New KLIK - MCC | MCCmississaugacameraclub.ca/pdf/klik/KLIK_2012_May_revised.pdf · 2013. 8. 26. ·...

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The Mississauga Camera Club is a member of the Greater Toronto Council of Camera Clubs (GTCCC), Canadian Association of Photographic Art (CAPA), the Photographic Society of America (PSA) and is affiliated with the Mississauga Recreation and Parks Department and the Mississauga Arts Council. OFFICIAL NEWSLETTER OF THE MISSISSAUGA CAMERA CLUB KLIK Season 58, Issue 4 May 2012 Hummingbird in-flight by Raymond Hsu Message from the President 2 Best of the Best, Bob Hawkins 13 Cover Image, PSA Competition 3 Competition Results 16 A Bit of CONTACT 4 Final Standings 17 Mississauga Tribe Explores Yellowstone 6 Trophy Winners; Advancements 18 Best of the Best, Raymond Hsu 9 Executive and Volunteers 19 IN THIS ISSUE

Transcript of New KLIK - MCC | MCCmississaugacameraclub.ca/pdf/klik/KLIK_2012_May_revised.pdf · 2013. 8. 26. ·...

Page 1: New KLIK - MCC | MCCmississaugacameraclub.ca/pdf/klik/KLIK_2012_May_revised.pdf · 2013. 8. 26. · April 2012 PSA Creative Interclub Competition results: ... festival Scotiabank

The Mississauga Camera Club is a member of the Greater Toronto Council of Camera Clubs (GTCCC),

Canadian Association of Photographic Art (CAPA), the Photographic Society of America (PSA) and is affiliated with the Mississauga Recreation and Parks Department and the Mississauga Arts Council.

OFFICIAL NEWSLETTER OF THE MISSISSAUGA CAMERA CLUB

KLIK Season 58, Issue 4 May 2012

Hummingbird in-flight by Raymond Hsu

Message from the President 2 Best of the Best, Bob Hawkins 13

Cover Image, PSA Competition 3 Competition Results 16

A Bit of CONTACT 4 Final Standings 17

Mississauga Tribe Explores Yellowstone 6 Trophy Winners; Advancements 18

Best of the Best, Raymond Hsu 9 Executive and Volunteers 19

IN THIS ISSUE

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May 2012 KLIK Page 2

Message from the President

2011-2012 - A YEAR IN REVIEW

The old adage is again proven right: ‘Time flies when you are having fun’. It’s been another great

season at the Mississauga Camera Club. I re-read our Program brochure and reflected on the rich array

of presentations we enjoyed this season.

For me some of the highlights have been the members’ presentation on China, and the African safari

by Ethan Meleg. Mid-year we met 3 up-and-coming photographers from Cawthra Secondary School,

and earlier Don Dixon shared his work as a Commercial Photographer. Every presentation was

worthwhile since each offered learning, photographic insight and a new appreciation for photography

from a different viewpoint.

This year we adjusted a few competition rules and replaced the Salon Competition with the Club

Champion trophy. Also as a pilot project, the Club entered the PSA interclub Creative competition and

achieved impressive results. Congratulations to all the competitors, MCC still is a hot bed of avid and

accomplished photographers.

On the administration side, the Executive proposed a new structure to simplify club governance and to

empower the operating committees to run their aspects of the club. Next year will be a transition year

as we sort out the new structure and the new lines of communications.

Workshops have continued to surpass all expectations. Our special thanks to the workshop leaders for

presenting and sharing their expertise. The popularity of the workshops reflects our club’s core values.

Outings are as popular as ever. Depending on personal schedules and interest in the destination, our

members have consistently attended the variety of outings. Not only is it a time to get inspired about

new images and new venues, it is also a time to make social connections with fellow members.

The wait list is an untapped asset of the club. It continues to grow at 4 new names a month and we

cannot continue ignore the list. A new project is underway to recommend options to address the wait

list.

As we close our season, it’s time for celebration. Kudos to the volunteers. Their dedication and

innovation have made this a great Club. At our Annual Banquet we celebrated the accomplishments of

our competitor and recognized Tony Paine as the first winner of the new Club Champion trophy. With a

universal voice of approval, the members recognized Uliana Yaworski as our Volunteer of the Year.

I wish everyone a great photographic summer. Time will continue to fly and I hope you will capture

the special moments with your photography. See you in September.

Marcus Miller

President

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Cover Image Raymond Hsu

Hummingbird in-flight

Nikon D700, 1/2000 sec, F11, 500mm, ISO 1000

This is the first time I shot a hummingbird. Quickly realized that it's

not an easy shoot because of its size as well as the speed they are

flying around. Took me a while learning to shoot them. Also have to

delete lots of images of "nothing" because by the time I press the

shuttle they are gone.

Raymond's image was awarded 2nd Place in the Fourth Competition 2011-2012

Category: Digital Advanced - Nature

PSA Competition April 2012 PSA Creative Interclub Competition results:

Congratulations to those members contributing their high scoring Artistic Creative images to the PSA

April competition. MCC tied with the Delaware Photographic Society for first place with an overall score

of 67 points. Of those individuals entering special congratulations go to Robbie Robinson for scoring 14

out of a possible 15 and winning an Award of Merit with his image “Going to Work”.

Congratulations also go to Ron Manning for scoring 13 out of a possible 15 points and winning an

Award of Merit with his image “Mammoth Hot Springs”.

An Honourable Mention was awarded to Annette Seip for her image “Squares”, and scoring 12 out of a

possible 15 points.

To view all of the winning entries you may visit the PSA Creative Interclub site at http://www.psa-

photo.org/divisions/cpid/creative-interclub/april-2012-gallery/

Warren Davis,

Interclub Liaison

Fine Art Digital Printing Phil Nielsen

Details of books mentioned in the presentation:

· Nash Editions, Photography and the Art of Digital Printing, edited by Garrett White:

http://www.amazon.ca/Nash-Editions-Photography-Digital-Printing/dp/0321316304/ref=sr_1_2?s=books&ie=UTF8&qid=1336481434&sr=1-2

· The Art of Digital Photo Painting, by Marilyn Sholin: http://www.amazon.ca/Art-Digital-Photo-Painting-Masterpieces/dp/1600591019/ref=sr_1_1?s=books&ie=UTF8&qid=1336481397&sr=1-1

· 301 Inkjet Tips and Techniques, by Andrew Darlow: http://www.amazon.ca/301-Inkjet-Tips-

Techniques-Photographers/dp/1598632043/ref=sr_1_1?ie=UTF8&qid=1336481338&sr=8-1

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A Bit of CONTACT Robbie Robinson

CONTACT is the Photography Festival held in downtown Toronto each year in May. The works of many

photographers from around the world are displayed in a number of locations. As one tiny part of this

festival Scotiabank brings together a group of curators, gallery directors, publishers and photo editors

for two days to do portfolio reviews for established and emerging artists. The focus is on documentary,

photojournalism and photo-based art. This year I decided to apply to have my “portfolio” reviewed,

although I wasn’t quite sure what this meant.

The process turned out to have a screening stage, then the actual one-on-one reviews held over two

days, and finally a portfolio night where all participants (and some invited guests) get a look at all the

photography that was reviewed. There was one award of an exhibition later in the year.

Apparently 67 people sent in a sample of their work for pre-screening to ensure that the work lay

within the interests of the reviewers. Sixty were selected. Judging from what I saw on the portfolio

night, perhaps one-third were established commercial photographers or people working within the

advertising world, who wanted to move into art photography. About half of the others were primarily

documentary shooters, and the rest were more or less interested in art photography.

My first problem was to create a portfolio of some sort. My instinct told me that a series of photos

linked by a strong concept or unifying idea would do better than a series of very loosely related shots,

and this turned out to be largely true. After 20 seconds of thought I came up with the idea of

comparing the fate of a number of ancient structures around the world with that of the timber-

structure barns in southern Ontario which were once so common but are now rapidly disappearing. I

put together ten 11x14 prints of the ancient “ruins” and ten prints of our barns in various states of

ruin. Then, because I was so unsure of what I was doing, I made up another smaller portfolio of urban

“visions” in which the images were much more loosely linked.

I was asked to select 4 reviewers from a list of 15. I got my choice of reviewers plus one more added

by the organizing committee. I ended up with 3 museum curators (from the AGO, Hamilton and

Mississauga art museums) and two representatives of photo art magazines (Aperture and Magazine

Ciel Variable of Montreal). I had three 20 minutes reviews one day and two the following day. Twenty

minutes goes very quickly when you have to describe what you are trying to do, show them enough

examples to let them see your ability, and give them time to offer advice and suggestions for

improvements, a path ahead or a change in direction. It was a draining process, but everybody I talked

to seemed to think they got their money’s worth, and so did I. (Yes, you do pay for this kind of

guidance. That’s how curators and editors earn part of their living.) The advice varied with the interests

of the reviewers: the museum curators liked the historical linkage in the one portfolio and suggested

how to improve the concept; one of the magazine people suggested where to look for markets for my

urban photos, while the other suggested some possible markets for my barn pictures. [Note: Selling

photos is not my prime interest. I just want to take better photos at this stage.] All found some fault

with my prints which I had expected – Costco just does not cut it at this level, but I only had a limited

amount of money to invest in my non-career.

At the Portfolio Night I got to look at the work of perhaps 30 other people who had been reviewed. A

few were so “artistic” that our club judges would have given them no marks. Several of the other art

photographers either have had gallery shows of their work or were working hard to get one. They had

some very strong and creative work. The documentary people had tackled a wide range of topics, from

a portfolio of shots of illegal gold miners working in a very remote part of Mongolia (which was done

while the photographer did a video that showed recently at the Hot Docs festival in Toronto), to a

portfolio of rooms in ocean-side American motels that had amazing colour and lighting, to a Hamilton

photographer’s intimate shots of the life of a young female drug addict. Most of the work was shown as

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prints on expensive paper in about 20x20 inch square format, simply carried un-matted in large print

archival boxes.

I got a lot out of the process, in seeing the kind of projects that others tackle, in seeing how others

present their work, and in seeing how I might improve mine. I found the reviewers’ comments

encouraging and found them all very professional. I learned enough that I would probably not repeat

this process again but I will look to see what other opportunities CONTACT offers for more learning.

And, incidentally, I didn’t think I had any hope of winning the exhibition award, and I was certainly

right in that.

Dundas Square

Old Treasure vs Our Loss

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Mississauga Tribe Explores Yellowstone and More

by Audrey Cherevaty and Bruce Peters

Come experience stunning and privileged photo insights and endless spectacular diversity as seen by

10 members of the Mississauga Camera Club…

Yellowstone: We discovered the greatest concentration of geysers, hot

springs and thermal pools in the world. Many of the geysers

gave stunning live eruptions. The hot springs and thermal pools

were wondrously colourful and mesmerizing, whether flat or

mounded or loaded with walled, stepped pools. Some of the hot

springs and thermal pools were steaming hot and some poured

forth ‘the sulphurous smell of hell’. All gave off wondrous

heavy mist in the early

morning.

We photographed

surreal landscapes, unusual rock formations, petrified trees,

crystal-blue hot springs, burnt forests, wild ecosystems,

explosive LIVE geological eruptions, majestic waterfalls and

much more. We photographed the waterfalls in, and colorful

sides of, ‘The Grand Canyon of Yellowstone’ (the sides dropped

straight down 400 feet).

A select few made the perilous journey climbing down and over

huge rocks to get ‘that precious bottom up waterfall shot’!

Each day brought numerous wild animals to photograph. Some

days we were even met by pronghorn antelope waiting for us at the gate. Some days bison blocked our

way or crossed our road in front of us. There were sightings of elk, river otters, moose, wolves and

even a rattlesnake. The flow of diverse shooting opportunities never stopped.

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Grand Tetons:

Here we photographed mountains, sunrises and sunsets on mountains, their reflections dancing upon

rivers and lakes, sagebrush covered

plains, the Ansel Adams Barn in a

Mormon farming community, an historic

river boat crossing and Its buildings,

scenic visuals at countless pull -offs,

herds of animals grazing alongside

roads, wildflowers and birds.

Our ‘must do’ list here included a change of pace with gallery visits, chuck wagon rides, more relaxed

shooting, great food, dancing in the streets, some window shopping and even a ‘wild west adventure

and feast’ party where Kay got married off to a mountain man!

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Outside Yellowstone and Grand Teton:

A few days were spent photographing outside Yellowstone and Grand Teton. The 10,000 foot Bear

tooth Pass, fall colors everywhere, Cody, Old Trail Town in Cody, abandoned houses, Bighorn Canyon,

Pictograph Cave, Billings, and much more.

It was a spectacular photographic experience. We were left mesmerized, inspired and wanting to

return. Come share the wonder of this experience at the club presentation!

WE did not need to go looking for things to photograph, they came to us!

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The Best Of Our Best Each year the Club awards trophies to members who have distinguished themselves by being the best

in either their class or in one of the 5 competition categories. In this feature we profile two trophy

winner in the 2010-2011 season.

Raymond Hsu Digital Intermediate Trophy: 2010-2011 (Joint)

KLIK: We are always amazed by your pictures of birds. Where do you get your ideas and

inspiration from?

There's lots of sites on-line that features great birds photographers ( e.g. NatureScape/500PX ).

Always checking out their images as well as learning the how-to of those captured images. With the

Internet, there's no shortage of information out there regarding different aspect of bird photography.

When shooting out there, you meet other photographers as well as birders and that's where you learn

about other new species/locations to shoot. With birds or other wildlife photography, not only you need

the proper equipment, knowledge, technique but a lot of time it is that extra bit of luck on your side to

capture that special image.

KLIK: Do you have a favourite location for your work? Why and how often do you go there?

Tell us about a memorable trip you made.

Started shooting birds in Florida with another photographer in 2005 and have been shooting down

there for the last 6 years. One reason for shooting in Florida is not only to get away from the cold but

also there's no shortage of places to shoot birds. While shooting in New Mexico one September a few

years ago, woke up in the morning to find everything covered in snow. Since it's not common to get

snow down that area and the town have no proper snow removing equipment the whole area came to

a stand still. End up spending most of the day in the hotel room down loading and working on images.

KLIK: What camera and equipment do you use?

Right now I'm shooting with a Nikon D700 and D300 as backup. The main lens that stay on the camera

is the Nikon 28 - 70 mm F/2.8 and this is the lens that I used mostly in my studio for portrait. When

I'm out shooting birds it's mostly with the Sigma 120 - 300 mm F/2.8 with either the 1.4 or the 2.0x

tele-converter or using the old 'bigma' - Sigma 150-500 mm F/4-6.3.

KLIK: How important is the ‘digital darkroom’ in controlling your final image? What software

do you use for post-processing?

My digital work flow are pretty straight forward. I convert the RAW images using Adobe Camera Raw to

JPEG with some adjustment to the contrast and colour. Then export the image to Photoshop CS5 for a

bit more of the level adjustment, cropping, resizing and finally a bit of sharpening.

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This is a shot I took in Bosque del Apache NWR, New Mexico. Took lots of flight shots during that trip

and the reason why I liked this shot best is because of the formation as well as the position of the

wings.

Sandhill Cranes -

Nikon D700, 1/2000 sec, F14, 390mm, ISO 1600

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Out in the field somewhere in Hamilton shooting some macro. Noticed this small spider and managed

to squeeze off a couple of shots before it disappeared under some flower. The whole thing happened so

fast and I was not able to get any more shot. Out of the two shots this is the only one that the spider

as well as the prey is in focus.

Orb-Weaving Spider With Prey

Nikon D700, 1/160 sec, F16,

300mm, ISO 1000

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Took this in Southern Texas and it's one of those images that you don't get to shoot all the time. I

guessed I was at the right place at the right time. What makes this image special for me is the tension

and interaction between the two birds.

Bird Fight

Nikon D700, 1/1600 sec, F8,

500mm, ISO 1600

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Bob Hawkins Digital Intermediate Trophy: 2010-2011 (Joint)

My photography interest started as a teenager. I used a folding camera until able to afford a well used

fixed lens SLR. Over the years I stayed with SLRs and gradually upgraded. In the 1970s my interest

was people and did some studio photography with Hasselblads and Leica rangefinders, B&W with

darkroom developing and printing. In the 1980s and 1990s photography was mostly vacation

photography with a small set of Canon lenses and SLRs.

I joined Etobicoke Camera Club in 2007 and MCC in 2010.My interest is mostly nature photography. My

first digital camera was a Kodak in 1997 (I still have the working camera). I got a Minolta with EVF in

2003 and traded film camera and lenses for a digital SLR in 2006. I am a member of CAPA and

compete in all three.

Photography is an adjunct to wilderness travel. Images result from the travel and not the other way

round. Canada has so many places where beauty abounds. It is hard to find a preferred location,

although the mountains of the northern Yukon are hard to excel. The peaks along the Yukon-NWT

divide are wonderful. The Richardson Mountains have a special beauty with the surrounding Arctic

tundra. The northern limits of the Rockies are another favourite. These are all accessible by road and

short hikes.

Images are a capture of the feeling you get of a place and its environs. It is impossible to describe the

sense of freedom otherwise. Encountering a herd of caribou, or watching a Grizzly overturn rocks

searching for ground squirrels make for special memories. I remember trying to move rocks along the

South Macmillan River that a bear had turned with ease. They wouldn't move for me.

Images:

Moose Lake - shot in

Waterton National Park:

Akamina Lake

400mm at 40 meters

handheld

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Cedar Waxwing - Shot in

Waterton National Park

400mm at 3.5 meters(minimum

distance) handheld.

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Fall Leaf - shot in

Haliburton ON

70-200 zoom:126mm at

5 meters handheld

Northern Rockies - at

1700 meters altitude,

view of Nonda Creek

valley BC

17-40 zoom: 33mm

handheld

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FOURTH COMPETITION RESULTS May 2012

KLIK SUBMISSIONS KLIK welcomes feedback, comments and suggestions; articles; tips, tricks and techniques; interesting

web sites; images with comments. All submissions are usually published in the first available issue.

Please send your submissions to:

[email protected].

1ST Magenta_Flower_In_Ice Paul Ewington 24 1ST Sunday Morning Bruce Kennedy 25

2ND Anhinga Fish Spotter Stephen Balke 22 2ND Maple Syrup Time Fred Dixon 24

3RD White Pelican Fishing Team Stephen Balke 21 3RD Flatiron Building Robbie Robinson 24

HM Contemplating Myra P. Jones 20 HM Hockley Valley Clementdo Rosario 23

HM Iceberg Adrift Omar Sheikh 24

HM Wash Day Reflections Al Tilson 23

1ST Gathering_Pollen Paul Ewington 24 HM PENGUIN FAMILY Karen Simmonds 24

2ND Great Blue Heron Hunting Stephen Balke 22

3RD Great Blue Heron Rick DaSilva 21 1ST Raymond Hsu 27

HM Beetles Mating Annette Seip 21

2ND Hummingbird In Flight Raymond Hsu 27

1ST Lifes Journey Annette Seip 24 3RD Great Blue Heron With Nesting Material Ron Manning 26

2ND Iris_Fantasy Paul Ewington 23 HM American Avocet Sandra Hawkins 25

3RD Sunset Sisters Rick DaSilva 21 HM Brown Pelicans In Flight David Simmonds 25

HM Killarney Ridge Paul Lindo 20 HM Reddish Egret Hunting Karen Simmonds 25

1ST Dance For All Its Worth Hilarie McNeil-Smith 25

2ND Old Barn Doors Al Tilson 25

3RD Corridors Of Power Warren Davis 24

1ST Mississauga Moonrise Tony Paine 25 HM Bridge At Leonie Holmes 23

2ND Ocean Reflections Bob Bowman 24 HM Town Houses Robbie Robinson 23

3RD Mountain Gorilla In Virunga Mountains Ina Miglin 24

HM Bob Juri Vosu 23

HM Bridge Traffic Robert Mongrain 23

HM Distillary Past Times Hdr Angela Murphy 23 1ST Morning Silence Paul McLeod 22

HM Webster Falls Stan Kozel 23 2ND Window With Reflection Myra P. Jones 22

HM Wheels Uliana Yaworsky 23 3RD Egret Action Stephen Balke 22

HM Amaryllis Wendy Baillie 22

1ST Pacific Lili Stan Kozel 24 HM Street In Venice Myra P. Jones 21

2ND Claret Cup Cactus Flower Tony Paine 23

3RD Heron Swallowing Large Snake Bruce Peters 23 1ST Night View Of Hayshed John Moore 22

HM Just Another Rock In The Desert Linda Wiesner 23 2ND Blue Howler Annette Seip 21

HM Yellow Jacket Breeding Pradipta Datta 23

1ST Autumn Fire Jon Clarke 24 1ST Tricolour Herron Hunting David Simmonds 25

1ST Distillery Dodge Suzanne Williams 24 2ND Red Fox Kit At Den, Yukon Sandra Hawkins 24

3RD Roseate Spoonbills In Sync Bruce Peters 23 3RD Maple Syrup Time David Simmonds 23

HM City Hall At Sunset Tony Paine 22 HM Great Horned Owl #2 Leonie Holmes 23

HM Grannys Transport Postcard Perfect David Penty 23 HM Santiago Lobby Bob Hawkins 22

HM The 511 Exhibition Suzanne Williams 22

HM The Aspens Of Wards Island Marty Pinker 22 1ST Remembering Our Roots Suzanne Williams 23

Face Off-Red Winged Black Bird & Great

Kiskadee

Prints Level Two

Trees

Pictorial

Pictorial

Prints Level One

Theme:Trees

Nature

Artistic Contemporary

Pictorial

Artistic Contemporary

Artistic Contemporary

Digital Intermediate

Digital Beginner Digital Advanced

Pictorial Pictorial

Nature

Nature

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FINAL STANDINGS Season 2011 - 2012

Please visit our Affiliated organisations for news about events, competitions and special offers.

The Photographic Society of America The Canadian Association for Photographic Art

http://psa-photo.org/ http://capacanada.ca/

Stephen Balke 271 Tony Paine 274 Raymond Hsu 295 Paul McLeod 170

Paul Ewington 263 Ina Miglin 268 Carol Bohnert 288 Myra P. Jones 168

Alan Munro 238 Garry Weiler 263 Sandra Hawkins 288 Marty Pinker 167

Misbah Ali 238 Uliana Yaworsky 259 David Simmonds 279 Rick DaSilva 153

Rick DaSilva 238 Ursula Tweddle 259 Bob Hawkins 276 Roy Williams 152

Marilyn Johnston 233 David Penty 258 Karen Simmonds 271 Stephen Balke 121

Myra P. Jones 232 Marty Pinker 258 Hilarie McNeil-Smith 269 Alan Gray 118

Annette Seip 195 Janet Brazier 256 Ron Manning 266 Annette Seip 101

Hilary Callin 169 Jon Clarke 256 Robbie Robinson 264 John Moore 85

Holly Lumley 121 Stan Kozel 253 Clement doRosario 263 Wendy Baillie 84

Paul Lindo 117 Robert Mongrain 252 Bruce Kennedy 262 Rainer Rothfuss 81

Bashar Darghawth 114 Suzanne Williams 252 Kay Woollam 262 George Webster 80

Karen Torres 112 Linda Wiesner 250 Al Tilson 260 Joe Teixeira 62

Linda Lin 100 Bruce Peters 248 Omar Sheikh 260 Russell Moore 50

Garry Revesz 72 Pradipta Datta 248 Robert Bateman 258 Michael Bodimead 41

Maureen Rodrigues 64 Paul McLeod 245 Warren Davis 258 Holly Lumley 40

George Beagley 54 Audrey Cherevaty 243 Philippe Lapointe 257 Linda Wiesner 18

Russell Moore 19 Bob Bowman 243 Fred Dixon 254

Doug Johnston 243 Leonie Holmes 254 Sandra Hawkins 181

Juri Vosu 243 Lisa Husar 64 Tony Paine 179

Stephen Hill 241 Bob Warren 63 Robbie Robinson 175

Angela Murphy 236 Jerry Soltys 63 Leonie Holmes 171

Don Meaker 234 Al Tilson 168

John Moore 232 Bob Hawkins 162

Wendy Baillie 188 David Simmonds 137

Jennifer Fowler 187 Suzanne Williams 132

Alan Gray 178 Hilarie McNeil-Smith 131

Joe Teixeira 122 Omar Sheikh 86

Rainer Rothfuss 122 Bruce Kennedy 44

Michael Bodimead 110 Ron Manning 44

Sorin Alb 60 Marcus Miller 39

Digital Beginner Digital Intermediate Digital Advanced Prints Level One

Prints Level Two

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FINAL RESULTS

Season 2011 - 2012

Creative

Al Tilson

Hilarie McNeil Smith

Ron Manning

Tony Paine

Best Print Tony Paine

Pictorial

Omar Shiekh

Uliana Yaworsky

Ina Miglin

Level One Paul McLeod

NatureRaymond Hsu

Carol BohnertLevel Two Sandra Hawkins

Beginner Stephen Balke

Intermediate Tony Paine Winner Stephen Balke

Advanced Raymond Hsu HM Wendy Baillie

Maurice de Cunha award Hilarie McNeil-Smith HM Sandra Hawkins

TROPHY WINNERSDIGITAL PRINTS

James D Cranston award

CLUB CHAMPION Tony Paine

DIGITAL DIGITALBeginner to Intermediate Intermediate to Advanced

Stephen Balke Janet Brazier

Rick DaSilva Jon Clarke

Paul Ewington Tony Paine

Marilyn Johnston Bruce Peters

Myra P. Jones David Penty

Alan Munro Marty Pinker

PRINTS Ina Miglin

Level One to Level Two Marcus Miller

Alan Gray Robert Mongrain

Myra P. Jones Ursula Tweddle

Paul McLeod Garry Weiler

Bruce Peters Linda Wiesner

Rainer Rothfuss Suzanne Williams

ADVANCEMENTS

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May 2012 KLIK Page 19

THE MISSISSAUGA CAMERA CLUB

Meetings:

Cawthra Seniors’ Community Centre,

1389 Cawthra Road, Mississauga

E-Mail: [email protected]

Web: http://www.mississaugacameraclub.ca

EXECUTIVE COMMITTEE

President

Marcus Miller

Workshops

Bob Warren Membership

Linda Wiesner

Past President Doug Johnston

Outings Shannon Gilmour

Communications Shannon Gilmour

Vice President Vacant

Competitions – Digital Omar Sheikh

Interclub Liaison Warren Davis

Secretary

Bob Bowman

Competitions – Print Wendy Baillie

George Webster

Program

Vacant

Treasurer

Myra Jones

Editorial

Pradipta Datta

Our Volunteers These Members make our club work

Al Tilson David Shaw Ina Miglin Lech Kwasinski Omar Sheikh Roy Williams

Alan Gray David Simmonds Jennifer Fowler Linda Shaw Paul McLeod Shannon Gilmour

Bob Bowman Doug Johnston Jerry Soltys Linda Wiesner Pradipta Datta Sorin Alb

Bob Warren Fred Dixon Jim Calvert Marcus Miller Rick DaSilva Stephen Balke

Bruce Kennedy Garry Revesz John Moore Marty Pinker Robbie Robinson Suzanne Williams

Cecil Lindsay George Webster John Somerset Marilyn Johnston Robert Bateman Uliana Yaworsky

Claude Barras Hilarie McNeil-Smith Jon Clarke Michael Bodimead Robert Mongrain Warren Davis

Craig Stuart Hilary Callin Juri Vosu Michael Cutmore Ron Manning Wendy Baillie

David Penty Kevin White Myra Jones Wojtek Porowski