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+

f • 11 19RA

INSIDE TH IS ISSUE

INTERYIEllSI Subul'OS , Fleshtones. •nd 81ff Raffe. Also: ROl'leovoid. Thompson Twins. Psychedelfc f urs. Echo and the B1.1n11ymen, Eui"ythmics

and IOre than you can imagine!

St1l l l.bLotutely FR:([

·'

+H

There's only one station where you can hear

Public Image Ltd. Frankie Goes to Hollywood

Thompson Tvvins Violent Femmes B illy Idol ··'·:. .. . . Modern English

··;..)V • ,,. • •

U~ :, .··.;~)'it".•, .The Alarm Big Cou~t;:~Y~~'f Peychedelic Furs Romeo \l..ptd · . ·~,-<=t ·iJ.. B erlin

Split Enz;':'!''~:~; The Damned Elvis Costello .. " . INXS

Spandau Ballet · The F ixx Howard .Jones The Clash

U ltravox REM Dingo Boingo Adam Ant

Echo and the Bunnymen A Flock of Seagulls

and all your other modern music favorite&

24 hours a day.

Request L ine 292-KCGL

....... '""' tllf Ot_\~ ., c:;~ Ot'ri"P.."XIC'"t - -' )lfd1a •lit.a •1 JM ~!NO 11

Rock ... t111& .......,. •t S,.....11, 11111 w1~ k ioru ,,.. JM .,..,, JIM'~· ..,. , •• ,. ,__. • Tiit hh1tftl W.., •• A le!ll' ll6"9Q1.-i

(CM tH tN ..,_,.... tit Of19st.l'J' 111111 " •1 C»Urt Ot~

' •1 TU lb)'d Sl.M Asl"J ttr .,. ... ,, .... " ffllt ''·"'~' lil t .... .,.., .,,,. ~, 0.l'MtlM't 1 "

fwytMlc.s •t h~t tr C.U:y .. l'e!l:llOrt

A ......, ti W M Orriffl~ C1-y ~ ltllJ.......,, 5""\<riM ._, ~ " 1 '"'" "'• krtP'Oel c1v ,,,, .. ,,, OiSCWSMt ... 1. 1114 Stll1f .. 1 Q,..fc:le et l.ect l Ktf'lfeott "-09efll"9S .. ttA c .. s111 Ot•POrt • tS Gnve, tlltlr S..lt Ltlt COlltCtrt.

Tiit '''°'Jlt1Jti1c J_.. at the fall"°"* by Jo" lr•1 l1 10 by T l lo)'d

nie Silb11rt1s ... A rri.rnclly Clllt

T~t ftio.pSM fli111s at tl!t VOt V - 18 'Ill t ll C11t"1 0.Ytnoort

by C11,ts lt..,..11 10 I'• SWned ... l l,ooAI tt Litt 111 111\t 1(i tl! Ot.•lcl l•t~f'Nit 111 °""' S•-'l\lYlfl ,.

lorlto•'Ofd at th~ U"OtU ·-Pat tletile111 . • . A Profile 11 l>y Cus.y 01vc11port " ~1 Kfi vl5 0.Y1i

-··~

C~ll;(IA.A!IOll AA~t Olvt s.~tlvttf 011 0:11 to'f(l

Nltl~tts '''-' "'' 11151 ..... .. ' • ....,, ~t11 I (11~ ll1v•w1 '•lpt ~t;rNr '"•Ultt lloftt> ..... _

t\ "'"I) l~Htlttl httll't!ll ~,.

(0110. a111r1JlllflliG w:1tetS ~•111111,.. M?QW.lllr., IMtt pjiet.e .., 1'~1!'" IVf"ltO'

c...1-, 0.·••rt ...... ..., Gri\111•1• llUO-l ~ 1 I.Ml M:tA Ill.Im --:::r llrt (Oii• , .. 1'11•11,-. ···-tl•lJ ,, tl-n M'! •tilt* Qt.rl I l t.,,.. I J-tr•~1 ~'f' •r ..... J .... . ' ··· loo; l tMI "'''' r._, ,,,,. ~fl l lt-,...11 t $9 l Ult Cl\f, ftalt. MISl

-.1fU>lle5 'Ill ~ GM .. C-t• C..,,t•t ... l.11 ... b ~.

DAVID WAKELING

and RANKING ROGER hlmterfyof '1ht Eaglislt ...,,.

:"\

FRIDAY, NOVEMBER 16 8=00 PM KINGSBURY HALL $11 advance $12 day of show Tickets On Sale: Halloween-Wednesday, October 31 a::JSVIC AS!IO!'LA.."l! $1t0K!"l°8 Rt.(X)P.£>$, A t,L OAT A 1tX otrrtlT$ ti kJ"RGSWUl\Y HALL

R'.t.lCS F"OR LCT1EaS TO TC CDltOlt

Ja \efC!l""I .tth Ute rwliri. ef • 11 ,..,~ible publlc•lfel'I'). ""' ~st UWt •11 1etl•t'\ to h COMllE>red fer ••tt:•t*ts nttl tWse l"tqYl,....,.ts:

l) SI .. ,our ltlttr. •-"' l)f"11lt yoyr N._.. If J'IMl ' d 111• ,OUT f.llnt wltllflt1d, J~st s•y ~.

2) Yowt" 11dlfre1• •ncl Phone t1i..netr -.,, t N I i.c: 1 ~ , Of C0111'$C WI -on 't print th1S 1f'lfOrf14tlO 'l•o.Oi!ly •n 1911.or~nt t 1och wo111cJ $loop to such •" •ttock on tnnoc:ent 1'ttders•·l~ infn wi l l bt u,td onl)' if i-e 1111v~ o question 11 bout 1011t l eti.cr.

3) tetUtl"i l'ltf'Cln ' ~ ~ type<I, but 1etlbl l lt.1 11 • pl11s.

~l'tSt CVS~, ! 11...e ln ld.l"O Wllfrt tllf

MUSlC S~tlts. f\otrlfOn• llJ t S llal"d rocl. the oc1titr wte• t ~t to tlle l\l;clll'I .11t1d fo11f"d )'O:ur "1.IJ.ail"•· I 1ovt It. ilere's $S.OO. c:ou1d )'!Ml ,tnd e-e t l\lbS<:riotlon't

f llt l'llt tOllS,

11ikt 811l>cf)(k Je l'07'IP , I 0

(D~r 11ik4: , Th1~ks for Utt 91»d ..or4,.

fn , your subi.crlr.t tot\ "'11 !~rt Wltft tlt1S IS,\lt, 0.,r slbs(.riptio• "''' I \ Ot1l1 Sl.00 ;ie .. ,..11r, '°' .,..,.. ,.11 . i"'9 '°"' txt~ t M1~ N t l .

lflt~S •')If •. Lo~t,

Oearest SLAH Readers,

Thi s i ssue mar ks a buneh of ffrsts for us . The 1oost Pxti ti n9 mi ght be that thfs fssuo we've got in­terviews w·ith t\«) nationa l ly fainous Nnd~ , t he Fl esh .. tones and t he Suburbs! Al so , we've started a serf es on local DJs, this t1me talking with 81ff Raffe from KCGI..

We ' ve incl uded a questtonna1re this tfme . and we're anxious to hear whit you have to say. Jt you want to subsc:rif>e to SLAM. there 's• coupon on the reverse of the questionnif re.

One thing which his cow to -.y JlUntton tlklt has not bffn iaentio"ed el sM.ere fs this fssue ts tlle sla. dar.c:fng s ituation. Slamfng fs great ar.d cer-l4ifnly has •n appropriate place fn our socfeey ••• but slaming at t'Jode-rn English, Echo and tl\e Bunl\.)'etn, and Rof'.eovoid is NlT app:ropri• te . especially when thOse who had no fn tentton of participating end up being btlted or knocked to the ground.

Last, and most important. PLEASE vote on November 6th. i f you bel !ive ·in wha t Rock Against Reagan stood for, don't le t anything keep you f r om voting. (Espe­c1a1 ly the feel in9 that your vote won' t ~~~ea differ­ence . ) I 'm t rustft)g al l you SLAM rcoders old enough to vote wi ll do so . Jf you' re ''ot Old enough to vote and you want to get involved, j ust show up at your favori te candidate's ca~pa fgn headquarters and volun ­teer . They ' ll give you a Job to do, and you ' l l go away knowing that you•ve encouraged someone el s~ to vote. I 'II toT XIDDHIS, Tll!S IS IMPORIAITT .

Love .

wsey~~ '

•

A peaceful. but angry cl"Owd 91-ther.ed Monday~ Septfftlber 3rd In the shade of Sl'!f".phony Hall to unwel cocne Rotten Ronnie upcn his arriva l tn Zion. Protestors of all ages--and mustc•l preferenees-·txpressed resentment for Reagan's •~ms policies and in•l'te acttons thit contfnue to cause death and oppression 1n nearly every troubled tountry on t1rth.

A trel'f!"ndous toncern for the reduction ard deployMent of nuc1e1r al"as was the prevailtng dtspulf' 4Q01'19 U'los. Pl"tStl't. Ret91in. not surprisingly. chose to ignore the invariable group Just as he dots the llljor1ty of Mtrtcans.

This ts pr"tCtsely tht cause fol' t:he •pathetic urtyrdolt ct"eated by today's ex­asperated youth as a atans of e.xpYesstng despair and helplessness--tM inab;lfty to

! I

change the direct ton we are Maded. Mow dO you appt'Oacb a •super Povfr• 1 ike tl':e PrMfdent of the Unfted St.ates and screa• . •t don't w.1nt to dte '? Would he hear you? 'buld he he1r twenty •t11ion ~rfcan$? Reagan considers thfs ff9ure t.o be an •ac· ceptable• population loss ;n a so-c•lled "'limited• nuclear -ar.

On t.he contrtry, Reagan cla111s he canoot condDfte t.he aborting or an unbom fetus. How w111 Ronnte ensure that. of t he twenty mi1 11on Aitertcans ktlled 1n a nucle1r blast, not Ol'le of them is carrying en unborn fetus?

Ronald Reagan ts psychOl ogtcal ly unfit for the office of President of the United Sta tes. •1e • s not even a good actor anymore ,

lt .,., • <OllC•t ~~ o• tlW! ~.S •\ S;a*"1 Mtl\ tNt tlrg1191'\ fort.ft 1'°N of UCu'' O.st roc1; !Win. flit Ml'W<" ""11. KifPIN f~ Ltf•.,.. Awoe Ctlll"'f, •11 11l•)'ff vittt "'""NI ftnOf'. flfl"ttlem;>;rt. f'O(..lt OJ MiCNt1 '· C.v•n•~· Oil« \f'IOW'I •S •,,o.ir 1f tt1e DittY lll40)' wit"I tllit IN.tit riearc1• -..s ,..•ster of ttrtMnie5.

lhe liittr tc•n Le91on llftrt Nvl119 tllt'lr n•t1on•l conve-11tlol'I in S11 t Lill.t •rd 111llt le 1o11.~th~; for tl'lt 1d· d~SS by p~,tden~ Rt•9•1'1. tl'ley llelct t~ir .J l 1·Alf4riG•t1 NNde. -.ihich in turf\ 10dtd llt• I ift to t he Roel: +\g.Jlnst Re10111 r1lty. ~\ SOtfC lttiont1oir&• looked Oft In df\b0!1 'er. oltle:r, c1rr~ ror111trd fur •closer 10011 •l Lil« 11111 d.lnc(ng, A lO~r prto t.41•• •P•ll•d O~L lr.tl·Re•!Jol"' ilog.n, ... till• Ult 9'1'111 ruoer 'Ul l.cl tllt 9ro-und• Cl ... \ Std in bl1c:l,

The J>rt.sldtftt',t CO<'IYOY fffli' tM 1irOJOrt (0 QM! \.lttlt Afttf'ICI HO· tel ·~t ~tor tn.tr wy to •1ss tllt' ~rt)' ,

l• es~t. Ults cti811>Mtr1tfo• N.4 ~ IJf"N.lff' ttlUofe lN• ""'" floe-to llfftt-• tt ~ '91oc:rK1 1a •ctlon wl tA L"'t 111mc. dlftn.t .. ,, OI ._..nlV" t 'Pf"tJ•lflf llle

-P~ige furner

7,.is 'MIS a sl'IO• wllitr~ It •1c!1''t r-•tt .:r ...eo the N.Ws --re:. t~t rffSO'l fo .. •tUndl119 .. , •t to Wt- .t S"Clllf b<.Jt ~ ore : .ff t UM

CUrt'Ht P~sidtl\I ~i"i ovr COUAt.ry. 7iow! eT.,ing 'l(ff\ • .-.­UDOt.iily •lfld tile 111i1 G1" ptOplt ..,,, t rvlJ •'1ol?t"i. Ille poltce •re tller-e i11 force· -S(Jll!I! e\Oen ~1r1~ r fct 9t•r. A.bout SOO­lOOJ oe~ple .. ~~ t.ntrt ilt •r.1 qive!l t 11rt and Ult croMCI ch1n9H rate!. tnro;,ii;hout the ddJ . iht detton,tratcr~ were 11blct to lll! ~l\ l.l1f1 t h.St f.llll'C $Ort Of eq~.1 r-cport~.en tillfOn f rOll \li1 social cla$tt~.

l h$ i,Yn)y n;>j or Qluppoin~ • 1ien! '4$ tile fact ilt;)t Pre,ie.cnt R•4911n MIS un.Jtlle to 1ttem:S due t.o ctw! P>SlP01$1r~ of llis speech .

Jhe only 'e-:rsor l\a.$Sl~ bY tn~ pot 1::c N!S a i;<::ntl(S"\\" -tio s.lt dOwn ..it the pi,lro ond t .. ttO t.o play Jonn lt11."lon•s J-.,9ine. .. ,.e po11ct: <lid rot seee to 11,._. t-'"'11t S0"'!3 •'Id vere .,. .. lli°"s t.o stnd t'6tf")'OOd)' hOh! •

n.ts dt'!"onst•,..t io-t «: ..... ._., :bl! ·-e rt1l l7 c.as 91't •lon' tottt..~" f f w tia~ • co.ci• ~. le~·, fi9\t to drtn'" ..wir. "lit e.o Migto •r.

t.JHAT CANVOU !)O 1t> Hf:LP DURING A NUCLE::AR () t-IOLDCAUST l

NOTHING s

W"el l . " 'l l, w~l l, blui.r 1J>O ~1o111. if it fsn ' t lilll'l l'lcC,,illocll illnd h1t Dal'lc! of 9000 o l d 5t.l 90ln9 S• itOI' ooys~ Thts see«e<I lo be th• 4t· 03Spflf!re c re;i t~ as f.cl\o and t he 81111n )'ttle:n satled l nto t: lngsbvrv 1161 1 Vtdnesd.iy nioht Sept. Stn.

Openfrig UlC11" act witl'I St'ltr•I songs fr(rll Ultlr nfMly rel Nsec Oct 8n Rain LP. t..loiese OOdtrn aay Jose1:fi Conrads let the tt>dftf'ICe k.now r igllt aiqy ... 11er e they were com;ng frti111. They enjoy wrlt.fnO ill b0'1t tM s~. Hoc:tUf'nOI Ke. The Kil ling t'Ool'I, $ft;@"I Sets, •nd the ti t le cvl , Oce1n ~in •ll set11 to h:.v• !his UI~ l" l'.on'!Of'I.

~1.1llocti, l e:1d ''"~" for' ,,_,. fund, Nos uid tNL • l•r~e Pll'l of his il'lflu~n" ht\ t.tllflt I~ bl!ICs of me lau 60'' ~'~'•lly

•

tho Ooors, .\l\)'OM '4llO rQtU!""frs Jiu Horrt•on wt 11 c•tc:~ I.II,. rtse111° ll lillnct Of thtl 1• WllC::Of.

l ht rtSt Of lilt !Hild SOl.lfldS very rcrro~hloti. G11l ti111'1r.t 111 11 S1r90•nt plill.YS 'lrll t n ill r-tw, Clt&n. llt'19ht apprtoct11 soir.t 111.0• $WI tch· ln9 to oo t ltC\l'lc,,1 lt•Strln9. he ados to r11t1ter tllat'! oonln.at.ts tile Nnd't so11no . .,.lt OtFrelt~s . Otl"(.U:Sttontst. 11doeo • ntw look 1.0 tlle bind b.Y •ttth'lf 11ls on,..$ f'1r ttt9e Iott al1owln9 the NM to Olay ltOl"t or ltss 111 • str11gnt 111\t, Pf'Ovldi"O '" easy view of tll~ t4,jf~H·N1rtG. 0-'rl.I)' c1citht0 S'r,tlil\ Sttlarer-s. K.\l'lg•bYrt Mt11 ,.., Vic 0trf«.t '•tt1nQ for tcto ... d t.+it 1"11~"· Sts cAct1 lt"lt 1CAM11tit1. 1l9htln-1 •nd $l•~

l!'ll la:s for''' in;il!l,)t,e fttli n9 be· tNt!en the group 1nd it ' s I ls tener!..

Not all Qf tile stiow •'fVOlvt<I a ­round t llelY' 111test l'eCOl'd, fn fac t older t l tles, N11ver Stoll, Rcscr.1c, lhe Cutter, and 6act o r Lovo got-' lletter re1ctlon r rem t he crOlold tMn Slll'.t of t hell" c urrent 111te-r(al .

This bind rea l ly h!ve a t.ecr.­nlqi.ae to .. cresc-end()S. ~ny or their songs s~•rl lightly, ITinO· cen~ly, an~ tl'.._11 bull '!! thro~h Sflvtr•l tt0\'Mcnt$ , tl'4J1; adding nor~ lnStl".tl1tc11t.6llUn, •1Mays brlnt;• in9 the ~udlell(.• :ip,

F1111t.hlll9 the il'rt1n1n9 with dri appn>pY'l&W 011 It C.l~n. Echo ane· ttit 81111't)'T'en 51l1e4 off fo< tit'*' ad .. venw~s. leav1119 l>chfn6 • sat~~­ff*<!i O'l"O'llP of Salt Uol.e fans •

-leb l lOyd:

Hew Yort:ers Ult f'l 11lltoMS v1s1 t~d ~w Vtr6t •ftd tilt Artlltl btfore st.oppf119 11\ Stl t l.•'• to 011tn for Ec:.no tfld t>.1 llll'll\,)4fttn. Ttn •"II ..el l ,..sted, Ult fl tthl.Ontt ta­fM"t\Sed tht lOC:•l C:1'0Md 11111 ptc:~td V'P \OM ftelll fli'lt • ftf frf tfllh i n DU l'l.

f M: fo11owfnt t s 1 4"tsi•9 rooe CIOfl~rMitioe. tflt't' t.Mll"

PH'forMllCe. °"'" •ttl•M '" fa la.ot:f' use . Ult f1 ttlt1:0flt t • ._~ ffl _,,..,. CtM,

Olit ''•••eotlff .,..: JI" "'11..et. h ):vli\I t:el~ Str~ Pet.tr l1rtl'N ltll lll ll" l ltf'

OI:> ~II vi sll tt ,.., ltff? N). W£'A:( NAPPY 1r·s 191•. How ola )'Ou i;et to do Ult e.clltlor P•r;y So'l!ndtr1ckt Wt VDE IHE .OST l)}Al.J,110 IAHO IN l"HE tmtrco SlAT[S or AMCAICA. Are )'Ou tl 1 b1c;h11ors1 YEAH • •• 11£ ARC HlW. Oo 1011 9et • lot or cfou9ll t0 do • so111'1dtraek? l.t( GOT 5(H: l(IN[Y our 0' IT OUT THC srsr THING A90U1 JT 1$ fMEY GAV( us l(ltt['( TO 00 A YIOCO, aur IT TUANCO OUT TO SOA:T OF 11: .\ COK­

HEACJAI,. FOR THE l'l()YI[, vt' R.£ MOT TOTALLY Pl..EAS(O VITH IT. s. .. 1"' bffrd ~t Jo• J6ctse>n S4,d ~tly lbollt Ytdfol? YfS, WE Ir.AO 1~T,

Do '°" •91"ff? f 0\11, 'ill AW_{ Vint IT. llO$T YIOU>S J.l£ YO.f !MW AJ0 Vttr Cl.IOI(, AID AUOSl ~1119 m WlTC11. (lo Ptt•r) tt1w ' ' ' JO• r.• co ... ~ lrlcsl of rM Cuttlt19 ftt• Oft

(PClfJ!) TKE f LISHiOll!:S Hi\D DOii( $£VEii.AL SCG.l'IENTS AllO lllEY lllWI ()(IR Sf'G~£NT$ S) 11.ltH, A1fJ THCY 11£R£ AAYl~ 'NOOBlE Flle:IIHG A HOST TMT THIY TK)UQIT wo:JLD IE APPllO­JltllAt [, flit'f FJIW.LY SAIO, ' lilY DON'f V:'. liO 9)1CEO!I:: LIKE 'ETD. ' MO l SAtO YE.AH, SURt • •• Jf I'M ON hit ~. TnE" YStY OF1DI MY FAY• Olti~E $UC.Sf$ COIJ.O 8t Tt<E ft. ($1;1.

'°""· t • .1ttt'6 )Ollf' tr»~ts 09 tMt S.e lrlJ'ICi sco perio.l'MJ'ICf: V'l ttt tte loltce. viu Ult tfne <J'Oi!O ...... 1 ntCl.iQft tr ~ oc::: or t'rlC JIDST ICMJJIRA. EXPUJOCES . •• l OfE IM.S lit THE Al.R. I 14S M:I surprtsed at flew "f:l l ,oo :il11.yed. tl'...a; ....,.$ Qnt of the bts t shows 1 've l!'ltr stt11. J wst btc•use of tbt tntf'91 le.,el •f~r You 9ot hit v i th tl\ie s niff a11d )'01.1 just froze •11c1 )'Ou wrned • ro11nd, a11d v itl\ the t>i91J!St ~l"l!t l ''It ever seen •~ you JU'St Jal'eed I l t.e cr•r1 . It W4S fabu1o.us .

'f'WI. 1&R£ WERE lS, OVEll l S f ltOIJSliNl AllGRY PWPLE AMtl \IE JUST rlEl'USEO TO GIVE IP Tl!E STA.SE. THf l<IRE ABUSIVE Trif AU01EJlt£ GOT• f)I(

M)ft( WE GOT l ltl O Tift: AIUSl. we RD1£H8£REO oua fRIOIO AlM Y[~ ANJ HIM fol[ 'llOOLO Na.M!Jl.E THE SIT-· T!QN AND 'olE JUST Tl.P.tlt;D tT O!I. WC W!JE E\"rtt fDlllG TO 00 Alt DiCOR(, llJ1 00 Cl£V Of TilE JIOl. l tE OIDS'f ""-•T Ui Bia O!CSTA&r SECAUSC Ti!fllt £'»1Ptllll1 W.S BlJJb ii.IT I f AU. fK IOTll.CS ••• wr SUS':'AUE> A fOI ur­.ullCS. V"...atf:"tr bculllt Of •11 tMt (Al/lltt Oil the t.tag•?

VE THRl'lt IT I" OUR Mo\liMltR'S FAtE. It. ( .Jl .S. •rod la~l to 1olO"k fort YEAH, Tlt['t ' V GIVEN US A COilPlt OF JOIS Tll"'l liG H(O::Es AAOUl'iO flit Pt.AC[. At )'Oii 90fn9 to St"1 •ro1o111d •fld S-te

"'"'' JI), wt 'Rl o:im iA.U: A &a'[}.K AJll!) «> TO W l*DUXA, tl!:C WI llKO«C.A VJJl-

'~w I lilly tr•99 t.tft't. • liot Villl S•y YS. Slry Cl'lr11•l't. Rtcofds, !.>It

W11llt pl11)'l'l9 l.O • rf14tfvitly o1r•?P,.tCltll vt 11r...dll!'flc;t .. s 11ne of 'l'IO oeoonln9 'c;c fo,. Ect.o .tnc; tne l 1o t11\Y11t11, 11111 8r.it;q """"9ed t o out on an t"trQttlc •M taler~d Ol!t • Ill\ l hO'fo' , I 1s l"~Cf'ntly re· lt.<1Sed CP, L 11..,•1 •l Riot ._i1 th Spy "''· S!)'f, eont.111111 fi ve o f the 1;,$ t lono~ t.c Pe"'o~c:!. en~ I ike the ll\OW', ""' 'ftry ~iq>le Pro<ll.ICtion. Hf! 1>l~1i • 5010 (>lt"Cll'iC Gui t 11r tfld $fl\ll$ ((lflttsh pun~ SO•J9S tbo1l t01; 11d l ikc • ~ross hetiorir'"" Bob Dyl•n • fld Jo"" t.le. Tlic swig-~ v,ry '"°'"' 111t l':l•1i«t1vc b.llall• te ftirto.ii <Clrltflt• on e;·ery~)' life --1»t:it fntt~t1tlo1tto 9f • t'~ri.I\ fff)1ty. ~I illl~ )'Oolil Oft•

~i..1•. lilt ''""'· ··- thoy put ,.o.. .-. U.. 1t11.• S\lovtto. f1rect .,.. ''Oolilll llf9~· '"t• l'"iS (;. IS .. , ... ,,.,, -Of'lll (llf(li~ o.~.

-~ flfto

1

(Editor ' s tlote: This is t he f irs t in a series on disc jockeys in the are&. We ' ll concern ourselves pr ima!'i l y with those air person­al it ies who play new . ..,.ave, reggae, rockabil ly, and/or punk. Our f i rst victim i s Bi ff Raffc, cve-ni ng ••an on ~CGL, 100. FM. )

On the air from 7 p.m. t.o mid­night each weekn ight and 3 p .m. to 7 p,m. on Sa turdays. Biff Raffe is the unassuming 9uy with t he great vo i ce and the del i ghtful laugh. He 's the guy in the Arnold Palmer sweater who is obviously c:raty about the music he plays . But he's also the 9uy who invented Cha insaw Sc\111 ,

"They"1e been called s ick and they've been called ugly. They've been cal l ed mindl ess and t hey've been cal led repul sfve. All very accurate, but worst of at 1. they've been ca lled HEAVY METAL. Jt ' s Chai nsaw Scum • . . Nex t Sat urday night, $2 . is all it costs . .. and with on IQ of 35 or l ess o r that of the c umulatl ve tot al of t he entire band, you get Sl. off the regu lar admission price. Prizes wi 11 be awarded for t he ugl iest person, the person with the llX)St

heavy meta 1 concert tees and of course, our headbangiog contest. We'll have three rows of lockers 1 ined up for you to dent with your own skull . . . " 8

INTERVIEW

SLAM: Wha t i s Choi nsaw Scum? 8JFF: My Parody of a heavy metal

band . SLAM : Why? Biff : It ' s a sati r e of th is who le

heavy metal thing that MTV is resjXlnsl bl e for.

SLAM: Oo you l ike heavy me t al ? Biff : Ho . SLAM: When you were a l i t t l e kid,

did you wan t to be a OJ? 8iff: Never thought about it. SI.AM: Then how d id this Mppen? Bi ff: I starte d at KOHS i n Orem .

fi(y main in terest was and I guess still is sports br'Qad~ cast ing . That ' s bas ic.a 11 y why I got i nto it. I figured it woul d be a good first step . .

SLAM: So di d you call high school games?

8iff: 1 mos t ly played mus ic, but eventual ly J did a f ew games, all 1 ever did was basketbal 1 games as far as on t he air.

SlAM: Someone told me you won an award .. .

Si ff: Yeah , tho t was the State Hi9h School Play By Play Competition . But I h.ad a n unfai r advantage . I already had a job in commerc i a l rad io by then. I worked at KEYY in Provo, three a 11 night shi fts b weekend .

SLAM: And then yov worked at 1G7 i n Orem?

Biff: Yeah . SLAM: ls the music you phy here

at 106 •ore to your 11k1ng th~ n what you 've pl ayed at other jobs?

S1ff: Yes , 107 was c-l ose . This ls a lot better because there's more f reedom. The music he re is defini t ely more to my l i ki ng t han 107

a nd defi nitel y rrore than KEYY whi ch '"as an adu1 t contemporary s ta t i on wh@re I pl ayed Charl<!ne •s ( 've Never Been to M.e a record arrount of t imes . The only t hing that saved me was be· lng abl e to play Steely Oan and the f.agl es .

SLAM: Could you work a t aoy radio s t a t ion?

J •

Biff: It depends . Right now, i f ! was offered a job it would take a lot . just because t hl s ls a Jot of fun and the whole concept is rea lly good . Obviousl y, if I had a different job, ! 'd listen to this station. It would de­pend on what the job was. I f i t was somethi ng I could take and se riously get i nto sports broadcasting, I would do that .

SLAM: So that woul d be your only temp tat 1 on?

8 1ff: Probably , other than a lot of money.

SLAM: Whose musi c; do you enjoy? Biff: Echo and the Bunnymen, Tears

for Fears , The Alarm , Simpl e Hi nds , The Cure , I l ike REM a lot.

SLAM: What about bands thi s s t a· tion doesn ' t play? Any favori tes you ' ll admi t to?

8\ff: Yes. Steel y Dan I li ke a hell of a lot, Steve Winwuod is a lot of fun, also Yes, and I thOught Kansas was a good band way back when .

SLAM: What's t he strangest phone call you ever got?

8iff: I don ' t know .• t hey ' re con­stant. Probabl y the girl who called the other ni ght

and tried to tell me that apparen t ly 1 didn•t know anything about music because r didn 't reali ze that led Zeppel i n was one of t ttt! inost i mportant bands of the BO ' s .. . no, that ' s probably one of the most r idiculous phone calls. The stran9est , I don't know.

SLAM: What are some of your favor­ites?

Blff : She was one of my fovorl tes a 1 though i t probably pissed me o ff the most.

SLAM: Do women l i s teners cal l and ask you out?

8iff: It happens . SlAll: \lou l d you meet somoone if

they sounded r ight on the phone?

Biff: No . SlAll: Do you 1 i ke go i ng out an<!

doi ng dances for the st~­t ion?

Biff : They ' re ok , but I hate high school dances . I won•t do high school dances because you 90 down there and get 400 peopl e who are into our music) and 400 peopl e who are i nto Motley Crue and another hundred who don't care either W(ly. tt ' s just a mes s .

SONIA JOHNSON Citizen

for President RICHARD WALTON

for Vice President

CAST A VOTE FOR A NEW FUTURE -- NOT THE PAST

Vote November 6 l ndependen t Party Ticke t

Wa t ch for Sonia Johnson in the Sa l t Lake Area the Fi rst Weekend in November .

SLAM: What ' s your dream j ob? Bi ff: (Laughs) My dream job . . . I'd

love to cover an enti re basebal 1 season for a teal'! . Pi t t sburgh would be f un, just because J was born there . but any team would be great .

SLAM: Woul d you like to be Kei t h Morel and and drop rout ine flies?

8iff: (laughs) No, I' d ra ther be t he guy that sings about him ... No, just jo~1ng.

SLAll: Do you want to be a rock star?

Bi ff : No. not at a1 1 . I 've never had any desire in that form.

LOUiCQ!TOM TR!N

455 E 300 S SLC UT

35 9. 4175

Whette the 50's Meet the 80's

9

0 -· 0.

:r " 3 "'

Thompson? NoiTwins? No' But ... let's get one thing stra i ght ...

t he Thoropsori Twi ns are neither . t here ' s no one n11med Thompson . and no twi ns In sight. The band ~s fronted by rom Bailey, Alanna h Currie, and Joe leeway.

f em B<liley of the Thompson Twi ns

10

The sold·ou t arena was expect­i ng a well polished, MTV exploited pre tty ... boy dance--orfent.ed band, and that's just what they got .

The Twins oper.ed with The Gap, from their lates t release. Jnto the Gap. The young crowd knew most of the cur rent songs, but were puzzled by t he earlier hits l ike Lies, Love On Your Side, and In the Name of Love .

The most enjoyable P<lrt of the show was the band's mob ili ty , a ll three used remote, wirel ess head· set microphones, enabl 1ng them to crui se the stage addi ng a nt ics to their vocals.

The band f i ni s hed t he ir show wi th a secQnd vers ion of You Take tie Up , dedicating i t to t he ent hu· s iasti c Salt lake crowd.

Berlin, who opened th.e show wer e oo di fferent th.an l ast time .

· Chri s l. i ngwa l l

One of the surrmer•s mst suc­cessful outdoor concer ts happened Aug. 8 th when the Psychedel ic Furs took t he stage a t the new State Fa i tgrounds A-rena .

The Furs flt r i 9ht i nto t he mold of today's "modern" British sound. They ' re pl easing wh i 1 e ll'la i nta i nin9 a smoo th innocent feel i ng.

Lead s inger Ri char d Butl er COll'f!lJnicaites visua lly with a wide array of calm, somewhat sens uous hand movements. Simi lar to Oavid Bowi e in controll ed , mecha nical stage irovements . Butl er a l so ap ­proaches tile aud ience wi th warmth and fr1end l 1ness ; he went out o f h1s way to shake hands a nd gree t his fans all through th• show. Bvtler also knows how to pace hi s e~rgy. Never goi ng overboard wi t h either his voice or his act­ions , he sets h is band on an even course, complete with upbeat tem­pos and melodi c tunes .

Band veterans Tim But l er (bass) and John Ashton (gui tar) were r i ght at home as they played a l l the cuts f rom their Mirror Moves l P.

The Psychedelic Furs have changed from the i r 1980 punk sound and now t hey ' re con t ent to pl ay musi c that 's l ess rough and di s ­torted. The Ghost in You and Heaven are typical of what today's Psychedel ic Furs are about. The keyboards a,nd sa)(ophone bl end in and a dd a colorfu l wash to the band ' s new sound. Sti ll, harder rocking tunes l ike Alice ' s House and Uere Col'IE! Cow!>oys went over bes t wi th the danci ng. s waying, c l apping crowd .

- Tab ll oyd and Pa ige Tu rner

San Francisco's most origi nal band in recent his t o-ry made a stop i n Salt lake Oc t . 15th at the U of U Union Bal lroomi the seventh on a tour that wi 11 keep Rorneovo id on t he road until the end of the the year found them fresh and in top mus ica I fo rm.

Senjami 11 Bossi

This outstand ing 5- piece is fronted by Deborah (Oeb-OR-ah) lyall , int riguing vocal is t and chief lyriclst . Support i ng mem· bers incl ude Senja~in Bossi, the saxophone wh it who h.as shaped RQ(lleovoid's distinc tive sound since their debut itsacond i tfon LP in 1981. Frank Zincavage { l ike cabbage) often carr ies tile mel ody wt t h excel lent bass work whi l e r-e· ser ved 9uitar is t Peter Moods pl ays a l ternate ly br ight and haun ti ng guitar. Aaron Smith, the only non-charter member. fs an tntent drunrner lil'hO knows just when to let loose .

Xlckifl11 things off wi th Just Too ~asy, Romeovoid had the crowd in their back pocket from the word

90 . Myself to Myself SPOtllghted Zi ncavage ' s melodic~ surf.;sh bass li nking up with Bossi 's screaming sax and Iya1 1 's trad.etnark vocal 1 i nes.

Deborah (or Oee for eas i er) in­trodur:ftd Bi lly ' s Bi rthday, from their new Insti ncts LP as a tri .. bute t o a friend who helped her

get her start i n the mus ic biz . White Sweater , one of their fi r st tunes to receive local radio air .. play (a long with Hyself to llyself a fter itsacondition ' s release i n

1981) was well executed and l e<J nicely into Instincts , the t i t l e track from thei r latest LP. Bossi was amazi ng on t hi s bal lad, play­i ng tender , understated , del i cious

sax . A Gi rl i n Troubl e {Is a Tcm­PO<ary Thi ng) and Out On My Own , both l ocal hits , were highl i9h ts of the show. POPular with that majority of the audience who knew a n unequal led da nce opportuni ty when t hey heard i t.

!Jebo.-ah !yal I .

Never Say Hever, a grind ing , sul try c l ass ic couldn't have sounded better, but should hiive lasted lorser. Speakin9 of t ime , th1s was a short ha ppening for Romeovoid fans~ the s how wound up encore and a 11 just an hour after it bcg·an . Near 1 y impass~b l e road conditions near Denvel' (the i r nex t destination) mi ght ·nave necessi­ta ted t he early wi nd·up .

Brevity notwithstanding, Romeo· void played most of thei r best tunes and gave Salt l~kers an eve­oi r~g with an i ncredib ly tal en t ed band .

-Cushy Davenport

Backstage before the s how ..• Romeovo id from left : Aal""On Smi t h . Peter Woods. Oeborah lyal l, Frank Zinca'/age, 8eojami n Bossi .

ll

Vitti •'419 Stio9t ff ev~ U r• tllCt" t lld i'TY Me of tM ttt,,..st l'NWflS PlfOl!lt •re .-W.rl•fllf t• c••le ft, I t '~ ~ lNt tM t f' lec-tl ... of aisle •tdtoo<A.stctus lYJitl•bl • Is sttll 111tt1«1. thft oY•"'igtit of pot.-tf•l profltt. ••Y Oavtd 8ow1e has COl"IPlettd a twenty minute fflm b1std on the song Blue Jean. In 1 t , Bowie pl ays a double role·· a s.ophfs.t fc:ated lord and a bumbling Idiot.

soon be: c.orr«tl)d, llOwover. os "°re •r'ld iror-. vldcOCD,ttttt ( OTI•

ponies 1re relttsi~ nelif titles . MTV 1s ,..INtin{I • PICktM of !Mi r niost popu1tr vidtol end Prll'ICe' t. Pb'111• a.tn will be ..... l~sed \OOtl , Just "'itl.t ofter Its fir\t r\jlfl •l W UIHl4'f'I,

Of iatettSt to a.ti l"f St.OflH flits vl11 bf. tbr rwi e-1k - Mctv. 1tll ot ~ A:lllf_t:ig S-tMeS G~t~St fldito Hits.. Mtillc C'Cf'tAi117 90\ tho ttesl origir.:•l title, W a.­plltl~ 5hould pove tateresti1!9. Tht vi~sutte 1-.cluOes twe1'f41 UlllC~red StQf't.S clips tll4 Goci.· nnt1r7 foowge. Tbe:f •"• tlfod to~tl'ltt bf conc.ept foou9e ln 'llflle:~ Bill W)Nft plays a ... JStwt curt tor ~!Id Mi ck. J.a99e-r one of his t .thl bl ts . (Jagger ts, after tll, over fti r ty . )

On tl\e nore esoterlc slde ts 8l"iat1 EM 'S Thut'Sday .Af~MOon, a c1>l l tc.tlon of video "p.llnt1n9sM of a )'Ol.Ml9 i.orun. ( n0'$ theory is ~tne video $its $t t11 •nd Yo" m;ive". While interes ting at timts. the pie<:t:s se-en o little Pf'tlff'l t io11s ar.d tro"' l@diovs after a lolfrli l e. Als.o, .YlXI hi ve to Wm )'CW' TV OYl;r Gtl il'lo right

KRCL BIFM

PRESENTS

''Ot··o rovtl fdN, b11t • trifl e fnconvtnltnctng t t tt1tes..

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..JQt Yl dCO

SOllR~i

fl-1111 to a 11rfnter's (!r rQr, latt 1$)Ut tlte Me,.ve 's PhOtO '••\I~ prlnttG tl.JCl.­... r01 . M> tile bait.cl 11e1t· btrs '"1 be 1Get1t lfted fl"CI" rl9ti~ !JO 1.,- f t rttl-.e,. t.htfl left lo right.

Grunts I Postures

l2

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The Painted Word

Ten Years too late, Just in Time

P'el"ry She;.il"!I, (O·~I'. Y"\fl" piece DJ· v , .. 1.:i1• r11t i.1. ·~ .. tl'=e Corner of fo ... l'tll ... 'Cl rou"~"'·. dt:idfC•l•d lfl l"'f r 11 I tlld \ol,•fd,

YPJ !iflOow 11!• .. t tlM) v .. 111tod :.-oto. 1>'6,:0,.r1:11 ro,. wn&t '°"" f rl t!ld!. 1t.1vc to ld .)'Ou 1$ t'IC bt$t tall!l'11c !1:0 lo t'1,.."· .no boforo yo., lcfQa' •t. •11 t~ ljtiil'lt\ t'l•O out .11:d IQ\l'f'i' 0.:11·191'11) on tilt ta1>l 11 Wltll i ·,.QOOf'*'I 1(1001\,

Th1>r•'• <I 9J1 OR \>Ut)t 'll>N, Wl\c -11~t :II" 9)i•9 10 nilt\ P\'I' '-011r tit .. ~t•liil"''' i.lc)'( le. at1tt~ t1·11, tl>1>rt'\ • l'Or+"""°'tl• \(f'tt"I .,, ~De-itt<e ' " tt-e •I.Al~ t~'T'S '- l'efstltl v f ~- •"I OY~C pitO~t< • tor tol Ol"("f dt\ IOI'\ lNl W .. It e.1119 ~Jkltid O"'to ~"C C)'(lt\t ll!o, ft l oot s lt'le vi'I ieo.t Jl'\\ o:-.t er eie !Wil~,.., 10 ~ If tr.tt t:• I..._ h>hf1f'1 ,,_ l'-t '«l1 I~.

A ..ot<11t '"' 1~d..,trltl ~••u•ll'\ ~~\ uOi ilt '°,,.. tlbl• •'WI t'liil\ "OI' 1~rf' (lt.J~~. ltAll f . Afttr $ht 114\ 11i t \IP • .,. .. 10"IC 111 t"4! Pl•Ct, \tie gQP1 Or \t.t9•. llJrCIS t1'e us'I ( lll"d t lltr• '1 • lot} on tlle floor. Grll'lb11tu1 11\~ .i bit l•d.Y . .,,. .. """'~' uo.11. VI• ~nve,..ard he<1 vct. p1111n i11s by th• ll.1n\'!1o(ul IMtl: •t tile a1,1dlvr;c•. rh111 1'1'\! p(:01' off htr COVf l'<1ll1 l() , • ..,41,,1 r.r d··~~" illr (lQtl'll'1'1, ll•+tf . ... k,, t.tir ... , c;ffst<1!1f' to \I'll! CO\lr.t~r. Sud<:lenl}' tl'.f 911y <11\0 •' ur• l hf ?lllC" beCOtle\ l/\l!'l 0 1- ti\@ f CtlO!\, the""'"'" O•'llfl'S , ll•)'' • Ith o~ nofti'y, • nd 1o111t11 he !Jl'ffi. htr ~" <.h•n9!. Sh~ Sc.l'tir$. "I )Ort • ~4~T fOUR GOO•°"""CD PCNMlt$.

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l>i!-rr1 • nd X.iri• Sh11t~o"CI. Ule p.-o:ir1et~r\ of (hi s est.blisl'llt*ll ~.,, Nd• <I d11tl i911Lf11I ti.t19011t for S..lt l •t:er$. TJiere's no cetter pl ace to c.o-.e for convers• t lc1t1 •no b..lt'9dlln.ll'I OI' chess. and tl!1S ft. -0ne or • ve~y <e.t spot~ fn t.oain 'flher e yo11 wc11 ' t ff'~I s t 11y f.l!O.,,.ln9 11 ;1 .l lo11e. Th~ art on tf'l(l w~lls c111n9es p~rfOdlcally io t'le loo< hire 1s a1'«:tJ~ fresh.

I f )'QI.I dec; ide to Just llOP In O•I II r•ndQ9 (!V!'tl i "'!, ]'Oii • 19hl bf tr~•l.(!d fo,. sJb.)(!(te4, depetidln9

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""°I'/ ~tlllf'!", ff"O"I V"Oll Me Stole °"" ,...., •• ·Cv1>i1 o.-.~oort

13

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I ~ I I 1 1 1~••t I I My c.lt1 I\ I I t In th~ '1•lt of _________ _

I I I Zlo I I CllSH1' •ftd M IC.C wy: "luw fill ovt tlle Q.1Htlo111W1lrt.., lhci I 1 .-eyer'!;, , ..,, •11 ft to 11S •t~ I

t su...w._ :t't. I I .saitl> • ·•· ... "'"t t I N!fll.£: Salt l•u Cit1. I

•JU b I 6'lS1 I l !Nflk~! wt'rt rt•lly l ookln.g fonn>rd to httrl~ 11)\jr vie.,~ •I'd I I 1i\199'1ttl01'1$. (~tt!wr er not 1oo'rc 11,;b1ic:rlb lr;O.} t

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lits i •1 "'. .,'""°"";. t~l y er~, vttl\ lht First Cut f~n eMir M-..\ t lP. rouctt, [u"°ythnic.s COntAndHl'ed tllt Oot"l•,1 1r 1t¥,1e at P•r~w-es t Just •ftel' cl.isk . Swi'lg• 1119 011 t11to This Is t,;,e t101.11e, " hl t ll "'' 9lvfln "°""of " L• t lft f eel th11 11 011 tl\ft \.P, o,,~e Ste«<i l'"t <1.nd AMlt l. tt111Q1t .,.~re fn c~lele Q011t1"<1I o f l 'le l lmfn9 • nd t vJl)d or this Co't'llt, The • loldler1te "'"~ on tlui';r fe•t f l'On th• ~ tart .

Love rs • Str•nge,. •M It> re. ... ,., >'•tr, "'° '•IA, ( 111> aroi.et1 ~·f'!S} llifftt Mt\I togieU.Of'. l~t lttl,tf' Oti"'f ""''01'9ed PffT'olf'-111 f• !~ $1"t.

~ss:&ty • S '*""91 to f 'rl1 ~l(U Set.II r.til( .olflifth .EurJtlt• ~lCS 11.lv• fllCIOf'OOf~t((I loO ntc•1J il\tc Viet,. so1,11'1d, tll«Y ()1.111ed off .in Ot1t'ltand1t1Q cover or I ~ard I t ltir-ovgh the Gl-tpevifll! , ccmplete with t11rff \o'Ofl'tfl ltl nlnist. l r t s , 90-90 boots. fl'ld l'lltc:h1n9 t-ee.ti1ve­..ri th~W.J l$ t • 1tngt~·COl\1•W1 I I'll 11'-00S, lht•o wo,.11n Wl!r-t not Just for .vtt>i1111te tho1o191'1 , t nc(I' vo1ce s lofi!re U'IC Ptrfec t b~Ck·1.1P• 1,i11g on the tl~f! for t'li :i. "'°"cltr f\11 oldie.

Yis..-1, pl1)'td •kt)' role in !l'li~ rev.Mr, Anr1lt ipit_nl -.>s t of tte e11ttiitlf fq •'-Ort of bel l hot>

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'6111fo"' , si:ife.tlnet wltl\ (l:,;,-, :.:,-:.,;,~,: .. ;:,~,:-;.:, .. :-:,: .. ;,~l~y:L1o:o~k~ .. ;:.~,:---;==========~=::;:, vt\t, or jinl -..init• l>lo~s• vi.tit Ql'f •"otht... !t w.:is • t#d dtl>"t'SS· bf"tf.": ted 9low•s ,,_ sMes. C:.ve 11\.f. ltke tty1n<; to ... uai Kit\ J.ii· WOrt , MiSE s ... tt .cu-t.H vlt-l!t 9tf' •• o.-.·1c low'le oerlont °" tM "'Ol • f!eoel t ie. rot • b01o tfe, b.Jl s.-.. sw~. fft.n wr.,,.. .. ,.. tM.t w rlllflrltOflt'S. .lit tilt 11tc•. Oll\.tf" Is tht:tt.

r11rytt'nic$ )rl,.,9 t ro.11 $ense fr•t er"l'lizat lon wl\lllfl t he band 11f 111e,:itre t.o th@lr perforNnce. (or l lCt of tct as1du. t ur,ytMlc$ rtlyl11g (not t riat tll.ey need to) put on• world-el.tss SllOW; well t.o/l'tily Of'I c;:istur1fl!I 11\d crrar.a . U'IOught out .al'ld e,;"rtl)' t•tc1.1 ted. Durlr9 a !'.l<l r t lcvlol'l!I' W""tll(l\iit.1 t lle en.oot't! ... as tA•<tly ...ti.It .an VtNIO ... ot ~t"'"C C.0-s tH bi11 ~ore SllCalct be--l ("""""'' pn;1-. •1•, -._..,.,;, urrite 1 ...,, ur- Mt1oa wlncll s.w A.talt c.1rrit4 ~ •~1 le •~ ....._lt:N o~t Ofl .. exi..._. St.t91 Ol\ f plttfom lltft-" bJ tM:' 400 sur:e {• 1• ltls• ht'it•, o.ly noen. Sl'le s;iolre w1mly t.o the> e,...,...,. less so) at1C all°"'ed 1,11 ,.$•1 1 to h" hOld1t19 110 11 boi.q~t of 11oses , say­DGt.otd/etress!d by V!U•ti wit..,in tl-4 lno "'le.s.e renMW" lllt by tJi i~ ." flr$t few feet of VI• i;t•lJt. She lt\t1t , AH:Jf)f(R ff\(01'e with different Md txCE-lllll'lt t)11 (Ont•ti with tile c1>stut1l!\19. LU!nox 1111d St11o1.,rl N'lt$. ~<'lily Jooli119 li lie she fP!INrwd in l1Tt.a1t '\lltl, • lllll'Or-..,, ..-ijoyi-:i illlldlwloiwl Pt<IPIE-'s O\lt.17 bl•t.al!t w;,iy of uyl1t9, 'WE'~ f't: •ctitfl'$ to Ult s•. St..at't, "°' .,._, ..-et')'dfy g,..ttl•'- Nf'd, 1• toio \.fe-N •ff.able. p~f"9 f::i" lot(l, '"1t'fll Scottlsti. ,.., oon't JOit ptlo""9"•Jiber$ •'Id ;.M-"\ codnt :o 'orttl it.' I.ht rtS(U! Of • ~- 111h0 'IU$ be- Jtf'11tlfer, ~he flMt \ll!'IC. WIS 1n9 SQ11fsnee tnto tilt 1t.t9e by the t'•t •Ota) e~ing. lNltit 1nd s,1(11o1, Wfve of fans hch1nd her. ~ ~ull- lt .,.., a h.: l lab,ye: for tll~ spe11t 110 Mr OnlO tl'4 $\agt end lf!1'ered :>~ I L lllkt: alldlt~t. ll~tn, inSU!lld hfl' ti) a S.lfo extt . ot ~ltln9 off$tfge wltll ~Jo.II

Tn• .anl•o-tl1ty sttllt'd co ~d 110•~, °";, (ul'ytMilc) 1,.,..c ~. iwwe~. l~:l '"" s~ 1e, • "*'!i1e •t ~ 'NW"\ of \Ile ut ~ • ~~•t ra;itO,.l w1\lll t.~ .'.41fe, wwt-; fOOdb,. . tnt1 ~re pJa)'fflS: to. •~t """'"° ·Cuv.t O•~Wt

Urmi stakably. l~M11 1'd Jo1tes had 1 l'iOt o~n1m} foT Cu,.ytlwllcs at Parlw\t. Pcrfoml1"9 •11 hts l'U$iC 1iYe, (i:o P'f"KO~td back• t., tr•cl,J, aow.rd .bM\ 1$ & Ol"t•ftf1'• kft4 V$ t I'll s )'lltlltt I ~ t1'14 • ..,,_ -.c11111~ to <"fft.f' 1tY­e-I'\ of lvcfd, bright t.o.ind. Co.ax­ing toun~ of p1a'lo, tltct,.1c ley­board~. a11d brass rro11 111 s 111gn· t.tch tQt.iltieient, Jo~s -..Of't • ttf<:· t0pM11e lleadset a11d ii crisp J1.1np-­swlt •c<e'lt<.111ttng bls 11\!lrlty 91:1-ve• .. lllt1..

O.nttt(llVlt Jee totittt •!S* '" Sntet'C'So\i1'J9 to.th by i,,l~"9N"li"'9 Jontt" ~1nte!d 1yrici. l trdlrrg eYC:n ..._,re .,e,.11ing ,,,,, l"ltl\"*"'I to PeJrl In t~ 5nel l , lhit\ i-. Lo~• . Htit So11-9. ll!!d L Ike CD Ge\ to Kilo., Vou Welt. · Kt~t ti1"t Howro Jo"'' ltl lts

Solle lo•e, ftC> dcJl..bt M"l1 M • ~,,_,..

·Cwt.~ 0.vei'lpori

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I'M flnt ·~k' baftd to lie s igned to eecu R.Kot'ds ' " tlle' llK •~ IS )'111'1 ( the list one bell'IQ the Rol l fi.g Stonts) , t llie Suburtlt hive• lot W be prolid of, \Jftll t heir $VCC4:$S•S ' " •fnd, it W1J . pl eastll"t to find UH! Sull1.rr os a flrn. fr fet1dl1 , lft1• po11pous !).lnd. Ha l l ing fl'()fl 11tnt1e.sou, they tend to sound a li ttle lfke Bob and Oou; McKenzie. ~en 11s i1111 ' el\' periodi cal I)''" tht1t" SO!ll'ICI ClltCt. ( I .e., "Le t ' s tes t t hose dr '1'1!S,ehl")

In tr'"'scribi~ tY fnt• rvt .., u pe, lt "'IS not 1l11111ys poss tb•• to f t91tre out who uld 'lthll t , 'lofla t wl Lh evtr)'One U l ~Ing at the Sfl~ t lll!e. TllOse lltlltt ,..lbut• bl e oen.­Mn ts w111 be labeled •sueu1t8S" beloi;.

lht bdnd t1enbers il'lt ludit: Broce Al 1efl, gui t t r 8ce-j c 1-.• 1-11ey, beej ta r al\d vocals Michlie l lfellfa.ay , bass (H! 11111sn 't oresent for the intervf~.) l'u90 tloers, dniw1$ Chan Pol ing, tcybolrd' 0116 YOtit1$ iftei r 'riof'tl pl•~rs ""* Tcm 8'1rt.ev1k tl':d i:evi " M;,rd,

$L;t.~: H.tYe YG-11 gll)'S done •111 vid·

'°'' 8RU:E: Ye-s llll 'Yt cbl'lt • bolll fi\'e . ca.\, : 'l itpe ro11r Wife , Co1rt. W.l t · 1119, MtrStc for to1s. •nd love ; , Ult liW . ..

An Interview with

'11IE SUB-URBS

SL.AM WWt't It l i l t to IN •t SOWOftot ' S helli\t 01' 10fllti.111i •114 '" • Yl4t0 of 1t11n or llff r1119 sor9 tM t f'lt rt o lot (NAii: ttboross1~.

llRIJCE: I t ' I n .. t . tltb.t rit\S l"f1 )'tl l'I.

$LAii ' •">" 8R\ltE: le<:lu1t u1wl l y 1011 ' l't he-1r1ftQ 1 t 011 t bid r.»d1o or $Olf-t · th 1~p. ono )'Ou w11n It 1ounCtd belttr. SLAH: CM t ile 1.0'lt 11 tt.c l•w LP, )'tkl used o Ha11t t notntiftg, t.ne Ottd Jortoclor. i»os ort oloy 411 l ll,l>Ol'Uint Oll' t lfl )'Ollf" ll'IUS1c1 BltlJCC: It ' s J v1t tnotl!~r n11dh1r1 lo pl11)' wl t ll , ror t!Atnpl t wl tlt the ~td fOl't•dl> .. , )'Ov' rc tl',rtn!I lO s ug9r1t ronlniCI! , Yott Ii/low, lly lf\11 for l11vc,

lfJ!'.O: (Just •r'l' lv l119) So ... . ,.. got~ on1u~e In •n hOvr •NI twenty 1111111\c' •nd I Jvl t • tt 30 pounds of bc• ns onO rice ,

SLAM: Wtll , ,1011 guyt el l ' "1!!11 l~innltr t11• 11 fO'\I "''" l•~t Li~ '/011 ... r t 11.tre, ll I t the N• •gtl of tht l"01d?

IC(J: Oocs11 ' t ever7 )'Vlifl9 1111111; lovt tQ l1>sc wtight hoYi ng f11rt . "'"-lllt' lt tie sex or ro<l nusic? SUl9UR8S: Mt'Yt bf'C:Q bi'llr9 o lot better sc11 l ately. r!UGO : llot ne. l'n c.ol it;.itt. IUJ: ltll t '$ "'hY ~90 t.Jt.s be.J.rs. SLAM: llow l ong tl"t 10U or. t he r~oJ every Yt.J r? SIJllJRDS: Once ., Y.f4 r . ( l •W9h ter . } C~K: I t depends , A!'ly.1t.ere f l'Oll fvul' to se:~en or eignt 1'0t1Uls ., 1'•"· 'olt'l"e' on tht rot d •lo t .

11.JGO: Trit l'IY•<J~ of the roe\ b;,li t lltli to be flfff.Ct1y lll)llttl. SLM: 11 1t i tl11 t~1 l\'l.l'tOllC: fNl!i , MJGO: It"$ tftt llOl t f ti1 t1 14'\'t 116d, -·~·~-"~·~·~·~'":..:."~·~·~•Jc_ _____ _

\'e just ( ttP pl1yin9 •ro11nd. we' rt ''""'' o .. 1vin1 t.Olt~'°<""~ lO Pl•1 ...nttllef' 111e 10 OJt ts '1f' •~ Silt l ite.,,. its Hel l A or t,lflt ¥~'""we probl,bl:t 40 llltt \NI) ti-Ct • Yt•r , SLM: 11'11 wrote tlt11 At WJI: Well , tllc lyt'i(S lrt all I bo6tt·po;Ogle of 4tffertnt tAtnts. ~: l lWlt $0"'9 tJ ~ ,..,.,,,. . ..,.. (&enlltr•1 e11C l~t ,,_ , .. t-4.) Sl.Nt: I fU!t1S Mc.tt.M: ,_ ._tlaft .S.1t \Ile. (MAN: Otl t'ff 111 •

8((J: Yun. t h.st 's 'lofll t l t:e• rd test 11i g!lt. l N. t ' s QJ'Ht • SLM: V!'io di d your logo? SUU&.s: Sr11te ' s ftlll. SUIM: lt'tilt lbOllt PerlKt COnlu· A1st. What does tblt ae111 to yc.;1? tt,l;O: It doesn't ~ .. •t.fl to us •~re. we h:.-v~·t pla}'fd i t for • 10!lf tfae. OilJi': : V'fsb ~·d MW PfM:ticff it, I hietrd ~'le 1!11199 t t 6'1t l•Jt •igll.t. IUJ: ' wote it O!U cft.y ..... I ...J 111ttchi"9 t~ N:WS . r dlwt• t -etch the ~ nuc.lt •/'Id •s I w' 1o11tch1ng fJo.e 11evs, ft just~ M OU~ ,,!Jd l wt ~ 411d •ro~ l t out. It took <Te .i.bout f ive • fn · utl!'~. i t's just a song.1bo11t wlty 6:1 ynu .ilwys h• ve ft in the 114't t o' your mi r.d t h.it totlay 111ight" t he l •st d.ty bee.us• of 50l'Mt>o<l.Y •i t h a big t>onb. It ' s like• 1111c· l t;u· ft) t l. of life . 1 11e.n, why ~•11't we be bulfdles? SLAK~ 'lf01.1 i d you e><er tblllt. of do· 1n9 that as a video? s£tJ: Ye.It, •l l ot us really 11ke t he soft!). We pl ayed I t ror • 111hi le bou t 1'-e were in 1 rod. i.nd roll ptw.se afld i ts k{nd of Ml101o1, ~t ~ah, I ' d l o-..e to do 50fflltt• 1nt w!Ui it. I tllii11t; tlliat 50fl9 Is 901119 to last• 10tlf tt~. t t5 not

(ffJI ] bl.'1$ A l&lt TO 11 P~·

ff<1• l 1•rl,(M11 Po!l11g · 6rwc:e i\ll l"n

11otn11 to t 11t r ,..11y be ovt<iltt~ . Ovr 011 t l rt lives or11 going to be tvr ro11ndod with nl'Clet)r POMer . SI.AM: 0o .YOll tl'lint i f Yov did a video fol' it. .-ore Pl'OPl t wuld no· t iet I.ht l,yrlc• al'.ld •t<irt tl\;na:ing ••• 7 BEtJ: Ye.b, I thiM it. could bet rttll)' dr~tlc 1.01"19 if w .. antc!d \0 "'°"l Ofl it. &.it th~ .i~ia. w

(COflt 'd ~ ;1•9' 11)

FOR OIHlf«i mu lME.S THE SENSES Nm M IU.$

F'Cft ART THA.T COR.9€HJS AH JCflYE Ml fC>

FCR Nt EXPERIENCE THAT IS M DlfffRDC£

A look llt Late .l4 t9ht Vf th r>.vld Lctt&.,...11

I for Otte • .,,..., JllX:ill i•to l•t• lltgl'!t "1th 0.vfd letttmiilft, I llte the 9l>'fSlS, ll'le skits \Nt l>Ofllb- -~l!o t-1ri rorgtt the t119hl that 4oo rt11e'lt'd hl•tel f fn front of lril1i0fl$ of w1.......,, ••• 1'1111 Sc.!tae,.,. a1';d ttie -orld's l!IOSt 4'11-sef'Olls bal\d (-.ti lcl'I dOts"-'t gtt t.o Play nc:or l y eno1191\}, L•rTY 11111<1~ ltcl "l!ft 111d ever ytf\11"19 el~e U!•t toti into tbe ... t fr19 ot t111ts 11111 • iriOl'S •ild -.prcdl<.~le S!IOll .

litlat I dcri ' t 11lt fs "°"' l1tt Yt>u howe to stay up to watch It. There Or'e only two M>lul,OnS llt fndl•ld.,.1 tw"S to tftls t>rfff«· _,.t: IJ If~ i»ft najor <OrP­orate f~<fil'l9 •v•l1otile. 10111 cori pyrct1111t o satel 1 lte di sh for 1our b•t~y.ird aftd inttrccPt t he netwof't fffd t o 1t8C'i. •ffi l i•te (QTY) olfllfdt is M10Mt ff'Oltl 10:)0 to 11:)0 f-•· ltSl, #ftl1e w Jilcw Yon. "'*' s vle..1119 • lldience is siirult..l\tlousl >· seeing t t at 12:3JO a .a. EST, You 'lol011ld M'/e to give up utlltf Johmiy C..ne" theluig~ . t) Ult .,.. ec:onoelc• I * 7 to ttt • rcu1nd C/rlit tfae fH:to.r 1$ to l:Kiy • 'ICR •nd. set the c llr1tr tQ UPI tile Sl'IOtol wh i l e )'Oll'l'C! asleep. Hel tMr Of these OPllCMIS is'"" to .. Pt~11y 1.t11l• ss t ., ,.. «f~ \CMle IN.jot' COtllOt•te' Mel • lr.g (11..tJtt frott •C or t t ' s P<fi"• er.c co111p;iny, ACA).

AMO AH()Tll(ll llllNS. •••

first tc •s i0).t1's Mtrott. "°"' I aa 'le~ of "" tc~1f'l9 Alt<• reruns 'lll'llle w.ilt.1 1'19 to" Late Ht~ht t.o COl'l'I! on. At 1~$\. It'' Better u.a11 lee ' 0 V1oeos.

I c• llff ,;irry •flO tl'lrey f11fom­ed"' tll•t tile l'ttS.011 they •f, Al Ice is to lnJtoet SO'flt local 1>ro9rowmin9 into the1r scM-01.il~. I'd WY . iltwa •bOl.lt. 01fltr 1111 ~is tlPflld l• lelew1sfo. City is •~t as loca l •S 1011 ea<t q.et. ' ' rou feel 1111 .,.,.:J l oo. 'IOice )'Ovr opiit ion •NI ca ll II.ITV lfld a.sit for Pf.O'jlr.,_lng i111 forw11. l iOll .

Sff • fltllt iSSM or t..Tl you,.!.elf off a five-sto.-y to"tr.

-0.vo S..11tivasl

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I!!.£..S!IJ!.11.RBS,_ ___ _ _ (cont'd f !UJ p1qt lt) •r-en' t • b1•t4ntl)' pol l tiC:•ll)' nil'dt'd bt'MI . flwll _,., Jvlt • '°"' I ~"lM CG f t \ ort "Y (ltf1t. •l W trn'IPl!.l -e•re J111t Ol@lnt t11ppy olJld tM l 'Ul"'f I l f'ff 111 ~. 'jl}.,": Wtuld )Oii tvtr lilt to Pl•r 111 DS restl .,tl ' ''" <,,_,? CfM: Yt"'! Mit did dO • ,,.,_ I• St. PlUl ltlt "'l•tff' tld , .. ,. ...,... 8000 ffOPle cNl'e tf!d thtt tifS t'Nlly e:.c.ttf'"I. Wt ,,..,.. 1 .. p1ttg • l'Oli'ld fflCI yel 1 l1l9 tM twiv t119 .a gre1t tine. Ve love 1, : tlle •tt­gie:r tllt better , SLAA: A,.. p.oplt tl,.11 or )'01.1 )'tl '"' " '"ne"polt1? ( K\H: Prob.I.bl )' SOlrt ,,.., , • 8££J; (kl\. ..... ' l"f bfg~fl" \~f1'1 flOW W A lll(O ' vt ever bttn.

CKAJI: l he wngs . ,.. •lrost 6-Jl\f. I t shOalcf bt • few nonttis. SI.A~ : Oo j'-OU ~vtr cpen fo r •n)'One? CIWf: We '-e~ i 11vit.ecf to open for Adaa A11t , wt t.vrt1ed 'it GoMI tho1191t. t t _..~ 't eno11i9h *"'""''· v. j1J~ t eot offe,..d tM FU!"$, bi.It t.ney '•''we 'lilAtH UIO -.c1I N>fte'J, no. U.J're lf7ltlf to ttt \IS Ofl • lO.r' wit• " tsst., Pi!:l"SCfts-. M ,JNll, 11t '° Nlnl to triorf:I v1UI ~ 1119 •CtS.

8CtJ: I t MOU1cf be ideal to g-et ~ur "°"' l'i!Cfl'd owt and get oit a huge tour end ~1•1 our fte0rd for every­body Ind 9tl e • IM °'-i t tot> •. SI.AA: I• t"-'~ •1Vtht119 1'0t1'd l1 t.e tot.ell S.1t l elt.e? ~[: "9 '~ ~t117 Si•t.tre. Nnt rotki,.,,, f1111t ltY1"9 9!1.1S· CMtUI": St ~1 -.r frtttf"9 ncords.

·Cir$•)' O.v .. porl

SLAl1: lt "11'\t be f ,(C:l t11t9 to l i ve son-~~- PAT METHENY RETURNS CWIH: ro 11\•(: SOl\"INt'lert • •• yt.'lh. it' $ .i t)tS. $LAM: •SOlnewher+ tlltt • f fftOll l Nn<I t4nes rl'Oll. 6£W: Jt.' l 1111'1 to Mvt )'0\11' llCN­;o..n rt•lly l i te yo11, ..n ~tl honit •nc1 people •sa: nov our t.rtp .. , , 1t.s retlly ru.n. SlAtt: t4ow di d )'OU 911>'' 9tl tO(Jtl·

""' Bf[J: a.1" •'Iii 1 wt'f't Jvtt "°"""" "'"· \le """' to ,,,,,,,..., 1odloo1 s. bl.it ...- '°"'"'I °"1t c.te~r. Ill.la: " 'cftNI iftldl I ~t to st:ll&Ml ,., •• SlA'C: S. k7v dW 10'.I 111 COl'"«t? IU:J: ltlr9utft t- "°'*"' or .algitiol . SLAA: ~.._... Ilk• 1'0'IJ 9'-" IN"- 1 ~ial11.• rrl411d1)ifp. A lot of ll11tcb )'0:1 c•.n t.ell 11w1•,.. l'Ot •v•n rw of eacll otMr or tilt tl'll)''tt Just tt)l• tl red of H CJI oWr. Ho• dO you ketP fron t1r fn9l1\19 Ollt 11notbll"' S Mcls? (~ reip04!1t. ) Or is ll even a pl"Otl l&ll? CVUIYOtrf: Jl'l Mt ti PfObl•t1. SLAM: Is tht~ • ntto • lb\.dt on t~ o.ay?

f a t Metheny, " 1011n9 41itd ht~ crtdlbl)' tal et1 ted j az t gu1uri$l 1»r-f<l!W'd ~~ Oct<lber 23NI. lle' s M:irtt'd wlth a ton of j111 grea t$ , 1nd In tM orocess. beC!Olf't' OllO hiin~•lf. He 1111s a 11enbe,. of vib· i~t Gairy i:1r ton ' s bdnd a t tt, !lav­ing •ltT•dy beM an tnst f\ICtOI" of -.isic •t the tmt.-ersft.y of lt lHlt 111d Ule krt1e~ College of Music. Ht•s •1s. ti:>rl.td 'llli tft P'•u11 11~,. S0.1 Aol lf.s. $t.eq s..11 ... .... bert l.allS, Ebel"NNI ~,., C..rlt• Mt1kn • .i.ct oe Joltinette. JKo P"• r­tori~ t!ld Jo•\ Kt tcllitll.

fhe Pl t Jlis\htt\J &rotlp COMftt'l of Lyle Miys;, .a« Pi•11fst llllflO ~· ii SO •••1 • f l!M ou.r t-lft9$ lite .autoJW:ri>, SJ!'lthes1te'I' , <lrga.11 ttld syt1Cltvfer; Ste'/e Rodby •tt>11sttc ind e l ectric !»SS; a/Id 198J MW­«i«:e:rs P.aul Werti-co i:>n dr~s. •"4 PedJ"O Aznar. t kind of fil,n41 Vasccncel os··lhat is , he c•11 pl1y 1n1.thf ni . AtMr is pri1Mril)' fl percuss1cnis t aNI vocal i st, b11t ne'l a110 wel t versed on bass. gu ita r , lll'llf keybo.trdi..

-·~-~ • """._ ¥'O -e~ ... '"""~ ·-·-

Ho1s NS been with Xetlteny otr t)l'ld llf'I slnc«i ttcthel'\Y ' S second lr. lriji~•~olor.s , •nd occaslont)lly Sfl•rts wrttl"V Cl"edi t tt1th l't)t. Hoyt ._., t ile 011C wllO GOt up tron ilt i :i ~eno beneh, turned to face tile 4lt1d ie~t 1nd g,la~d lttt e1~ ti\, " "d were here. lr/\'l!fl c.bty l*f'fOnntf tt S~il"d. The t1'0Md ,.,.,.. lo"'41. tMtt~ 41"4 ,..UC'OCfS: f <>r OI• .o~t Ptrt.. It ~ l'lt1' Mo cont c• *I-'. 111ne •nd ... 11 .o

'"" "''"""'' "'' ·- '"""°· fO.or Mll< loc• l •rt'i\l 'll!o ni•

""" N t. t•~ -~ of !ftS lrf<I\• td Oilltff U..111 /lie~ clltd Wt AtS•t •

Oft tlllt o~ r,.r-,,o, p~viocosly t~ Gl"Olil1e> ol•>'ff tJUts1de •t Park­~t to .1 4tlt9f'llt<I , a11pre<i<itlv~.

rt"*'' "' •l.ldlt11c.e. It ~s clM:l' tl!.at tlley loYed perrorr1nq. tll.lt tfne , •flld ~peful l y ll't l s 11111e • l'OllTld, Ptl Meth~111 • n-d f riends t~ft wltfl fond 111U11Drlt$ o f their viifl fn s,,1t l.o•t?.

- Hav1s l)av \s

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