Page 6: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.
Page 7: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

Diptychs and

Triptychs

Page 8: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

Bibaut Diptych Master of the Magdalen and Anon. French artist,

1523, oil on panels

Page 9: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.
Page 10: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

[verso]Bibaut diptych

Page 11: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

Maarten van Nieuwenhove diptych by Hans Memling, 1487, oil on panel

Page 12: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.
Page 13: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

Maarten van Nieuwenhove diptych by Hans Memling, 1487, oil on panel

Page 14: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.
Page 15: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

Maarten van Nieuwenhove diptych by Hans Memling, 1487, oil on panel

Page 16: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

The Merode Altarpiece by Robert Campin, oil on panel, 1426

Page 17: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.
Page 18: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.
Page 19: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.
Page 20: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.
Page 21: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.
Page 22: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.
Page 23: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

(exterior wings)Portinari Altarpiece by Hugo van der Goes, oil on panel, 1473 - 78

Page 24: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.
Page 25: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

(exterior wings)Portinari Altarpiece by Hugo van der Goes, oil on panel, 1473 - 78

Page 26: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

Portinari Altarpiece by Hugo van der Goes, oil on panel, 1473 - 78

Page 27: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

Portinari Altarpiece by Hugo van der Goes, oil on panel, 1473 - 78

Page 28: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

(detail of landscape)Portinari Altarpiece by Hugo van der

Goes, oil on panel, 1473 - 78

Page 29: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

Portinari Altarpiece by Hugo van der Goes, oil on panel, 1473 - 78

Page 30: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

detail of still life in Portinari Altarpiece

Page 31: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

Portinari Altarpiece by Hugo van der Goes, oil on panel, 1473 - 78

Page 32: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

detail of angels in Portinari Altarpiece

Page 33: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

detail of demon in Portinari Altarpiece

Page 34: Northern Early Modern Diptychs and Triptychs. “Flemish painting will, generally speaking, please the devout better than any painting of Italy, which.

Portinari Altarpiece by Hugo van der Goes, oil on panel, 1473 - 78