NEWS FOR ALUMNI AND FRIENDS OF THE …WINTER 2011 NEWS FOR ALUMNI AND FRIENDS OF THE CLEVELAND...

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NEWS FOR ALUMNI AND FRIENDS OF THE CLEVELAND INSTITUTE OF ART WINTER 2011 Link Founded in 1882, The Cleveland Institute of Art is an independent college of art and design committed to leadership and vision in all forms of visual arts education. The Institute makes enduring contributions to art and education and connects to the community through gallery exhibitions, lectures, a continuing education pro- gram and The Cleveland Institute of Art Cinematheque. “My parents had other plans for me, so my high school art teacher surreptitiously brought me to CIA for an interview.” What a Wonderful Kind of Day With Marc Brown ’69 Renowned author and illustrator visits students, receives award Bestselling author and illustrator Marc Brown ’69 has encouraged a generation of children around the world to read, learn, laugh, and “get along with each other” through his popular Arthur books and tele- vision series. But his illustration career was almost scrapped before it started. The Emmy- and Peabody-award-winning author visited his alma mater in November to speak with Cleveland Institute of Art students and receive the Institute’s highest award, the Medal for Excellence. About his career-that-almost-wasn’t, Brown told illustration students, “My par- ents had other plans for me, so my high school art teacher surreptitiously brought me to CIA for an interview.” Brown recalls an intimidating Clayton Bachtel ’32 reviewing his portfolio. “He looked through it, grunted several times and said, ‘Well, you’re accepted. Would you like to see some of your competition?’” Bachtel then showed Brown the portfolio of a high school student from Detroit who had already published a book. An apprehensive young man from Erie, Pennsylvania, Brown knew his CIA experience would be life changing. BROWN’S “WONDERFUL” CIA EXPERIENCE “When I was here I got to try out every- thing and that was really exciting for me at the time,” he told a group of CIA donors the evening he received the Medal for Excellence. Brown dabbled in photography, printmaking, and textile design; his favorite class was Art of the Americas, taught by Professor Franny Taft; and he never forgot what Professor Emeritus John Paul Miller ’40 taught him about composition. “I loved my time here; I loved the flex- ibility,” he said. “I owe this school a great deal. It really educated me and it gave me the opportunity to explore. I left the Institute with this wonderful education.” Brown graduated with a degree in what CIA then called graphic arts. “I imagined myself going into advertising but the first art director I worked for had dollar signs where his pupils should have been,” he told students. Instead, he began illustrating books on a freelance basis while holding down — and then losing — a succession of day jobs. The first book he illustrated was Isaac Asimov’s What Makes the Sun Shine, which won a Children’s Book of the Year citation from the Child Study Association of America. A PHENOMENON BORN FROM A BEDTIME STORY After five years of freelance illustration for Houghton Mifflin, Brown decided to write and illustrate his own stories. His popular Arthur books began with a bedtime story he made up for his son, Tolon. The first in the series, Arthur’s Nose, was published in 1976. He has since written and illustrated more than 80 Arthur books, which have been published by Little, Brown and Company and translated into several languages. More than 65 million copies of the books are in print in the U.S. alone. The success of the Arthur books spawned the PBS television series Arthur’s World, which airs in more than 60 countries. Arthur and his friends in the “ensemble cast” that Brown created are well-known to the vast majority of current CIA students and recent graduates, including Suzanne McGinness ’07, who attended Brown’s talk. McGinness recently illustrated a children’s book, My Bear Griz, to be released in fall 2011 by Frances Lincoln Publishers. “I’m a huge Arthur fan and I really enjoyed Marc Brown’s talk,” she said. “He had such a great personality and he was so relatable.” PREPARING FOR THE MODERN PUBLISHING WORLD McGinnis said she thinks the business world has gotten more complicated for artists since Brown’s student days. For instance, while Brown was able to turn his illustrations over to animators for the television series, many current CIA illustra- tion students also take animation courses through the Institute’s T.I.M.E.-Digital Arts program (for Technology and Integrated Media Environment) so they can create their own animations. And recent graduates like McGinness need to have sophisticated websites and sometimes even agents in order to attract publishers. By contrast, Brown told students, “It used to be you could penetrate the walls of a publisher without an agent.” Digital arts classes in animation and website design were not available to Brown and his 1960s contemporaries at CIA. Neither was CIA’s now-mandatory course in Business and Professional Practices. “You’re going out into the world so much better equipped than I was; you have these skills that are going to set you up so nicely,” he told students. Continued on page 2

Transcript of NEWS FOR ALUMNI AND FRIENDS OF THE …WINTER 2011 NEWS FOR ALUMNI AND FRIENDS OF THE CLEVELAND...

Page 1: NEWS FOR ALUMNI AND FRIENDS OF THE …WINTER 2011 NEWS FOR ALUMNI AND FRIENDS OF THE CLEVELAND INSTITUTE OF ART Link Founded in 1882, The Cleveland Institute of Art is an independent

NEWS FOR ALUMNI AND FRIENDS OF THE CLEVELAND INSTITUTE OF ARTWINTER 2011

LinkFounded in 1882, The Cleveland Institute of Art is an independent

college of art and design committed to leadership and vision in

all forms of visual arts education. The Institute makes enduring

contributions to art and education and connects to the community

through gallery exhibitions, lectures, a continuing education pro-

gram and The Cleveland Institute of Art Cinematheque.

“My parents had other plans

for me, so my high school art

teacher surreptitiously brought

me to CIA for an interview.”

What a Wonderful Kind of Day With Marc Brown ’69Renowned author and illustrator visits students, receives award

Bestselling author and illustrator Marc

Brown ’69 has encouraged a generation

of children around the world to read, learn,

laugh, and “get along with each other”

through his popular Arthur books and tele-

vision series. But his illustration career was

almost scrapped before it started.

The Emmy- and Peabody-award-winning

author visited his alma mater in November

to speak with Cleveland Institute of Art

students and receive the Institute’s highest

award, the Medal for Excellence.

About his career-that-almost-wasn’t,

Brown told illustration students, “My par-

ents had other plans for me, so my high

school art teacher surreptitiously brought

me to CIA for an interview.”

Brown recalls an intimidating Clayton

Bachtel ’32 reviewing his portfolio. “He

looked through it, grunted several times

and said, ‘Well, you’re accepted. Would

you like to see some of your competition?’”

Bachtel then showed Brown the portfolio of

a high school student from Detroit who had

already published a book. An apprehensive

young man from Erie, Pennsylvania, Brown

knew his CIA experience would be life

changing.

BROWN’S “WONDERFUL”

CIA EXPERIENCE

“When I was here I got to try out every-

thing and that was really exciting for me at

the time,” he told a group of CIA donors

the evening he received the Medal for

Excellence. Brown dabbled in photography,

printmaking, and textile design; his favorite

class was Art of the Americas, taught by

Professor Franny Taft; and he never forgot

what Professor Emeritus John Paul Miller ’40

taught him about composition.

“I loved my time here; I loved the flex-

ibility,” he said. “I owe this school a great

deal. It really educated me and it gave me

the opportunity to explore. I left the Institute

with this wonderful education.”

Brown graduated with a degree in what

CIA then called graphic arts. “I imagined

myself going into advertising but the first

art director I worked for had dollar signs

where his pupils should have been,” he

told students. Instead, he began illustrating

books on a freelance basis while holding

down — and then losing — a succession of

day jobs. The first book he illustrated was

Isaac Asimov’s What Makes the Sun Shine,

which won a Children’s Book of the Year

citation from the Child Study Association

of America.

A PhENOmENON BORN

FROm A BEDtImE StORy

After five years of freelance illustration for

Houghton Mifflin, Brown decided to write

and illustrate his own stories. His popular

Arthur books began with a bedtime story

he made up for his son, Tolon. The first in

the series, Arthur’s Nose, was published

in 1976.

He has since written and illustrated more

than 80 Arthur books, which have been

published by Little, Brown and Company

and translated into several languages. More

than 65 million copies of the books are in

print in the U.S. alone. The success of the

Arthur books spawned the PBS television

series Arthur’s World, which airs in more

than 60 countries.

Arthur and his friends in the “ensemble

cast” that Brown created are well-known

to the vast majority of current CIA students

and recent graduates, including Suzanne

McGinness ’07, who attended Brown’s talk.

McGinness recently illustrated a children’s

book, My Bear Griz, to be released in fall

2011 by Frances Lincoln Publishers.

“I’m a huge Arthur fan and I really

enjoyed Marc Brown’s talk,” she said.

“He had such a great personality and

he was so relatable.”

PREPARINg FOR thE mODERN

PUBLIShINg WORLD

McGinnis said she thinks the business

world has gotten more complicated for

artists since Brown’s student days. For

instance, while Brown was able to turn

his illustrations over to animators for the

television series, many current CIA illustra-

tion students also take animation courses

through the Institute’s T.I.M.E.-Digital Arts

program (for Technology and Integrated

Media Environment) so they can create

their own animations. And recent graduates

like McGinness need to have sophisticated

websites and sometimes even agents in

order to attract publishers. By contrast,

Brown told students, “It used to be you

could penetrate the walls of a publisher

without an agent.”

Digital arts classes in animation and

website design were not available to Brown

and his 1960s contemporaries at CIA.

Neither was CIA’s now-mandatory course

in Business and Professional Practices.

“You’re going out into the world so much

better equipped than I was; you have these

skills that are going to set you up so nicely,”

he told students.

Continued on page 2

Page 2: NEWS FOR ALUMNI AND FRIENDS OF THE …WINTER 2011 NEWS FOR ALUMNI AND FRIENDS OF THE CLEVELAND INSTITUTE OF ART Link Founded in 1882, The Cleveland Institute of Art is an independent

Some students may have been sur-

prised to hear a traditional illustrator like

Brown embrace the digital age. “Be ready

to illustrate in a way that’s interactive,” he

advised students. He said he likes the idea

of electronic books, which allow children to

interact with a story, even as they are learn-

ing important values.

A WELL-DESERvED AWARD

CIA president Grafton J. Nunes admits to

being a big Arthur fan himself. In presenting

Brown with the Medal for Excellence at a

special dinner for the college’s top donors,

Nunes, a father of six, said “For 15 years I

have been reading Arthur stories and watch-

ing Arthur on television with all of my chil-

dren, who have absorbed valuable lessons

about friendship, loyalty, honesty, and love in

a humorous and emotionally beautiful way.”

Nunes said that through “compelling

compositions, engaging images, and

charming narratives, Marc Brown has

encouraged millions and millions of chil-

dren to read, to learn, and to become truly

human beings.” Those accomplishments,

he said, clearly made Brown worthy of the

Medal for Excellence, which recognizes

“those who have made significant contribu-

tions to the arts through their own artistic

pursuits or through their exceptional service

and philanthropy.”

Designers in the Driver’s Seatfor Neighborhood Revitalization EffortA group of Cleveland Institute of Art designers has played a key role in developing

recommendations for revitalizing a downtown Cleveland neighborhood.

Cleveland’s Campus District is the neighborhood that includes Cleveland State University,

Cuyahoga Community College, and St. Vincent Charity Medical Center, among other

Cleveland landmarks. Last summer, Campus District Incorporated, a member-funded

neighborhood development organization, turned to designers, researchers, and community

residents to devise preliminary plans for promoting this district’s assets and addressing

its shortcomings.

Facilitated by Communication Design Department Head Mari Hulick and Industrial

Design Technical Assistant Joseph Stanley ’05, the group proposed using signage, land-

scaping, attractive crosswalks, and other visual cues to enhance and define three separate

north–south walkways that would unify the disjointed neighborhood.

“Both physically and conceptually, the district is made up of a series of structures that

are so distant from each other in this one small area,” said Hulick. “What we designed were ways to navigate the spaces between the

differences. If we create connections that work, you start to get the mixture that is going to create the true Campus District.”

In addition to the walkways, the plan recommends a cultural arts center, sculpture garden, business incubator, community newspaper,

and more.

Hulick served as lead communication designer for the project while Stanley served as lead urban designer. Communication design

graduate Susan Notargiacomo ’08 was the graphic designer; interior design graduate Alexandra Overton ’10 was the college design

coordinator; and industrial design graduate Brian Paige ’08, interior design senior Norman Duenas ’11, and ceramics sophomore

Marcus Braithwaite ’13 served as college research coordinators.

“What the CIA people brought to this process was this incredible mixture of technical expertise, artistic vision, and heartfelt concern for and engagement with the residents,” said Rockette Richardson, executive director of

Campus District Incorporated. “They empowered the people who live here to better understand their space and I think these residents will

probably never look at their neighborhood the same way again.”

CIA Celebrates Franny Taft’s 60-year TenureProfessor Frances “Franny” Prindle Taft marked a milestone last semester when she began her 60th year

of teaching at The Cleveland Institute of Art. Faculty, former students, and other friends gathered in the

Reinberger Galleries to celebrate the occasion, and the force of nature that is Franny Taft.

CIA President Grafton Nunes told the assembly, “Perhaps more important than her very impressive resume is

Franny’s passion for knowledge and discovery… and arguably even more significant than that is the fact that

she has instilled that passion into generations of students here at The Cleveland Institute of Art.”

At right, Taft (in red) chats with Bonnie Dolin ’73, and Ann Kiggen. For more, please see cia.edu/taft.

Brown accepted the award with touch-

ing words of gratitude. “Thank you for this

honor; it’s wonderful to be home with such

a friendly, warm group of people. And thank

you for all you’ve done for the students

who attend this school, who are so lucky to

be here, because you’re making it a great

place to get a wonderful education.”

With 35 years of Arthur under his belt,

Brown is now looking for new artistic oppor-

tunities, including illustrating books writ-

ten by other authors and collaborating on

works with his wife, Laurie Krasny Brown.

“I’m reinventing myself. I’m painting on

gesso boards, I’m doing collage work; I feel

like I’m coming back to where I started.”

Marc Brown

Continued from page 1

ASSOCIATE PROFESSOR MARI HULICk

AND TEENAgE RESIDENTS OF THE

CAMPUS DISTRICT DISCUSS IDEAS FOR

IMPROVINg THE NEIgHbORHOOD.

PROPOSED WALkWAyS ARE INDICATED

ON THE 3D MAP OF THE DISTRICT.

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Photo: NorMAN DueNAS ’11

CIA Faculty and Alumni Capture 11 Creative Workforce FellowshipsFIVE CIA FACULTy MEMbERS AND FOUR ALUMNI ARE AMONg 20 CUyAHOgA COUNTy ARTISTS WHO WILL EACH RECEIVE $20,000 FELLOWSHIP AWARDS

AND ADDITIONAL SUPPORT SERVICES FROM THE CLEVELAND-bASED COMMUNITy PARTNERSHIP FOR ARTS AND CULTURE (CPAC). CIA-CONNECTED

WINNERS OF CPAC’S 2011 CREATIVE WORkFORCE FELLOWSHIPS ARE DEAN OF FACULTy MATTHEW HOLLERN; PROFESSORS kASUMI, T.I.M.E.-DIgITAL

ARTS; WILLIAM bROUILLARD, CERAMICS; AND bRENT kEE yOUNg, gLASS; ADjUNCT FACULTy MEMbER SAI SINbONDIT, FOUNDATION; AND ALUMNI

jONATHAN WAyNE ’88, MICHAEL ROMANIk ’89, bRIAN ANDREW jASINSkI ’99, AND NIkI SMITH ’09. TWO OTHER CIA ARTISTS WILL RECEIVE A $2,500

SETH ROSENbERg PRIzE: MICHAEL AbARCA ’09 AND LIzzy LEE, AN ADjUNCT FACULTy MEMbER IN COMMUNICATION DESIgN. “THESE WONDERFUL

CPAC AWARDS FOR OUR FACULTy AND ALUMNI SPEAk VOLUMES AbOUT THE INFLUENCE OF CIA ON THE CULTURE AND ECONOMy OF OUR REgION.

THESE ARTISTS CONTRIbUTE IN VERy TANgIbLE WAyS TO THE VIbRANCy OF gREATER CLEVELAND AND TO THE NATIONAL ARTS CULTURE,” SAID CIA

PRESIDENT gRAFTON NUNES. A TOTAL OF 310 CRAFT, DESIgN, MEDIA, AND VISUAL ARTISTS WENT THROUgH A TWO-PART APPLICATION PROCESS.

FOR FURTHER INFORMATION AbOUT CPAC AND THE FELLOWSHIP APPLICATION REVIEW PROCESS, gO TO CPACbIz.ORg.

Page 3: NEWS FOR ALUMNI AND FRIENDS OF THE …WINTER 2011 NEWS FOR ALUMNI AND FRIENDS OF THE CLEVELAND INSTITUTE OF ART Link Founded in 1882, The Cleveland Institute of Art is an independent

kevin Geiger ’89 is Ceo of Magic Dumpling

entertainment, a Beijing-based developer

of original content for animated films, tV

series, and mobisodes (short episodes

edited for viewing on a mobile device). in

a recent email interview from Beijing, he

talked about his career and his education.

Q: You graduated with a BFA in

painting but made a career in anima-

tion. What were the most valuable

of the skills you gained or strengths

you honed at CIA and were able to

transfer to animation?

A: I came away from CIA with visual and

conceptual thinking skills that were not

necessarily as quantifiable as engineering

or programming skills, but ironically more

valuable with respect to animation — even

in relation to a “high tech” form such as

3D CGI. The principles of creative explora-

tion and visual problem solving that were

emphasized at CIA assisted me not only as

an animation artist, but later as a supervisor

and now as a producer. You learn to see

the world in a different way, which is what

animation is all about.

Q: You left Disney Feature Animation

after 12 years to focus on indepen-

dent filmmaking. Was that a huge

leap of faith, or just a natural pro-

gression in your career?

A: It was a natural progression in my career

that was a huge leap of faith. Leaving

behind a very good, steady paycheck

was one thing. Moving halfway around

the world to Beijing was quite another.

I had worked on my own independent

short films throughout my career at Disney,

and had always aspired to produce my

own animated feature films. Ironically, the

country that affords the most latitude to

pursue that dream is China. The Chinese

CIA AROUND THE WORLD

animation and film industry is the fastest

growing in the world, but also rather a

mess. However, there is golden opportunity

and great potential within that mess. My

company, Magic Dumpling Entertainment

(magicdumpling.com), combines Chinese

cultural cues with Hollywood development

and production techniques to create “sto-

ries for the global family,” as we say.

Q: Magic Dumpling sounds very

savvy about international business.

Do your creative talents help you

approach the challenges of business

development?

A: Ha! Yes. The two assets I appreciate the

most on this front are my creative education

from CIA, and the improv classes I took

while at Disney. As a creative industry, the

business of animation requires you to think

outside the box and also to think on your

feet. Everything is changing so fast — espe-

cially now. Ed Catmull, president of Pixar,

is fond of saying, “You learn from your mis-

takes, so at Pixar we try to make our mis-

takes as fast as we can.” That’s certainly a

good way to describe my own career learn-

ing curve. I’m known for jumping headfirst

into areas that I don’t know much about,

and ramping up to speed in very short

order. It’s good, scary fun. If we are afraid

to step outside of our comfort zone, we

might as well crawl back into the womb.

Q: What do you miss most about

Cleveland?

A: My parents! I was born and raised in

Cleveland, so it’s truly my home. There is a

relaxed quality to the city that makes it very

livable, and Cleveland of course is a great

center for the arts. People might laugh if

you called it a seat of culture, but it really is.

(OK, perhaps a folding chair of culture, but

you hopefully get my point.) I also miss the

trees and the lousy winters.

read more of kevin Geiger’s ideas about

animation and living and working in China at

cia.edu/geiger. read about CiA’s new animation

major at cia.edu/majors_animation.asp.

Creative Thinking Fuels CIA Grad’s Career With Global Animation Firm

Busy Semester at Coventry Center CIA’s Visual Arts and Technologies

Coventry Center was the site

of numerous public art events

during fall semester, including Degrees of Separation, a show featuring the

work of five recent CIA graduates; Make, an exhibition of independent projects

by a group of industrial design majors; the Writing on the Wall: Word as Art

and Art as Word, an exhibition of student works originally curated by Bethany

Corriveau, graduate student in art history at Case Western Reserve University,

for display at the Cleveland Foundation; Manjello, a real-time animation and

sound event presented by visiting artists Joe Kelly (above) and Jay Crocker;

and Synonym Finder, a media installation and performance by Assistant

Professor Sarah Paul.

Installation Artist Visits CIAFRESh FROm SEttINg UP A SPARKLINg INStALLAtION IN mANhAttAN’S mADISON SQUARE

PARK, ENgINEER-tURNED-ARtISt JIm CAmPBELL (BELOW LEFt) vISItED CIA IN NOvEmBER

tO tALK WIth StUDENtS ABOUt hIS WORK AND REvIEW SOmE OF thEIRS. CAmPBELL’S

“SCAttERED LIght” INStALLAtION, ON DISPLAy thROUgh thE END OF FEBRUARy,

FEAtURES SOmE 1,600 LIght BULBS SUSPENDED FROm A gRID OF WIRES. A DIStORtED

vIDEO OF RUShINg PEDEStRIANS APPEARS tO BE PROJECtED ON thE mAtRIX OF LIght

BULBS thAt IS 50 FEEt WIDE By 16 FEEt tALL By 16 FEEt DEEP. DOZENS OF vISItINg ARtIStS

FROm ACROSS thE COUNtRy (AND AROUND

thE WORLD) SPEAK AND PRESENt thEIR WORK

At CIA EvERy SEmEStER. CAmPBELL’S vISIt

WAS SUPPORtED By thE gEORgE P. BICKFORD

vISItINg ARtIStS FUND.

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Page 4: NEWS FOR ALUMNI AND FRIENDS OF THE …WINTER 2011 NEWS FOR ALUMNI AND FRIENDS OF THE CLEVELAND INSTITUTE OF ART Link Founded in 1882, The Cleveland Institute of Art is an independent

Conference Explores the State of SculptureTogether with The Sculpture Center and Edinboro University of

Pennsylvania, CIA co-sponsored a day-long conference on the state of

sculpture in November. The event showcased the new Sculpture Xchange

networking site, sculpturex.org, and featured noted sculptor Jeanne

Silverthorne delivering the keynote address. Roundtable discussions

explored the state of sculpture and the teaching of sculpture and partici-

pants explored an installation at The Sculpture Center by CIA’s artist-in-

residence Beth Campbell.

DO yOU HAVE A SECRET?

Have you included a gift to The Cleveland Institute of Art in your will but not yet advised us of your generosity? We’d like you to let us in on your secret

so we can thank you in person now, rather than thanking your family or attorney later.

“Bequests are a vitally important source of revenue for CIA, making funds available for a wide variety of purposes,” said Margaret Ann Gudbranson, Esq.,

CIA’s director of planned giving. “Recent estate gifts have enabled us to establish student scholarships, support faculty professional development, and

launch a major visiting artist series.”

Please contact Margaret to let her know your secret or to get information about making a provision for CIA in your estate plan. You’ll reach her at

[email protected] or 216.421.8016.

Planned giving: Providing support for future generations of artists and designers.

A Knight to Remember: Save the date for French medal ceremony and film

In recognition of 25 years of promoting French cinema, the French Ministry of Culture has

named Cleveland Institute of Art Cinematheque Director John Ewing a chevalier (knight)

of the Order of Arts and Letters. On Feb. 3, a ministry representative will officially present

the award to Ewing, who will then do what he does best: say a few words and show a

terrific film. Plan to join us to celebrate Ewing’s contributions to Cleveland culture with an

award ceremony, some light French refreshments, and a screening of one of his favorite

films of all time, director Jean Grémillon’s 1949 classic, le Ciel est a Vous. Watch for

details on cia.edu or in the Institute’s e-newsletter. To subscribe to the e-newsletter,

email us at [email protected].

DO YOUHAVE A SECRET

Celebrating JulianMore than 100 alumni and friends enjoyed camaraderie, great energy, and stunning artwork when they joined

Julian Stanczak ’54 and Barbara Stanczak ’90 for the opening of Julian’s solo exhibition, Color Grid, at Danese Gallery

in Manhattan’s Chelsea district in October. Julian Stanczak (pictured with CIA President Grafton Nunes) is internationally

renowned as one of the pioneers of the Op Art movement. He taught at the Institute from 1964 until 2000. To see

images of the event, go to flickr.com/photos/cleinstituteart. Watch CIA’s monthly e-newsletters or the alumni section of

cia.edu for details of upcoming alumni gatherings, including one in Los Angeles on Feb. 13 and another in San Francisco

on Feb. 15. To subscribe to the e-newsletter, contact us at [email protected].

4

NO SOONER HAD FASHION DESIgNER VALERIE MAyEN ’05 SETTLED bACk INTO HER CLEVELAND

STUDIO FROM AN EIgHT-EPISODE RUN ON Project runway THAN cleveland magazine

NAMED HER ONE OF THE CITy’S MOST INTERESTINg PEOPLE FOR 2011. bEHIND HER ARE INTERNS

jOELLE HAMMERSCHMIDT (LEFT) AND ALLISON gANNON. SEE MAyEN’S CLASS NOTE ON PAgE 6.

Resolve to Re-awaken Your CreativityAdult Continuing Education classes start February 7

Remember the smell of a new box of crayons? Your inner artist does. Make a resolution

to bring that inner artist out of hibernation this winter: sign up for a class through CIA’s

Continuing Education + Community Outreach program. Spring semester classes for

adults start the week of Feb. 7, and Young Artists classes start on Saturday, Feb. 12.

To receive a catalog, email Richard Maxwell at [email protected] or call 216.421.7460.

Especially for artistic teens

High school students considering careers in art or design can get a taste of art school at

CIA this summer through our Pre-College residential program, which will be held July 10 to 23.

For more information, keep an eye on our website: cia.ed/continuinged

///////////////////////////////////////////////////////////////////////////////////////////

scul

ptur

eSchreckengost Jazz Bowl Donated to CIAgENE SCHRECkENgOST, WIDOW OF FACULTy EMERITUS VIkTOR SCHRECkENgOST ’29, DONATED A

REPRODUCTION OF HER LATE HUSbAND’S FAMOUS “jAzz bOWL” TO THE INSTITUTE IN NOVEMbER.

THE bOWL IS FROM THE NUMbERED “CENTENNIAL SERIES” CREATED IN 2006 UNDER VIkTOR’S

SUPERVISION IN ORDER TO CELEbRATE HIS 100TH bIRTHDAy.

“WE’RE HONORED AND DELIgHTED TO RECEIVE THIS ICONIC ExAMPLE OF VIkTOR’S CREATIVITy AT

CIA, WHERE HE SPENT MORE THAN 70 yEARS OF HIS LIFE AS A STUDENT AND FACULTy MEMbER,”

SAID CIA PRESIDENT gRAFTON NUNES.

SCHRECkENgOST CREATED THE FIRST “jAzz bOWL” FOR ELEANOR ROOSEVELT IN 1930 WHEN

HE PICkED UP A WORk ORDER AT COWAN POTTERy. IT bECAME ONE OF A LIMITED SERIES OF

ORIgINALS THAT NOW SELL FOR SIx-FIgURE SUMS THROUgH MAjOR AUCTION HOUSES. FOR bACk-

gROUND ON THE FAMOUS bOWL OR TO ORDER ONE OF THE CENTENNIAL REPRODUCTIONS, SEE

VIkTORSjAzzbOWL.COM. A PORTION OF THE PROCEEDS FROM EACH SALE WILL bE DONATED TO CIA.

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NOTES 5

Dana Schutz ’00 – a self-titled coffee table book of her work was published by Rizzoli Publications in April.

Jen Trausch ’00 – co-owns 20x24 Studio, where she primarily works using a 20x24 Polaroid Land camera, one of only seven cre-ated, and her work was recently featured in Forbes magazine.

Michael Cirelli ’02 – was the photographer for “24 Hours in NYC, Shut the Bodega Skate the Lair,” an article in Ftk Magazine in September.

Michelle Droll ’02 – is preparing for a solo exhibition, landslide: Between a rock and a place, at the Akron Art Museum opening in November 2011.

Kimberly Engel ’02 – participated in Cleveland’s Sparx City Hop in September with work at M. Gentile Studios.

Nathan Harger ’02 – had a solo exhibition at Kraeutler Gallery in New York City in December and January.

Nancy Yusko ’02 – recently accepted a posi-tion within Kohler’s Industrial Design Department and has moved to Wisconsin.

Jacob Clark ’03 – is currently employed by Fisher-Price as a designer of infant toys.

Rebecca Garcia ’03 – works with Cleveland-based Bhutanese women by hosting weekly weaving sessions at Cudell Arts Center in Cleveland where the Bhutanese women teach local weavers their craft.

Frank Kobak ’03 – works at Frye Shoes in New York City as a Senior Men’s Designer.

Isaac Payne ’03 – had work in the following exhibitions: New American Paintings 2010 Southern Competition, Open Studio Press, Boston; Charcoal Cities: Drawings of People and Places, Green Rice Gallery, Charlotte, NC; Drawing revisited, Green Hill Center, Greensboro, NC; NC Carolinas Got Art, Atherton Mill, Charlotte, NC; 28203 Black, White and easily red, Cabarrus Arts Council, Concord, NC.

Michel Alvarez ’05 – was the lead designer for the Boxee Box, a web-video content hub for television.

Dan Barbato ’05 – is the Art Director at 11kids, the kids’ brand from American Eagle Outfitters, Inc., and recently directed a photo shoot of the brand’s new collection on CIA’s campus.

Courtenay Finn ’05 – recently curated an exhibition at Apexart in New York City, and orga-nized Soapbox II, the second annual auction for The Laundromat Project, a community-based arts program in Harlem.

Samer Hamze ’05 – created International Nomads: Creative Collective, a business focused on digital advertising such as Flash games, TV commercials, websites, and online and offline applications. (in-hq.com)

Submissions received after November 11, 2010 will be printed in the next issue. Submit link notes by contacting [email protected] or 216.421.7957. Submissions may be edited for length and style consistency.

AluMNI

Emma Elsner ’48 – continues to paint and is currently working on her memoirs.

Ben Steele ’50 – had a collection of 11 oil paintings and 78 drawings of the Bataan Death March recently acquired by the Montana Museum of Art and Culture at the University of Montana for the permanent collection. The collection chronicles Ben’s memories of the three-and-a-half years he spent as a prisoner of war in Japan.

Richard Anuszkiewicz ’53 – see Stanczak ’54 (faculty).

Alberta Cifolelli ’53 – had work included in Beyond Botanicals, a group exhibition at the Flinn Gallery in Greenwich, CT, in November.

Martha liebert ’54 – is a regular exhibitor at the Ginko Gallery in Oberlin, OH, and the Something Different Gallery in Cleveland.

Charlotte Cowan ’57 – her hand-crafted necklaces are for sale at Dancing Sheep in Cleveland’s Larchmere neighborhood.

Robert Dacey ’55 – had work on view at the Longmont (CO) United Hospital in October and November.

David Keeler ’61 – will have a show of land-scapes and still-life paintings in Annapolis, MD, in February.

Roger Hendricks ’63 – had work in a group exhibition at the Lockwood-Mathews Mansion Museum in Norwalk, CT, September through November.

Candyce Damon Velmin ’65 – was one of two artists whose work was on view in landscape with energy, an exhibition at Summit Artspace in Akron in November.

Ron Testa ’65 – was named Artist of Distinction in the group exhibition Global lifestyles: Cities, towns, Villages, which was at Still Point Art Gallery in Brunswick, ME, in November.

Bruce McCombs ’66 – recently had work included in the following exhibitions: 2010 Biennial, Contemporary American realism, Fort Wayne (IN) Museum of Art; 53rd Annual exhibition of Contemporary Art, Chautauqua (NY) Institute; 25th tallahassee international, Museum of Fine Arts, Florida State University; Annual Michigan exhibition, Kalamazoo (MI) Art Institute; texas National Watercolor exhibition, Museum of the Southwest, Midland, TX; Festival 2010, Old Grand Rapids (MI) Art Museum; 31st Annual international exhibition, The Pennsylvania Watercolor Society, Crary Art Gallery, Warren, PA; 56th Stockton National exhibition, The Haggin Museum, Stockton, CA; kansas Watercolor Society National exhibition 2010, The Wichita (KS) Center for the Arts; 34th Annual international exhibition, Northeast Watercolor Society, Kent, CT; and 47th Michigan exhibition, Holland (MI) Area Arts Council.

Ray Burggraf ’68 – had a solo show, Wide open Spaces: Paintings, Drawings, Color Constructions, at Broward College in Pembroke Pines, FL, in November.

Milan Kecman ’69 – was one of the artists featured in the Northern Ohio Illustrators Society’s exhibition About Face, at Cuyahoga Community College’s East Campus in Highland Hills, OH, September through October. Celeste DeSapri ’79 and Jerome White ’94 also had work in the show.

Kathrine Zimmerman ’69 – is teaching a course on journal sketching for the Native Plants Botany Program at the University of North Carolina, Charlotte.

Carol Adams ’70 – recently installed a public art project for the city of Akron. She is also working on a commission for a private home.

Peter Paedra Bramhall ’70 – will have a solo exhibition, Parallel universes: transfigured Collages, at AVA Galleries in Lebanon, NH, May through June.

Gary Bukovnik ’71 – his work was on view at the Caldwell Snyder Gallery in San Francisco in October.

Charles Herndon ’71 – was one of the artists whose work was included in an open house at LIH Designs in Chagrin Falls, OH, in October. Marsha Everett ’81, Mark Sudduth ’83, and Jacqueline Miller ’09 also had work on view.

Chuck Kovacic ’72 – recently became a member of the California Art Club.

John Beukemann ’74 – had work in a group exhibition at Kokoon Arts Gallery in Cleveland September through December. Judith Brandon ’87 and Andrea leBlond ’95 also had work in the show.

Barbara Klar ’78 – had work for sale at the Crafts at Rhinebeck (NY) craft fair in October at the Dutchess County fairgrounds.

Gail McClelland ’78 – is teaching art at Mayfield (OH) High School.

Rene Culler ’91 – had a solo show, Glass, at Heights Arts in Cleveland Heights in September and October.

Erik Neff ’91 – was one of two artists featured in the Abstracted Plane, an exhibition in November and December at the Bonfoey Gallery in Cleveland.

Natasha Sweeten ’93 – had work in the fol-lowing exhibitions: Geometric Progressions: eleven Painters, Edward Thorp Gallery, New York City, October; unraveling Abstraction, Nuartlink, Westport, CT, October; the Big Show, Bridgehampton, NY, September and October.

Jennifer long ’94 – owns Pivotal Design, Inc., an industrial design company focusing on toy design and invention.

Jerome White ’94 – painted a mural at the Glenville Development Center in Cleveland this fall as part of a community outreach program organized by the Cleveland Museum of Art. Also see kecman ’69.

Andrea leBlond ’95 – see Beukemann ’74.

David Pinter ’95 – recently returned from Paris where he covered the launch of a new Land Rover vehicle at the Paris Motor Show. He was also recently in Germany at Volkswagen’s headquarters where he test-drove their new electric vehicle.

lori Kella ’97 – see Cliffel ’90.

Matthew Belknap ’98 – performed in Staircase Crop-Dust as part of Movement Research at the Judson Memorial Church in New York City.

Vincent Como ’98 – participated in a Pecha Kucha presentation at the NY Art Book Fair in Long Island City, Queens in November, and his work was included in a collaborative exhibition at Aqua Art Miami fair at the Aqua Hotel in December.

Christa Donner ’98 – had work in Nurses, a group exhibition in Chicago’s Ben Russell Gallery in November and December, and in Pages: Book as Medium, Catalyst, Venue, a group show at Paragraph Gallery in Kansas City, MO, November through January. She also had work in Bankart NYK’s Summer 2010 Open event in Yokohama, Japan in August, and also partici-pated in the 6th Annual Printer’s Ball in Chicago in July.

Timothy Callaghan ’99 – his solo show, Nightshift, was on view in Cleveland’s William Busta Gallery in October and November.

Sharon Tvorik ’99 – recently opened Village Cards and Gifts, an antique store in Parma Heights, OH.

Heinrich Toh ’00 – gave a public lecture focusing on identity and cultural displacement at Bethel College in North Newton, KS, in November.

Babs Reingold ’78 – had work in robes, a group exhibition at the Therese A. Maloney Art Gallery in Morristown, NJ, in September and October. She also had work in Media Mix x 4, a group show at the Art Lot in Brooklyn, NY, September through January.

Celeste DeSapri ’79 – see kecman ’69.

Patricia Fallon ’80 – had a canvas wall hang-ing, “DARFUR PIETÁ,” at Kent State University during August and September. She gave a lecture with visual presentation at the Kent Conference on Social Justice, Ashtabula Campus, where she also exhibited nine works. She is a professor at Ursuline College.

Shan Goshorn ’80 – had work in the exhibi-tion urban indian 5 at the Southern Plains Indian Museum in Anadarko, OK from September through November. (shangoshorn.com)

Aura Oslapas ’80 – Best Buy Co. Inc. named her its new chief design officer in August.

Marsha Everett ’81 – see herndon ’71.

Tim Myrick ’81 – had work in the 2010 Aqueous open in Pittsburgh in October and in the Annual International Juried Exhibition 2010 in Kent, CT. His work was also included in the 22nd Annual Art in Gadsden at the Gadsden Arts Center in Quincy, FL, in November and December. (howsweetthesouth.com)

Marsha Sweet ’81 – had work in Cinema 01, a group exhibition at the Kenneth Paul Lesko Gallery in Cleveland October 2010 through January 2011. David Jupp ’86, Judith Brandon ’87, Michael Abarca ’09 and fac-ulty members Matthew Fehrmann and Kasumi also had work in the show.

Duncan Greenlee ’82 – recently celebrated 25 years as the editorial cartoonist of the highlander, a Highlands, NC, newspaper.

Anna Arnold ’83 – painted a mural at Cleveland’s Thurgood Marshall Recreation Center this fall as part of a community outreach program organized by the Cleveland Museum of Art. She also participated in the Cleveland Museum of Art’s annual Chalk Festival.

Rita Bishop ’83 – her custom-designed jew-elry is available at her store, Bishops Jewelry Gallery, in Fairbanks, AK.

Mark Sudduth ’83 – see herndon ’71 and romanik ’89.

Paul Dacey ’84 – had a solo exhibition in Seoul, South Korea October through January.

David Jupp ’86 – see Sweet ’81.

Harriet Ballard Moore ’87 – had work on view at Pergola Gallery in San Miguel de Allende, Mexico in February and March 2010 and at Cate Charles Gallery in Stonington, CT, in July.

Judith Brandon ’87 – her work was included in a juried exhibition at the Butler Institute of American Art’s midyear show in Youngstown in July and August. She also had work in Bazaarbeque, a group exhibition at Forum Artspace in Cleveland in August and September. Kate Kisicki ’07, Darius Steward ’08, Jerry Birchfield ’09, Harris Johnson ’09, Jordan Perme ’09, Bridget Rehner ’09, Katherine Widen ’09, lauren Yeager ’09, Jill Kreiling ’10, Michael Meier ’10, Angelo Nicoleti-Eaton ’10, Elizabeth Orchard ’10, Tim Skehan ’10 and faculty members Brittany Campbell ’09 and lane Cooper also had work in the show. Also see Beukemann ’74 and Sweet ’81.

Michael Mikula ’87 – see romanik ’89.

linda Zolten Wood ’87 – recently established a Visual Artists Program at Trinity Cathedral in Cleveland and coordinated the 2nd Annual Medieval Feast Bazaar held in December.

Earl James ’88 – see romanik ’89.

Jonathan Wayne ’88 – received his MFA in Studio Art from the Maine College of Art in Portland. He was the recipient of the Roderick Dew Travel Grant, which he used to go to Iceland and photograph the effects of volcanic activity on the town of Heimaey off the south-west coast.

Michael Romanik ’89 – was awarded second place in 3D Media at Art By the Falls in Chagrin Falls, OH, in June; exhibited his work at the South University Art Fair in Ann Arbor, MI, in July; and along with Michael Mikula ’87 and Earl James ’88, had work at the 20th Cherry Creek Arts Festival in Denver in July. He was also chosen as the poster artist for the 19th Northern Virginia Fine Arts Festival in Reston, VA, in May. His piece, “White-breasted Nuthatch Brooch,” was featured on festival postcards, the website, auction invitations, and t-shirts. Mark Sudduth ’83 and Michael Mikula ’87 also had work included in the festival.

Kristen Cliffel ’90 – had a solo show at the William Busta Gallery in Cleveland in September. Along with Ben Kinsley ’05 and Yoku Shimizu, she is serving as a juror for the SIE 2011, which will be on view in CIA’s Reinberger Galleries from Feb. 18 through March 26. Cliffel donated work for auction to App to the Future, Spaces Gallery’s annual benefit. Dexter Davis ’90, lori Kelli ’97, faculty members Barbara Chira, Greg Martin ’89, liz Maugans, Barry underwood and staff members Amy Casey ’99 and Bruce Checefsky also con-tributed work to the Cleveland gallery’s November benefit.

Dexter Davis ’90 – see Cliffel ’90.

Notes

Chalk One Up to CIACIA WAS WELL REPRESENtED At CLEvELAND mUSEUm OF ARt’S 21St ANNUAL ChALK FEStIvAL

IN SEPtEmBER. ALUmNI ANNA ARNOLD ’83, ABOvE, AND JEROmE WhItE ’94 WERE SPONSORED By

thE mUSEUm AND thE CLEvELAND FOUNDAtION tO CREAtE ChALK mURALS ON BEhALF OF LOCAL

COmmUNIty ORgANIZAtIONS. BIOmEDICAL ARt mAJOR JOSh mAXWELL ’13 AND BARBARA ChIRA,

INStRUCtOR IN thE FOUNDAtION PROgRAm, WERE tWO OF thE SIX OthER ARtIStS COmmISSIONED

By thE mUSEUm. IN ADDItION, FIvE CIA StUDENtS PARtICIPAtED thANKS tO thE SPONSORShIP

OF thE DAvID AND INEZ myERS FOUNDAtION: ILONA JUREK ’12, ANJELLICA tRACE ’12, CASSIDy

StRICKLER ’13, tOm tRAN ’13, AND NORA CORCORAN ’13.

Page 6: NEWS FOR ALUMNI AND FRIENDS OF THE …WINTER 2011 NEWS FOR ALUMNI AND FRIENDS OF THE CLEVELAND INSTITUTE OF ART Link Founded in 1882, The Cleveland Institute of Art is an independent

6 NOTES

Nicholas Economos (Associate Professor, t.i.M.e.-Digital Arts) – has work included in experimental television Center 1969–2009, a five-DVD anthology of electronic media work of over 100 artists who have had residencies at the Experimental Television Center. The collection offers a look at the evolution of the unique artist-designed sound and image tools that are the hallmark of the Center’s studio.

Megan Ehrhart (Assistant Professor, t.i.M.e. -Digital Arts) – had a stop-motion animation, lucid lunch, shown in the Buffalo Arts Studio as part of the contemporary arts festival Beyond/in Western New york this fall.

Matthew Fehrmann (Adjunct Faculty, Film, Video and Photographic Arts) – see Sweet ’81.

Kidist Getachew BFA ’03, MFA ’07 (Adjunct Faculty, Foundation) – collaborated with Michael lehto MFA ’07 (faculty) and John Thomas to create “The Lifeline Waterfall,” a 60-foot-wide waterfall that dropped from Cleveland’s Veterans Memorial (Detroit-Superior) Bridge into the Cuyahoga River 130 feet below. The artists aimed to celebrate Cleveland’s abun-dant water resources and raise awareness of water scarcity. “Lifeline” was the signature art installation for 2010 IngenuityFest, Cleveland’s week-long celebration of art and technology, which attracted some 40,000 visitors. See images on page 7.

Matthew Hollern (Dean of Faculty, Professor, Jewelry + Metals) – created the 2010 Community leaders of the year Award for the Arthritis Foundation, which was presented to the Cleveland Foundation and its President Ronn Richard in October. He is currently curating Digital Mettle: Jewelry and objects of CAD for the National Ornamental Metal Museum in Memphis.

Mari Hulick (Department head and Associate Professor, Communication Design) – see Notargiacomo ’08.

Sarah Kabot (Department head and Assistant Professor, Drawing) – will have a solo exhibition, Sarah kabot: unfolding Space, at the Akron Art Museum from February 12 through June 11.

Kasumi (Professor, t.i.M.e.-Digital Arts) – served as executive producer for the indepen-dent film Aardvark, which had its American pre-miere at the AFI Festival in November. Aardvark won international critical acclaim and screened in film festivals around the world. In October, Kasumi premiered a new multimedia work, “MO-SO,” at EMPAC, the Experimental Media and Performing Arts Center in Troy, NY. She won a 2010 Vimeo Award in the remix category for Breakdown. She was featured in the Korean magazine elle korea. Panoptical Delusions was featured at the 2010 IngenuityFest in Cleveland in September. Kasumi has taken a sabbatical this year to focus on multiple projects around the country. She was named one of Cleveland’s Most Interesting People of 2011 by Cleveland Magazine. Also see Sweet ’81.

Amy Krusinski Sinbondit (technical Assistant, Ceramics) – and Judith Salomon (faculty) were featured artists in the 2010 Ceramics Invitational Exhibition at Baldwin-Wallace College in Berea, OH in September.

lizzy lee (Adjunct Faculty, Communication Design) – along with Danielle Rini uva (fac-ulty) designed the book, Designing a Better Cleveland, written by Plain Dealer art and archi-tecture critic Steven Litt and launched in an event at Cleveland Public Art in October. The book presents ideas for how citizens can

Ben Kinsley ’05 – had work on view in a group show at the Katonah (NY) Museum of Art October through January. He was one of the art-ists featured in Degrees of Separation, a group show at CIA’s Visual Arts and Technologies Coventry Center in Cleveland Heights. Noah Hrbek ’07, Shoko Yamamura ’08, Karl Anderson ’09 and Jerry Birchfield ’09 also had work in the show. Also see Cliffel ’90.

Sarah lohman ’05 – works as a historic gas-tronomist, rediscovering and recreating colonial American recipes. She was recently featured on a Japanese television show about New York cul-ture called “New York Wave.” (fourpoundsflour.com)

Valerie Mayen ’05 – was one of sixteen con-testants to compete on the eighth season of Lifetime’s Project runway. Her clothing design company, Yellowcake, is based in Cleveland and she received a COSE Arts Business and Innovation Award in 2010. She also recently launched the new project, Buzz & Growl, which will offer a pro-fessional studio environment for young designers and students.

Charmaine Spencer ’05 – had an installation, “Journey,” at Cleveland’s IngenuityFest in September. She used driftwood, old wall lath, paper, wire, hair, and other consumer discards to make a statement about sustainabiltiy.

Trisha Barkman ’06 – is the studio manager at Peter Yang Studio in Brooklyn, NY.

Michael Dotson ’06 – is a 2011 MFA candi-date in Studio Art at American University in Washington D.C. and had a solo show, Curves, at Nudashank Gallery in Baltimore in October.

Thomas Nesbar ’06 – was recently hired as the Art Director for Cleveland’s Scene magazine.

Mark Reigelman ’06 – “Wood Pile,” the instal-lation he constructed for the Cleveland Museum of Art’s 2009 Summer Solstice Celebration, was recognized in the 10th annual Americans for the Arts 2010 year in review as one of the year’s best public artworks in the United States.

Salvatore Schiciano ’06 – had work in a group show at Coleman Burke Gallery in New York City in July and August.

Denise Stewart ’06 – and Margaret Denk-leigh (faculty) had work in For the Birds, an exhibition at the Shaker Heights (OH) public library in November that Stewart helped to curate.

Carol Traynor ’06 – is teaching visual arts at Danville High School in Rochester, NY.

Meredith Cowden ’07 – is currently pursuing a master’s degree in art therapy and counseling at Ursuline College. She had work on view in Material Studies, a group exhibition at Cleveland’s Proximity Gallery in November and December, which also included the work of Sarah Gotowka ’07, Beth Whalley ’07, lindsey Felice ’08, Casey McClurg ’08, Jordan Perme ’09, and Brittany Campbell ’09 (faculty).

Sarah Gotowka ’07 – see Cowden ’07.

Noah Hrbek ’07 – see kinsley ’05.

Kate Kisicki ’07 – see Brandon ’87.

Katie loesel ’07 – recently received a certifi-cate for Museum Studies from Tufts University and is employed as a Gallery Educator at the Massachusetts College of Art and Design’s Bakalar and Paine Galleries. She was married in September.

Suzanne McGinness ’07 – received her MA in Children’s Book Illustration from the Cambridge School of Art in 2009, and her first children’s book, My Bear Griz, was published in November.

Alison Saville ’07 – her gallery, Virescent Designs, located in Cleveland’s Tremont neigh-borhood, was featured in an October article in ohio Authority, an online lifestyle magazine.

David Houry ’07 – see houry ’08.

Noah Hrbek ’07 – see kinsley ’05.

Kate Kisicki ’07 – see Brandon ’87.

Beth Whalley ’07 – see Cowden ’07.

lindsey Felice ’08 – see Cowden ’07.

linda Chao Houry ’08 – graduated with a High-End Computer Graphics Certificate from the Gnomon School of Visual Effects in March, and married David Houry ’07 in May.

Notescontinued

Casey McClurg ’08 – see Cowden ’07.

Shamira Nicolas ’08 – had an exhibition of paintings, the light of universe, at the Gallery at the Arts & Cultural Council in Rochester during October and November. (shamiranicolas.com)

Susan Notargiacomo ’08 – worked as a graphic designer on the Cleveland Campus District project. Also involved were Brian Paige ’08, Alexandra Overton ’10, Norman Duenas ’11 and faculty members Mari Hulick and Joseph Stanley ’05. See story on page 2.

Brian Paige ’08 – see Notargiacomo ’08.

Darius Steward ’08 – see Brandon ’87.

Shoko Yamamura ’08 – see Brandon ’87 and kinsley ’05.

Michael Abarca ’09 – see Sweet ’81.

Jessica Adanich ’09 – is employed as a graphic specialist/marketing coordinator for Grubb & Ellis Co. of Cleveland, and she contin-ues to create ocean conservation artwork. (ocean4.org)

Nick Adorni ’09 – is employed at The Public Works, a full service project management firm based in Denver.

Karl Anderson ’09 – see kinsley ’05.

Jerry Birchfield ’09 – see Brandon ’87 and kinsley ’05.

Justin Cumming ’09 – was recently hired by Boston design and engineering firm Essential as an industrial designer.

Carla Fontecchio ’09 – had work included in in-turN, a group exhibition at Zygote Press in Cleveland in November. Barbara Polster ’10, Adrienne Slane ’10, Molly Walker ’10, and Jason Weisensell ’10 also had work in the show.

Madeline Hoyle ’09 – her Cleveland-based company, Blicksbags, manufactures an assort-ment of bags made from sustainable and reclaimed materials. She collaborated with Dan Cuffaro ’91 (faculty) on a bag featured in the 2010 Faculty Exhibition. (blicksbags.com)

Harris Johnson ’09 – see Brandon ’87.

Jacqueline Miller ’09 – see herndon ’71.

Jordan Perme ’09 – see Brandon ’87 and Cowden ’07.

Bridget Rehner ’09 – see Brandon ’87.

Carolyn Shenk ’09 – and Yusef Abonamah ’10, lauren Juratovac ’10, David Kegg ’10, and David Sladek ’10, designed and illustrated an online annual report for the Cleveland-based St. Luke’s Foundation.

Katherine Widen ’09 – had a solo exhibition at Proximity Gallery in Cleveland in September. Also see Brandon ’87.

lauren Yeager ’09 – see Brandon ’87.

Yusef Abonamah ’10 – see Shenk ’09.

Sam Cahill ’10 – co-founded Build a Dream Playhouses, a company that creates customiz-able playhouses made of recyclable corrugated cardboard that children can personalize through drawing or painting. The company donated its playhouses to several Northeast Ohio hospitals. (buildadreamplayhouses.com)

lauren Juratovac ’10 – see Shenk ’09.

David Kegg ’10 – see Shenk ’09.

Jill Kreiling ’10 – see Brandon ’87.

Michael Meier ’10 – see Brandon ’87.

Angelo Nicoleti-Eaton ’10 – see Brandon ’87.

Elizabeth Orchard ’10 – see Brandon ’87.

Alexandra Overton ’10 – see Notargiacomo ’08.

Barbara Polster ’10 – see Fontecchio ’09.

Tim Skehan ’10 – see Brandon ’87.

David Sladek ’10 – see Shenk ’09.

Adrienne Slane ’10 – see Fontecchio ’09.

Molly Walker ’10 – see Fontecchio ’09.

Jason Weisensell ’10 – see Fontecchio ’09.

FACulTY & STAFF

Matthew Beckwith ’06 (Visiting Artist, industrial Design) – designed the Viktor Schreckengost Way street signs which the City of Cleveland installed at East 17th Street, adja-cent to Cleveland State University’s Michael Schwartz Library, where the archives of Schreckengost, a 1929 graduate, now reside. Beckwith also directed senior industrial design students in curating Make, an exhibition of their independent projects that was on view at the Visual Arts and Technologies Coventry Center during October.

Brittany Campbell ’09 (technical Assistant, Fiber + Material Studies) – see Brandon ’87 and Cowden ’07.

Amy Casey ’99 (Project Coordinator, reinberger Galleries) – has been honored as one of Northeast Ohio’s Forty Under 40 rising profes-sional stars by Crain’s Cleveland Business news-paper. She was profiled, along with the other 39 honorees, in the Nov. 22, 2010 issue and online at crainscleveland.com. Also see Cliffel ’90.

Bruce Checefsky (Director, reinberger Galleries) – had five of his short films screened at The Cleveland Institute of Art Cinematheque in November. He participated in a question and answer session after the screenings. Also see Cliffel ’90.

Barbara Chira (Visiting instructor, Foundation) – had paintings on exhibit at the Plain Dealer building through mid-January and had two installation pieces and a drawing on exhibit at the Tri-C/West Faculty Exhibition from November through mid-December. She reviewed a 3D design textbook manuscript for Wadsworth pub-lishers, a division of Cengage Learning. Also see Cliffel ’90.

lane Cooper (interim Department head and Assistant Professor, Painting) – spent the fall 2010 semester in a residency at Gallery Aferro in Newark, NJ. Also see Brandon ’87.

Dan Cuffaro ’91 (Chair, Design environment; head, industrial Design Department, Anne Fluckey lindseth Professor of industrial Design) – was a panelist at the Education Innovation Summit hosted by Hathaway Brown School in Shaker Heights, OH, and attended by more than 500 faculty and administrators from 110 different public, private, and parochial schools from 30 U.S. states and Canada. Also see hoyle ’09.

Scott Colosimo ’04 (Adjunct Faculty, industrial Design) – was featured in the e-magazine Fresh Water, which posted a story about his motorcy-cle company, Cleveland CycleWerks. (freshwatercleveland.com)

David Deming ’67 (Former President) – had a solo exhibition, transForMations: the rocker and Centurion Series at The Sculpture Center in Cleveland from September through December.

Margaret Denk-leigh (Department head and Assistant Professor, Printmaking) – attended the Mid-American Print Council Conference in Minneapolis in October and was invited to par-ticipate in two exhibitions associated with the conference: this World and Part of the Collective. Her works were then placed in per-manent collections at University of Minnesota and Arizona State University. She was one of 25 artists whose works were included in a catolog of the international exhibition, Monumental ideas in Miniature Books, produced by the National Taiwan University of Art. The exhibition is a col-lection of handmade artists books from around the world. Also see Stewart ’06.

T.I.M.E.-DIgITAL ARTS

PROFESSOR kASUMI AND

PRESIDENT gRAFTON NUNES

WERE NAMED AMONg

cleveland magazine’s MOST

INTERESTINg PEOPLE 2011.

OUTSIDE THE AWARD CER-

EMONy, kASUMI LEANS ON A

PLANTER DESIgNED by

MARk REIgELMAN ’06.

anatomica aesthetica: PhotograPhs

from the mütter museum, and h. f. aitken

illustrations from the dittrick medical

history center DREW HUNDREDS OF VISI-

TORS TO CIA’S REINbERgER gALLERIES DURINg

NOVEMbER AND DECEMbER. THE ExHIbITION

INCLUDED WORkS by CONTEMPORARy FINE-

ART PHOTOgRAPHERS WHO USED IMAgES

FROM THE MüTTER COLLECTION AS THEIR

SUbjECT MATTER. THE SHOW ALSO INCLUDED

STUDENT WORk IN bIOMEDICAL ART AND

INDUSTRIAL DESIgN, AS WELL AS A SAMPLINg

OF THE STUNNINg MEDICAL ILLUSTRATIONS by

HAMLET FREDERICk AITkEN (1872–1939).

Page 7: NEWS FOR ALUMNI AND FRIENDS OF THE …WINTER 2011 NEWS FOR ALUMNI AND FRIENDS OF THE CLEVELAND INSTITUTE OF ART Link Founded in 1882, The Cleveland Institute of Art is an independent

actively participate in determining the future of our city. Lee and Rini Uva also presented their work at Cleveland Public Library in October as part of Octavofest, a city-wide, month-long celebration of book and paper arts.

Michael lehto MFA ’07 (Adjunct Faculty, Communication Design) – see Getachew (faculty).

Scott ligon (Assistant Professor, Foundation) – had his award-winning short animated film, escape Velocity, air on the Documentary Channel in December. Distributed by Shorts International of London, the film is about the connection between ADHD and creativity.

Greg Martin ’89 (Adjunct Faculty, industrial Design) – see Cliffel ’90.

liz Maugans (Adjunct Faculty, Printmaking) – see Cliffel ’90.

Grafton Nunes (President) – along with Plain Dealer Book Editor Karen Long, will dis-cuss their favorite romantic movies and books at a fundraiser for the Cleveland International Film Festival in early February. He was named one of Cleveland’s Most Interesting People of 2011 by Cleveland Magazine.

Saul Ostrow (environment Chair and Associate Professor, Visual Arts and technologies) – had an article, “Reconfiguring Pop,” published in Art in America magazine. The article is a review of the exhibition, Seductive Subversion: Women Pop Artists 1958–1968, which was curated by Sid Sacks for the University of the Arts (Philadelphia) and then traveled to Brooklyn Museum, where it was on view from October through early January. In November, he with the artist writer David Goodman led an evening of discussion and debate concerning the essay, “Some Aspects of Color” (1993), by the late artist, designer, and critic Donald Judd. He co-hosted the event in his New York loft with Rainer Judd and the Judd Foundation (juddfoundation.org).

Douglas Paige ’82 (Associate Professor, industrial Design) – was one of 16 designers, engineers, and scientists from across the coun-try accepted into a two-year master’s level bio-mimicry certification program offered by the Biomimicry Institute. (biomimicryinstitute.org)

Sarah Paul (Assistant Professor, t.i.M.e.-Digital Arts) – created a large multimedia installation with her sister, Suzannah Paul, which was shown at the Albright-Knox Art Gallery in Buffalo in September as part of the Beyond/In Western New York, a contemporary arts festival. With Julia Christensen, she co-wrote and performed at MOCA Cleveland an experimental multimedia opera, “Torso Murders,” celebrating the spirit of the victims of the notorious 1930s Cleveland murders.

IN MEMORIAM

ALUMNI

Howard Kulow, Jr. ’49 – passed away in July in Cleveland.

Ernest Horvath ’52 – died in July. He is sur-vived by his wife of 61 years, Sally.

leo Grucza ’57 – passed away in October at age 75. He received a MFA from Tulane University in New Orleans and was awarded the prestigious Tiffany Foundation Grant, as well as two individual grants from the National Endowment for the Arts. Leo taught at the School of Art and Design at the University of Illinois for over 40 years. He is survived by his wife Susan and three children.

Nancy Bukovnik ’58 – the Cleveland resident died in October.

Joan Inman ’59 – passed away in October at age 75.

Paul Apkarian ’59 – passed away in August at age 97 in Reno, NV.

Inara Kampe ’65 – passed away in 2004.

Thomas Aprile ’76 – died in September at age 57. The Iowa City resident received his MFA from Syracuse University and was a professor at the University of Iowa. He is survived by his wife Laura.

Maxeen Stone Flower ’76 – the Shaker Heights resident passed away in September at age 82. Maxeen owned Maxeen’s Antiques in

Students Bring Art and Joy to Children with Cancer

Twelve Cleveland Institute of Art students donated their photographic talents and their

compassion to children with cancer when they volunteered to take portraits of patients

at the Cleveland Clinic Children’s Hospital in October. The photo shoot — which was also

an upbeat Halloween party — was organized by the Cleveland-based Flashes of Hope,

a nonprofit organization that runs monthly portrait sessions in 47 hospitals nationwide.

Flashes of Hope aims to change “the way children with cancer see themselves through

the gift of photography.” Families receive the portraits of their children free of charge.

“The students who volunteered their time for this event gained a real understanding that

art can be a vehicle for exchange between institutions and organizations and that they as

individuals can be productive participants within our community by contributing their talent to

enrich the lives of others,” said Professor Nancy McEntee ’84, who coordinated the event.

Lisa (Morgan) Cencula ’91, a photography graduate who now serves as director of mar-

keting and special events for Flashes of Hope, said the organization normally works with

volunteer professional photographers but that the CIA students rose to the challenge.

“The students were very professional in their manner in dealing with each other and with the families, and they demonstrated some very sophisti-cated skills and behaviors when they were there.”

Eleven of the student volunteers are photography majors and one, Harini Kasturi ’13, is

a communication design major who is taking Introduction to Photography with McEntee.

The photography majors are JR Berry ’12, Jamee Crusan ’13, Megan Drmota ’11, Caitlin

Groh ’13, Sarah Groh ’12, Rosie Hileman ’12, Stephanie Mercer ’13, Joseph Minek ’11,

Taylor Moorehead ’11, Marissa Palevsky ’11, and Emily Smith ’13. Dodd Camera donated

equipment for the shoot.

Beachwood, OH, was a national trustee for UNICEF, and served on the boards of University Hospitals and The Cleveland Institute of Art. She is survived by her husband John and eight children.

Brian Joiner ’85 – died in October at age 48. The Cincinnati resident was named the 2009 Robert S. Duncanson Artist-in-Residence at the Taft Museum of Art, and his work was featured in solo and group exhibitions across the country.

Evelyn Rashid ’88 – died in August at age 45. The North Carolina resident was a Montessori school teacher and is survived by her husband.

FAcULty

Klaus G. Roy – who taught at CIA from 1975 until 1990, died in May at age 86. He is survived by his wife Gene, a son, a daughter, three step-children, two grandchildren, six step-grandchil-dren, and two step-great-grandchildren.

BoArd oF dIrectors

Patricia lineberger – died in September at age 82. She served on CIA’s Board of Directors from 1986 until 1995, when she became a member of the Honorary Board. She is survived by a daughter, two sons, two stepsons and 10 grandchildren.

Danielle Rini uva (Adjunct Faculty, Communication Design) – see lee (faculty).

Cris Rom (Director, Gund library) – and Barbara Stanczak ’90 (faculty) participated in a panel discussion at Cleveland Public Library about artists’ books as part of Octavofest, a city-wide, month-long celebration of book and paper arts held in October.

Judith Salomon (Motto Chair and Professor, Ceramics) – see krusinski Sinbondit (faculty).

Dominic Scibilia ’72 (Department head and Professor, illustration) – was presented in November with the 2010 NOISmaker award from the Northern Ohio Illustrators Society in recogni-tion of his contributions to the illustration field.

Niki Smith ’09 (teaching Assistant, Foundation) – has launched her comic book, in Maps and legends, in a range of digital formats, including iPhone, iPod Touch, iPad, Android phones, Kindle e-readers, a website, and downloadable PDFs. Issues come out every six weeks. (InMapsAndLegendsComic.com) The comic was originally published by a branch of DC Comics.

Barbara Stanczak ’90 (Professor, Foundation) – see rom (faculty).

Julian Stanczak ’54 (Faculty emeritus) – had paintings in a group exhibition, the responsive Mind, at Madron Gallery in Chicago from September through November. Richard Anuszkiewicz ’53 also had work in that show. Julian’s work was featured in a solo show, Color Grid, at Danese Gallery in New York City during October and November. See photo on page 4.

Joseph Stanley ’05 (technical Assistant, industrial Design) – see Notargiacomo ’08.

Dan Tranberg (Adjunct Faculty, liberal Arts, Foundation, and Visual Arts + technologies environments) – was featured on Applause, the Emmy-award-winning arts and culture show on WVIZ, Cleveland’s public television station.

Barry underwood (Department head and Assistant Professor, Film, Video, + Photographic Arts) – had work in landscape Photography at the MPLS Photo Center in Minneapolis last spring, a show of 71 images chosen from 2,400 entries from 443 photographers in 17 countries. His photographs were included in the Toronto International Art Fair during October and November. His artwork is on the cover and liner notes for singer/songwriter Jenny Gillespie’s CD, kindred. And he was profiled in the Korean mag-azine Photo + in an article with a several-page image spread. Also see Cliffel ’90.

PuBlIC COMMENT INVITED AS CIA SEEKS REACCREDITATION

last year, as a requirement for reaccreditation by the North Central Association

of Colleges and Schools (NCA), CIA administrators, faculty, and staff began a

self-study of CIA’s processes and functions. CIA will submit its self-study report

to the NCA in late January and NCA evaluators will visit campus in late March.

Members of the public may comment at higherlearningcommission.org by

following links to understanding Accreditation. Comments must be received

by the NCA no later than Feb. 28.

FACULTy MEMbERS kIDIST gETACHEW AND

MICHAEL LEHTO COLLAbORATED WITH jOHN

THOMAS TO CREATE “THE LIFELINE WATERFALL”

AT CLEVELAND’S VETERANS MEMORIAL bRIDgE.

SEE FACULTy & STAFF NOTES ON PAgE 6.

NOTES 7

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Page 8: NEWS FOR ALUMNI AND FRIENDS OF THE …WINTER 2011 NEWS FOR ALUMNI AND FRIENDS OF THE CLEVELAND INSTITUTE OF ART Link Founded in 1882, The Cleveland Institute of Art is an independent

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ARTISTS (left to right):

lYNDSEY Vu

FlORA SANDY

CARlIN ANDREW

JESSICA HOWARD

JAMEY HART

PAul ZAGORSKY

MElISSA ROCKWERK

Submit ideas and updates for link:

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GRAFTON J. NuNESPresident and Ceo

MARK A. INGlISVice President Marketing and Communications

ANN T. MCGuIRESenior Writer

JulIE M. MASONMarketing and Communications Writer

ROBERT MullER ’87Principal Photographer

SuSAN KANDZER DESIGNDesigner

GREAT lAKES INTEGRATEDPrinting and Mailing

AMY BARTTERDirector, Annual Giving and Alumni relations

MEGAN FRENCHAssistant Director, Annual Giving and Alumni relations

Linkhelping alumni and friends of the Cleveland institute of Art remain informed of campus, faculty and alumni news, CiA publishes link three times a year.

Copyright © 2011 The Cleveland Institute of Art

CONNECT WITH CIAVisit www.cia.edu for links to Facebook, Twitter, LinkedIn, Flickr and YouTube.

Vol. 10, Issue 1 WINTER 2011

The Cleveland Institute of Art grate-fully acknowledges the citizens of Cuyahoga County for their support through Cuyahoga Arts and Culture.

WITH A SEMESTER OF ART SCHOOl

uNDER THEIR BElTS, STuDENTS

FROM THE ClASS OF 2014

DISPlAYED THIS WORK IN THE

FOuNDATION FAll SHOW 2010.

Link

STuDENTS

VOluNTEER FOR

FlASHES OF HOPE.

(See StorY

oN PAge 7.)

foundation exhibition