MAGICTOUCH new/2. Portfolio2010.pdf · Medium / logo, letterhead and lusiness cards, catalogue,...
Transcript of MAGICTOUCH new/2. Portfolio2010.pdf · Medium / logo, letterhead and lusiness cards, catalogue,...
I PROJECTS
I / I Corporate Identity HenkelHiedl I / I Corporate Identity Grafik-Design-Schule I / I Book: Modern Life of the SoulI / II Book: Bocca della VeritàI / III Book: Die MappeI / IV Newspaper: International Building Exhibition / IBAI / V Book: realities:united I / VI Poster – Book: Bert NuhaanI / VII Book: Exercise bookI / VIII Magazine: Amsterdam – Berlin I / IX Berlin – IsraelI / X Familienfreundliches WohnenI.I / I Poster: Topshop, create berlin, Dogma I.II / I Corporate Identiy: diverseI.III / I Internet: diverse I.IV / I Illustration: diverseI.IV / II Illustration: diverse
II INFORMATION
II / I ReferencesII / I CVIII / I Contact
CONTENT
Re-DesignCorporate DesignHenkelHiedl
Format / diversClient / Projektbüro HenkelHiedl, BerlinPurpose / Redesign Corporate IdentityMedium / logo, letterhead and lusiness cards,catalogue, power-point, fine-and basisconcept (layout), webSpecial / Newspaper-paper, 90 gr.
We were asked to re-design the identity of the graphic-design agency Henkel.Hiedl, in Berlin. The agency is located in Berlin and Freising. There will be a third studio based in Sapporo, Japan. The dot in the former logo was re-placed in front of the logo. At the same time the two names of the agency-owners (Henkel, Hiedl) were written with no space between, working metaphorically to signify the two different locations »working out-of-one-hand«.Considering the agency’s personal and conceptual approach towards their diverse clients assignments, we focused our further emphasis on the develop-pment of a »communicative –system«.The idea was to introduce / describe each element of their identity by using a modular »word-game« – using their identity in a playful and humorous way. Within the corporate system the dot functions as a sort of »multiple choice indicator«. On every medium one finds a selection of possiblities related to the subject matter, the dot communicating the nature of the content. So the word-combinations activated via the dot can be endlessly modified, similar to the designers everyday work of producing various possibilities and examples for their clients. Project is still in progress …
Project I / II
Corporate Design
HENKELHIEDL CORPORATE FONT REPLICA REGULAR / REPLICA LIGHT
ABCDEFGHIJKLM0123456789!?→↘ABCDEFGHIJKLM0123456789!?→↘
HENKELHIEDL CORPORATE FONT / SYSTEMHELVETICA NEUE REGULAR / HELVETICA NEUE THIN
ABCDEFGHIJKLM0123456789!?→↘ABCDEFGHIJKLM0123456789!?→↘
A . B . A B →
Re-design:
The client would like to convey their new working scenario (3 locations, no single one being the 'HQ') in both a high-ly professional and playful approach towards the assignments, the word-game reflects on it.
. HENKELHIEDL . HENKELHIEDL . HENKELHIEDL . HENKELHIEDL . HENKELHIEDL
. HENKELHIEDL
. PROJEKTBÜRO
. HENKELHIEDL
. BERLIN FREISING SAPPORO
. BRIEF ANGEBOT RECHNUNG SONSTIGES ETC
. GUTEN TAG VIELEN DANK
WIEDERSEHEN
possibilities ↘
Dot indicates activity:
principle of former logo new principle – literally translate
companies united, work mainly in the fields of webarchitecture, playful, communicative use of the dot in wordgame
Project I / I.I
Corporate Design based on a communicative-system,
letterhead and business card
→ Spezifikation→ Art→ Identität
.HENKELHIEDL
. PROJEKTBÜRO GUTEN TAG
. VIELEN DANK
SCHÖN
WIEDERSEHEN
FROHES FEST
BRIEF
ANGEBOT
. RECHNUNG
MAHNUNG
SONSTIGES
ETC.
BERLIN
. FREISING
SAPPORO
HENKEL
. HIEDL
→ Spezifikation→ Art→ Identität
.HENKELHIEDL
. PROJEKTBÜRO . GUTEN TAG
VIELEN DANK
SCHÖN
WIEDERSEHEN
FROHES FEST
. BRIEF
ANGEBOT
RECHNUNG
MAHNUNG
SONSTIGES
ETC.
BERLIN
. FREISING
SAPPORO
. HENKEL
HIEDL
System: Word-game
On every medium (here: letterhead) one finds a selection of possiblities related to the sub-ject matter, the dot communicating the nature of the content.
Literal Interpretation: Memory
The Projectbüro would like to linger in their clients memory. (Business card front: colour-cut. Back: silkscreen)
→ Spezifikation→ Art→ Identität
.HENKELHIEDL
. PROJEKTBÜRO .GUTEN TAG
VIELEN DANK
SCHÖN
WIEDERSEHEN
FROHES FEST
BRIEF
ANGEBOT
RECHNUNG
MAHNUNG
. SONSTIGES
ETC.
BERLIN
FREISING
. SAPPORO
. HENKEL
. HIEDL
Project I / I.I
fineconcept/ leporello
Leporello
Modular A3 Leporello used for concepts which can be custumised according to client's prefe-rence. Variable sizes dependent on each project's necessities (laserprint).
BookModern Life of the Soul
Format / A3, Cover: A2 PosterClient / Melanie Bonajo & Kinga KilczynzkaPurpose / exhibition catalogueMedium / offset, 750 copiesSpecial / Newspaper-paper 90 gr
»In the forests of Eastern Poland, a sacred cult has formed that has withdrawn from the outside world and worships Mother Nature. Living in houses made of growing plants, its members have turned their backs on the modern world … « The book is executed as an open, fold only (no other binding) newspaper-layout …
Project I / I
Book: Modern Life of the Soul
Project I / I
Book: Modern Life of the Soul
… The photographs are based in nature, imply mysti-cism and reference the surreal, so the large format offers space, and the double-spreads allow the viewer to immerse him – or herself within the images. The recycled-paper and the open format transfer the project’s eco-conscious, »back to nature« / basics, harmonious atmosphere.
Winner of the PUP award 2008.
http://www.hupgallery.com/pup07/
Project I / I
Book: Modern Life of the Soul
The A3 book sits loose in the folded poster – a sticker holds it together. Unfolding the poster (A1)
Project I / IIBook: Bocca della Verità
BookBocca della Verità
Format / A5 Client / DAS DEUTSCHE HANDWERK, BerlinPurpose / exhibition catalogueMedium / offset, 500 copiesSpecial / colourfade print in metallic (copper)
Das Deutsche Handwerk remade the »Bocca della Verita« in- and outside of the newly build Police station in Rottweil as a part of the exhibition »Kunst am Bau«. Originally, the Bocca is »the mouth of truth«. Accord-ing to legend, a liar putting their hand inside the open mouth will have it bitten off. …
Project I / II
Book: Bocca della Verità
… The Deutsche Handwerk made 2 reproduction of the original Bocca; one in stone for outside the building and another in bronze inside. The book layout docu-ments this project and includes all their past projects concerning »Kunst am Bau«. The 4-colour-book is printed with metallic-copper for cover and highlights. Inside the book is a sticker to take out showing the Bocca as a reproduction – from the reproduction itself.
http://www.dasdeutschehandwerk.de
http://www.thomasraschke.de
http://www.sebastian rogler.de
Project I / III
Book: Die Mappe
BookDie Mappe
Format / A5 Client / Von Erlenbach Kunstschule, BerlinPurpose / archive, informationbroschureMedium / offset, 500 copiesSpecial / Altarpfalz, second insert book enclosedin main book
This book asks the question »What constitutes an appropriate portfolio for entry into art school?«Each year hundreds of art students try to enter art schools via the selection of work in a portfolio.The number accepted is relatively low. The Michael von Erlenbach art-school endeavors to support young creatives towards both personal expression and receipt of entry. In this book, students who have …
Project I / III
Book: Die Mappe
… been accepted present their successful portfolios and are interviewed by Michael von Erlenbach. In a second enclosed booklet, Von Erlenbach inter-views a selection of professors from different art schools in Germany. very personal and honest insight of the life and struggle of the young artists and their state of mind. A helpful tool for orientation within the wide field of art-schools.
Project I / IV
Newspaper: International Building Exhibition / IBA
IBA-NewspaperInternational building exhibitionHamburg (IBA)
Format / A3 Client / urbanista, HamburgPurpose / information broschure, quarterly Medium / offset, 20.000 copies
Together with the architect studio urbanista, Hamburgwe were asked to apply the new Corporate-Design to the first printed matter realised for the Internationale Bauausstellung, Hamburg. The target group for this layout should be appealing to both the general public living in the diverse areas of Hamburg and possible in-vestors. Development of a quartly format for news,facts, announcements and activities during the IBA period 2007 – 2013.
http://www.iba-hamburg.de/
Project I / V
Book: realities:united
Bookrealities:united
Format / A5 Client / realities:united, BerlinPurpose / archive / information broschureMedium / mixed media, modular system, self-produced
Image brochure for the architecture büro realities united, Berlin. Jan and Tim Elder are developing architectural solutions in the fields of new media and information technology. Their special interest lying in the com-municative aspect of architecture. The idea of the brochure plays with the issue of redefinition. The format consists of various modular elements which can be transformed depending which way the büro wants to present itself. The cover stamped with their signature is from cardboard, the binding is a simple rubberband which can hold up to five different projects in one folder. The inside consists of a black and white layout in combination with loose sheets of photography.
(http://www.realu.de)
Project I / VI
Poster – Book: Bert Nuhaan
Poster -BookBert Nuhaan
Format / A4 Client / Gerrit Rietvelt AcademiePurpose / archiveMedium / offset, 500 copies
This work on the dressmaker Bert Nuhaan is a book consisting of seven folded A1 posters. These items come with something to fix paper together, in a plastic bag. The reader has the option whether to keep the posters the way they are, and read the content by unfolding them, or to make a book out of them him – or herself. Therefore the information parts are designed in a way that the A1 format can be cut and arranged to attain an A4 Bert Nuhaan Book.
Project I / VII
Book: Exercise book
BookComic Club
Format / A4 Client / Shop FuriosaPurpose / documentationMedium / digital print
3 books containing colour drawings, collages and black and white drawings. The drawings are a collaboration project from the Comic Club, Amsterdam. Members of Comic Club: Sandra Haselsteiner, Simone Bennett, Tom Huber, Sabine Hiemann, Jan Novak, Tom Mason and Sabine Meyer.
Project I / VIII
Magazin: Amsterdam –Berlin
Magazin No.1Amsterdam – Berlin
Format / A5, A4 Client / self-iniciatedPurpose / network magazineMedium / silkscreen
Collaboration with the graphic designer Dan Geva. Two issues of a network magazine. The metaphor of a train is used here to show a format which connects people communicating about an issue (issue no. 1: Amsterdam – Berlin, issue no. 2: Berlin Tel Aviv). The main contact /communication beween the editors and the contributors goes via internet. All material is collected within a non-designed format. The only »design process« the editors do is giving each contribu-tion it’s exact place. All contributions are included, whether or not they reflect the opinions of the editors.
Project I / IX
Magazin: Berlin – Tel Aviv
Magazin No.2Berlin –Tel Aviv
Format / A5, A4 Client / selfiniciatedPurpose / network magazinMedium / silkscreen
In collaboration with the graphic designer Dan Geva. Two issues of a network magazine. The methaphor of train is used here to show a format which connects people communicating about an issue (issue no. 1: Amsterdam – Berlin, issue no. 2: Berlin Tel – Aviv). The main contact /communication beween the editor and the contributors goes via internet. All material is collected within a non-designed format. The only »design process« the editors do is giving each contri-bution it’s exact place. The editors use all contributions – even if it’s not the editors own opinion.
Project I.I / IPoster: Dogma
MagazineAttraktives Wohnen für die ganze Familie
Format /A4 Client / urbanistaPurpose / network magazinMedium / offset
Catalogue Behörde für Stadtentwicklung, Hamburg.Together with the architecture studio, urbanista, Hamburg -better cities, we developed a layout within a given corporate design. The assigment was to find a visual language which is highly appealing to families and their desires in terms of housing. …
Project I / X
Magazin: Attraktives Wohnen für die ganze Familie
Project I / X
Magazin: Attraktives Wohnen für die ganze Familie
The city of Hamburg offers four different prototypes of living-models: city, garden, harbour, and suburbia. Refering to this, we worked with four headline-double spreads dividing each category via specific content and colour. The magazine itself contains both the text-image layer and a mapping-system offer-ing an easy way to navigate and orientate through the multiple locations across Hamburg.
http://www.urbanista.de
PosterTopshop
Format / A2Client / topshop BerlinPurpose / film posterMedium / silkscreen
Topshop was an exhibition held in a former discount super-market in Berlin.Topshop was on the one hand an exhibition of artwork in various mediums by artist from various fields. At the same time original artwork could be used as material and easily reproduced, and could therefore be starting points for an uncontrolled process of reproduction.
Poster/CIcreate berlin
Format / A1Client / create berlin, BerlinPurpose / competitionMedium / copy machine
Element A: The communicative system The term »create berlin« itself offers endless possiblities which can lead to real (up to fictional) future events . Examples (from archive): »Hi, we are create berlin!« »create berlin is born«, etc. We started our research within the meaning / possibli-ties of this term …
PosterDogma
Format / A0 Client / self-initiated projectPurpose / film posterMedium / copy machine
What happens if one applies the rules of the Dogma filmmakers to graphic design? In a formal way the rules of Dogma are as serious as possible executed into the layout. The poster’s content explores the trend/hype which came up after the first Dogma films became more popular than one could have expected (except maybe L.v.Trier / T. Vinterberg ?) …
Project I.II / I
CI: diverse
Infografik(selection)
Auf
gabe
I –
III
Ana
lyse
: A,B
,C
Diskurs *
Fehlversuch
C
D
E
E
E
AB 08:10: Maps
08:15: Documents08:20: Cultural heritage
08:25: Fictional history
08:30: Magazines
08:35: Journals
08:40: Web 2.0
08:45: Social W
eb08:50: Tim
elines
08:55: Chronologie
09:00: Psyeudo historyf
09:05: Fictional history
09:10: Fileds
09:15: Fileds
0900: Happening
09:2
0: D
emoc
ratic
des
ing
09:3
0: tr
y an
d er
ror
09:3
5: R
esea
rch
09:4
0: G
erm
any
09:4
5: In
tern
et09
:50:
Fas
hion
09:5
5: G
lobali
satio
n
10:00: Entering words noone reads
08:05: mindframe Anwendung
Nachahmung
Inspiration
Information
Intelligenztest ...
Alter
ab15
18 - 25
26 - 32
Bildung
Abitur
Berufsschule
Hochschule
Sonstige ... 33 - 40
41 - 42
43 - 50
51 - 66 ..
67 - 72
73 - 85
93.8./. 4.7
89.1
A
B B BB
B
BB
BB
BB
BB
BB
BB
BB
BBBBBB
B
BB
BB
BB
BB
B
BB
BB
B B
x
y z
I lov
e ne
w –
wor
k
„The
orig
ins
of th
e w
orld
land
scap
e
are
ambi
guou
s.Its
root
s de
rive
eith
er fr
om a
com
bina
tion
of „l
and“
and
the
Dutc
h w
ord
for „
ship
“
or th
e Ger
man
verb
„sch
affen
“
– to c
reate
In data
landsc
apes
, both
meanin
gs
suggest
the potency and resposibility
of
the designer in guiding the viewer through a
complex sea of meaning
Elevating the reader from „Flatland“
the reduced, lessend,experience of reality
that results from subjecting real experience
to two dimensional expressionthey create a journey of contextand interaction.Perspective is blended
with graphicframeworklecture I the shape of form and function
to bring depth
and meaning to the expression of data
When individual data points
develop tension and connection
witheach
other
theresulting
structures becomes an entity
in its own right
the network
It draws life essentially
from connection
and connectednessand it is these qualities
that are directed
explicitlyby the designer
to
show cause
the origins
of the
word
landscape are
ambiguous
Its roots derive
either
from a combination
of landand the Dutchword for ship or the German verb
schaffen – to create
In datascapes
both mea
nings
sugg
est
the
pote
ncy
and
resp
onsib
ility
of th
e
desig
ner
in g
uidi
ng th
e vi
ewer
thro
ugh
a co
mpl
ex s
ea o
f mea
ning
Elev
atin
g
the
read
er
from
Fla
tland
the
redu
ced
less
end
Sta
rt://
nev
er s
top
: wis
hful
thin
king
...
Januar
Februar
März April Mai JuniJuli
xx
Project I.II / ILogo
Logo(modular use /design-process)
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Technologies
A–2.3/1
Jado Technologies
Logo for Max-Plank-Institut, Dresden – Jado Technologies, Center for Cell and Cancer Research. Logo in collabora-tion with Ulrike Brückner, Musterfirma – Berlin
Jado Technologies
Logo for Werkleitz Gesellschaft e.V., Halle. Logo-proposals in collaboration with Claudia Siegel, Büro am Ring – Leipzig.
Hi, this
could
be
1.2.3a
.5.0/
1
Logo-proposal for the »create-berlin« poster-competion. Logo and corporate design in collaboration with Jon Frickey, SFA – Hamburg.
Pant
one 2
13
1.2.3a
.5.0/
1
One ou
t of a
thou
sand p
ossibl
e even
ts by
0.3.3d
.2.7/
3
Re-thin
k you
r ide
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y
5.6.8.
9/b
Webdesignselection 1. Deutsches Forum für Kunstgeschichte, Paris, CMS
Joomla! www.dt-forum.org2. Topshop, Berlin – www.topshop-berlin.de 3. Dunz-Wolff, Hamburg, www.dunzwolff.de4. Loneproductions, Amsterdamwww.loneproductions.eu 5. Park – www.park-park.com6. Yogista, Berlin – www.yogista.de
Corporate IdentityParkFormat / diverseClient / self-initiated projectPurpose / Corporate IdentityMedium / concept, text, Logo, business cards, web
Since 2010 magictouch collaborates with creatives based in Berlin, London and Zürich. To manifest this project a plattform is created together with two designers (BeateAlbrecht, Vanessa Feierabend). So far we have designed a beta-version portfolio-website, blog, portfolio and a set of business-cards.
Park is a »fexible pool of ideas« generated by specialists in the fields of graphic design, animation, illustration, information-architecture, public relations, text, according to the necessities of the job in hand. Park is an organic network of freelance creatives working both nationally and internationally. Due to its modular structure, Park can be deployed fast and effectively for different project concerns.
http://www.park-park.com
ProjectI / III
Web-Design
Digital portfolio: personal day-code
Selection of work displayed in PDF-file. Suggesting print. Each portfolio has an individual code due to its modu-lar structure.
Hello. Thanks for downloading the digital portfolio. We hope you enjoy our work.pdf
PARKARCHIVE 1What do you look like?
The idea was to introduce describe each element of their identity by using a modular »word-game« – using their identity in a playful and humorous way. Within the corporate system the dot functions as a sort of »multiple choice indicator«.
ARCHIVE 2What do you look like?
What happens if one applies the rules of the Dogma filmmakers to graphic design? In a formal way the rules of Dogma are as serious as possible executed into the layout.
ARCHIVE 3What do you look like?
The poster’s content ex-plores the trend/hype which came up after the first Dogma films became more popular than one could have expected.
2007 – 2010
Digital businesscards
Daily changing visual-code.Automatic attchment on Emails and printed version.
PARK
Hello ... again.pdf
Dear Stefan, ... .pdf
not to forget.pdf
Memories.pdf
War traße 7210243 Berlin
+49 / 30 / 25 013 140+49/ 30 / 28 379 900
www.alias-alias.com [email protected]
P
PARK
Ausbildung
Design —
Grafi k-Design-
Schule Anklam
PC_SAB1.pdf 12.08.2010 22:26:37 Uhr
Ausbildung
Design —
Grafi k-Design-
Schule Anklam
PC_SAB2.pdf 12.08.2010 22:34:11 Uhr
PC_SAB2.pdf 12.08.2010 22:57:27 Uhr
Corporate IdentityGrafik-Design-Schule Anklam Format / diverseClient / Grafik-Design Schule AnklamPurpose / Re-design Corporate Identity
Medium / logo, letterhead, business cards, catalog, website, banner
We were asked to re-design the identity of the Graphic Design School in Anklam. It was important to us to communicate in a clear and honest way about »the way to become graphic designers«. We wanted to give a more transparent idea about the process of learning at school. Most students who apply for the design courses have a somewhat simplistic idea about what it meansto work as a professional graphic designer. So we came up with a concept which literally puts »the students« in the focus. The student is »used« in an info-graphic manner. The second element is the dot. The dot can be interpreted in various ways: beginning, start, goal, end, single station, standpoint (opinion) etc.
Project I / I.I
Broschüre and Postcards
Postcards
Broschüre
12 –13
Studium Einblick Ziel
Grafik-Design Schule Anklam
Demminer Str. 36
17389 Anklam
www.grafik-design-anklam.de
Grafik-Design Schule Anklam
Demminer Str. 36
17389 Anklam
www.grafik-design-anklam.de
Grafik-Design Schule Anklam
Demminer Str. 36
17389 Anklam
www.grafik-design-anklam.de
CORPORATE FONT AKZIDENZ GROTESK
ABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789!?
Literal translation: »the student « is in the center of attention
1. key-visuals: students with balloons
2. typography: typography placed on key visuals
3. dots: as indicators for further informa-tion, and metaphor for beginning, opinions, course conclusion …
Banner
Broschüre
EDUCATION
2001 BA Graphic Design, Gerrit Rietveld Academie, Amsterdam1998–97 Visual Communications, Hochschule der Künste, Berlin1996 Communication Design, Bergische Universität Gesamthochschule,Wuppertal
AWARDS / NOMINATIONS
2007 Winner PUP Award 2007 with the publication »Modern Life of the Soul«
2001 Nomination and 2nd prize, Gerrit Rietveld prize 2001 posterbook: Bert Nuhaan – Het Boek portrait and archive of the dutch costume designer Bert Nuhaan
ExhIbITIONS / OThER
2009 – Present: Art Direction, Projektbüro Henkel und Hiedl, Berlin http://www.henkelhiedl.com2008 – Present: Teacher Grafik-Design Schule, Anklam2006 /2005 SoDA / Swiss magazine issue 30: »Fes-artschool« – divers walldrawings at »bread and butter« Berlin issue 28: contribution »Bernd Porter« http://www.soda.ch2005 teacher grafik design art school von Erlenbach, Berlin http://www.vonerlenbach-kunstschule.de 2005 Gallery Witte de Witt, Rotterdam printROOM KIOSK XII2005 »Submerge« research symposium on intellectual property and digital production, Watershed Media Centre, Bristol / UK http://www.submerge.org.uk 2004 Topshop, Berlin Mass-product vs. Unique Piece Concept in collaboration with Ulrike Brückner 10 days of exhibition, workshop and sale, groupshow http://www.topshop-berlin.de2001 Infogram / contributions /photografphy for the exhibition catalogoue »Patch« Joke Robaard, Amsterdam2000 Gallery Casco, Utrecht Democratic Design – group exhibition catalogue and infographic
Information II / ICV Meyer
Sabine Meyer*1970, Hilden, Deutschland
ReferencesGrafik-Design-Schule, Anklamwww.grafik-design-schule.de/index2.html
Projektbüro .HENKELHIEDLwww.henkelhiedl.com/
realities:united, Berlin www.realities-united.de/index.html
Melanie Bonajo, Kinga Kilczynska, Amsterdam www.fette-gallery.com/artists/melanie_bonajo.php
SoDA Magazin, Zürich www.soda.ch/magazin/
Deutsches Forum für Kunstgeschichte, Pariswww.dtforum.org/
Deutsches Handwerk, Berlin www.das-deutsche-handwerk.de/
Loneproductions, Amsterdam www.loneproductions.eu
Yogista, Berlin www.yogista.de
urbanista.better cities, Hamburg www.urbanista.de/
von Erlenbach Kunstschule, Berlin www.vonerlenbach-kunstschule.de
Musterfirma, Berlin www.musterfirma.org
Videokonferenz, Berlin www.videokonferenz-berlin.de/videokonferenz.php
Gerrit Rietvelt Akademie, Amsterdam www.gerritrietveldacademie.nl/
Joke Robaard, Amsterdam www.secession.at/art/2003_robaard_d.html
Patric Catani, Berlinwww.catani-music.de/CANDIEHANK/
Think’Z, Berlinwww.think-global.com/think-global/
Coast Reisebücher, Berlin www.coast-reisebuecher.de/
Information II / IIReferences
Sabine Meyer Waldemarstrasse 111
10997 Berlin
S: verymagic
P:+49 (0)30 25 01 31 40M:+49 (0)176 65 58 44 40
Information II / IIIContact