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noor semaaninterior architect N
EDUCATION
PROFESSIONAL EXPERIENCEPERSONAL INFORMATION
VARIOUS ACTIVITIES
SKILLS & LANGUAGES
Recently graduated student in Interior Design, having finished my master degree this year, passionate about my field of studies and aspiring to continue a career in interior design in a reknowned stu-dio in Europe. French-Lebanese having acquired an internationnal experience throughout different travels, as well as an exposure to different cultures having lived in one of the poles of the Middle East, in Dubai.
Born in Dubai, 18.12.1992Nationality: French-Lebanese
2013-2014Milan, Italy
2010-2013Beirut, Lebanon
1995-2010Dubai, U.A.E
Sept-Nov 2014Milan, Italy
July 2013Beit El Din,Lebanon
July 2012Beirut, Lebanon
July 2011Beirut, Lebanon
July 2010Dubai, U.A.E
Bilingual:French (Mother tongue)English (TOEFL, SAT)
Italian (Edulingua Level B1) :Spanish (DELE Level B2) :Arabic:
Computer Skills
AutocadAdobe Collection CC (Ps,Id)3ds max 2014RhinecerosDialux 4. 01Microsoft OfficeGoogleSketchup
Drawing Skills
Scuola Politecnica Di Design (S.P.D) Master in Interior Design
Académie Libanaise des Beaux Arts (A.L.B.A)Bachelor in Interior Architecture
Lycée Français International Georges Pompi-douFrench Baccalaureat | Economics with a spe-cialization in English
Intern at Navone Associati(www.navoneassociati.com)-Development of ANCE Exhibition Stand: con-cept, technical DWGs, 3d, specifications. -Technical DWGs of Baglietto, Design pro-pososals, 3d of Ferretti Group Exhibition Stand
Académie Libanaise des Beaux-Arts(www.alba.edu.lb)Jury member for annual project made by 2nd year students in Interior Architecture and Graphic Design.
Intern at CGA Wood International(www.cgawoodint.com)-Assisted Managing Director, Paola Favero on site for the making of two projects:- Balthus, a reknowned French Brasserie in Beirut, Downtown- Luxurious Apartment (creation of furniture such as closets and bibliothèque), in Beirut, Downtown, French Avenue
Intern at ARCREA Studio (www.arcreastudio.com)-Worked on research-Assisted Team of Architects during revision of two projects (Plans, 3d):- Olio | Soto, Italian | Japanese Restaurants, at Le Mall, in Dbayeh, Lebanon.-Technical DWGs for a Villa
Intern at Emaar(www.emaar.com)-Part of the organizing committee during the opening of Burj Dubai (Burj Khalifa)-Provided hands on support during the inau-guration
Interests:Arts (architecture, interior design, art history), Photography (hobby), Silk Screen Printing, Travel
Sports:Ballet (Royal Academy of Ballet, 10 years), Latin Dance, Swimming, Snowboard
Free sketching pencil and marker techiques, graphic tab-let photoshop colour sketching.
cv
noor semaan+961 70 641 208 [email protected]
Loft in BeirutBeirut, LebanonWorkshop: Residential Design, 2013
Capture the essence of a loft, a space caracterized by its open, communicating rooms, zen light, while keeping it intimate andcosy.
I decided to work on a mezzanine that is the means of commu-nication between with the different spaces given in the brief. The concept is based on 2 floating cubic volumes attached to the mezzanine which create this communication, this game of appear-ance and disappearance in the loft, the game of intmacy in an pen space all the while creating defined spaces. All rooms have a big access to light.
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“A loft is the art of creating an open, bright space with communicating yet intimate areas. It is the re-sult of witful and subtle thinking .”
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01| Ground Floor: Living area fac-ing kitchen perspective02| Staircase facing living area perspective
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Ground Floor Plan sc: 1 :100
03 | Arco,
Flos
01 | Andy,
B&B Italia
07 | Fat Boy
08 | Fly,
Zanotta
02 | Menhir,
Living
04 | Bubble
Rock, Living
05 | Phoenix,
Moroso
06 | Antibodi,
Moroso
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FFL 3.35
FFL 3.60
Second Floor Plan sc: 1 :100
11 | Lounge Chair, Mies Van
der Rohe
10 | LC4,
Cassina
09 | Thomas 2000,
Flexform
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Second Floor Plan sc: 1 :150
Ground Floor Plan sc: 1 :150
Hoses
Return-air grille
Isolation
Metallic Support
Vertical outflow
Air conditioning system
Section sc: 1 :100
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Longitudinal Section sc: 1 :100
Section sc: 1 :100
01| Ground Floor: Living area, chimney and double height library per-spective 02| Second Floor Material: White Oak Parquet03| Ground Floor Material: Polished Concrete04| Office | Floating Box Material: Mother of Pearl, Lacquered | RAL 704705| Niches, Sliding cabinets, library Material: Brushed Aluminium
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THE READING AREA ON THE SEC-OND FLOOR COMMUNICATES WITH THE CHIMNEY AREA OF THE LIVING
ROOM WHICH IS LIT BY A SET OF VARIOUS TULA LED LIGHT FIX-
TURES DROPPING DOWN FROM THE CEILING, THUS ENHANCING THE
DOUBLE HEIGHT.
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01| Ground Floor: Kitchen-Dining area perspective 02| Kitchen furniture section sc: 1/ 5003| Kitchen furniture detail 1 sc: 1: 1
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Milan Suite Hotel | La PasserellaMilan, ItalyWorkshop: Restaurant Design, 2014
Located in the Milan Suite Hotel, a hotel mainly dedicated to busi-ness entrepreneurs, La Passerella, an avant-garde concept, is a restaurant which depicts the widely known fashion aspect of the city of Milan. The heart of the project is the Lounge area, which also serves as a catwalk for events such as Milan Fashion Week or other perfor-mances. This peculiar stage from which the client enters, is em-phasized by a set of barisol fixtures held by the various I profiles and ends with a glazed glass window demonstrating silhouettes of the chef working. Deconstruction, rythm, and dynamism describe best the plan’s layout, with the various functions in a wide range of taupe colours, with exception the WC which are completely bathed in different materials of Orange, a warm and key colour of the Hotel, breaking the sobriety of the general space.
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01| Entrance corridor perspective02| Plan sketch composition & notes: Starting off by listing the program we had for the brief, we began with a linear orga-nization of the plan, underlining the differ-ent circulation points and areas and then developped it into a deconsructed dynamic layout.
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General Plan sc: 1 :100
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Perspective Section A-A sc: 1 :50
Longitudinal Section B-Bsc: 1 :100
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01| Barrisol system details02| Dining area 1 perspective03| Lounge area perspective
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01| Bar area perspective02| Bar furniture 3d representa-tion03| Bar furniture section sc: 1:50
The custom made bar is made out of Parapan since it is a material that can easily be cut through autocad. Therefore, the various dynamic shapes and measurements are easily pro-duced.
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01| Dining area 2 perspective02| Terrace perspective03| Resin floor detail sketch
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01| Ceiling: Plaster-board, Floor: Gobbetto Composite Resin Colour Code: 585-Y60R02| Walls: Omnidecor, Enamelled Glass, DecorGem Color Colour Code: 585-Y70R03| Furniture: Corian Colour Code: 585-Y50R
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Seen through the eyes of a child, a tap is a magical object, sur-prising and enchanting. A metal sculpture which with a simple touch, becomes flowing water, lively, bubbly and full of energy. Nature and design merge, following different lines of thought and inspiration. It is not just an ordinary tap. The concept is that of the interaction between the tap and the client. Each tap is connected to a specific song embodying the esthestics and mood of it. It is also the guide towards a projection which shows a short movie scene followed by specific details of the model. 4 taps 4 songs 4 projections 4 light fixtures, each repre-senting a specific period of time whether the 00’s, 50’s, 30’s or 70’s. A contemporary structure,representing the present, is what holds up the scenes together keeping the circulation linear and homoge-neous.
Zucchetti | Kos | Au Fil du TapMilan, ItalyWorkshop: Retail Design, 2014
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Projection specific to the Tap and the Period it is linked to.
Song Specific to the Tap and the Decade it is linked to.
One Connecting Structure that creates the Homogeneity.
4TAPS4DECADES4SONGS4PROJECTIONS
It is not just an ordinary Tap, it is a gate to a whole world and lifestyle.The Concept is that of the interaction between the tap and the client.
01| Concept, interaction02| Entrance area, reception and brief of exhibition 03| Facade entrance, lounge lin-ear structure in relation with in-terior
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03General Plan sc: 1 :50
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01| Mood Boards for each decadefrom left to right: 00’s, 50’s, 30’s, 70’s02| Longitudinal Section F-F_In perspective sc: 1 :50
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Section B-B_Period: 00’ssc: 1 :50
01| DI NOC: 3m Film02| Wallpaper with sliding glass03| Guns-Lounge Gun, FLOS04| WOSH Tap Z1192
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Section C-C_Period: 50’ssc: 1 :50
01| DI NOC: 3m Film02| Eames Plastic Armchair03| Kidney Triangle Table-Gino Sarfatti04| MOD. 518, FLOS05| Hang It All, VITRA 06| Aguablu Shower Z93060
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Section D-D_Period: 30’ssc: 1 :50
01| DI NOC: 3m Film02| Wallpaper03| Customized Antique Glass Table04| 2097-30/50, FLOS05| Agora Bathtub 1AGB10CRCR& Free standing bath-shower mixer ZAM278
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Section E-E_Period: 70’ssc: 1 :50
01| DI NOC: 3m Film02| Round Mirror with Red-Lac-qured Frame03| Papillona, FLOS04| Sit-on washbasin 7L043BI05| Faraway Tap ZFA256
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VILLA ARCONATI | EXPO 2015 | BARILLAMilan, ItalyWorkshop: Food Exhibition Design, 2014
Located in Villa Arconati, one of the most beautiful and majes-tic pleasure villas of Milan, a food exhibition concerning EXPO 2015 takes place and is being sponsored by leading Italian food com-pany Barilla, a leader in the markets for pasta worldwide, for ready made sauces in Europe and for bakery products in Italy. This project is a stroll in time, it is an hommage to the culture of pasta in Italy but then again a glance at Barilla in terms of tech-nology, advancement and creativity, hence the linear approach of the outdoor area (a path in which installations representing the evolution of pasta making) which leads to the limonaia, the future, introducing the steps of how to make your own pasta, your own shape, through 3d printing, a technology Barilla has already started studying and applying.
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01| Concept | Interaction02| Past-Field of wheat03| Present-Field of windmills
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01| Concept: Limonaia path and functions02| First step in the limonaiai: Clay modelling area perspective
03| Third step in the limonaia: 3d modelling on a software of the desired shape created in the clay area.
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Limonaia Plan-Photoshop with materialssc: 1: 150
Limonaia Plansc: 1: 150
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Limonaia Longitudinal Sectionsc: 1: 150
Limonaia Longitudinal Section-Photoshop with materialssc: 1: 150
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01| Clay modelling area perspec-tive02| 3d representation of wall and floor detail03| Wall detail: Plan sc: 1: 20
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01| Tasting area perspective02| Cooking area perspective03| Furniture from left to right: Wire Chair Vitra, Saarenen Table, Steelwood Stool Magis
Villa on the ShoresideBarbara, LebanonWorkshop: Residential Architecture, 2013
Build a villa, in Barbara, Lebanon on a defined territory. Take into consideration the surroundings of this local, the nature, the climate conditions, and pay attention to the winds, as to know where to place the specific functions required in the brief. The idea came at first from the strata of the terrain. It then devel-opped into a sort of shell englobing a space in glass, trying to mesh the nature and the architecture through its composition and con-crete, raw, neutral material.
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THE HOUSE PERCHES ON THE EDGE OF A SLOPE IN BARBARA, A VIL-LAGE ON THE NORTH COAST OF LEBANON? AND IS INSPIRED BY THE STRATA AND LAND THAT ARE VAST AND LAYERED.
South facade perspective
North Facadesc: 1: 200
South Facadesc: 1: 200
Ground floor plansc: 1: 200
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01| North facade perspective02| East facade perspective03| West facade perspective-en-trance
Second Floor Plansc: 1: 200
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STEVEN HOLL EXHIBITION CENTER | HOMMAGEBeirut, LebanonWorkshop: Commercial Architecture, 2013
Choose a reknowned architect, research his works, analyze his style and create a local where he will exhibiti his projects.This place should resemble him and his work for it is a tribute to the architect. Steven Holl was my choice and his main trademarks I choose to focus on are: the perforations in his works, the constant relation between water planes and his facades which he uses to deform instead of simply reflecting them and the constant link between two or multiple buildings. Inspired by the Hangzou Triaxal Field, combined with a project I had done (cf model) in 2nd year of university, the result is the com-munication between two different but complementary bodies.
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“Space is oblivion without light. A building speaks through the silence of perception orchestrated by light.” S.H
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01| Perforations | Play on light and shadows | Subtle Light02| Openings03| Water planes mirror | Distord-ed Effects | Various perspectives towards project
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Ground Floor Plansc: 1: 100
01| General volume perspective02| Bird view perspective03| Second floor bridge perspec-tive
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01| MDF Model sc: 1: 2002| Sceond floor bridge-media room perspective03| Ground floor water plane per-spective
Second Floor Plansc: 1: 100
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